My choir is rehearsing for the upcoming season; here's our rendition of "Kinderly", a 14th century poem in Middle English set to music by Katharine Blake of the group Mediaeval Baebes.
Kyndeli is now mi coming
in to ȝis werld wiht teres and cry;
Litel and pouere is myn hauing,
briȝel and sone i-falle from hi;
Scharp and strong is mi deying,
i ne woth whider schal i;
Fowl and stinkande is mi roting—
on me, ihesu, ȝow haue mercy!
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Kinderly is now my coming
into this world with tears and cries;
Little and poor is my having,
brittle and soon I fall from high;
Sharp and strong is my dying
I know not whither shall I;
Foul and stinking is my rotting —
on me, Jesu, you have mercy!
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this is drawing some really interesting parallels between denji and nayuta (and makima). to me it's fair to assume the "nightmare" denji is talking about nayuta, and also makima by extension cuz he's referencing her past. the most crucial part of this is "you threw that all away when you chose chainsaw man" because makima did sacrifice any chance to be happy or have a family in her pursuit of chainsaw man. she thought chainsaw man was her only true equal and her only chance at having those things. however in recent chapters, denji is going through a similar choice & i think it would be fair to say the “nightmare” denji could be talking to present denji here too! he's realized that he can either have a normal life or be chainsaw man, and he's choosing the latter. especially cuz in the past like 2 chapters denji was pushing nayuta away to distance her from chainsaw man. and the dreamself denji seems to be reinforcing that choice, perhaps reminding him of why he doesnt “deserve” a family so csm is all he has. and of course, the chapter title “the old me” kind of strings this all together. the old denji that is the child who killed his father, the old denji that is the one who dreamed of a normal life, the old nayuta that was makima and the old nayuta that wanted to destroy denji. i just feel like this really tied them together again in terms of like their desires & how they get there & what theyre leaving behind <3
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this delancey brothers thing is so interesting to me because like,,, we get very little about their whole family life and backstory and the fandom has yet to come up with anything incredibly solid,,, anyways just thinking thoughts and i want to hear what you have to say
right?? i feel like for a while the fandom kinda shunned them bc of their role as villains… but a bad guy can be a compelling character too!!
i already gave a rundown of my backstory for them in the last ask i answered, so here’s my completely baseless thoughts regarding their personalities and relationship w each other!! @jack-kellys here’s the rest of my delancey nonsense 😙
- oscar is a deeply angry person. he doesn’t know how to feel anything else, when the world has been so cruel to him. he’s been trying to parent his little brother for years, in the shittiest of situations: from an abusive home, to jail, to their tiny bedroom at the newspaper office. wiesel is harsh with them, their job consists of long days of tedious work, and he often feels he has nothing to look forward to. he takes it out on everybody except morris, because he’s learned over the years that everyone is out to get him, so he may as well hurt them first. (hostile attribution bias anyone?? shoutout to all my fellow bitches who studied developmental psych 🤘)
- morris, on the other hand, strikes me as a little less angry and a little more scared. an odd hc of mine for him is that he’s on the fetal alcohol spectrum - he deals with numerous learning disabilities and developmental delays because of it, and it’s made all the trauma he’s experienced very hard to process. he finds his and oscar’s job frustratingly difficult: counting papes and keeping the numbers straight is hard for him, he hates how loud the newsies are (and how loud uncle wiesel is when he’s yelling), and he can’t focus for very long without getting the urge to jump and run and move around, which he knows he’s not allowed to do. he also knows he doesn’t speak very clearly— unless he’s very intentional with every syllable, which almost sounds worse because it’s so awkward, or using phrases he’s already practiced— so he’s given up on talking to anyone other than his big brother, for the most part. he lets oscar do most of the talking and is happy to back him up with his fists.
- oscar doesn’t really understand morris’s disability, but he tries not to think too hard about it. he doesn’t know why his brother needs help with certain things that seem easy— like knowing which shoe goes on which foot, or spelling the letters of his own name— but he’ll help him nonetheless, because that’s just what he needs to do. he thinks he might need to take care of morris forever, because it often seems like there’s some things the kid will just never get the hang of, but oscar doesn’t mind that, because at least it gives him some purpose. if he has to sit there every night and remind morris of the steps to getting cleaned up before bed (wash your face and hands, run a comb through your hair, fold up your clothes…) then at least he’s doing something helpful each day, and that makes him feel alright.
