#(<- very much implied)
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inkedkoi ¡ 9 months ago
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Hold On To “What If”: Overanalyzing and Rewriting Sonic Prime
aka Masterpost & References: Part One
💬 “But, Koi, Prime finished months ago…”
Hmm. What do you think I should do, Shadow?
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Shadow: "Determine your own destiny, just as I have."
Well, you heard the hedgehog. What better way to celebrate the Year of Shadow than by talking about the show where he had the best characterization: Sonic Prime. I may have my own bias towards the show due to a personal connection, but overall I think the show is pretty good. Animation, voice-acting, music/sound, editing, they were amazing. The writing, aside from Shadow’s character, is ok. There are definitely some good lines but there were “eh” moments as well. (We’ll get back to that.)
I thought I would give an insight into what I thought about Sonic Prime, from overanalyzing every single frame to rewriting Season 3, and finally explain whatever the hell I had on my bingo card (the one I made before Season 3 was released).
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Due to the image limit, this will be the masterpost for all of the sections:
References: [this post] // 2 // 3 Plot Holes (x) Connections: 1 // 2 // 3 // 4 // 5 Bingo Card: 1 // 2 // 3 // 4 // 5 // 6 Rewrite 1 // 2 // 3 Remaining Questions & Final Thoughts (x)
(also available in the "🌻 hold on to what if" tag down below)
⚠️ Spoilers for the whole series, all media here belong to their respective creators. ⚠️
✨//🌻//✨
Before we get into it…
As the internet is, I want to clarify some things:
1. I’m not a die-hard Sonic fan so some things may not be 100% accurate. I honestly entered into the fandom when Sonic Frontiers was announced. My first exposure to Sonic at all was the Sonic Unleashed Animated short film, “Night of the Werehog”, when I was like 14 so I caught myself up with Sonic lore in between releases of each season of Prime. Feel free to correct me if I’m wrong about anything.
2. There's this whole debacle on whether or not Prime is part of the canon. News has recently been brought up that the Prime Team didn't acknowledge the comments made by Ian and the lore team about inconsistencies. It didn't surprise me at all. The show wasn't going to be part of the canon to begin with, which was abundantly clear by the show's writing. It feels like the writers copied from a wiki. There were so many scenes where instead of taking the moment to breathe and have character development, they put fighting scenes, more so in season three.
💬 "What about the references, Shadow's characterization, etc?"
Actually, we wouldn't have them if not for some of the crew fighting SO hard to get that into the show. The animators, storyboard artists, voice actors, editors, and many others — some are legit Sonic fans and others wanted to please the fandom. They have done such a great service to the fans with what they could, so could we just give a round of applause to the creative crew behind this? 👏👏👏 To the crew, you did what you could for us, and we can’t thank you enough.
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Back to the whole "canon" thing, for this essay, we'll treat Prime as a stand-alone thing unless we absolutely have to affiliate it with canon.
3. Netflix did the weird thing of splitting up all the episodes of the series and called them “seasons”. I personally call them “batches” and I know there are some people who do the same, but for our sakes, they’ll be referred to as seasons, just so we don’t get confused. Okay? Cool!
Finally, this is for funsies, don’t take this too seriously. I want to establish that I have nothing against the people behind Prime or anyone else.
So grab your snacks, and get comfy. Now, let’s lock in, chat!
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References: Part One
Here’s a list of references to other Sonic media I picked up in Prime. Some of them on the list are from Felipe Sonic Hacks YT video I saw while drafting my bingo card predictions, so you can check it out (Link). Whether or not these are intentional, that’s up for interpretation unless said otherwise.
Chilidogs (EVERY. SINGLE. TIME.)
"Gotta Go Fast" (just an iconic Sonic line)
Sonic’s iconic gestures: waiting stance (S1 EP3), finger-wagging (S1 EP6) and nose-rub (S1 EP6 + S2 EP5)
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look at this lil' guy :)
[S1 EP1]
Eggman’s Badniks — the usual (designs primarily the same ones from the game Sonic the Hedgehog 1)
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Sonic’s super peel-out animation — a reference to Sonic the Hedgehog CD (and other games beyond)
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“...sonic boom of a headache” — a reference(???) to the Sonic Boom show
New Yoke City — a design reference to Eggman Land, he wasn’t wrong about the neon (seen in the game: Sonic Unleashed)
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Sonic balancing on the edge — a reference to Sonic’s balancing sprite animation from Sonic Games (matches perfectly with one in Sonic the Hedgehog 2)
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Sonic’s breakdancing — a reference to Sonic’s S Rank victory animation from Sonic Generations
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I mean, Sonic definitely is a breakdancer and incorporates it in his fighting style, prove me wrong.
