#( don't call her out like this rachel )

[longmaxsilvarg]

will forever have a soft spot for chloe cause yeah dawg i get it we can try to avoid becoming attached out of the overwhelming fear of being abandoned again but miserably fail together

[onmyyan]

Yandere DC Purge Au

A/N: inspired by a bot on janitor ai here's the link reader is this universes wolverine fem reader, yandere themes

Getting home from the Titans Tower, you shrug off your brown leather biker jacket, letting the heavy garment fall to the floor with an audible thump.

Boot clad feet accidentally kick a small black elegantly wrapped package that been slipped through your mail slot. (E/c) Eyes full of curiosity, you bend down to pick up the box, it was a little bigger than your hand, unable to fight the curiosity, you threw your helmet on the couch and used your sharp pointer finger nail to tear a seam into the paper, your mind moved a mile a minute as five neat letters in black envelopes were revealed.

Your heart falls to your stomach, you knew what these letters meant, what they entailed, you'd been chosen, and not by one yandere, but five. You didn't bother to read the letters, setting them down on your coffee table like the paper was going to bite you, sitting on the couch with a groan, your shoulders coiled like a animal ready to pounce. In all your 24 years you'd never had to deal with a yandere, while you were aware of them of course, your particular lifestyle didn't allow for such things, you were a hero after all, you couldn't help but tense, yes you were a formidable fighter, yes you had confidence in your abilities to defend yourself but five separate psycho's? That was a lot to deal with even for you.

You had a day to prepare, that's all the decency the government allowed people like her. A day to prepare for the insanity that was the Purge. All former plans for a quiet week off patrols were gone, replaced by your fierce determination. You wouldn't be caught, you'd been caged enough for your lifetime.

The next morning you make your way into the Titans Tower business as usual, you had no idea who the senders of the letters were so you kept your guard up.

It was a tradition for the team to hang out one last time before the purge, since all crime, including all yandere crime, was legal, the team technically got a week long vacation. So they liked to hangout the day before those infamous sirens would ring out across the city. The whole team was there, doing their usual things when you were approached by Rachel Roth aka Raven.

"Your mind is.. guarded tonight, are you alright?" Her soft monotone voice calls out dragging you from your mind, "Yeah just ..tense about tomorrow ya know?" Your voice gruff yet feminine, you didn't mind the fact that she was peaking into your head, having long since gotten used to her antics, instead you lean back on the counter surveying the room with a calculated gaze. You kept your thoughts clear knowing she had a penchant for reading your mind without permission, you didn't want to tell the team about the letters for a multitude of reasons, the main one being you didn't know if it was one of them who sent it. Of course you trusted your team but you'd learned long ago to trust yourself before anyone else.

And your enhanced animal like senses told you danger was a foot. "Any big plans for the week?" You ask casually still observing your other teammates.

"I rented a cabin in the snow, very tranquil, very secluded.." she paused a moment her dark eyes scanning your features, "You could come with me- if you don't want to spend the purge alone?" The question hung heavy in the air, the intensity in her gaze made you smirk, no way in hell were you taking a trip right now.

"I actually have some plans already." You smiled at the dark haired sorceress, trying to soothe the wound of denial. "Well if you at any point change your mind simply call for me and I'll be there." She says flatly, but her steel gaze was as intense as ever.

"Definitely." You respond before pushing off the counter, "I'm gonna hit the gym, see you later Rav."

'Well that was something' you thought to yourself, she'd always been attached to you, finding comfort in your troubled past, but she'd never looked so..like that before.

Shaking off the encounter you find yourself in the gym toned (s/c) arms stretching across your chest in preparation, a training dummy standing across from you. Just before you throw the first punch Conner aka Superboy walks in the room his arms crossed. "You wanna keep playing with that thing or you want a real fight?" The tall wall of a man asks walking closer to you, this wasn't out of the ordinary as you were one of the only people on the team who could keep up with Conner physically.

"let's go." You say getting into a fighting stance, your feet wide, fists in front of your face.

The spar was intense as usual with him, he didn't hold back, because of your healing factor he didn't need to, and you preferred it that way. You two danced around the mat swiping at each other, trading blows that would send a normal human to the grave. Your adamantium covered skeleton allowed you to land hits on him that actually sent him reeling. Your breath came out in heavy pants as Conner made an expert dodge, he sweeps his leg under you catching you off guard enough to stumble backwards, he grips your tank top stopping you from hitting the mat staring at you for a second too long before bringing you into a head lock, panting in your ear, "You give?" You could hear the smirk on his face, you growl under your breath, "Fuck off.", elbowing him hard enough to make him release you, instead of getting angry he just grins at you looking like an animal about to pounce.

The spar ends in a draw both of you covered in sweat, "you wanna hang out tomorrow?" He asks wiping his forehead, you pause thinking over the fact that tomorrow was the first night of the Purge, sure is didn't start until 7pm but it was risky as hell to go about business as usual on the day of.

"Sorry big guy I'm fully booked." The lie flows off your tongue easily enough, you couldn't risk getting Conner involved in whatever the yanderes had planned for you tomorrow, you also couldn't rule him out as a suspect yet.

The rest of your day is full of similar interactions with your team, Garfield aka Beast Boy had invited you over to his place for a gaming fueled sleepover, pouting when you decline, Kori aka Starfire had offered to straight up stay with you for the duration of the purge, looking absolutely confused as to why you'd said no.

The day ends with you gathering your things as you wouldn't be in the tower for a week. Damian, the current Robin and leader of your team walks over before you can leave. "I assume you've made preparations?" The enigmatic man spoke in that usual Damian tone that you could never quite get a read on. "I'll be fine." Was your simple answer. His green eyes studied you, taking in your response. He simply smirks at you before bidding you goodnight.

You got zero sleep that night the rainy Gotham skies a background to your inner turmoil. Your instincts said to run so you were. A few minutes before the sirens go off, you're in your garage, a duffle bag thrown over your shoulders, when you notice your bike's tires have been slashed, both of them deflated.

Cursing under your breath you steady your nerves before heading back up to your apartment. Navigating the streets of Gotham on the first night of the purge was a bad idea even for a self healing mutant with adamantium claws like yourself. Instead you choose to take the situation as it came, barricading the front door with a bookshelf, you pour yourself a double shot of whiskey and light the cigar you'd been saving for a special occasion.

The shrill terror inducing sound of the annual purge sirens go off on schedule, you remain unflinching as you prepare yourself for the inevitable encounter.

About five minutes after the bell stops ringing there's a loud knock on your door, the handle jingling seconds after, "(Y/n), open the door." The command was given pleadingly. You recognized that voice, the hairs on the back of your neck stand at attention. You were prepared for some nobody to try and claim you. Not him.

"We're getting in there no matter what so you may as well just," a loud bang shook the wood, "Open up." A second voice spoke out, this one just as familiar as the first, your heart fell to your stomach at the realization, the other three didn't need to speak for you to guess they were out there.

Your eyes quickly scan the window of your apartment, you were on the third floor but it was an easy drop for someone with your healing ability.

"Don't make this harder than it needs to be." The third gruff voice speaks before a gunshot is heard, the bastard had shot out your front door lock, a blue eye peaked in the hole locking onto you instantly a predatory look in the gaze. "There you are kitty." He says before glaring at the bookshelf in his way, it doesn't take much for him to start throwing his shoulder into the wood of the door.

"Don't scare her." The fourth voice chimed in but did nothing to stop the man barreling into your apartment. By the time the five entered you had already booked it out the window, your broken ankles healing as you sprint down the dimly lit Gotham streets.

"She's on the move." Bruce finally speaks, his authoritative voice left no room for argument. Damian was the first to act scaling down the apartment so fast he skipped some steps, he was a man on a mission.

Dick was quick to follow flipping out the window and landing gracefully before giving chase. Tim quickly pulled out a tablet tracking your every move.

Jason snarls at the chase, running after you like a beast on the hunt. Bruce follows behind in the batmobile with Tim guiding him to your location in the passenger seat, each man's heart burning for you.

The night had just begun and you were now playing a game you wanted no part in.

[genericpuff]

Lore Olympus just pulled off the biggest whiff in webtoon history.

I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.

(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)

Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)

CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!

Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.

But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.

Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.

Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.

They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.

First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.

Did you really think I was joking about that 5 panels thing?

That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.

And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.

Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.

Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.

We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??

Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-

Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-

-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.

I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-

-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?

This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.

HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.

Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?

Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?

"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?

Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-

So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."

It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.

Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.

But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-

Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.

I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.

This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"

This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?

Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.

And even outside of this episode, when have these two ever sacrificed anything?

I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.

Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.

sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-

MMMMMM

FUNNYYYYYYYYYYYYYYYYYYYY JOKE

For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.

There is... so much wrong in these three panels.

First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.

It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.

And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?

This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.

And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.

There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.

So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?

Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?

How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?

Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?

You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?

"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!

Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?

"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?

TGOEM disbanded? Why? What about the women who were genuinely a part of it?

Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-

"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???

And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-

Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.

There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.

Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.

And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.

We do get one line from Hades acknowledging Persephone's part in the relationship-

-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.

Yep, and that's it. That's the end.

Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.

To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.

This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.

There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.

With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.

Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.

Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.

But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?

So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.

What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?

Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.

And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj

Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.

So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.

As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.

I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.

Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.

