#( nolan burke. )

[puckpocketed]

11/09/2024 - Rookie Faceoff Media Availability || Smith - Celebrini - Mukhamadullin - Burke - Musty

smiley baby sharks!

[ID: Gifset of several San Jose Sharks prospects during media availability. All of them are in Sharks themed athletic leisurewear and caps, and are caught either laughing or smiling. Top to bottom: Will Smith, Macklin Celebrini, Shakir Mukhamadullin, Nolan Burke, Quentin Musty. /. End ID]

[leverage-ot3]

thief conference but it’s just the leverage ot3, red notice ot3, and neal caffrey and el burke (peter isn’t there for plausible deniability)

[pacific-coast-hockey]

MANGE FOR ASKAROV. I'M EXPERIENCING EMOTIONS THAT EVEN SHRIMP HAVEN'T FELT BEFORE AMA

[hockeyupdate]

"San Jose Sharks General Manager Mike Grier announced today that the club has acquired goaltender Yaroslav Askarov, a 2025 third-round selection (Colorado’s choice), and Nolan Burke from the Nashville Predators in exchange for David Edstrom, a 2025 first-round selection (Vegas’s selection) and goaltender Magnus Chrona. Should the Vegas choice be a Top-10 selection, San Jose will have the choice to transfer either their own first-round selection in the 2025 NHL Draft, or the Vegas selection."

[stereax]

[wutbju]

A cast candid from the 1991 Speech Dept production of The Matchmaker.

[sasheneskywalker]

books and articles about about comics, superheroes, dc and batman

books Ahrens, J., & Meteling, A. (Eds.). (2010). Comics and the City: Urban Space in Print, Picture and Sequence. A&C Black.

Bongco, M. (2014). Reading comics: Language, culture, and the concept of the superhero in comic books. Routledge.

Brode, D. (Ed.). (2022). The DC Comics Universe: Critical Essays. McFarland.

Brooker, W. (2013). Batman unmasked: Analyzing a cultural icon. Bloomsbury Publishing USA.

Burke, L., Gordon, I., & Ndalianis, A. (Eds.). (2020). The superhero symbol: media, culture, and politics. Rutgers University Press.

Dittmer, J., & Bos, D. (2019). Popular culture, geopolitics, and identity. Rowman & Littlefield.

DiPaolo, M. (2014). War, politics and superheroes: Ethics and propaganda in comics and film. McFarland.

Dyer, B. (Ed.). (2009). Supervillains and Philosophy: sometimes, evil is its own reward (Vol. 42). Open Court Publishing.

Geaman, K. L. (Ed.). (2015). Dick Grayson, boy wonder: Scholars and creators on 75 years of Robin, Nightwing and Batman. McFarland.

Giddens, T. (Ed.). (2015). Graphic justice: Intersections of comics and law. Routledge.

Heer, J., & Worcester, K. (Eds.). (2009). A comics studies reader. Univ. Press of Mississippi.

Irwin, W. (2009). Batman and philosophy: The dark knight of the soul. John Wiley & Sons.

Langley, T. (2022). Batman and psychology: A dark and stormy knight. Turner Publishing Company.

McKittrick, C. (2015). Fan phenomena: Batman, edited by Liam Burke.

Ndalianis, A. (Ed.). (2009). The contemporary comic book superhero (Vol. 19). Routledge.

O'Connor, L. R. (2021). Robin and the Making of American Adolescence. Rutgers University Press.

O'Neil, D., & Wilson, L. (Eds.). (2008). Batman Unauthorized: Vigilantes, Jokers, and Heroes in Gotham City. BenBella Books.

Packer, S., & Fredrick, D. R. (Eds.). (2020). Welcome to Arkham Asylum: Essays on Psychiatry and the Gotham City Institution. McFarland.

Pearson, R., & Uricchio, W. (Eds.). (2023). The many lives of the Batman: Critical approaches to a superhero and his media. Taylor & Francis.

Pearson, R., Uricchio, W., & Brooker, W. (Eds.). (2017). Many more lives of The Batman. Bloomsbury Publishing.

Picariello, D. K. (Ed.). (2019). Politics in Gotham: the Batman universe and political thought. Springer.

Pustz, M. (Ed.). (2012). Comic books and American cultural history: An anthology. Bloomsbury Publishing USA.

Romagnoli, A. S., & Pagnucci, G. S. (2013). Enter the superheroes: American values, culture, and the canon of superhero literature. Scarecrow Press.

Smith, M. J., & Duncan, R. (Eds.). (2012). Critical approaches to comics: Theories and methods. Routledge.

Smith, M. J., Brown, M., & Duncan, R. (Eds.). (2019). More critical approaches to comics: theories and methods. Routledge.

Weiner, R. G. (Ed.). (2009). Captain America and the struggle of the superhero: Critical essays. McFarland.