Orbot and Cubot — returning characters from the franchise
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Side note: I screamed in joy when I first saw them :)
1992 — the year of Tails’ first appearance (Game: Sonic the Hedgehog 2)
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This whole scene explaining Tails' origin story — also a nod to the pixel games
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Obstacle test — a reference(???) to Chemical Plant
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[S1 EP 2]
Shadow’s hand back-spring in the first Sonic vs. Shadow fight — the same move done in Shadow the Hedgehog when Shadow encountered robot replicas of him
1998 — The year of Big the Cat’s first appearance (Game: Sonic Adventure 1)
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[S1 EP 3]
Sonic’s free falling from an edge — similar move in Sonic Movie 2 (does that count as a reference???)
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Rebel’s drill maneuver in beating the bots in the stairwell fight — same move Rouge uses in Sonic X (that I know of)
[S1 EP 4]
The Berries the Boscage Crew scavenged for — a nod to Chao Garden Fruits (confirmed to be intentional)
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(right photo credits to ChaoProfessor on Twitter)
Sound FX when Sonic getting prickled by spikes — same sound FX from the games
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To be continued...
Next Part
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dreamweave01 ¡ 2 months ago
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Part 2 ->
*Penguin waddles into room inconspicuously*
*Drops first half of comic with a pat on the head*
*Jazz hands and mystically teleports into thin air before mob arrives*
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heph ¡ 2 months ago
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CEASE THIS MINDLESS SNUGGLING THIS INSTANT!!!
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knightofleo ¡ 8 months ago
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Angela Orosco Silent Hill 2
#in anticipation of the incoming remake#i tried my best to imitate the SH font but#silent hill#silent hill 2#angela#angela orosco#theme of laura (reprise)#i've said it before but in spite of its occasionally clunky diction i think silent hill 2 is an unusually emotionally intelligent game#for any year and still today but especially so for where gaming storytelling was in 2001#and for as many pitfalls a story like hers could've dipped into i think it particularly shines through with how they treated angela#not just choosing to depict victimhood as something that can be ugly and fractious and open quote “difficult” but then this#actively rebuffing james for trying to offer help and dressing him down for it too#“i know you mean well and want to help but this isn't a simple problem"#“and it's really hurtful and a bit insulting that you act like you can”#the switching to a first person view turning it into an address to the player as well#maybe even old videogame tropes too#“this isn't some princess in a castle kind of situation dude this is more serious than that”#it felt like a very deliberate statement about the depth and severity of a trauma like this#and in doing so showing it so much respect#there is no quick easy solution to this and you won't get one#then angela just leaves#and you never see her again#i really don't think it was to imply that it consumed her i think it was to underline what was just said#this isn't your problem to fix#this is where your part in this story ends#there's some strength in that
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juniemunie ¡ 1 year ago
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[Abandoned by the Lightners, his heart became cracked with hatred.]
Hitting a lil' too close to home?
#junie art post#ink sans#error sans#utmv#errorink#implied. but yea not the focus#this has been turning around in my mind for quite some time. im glad to finish it lmao idk if my ramblings make sense even.#so like listen. do you ever think about how similar the function of the utmv is to the dark worlds in deltarune.#in a meta narrative to fandom sense? idk the word#we are making exaggerated expanded worlds of the ordinary tools and entertainment of the real world and make it into something more#isnt that very very interesting?#and we explore every sort of possibility in that creation. both good and bad#and when all is said and done. every possibility found and the entertainment and secrets has all run out#we put it away. abandon and leave it behind#what is left? what happens to the world and characters we have created? can it sustain without us?#what of the ones left in the dark?#idk if yall saw me a few months ago but i reblogged comyet's old post of ink begging us not to leave him alone and to keep creating#yea that never left me#and seeing exactly THAT SCENARIO in deltarune made my brain iTCH#imagine an ink in King's position.... wait isnt that just underverse#mmmmmmm. darkner ink.....#also error is here too. not just for errorink or that i can't separate these two to save my life#but error is also one of the few people to be able to GET IT?? he can hear the creators too. ink cant#but hes pretty much programmed himself to avoid having a mental break down to this via reboot memory loss.#and ink has his own internal coping mechanism (hooray for short term memory loss)#these two idiots will do anything but confront truths lmfao#ahhh my favorite idiots. never change#mmmmm#deltarune
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divorcedfiddleford ¡ 1 year ago
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hold shifty gentle like hamburger
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envy-of-the-apple ¡ 25 days ago
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speaking of isekai, imagine you live in a world where ppl falling into other universes is pretty common.
ppl get whisked off so much that there's a being who's only job is to retrieve those who fall into other worlds. Accord is really good at her job, the Travelers usually get back by the end of the week.
The Travelers are instantly labeled as celebrities. Everyone wants to know about their adventures. You've heard of world's where people can control elements. Someone else fell through a world where only a certain group of humans can see and fight monsters. There was this other person who apparently went into the Iliad. woof.