[astonmartinii]

ballad of lovebirds and puppy dogs | lando norris social media au

pairing: lando norris x fem actress!reader

face claim: rachel zegler

everyone is a hunger games fan, even if you say you're not a hunger games fan you are. this includes lando norris.

based on this request: could you please do a lando norris smau with rachel zegler as the fc!! where the ballad of songbirds and snakes recently came out, twitter could be freaking out over it, and then someone spots her with lando or something!! take it from there queen that’s just my like base plot‼️‼️ - @inejghafawifesblog

MASTERLIST | BUY ME A KO-FI?

yourusername

liked by tomblyth, landonorris and 1,231,866 others

tagged: tomblyth

yourusername: kinda have a movie coming out, have yall seen it?

view all comments

user1: ANNOUNCE RELATIONSHIP NOW

user2: friendships can exist between men and women you know?

user3: look at her holding his arm though that shit ain't platonic

hunterschafer: my favourite girl in the whole world

yourusername: that's crazy because you're my favourite girl in the whole world too

hunterschafer: crazy when that happens huh

tomblyth: does that mean i'm your favourite man in the whole world

yourusername: my lawyer said i can't answer this question

tomblyth: god you get a boyfriend and all of a sudden i don't mean shit

this comment has been deleted

tomblyth: does our frolicks in the woods mean nothing to you?

user4: WE SAW THAT GRANDPA

user5: sooooo. there is a man.

user6: and it's not tom :( so disappointing their chemistry was insane

user7: babe that's called acting

user8: lando norris in the likes i knew my man had TASTE

user9: i knew there was a reason i liked that man

f1gossipandtea

liked by user13, user14 and 12,309 others

tagged: yourusername, landonorris

f1gossipandtea: lando norris was spotted multiple times out in monaco with y/n y/ln !! this comes after his appearance at the premiere of her new film the ballad of songbirds and snakes. do you think they're a cute couple?

view all comments

user15: try not to say parents challenge (impossible)

user16: has someone looked into my brain and pulled out my dream threesome and made them a couple

user17: i need them to give me a chance for real

user18: i am defo anti-paparazzi but thank you for these absolute gems xx

user19: those motherfuckers must've been camped out cause literally got the whole itinerary

user20: this feels like such a random couple but after watching the BTS of tbosas they defo have very similar personalities

user21: i did a lil bit of sleuthing and tom has posts of him at races? so do we think he suggested lando? or showed him to y/n?

user22: i also had a wee look and y/n follows basically all of the grid and a couple of the retired drivers so that tells me she likes the sport? like if she just liked lando surely she'd only follow him and maybe some of his friends?

user23: so like my vision is y/n y/ln either performing or singing the national anthem at one of the american races

user24: someone get this gal in the fia stat

user25: who is this girl? she's too irrelevant for lando ...

user26: and who are YOU? he's not going to pick you girly

user27: she's in the top film in the world for weeks now ... let's not be silly

landonorris

liked by danielricciardo, yourusername and 1,833,209 others

tagged: yourusername

landonorris: what the paps didn't get ...

view all comments

user28: screaming, crying, throwing up i did not know i needed this so much

user29: i am so unwell this is so cute

user30: i was so on the y/n and tom train but i am happy to say it has been hijacked by lando

yourusername: paps didn't get our good angles :(

landonorris: i'd like to keep the best angles to ourselves

yourusername: no for real, for MY eyes only

maxfewtrell: god you people are obnoxious...

landonorris: you literally told me to stop complaining about being lonely and now i'm being attacked 🤨

maxfewtrell: NOT LIKE THIS THERE ARE CHILDREN HERE

yourusername: fuck them kids

landonorris: what y/n said

danielricciardo: free enchante promotion, y/n you're invited to my wedding

yourusername: the girlfriend effect x enchante goes crazy tbf

landonorris: are you saying i didn't dress well?

yourusername: you either didn't dress well or can't pack for shit you came to GEORGIA IN THE SUMMER WITH A SUITCASE FULL OF HOODIES

landonorris: but that's my brand :(

georgerussell63: the twitch quartet formally announce our disappointment about finding out about this relationship via @f1gossipandtea, we expect a big apology and perhaps and visit from tom

tomblyth: i am THERE

yourusername: eh i think that's on lando .... but real question is who follows @f1gossipandtea

georgerussell63: me duh, i need to check for potential GDPA incidents

alexalbon: i also follow it 👍 no real reason i just like the drama thanks @charles_leclerc and @carlossainz55

yourusername: LMAO

charles_leclerc: i am disappointed in you lando. ALEX WHAT IS THAT SUPPOSED TO MEAN

carlossainz55: ???

landonorris: lol would you have even believed me ?

georgerussell63: no

alexalbon: no

charles_leclerc: no

yourusername

liked by hunterschafer, landonorris and 1,339,309 others

tagged: landonorris

yourusername: some cheeky behind the scenes pics, including lando demanding to be pampered while i was in hair and make up

view all comments

user31: i hope lando can fight (i have brass knuckles on, sorry not sorry)

landonorris: UMMMM ???

yourusername: soz babe they're just passionate

user32: HE WAS ON SET? HOW LONG HAS THIS BEEN GOING?

landonorris: how dare you !! the makeup girlies LOVE ME

yourusername: sure, if that's what you wanna believe

landonorris: they liked me better than you they said so :p

yourusername: they were just being nice i told them you're fragile

landonorris: i am NOT FRAGILE I AM SOFT THERE IS A DIFFERENCE

user33: okay now i get them 100%

maxverstappen1: so this is why you didn't play fifa with me 🤨

oscarpiastri: so this is why you abandoned me at the airport 🤨

danielricciardo: so this is why you blocked me after i called you seven times in a row it was an emergency you ASSHOLE 🤨

carlossainz55: so this is why you've ditched golf dates the last couple months 🤨

alexalbon: so this is why you didn't come to watch tbosas with me and lily 🤨

georgerussell63: so this is why the GDPA chat was muted on your phone 🤨

yourusername: i ain't reading alla that, i'm happy for you or i'm sorry that happened, i'll see you all in the parking lot at the vegas gp

landonorris: ...sorry?

user34: Y/N IS GOING TO THE VEGAS GP?

maxfewtrell: actually could you have him more often?

landonorris: AHAHAHAA :(

yourusername: gladly :)

landonorris: :)

f1

liked by landonorris, maxverstappen1 and 1,441,723 others

tagged: landonorris

f1: lando's new helmet for vegas... we wonder where this inspiration came from?

view all comments

user38: IS THAT A BALLAD OF SONGBIRDS AND SNAKES HELMET

user39: maybe men do deserve rights

landonorris: the ballad of songbirds and snakes is out in cinemas everywhere now !!

yourusername: i knew they should've given you a cameo

landonorris: THERE WAS A CHANCE OF THAT?

yourusername: no, but it would've been funny tho

landonorris: don't get me excited like that :(

danielricciardo: maybe you could have a cameo in snow white, you are what the kids call a short king... sorry

yourusername: LMAO

landonorris: can we stop bullying me on my special post :(

yourusername: sorry babe, i love you and i love your helmet, thank you xxx

landonorris: THANK YOU :)))))

maxverstappen1: so you're telling me i sat through whatever the fuck that opening ceremony was when you could've had y/n perform the whole time?

yourusername: new agent incoming?

landonorris: I KNEW YOU WATCHED THE FILM

maxverstappen1: i am a supportive friend?

landonorris: you didn't even know her?

maxverstappen1: i saw you at the premiere, went through your instagram, saw you only followed her, put two and two together, went to see the film because we're friends by proxy now 👍

yourusername: i am scared and impressed

landonorris: fine... that's kinda cute

user40: okay soz i love this relationship and all the friendships starting

user41: okay but @yourusername who is winning the games

yourusername: fernando or valterri they scare me

fernandoalo_oficial: compliment!

valterribottas: i'll take it

landonorris

liked by maxfewtrell, yourusername and 1,723,990 others

tagged: yourusername

landonorris: i wanted to impress her :( she's a lot better at her day job

view all comments

user46: (i'm glad he's okay) lando really was the 'this one is for you babe' and misses meme this weekend

landonorris: not wrong

yourusername: GET OFF YOUR PHONE AND STOP TALKING DOWN TO YOURSELF

user47: currently picturing y/n whisper yelling positive affirmations at lando

yourusername: yes !! baby boy is way too hard on himself and NOT on my watch

landonorris: :)))

yourusername: you did so well this weekend, i loved watching you do what you love - don't be too hard on yourself !!

landonorris: i just wanted to do your helmet proud :(

yourusername: i am more than proud

landonorris: can you sing to me in your country accent again?

yourusername: of course

maxverstappen1: is this a kink?

landonorris: 1. no it's not a kink 2. ASK ME IF I'M OKAY BEFORE YOU TRY TO KINK SHAME ME

maxverstappen1: you're actually spelling even better maybe a concussion was what you needed

yourusername: TOO SOON MAX

maxverstappen1: did you just send me a picture of lando pouting

yourusername: yes ! say sorry now !!!!!

maxverstappen1: fine. i'm sorry lando. i'm glad you aren't hurt and that you don't have a country accent fetish

user48: are these the new terror trio?

yourusername

liked by alexalbon, landonorris and 1,552,589 others

tagged: landonorris

yourusername: don't listen to this bozo, he's the most talented boy in the world

view all comments

user49: THEY HAVE A CHILD?

user50: that's a dog...

yourusername: just because i didn't birth him, doesn't mean mr. fluffy isn't my biological child

landonorris: i'm not a step dad i'm the dad who stepped up 🆙

tomblyth: tom blyth erasure

yourusername: boo you whore

tomblyth: ermmm EXCUSE ME?

yourusername: lando appreciation post must be mean to all other men, sorry !!

tomblyth: understandable, continue.

landonorris: the most talented??? coming from you??? this is high praise

yourusername: and you BETTER take it

landonorris: yes ma'am

maxverstappen1: is this another kink?

landonorris: MAX?

maxverstappen1: it's winter break i'm bored and you have a GIRLFRIEND so i can't terrorise you in person :(

yourusername: attempt to kink shame us one more time and i'm sending mr fluffy at your ankles

yourusername: fuck it i'll send ankle biter yuki in as well

yukitsunoda0511: i'll do it

yourusername: @landonorris i see why he's your favourite now

landonorris: yuki-san!! can we give mr. fluffy a brother?

yukitsunoda0511: i love you guys but i see you way too much as it is

yourusername: harsh crowd

landonorris: at least you have me?

yourusername: TRUE

user51: my life pre and post y/nxlando was so vastly different - i love them

note: thank you for the request !! i have been swamped with work... and recovering from my birthday weekend. i hope you enjoyed it!! i love the hunger games and i can't wait to see tbosas !!

[yourockthebeatofmyheart]

Why do I keep “dead dove do not eat”-ing myself

[maxlarens]

I got a lot to say so it might be long,

starting with, thank you for the Charles smau and the Lando fic <3

it took me time to choose an emoji lol but I've been doing an internship and time goes by way too quickly, but I decided to go for the strawberry one 🍓

and since you said you wanted to write for driver! reader, and that she was very intense about driving, maybe you can write something about her racing while she's sick/not feeling well but she still wins the race

woo hi again!!! literally no big deal! i hope ur internship is going well, it’s awesome that you’re doing one!! but yeah literally real life is always the priority as much as i’d also like to spend all my time on here lol. but anyway yay the strawberry is super cute 🍓🥺

and YES lol driver!reader is consuming my thoughts right now. i have other things i should be writing instead of this but i smashed this out in a few days😭 i decided not to make it a win because i have a thing brewing for driver!readers first win and i didn’t want to use up all my ideas for that. anyway!!! as usual thank u for the ask and pls enjoyyy 🤗

OP: extraordinary machine

pairing(s): oscar piastri x mercedes driver!reader

summary: you push yourself to your limits. (also sorry i simply don't know enough technical terms about racing for this to be fully accurate but i hope it works)

word count: 3.4k+

Here is a fact— you’ve got a fever of 39.4 degrees.