Weldon, G. (2017). The caped crusade: Batman and the rise of nerd culture. Simon and Schuster.

White, M. D. (2019). Batman and ethics. John Wiley & Sons.

Worcester, K., Heer, J., & Hatfield, C. (Eds.). (2013). The Superhero Reader. University Press of Mississippi.

articles Authers, B. (2012). What Had Been Many Became One: Continuity, the Common Law, and Crisis on Infinite Earths. Law Text Culture, 16, i.

Austin, S. (2015). Batman's female foes: the gender war in Gotham City. Journal of Popular Culture (Boston), 48(2), 285-295.

Avery, C. (2023). Paternalism, performative masculinity and the post-9/11 cowboy in Christopher Nolan’s Dark Knight trilogy. The Australasian Journal of Popular Culture, 12(1), 65-81.

Bainbridge, J. (2007). “This is the Authority. This Planet is Under Our Protection”—An Exegesis of Superheroes' Interrogations of Law. Law, Culture and the Humanities, 3(3), 455-476.

Best, M. (2005). Domesticity, homosociality, and male power in superhero comics of the 1950s. Iowa Journal of Cultural Studies, 6(1).

Brienza, C. (2010). Producing comics culture: a sociological approach to the study of comics. Journal of Graphic Novels and Comics, 1(2), 105-119.

Camp, L. D. (2017). ‘Time to ride the monster train’: multiplicity, the Midnighter and the threat to hegemonic superhero masculinity. Journal of Graphic Novels and Comics, 8(5), 464-479.

Camp, L. D. (2018). "Be of Knightly Countenance": Masculine Violence and Managing Affect in Late Medieval Alliterative Poetry and Batman: Under The Red Hood (Doctoral dissertation, University of South Carolina).

Cocca, C. (2014). Negotiating the third wave of feminism in Wonder Woman. PS: Political Science & Politics, 47(1), 98-103.

Coogan, P. (2018). Wonder Woman: superheroine, not superhero. Journal of Graphic Novels and Comics, 9(6), 566-580.

Cohn, N., Hacımusaoğlu, I., & Klomberg, B. (2023). The framing of subjectivity: Point-of-view in a cross-cultural analysis of comics. Journal of Graphic Novels and Comics, 14(3), 336-350.

Costello, M. J., & Worcester, K. (2014). The politics of the superhero: Introduction. PS: Political Science & Politics, 47(1), 85-89.

Crutcher, P. A. (2011). Complexity in the comic and graphic novel medium: Inquiry through bestselling Batman stories. The Journal of Popular Culture, 44(1), 53-72.

Curtis, N. (2013). Superheroes and the contradiction of sovereignty. Journal of Graphic Novels and Comics, 4(2), 209-222.

Fennell, J. (2012). The aesthetics of supervillainy. Law Text Culture, 16, i.

Giddens, T. (2015). Natural law and vengeance: Jurisprudence on the streets of Gotham. International Journal for the Semiotics of Law-Revue internationale de Sémiotique juridique, 28(4), 765-785.

Guynes, S. (2019). Worlds Will Live, Worlds Will Die: Crisis on Infinite Earths and the Anxieties and Calamities of the Comic-Book Event. Inks: The Journal of the Comics Studies Society, 3(2), 171-190.

Hall, K. J., & Lucal, B. (1999). Tapping into parallel universes: Using superhero comic books in sociology courses. Teaching sociology, 27(1), 60-66.

Hatchell, R. (2023). ‘We prefer protégé’: The temporal function of sidekicks in Young Justice and Titans. The Australasian Journal of Popular Culture, 12(1), 83-97.

Jeong, S. H. (2020). Sovereign Agents of Mythical and (Pseudo-) Divine Violence. Walter Benjamin and Global Biopolitical Cinema. The Philosophical Journal of Conflict and Violence, 4(2), 81-98.

Jimenez, P. (2021). Wonder Woman, Feminist Icon? Queer Icon? No, Love Icon. In Wonder Woman (pp. 23-36). Routledge.

Lang, R. (1990). Batman and Robin: A family romance. American imago, 47(3/4), 293-319.

Petrovic, P. (2016). Queer resistance, gender performance, and ‘coming out’of the panel borders in Greg Rucka and JH Williams III’s Batwoman: Elegy. In Superheroes and Identities (pp. 221-230). Routledge.

Philips, M. (2022). Violence in the American imaginary: Gender, race, and the politics of superheroes. American Political Science Review, 116(2), 470-483.

Pitkethly, C. (2016). The pursuit of identity in the face of paradox: indeterminacy, structure and repetition in Superman, Batman and Wonder Woman. In Superheroes and Identities (pp. 87-94). Routledge.

Powell, T. (2023). ‘You’re a refugee, are you not?’‘Extraordinary bodies’, monstrous outsiders and US refugee policies in superhero comics. The Australasian Journal of Popular Culture, 12(1), 9-20.