So one day, when you wake up in a place that isn't your bed, nor your home, you know to remain calm. Instead, you bide your time. You wander around the world. It's a strange one. You see the evidence of humanity all around, but you haven't see them yet. Every so often, you'd come across decayed clunky-looking robots.
also, you know you've been here for hours and yet...the sun has been in the exact same position as always.
Eventually, you meet a working robot. He's really nice! he seems really excited to meet you too, and you soon learn you're the first human he's ever met. He tells you that all of the other humans have gone to the Moon, and you should talk to the androids if you want to know more.
and so you do. the android's reactions is more or less the same compared to the robot's. you get that they've never seen a human before, but their reactions are throwing you off a little. They never let you lift a finger. You're dressed in their finest clothes and you're given such beautiful jewelry because we've learned that humans love shiny things no? every single thing you do is jotted down and gushed at. one android even fainted out of pure joy when you sneezed. Sure, they were a bit weird, but they meant well. You were fine with it.
At first.
One android guard turns into two then three, then four. Sometimes, you are asked to sit next to the King of androids as the rest celebrate your 'excellence'. The incident that scared you the most was where that one android with a mangled leg broke out of the crowd, begging for your blessing.
....it's starting to feel like they see you as a God.
things just keep getting stranger. whenever you ask about talking to the humans on the moon, the androids keep giving you these strange excuses. going outside happens less and less. The King of Androids starts getting a bit too interested in human marriages and the anatomy of the human body. every time you mention Accord or the prospect of going home, the androids get a very strange look on their face.
You know none of the androids follow the Christian faith, but you can't help but get a sinking feeling in your stomach when you see something that eerily looks like a church being built. Your attendants start asking about ring sizes. When you ask about it to anyone they get a really big smile on their face and say 'it's a surprise'.
You just hope Accord finds you soon.
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teratomatica ¡ 1 month ago
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you always land on all fours
#umineko#umineko spoilers#ikuko hachijo#ikukos turn for a more serious piece... the old man has reigned for too long#now. INCREDIBLY LONG INCOHERENT TAGS RANT INCOMING FAIR WARNING HAS BEEN GIVEN:#it makes me so so sad how little discussion there is about specifically ikuko because imho she fits so neatly into a lot of the more#overarching Big Themes of the game in a way that i have not ever really seen people take notice of or point out in a meaningful way#like even just off of the top of my head. the significance of names and what it means to go by a name that's Not Yours (she has like 4+)#what it Means to be a witch how it represents a person's deepest insecurities and flaws & how its at its core a coping mechanism#the fact that it takes two to create a universe and trying to do it on your own anyways has the capacity to bring you intense misery#^ (how she's shown to be extremely dismissive of her own work and skill until a collaborator comes into her life and helps/encourages her)#and even the family/patriarchy/misogyny stuff that is so prevalent in the rest of the game comes back around to her. even her Only Friend#(young&stupid atp to be fair) remarks that shes Weird for being unmarried + the little she does say about her past invites the question of#to what extent her self-image stems from her family deeming her a freak outcast & effectively disowning her while celebrating her brothers#and i have lot in my mind about the witch thing specifically because i think her particular situation is very reflective of what umineko's#entire magic system and fantasy facet as a whole is meant to represent for an individual. from what little we see of (what is presumably)#her Real personality she is shown to be deeply self conscious in a way that is JARRINGLY diametrically opposed to both 1.) what we see in#featherine and 2.) what we see when she is acting as a Public Figure. because both of the above are very much purposeful acts that she is#putting on in order to obfuscate her true self. and i have always been very resolute & adamant about not totally equating her to featherine#not only because im very firmly in the camp of “featherine is the avatar of the Pen Name & tohya is part of her too” but also very much b/c#i feel very strongly that the stark differences between the two are very centrally relevant to her character & her psyche. as is the case#with most other witches featherine's personality traits serve to reveal/magnify a lot of ikukos inner workings by playing on her#insecurities/reversing them e.g. ikuko being very quick to downplay her skill/achievements becomes featherine being the COMPLETE opposite#to the point where she barely registers even other witches as living beings rather than just fun touys. BUT even though i do champion the#ikuko/featherine separation so hard i ALSO think it is purposefully relevant that at first glance the line between them seems so blurry#her introduction implying a more nebulous separation between her reality/fantasy counterpart is i think is an intentional move on her part#like it is part of the front she is putting up when acting as the Author. as opposed to Ikuko the person who we (in a way ironically very#similar to the way that the Real Battler is presumably only shown during the boatscene) only very briefly get to see take up screentime#which even on a meta level lines up very well with her apparent underlying nature as a like. extremely private largely reserved/shy person#hit tag limit but if by some miracle anyone is still reading this thank you... please see ikuko with the love she deserves... ok ily byeee
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thatsitso ¡ 3 months ago
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Come on in
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emiplayzmc ¡ 5 months ago
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Doodles based on conversations about Twisted Glisten and Rodger with @tdlizardowo :3. Mainly with the Mini AU thing I doodled the other day where Rodger does solo runs down to the Twisted floors to meet with Glisten.