Here is another, indisputable fact— you’re racing in Imola today.

The fever had come on overnight after a persistent tickle in your throat all weekend. A mildly sore throat had turned rapidly to a snotty nose, full body chills and sweat pouring off you like you’d just run a marathon. You’re wearing a puffer jacket over your racing suit and it’s twenty-nine degrees out. You feel freezing, you feel delirious, and you’re eating Sour Patch Kids by the handful to keep the sugar rush going. Your race engineer, Rachel, keeps telling you that it’s okay if you can’t race. George can step in, I promise. You keep telling her I’m fine. I’m fine. I can race. But the expression on her face says she doesn’t believe you.

You’re telling practically everyone who’ll listen that you’re getting in that fucking car today. Rachel, George, your mum who keeps calling. Lewis keeps looking at you like you’re about to keel over and die and you want to scream at him you did this! Brazil 2015. You had a fever. You got on the podium. If I can’t do this and you can, what does that mean? But you don’t because that’s your 39.4-degree fever talking and this isn’t about being better than Lewis. It’s about knowing without a doubt that you can still get in that car and race your ass off.

Your phone keeps buzzing with texts from Susie that reassure you that you’d be disappointing no one at all if you had to let George take over this race. You’re not letting down women everywhere and you’re not letting down the team. I know Susie, you keep saying, but I’m still racing.

You know you’ve got to convince Toto when Rachel starts a hurried conversation with George and he starts grabbing his fireproofs like it’s a sure thing he’ll be driving in your place. Bundled up in your coat like it’s the middle of winter, you stomp over to Toto’s office and barge in.

“I’m racing,” you tell him without any preamble.

His head snaps to look at you, expression only mildly surprised— not that you would even notice if you didn’t spend so much time around him. He gives you a once over, eyes lingering pointedly on your jacket and then he raises his eyebrows, “It is twenty-nine degrees outside.”

You suck your teeth in frustration, “I know. The car will be hot. I can race.”

He frowns.

You plead, “Toto. Do not take me out of that car. I can do this.”

He shakes his head, “I can see you sweating from here. You’re not well.”

You shake your head frantically, ignoring how your vision starts spinning, “Let me race. If I fuck up you can put George in the car for Monaco. If I fuck up you can even replace me. I don’t care. Just let me drive today.”

Toto’s face pinches in the way it does when he’s considering something, you can see cogs turning in his head as he evaluates what you’ve said and decides if he should listen to it.

He sighs, “I am not putting that kind of ultimatum on you,” your heart stutters and stops in your chest, and you hold your breath, “Okay. Against my better judgement, I will let you race today.”

You let out an audible breath, it edges out into a sob that makes your aching body curl into itself. You press the heels of your palms into your eyes for a moment to suppress the urge to give in to your fever. It would be easier to give up, it would be easier to let George take your seat for the race so you could crawl into bed and cry the fever out. But none of this has ever been easy for you. You’ve fought tooth and nail to get here, you won’t forfeit a race and let people say you took the easy way out.

You look up. Toto looks concerned.

“Don’t make me regret this.”

“You won’t.”

You practically stumble onto the asphalt before the national anthem, passing your coat off to Rachel while your trainer wipes your forehead with a towel as if you’ve just finished a full-body workout. Your shoulders feel tense, you can’t stand up straight without shuddering so you’re hunched over awkwardly hoping it doesn’t come off looking too strange.

People are still milling about, setting things up while the drivers assemble. You don’t really notice on account of the fever state you’re in, but you end up standing between the McLaren boys. You must brush against Oscar because he looks down at you, eyebrows furrowed, mouth set in a line and his eyes wide like a puppy dog. You get lost in them a little— because of the fever. Definitely.

“Dude,” Oscar says to you, “You’re really hot.”

On your other side, Lando breaks into a fit of laughter. You frown, your brain trying the puzzle through the sentence. You feel foggy, your eyes feel heavy. You need more Sour Patch Kids, or a shot of espresso, or five Red Bulls. Max could swing it for you.

Oscar leans past you and swats at Lando’s shoulder, “She’s burning up, stupid.”

Lando’s laughter pauses, and he says seriously, “Oh shit.”

Suddenly, you’re being twisted around and you’re wincing at the contact on your shoulder that makes it ache even more. Lando puts a hand on your forehead and then immediately rips it away.

“Eugh. You’re sweaty.”

The back of Oscar’s hand replaces it. You twist away, brushing it off.

“You’ve got a fever,” he tells you, his voice thick with concern for you, “Have you told anyone? Does Toto know? Lewis?”

Instead of answering you press a hand over your eyes and crack your neck, trying to work through some of the stiffness in your back. You roll your shoulders and stand up as straight as possible, pushing through that aching, sickly feeling that runs through your whole body. When you finally drag your hand from your face— a thin sheen of sweat coming with it— Oscar is staring at you with a deep-set frown on his mouth. At his shoulder, Lando looks at you with a markedly less severe, but still concerned, expression.

“I’m fine, Oscar,” you insist.

You’re not. He knows you’re not. It doesn’t matter, you don’t want to seem weak. Not barely thirty minutes before the race. You can’t have either of them thinking you’d be easy for an overtake or that you’ll back out of a fight first. Off the track, fine— you’ve been vulnerable and honest with both of them at times. On the track is a different story. This is Formula One. You’re not here to make friends. They are not here to make friends.

“Mm,” Oscar hums, “Pretty sure you’re not.”

“You’re sweating bullets,” Lando adds, “Can see it from here.”

Something white-hot and pissed off flares up your spine. Oscar is not this kind of person, even on track; but the suspicion that he’s just trying to eliminate you as competition rises anyway. You think it because if the situation were flipped, you’d be weighing the pros and cons of having a sick driver on the track. Their weaknesses, what it means if they’re distracted. It doesn’t make you a good person, but you’re already pretty sure you aren’t one.

“I am fine,” you bite.

Oscar’s expression drops. Into something not quite offended… accepting, maybe? Resigned? It closes off to you, is what you mean. That’s fine, you’re trying to close yourself off to him. You’re re-drawing a line that you’ve been crossing without a thought for at least two years now. You’re not here to make googly eyes at Oscar and let him put his hand on your fever-ridden forehead and have him reprimand out-of-line, so-called professionals for you. You’re here to get in that car every Sunday and put your life on the line for a shiny trophy and fucking glory. Even if you’ve got a fever. Even if you’ve got a weird crush on Oscar Piastri.

“I’m racing,” you add in a different tone, feeling as if you’ve been a bit harsh on a well-meaning Oscar, even if you mean what you’re thinking.

Oscar nods, and says, “Okay,” in a way that really means, ‘If you say so, then it is’.

In the car, on the tarmac, sitting in your starting grid position, you’re shitting bricks.

Your cheeks are squeezed tight into your helmet, you can feel sweat, slick and soaking through your balaclava. Your arms hurt, your legs hurt, your ass hurts where it’s pressed into the seat. You’re not crying, but your mouth— hidden away by your helmet— is open like you’re about to. Set into a grimace that you breathe raggedly out of. Toto says something over the radio before the lights go out, you don’t hear it. You’re too busy regretting how earnestly you’d begged him to let you race. It would have been better if George had taken over. It might have been better if you’d passed out during the national anthem so you really had no choice but to sit it out. No one could say you weren’t committed to this sport if that had happened. They’d have plenty to say about women and their weak constitutions though.

You’re on autopilot when the lights go out. One second you’re freaking out like it’s your first time in a car, the next second everything is fading into background noise and you’re fighting a Ferrari and a McLaren for your original grid position. Twenty of you tear down the straight to turn two and you find yourself slotting easily into what you think is P4. Ferrari— not the same one— in front of you. Your mirrors reveal the McLaren behind you. It’s Oscar, you’re sure. You can tell by the way he sticks to your ass. Every nudge of the car you make he makes with you.

You press the radio button, “That Piastri behind?”

Crackle, “Yeah.”

“Knew it. He’s up my butt, Rach.”

“Okay. Go faster then. Not sure what to tell you.”

You make a face. You weren’t looking for sarky advice, you were trying to commiserate. You press the button and make a vaguely mocking neh-neh noise that gets a laugh and then radio silence because you’re supposed to be fucking concentrating. Which, okay, fair.

You press the throttle, done with trying to manage your tyres for the moment and taking Rachel’s comment as permission. You tear away from Oscar, stopping his fight to overtake you through the chicane in its tracks. You start slowly gaining on the Ferrari in front of you, its red rear wing growing closer and closer.

“Sainz in front?” you ask, already knowing the answer.

“Yup,” Rachel confirms before rattling off some lap times when you ask for them.

By lap thirty-something, you’re on Sainz’s ass like Oscar was on yours. You’re fighting him through every chicane, threatening him on the straights and generally behaving in a way that you know for a fact is putting him on edge. But Carlos isn’t giving up P3 without a fight.

A safety car goes out around lap forty, and you pit. Everyone ahead of you does as well. Oscar doesn’t, Oscar is lucky to have gone in earlier. Rachel tells you he’d made up four places after being forced to box for some tyre issue. You feel a strange mix of pride and jealousy swirl in your chest as you all file into a discordant line behind the safety car.

Verstappen leads the pack, as per usual. Then Oscar, Sainz and you. Leclerc is behind you, then Lando. You’re in P4, right where you started and right where you’ve been fucking sitting the entire race so far. twenty-five laps to at least make it onto the podium. Then you’ll be happy. Or not quite happy, you’d need pole for that. Content. You’d be content.

Max starts weaving. The safety car goes off and Max keeps you all ready and waiting until the exact millisecond that he decides the race can properly begin again. You hate when he does this— you know that’s exactly why. Eventually, finally, he gets going.

You have to run defence like crazy for a few laps to keep Leclerc behind you until everything is warmed up. The gap widens as you drive. At some point, you stop worrying about the Monégasque so much and focus your attention on car fifty-five like your life depends on it. The laps fly by as time ticks on. Twenty-five to go, twenty, fifteen, ten. You’re back on Sainz’s rear wheel, a gap of 0.2 to 0.3 that’s been consistent throughout this last stretch of the race. You’re watching him like a hawk, waiting for the smallest slip-up to take advantage of. Somewhere you can push, somewhere he’s weak. It’s hard— he’s covering all his bases. Not giving you an inch so you can’t take a mile.

You’re closing in on sixty-four laps— with only three to go— when he gives you that fucking inch. It’s in the first chicane. His wheel locks up, and he jerks the car slightly the wrong way, something like that. You get in his space and you push and he backs out first. You press down on the throttle and rocket past him, shouting FUCK! FUCK YES! to yourself.