Romero, L. G., & Dahlman, I. (2012). Justice framed: Law in comics and graphic novels. Law Text Culture, 16, vii.

Schott, G. (2010). From fan appropriation to industry re-appropriation: the sexual identity of comic superheroes. Journal of Graphic Novels and Comics, 1(1), 17-29.

Sereni, E. (2020). "When I'm Bad, I'm Better": from early Villainesses to contemporary antiheroines in superhero comics.

Sharp, C. (2012). 'Riddle me this…? 'would the world need superheroes if the law could actually deliver justice'?. Law Text Culture, 16, 353-378.

Shyminsky, N. (2011). ‘‘Gay’’ Sidekicks: Queer Anxiety and the Narrative Straightening of the Superhero. Men and Masculinities, 14(3), 288-308.

Valentine, G. (2021). Empire of a wicked woman: Catwoman, royalty, and the making of a comics icon. In Wonder Woman (pp. 93-112). Routledge.

Weston, G. (2013). Superheroes and comic-book vigilantes versus real-life vigilantes: an anthropological answer to the Kick-Ass paradox. Journal of Graphic Novels and Comics, 4(2), 223-234.

Whaley, D. E. (2011). Black cat got your tongue?: Catwoman, blackness, and the alchemy of postracialism. Journal of Graphic Novels and Comics, 2(1), 3-23.

Wolf-Meyer, M. J. (2006). Batman and Robin in the nude, or class and its exceptions. Extrapolation (pre-2012), 47(2), 187.

York, C. (2000). All in the Family: Homophobia and Batman Comics in the 1950s. International Journal of Comic Art, 2(2), 100-110.

[werewolfbneimitzvah]

Sharks rookie short-handed goal by beautiful Nolan Burke on this lovely California afternoon 9/16/24 to tie the game

[neonfretra]

NOLAN BURKE SHORTY GOAL????

um. wait run that one back by me for a second.

[breaniebree]

Kismet Characters & Family Trees Part Four:

Liam Kane (1926) HUFFLEPUFF m. Reagan O'Connell (1926) RAVENCLAW (1947): 1. Spencer Liam Kane (1950) GRYFFINDOR m. Sadira Amari Kane (1948) NA (1968): a) Selene Sadira Kane (9 May 1968) NA m. Beaumont DeRose (1967) NA (1991) i) Piper DeRose (9 June 1994) ii) Amara DeRose (6 March 1996) iii) Felix Sebastian DeRose (1 August 1999) b) Soraya Zoya Kane (17 July 1972) c) Sebastian Christopher Kane (1 August 1977) m. Theodore Nott (21 October 1979) SLYTHERIN (2005): aa) Benjamin Christopher Kane-Nott (20 May 2008) GRYFFINDOR m. Nicki Zabini (14 March 2014) HUFFLEPUFF (2033): ai) Torin Theodore Kane-Nott (29 October 2036) SLYTHERIN  aii) Quaid Sebastian Kane-Nott (14 August 2038) GRYFFINDOR  aiii) Sabrina Aspen Kane-Nott (17 March 2042) HUFFLEPUFF aiv) Briella Katherine Kane-Nott (6 July 2045) SLYTHERIN bb) Spencer Thelonius Kane-Nott (3 July 2010) SLYTHERIN m. Cedrella Potter (21 October 2010) SLYTHERIN (2036): ai) Logan Theodore Kane-Nott (23 March 2040) GRYFFINDOR aii) Zeke Harry Kane-Nott (21 January 2042) SLYTHERIN aiii) Nolan Everett Kane-Nott (11 November 2044) RAVENCLAW aiv) Westley Sebastian Kane-Nott (9 December 2046) GRYFFINDOR cc) Sadira “Sadie” Aster Soraya Kane-Nott (10 September 2013) RAVENCLAW m. Rowan Wood (14 March 2009) GRYFFINDOR (2037): ai) Sebastian “Bash” Oliver Wood (22 Mary 2040) GRYFFINDOR aii) Soren Rowan Wood (30 July 2043) RAVENCLAW aiii) Soraya Theodora Wood (10 June 2046) SLYTHERIN