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|| "Well, what do you normally do when I'm gone?"
|| "Wait for you to get back..."
Based on an idea we had that Glisten literally just. Sits outside the elevator waiting for Rodger to return whenever he leaves. Probably sits with his head turned to the side so he can listen against the wall for the elevator moving in the shaft.
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|| "he's gonna come back for this isn't he
he wouldn't leave this it's his favourite briefcase he wouldn't leave it
if he comes back for this that means he comes back for me right
he's coming back right
|| please please please please please don't leave me alone again please"
We also made the headcanon that when Rodger was first going to see Glisten and trying to get his trust back with him, Glisten had such low self esteem and such high anxiety at that point that he thought literally anything was holding more importance in Rodger's eyes than himself. So Rodger would catch onto this and leave items down there with Glisten, the latter of whom would basically hold them hostage until Rodger came back (I also think sometimes Glisten would outright take to nicking stuff off him to hold hostage as well, something he felt was significant enough that Rodger would come back for it had he lost it).
Rodger would slowly get Glisten to realise that, by doing this little habit and being nonchalant about whether an item goes missing or he leaves something on accident, that he really isn't caring about whether he leaves stuff down here or not - notes, a briefcase, research, whatever - it's *him* that he's returning for, because helping Glisten and keeping him company until he can find a way to cure him or get him safely up to the lobby without other Toons being worried or scared of him is the most important thing to him. Glisten is more important to Rodger than some silly items. :)
(Also I choose to believe the briefcase has lore as being a birthday / debut anniversary gift from Toodles to Rodger that she convinced her Toon Handler to help her get for him)
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Also the OG SpongeBob scene for the first image :)
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cabinette ¡ 6 months ago
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Tim being cutesy
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bumblingbabooshka ¡ 5 months ago
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Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.
#as a note do NOT read the comments on any T'Pol marriage clips on youtube they're full of 'haha women amiright' jokes about#how she's leading Trip on and being a bitch for not choosing him etc - if you become interested in female characters you learn#quickly just how much people still hate women displaying any amount of complexity/doing anything that isn't just falling into a man's arms#even if that hatred doesn't take the form of outright vitriol (aka: 'I feel so sad for Trip bc T'Pol's marrying some other guy')#Trip: T'Pol listen this arranged marriage stuff is no good - you've gotta be free! You have to do what YOU want to do!#T'Pol: -legally seen as property of her husband in the eyes of the law- ...............#<- not dunking on Trip it's just funny how easy it makes it seem - but!! He doesn't know all the facts#as evidenced by him saying T'Pol might 'call off the wedding' to her mother - T'Pol can't legally call off shit#It's also interesting how gender isn't really mentioned in any of the clips I've seen - it's very clear to me that T'Pol has no options#specifically because she's a WOMAN within her culture but that's almost like a quiet undercurrent and not focused on as a main#point of dissatisfaction - which I imagine it 1000% would be for Vulcan women when men have infinitely more freedom#Vulcan Man: I don't wanna marry this lady#Vulcan Law: Ok#Vulcan Woman: I don't wanna marry this guy#Vulcan Law: Noted. So - if you and your lover are willing to risk his life there's a chance (if he wins) that you can get out of marrying#him BUT if your husband kills your lover and still wants to marry you you DOOO have to marry him sorry you just gotta#<- this also makes it incredibly dangerous to in any way warn your legal husband that a kal-if-fee might be incoming#the element of surprise is a HUGE advantage when it comes to winning a fight to the death (which your lover can train for)#Vulcans#T'Pol#T'Pring#star trek#I don't think this is bad necessarily (as a fictional worldbuilding thing) but I wish it were explored more#It's especially interesting because it's an aspect of logical Vulcan society - it's clearly not logical but it's also clearly rooted deeply#in tradition which may mean Vulcan long ago used to have a much more extreme gender bias towards the male population#it just implies a lot that Vulcan has these old laws which are unfair towards women yet they still follow BUT women are treated as equal#citizens OUTSIDE of marriage! Maybe there was a feminist movement before? Is there another brewing? Where are the Vulcan feminists!