P3. P3. God, you hope it’s P3.

You press the talk button, “Rach?”

“Yes, P3,” she barks, “Fucking, focus. Three laps to go.”

Those last three laps of Imola are some of the hardest of your life. Defending against Carlos is a task, of course, but it’s not even that. The sickness starts to creep back into your awareness as the adrenaline that had hit its peak during the overtake starts to subside. Two laps to go and you’re remembering the fever again. The sweat soaking your hair and streaking down the back of your neck. Your whole body is on fire and it aches everywhere. It feels like someone has taken a sledgehammer to the inside of your skull. You want so badly to close your eyes and drift away to sleep, but the car is flying through the air demanding your attention with the way it thuds against the track. You’ve got one lap to go and Carlos is on you like white on rice. You can’t afford to make a mistake until you’re firmly over that finish line.

So you don’t. You grit your teeth and you refuse.

Carlos is downright reckless in the last chicane, he tries to bait you by moving to one side and pushing but you’re not going to fall for something like that even if you’re near delirious from the 39.4-degree fever. Though surely it’s higher now, the car temp can’t be helping. You hardly realise you’ve crossed the finish line because you’re thinking so hard about how lightheaded you feel. On instinct, you slow down to a safe speed as Oscar’s McLaren enters your vision, but you think your toes have pins and needles and there’s some feeling tingling up into your shoulders. You blink hard and take a long sip of water so you can make it to the pits before your head starts to spin.

Crackle, “Where are you going? That was P3.”

“Huh?” you realise you’re following the other drivers instead of heading into the pits where you’re supposed to go, “Shit. Sorry.”

You edge back as carefully as you can, avoiding other cars that pass by, lucky you’ve not overshot too far so you can turn into the pits and park your car in front of the P3 sign without going around the entire track. That would be embarrassing. Or that would be more embarrassing than how disgusting you’re going to look when you take your helmet and balaclava off.

Toto, Rachel and a few of your engineers are there to meet you at the barricade when you clamber out of the car, unsteady on your feet. Rachel’s eyebrows are furrowed as she tries her best to smile at you, trying to put on a brave face even though you can tell she’s concerned you’re going to keel over. You brace yourself with a hand against the gate and tear your helmet off, then your balaclava. You’ve never been so fast to put a cap on your head, trying to cover the sweaty mess that is your hair right now.

“That was phenomenal work,” Rachel says, reaching to put a hand on your burning hot bicep, “You look fucking terrible, though.”

You suck in a ragged breath and you nod in agreement, trying to keep the black tinging your vision from taking over completely. 

“Get her something to drink,” you hear Toto bark, though it comes to your ears, muffled and staticky.

You’re fine. You’re fine. Until you’re not and your sweaty hand is slipping against the guardrail and your vision is fading into darkness and you’re falling face first into a metal railing. And, and, someone’s got their arm around your middle and you’re not on the ground with your face in the asphalt. You blink, hot tears— from what you assume is exhaustion— burning your eyelids. The arm around your middle is covered in something orange and black… Oscar. It’s Oscar who’s got you propped up, held firm into his body so your legs don’t collapse underneath you. The two of you sway and stumble for a second as you gain your footing back, your vision returning to normal, the buzzing in your ears going away.

“You’re good,” he breathes, “I’ve got you.”

You ignore the shiver that runs down your spine, you attribute it to your current state.

You remember the cameras that are on all of you right now. You try not to look panicked as you step away from him. You try to do it calmly and not frantically like you so want to. Toto has some electrolyte drink held out right in your face and you take it, chugging half of it straight away while you swivel around to face Oscar. You nod, feeling slightly better, but gripping the guardrail tight so as not to repeat earlier.

“Thanks,” you try a smile, but it’s just turning into a grimace because you feel like shit.

Oscar shakes his head, “Don’t mention it.”

“Great driving out there.”

His eyebrow goes up, touching the curl of his hair that peeks out from his cap.

“You’re kidding?” he says, tone laced with amusement.

You frown, which is much easier, “No. You drove great.”

He makes a face like ‘yes, obviously’, but somehow does it in a humble and endearing way that you find you like a little too much. It leaves you confused as to his point.

“No,” he scoffs, “Okay, yes. What I mean is that you just got P3 with a raging fever.”

You purse your lips, countering, “You don’t know I have a fever.”

His tongue darts out to wet his top lip, hiding the small smile that threatens on his face.

He shrugs, “Bit obvious, unfortunately.”

You roll your eyes. You think what he means is it’s a bit obvious because you look like absolute death. There’s probably sweat rolling off you in buckets, your cap is jammed on your head and your hair is probably sticking out at crazy angles. There were dark circles under your eyes before you left for the track this morning, they’re probably ten times worse now. He might also mean it’s obvious from the way your skin is burning hot, like touching a radiator in the middle of winter. Or, perhaps, the way you’d passed out into his arms a few minutes earlier.

You suck your teeth, “Well. I told you I was racing today.”

Oscar nods, biting the inside of his lip, “Yeah. You did.”

There’s more that neither of you are saying. A conversation that you’re trying desperately to have with prolonged eye contact, small little smiles and breaths out through the nose. You think it might be ‘I’m proud of you’ or ‘You’re very impressive and I’m going a little bit crazy about it’. That’s how you feel at least, somewhere in between the fever chills and the urge you’re suppressing to curl into a ball on the tarmac. This is okay, you think. You don’t have to be Oscar’s sworn enemy just because you’re both chasing the win. You can let him worry about you, but make sure he understands he can’t stop you from taking the things that you want. You can say things that mean other things and Oscar can smile at you like it’s something private for just the two of you.

You can be happy with that. Or not quite happy. Content.

🏎️ song inspo (fiona apple my Beloved) -> https://open.spotify.com/track/5h9Iek7Hp9wayRt7fBp7Ab?si=9PnuH5CDSC-qTurLPGiTwg

💫 fill out this form if you want to be added to my tag list: @clowngirlsstuff @leclercsluvs @c-losur3 @mael1pastry @papayamusha @mvk1ma

[jo-harrington]

Breadsticks (Eddie Munson x Reader)

Pairings/Relationships: Older!Eddie Munson/Fem!Reader

Summary: Eddie picks you up for a date that'll cheer you up. He promises.

Word Count: 1.5k

Warnings/Themes: Modern Timeline, Established Relationship, Food/Eating, Silliness, Fluff, Reader having a little bit of a bad day, Hurt/Comfort

Note: I don't normally do requests but if @hearsegrrl says she's feeling a little down and needs a little fic pick me up then I need to make her feel better OBVIOUSLY. Especially when she brings so much joy to the fandom with her art. So before you read this--and in fact, YOU MUST DO IT BEFORE YOU READ THIS--go ahead and say THANK YOU RACHEL! For everything she does.

(Hope you enjoy this baby. I know you're vegan...but I went hard with the cheese. Literally. <3)

You can find my masterlist here.

Please do not interact if you are not 18+.

Enjoy!

---

When your relationship with Eddie went from friendship to the talking stages to the moment when he would actually become your boyfriend--

"Aren't we a little too old for that?"

"Call me boyfriend, partner, comrade, soulmate. Whatever you want, sweetheart. Just don't call me late for dinner."

--he made you a list of promises. As though he had to make a deal with you to convince you that he was the right fit for a relationship; as though you'd ever turn him away.

But one of the things on that list of promises was a promise to cheer you up when you were down, and although you insisted that sometimes that promise would be impossible to keep, he insisted that he could try.

"It's the least I could do when you let me see your boobs whenever I want," he joked, earning playful slaps and then a stupidly lovesick kiss.

Tonight, though, was the first opportunity for him to put his money where his mouth was.

It had been a bad day, a bad week, and you were tired. Too tired to entertain questions and conversations with all of your friends, and because of that, you canceled plans to go out with the group on Sunday. I'm just not feeling good. It was simple and everyone understood, told you to feel better; Eddie, though, was immediately texting to see if you needed anything.

Soup, ginger ale, aspirin, a tummy rub; whatever you wanted it was yours. He could be at your place in an hour.

You smiled fondly and stared at the message for a second, then at the blinking cursor in the text box; normally there would be a sense of dread at the barrage of questions that would come if you tried to explain that you weren't that kind of not feeling good.

But Eddie had always been good at not pushing the boundaries.

You typed your reply and he was lightning fast with his own response.

How about dinner? Just the two of us. I know the perfect place.

And wasn't that the damned truth? Eddie always knew the perfect place. Perfect places for dates, parks for picnics, places to park his van and fool around.

How could you say no to him?

Perfect boyfriend was perfect. Fucker.

An hour later he was pulling up outside your building and holding the passenger's side door open for you as you emerged from your pit.

"I'd have gotten you flowers to cheer you up," he started his greeting. "But I know you hate grocery store flowers, so..."

"Yeah I would have turned and gone right back inside, but the thought is appreciated," you sassed.

"I'll just have to get you a bouquet of something else next time you need cheering up." He pressed a kiss to your temple and then gestured for you to hop inside.

There was music playing--conspicuously an artist you liked that he typically shit on you for, and not one of his ultra-specific, niche metal bands--and slurpees in the cup holders--his coke and cherry, yours grape--and the A/C was churning the perfect temperature in the cab.

"You sure you're not just trying to get lucky tonight?" you asked as he got back into the driver's seat to head to dinner. "Because I'm tallying some serious boyfriend points here."

He scoffed and pressed a hand to his chest in mock affront.

"Moi? Looking for sex? Don't be ridiculous; my virtue is intact." He batted his eyelashes coquettishly and then shifted the gear to drive when you snorted a laugh. "No, tonight is all about making you feel better."

"I don't really want to talk about what happened though," you blurted out, brain shifting to defense mode automatically. You closed your eyes and sighed. "Sorry...it was just..."

"Nope! Don't worry!" Eddie cut you off. "I don't need to know unless you wanna tell me. You make the rules here. I'm just the trusty chauffeur tonight. And court jester. And bankroll for all your culinary desires."

You melted into the seat and stared at his profile for a second, illuminated by streetlights. He'd already made you feel better in the last 10 minutes than you had all week.

He glanced at you out of the corner of his eye and then said, "I promise, you're gonna love this place."

"Oh yeah?"

"A Munson family tradition for special occasions. Birthdays. What haves you. Wayne is gonna be jealous we're going without him."

---

It was Olive Garden.

Your perfect idiot boyfriend took you to Olive Garden.

