#'i will be brief' she said

[ap-kinda-lit]

Bulma’s ex-planet killer trophy husband

[mylas-stash]

Guess who's been on my mind as of late

[thosewildcharms]

Your rhetorical questions have lit up my brain lol like what if Rick had met Michonne and Andre first instead of Morgan and Duane? 🤯 But anyway on a separate note, it’s so wild to see Rick and Shane’s first scene and Rick laughing along to Shane’s mysoginistic weird ass rant in light of who he is now. He really was just some emotionally repressed small town guy, And while Lori telling Rick “I wonder if you even care about us” in front of Carl was horrible, I wonder what Rick could’ve done or not done that would make her feel that way? And Shane said women’s problem is they don’t know how to turn off a light switch, to which Rick says part of the problem is he’s the one who’s leaving light switches on; I hate to be missing something that’s probably obvious but what did he mean with that?

oh that's a great idea for an AU anon. your mind!

this got long because who am i, so under a read more it goes.

maybe i got my rickgirl blinders on and am giving him too much credit but i thought rick was laughing at least somewhat incredulously at shane's speech (he was at the very least shaking his head a lot until the very end) but yes present-day rick would probably not have entertained that quite so much lol. but to kind of go along with that, my interpretation of light switch thing was rick kind of dismissing shane's, as you pointed out, misogynistic joke by saying he's the one with the issue turning off lights, and also to shift the conversation into the Actual Problems he and lori are having. also in retrospect it kinda feels like the show was lowkey already telling us lori and shane were more suited for each other than lori and rick but i could be reading into that. but listen metaphors have a habit of flying right over my (probably) autistic little head so i could also be missing some hidden meaning there.

as for the fight with lori, there's a flashback (i think in season 2?) where lori is talking to a friend about that same fight and she admits that she was the one who was being the asshole and how she got even more pissed off over how even-tempered and reasonable he was in response. from rick's perspective, he said he would try to talk about his feelings only for it to seem like lori didn't actually want to hear them after all. honestly i think they were just fundamentally incompatible, as we saw over and over in seasons 1 and 2. it wasn't anyone's fault, and their fights probably escalated because they didn't even know how to argue the way the other person wanted them to.

and not to constantly compare rick/lori to richonne, but rick similarly almost never yells or gets mean the few times we see him and michonne argue. the couple of times he did in towl were such an anomaly it set off alarm bells for michonne that something was really wrong with him (and also the situation was just objectively insane). but michonne and rick know how to disagree without getting ugly, and she certainly never has to try to provoke him into communicating because they have a fundamental understanding of each other that rick and lori never had. for sure rick learned from his mistakes with lori but i don't think the rick who was with lori was an entirely different person who said horrible things to his wife. he couldn't express himself the way we see he can with michonne because he just didn't have that type of connection with lori. and to be fair, lori didn't feel that with rick either, and again, that's okay. they probably should have just called it quits well before rick got shot. @cantstayawaycani and @jonesywrites go into this far more eloquently than I did here in their very excellent towl season 1 reaction video that you should definitely watch, because it's wonderful from start to finish.

[the-judicial-assistants-notebook]

sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?

(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):

i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.

the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.

at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.

similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.

rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.

and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.

and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?

and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.

moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.

[hephaestuscrew]

Minkowski would be so intense about introducing Eiffel and Hera and Lovelace to any of her loved ones back on Earth. She makes the crew sit through a PowerPoint presentation on suitable topics of conversation to discuss with her mother. She gives Dominik a folder of detailed guidance about how to interact with Hera because he's never met an AI before. She asks Eiffel several days beforehand if he has decided what he's going to wear to meet her family, as though Eiffel has ever in his life put thought into an outfit more than 30 seconds before getting dressed.

She tries to control every parameter of the interaction in a way that actually makes it more uncomfortable for everyone involved. She spends the entire time sitting right on the edge of her chair, looking anxiously between each of these people she cares about, trying to tell whether they are getting on, and attempting to communicate with them individually through urgent expressions.

And of course it doesn't work. Eiffel puts his foot in his mouth. Dominik is confused and curious about all the wrong things. Minkowski dares to leave the room for a few minutes and when she comes back, her mother is showing the crew her baby photos, and Minkowski knows she'll never live this down.

[autism-swagger]

I think one of my favorite things about Across the Spiderverse is that, if you pay enough attention, you realize that Miguel's logic makes zero sense.

Earth-42 Miles never became Spider-Man like Miguel says he was supposed to, Gwen's dad quits the force (thus preventing his supposedly inevitable death as a cop), and Peter B only decided to have a kid because he met Miles, which, according to Miguel, was never supposed to happen.