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rosurie ¡ 5 months ago
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sometimes after a long day of being molested by the whole town all you need is to soak in the bath with your bestie (˶ˆᗜˆ˵)♡
with @wreckowafer 's yunie <3
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turtleblogatlast ¡ 1 year ago
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I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt raph#rise raph#he’s so wonderful frfr#my poor boy is traumatized but still so proud of what they accomplished because they’re HEROES#what started as something fun - Saturday morning cartoon-like heroes vs villains esque - soon becomes his calling#and he loses himself a little along the way#because the world is TERRIFYING now#if they don’t do something about the bad things in the world then worse things will come#and Raph CARES too much to let it happen#even at the expense of his own happiness and youth#and he luckily reigns back that fear - knowing his family is there to keep an eye out with him#and he finally lets himself be a kid again#he’s very well rounded and his flaws are so good because (like the others) they are ALSO his strengths#I like how it’s softly implied that bears are his fav animal too bc that’s cute af#headcanon that he likes them so much because a stuffed bear was the first toy splinter managed to get Raph#but yeah one of my favorite things about tmnt is that the characters are well rounded and rottmnt exemplifies that immensely#with raph being no exception!!#amazing big brother and character#there’s a REASON in my tmnt main character tierlist he’s S tier!!!!#hot take but in terms of who should be leader I think it should be less who’s the better leader-#-and more who’s the better leader FOR THIS SPECIFIC MISSION#bc all four can be great leaders fight me on that#APRIL can as well 100%#doesn’t need a designated leader for them to succeed#they just need ~communication~#one of my favorite things tying Raph and Leo together is that they both *hide*#I’ve talked about Leo’s many masks a lot but Raph has one too#and it’s the mask of a hero - the mask of the protector
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feligayzed ¡ 8 months ago
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some shit about how to be loved is to be changed
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lazy-ahh ¡ 1 month ago
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THE THINGS YOU'D DO FOR LOVE
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pairing sinister! mark grayson x (superhero) gender neutral reader
you’d follow mark grayson anywhere—even into the dark. when he asks you to betray everything you once stood for, you don’t hesitate. not when his hands are the only ones that still feel like home.
taglist @no-bishes
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you’ve known mark grayson since you were both kids, back when his biggest worry was passing algebra and not the weight of an empire resting on his shoulders. back then, his hands were gentle when they held yours, calloused from skateboarding but always careful with you, like you were something fragile and precious. his laughter was bright, unburdened by the future, ringing through the school hallways or the quiet of your backyard where you’d lie on the grass, shoulders pressed together, counting stars. you loved him even then, in that innocent, aching way that only children can—pure and unwavering, the kind of love that doesn’t question, doesn’t doubt.
he was always there for you, a shadow with a smile. when the other kids whispered behind your back or shoved you into lockers, he’d appear like he’d sensed it, his voice sharp as he glared them down before turning to you, fingers brushing the tears off your cheeks. when you hid in your room after a particularly bad day, he’d climb through your window like it was nothing, flopping onto your bed with a joke already on his lips until you couldn’t help but laugh. he was there when you tripped on the sidewalk, his hands—warm, firm—catching you before you could hit the ground, lingering just a second too long on your hip as he steadied you. when you walked home late at night, streetlights flickering, he’d melt out of the shadows like he’d been waiting, falling into step beside you like it was the most natural thing in the world.  
people called it weird. creepy. teachers would frown when they saw him lingering outside your classroom, his gaze fixed on you like nothing else mattered. your friends would tease, half-joking, “does he ever not know where you are?” but you never minded. to you, it was sweet. romantic, even—your own knight in shining armor, always watching, always there.
and then he got his powers.
suddenly, his protectiveness had teeth. the bullies didn’t just get glared at—they disappeared for days, coming back with hollow eyes and shaking hands. when you stumbled, he didn’t just catch you—he lifted you like you weighed nothing, his grip just shy of painful. always there to protect you before the villain you were fighting could even hurt you. the shadows he stepped out of at night felt darker, his smile sharper. but you told yourself it was fine. he was still mark. still yours.
(you didn’t realize yet—you were his, too. in every way that mattered.)
(≧∇≦)ノ☆
the world shifts. mark’s eyes, once warm like sunlight through honey, grow colder—darker. his smiles are sharper now, edged with something dangerous, the kind that makes your stomach flutter in a way that isn’t entirely fear. he talks about strength, about destiny, his voice low and fervent as his fingers card through your hair. “earth needs to be ruled,” he says, like it’s the simplest truth in the world. “and we’re the only ones strong enough to do it.” 
you don’t understand, not at first. you flinch when he crushes a car under his boot just to prove a point, when he laughs at the way the metal screams. but he’s patient with you. always so patient.  
“you’ll see,” he murmurs, fingers tracing your cheek, lingering just a little too long. “you’ll understand.”
and you do.
it starts with little things—justifications whispered against your skin in the dark. “they’re holding us back,” he says, pressing a kiss to your temple as you watch the news together, footage of some ‘accident’ he caused flashing across the screen. “they’re weak. we could be so much more.” his words seep into you like poison, sweet and slow, until one day you wake up and the guilt doesn’t sting as much. the fear feels like power.
you’re in your costume now, spandex clinging to your skin like a second shadow, tight against your frame as the wind whips past you. mark’s beside you, his cape flaring behind him like a living thing, the edges flickering like flames in the dim city lights. below, the streets are chaos—flashing sirens, overturned cars, civilians scrambling like frightened animals. some scream, some curse, some hold up signs with shaking hands. monsters. tyrants. we won’t bow.