"Not just Olive Garden," Eddie held his hands out defensively at your questioning stare. "Never Ending Pasta Bowl at Olive Garden. The premiere event of the year. I would've worn a suit...but I figured that it would be rude of me to expect you to dress up when you said you weren't feeling great. So..."

He trailed off and his jovial expression fell, and you felt bad as his body language changed from silly to nervous.

It wasn't that you didn't like Olive Garden; it was just unexpected.

Actually, it was one of your favorite stupid places to eat right along with a shopping mall food court and, believe it or not, Chuck E. Cheese. A mid-tier chain restaurant with endless breadsticks? It was heaven. In fact, you're pretty sure that early on in your friendship with Eddie, you went on a weed-induced rant about the pillowy-softness and garlicky goodness that was an Olive Garden breadstick.

Had he remembered that? Squirreled that information away for all this time?

No...it couldn't be...

"So can I order mozzarella sticks too?" you asked tentatively. "Or in true spirit of the Never-ending Pasta Bowl, am I only limited to infinite rigatoni?"

Eddie's nerves melted and his smile bloomed once again.

You liked it when he smiled; it was infectious. You could feel the corners of your lips quirking too, until you were grinning right back at him.

"I think it's called fried mozzarella, actually," he said and wrapped an arm around your waist so he could lead you in. "You can have anything your heart desires tonight."

He wasn't kidding.

Mozzarella sticks, and soup and salad and breadsticks, and an italian margarita.

And then all the pasta you could ever dream of.

Eddie was ultra attentive; overly attentive, even. But he still kept his signature Munson charm and tomfoolery.

He asked the server for parm because he knew you would get self-conscious about the unholy volumes of cheese you'd desire on your food.

He made you laugh with a 10-minute hypothesis about the process of never-ending fettuccini and how there must be a barrel sized spool with one singular fettucino that they unraveled and cut into appropriate portions upon order.

He always made sure to ask for more breadsticks and insisted that you got first pick from the fresh basket.

He did a magic trick with balled up paper napkins that were shoved into his ears and then spat out from his mouth. (One was also extracted from his nose causing the child at a nearby table to start clapping).

And finally, when all was said and done and it was time to pay, you were forced to cover your face bashfully as he extracted not one, not two, but three pictures of you from his wallet before he found his card.

"What?" he asked, lovingly tucking the polaroids and photo booth film strips back into the worn leather bi-fold. "How else am I supposed to spontaneously construct an altar to worship you if I don't have your picture handy."

It healed your soul. One joke and mouthful of carby, tomatoey goodness at a time. It was silly and it was everything you needed in the moment to make the hell that was your week better.

He even got you to talk about everything that made you upset. It just started spewing out your mouth as you aggressively skewered fusilli onto your fork. He gave you all the time and space you needed to say "damn this" and "fuck that" about all the little things that built up to one big, obnoxiously shitty week until you felt the weight lift off your shoulders.

Usually when you got into your moods, it would've been impossible.

But did you expect him to do anything less than impossible?

Towards the end of your visit, Eddie popped to the bathroom, and while he was gone your server stopped by to see if there was anything else you needed.

"Any to-go containers or mints or maybe some more breadsticks?"

"Don't worry," Eddie's voice echoed through the dining room. "I've already got that covered."

You turned in your seat and you weren't sure what you expected, but what you found certainly wasn't it.

Eddie stood there, proudly presenting a bouquet of breadsticks, each one skewered with an uncooked spaghetti noodle and bound prettily with a bow made out of a plastic bag.

He closed the distance and dropped to one knee and then presented it to you with a wink, "I told you I'd have to find some other kind of bouquet to get you besides flowers."

There was some back and forth about Jeff's assistant manager buddy and where you'd fit this in your fridge, before you leant over and kissed his cheek.

"Thank you," you whispered and nuzzled your nose against his skin.

"You feeling better?" he asked.

"Yeah," you nodded. "It was the best date I've ever had."

And it would be.

Until the next one.

[barcaatthemoon]

should be me || leah williamson x reader ||

leah gets jealous when the team tease you about the obvious thing going on between you and rachel daly.

you sat silently in your cubby, ignoring the looks of your teammates. this game against aston villa wasn't overly important, no more than any others you'd played this season. still, you were incredibly nervous about it. your captains were all picking up on it, but they had different approaches for trying to help you.

leah tried to comfort you the best that she could, but it was little more than an awkward shoulder pat and reassuring comment. kim was much more motherly in her attempts to calm you down a bit. however, it was unfortunately katie who was the most effective with her knowing and teasing comments.

"are you excited to see your little girlfriend?" katie asked as she nudged you with her elbow. both you and leah snapped your heads towards katie to glare at her. leah's glare was all anger, but yours was annoyance. "she's been asking a lot about you. i think you've really got a chance."

"whatever," you huffed. truthfully, you would have been more than happy going out with rachel. however, there was a slight problem. she wasn't leah. nobody else was leah, and that was why all of your dates led to absolutely nothing. you wanted to be with leah, but leah didn't want to be with you.

"seriously, she's interested," katie told you.

"drop it mccabe," leah grumbled. katie put her hands up in surrender, muttering about how she only wanted to help her friends. katie didn't understand why leah always got so upset whenever arsenal played aston villa. leah and rachel were friends, at least they were until the teams met up. leah was friendlier with her national teammates who played for chelsea than she was with rachel. "you good?"

"i'm fine leah," you promised her. she smiled as she ruffled your hair a bit. you groaned as you tried to fix your hair again. you were just finishing up whenever kim called everybody to huddle up for a quick pre-game pep talk. you knew that arsenal had this game in the bag, but you still appreciated the little boost to everybody's confidence.

"quick hug before we become sworn enemies?" rachel asked. you hadn't expected to see her waiting for you as the team shuffled out of the locker room. admittedly, you had been a bit eager as you launched yourself into her arms. behind you, leah scoffed as she walked past the two of you. "i'd tell you good luck, but my mates would kill me."

"we don't need it anyway." you gave rachel a cheeky smile before you joined your team. the girls all started to tease you a bit as you found your mascot and spot in line. you knew that you had done it to yourself, but their words still made your cheeks burn bright red with embarrassment.

…

arsenal's win over aston villa was unsurprising. you hadn't scored any goals, but your two assists brought you all the pride you could handle. usually, you found yourself right by leah's side after games like this, but katie was excitedly pushing you away from the team. you were about to question her whenever she directed you towards a downtrodden rachel daly.

"go on, give her something to smile about," katie told you. she gave you a good shove, which leah missed. all the blonde saw was you walking over and sitting next to rachel. the two of you sat on the pitch for nearly 10 minutes together before you got up to take a shower.

you liked longer showers, but a good amount of the hot water had been used up. you walked back into the locker room to the stares of your teammates. this time, instead of katie starting the teasing, it was steph and caitlin. even kim joined in, which was when leah finally lost her cool.

"for the love of god, will you lot stop talking about rachel? i am sick and tired of hearing her name! we get it, she's into (y/n) and maybe (y/n)'s into her too!" leah shouted. you flinched as she stormed out of the locker room, slamming the door behind her.

"what the hell was that about?" katie asked as she glanced over towards you. in all honesty, you had no idea what leah was on about. she had never been a big fan of the jokes, but it had never seemed like something that would result in such an outburst.

"(y/n), honey, i think you should talk to leah," kim told you. she placed her hand on the small of your back as she guided you onto your feet. you didn't know why, but you were incredibly nervous as you looked for leah. she wasn't mad at you, but there was a chance that she'd blow up on you too. you didn't want to smother her, but the team had decided that you were the best person to find out what was wrong.

"leah?" you called out as you found her in an empty trainer's room. "can i sit with you?"

"surprised you're not off comforting your little girlfriend," leah grumbled. you furrowed your eyebrows in confusion as you stared at her. at the look of confusion on your face, leah suddenly felt a bit guilty. it wasn't you who had been making all the jokes after all. if anything, you were the most innocent in the whole situation. you didn't seem to understand the situation, unlike kim and alessia, who definitely knew all about leah's feelings.

"i don't have a girlfriend. rachel and i are just friends, leah. we grew up in the same neighborhood, we're like sisters," you told her. leah had heard it a million times before, just like most of the team had. "why does it bother you so much whenever they talk about rachel? you two are friends."

"it's not just rachel, it's you and rachel that bother me. this is embarrassing to say out loud, but i get jealous," leah admitted. you didn't understand what leah could possibly have to be jealous about. the two of you weren't dating, and even if you had been, you never ever would have hooked up with rachel. you meant it whenever you said that she was like your sister.

"i'm not yours, so why are you so jealous?" you asked, a teasing lilt to your voice. leah caught onto it, and instead of getting defensive, she decided to play along. if you wanted her to stop, you were more than comfortable telling her so.

"because maybe, i think that you should be mine," leah said. she grabbed onto your jaw and leaned in close enough for you to feel her breath against your lips.

"don't play with me like this," you warned her.

"i'm not playing love," leah told you. you swallowed as your eyes flicked down to her lips. leah caught your gaze and took the hint. she didn't waste any time in teasing you, opting to press her lips against yours instead. you kissed leah back, opening your mouth just enough for the tip of her tongue to dip into your mouth. leah's hands moved to the back of your head as she pulled you even closer.

"take me home." you had been reluctant to break the kiss, but if things had gone any further, you wouldn't have been able to stop yourself. leah seemed to understand that, sighing as she got off of the table.

"not tonight, not yet. i want to do better than that for you. i'll pick you up tomorrow morning for coffee and breakfast. we can see how things go from there, okay?" leah offered.

"i never thought i'd see the day leah williamson turned away such a willing bedmate," you teased.

"trust me, it's not easy by any means, but you deserve better," leah said. you pressed a kiss to both of her cheeks before you leaned in for a final one to her lips. this kiss was softer and sweeter than the one you had just shared, neither one of you pressing too far in any direction. "i'll miss you."

"i never thought you could be such a sap, it's cute."

[storieswithvenus]

Anna - Aaron Hotchner x Pregnant! Fem Reader

“I am not naming my daughter Samantha, Aaron,” you say as you are folding up a load of washing you had thrown on your shared bed, Aaron sits on the armchair which was located in the corner of the bedroom, a pair of glasses laid on his face as he flicked through a book of baby names.

Licking his index finger and flicking to the next page, he started listing multiple girl names; Olivia, Rachel, Emma, Heather, Sarah, and Lisa. None of the names stuck out to you, at one point you groaned at one of the names.

"I told you I wanted to name her Astoria," you frown and look over at him, " I don't understand why you don't want to pick that name, it's adorable." Aaron sighs and puts the book down onto his lap, taking off the pair of glasses and placing them on the smaller table beside him as he runs his fingers through his hair, combing it out.