All three universes are very obviously not destroyed, nor do they seem likely to be destroyed any time in the near future. So either:

A. Earth-1610 Miles was always supposed to become Spider-Man (thus allowing Peter B to meet him) and Gwen's cop who dies is just someone else, with her father being a red herring.

OR

B. The other option, which I think is both much more likely and much more interesting: Miguel is inherently wrong.

[shitboxcar]

[aurorangen]

Renee could see the pain in his eyes. All the trauma his Dad had caused during his childhood...and she understands Vincent now. It's the fact of not knowing if his Dad is dead or not, what if he comes back and causes more of that pain?

Transcript:

Vincent: Renee I'm sorry about the other day. I just walked off- Renee: Don't worry about it! I shouldn't have asked you such personal things. Vincent: No, I lied to you and you should know the truth.

Renee: The truth? Hey, let's sit down over there. Vincent: [hesitates as he doesn't know how to word it] Ok, technically I've not lost my Dad.

Vincent: Ah fuck! That's not right, I dunno how to say this [the thought of his Dad is making him angry] so my Dad disappeared. He might as well be dead for all I care, he's not been there for me anyway. And when he was… [clenches fists] but yeah, he went missing. 10 years ago [sighs] same date as the day at the bar.

[Renee recalls Billy closing a missing people case and reaches to comfort Vincent as he talks] Vincent: I don't know what my Dad was up to, he was rarely home. Probably out drinking or cheating, but he always said it was to do with work. All I know is, it's always been me and my Mum.

Vincent: [carrying on] And y'know, your uncle stopped the case saying he's dead. But I think he's alive. Renee: That's why on the first day he…I look like Billy [realises] is that why you're taking history with law? Vincent: [clears his throat] Yeah, so I can become a prosecutor to find the truth. And find him.

Renee: Vincent, you really don't look like you want to study that. Vincent: I'm doing this for my Mum. To see if I can find out what happened regardless of him being dead or alive. Trust me I'd be studying something way different if it wasn't for her.

[paintpanic]

What are your thoughts on Susie?

I'm a Susie enjoyer! She's not one of my favorites, but that's been rapidly changing as of recent. She's fun and cute and pink and a little bit evil. I dig it!

Her story is cool. It's very funny to me that like halfway through Robobot decides to have a plot going on, but I'm into it. Her little monologues to Kirby before boss fights are great and a super fun way to characterize her.

I wish her backstory was clearer and not revealed via Miiverse post. I'd love to know more about her time in Another Dimension. How long was she there? In an interview, Kumazaki says she came back "after [she] grew up". How did she get back? How did her time there influence her ideals and morals? It's something that feels like it should have a much greater effect on her character than it's shown to.

I really hate how she's demonized by parts of the fandom. Like yes she's a bad guy but I'd argue that she's about equally as bad as Taranza, a character beloved by fans and who's bad actions are often glossed over (including by myself). Both of them helped an evil person who was trying to destroy Pop Star and made a main character fight Kirby. The discrepancy in how they're treated by fans feels kind of sexist to some degree to me.

TL;DR: Susie is a character with a really neat backstory and potentially interesting morals to play with. She's not a great person but also free my girl she's adorable.

[corfisers]

i really need to finish this one day

[the-knife-consumer]

"Yona was just added bc Nintendo wants people to stop shipping sidlink!" Literally what the hell are you talking about

[presiding]

What is your favourite thing about Billie Lurk?

(Answers are obvious possibly but i love when people talk about her👍)

thanks for the ask!! YEAH ME TOO I love when people talk about Billie! I can't say I have a favourite thing specifically, but I can explain why she's my fav. apologies for not taking this qn literally, but -

short answer: she’s really cool

& you can stop reading there, or, for the maybe 2 mutuals who might have time to read this my thoughts on her as a character, her meta, and her character as raw potential...

long answer:

i considered making this entire thing a gush so you could read a gush about Billie. but, part of what draws me to her is that she’s not always well written, and in fandom she’s underrated for a literal protagonist.

since you ask...

billie is a cool character

when I played Dh2 (hadn't played Dh1), I was excited to see a black woman with disabilities who was captaining a massive ship by herself. wow.

then I discovered Billie’s backstory with Deirdre, the way she responded to that, then having to survive while living on the run, and her bisexuality. as well as her history with daud & delilah. fascinating!

