#' for all the women. '

[poorly-drawn-mdzs]

The math just adds up!

[liquidstar]

If my mom sees a significant amount of blood she gets lightheaded, and has fainted on some occasions. Once it happened when we were kids, I wasn't there to witness it but I heard the story from my dad. Basically my brothers, around 7 or 8 at the time, were playing outside while my mom was making their lunch, and she accidentally cut her finger. It wasn't anything serious, but it drew a fair bit of blood and she passed out. My dad saw this and rushed over, but he didn't really know what to do so he just sort of started slapping her to wake her up (not recommended, but he had no idea and panicked)

At that exact moment my brothers both came in from playing, and all they saw was our mom unconscious on the floor and our dad slapping her. So, like, without even saying a word to each other they both just INSTANTLY start whaling on him, like, full blown attack mode to defend our mom. Which obviously didn't help the situation, but she did wake up and everything was fine.

Now our dad says that he's actually really glad they attacked him over what they thought was going on, because it means he raised good boys. And I still think that's true, they're very good boys.

[doyouknowthisdragartist]

"what's the appeal of drag kings" because women are my favorite guy next question

[officialspec]

can i say something. for years i thought the joke of the song short skirt/long jacket by cake was that he wanted a woman who was hung like a horse. like i thought when he says jacket it was a last-second fakeout because he very obviously meant to say cock. and the rest of the things in the song were just her personality and interests. which were secondary to her awesome penis

[stardustmuseum]

girls will be like “this shade of green 😍” about every shade of green they see, and they’re right

[mono-red-menace]

"love every trans woman you meet before it's too late" is a tumblr post that is very close to my heart because it was inspired by a friend of mine attempting suicide.

like a lot of people seem to assume it's about the banning and stuff and i mean like it can be. love the trans women in your life before the structures around them isolate them. love them before they feel like they're unloved. yk.

but like.

love every trans woman you meet before it's too late is particularly strong to me because it's literally about a friend of mine i thought it was too late for.

i was too scared of making her uncomfortable to let her know how much i love her and how wonderful it is to know her and how happy i am to have met her. and i thought she was gone.

love every trans woman you meet before it's too late is a reminder to me to always push past that discomfort. to always try to make the trans women in your life feel loved. because we so often feel unlovable.

even if you think your actions speak for themselves, push beyond your fears. tell them directly.

"i love you."

"you're a wonderful force in my life, you make me happy."

"i would miss you when you're gone."

"please come to me with your problems."

"i love you."

let the trans women in your life know exactly how much you care about them. let them know you love them. let them know they're your best friend. let them know you'll always be there for them.

they will doubt they're good enough they'll doubt they're loved they'll doubt everything that gives them value. but take them into your heart and make them feel it.

be their shoulder to cry on.

please don't ever let it be too late.

[kidovna]

loved the 1990s european dance music segment in good omens x

[anotherpapercut]

genuinely it will never stop baffling me how people will wear twilight shirts and talk about team Edward vs team Jacob and then the same people will be like "I'm not basing my personality off of a piece of media (harry potter) made by a transphobe 😌" like good that's great! so you can excuse racism but you draw the line at transphobia? good to know

[stil-lindigo]

bite of winter.

a comic about a princess who died in the snow.

--

creative notes:

--

all my other comics

store

[duckdotimg]

Got tired of seeing moeblob young catgirls. Give me butch and GNC catladies in their 40s and 50s (more will be drawn)

[jethroq]

hold on, let him cook

[adiradirim]

Sephardi & Romaniote Jewish Women's Clothing in the Byzantine and Ottoman Periods, illustrated by Nikos Stavroulakis

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[rixareth]

As requested, I have examined my fondness for terrible characters, and I have concluded that I like them because they're terrible and I'm not sorry.

[thejitterbug]

HISTORY.

[cadmium-free]

i know tumblr has changed since 2012 because adventure time releasing new fionna and cake episodes resulted in everyone banding together to obsess over the sad wet old man instead of prince gumball and marshall lee playing out a fanfic bakery au