"I didn't expect it to be this difficult when it came to naming girls if I'm being honest, but you and I aren't getting anywhere with this and by the time the baby arrives we will still be arguing about her name." his voice was soft but slightly stern, you both knew the baby girl would be here any day, so why count you settle on one perfect name?

Your pregnancy had been amazing so far, you were always being taken care of by Aaron and your beautiful step-son Jack. Anything you needed they came immediately to you and got it for you. Jack had even suggested a few names himself, however, they were only names of girls in TV shows he watched.

Getting up out of his chair, Aaron walked over to you and pulled you into a hug, his arms wrapping themselves around your waist and his head pressed into the crease of your shoulder and neck. "I think it's time we let go and let Jack pick the name," he begins as you feel him leave butterfly kisses on your shoulder, "it'll make him feel part of the family if we let him get the final pick."

You knew he was right in what he was saying. Jack had been a rock in this world for the both of you, he always went out of his way to make sure you knew he loved you, even if you weren't his biological mother. Jack went from being a shy boy who couldn't even look at you the first time you met him to now, this confident and goofy little boy who went and bragged about his mum and dad's career, that they "fought bad people and kept the world safe".

Aaron lifts his head to look down at you, both of you silently agreeing to each other that now is the time you should ask Jack to pick the name. Aaron grabbed your hand and led you outside of your bedroom and down the stairs, your eyes eventually settling on Jack who was playing with his toy cars on the carpet in the living room.

"hey little man, we have something we need you to do okay?" you sit down beside him on the carpet as you pick up one of his toys to play with, running the wheels over the carpet. Jack looks at you then at Aaron, "Am I in trouble?" his soft and quiet voice makes it hard to hear what he said. "No no of course not bub, me and Daddy just need you to help us with something to do with your baby sister okay?" holding onto his hand as you watched his eyes glass up with tears.

Aaron sits down on the other side of him, "We want you to pick baby sister's name jack, will you do that for us?" his eyes light up and his head turns to Aaron before looking back at you to make sure you two were asking him to name his little sister. Aarons's smile covers his face, and joy fills his eyes as he watches his son get up and start dancing around the living room and squealing at the fact he gets to pick the name.

"Really Daddy? You want me to pick baby sister's name?" Jack asks his father as he stops dancing for a moment. "We want you to be a part of this decision buddy, we want you to name her, anything you want. You tell him as he turns to look at you.

"Anna, I want her to be called Anna like in Frozen."

[vivwritesfics]

could you write something where with oscarxlandox reader and reader is pregnant and gives birth and how the boys comfort her during it and how they act as new dads. So excited !

"Hey Nugget," said Lando as he walked past his girlfriend, holding out his hand to fist bump her rather large baby bump.

"Don't say hey to nugget," Y/N muttered, her hands resting on her bump. "Tell nugget she needs to get out here."

Oscar sat down beside her. "Yeah, Nug," he mumbled and wrapped his arm around his girlfriend. "We need you out here so we can meet you."

Oscar was so excited to be a dad. He couldn't wait for Y/Ns due date, to take up all of the responsibilies of being a dad. There were three of them, which was going to make everything so much easier. Oscar had already expressed his excitement at getting up in the night to sooth Nuggets cries.

"Since the due date is getting closer, can we have a serious conversation about names, please?" She asked, leaning against Oscar.

He looked back at Lando in the kitchen. "I thought we liked Nugget," he said through a mouthful of biscuit, so it came out like 'I fought we 'iked nugget'.

"Lan, c'mon," said Oscar as he shook his head, his hair bouncing all over the place. "I like Emma," he said.

Y/N frowned. "Y'know that's the name of Ross and Rachel's baby, right?"

"That's a no, then?"

Y/N giggled and kissed his nose. "Yeah, Osc, its a no."

"No matter what we call the baby, she'll always be Nugget to me," lando said as he came to sit on the arm of the sofa.

"I like Ivy."

Nobody had any problem with Ivy. But then it was the last name. Actually no, that was decided pretty quickly. Neither boy wanted their last name first, but they all decided 'Ivy Norris-Piastri' sounded better than 'Ivy Piastri-Norris'.

It was just two short weeks after this that Y/N went into labour. Both boys were away at a race and Y/Ns mother had come to stay with her for the weekend, just in case.

As they drove to the hospital, Y/N texted a quick SOS message to Zac Brown. Zac Brown loved the throuple. He was so happy for them when Y/N announced she was pregnant. That was when he gave her his number, just in case.

"Uh, Lando, Zac here," came Zacs voice over the radio. He didn't quite know how to say this, he just knew he needed to get a message to both boys. Oscars engineer was currently giving him the news. "Y/N has gone into labour. She texted saying she wants the both of you to finish the race and then you can meet her at the hospital."

"Are you serious?" Lando squeaked.

He drove his little heart out. So did Oscar. They were cautious but still performing at their bests.

After the race McLaren got them out of any sort of media duties and sent them straight to the plane. Lando's engineer stood on the podium for him, with the commentators explaining the situation to those watching from home.

When the boys got to the hospital, baby nugget was already crying and screaming in Y/Ns arms. "I'm so sorry, boys," she said when they walked into the room. "Nug just didn't want to wait any longer."

"It's okay," Lando muttered and kissed the top of his girlfriends head. He looked down at little nugget, his hand gently touching her tiny little fingers. He was hesitant, almost afraid.

"Looks like we'll just have to have another," Oscar said and kissed Y/N. He looked down at Nugget. At Ivy. "Can I?" He asked and Y/N passed her to him.

Exhausted, she patted the space in the bed beside her for Lando to sit down. Y/N laid against him as they watched Oscar. He was so gentle with Ivy, born to be a dad.

"We'll be there next time," Lando whispered and kissed Y/N.

"Because there's definitely going to be a next time."

[englishsub]

book rec by me

so you want to get back into reading books but have no idea where to start and disdain booktok (if you get me started on this however i will become an unskippable cutscene so that's for another day). understandable. there is so much out there and it is all so overwhelming and you don't even know what you like now that you've been a decade out of the game. again, understandable. it does not have to be scary. i will help you. below i have created some categories that can get you started.

i want to read Literature

literary fiction, with crossover from historical fiction and magical realism

PEACH BLOSSOM SPRING by melissa fu

THE VASTER WILDS by lauren groff

THE FAMILY CHAO by lan samantha chang

OUTER DARK by cormac mccarthy

SEVERANCE by ling ma

LIGHT FROM UNCOMMON STARS by ryka aoki

IDENTITTI by mithu m. sanyal

PIRANESI by susanna clarke

i want to read sci-fi/fantasy that won't break my brain

sci-fi and fantasy that is gentler on the brain cells. easier to grasp magic systems with multiple but not an overwhelming number of overlapping plotlines

EMILY WILDE'S ENCYCLOPAEDIA OF FAERIES by heather fawcett

KINGS OF THE WYLD by nicholas eames

THE JASMINE THRONE by tasha suri

THE CITY OF BRASS by s.a. chakraborty

A RIVER ENCHANTED by rebecca ross

JUNIPER AND THORN by ava reid

BLACK SUN by rebecca roanhorse

THE FINAL STRIFE by saara el-arifi

THE BONE SHARD DAUGHTER by andrea stewart

i want to read sci-fi/fantasy that forces me to lock the fuck in

i would not recommend picking these up as your first foray back into books after many years of not reading recreationally, but i'm not your mom.

THE SPEAR CUTS THROUGH WATER by simon jimenez

JADE CITY by fonda lee

THE FIFTH SEASON by n.k. jemisin

THE RAGE OF DRAGONS by evan winter

A MEMORY CALLED EMPIRE by arkady martine

GIDEON THE NINTH by tamsyn muir

THE ART OF PROPHECY by wesley chu

THE GRACE OF KINGS by ken liu

horrify me!

there is far more to the horror literary canon than stephen king and dean koontz, i promise. consider looking up warnings for these.

TENDER IS THE FLESH by agustina bazterrica

THE RUINS by scott smith

CONFESSIONS by kanae minato

EPISODE THIRTEEN by craig dilouie

REPRIEVE by james han mattson

MARY by nat cassidy

DEAD SILENCE by s.a. barnes

AUDITION by ryu murakami

THE SALT GROWS HEAVY by cassandra khaw

don't care, i want romance

some of these feature crossover genres, like fantasy and horror.

VAMPIRES OF EL NORTE by isabel cañas

DAUGHTER OF THE MOON GODDESS by sue lynn tan

SEVEN DAYS IN JUNE by tia williams

HAPPY PLACE by emily henry

ONE DARK WINDOW by rachel gillig

i want QUEER romance

again, a mix of historical, fantasy, and contemporary crossover genres.

WE COULD BE SO GOOD by cat sebastian

IN MEMORIAM by alice winn

MOST ARDENTLY by gabe cole novoa

A STRANGE AND STUBBORN ENDURANCE by foz meadows

A MARVELLOUS LIGHT by freya marske

THE EMPEROR AND THE ENDLESS PALACE by justinian huang

SPELL BOUND by f.t. lukens

SORRY, BRO by taleen voskuni

ONE LAST STOP by casey mcquiston

DELILAH GREEN DOESN'T CARE by ashley herring blake

i haven't felt anything since i read percy jackson/the hunger games in middle school/high school

adventure is still out there.

SCYTHE by neil shusterman

WE HUNT THE FLAME by hafsah faizal

SIX OF CROWS by leigh bardugo

GEARBREAKERS by zoe hana mikuta

i'll read anything that's not straight or white

many books in the above categories fit this, but here's even more, across a variety of genres.

LAST NIGHT AT THE TELEGRAPH CLUB by malinda lo

BABEL by r.f. kuang

WHEN THE RECKONING COMES by latanya mcqueen

THE UNBROKEN by c.l. clark

IF YOU'LL HAVE ME (graphic novel) by eunnie

LEGEND OF THE WHITE SNAKE by sher lee

THIS IS HOW YOU LOSE THE TIME WAR by amal el-mohtar and max gladstone

SHE WHO BECAME THE SUN by shelley parker-chan

"all ya books suck"

like any other genre or book age group, there are duds and there are standouts. ya is not special in this regard. try some of these!