Cantankerous Nott (1902) SLYTHERIN m. Céline Volant (1908) RAVENCLAW (1933): 1. Tabitha Nott (1936) SLYTHERIN m. Titus Avery Senior (1927) SLYTHERIN (1954): a) Titus Avery Junior (1956) SLYTHERIN m. Scarlett Lympsham (1982) SLYTHERIN) (1996): i) Charlotte Rose Avery (9 October 1997) adopted by Emmeline and Mona Vance in 1999 becoming Charlotte Rose Avery Vance RAVENCLAW b) Aurelius Avery (1959) SLYTHERIN m. Anna Kama (1959) SLYTHERIN (1975): i) Aelius Avery (1976) SLYTHERIN m. Dasha Dolohov (1974) SLYTHERIN (1996): aa) Dmitri Aelius Avery (3 March 1997) SLYTHERIN ii) Aeliana Avery (1978) GRYFFINDOR m. Holden Ledbury (1979) GRYFFINDOR (1996): aa) Evelynn Aeliana Avery (3 October 1997) adopted by Emmeline and Mona Vance in 1998 as Evelynn Aeliana Avery Vance SLYTHERIN 2. Thaddeus Cantankerous Nott (1939) SLYTHERIN m. Aster Rosier (1961) SLYTHERIN (1978): i) Theodore Thaddeus Nott (21 October 1979) - secret son of Thelonius Nott - SLYTHERIN m. Sebastian Kane (1 August 1977) NA (2005): aa) Benjamin Christopher Kane-Nott (20 May 2008) GRYFFINDOR m. Nicki Zabini (14 March 2014) HUFFLEPUFF (2033): ai) Torin Theodore Kane-Nott (29 October 2036) SLYTHERIN  aii) Quaid Sebastian Kane-Nott (14 August 2038) GRYFFINDOR  aiii) Sabrina Aspen Kane-Nott (17 March 2042) HUFFLEPUFF aiv) Briella Katherine Kane-Nott (6 July 2045) SLYTHERIN bb) Spencer Thelonius Kane-Nott (3 July 2010) SLYTHERIN m. Cedrella Potter (21 October 2010) SLYTHERIN (2036): ai) Logan Theodore Kane-Nott (23 March 2040) GRYFFINDOR aii) Zeke Harry Kane-Nott (21 January 2042) SLYTHERIN aiii) Nolan Everett Kane-Nott (11 November 2044) RAVENCLAW aiv) Westley Sebastian Kane-Nott (9 December 2046) GRYFFINDOR cc) Sadira “Sadie” Aster Soraya Kane-Nott (10 September 2013) RAVENCLAW m. Rowan Wood (14 March 2009) GRYFFINDOR (2037): ai) Sebastian “Bash” Oliver Wood (22 Mary 2040) GRYFFINDOR aii) Soren Rowan Wood (30 July 2043) RAVENCLAW aiii) Soraya Theodora Wood (10 June 2046) SLYTHERIN 3. Thelonius Rodrigo Nott (1960) - secret affair with Reigna Rodríguez - raised by Cantankerous and Céline; has affair with Thad's wife Aster and produces Theo secretly (d. 1984)

Emerson Rosier (1886) SLYTHERIN m. Drusilla Rosier (1888) SLYTHERIN (1909): 1. Enzo Rosier (1910) SLYTHERIN m. Alma Burke (1913) SLYTHERIN (1929): a) Ezekiel Rosier (1930) SLYTHERIN m. Wanda Black (1930) SLYTHERIN (1955): i) Evan Rosier (1959) SLYTHERIN ii) Aster Rosier (1961) SLYTHERIN m. Thaddeus Cantankerous Nott (1939) SLYTHERIN (1978): i) Theodore Thaddeus Nott (21 October 1979) - secret son of Thelonius Nott - SLYTHERIN m. Sebastian Kane (1 August 1977) NA (2005): aa) Benjamin Christopher Kane-Nott (20 May 2008) GRYFFINDOR m. Nicki Zabini (14 March 2014) HUFFLEPUFF (2033): ai) Torin Theodore Kane-Nott (29 October 2036) SLYTHERIN  aii) Quaid Sebastian Kane-Nott (14 August 2038) GRYFFINDOR  aiii) Sabrina Aspen Kane-Nott (17 March 2042) HUFFLEPUFF aiv) Briella Katherine Kane-Nott (6 July 2045) SLYTHERIN bb) Spencer Thelonius Kane-Nott (3 July 2010) SLYTHERIN m. Cedrella Potter (21 October 2010) SLYTHERIN (2036): ai) Logan Theodore Kane-Nott (23 March 2040) GRYFFINDOR aii) Zeke Harry Kane-Nott (21 January 2042) SLYTHERIN aiii) Nolan Everett Kane-Nott (11 November 2044) RAVENCLAW aiv) Westley Sebastian Kane-Nott (9 December 2046) GRYFFINDOR cc) Sadira “Sadie” Aster Soraya Kane-Nott (10 September 2013) RAVENCLAW m. Rowan Wood (14 March 2009) GRYFFINDOR (2037): ai) Sebastian “Bash” Oliver Wood (22 Mary 2040) GRYFFINDOR aii) Soren Rowan Wood (30 July 2043) RAVENCLAW aiii) Soraya Theodora Wood (10 June 2046) SLYTHERIN 2) Druella Rosier (1928) SLYTHERIN m. Cygnus Black (1928) SLYTHERIN (1946): a) Bellatrix Black (1951) SLYTHERIN m. Rodolphus Lestrange (1951) SLYTHERIN (1969) b) Andromeda Black (1953) SLYTHERIN m. Edward Tonks (1953) Hufflepuff (1971): i) Nymphadora Andromeda Mary-Ellen Tonks (18 May 1973) HUFFLEPUFF m. Remus Lupin (10 March 1960) GRYFFINDOR (1995): aa) Edward "Teddy" Remus Lupin (11 April 1998) m. Victoire Gabrielle Weasley (2 May 1999) RAVENCLAW m. Teddy Lupin (11 April 1998) HUFFLEPUFF (2020):ai) Liam Remus Lupin (6 February 2022) GRYFFINDOR m. Naomi Winston (2024) HUFFLEPUFF (2048): 1a) Andromeda Lupin (2050) HUFFLEPUFF 1b) Hope Lupin (2054) RAVENCLAW 1c) Lyla Lupin (2058) SLYTHERIN aii) Charlotte “Charlie” Dora Lupin (9 June 2024) RAVENCLAW m. Luke Logan (2024) SLYTHERIN (2050): 1a) John Logan (2054) SLYTHERIN 1b) Declan Logan (2059) RAVENCLAW aiii) Kingston Harry Lupin (17 April 2027) GRYFFINDOR m. Lorelai Robards (2030) GRYFFINDOR (2057): 1a) Thomas James “TJ” Lupin (2060) GRYFFINOR c) Narcissa Black (1955) SLYTHERIN m. Lucius Malfoy (1953) SLYTHERIN (1974): i) Draco Lucius Malfoy (5 June 1980) SLYTHERIN m. Astoria Greengrass (7 December 1981) SLYTHERIN 2004) m. Circe Castellanos (4 August 1990) RAVENCLAW (2040): aa) Scorpius Hyperion Malfoy (6 January 2006) SLYTHERIN m. Albus Potter (1 June 2006) SLYTHERIN  (2031): 1a) Lyra Astoria Malfoy (1 June 2037) RAVENCLAW 1b) Celeste Ginevra Malfoy (5 March 2039) RAVENCLAW 1c) Archer Kai Malfoy (6 July 2044) SLYTHERIN