“look at them,” mark says, voice dripping with disdain. “running in circles like ants. they don’t even know what’s good for them.” 
you swallow hard, fists clenching at your sides. “maybe they’re just scared,” you offer, your tone righteous, matter-of-fact. it’s one of the things mark’s always loved about you—how sure you sound when you stand your ground. he can’t wait to hear that same conviction turned toward his cause, that angel’s voice preaching the devil’s words. how divinely blasphemous.  
he turns to you, visors glinting under the sun. “scared?” he repeats, tilting his head. then he laughs, sharp and sudden, before swooping down so fast the air cracks behind him. you follow, heart in your throat, just in time to see him land in front of a group of protestors. their signs crumple in their hands as they stumble back, eyes wide with terror.  
“you’re right,” mark says, grinning as he turns to you. “they are scared. and they should be.” he steps forward, and a man at the front—brave or stupid—shoves a sign toward him. “monster!” the man snarls.  
mark doesn’t even blink.  
“invincible, don’t—”
one second, the man’s standing. the next, he’s on the ground, blood pooling from his nose, mark’s boot planted on his chest. “say that again,” mark taunts, leaning down.
your stomach twists. but then mark glances back at you, eyes bright with something like pride. “c’mon,” he says, holding out a hand. “show them what happens when they disrespect us.”
for a heartbeat, you hesitate. your eyes flicker between mark’s outstretched hand and the horrified faces of the civilians. you shouldn’t accept it. you shouldn’t even be considering it. but this is mark. your mark. your knight in shining armor. everything would be alright as long as he’s here, right?
just as your fingers twitch toward his, still hesitant, mark pulls his hand back. you look up, surprised, but then you see it—that devilish glint in his eyes, his lips tugging upward in a smirk that spells trouble. he’s scheming. he’s got a plan, and it’s sick enough to make your pulse stutter.
“actually... can you do me a favour?” mark’s voice is low, barely audible over the panicked crowd, but he knows you hear him.
“...what favour?” you ask, wary. it’s adorable, mark thinks. how you act like you might refuse, when he knows you’ll say yes in the end. you’ve always been so good to him, never been able to deny him.  
“fight me.”
“what—?”  
his fist flies toward your face before you can finish. you barely block it, the impact rattling up your arms as you skid back a step. the crowd gasps, some stumbling further away, others frozen in shock.  
“what do you think you’re doing?” you hiss through clenched teeth, your fingers tangling with his in a desperate, bruising grip—like if you hold on tight enough, you can stop him from slipping away. your boots scrape against broken asphalt, the sound grating as the two of you push against each other, caught in a standstill of muscle and will. his hands are warm, familiar, but the way he’s looking at you—like this is just another game, another calculated move—makes your stomach twist. there’s a flicker of panic in your eyes, raw and unguarded, before it hardens into something sharper. betrayal.
was this it? was mark really going to leave you behind, discard you the second you hesitated? the thought cuts deeper than any blade, a silent scream in your chest: you promised. you promised it would always be us.
he’s still smirking, leaning in until the heat of his breath mingles with yours, lips nearly brushing as he whispers, “play along, won’t you? i want you to stay on their side—for now.” the words curl around you like smoke, suffocating and sweet.
“you’re still not making sense, mark,” you grit out, but the tension in your shoulders eases just slightly. the realization washes over you like a sick relief: he isn’t abandoning you. he’ll never let you go, not even if you begged. the thought should terrify you, but all you feel is the dizzying weight of his obsession pressing down on your ribs. the two of you are holding back—you both know it—yet the force between you still splinters the pavement underfoot, cracks spiderwebbing outward like a warning. “are you saying i should fight you? protect these people?” your voice wavers, not with doubt, but with something far more dangerous—complicity.
something inside mark purrs at your tone, low and satisfied. there it is. that righteous fire, that stubborn spark he’s spent years fanning into flame. he wants to bottle it, twist it until it burns for him alone. make it his.
“yes,” he murmurs, thumb brushing your knuckles where your hands still press against his. a mockery of tenderness. “i need you to get on their good side. help me find their stupid little resistance.” his grip tightens, just shy of painful. “you’d do that for me, won’t you?” it isn’t a question. it never was.
it clicks like a bullet chambering in a gun. he doesn’t just want you by his side—he wants you to be his spy, his weapon, his judas wrapped in righteous fury. the realization should send ice through your veins, should have you recoiling at the thought of betraying these innocent people, your friends, every moral you’ve ever clung to. but instead there’s only the searing weight of his gaze pinning you in place, the addicting heat of his absolute trust burning through your hesitation. he’s handing you a purpose wrapped in bloodstained hands, and god help you, you’re already reaching to take it.