DIVINE RIVALS by rebecca ross

STRIKE THE ZITHER by joan he

THE RED PALACE by june hur

A STUDY IN DROWNING by ava reid

EMPIRE OF SAND by tasha suri

LEGENDBORN by tracy deonn

i check out and read a lot of these books for free via my local library by using the libby app (you can even add your friends' library cards to gain access to libraries in places you don't live). when i'm feeling like reading via audiobook, i use libro fm!

look, no one HAS TO read diversely. no one is going to be reverse fahrenheit 451'd and locked in a room with no fanfic and only books and not let out until they work their way through the entire literary canon. but reading, and reading widely, and reading diversely, is what teaches people to form their own opinions and question the things they are told. it's why they hang up stuff like "READ READ READ!!" in grade school classrooms.

we live under systems that increasingly benefit from going unquestioned. no, of course reading ASSASSIN'S APPRENTICE by robin hobb is not going to dismantle these systems tomorrow, nor probably even in our lifetimes. but doing it will help set up a world capable of doing it in the future. and until further notice, we are all part of this wretched world. might as well read a good story while we're here.

anyway, i'm reading THE WEST PASSAGE by jared pechaček and the new cmq book this week.

[etherealstar-writes]

I WANNA BE YOURS | LIONESSES X READER | PT 11

pairings: lionesses x reader

summary: in which you're accidentally added to a random group chat, not knowing they're all actually famous footballers, and obliviously end up having many of them competing for your love and attention.

part: eleven

part one here

✦ ——— ✦ ——— ✦

THE NATIONAL DIVING TEAM

the REAL karate kid

hey y/n

the imposter aka y/n ❤️

yeah?

the REAL karate kid

would you wanna come watch us

play at the semi-finals?

you don't have to if you don't want to

we'll completely understand

neev

but we'd really love you to

the imposter aka y/n ❤️

hold on

the semi-finals?

willybum

yeah

the imposter aka y/n ❤️

like the england vs sweden semi-finals

in two days?

stairway

that one indeed

the imposter aka y/n ❤️

like watch you guys play in person??

neev

yes!

the imposter aka y/n ❤️

wait

aren't all the tickets already sold out?

the REAL karate kid

we'll send you a ticket for the friends

and family section

the imposter aka y/n ❤️

oh

elton

so whatcha say?

neev

y/n bestie

you still alive?

it's been an hour ...

stairway

do i have to give you cpr??

kie

you don't even know cpr

stairway

you don't know that!

earpsy

you sure that's not an excuse to kiss her ...

stairway

of course not ...

willybum

WOAH wOAH

i dibs giving cpr then

stairway

AY NAHHH

BACK OFF WILLYASSON

willybum

THE HELL DID YOU JUST

CALL ME SUCKWAY

stairway

YOU TAKE THAT BACK RN LEAH

willybum

TRY ME GEORGIA

neev

hold on

i wanna give cpr!

stairway

SHUT UP CHARLES

willybum

SHUT UP CHARLES

brightness

i will literally shut all you guys up

permanently if you don't quit

fighting rn

rusty metal

i will voluntarily lend

you a hand in that

the imposter aka y/n ❤️

dam

i really enjoyed their bickering

i wouldn't really mind a mouth to mouth

cpr from you guys tho 👀

lotte

y/n!

i'm glad to see you're still alive

daily

y/n, hey!

the imposter aka y/n ❤️

i am very glad too lotte!

hey, rachel!

sorry my phone ran out of charge

and then i decided to take a shower

neev

Y/N BAE

you almost killed us with the suspense

the imposter aka y/n ❤️

you sure you don't need a cpr instead 👀

neev

i won't decline it if you're offering 👀

stairway

neev

ugh stop ruining it stanway

go away

stairway

never

meado

ignore those two

so you're chill with us being the lionesses?

the imposter aka y/n ❤️

i mean i'm still trying to comprehend how

i managed to get added in a chat full of

footballers but yeah of course

earpsy

blame that on ella

elton

um you mean thank

if not for me, we would've

never known each other

the REAL karate kid

wait hold on

shouldn't you guys be thanking

me instead

it was all because i changed numbers

the imposter aka y/n ❤️

before you guys begin arguing again

thank you all

how about that?

elton

we'll take it

the imposter aka y/n ❤️

good

now leave me in peace

i have a date tonight

ttyl

lotte

DATE?

willybum

HOLD ON

earpsy

HUH

neev

WHAT

DATE?!

HELLO ???

stairway

YOU'RE GONNA BE TAKEN??

BY SOMEONE OTHER THAN ME?!

elton

meado

oh god

here we go again

✦ ——— ✦ ——— ✦

part twelve here

[hughiecampbelle]

Being Becca and Butchers Child Would Include: Pt. 1

Requested: Heyyyy can I request some headcanons about being Billy Butcher child (like his and Beccas' only child they had together before Homelander r@ped her) and how some other people would react to it?? (*≧ω≦) - anon

A/N: My love!!! I did want to re-watch the show before I started writing so I'm very sorry about the wait! This was so fun to write! I really hope you like it!!! I ran out of room, so there will definitely be a part two!!! Feedback is always appreciated 💜💜💜

Preference Reaction / Headcanon Pt. 2

Ok idk really know the timeline of how long they were together before the Homelander incident, but I'm making reader 10+ years old at the time of Becca going missing so that they're old enough to take part in Butcher's life afterwards

You were 10+ when your mother went missing

Before that, your life was average. Your parents couldn't get enough of one another, even if your father had some self-destructive tendencies, your mother could always reel him back in

Your father was heartbroken when you started talking and was more American than he'd hoped, but you still picked up on his slang

Your mother was attentive and loving, the both of them were, though your father always struggled with expressing it

Instead he would physically show it by hanging out with you, bringing you to the park and museums and just being there unlike his own father

You're closer with your mothers side of the family, especially your Aunt Rachel, but you have special connection with your fathers aunt, Great Aunt Judy

For the most part, it's the three of you and it's perfect

When you're old enough, you beg your parents for a dog

Becca isn't too sure, but after months of asking and getting your father on board, she agrees

That's when your family of three turns into four - your father names him Terror and you love him more than anything

Your parents are adamant your education is beyond important

Your mother primarily helps with homework since your father got too confused with the way you were taught math and had to throw everything in his wallet into the swear jar

They tuck you in every night and, when you were younger, would read you bedtime stories

Becca's new job at Vought was a great thing for your family

You were all so excited and proud of her - especially your father

You tagged along that night to the party, showing you were old enough to behave, proving you weren't a kid anymore

You even got your picture taken with Homelander

Not long after, your mother went missing

Your father changed

Things that were important weren't anymore

He let his hair grow, staying out at all hours, ordering Terror to look after you

In a way, you'd lost both parents that day

After Butcher talks to Mallory, he loses every part of his old self

Your grades tank and the school threatens to hold you back

You're angry and hurt and your life changed overnight. You don't care about homework, you don't care about grades, or friends, or petty school drama - you want your mother back

You start acting out, too. Getting into fights, skipping school, etc.

You and your dad start to fight, too. You fend for yourself most nights, tucking yourself in, calling and texting him without an answer. When he's not working for Mallory or doing his own investigating, he's drinking and getting into bar fights

Realizing he can't do this alone, that he can't raise you like this, that he's hurting you as much as he's hurting himself, he sends you off to your Aunt Rachel

She provides what she can, but you're still angry, cagey, spiky

After your father sends you a way, you kind of give up on whatever future you had planned. Nothing mattered anymore. Your mother was gone and now your father was slipping, too

You and Rachel fight and bicker and though she tries to call your father for help, he rarely picks up

Every few weeks he'll show up and order you around, reminding you you were such a good kid and that your mother wouldn't want you acting like this, but you call him a hypocrite

When things are rocky between you and your Aunt, you live with your great Aunt Judy

At least Terror is there, too

She's kind of a no-nonsense-woman. She doesn't put up with any of your attitude

It sets you straight for a while, she offers the mothering you were lacking, but you're still hurting. Your grades and attendance are just okay, but it's better than before

The less you see your father, the more obvious it becomes that he's not coming back

As you get older, you begin sneaking out, partying, drinking and doing drugs

There are days you spend at friends houses and entire weekends she doesn't see or hear from you

You leave messages on your fathers phone, yelling and screaming and begging and crying, wondering why the hell he abandoned you

He can tell by the slur of your words you're drunk or high or both

You try to get in relationships, but, like your family, you're afraid they'll decide to leave you too, and so you push them away before then

Rachel probably thought to get you into therapy, but Judy didn't believe in that kind of thing, so you never went, not that you wouldn't have refused to go at any age

You graduate high school, but just barely, and though Rachel and Judy are there to watch you walk across the stage, you can't help but feel what's missing

In the years between, you accept your mothers death. The case has grown cold and despite what your father says, you have little faith she's ever coming back

You still celebrate her birthday with her favorite flavor cake and you talk about her often. You brought all the pictures of her you could find, even the one of the three of you together with Homelander

Older now, and directionless, you leave Judy and seek out your father

You track him down to a hideout under a shop in the middle of the city. It wasn't really that hard to ask around. Everyone remembered the rugged jackass who called them a c-nt

You packed a bag with you, hoping you could stay with him and get some answers

You barge through the shop, yelling for him to come out, calling a fucking coward (and worse)

People you don't know or recognize let you down into the basement, asking who you are, why you're looking for Butcher

When you tell him you're Y/n Butcher they all look at one another - they had no idea you even existed. In all the stories Butcher shared about his life before, never did he bring up a kid

Hughie, Frenchie, M.M., and Kimiko tell you as much as they can without feeling like they're overstepping, introducing themselves as friends of your dad

They have no idea where he is, but if you'd like to wait

The Boys definitely argue in the corner about what to do with you

Hughie, empathetic, says to let you stay until Butcher shows up. You clearly had nowhere else to go and you deserved to know everything

M.M. argued it was better to keep you safe, let you go back to your Aunt, anywhere that wasn't here

Kimiko and Frenchie were conflicted

All of them were wondering why he'd have kept you a secret

You like talking to Hughie the best, he's the first one of them you trust. There's something familiar about him

You grow impatient waiting for him. He still won't pick up and you've asked all around- no one's seen him

You fall back into old habits pretty quickly

You're exactly like your father - stumbling back to the hideout drunk and swearing and falling asleep on the couch reeking of booze

You listen to angry music way too loud

Kimiko likes it, she likes you, too

When your father magically appears in a ridiculous outfit, he tells everyone Becca is alive before realizing you're there, too

Instantly, you start cursing him out

M.M. has to hold you back from getting in his face

Butcher asks what the fuck you're doing here while everyone else, as discreetly as possible, asks when he was gonna tell them about you

You and your father reconnect after years, arguing and lashing out at one another. He orders you back to Judy, but you're a legal adult now

You want to know where he's been, why he's just showing up now, why Vought is looking for him and why he's so adamant your mother is alive

[genericpuff]

i find it funny that one of rachel’s drawings of herself in the afterword that just went up is just fully persephone. is that something she does a lot?