Thanks to @ellieoryan7447 for taking the time and effort to create these.

[puckpocketed]

Seeing as you are my go to Sharks blogs on Tumblr may I ask for some info on David Edstrom and Magnus Chrona, now that they are heading to Nashville in exchange for Yaroslav Askarov and Nolan Burke?

David Edstrom was originally a Golden Knight prospect my love 😭 you might know more than i do??

Very responsible 2-way centre. player archetype of all time. to ME <3

Projects to be a solid 3C <- i think this is super valuable for every championship calibre roster, and if the Preds can get him there they’ll be set for a while when it comes to centre depth. i was very excited to see him develop under the sharks system i won’t lie!!! :( but such is the nature of mike grier and his wretched mind

Honestly he barely got here before being traded (did one stint with us at dev camp for like 3 days) so. you’d have to dig through knights media to find out personality stuff 😭 sorry!!

Magnus Chrona:

to get it out of the way, he has a much more famous tiktok gf. beware when googling; there are varying opinions on her floating around which come with their own pitfalls — a lot of it is weirdo gossip blogs, some leans towards “i can’t believe he’s dating her, [new reason she is a bad person they came up with recently], free him!” — much of it is not worth reading imo. i do not pay close attention to that side of fan spaces.

people often call him “tessa’s roommate/boyfriend” but his teammates call him Big Time

um. if you ever see him in the preds net i will pray for your blood pressure . the Epic Highs And Lows of Magnus Chrona in Net CANNOT be understated here. sometimes he plays like a normal goalie, sometimes he is like thje beautiful slice of swiss cheese <3

failgirl of ALL time. to me. he really got lit up whenever he was called up to the sharks . like we were begging the hockey gods to let him have normal goalie stats 😭

despite this he was by far our best goalie prospect and that is NOT saying much, so i understand why they went for Askarov. chrona isn’t really NHL goalie material right now but he’s very young and has a lot of learning ahead of him. believe in him!

he wears white gloves under his goalie gear, mickey mouse headass !!! <3

I sort of know stuff about Askarov because research for Devin Cooley crossed over… they were married you see… <3 will now go away and study N.Burke like a bug… thank you for dropping by <3

[kwebtv]

Glynis Margaret Payne Johns (October 5, 1923 - January 4, 2024) Film, stage and television actress, dancer, musician and singer. In a career spanning eight decades on stage and screen, Johns appeared in more than 60 films and 30 plays. She has received various accolades throughout her career, including a Tony Award, a Drama Desk Award, a National Board of Review Award, and a Laurel Award, in addition to nominations for an Academy Award, a Golden Globe Award, and a Laurence Olivier Award. She is widely considered as being one of the last surviving major stars from the Golden Age of Hollywood and classical years of British cinema.