- a random anecdote that sorta sums them up (under the cut bc this is long already):
for morris’s 13th birthday, oscar steals a little stuffed dog from a shop, which morris names puppy and instantly clings to with all his might. at the time, oscar knows morris is too old for toys, but the way the kid lights up when the silly thing is handed to him makes everything worth it. he simply decides to accept that all the bullshit they’ve been through has made it hard for morris to grow up at the same rate as other people, so if babying him a little makes him this happy, that must be fine, right?
several years later, the first thing that ever compels oscar to lay a hand on wiesel is finding puppy in the trash on the front step on his way home from running errands, with its ears ripped off— he’s instantly sure that wiesel found it and took it from morris while he was gone. he charges inside and punches wiesel square across the jaw; he then spends the rest of the night barricaded in their bedroom, trying to messily sew puppy back together and simultaneously calm down his inconsolable little brother.
“you’re too big to cry, mo. you know that. you gotta cut it out before uncle hears you, alright?”
“but he took it. he took puppy away and wrecked it and said i can’t have it no more,” morris wails. “it ain’t fair, osc.”
“i know. i got it back and i’m trying to fix it, okay? i’ll get puppy good as new for you, i swear. you just gotta stop— you’re a big fella and you’re crying over a toy. you can’t be doing that.”
morris sniffles, obviously holding back a sob.
“you busted his head. why’d you do that?”
oscar shrugs. he finally manages to tie off a decent knot on one of the ears, which almost looks right again, despite his terrible stitches.
“i was mad. don’t no one mess with my brother without going through me, right?”
morris manages a smile, despite the way he’s still intently watching his beloved puppy be put back together, with tears in his eyes.
“right. and i’ll soak anyone who talks bad at you, i swear.”
wiesel beats oscar black and blue with his cane the next day, but oscar would take it a million times over for morris’s sake. when the newsies start wisecracking about oscar’s fresh cuts and bruises at distribution, morris starts beating on whichever of those loudmouths he can get his hands on until the whole lot of them have nothing more to laugh at.
the delancey brothers have each other’s backs at all fucking costs.
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seijatachi played and i dipped my toes back into the still unnamed kny tokyo ghoul au
smthn smthn fox trio retired their fox masks since theyre pretty high-profile from before they moved to the 19th ward, sabito & makomo switched to rabbit masks (sabito's white w red eyes, makomo's gray with closed eyes & smile) & giyuu switched to a black cat mask with yellow eyes. all three have fur cape kinda things attached to the back of the masks to hide their hair (sabito did it originally bc his pink hair is a dead giveaway)
their old fox masks are associated with a small gang of ghouls bc sakonji made them all their masks himself, at first they started out as just "Fox - [number]" but the numbers slowly kept climbing and their masks started getting custom designs so they started naming em proper, makomo's "Fox - Comedy", giyuu's "Fox - Tragedy" & sabito's "Fox - Reaper"
when tanjiro & nezuko joined sakonji made them fox masks bc theyre part of the family too :) but they still get different masks for actual use bc the CCG is very weary of the fox ghoul group, especially if new ones popped up
i was gonna put it in the tags but its too long lol
first scene i got down goes like: nezuko loses herself to hunger a little and starts running towards smthn that smells good, tanjiro following her bc he doesnt want her to get hurt, they find genya crouched over his kill and she starts having a breakdown, genya politely offers a bite before kaigaku comes in and starts kicking him around for hunting in 'his territory', giyuu arrives and beats kaigaku's ass before telling him to fuck off, giyuu suddenly realizes tanjiro's human & nezuko's not a full ghoul and walks closer questioningly, tanjiro steps in front of her protectively and asks him to stop approaching her, giyuu sits down placatingly & genya realizes tanjiro's human and gets a bit nervous watching them, nezuko still having her breakdown denying that shes a ghoul, giyuu "youre not a ghoul.. youre not human either- youre something else entirely.", genya pipes up "im not a normal ghoul either- you're not alone.", they chat a bit and genya tentatively asks if theyd not… out genya as a ghoul… tanjiro shakes his head "of course not- you've been nothing but polite to us!", giyuu escorts them to their cafe and tries to get nezuko to understand what being any part ghoul is like without scaring her, sakonji takes over when they get there, sabito comes in from his rounds pissed off about something and slaps his mask on a table ranting about it before he notices There Are Kids Here and hes being Scary, at first hes shocked abt tanjiro and shifts his eyes back to white but then he notices nezuko "woah… how'd that happen?" giyuu "i wasnt going to ask about that yet." sabito "ah, sorry. you can… keep on.." and goes back to quietly arranging his shit
in front of people sabito keeps up a kind/peppy personality but he very easily dips into being intimidating when hes mad, people in the cafe usually only see it when assholes start harrassing makomo or other female workers/diners and he takes them outside- its also about the only time people will see giyuu proper Scowl instead of his usual blank/airy look. when nezuko joins as a server (with tanjiro) people are a little less likely to yell in the proximity of a 14 year old girl, but if they do sabito tries to not be as outwardly scary around her and adopts a frankly even more sinister look where hes passive-aggressively smiling with blatant murder in his eyes, tanjiro usually guides her to the other end of the cafe when he starts looking at people like that,,,,
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