Alright so I've been making it a general rule for myself to like, not harp on Rachel in any way outside of LO as much because frankly the horse is dead now and there's not much left to say outside of what can be analyzed in hindsight. I think despite everything I have to say about her and her work, she still deserves to get away from this nonsense and I don't wanna spend eternity hovering over her shoulder.

But the afterword was posted within the LO series and is clearly meant for readers of LO in the functioning of being an afterword so let's just call it fair game LOL

I will say, on the whole, it does feel very honest and sentimental and I can respect Rachel for taking the time to write out and illustrate her afterword in a way that was personal to both her and her fans. I can understand why she went at it from the angle that she did and I'm not gonna fault her for that.

But there's also something that feels deeply... disingenuous about her approach right from the starting gun. I will say, before I continue, that I'm well aware I am biased towards Rachel as a creator, and I fully acknowledge that I could very well be reading too much into things. This is just my opinion, take it with mountains of salt.

I can get looking back on your own childhood, your past self, whatever, and going "see! it all got better!" because sure! For a lot of creators like Rachel, it must be wild to look back on where they came from and there's a lot of sentimentality on expressing that through an afterword like this where she reflects on where she came from. Though she STILL didn't acknowledge her other comics outside of LO, I can understand if she wants to leave those skeletons in the closet.

But I feel like her drawing herself as a child who's being given an Eisner by her adult self and all that just feels like some gross attempt to disarm any criticism of her because "don't make fun of me, I'm just a sad lonely baby girl!"

She's not a child. Child Rachel didn't grossly misappropriate Greek myth into their own self-indulged vanity project. Child Rachel didn't claim herself a folklorist of a culture's works only to bastardize them completely. Child Rachel didn't create a hostile environment within her fanbase by bullying anyone who she perceived as a threat, sneaking into critical spaces to try and cause trouble, and writing her own clapbacks into her comic. Child Rachel didn't claim to be challenging misogyny and purity culture only to reinforce misogyny and purity culture through her own self-insert baby-virgin-gets-rescued-by-rich-tycoon power fantasy that regularly glorified abuse towards women and the lower class.

30-almost-40-year-old Rachel did though.

At best it comes across as really cringe sentimentality from a Greek-weeb (heh, greeboo) and goes to show how much Rachel inserted herself into Greek myth without ever absorbing its messages or cultural contexts, it was all about her and her feelings as a sad New Zealand girl with dyslexia who thought Persephone's story was about another sad girl being rescued from her "horrible childhood".

At worst it's an active attempt to play on people's heartstrings by drawing herself as a child who people will naturally not want to criticize. I don't want to assume she's doing it intentionally, I really don't want to leave her afterword on a bad foot, as I can definitely understand as both a creator and a person who struggled with learning disabilities in their own childhood how and why she wants to pay homage to her past and where she came from... but let's just say, as someone who's also gotten way too "lost in the sauce" concerning personal self-reflective projects, I think there's a lot to say about how this confirms that Rachel made LO entirely for herself, about herself, without any actual intention to respect the original myths, because she never truly separated them from herself when she was a child. And, in my humble opinion as someone who has Been There with the self-insert OC's and self-reflective angsty plotlines, I can fully attest to the fact that that's not fucking healthy. Even with personal projects, you NEED to learn to get your head out of the sauce, you NEED to learn to objectively separate yourself from the narrative so the story doesn't fall apart under your own hubris and ego, you NEED to learn to draw a line if you want to have any sort of identity as a human being outside of what you make for people. And that's with just normal original stories, this was a story based on Greek myth which doesn't belong to her.

And this goes for a lot of the things she's said and done in the past, so much of her own "sources" even are tethered to things that she read / watched in her childhood and only vaguely remembers, as if she never mentally left her childhood at all, which just... if the point was to highlight her past and the traumas she went through and how they contributed to her present, an Eisner isn't going to validate those experiences. And drawing attention to her past through the lens of her childhood self absolutely 100% does not absolve her of the negative effect her work has had on the modern Greek myth zeitgeist nor the things she's said and done as a 38 year old woman who should absolutely know better.

The community she entered and took from will forever remain changed by her influence and taking, in many ways not for the better. She has the privilege of walking away and never having to think about it again, with all the awards and accolades that were bought for her, the bravado that she built around being a "folklorist" with zero credentials, and the platform she was given over many other creators struggling to even be heard.

That "place" she claims to have now was built entirely on inserting herself into another culture's works and doing nothing but taking, taking, taking, while offering nothing in return but vanity and lip service. That "place" was paid for and brought to you by Webtoons.

[fate-of-the-envious]

How is canon Annabeth abusive?

You want a list?

Alright!

1. She constantly hits Percy. Kicking him in the shins, elbowing him in the ribs, punching him in the gut. Not to mention the judo flip scene. Also, this is never said to be done playfully whatsoever. And it's done constantly in EVERY book.

2. She always belittles and calls him stupid. Like his plans never work. Ha, they work more than hers! Also, the parallels of her calling him Seaweed Brain, when Gabe called him Brain Boy! Like how would you feel if you have a nickname constantly degrading your worst insecurities?! All the damn time! Not to mention Thalia, who Percy was the first person who helped her after she stopped being a tree, after spending the school year with Annabeth started calling Percy Kelp Head and viewing him as dumb. Annabeth who ignored Percy all this year, and was overall just selfish and mean when they met again.

3. Annabeth is so possessive of Percy. Even before they are dating (which doesn't make it any better when they are), Annabeth doesn't let Percy be friends with Rachel. Trying to drive a wedge between the two. And Percy, literally only has Grover and Annabeth for friends. He is so alone, he needs more friends! Oh, and then with Jason she interrupts the two of them chatting and trying to get along. Also, just how she doesn't like that Percy seems to like Camp Jupiter, like he can't seem to have his own differing plans from her.

4. Tartarus. Everything about that was so bad. Like in Tartarus, whom Percy fell down to FOR HER, Annabeth brings up Rachel because in her thoughts, she needs to keep her boyfriend on his toes. Like bitch! Then, we get to how she thinks Percy is so manipulative when he talks his way to get Bob to kill his brother. Like that isn't Annabeth's number 1 tactic. She's so fucking judgemental!

And then the scene with Akhlys in Tartarus. Where yes, Percy is being scary torturing this goddess who tried to poison them to death. But she just tried to kill them! He's saving their lives! And then, Annabeth makes Percy promise her to never use those powers again, because "Somethings aren't meant to be controlled." Like do you know how useful poison-bending could be to save lives? What difference does this make from using a sword to kill monsters when all of them are trying to kill and/or eat Demigods! Not to mention, if someone is poisoned, Percy could help heal them!

Next, because of how horrible Annabeth made Percy feel for using these powers he attempts suicide. After he gets out and faces Polybotes, who controls poison, he doesn't even try to save himself and says to Jason that he deserves to die by poison for what he did! He tried to kill himself! And Annabeth never talks to Percy about this again, and instead talks to Piper who thinks Percy needs to be restrained like he's some kind of monster when he was saving them! Percy is literally the most selfless and kind person out there. And Annabeth treats him like crap! She doesn't deserve him!

5. Percy isn't allowed to have bad thoughts on Luke. Luke, who's tried to kill him repeatedly since he was twelve! And in general, this ship is so toxic and codependent right now, it's in no way healthy.

Anyways sorry for my rant, but yeah Annabeth is abusive, and it's just so concerning how people possibly in elementary school are being exposed to this being a healthy relationship, where girlfriends can hit their boyfriends, and can stop them making friends with others, because they belong to them like some sort of object.

Yeah, I just relate to Percy so much, and I don't want him to deal with another Gabe.

Edit: Okay, for anyone who likes Annabeth or Percabeth, I don't care - you do you. You can like and dislike all the characters and ships you want, just as I can. So, if you disagree with what is said, that's fine, but don't expect me to change my stance when I have already pointed out several concerning behaviors. So, like good humans, we'll just have to agree to disagree and move on with our days.

[lakesbian]

What was he doing?  Why was he so focused on getting Bitch to admit it was over? Reputation, yet again.  He needed to salvage this situation, and the surest way to do that, to recoup his losses and come out of this looking okay, would be to get the meanest, toughest, most notorious of us to bend at the knee and concede defeat. He really didn’t know Bitch, though. She pulled her cheap plastic dog mask off and threw it to one side.  It was only a formality, really, since her face and identity were public knowledge.  Her smile, as it spread across her face, wasn’t the most attractive.  Too many teeth showing. “Lung underestimated her, too,” she told him, looking at me.

okay, continued forcing myself to spend time analyzing rachel lindt instead of letting her live in my worm blindspot for no reason. to recap: at this point in the story, she's gone on the ABB raid with rachel & had that gay little moment where rachel gave her her jacket when she was cold walking back home + got so close to taylor to inspect her injuries from lung that taylor thought she was going to kiss her. it had deep connotations of blossoming romance and taylor narrated some shit about still kind of being cold despite the jacket but the warmth in her core keeping her warm all the way back to the loft. now, although taylor is still only consciously ranking rachel at "i don't hate her" in her mind, rachel has now started doing shit like this.

one of the primary rachel/taylor theses is that taylor isn't rachel's dog, rachel is taylor's dog. it's established over the course of the worm that she trusts taylor completely implicitly. there's the part in the behemoth fight where the entire world is falling apart around them and rachel is still smug and happy about taylor having a plan. there's the part at the end that makes all of us want to smash our heads into the wall:

she trusts taylor in the same way a dog would trust their owner even on the table for euthanasia. she sees taylor as smarter than she is not in a self-deprecatory way--there are plenty of people who you might call smarter than rachel that she'll happily call morons--but because consistently, time and time again, taylor goes up against smart pieces of shit who are trying to fuck the undersiders over and figures out what to do about it. and this scene here, where she's responding to armsmaster's attempt to put her down by insisting that he's underestimating taylor, seems to be the first instance of rachel's trust in taylor shining through. in fact, this happens even before taylor considers them to be friends, before they've had any significant bonding. one of the very first positive things rachel feels about taylor--maybe even the first positive thing--is that, when people are putting her and her team down, when odds look grim, taylor can be trusted to solve it. it's actually, like, kind of bonkers compelling that rachel's first seed of positive response to taylor isn't "well, actually, i guess she seems nice" but "my teammate taylor could beat up this dickhole armsmaster."

it's worth explicitly noting, by the way, that rachel interprets smiles as like dog growls. the reason her smile is a little too wide with too many teeth is because it's not actually a proper smile. it's rachel being a growling dog, placing all of her trust in taylor. I Love You Rachel Lindt