Johns made her television debut in 1952 with Fletcher Markle's Emmy Award-winning series Little Women. She appeared in just one episode: season 4's "Lilly, the Queen of the Movies" as Lily Snape. Her television credits of the 1950s include brief appearances in the Hollywood anthology series Lux Video Theatre (in the 1953 episode "Two For Tea"), Errol Flynn's anthology series The Errol Flynn Theatre (in the 1956 episodes "The Sealed Room" as Lou McNamara and "The Girl in Blue Jeans" as The Girl Susan Tracey), CBS's anthology series Schlitz Playhouse of Stars (in the 1957 episode "The Dead Are Silent"), and ABC's variety and drama series The Frank Sinatra Show (in the 1958 episode "Face of Fear" as Christine Nolan)

Johns was cast in 1961 in the ABC/Warner Bros. crime drama The Roaring 20s. She portrayed Kitty O'Moyne, an Irish immigrant who falls overboard into the harbour as she arrives in the United States. Johns guest-starred in the CBS anthology seriesThe Lloyd Bridges Show in the episode "A Game for Alternate Mondays" of the 1962–63 television season, playing widow Leah Marquand, with Leslye Hunter as her daughter Isabella. On 5 August 1963, Vacation Playhouse premiered the episode "Hide and Seek" as the pilot of her eponymous CBS television series Glynis. The original working title for the series was The Glynis Johns Show; in it, Johns played the neophyte mystery writer and amateur sleuth Glynis Granvile. In the autumn of that year, Glynis officially premiered, starring Johns and Keith Andes as a married couple, Glynis Granville and Keith Granville, a criminal defence attorney. Due to pressure from NBC's The Virginian and Bill Cullen's The Price Is Right game show on ABC, the programme was cancelled after thirteen episodes. In 1965, when CBS reran the series as a summer replacement for The Lucy Show, Glynis ranked #6 in the Nielsen ratings. Johns remained busy on screen, appearing as Steffi Bernard in the episode "Who Killed Marty Kelso?" of ABC's detective series Burke's Law opposite Gene Barry. In 1967, she appeared in four episodes of the Batman television series as villainess Lady Penelope Peasoup, one half of the evil duo with Rudy Vallée as her brother Lord Marmaduke Ffogg.

During the first season of NBC's hit sitcom Cheers, Johns guest-starred as Diane Chambers' mother, Helen Chambers, an eccentric dowager who, due to a stipulation in Diane's late father's will, will lose all her money unless Diane is married by the next day. In 1985, Johns played Bridget O'Hara in the episode "Sing a Song of Murder" of CBS's crime drama television series Murder, She Wrote, working again with Angela Lansbury. From 1988 to 1989, she played Trudie Pepper, a senior citizen living in an Arizona retirement community, in the television sitcom Coming of Age, also on CBS. (Wikipedia)

[oldestenemy]

“It’s pointless not to test it with a full team.” The wizard says, “The point of recreating dungeons is to push both the teamwork and combat and problem solving aspects, otherwise a normal monstrodome and a dueling circle would suffice.”

“Okay but if it collapses, one person is easier to heal than four.”

“Ceren, I drew up this recipe myself, and Regina is a very precise crafter, and I am not going to let anyone get hurt in there, which is why I’m taking the first group through, it’s just a tomb from Krokotopia, it’s nothing any of you can’t handle—” And if it collapses they’ll have bigger issues than physical injury. The Monstrodome mechanics were somewhat based on magic and technology the Professor used, which Monstrologist Burke had explained could be—volatile. So if things went sour it could end up throwing everyone into the void between worlds—or worse, just compress them into nonexistence—

“—I’ll go in.”

“Grimwater—just because you want to show off—”

“Thank you, Duncan.” The words feel heavy on their tongue with the last time they were said.

Duncan still looks at them like he wishes his gaze could set the wizard on fire.

“And Ceren, if you’re so worried, come through with us. I don’t care who else comes as long as it’s not Nolan.” The wizard adds, eyeing the doorway to make sure he doesn’t appear. Duncan’s hostility is founded, they can deal with it. What they cannot tolerate without trouble is Nolan Stormgate’s constant best boy attitude. If they aren’t careful with how much time they spend enduring it then he’s going to end up crushed under a humongofrog.

In the end, it’s Duncan, Ceren, and Suzie who go in.

Regina doesn’t like hands on work that involves using her hands to fight.

She hasn’t changed much in that respect.

But she’ll keep an eye on the dome from the sidelines, making sure the viewing angles all work properly and that nothing goes too horribly wrong on the construction side of things.

The Temple of Storms is a breeze.