she’s an outsider who has so much to lose, and knows what it's like to lose everything - having lost everything not once but three times - but nevertheless speaks truth to power. she's so brave! she went and helped Emily & Corvo and she must have known they might kill her! plus, she’s smart, she’s funny, she gets shit done, she’s gorgeous.

but... the meta

mild critique of fandom & arkane incoming.

skip this bit if you want - you've been warned twice now - jump to tired Hayao Miyazaki and read from there if you'd like my thoughts on writing her.

i thought Death of the Outsider was going to be amazing and then... well. *sad trombone* i've written about that before so i won't keep banging on. i figured others must be disappointed too, so I joined a few fandom spaces in hopes of finding camaraderie.

most people with complaints about DotO didn’t like how the Outsider and Daud were handled. which is valid & I agree. but it seemed like most paid no attention to Billie; when people talk about her it’s with respect to Daud, as opposed to in her own right. you could argue for fandom misogyny because people don’t talk about adult Emily Kaldwin that much either, but in Billie's case, it’s misogynoir (compare & contrast with the popularity of thomas, particularly the popularity of thomas portrayed as a white man for no particular reason that i've been able to discern - i keep asking around, is it in the books???).

i think this is a LOT better now than it used to be, which is fantastic. or perhaps i have found the correct echo-chamber? ha.

ultimately, The Fandom is a fraction of the entire picture, and not even the important bit since The Fandom is not who these games are made for. you can't make money relying on only your hardcore fans even if all of them spent a fortune on merch, this is true for any AAA game.

while it's true that Billie is underrated from a fandom perspective - but Billie as an underwritten protagonist is squarely Arkane’s fault.

it was reasonable when she was a side character - the lack of info in Dh2 makes perfect sense (if anything there was more lore in Dh2 which is kind of wild)-

- but as a protagonist in Death of the Outsider?

.... there’s lousy writing, and there’s whatever is going on with Billie Lurk, a black woman who mostly exists as a foil or saviour for light-skinned characters. In her own game there’s barely any of her own lore except where it's relevant to saving two dudes.

lore hints at, but barely touches on what race means in the Dh universe (xenophobia is stronger in Dh1; separate essay i guess), but Arkane has patted themselves on the back for portraying non-white characters, which feels like the same thing as the aesthetic of diversity we're seeing in advertising currently because it’s in marketing trend guides. it's self-congratulatory and it's a missed opportunity for deeper storytelling.

you can see an example of diversity at its most shallow in the way that Billie’s written: there’s little engagement with her as an entire person with history & wants & preferences, and the world she walks through in that game feels like it has nothing to do with her. you could make a case for alienation as a theme, but then, how do you handle the titular premise of 'Dishonored' without ever letting Billie make changes in an environment without a chaos system? it's disappointing from that angle too.

in my opinion, whatever it's worth, it was an accident Arkane created such an awesome character - they needed someone to betray daud. congrats billie.

all this said, it makes her an underdog as far as characters to enjoy & create art & stories for. it's nice to find so many like-minded, switched on people! <3

billie's character potential

she’s got a wealth of unexplored lore, being deeply intertwined with both Karnaca & Dunwall’s fates & criminal underbellies, as well as her connections to the witches & whalers, and three Empresses.

she’s lived a few distinct lifetimes and in the games we get to meet her at two peaks (KoD & DotO) & a low (Dh2 as Meagan).

her voice is very distinct, her dry & often dark humour is entertaining & fun to write. her perspective is really interesting - she’s had the widest variety of void-powers of anyone canonically, and she’s also lived through the highest highs and lowest lows.

she's got everything going for her :) i couldn't really pick a fav thing!

[skiesareblue]

There's a point at which disliking Rebecca just falls into vastly tired women-hating tropes lacking any nuanced thought and part of this fandom's definitely made it there

[teamhawkeye]

spent from 10:30 PM to about 3:40 AM at the emergency vet last night with my brother's puppy, Snoop. she's okay, but she ate something that made her sick and I was super scared in light of Stringer's bloat so i wasn't taking chances and took her

she came home with me early this morning and we went back for a recheck around noon and she's gotten the all clear, so here's hoping all dogs stay healthy from here on out!

and no more emergency vet visits, please

[theinfinitedivides]

'get the doctor, Parker, now—' 'no need, it'll be over in a couple of minutes.' 'you don't get it, do you? Eliot's not like other foxes. he doesn't play games, he fights to survive! that's his training.'

Eliot's default fight-or-flight mechanism kicking in from whatever the f*ck he's been through for his entire life:

[jordansanghaislife]

I was at a pride event earlier, and Janelle was there living her best life with her friends at the drag show!! Also it was so cool to see someone from BB irl !!