“fine,” you mutter through gritted teeth, but there’s no real resistance left—just the electric thrill of your surrender as your eyes flash with dark determination. before he can react, you plant your hands against his chest and shove with enough force to send him skidding backwards, his boots carving trenches through the crumbling asphalt as the crowd’s collective gasp hangs in the air.
the explosion of sound is instantaneous—cheers tangled with screams, someone’s voice cracking as they shriek “get him!” but it all fades to static in your ears. because mark’s already coming at you again. that feral grin flashing as you launch yourself forward to meet him. your fists collide mid-air with a concussive boom that ripples outward, shattering every window in a twenty-foot radius as the shockwave sends debris spiraling through the air like macabre confetti.
you're pulling every punch, every kick measured to bruise but not break. he's doing the same—both of you dancing this violent waltz with clipped wings. but to the terrified crowd below, it must look apocalyptic—their trembling savior trading earth-shaking blows with the devil himself, concrete fracturing beneath each feigned killing strike.
mark's grin splits his face when you pirouette away from his telegraphed haymaker, his voice dropping to that intimate whisper only you can catch. "good job, baby. now sell it." the praise curls warm in your gut even as you spin into the next attack.
so you do.
your body moves on trained instinct—a deceptive stumble left before whipping right, fist connecting with his jaw just hard enough to snap his head back. he staggers with theatrical flourish, clutching his face as the crowd roars. you don't waste the opening, darting past to scoop the bleeding protester into your arms, their blood smearing garish red across your chest.
"move! now!" you bark at the remaining stragglers, shepherding them toward the alley's shadowed mouth with sharp gestures. your voice carries that perfect blend of authority and desperation—the golden hero playing their part flawlessly.
mark doesn't chase. he just watches from his kneel, fingers idly probing his "injured" jaw as civilians scramble past him. but when your eyes meet over the chaos, his gaze pins you with terrifying intensity—black pupils swallowing brown until there's nothing left but hunger.
this was only the first act.
(≧∇≦)ノ☆
the weeks bled together in a haze of performative heroics and hollow smiles. after that staged battle with mark, you'd stumbled into robot and eve's path, your ragtag group of survivors trailing behind like broken shadows. the shelter they led you to stank of desperation and unwashed bodies, packed with wide-eyed refugees who flinched at every distant explosion. you played your part perfectly—the trembling hands, the fractured voice when speaking mark's name, the way your breath hitched whenever someone mentioned his rampage. eve had pulled you into a crushing hug, her warmth so genuine it made your stomach churn. "we'll stop him," she'd whispered, not realizing the monster she comforted already had its claws around her throat.
you threw yourself into their cause with feverish dedication. evacuating crumbling hospitals, scavenging supplies from irradiated supermarkets, standing guard during the witching hours when nolan's loyalists prowled the ruins. every act of kindness carved another layer from your soul, each grateful smile from survivors feeling like another stone in your gut. but nights were worse. the thin cot in your makeshift room offered no comfort, the moonlight slicing through barred windows like a spotlight on your deceit. you'd curl into yourself, fists clenched in the sheets that smelled like antiseptic and dust—nothing like mark's cedar-and-lightning scent. the loneliness ate at you, sharp teeth gnawing until you swore you felt his breath on your neck, his phantom fingers tracing your spine.
then the whispers started.
"you're doing so well, sweetheart." his voice curled from the shadows, velvet-dark and intimate. you squeezed your eyes shut, but the words seeped in anyway. "eve trusts you now, doesn't she? lets you stand close when she's exhausted from healing." the mattress dipped behind you, an impossible weight. "one quick snap. you could end her before she even screamed." your traitorous fingers twitched against the pillow.
"robot's always watching the monitors," the voice continued, lips grazing your earlobe. you could almost feel his teeth. "but even geniuses need to sleep. imagine it—all those innocent little lives, snuffed out because you flipped the wrong switch." a shudder ran through you, but your thighs pressed together, feeling what little warmth you had start to make its way down. his chuckle vibrated against your skin. "you like that idea. i can feel how much you miss me."
the next morning, you volunteered for perimeter duty with trembling hands. when a child offered you their last candy bar, you nearly vomited. but that night, when the whispers came again, you rolled over and answered them.
(≧∇≦)ノ☆
the next day, you walked into the shelter with practiced ease, your hero's mask perfectly in place—until you noticed the way eve and robot exchanged a loaded glance before guiding you away from prying eyes. their hands were gentle but insistent as they led you through winding corridors, down a hidden passageway that descended deep underground. the air grew cooler, damp against your skin as fluorescent lights flickered overhead.
your breath caught when the cavernous space opened before you. this was it. the heart of their resistance. makeshift workstations hummed with activity, screens displaying maps of ruined cities and casualty reports. civilians moved with purpose—some tending to wounds, others hunched over blueprints. your eyes snagged on familiar faces: that telekinetic hero from detroit, the armored vigilante who used to patrol seattle, all now hollow-eyed and gaunt. the reality of it sent your pulse thundering, not with fear but something far more unsettling—a cold, detached clarity. your heartbeat echoed through your ribs like a drum in an empty cathedral, steady and... hollow.