For all of them, though the wizard takes a back seat for the most part, lets their classmates do the heavy hitting. Picking up that handful of balance spells from Niles had seemed pointless back then (how many years ago was that? how long have they been here?) but it was certainly an aid now, being able to boost any school of their choosing.

They notice again that Duncan is using a new staff, it’s not as though he isn’t allowed, but something about it is just… familiar.

Suzie has gotten ruthless with her usage of Tempest, and it becomes very quickly evident that it’s a bit of a crutch, though the wizard can’t say they don’t have the same problems. Orthrus makes up the majority of their deck when they want things to be over. They barely need to snap to summon him forth anymore—the words and movements are so innate, their mind can call him up almost instantly.

Still, she drowns everything before Duncan even gets the chance to—as Ceren had put it—show off.

Maybe that’s why he demands to do the trial of wisdom alone.

They all let him, it’s simple enough.

The wizard wonders what it’s like to hear those books read without Raven’s voice.

It’s always there.

Those things that live must shine bright.

“How old were you when you did this?” Suzie asks them as the quartet make their way towards Krokopatra’s sarcophagus.

The wizard frowns slightly, “I wasn’t in Krokotopia for long… a few weeks maybe. So, eleven? Twelve at most? Not really any older than when we first met.” They don’t like the silence that follows those words, so they add: “It was easier back then, nothing felt real yet, I was just—”

Just a kid who was still elated to discover magic was real.

To be given so much power and responsibility felt like a dream instead of a curse.

~*~

The Dungeon-Dome is considered a success.

The wizard thinks it fits well here, in Dragonspyre, where magic is treated as an implement of war, as a combat art before all else. They think the ghosts who first set them the trials that barred entrance to the Academy would approve.

Currently it holds options for every world through to Zafaria. They make an excuse about needing to pester Milos for more empty knowledge crystals if their classmates want anything further beyond that. It’s not true—there is still a hearty pile of them waiting to be filled with the experiences that came after—but the wizard isn’t keen on reliving anything beyond Zafaria just yet.

Their classmates will have to be content to experience Mirror Lake.

The mirror will break.

Only a handful of people try to ask them questions. Most are content just to hear it’s over or she’s dead. They manage to dodge with surprising ease until—

“Hey.”

It’s Duncan again. Their body siezes up again, it keeps doing that every time someone gets close.

“I’m not here to start a fight—don’t look so much like a startled cat—” He’s got his hands raised in surrendur before he even finishes speaking. “—just wanted you to know that I forgive you for last time.”

The wizard raises an eyebrow, it’s not that they don’t want to believe him. “I really didn’t have any choice. Any wasted time was too much.” Anything else Duncan might have said is broken off though, by the soft hum of a contact sphere appearing in front of the wizard’s face.

Dear Wizard! It is I, your pal Dworgyn!

The wizard just blinks, a little caught off guard. Usually it’s only Ambrose or Cyrus calling on them, the other professors tend to keep to their own—

Come visit me in Nightside as soon as you have the courage!

Duncan is trying to incinerate them with his eyes again. Is it jealousy? Does he know they would give up this mess in an instant if it meant being like him? Belonging here? Being a normal student who wasn’t expected to hold up the whole spiral alone—

There is a momentary flash of rage accompanying these thoughts, and before they can stop the words, the offer tumbles out. “Why don’t you come with me—he’s your professor after all.” They can taste starlight on their tongue, it’s become so much harder to hold everything in after—

Breathe.

“Yeah fine—quit doing the creepy thing with your eyes—I’ll go.”

~*~

“I see you came with backup! Delightful!” Dworgyn is always… interesting. He’s very chipper for someone who has been stuck primarily alone in a half-collapsed building for several years. He explains to the five of them—Malorn and Penny had seen the wizard leaving with Duncan and immediately glued themselves to their friend’s side. Marla had been telling a new group of younger necromancers about Grubb outside the school, and had followed the group in at the mention of a ‘special message’—that he had received a message from Mortis, and that it was to be delivered to the wizard.

Mortis speaks of a ‘Shadow’ landing in Darkmoor.

The Exalted Lord of Death—

“Malistaire the Undying.”

The world around them fades out.

The eyes of Mortis suddenly alight in sickly green, and the spectral face of Malistaire, as he had been on Xiabalba, appears in the glow. The wizard takes a step back. Another. The voice of Malistaire’s spectre, or corpse, or projection—whatever it is—follows them the whole way. They cannot back down from it. It doesn’t get quieter even as they hit the cobblestone path.

Their head is swimming.

They don’t know what Kan Davasi is, or why Malistaire’s spirit hadn’t returned to the afterlife when they had finished off Morganthe—

“He’s alive?” All four of their necromantic companions are staring.

“No.” The wizard shakes their head, wrapping their arms around themself just for something to grab, nails digging through the fabric of their robes. “No, he’s not, it’s a spectre it’s a minion, it’s a projection Morganthe dragged to life in Azteca to distract me—”

“—it sure looks like him!” Duncan shouts, “You’ve known for months that he’s been alive? And you told none of us?!”

“I—” it’s a lie they keep telling themselves. That this isn’t Malistaire. That he’s still at rest. They know better but they don’t want to. “—he’s not, it’s not—” The other three are looking at them in confusion, Malorn even looks a little hurt. Duncan is matching them for every step backwards they take.

They can’t be here right now.

They can’t do this.

They run.

Read the rest here <3

[mybeingthere]

Sidney Nolan (1917 - 1992) was one of Australia’s most significant modernist artists, best known for his depictions of the history and mythology of bush life in Australia. His paintings, often rich in colour, striking in composition and deliberately awkward in technique, represent Australian stories of loss, failure and capture, featuring figures such as the bushranging Kelly Gang, shipwreck victim Eliza Fraser and the explorers Burke and Wills. Nolan’s iconic paintings of the Kelly Gang contributed to the development of the image of Ned Kelly as a symbol for Australian history and identity.

In 1948, Kenneth Clark, Slade Professor at Oxford, was visiting Australia and urged Nolan to travel in Europe. Nolan left for London in 1951 and spent extended periods in Greece and the USA. He continued to work on his early subject matter throughout his career, returning almost obsessively to the Kelly Gang, Eliza Fraser and Burke and Wills, for example in Burke 1962. He also worked often as a designer for theatre and opera productions, including Samon et Dalila and The abduction from the Seraglio in 1987 at Covent Garden, London and Il trovatore for the Australian Opera in 1983. Nolan was knighted in 1981 and made an associate member of the Royal Academy of Arts (UK) in 1987 and a companion of the Order of Australia in 1988.

https://www.artgallery.nsw.gov.au/.../artists/nolan-sidney/

[sporadiceagleheart]

Happy birthday darling I have no presents and fantasy cake but I hope I make you happy with everything I made like this edit right here with all of your pictures in it Shirley Jane Temple Black 1928-2014 April 23rd 1928-February 10th 2014 and special rest in peace to those who passed away Bishop Rance Allen, Conway Twitty, Loretta Lynn, Lisa Loring, Bob Saget, Betty White, Heather O'Rourke, Judith Barsi, baby Leroy, baby Peggy Montgomery, Peggy cartwright, Darla Jean Hood, Jean Darling, Peaches Jackson, Mary Ann Jackson, Dorothy DeBorba, Mary Kornman and Mildred Kornman, Kenny Rogers, Patsy Cline, Modest Petrovich Mussorgsky, Eazy-E, rest in peace Ana Ofelia Murguía December 31st 2023, Jim James Edward Jordan, Lucille Ricksen, Judy Garland, Margaret Hamilton and Terry and Pal, Eva Gabor, Geraldine Sue Page, Pat Buttram, Joe Flynn, Michael Gambon, Alan Rickman, Gene Wilder, Jack Albertson, Richard Belzer, Richard Harris, Bernard Fox, Raymond Burr, Perrette Pradier, Jeanette Nolan, Larry Clemmons, Bing Crosby, John Candy, John Heard, John Fiedler, Beate Hasenau, Billie Burke, Roberts Blossom, Billie Bird, Bill Erwin, Ralph Foody, Jack Haley, Ray Bolger, Bert Lahr, Frank Morgan, Jim Nabors and Frank Sutton, John Wayne, Clara Blandick,Charley Grapewin, Buddy Ebsen, Angelo Rossitto, Clarence Chesterfield Howerton, Bridgette Andersen, Dominique Dunne, Dana Plato, Robbie Coltrane, Lance Reddick, Betty Ann Bruno, Betty Tanner, Elizabeth Taylor, Helen McCrory, Ray Liotta and Tom Sizemore and Burt Reynolds, Zari Elmassian, Frank Cucksey, Vyacheslav Baranov, Vladimir Ferapontov, Carol Tevis, George Shephard Houghton, Irving S. Brecher, Richard Griffiths, Andy Griffith and Don Knotts, Joe Conley, Alan Arkin, Jerry Heller, Fred Willard, Mary Ellen Trainor, Morgan Woodward, Anna Lee and John Ingle, David Lewis, Ken Curtis, Ed Asner, James Caan, James Arness, Amanda Blake, Avicii, Jane Withers and Virginia Weidler, Milburn Stone, Natasha Richardson, Joanna Barnes, Cameron Boyce and Tyree Boyce, Cammack"Cammie"King, Denny Miller, Jane Adams, June Marlowe rest in heavenly peace to all of them actors and actresses this is Shirley Temple birthday edit of the year

[dogwittaablog]

good morning had an amazing dream i was in a throuple with Nolan and Nico and it was burke bliss for like a decade. i hate waking up.

When is it my turn 😪