eve's voice pulled you back as she explained their plans, her fingers brushing your arm in reassurance. "i know how much this hurts," she murmured, her eyes glistening. "but stopping mark... it might mean..." she couldn't say the words. robot remained silent, his mechanical gaze heavy on your face. when they finally asked for your decision, you made a show of hesitation—biting your lip, staring at the floor. fingers crossed tightly behind your back, you whispered your agreement. the guilt should have crushed you. instead, you felt only the terrifying lightness of a bridge burning behind you.
later that night, you claimed you needed air. eve smiled understandingly, squeezing your shoulder. "just be careful," she said, unaware she was sending a wolf to guard the sheep. you waited until the shelter's doors sealed behind you before launching into the ink-black sky.
you flew recklessly, arms outstretched as wind screamed past your ears. below, the ruined city sprawled like a corpse picked clean, skeletal buildings silhouetted against the moonlight. you spiraled through the air, laughing soundlessly as you skimmed the jagged remains of skyscrapers. this was freedom—the kind that would have sent the resistance into a panic if they'd seen you. the thought made you tilt your head back, savoring the sting of wind in your eyes. let omni-man see you. let mark come.
as if summoned, heat bloomed along your spine. phantom fingers traced your jawline, calloused and achingly familiar. "look at you," mark's voice purred in the hollow of your ear, thick with pride. "my beautiful little traitor." his spectral hands slid down your arms as you flew, guiding your movements like a puppeteer. "you had them all fooled. especially eve." a dark chuckle vibrated against your neck. "she trusts you enough to let you near the children's ward now, doesn't she?"
you shuddered, but didn't deny it. his approval curled hot in your belly.
you missed mark with an ache that hollowed out your ribs, left your hands trembling at your sides. and then—as if he'd plucked the thought straight from your fevered mind—a streak of black and yellow cut through the night sky below you. before you could gasp, strong arms encircled your waist from behind, pulling you flush against a chest that smelled like ozone and that stupid cedar cologne he'd worn since freshman year. your breath hitched as his nose nuzzled into the crook of your neck, his exhale warm against your pulse point.
"missed you," he murmured, the vibration of his voice traveling straight to your bones. right. this was mark. your mark. the boy who'd bandaged your scraped knees after bike crashes, who'd appeared like magic every time you'd whispered his name under your breath. your fingers clutched at the fabric of his cape, twisting the material as you turned in his arms to properly face him. his smile was all sharp edges and soft devotion, the kind that made your stomach swoop. 
this wasn't some phantom conjured by your loneliness—his hands were real where they cradled your face, thumbs brushing the apples of your cheeks. the way his pupils dilated when you finally touched him back, when your palms settled against his chest and felt the steady thrum of his heartbeat beneath your fingertips. his breath stuttered when you leaned in, when your lips grazed the corner of his mouth in a barely-there kiss.
"you're really here," you whispered, the words spilling out like a prayer. he laughed, the sound rich and warm, before capturing your lips properly. his kiss tasted like victory and something darker, something that curled hot in your gut. when he pulled away, his eyes gleamed with something possessive, something hungry. 
"always," he promised, fingers tangling in your hair. "no matter where you go, i'll always find you." the words should have been sweet. should have been comforting. but the way his grip tightened just shy of painful sent a thrill down your spine all the same.
(≧∇≦)ノ☆
"hey, can we talk?"  
eve's voice cuts through the bunker's dim hum, too soft for the war raging above ground. you turn slowly, arms crossed tight over your chest—the perfect image of an exhausted hero barely holding it together. when your eyes meet, a wave of deja vu nearly knocks the breath from your lungs. wait, haven't you done this before?
"yes, of course. what do you need, eve?" you uncross your arms, letting your practiced mask slip into something softer, more vulnerable. the concern furrowing your brow isn't entirely fake—you've memorized the new shadows under her eyes, the way her shoulders slump when she thinks no one's looking.
"well, it's just..." eve hesitates, fingers picking at a loose thread on her sleeve before she meets your gaze again. "i wanted to check on you. especially after... earlier."
ah. earlier. the strategy meeting where robot had coldly outlined three separate scenarios for mark's termination while you'd bitten your lip raw pretending to stomach it. you let your hand settle on her shoulder, feeling the tension coiled beneath her jacket. "thanks, eve, really. but enough about me - when was the last time you slept more than two hours?"  
the startled laugh she lets out is worth the twinge of guilt in your chest. "robot caught me napping by the monitors yesterday," she admits, rubbing her neck. "gave me this whole lecture about circadian rhythms while i drooled on the keyboard."  
you snort, nudging her with your elbow. "sounds like someone needs a designated cuddle buddy for nap time." the second the words leave your mouth, you both freeze. it's an old joke—one mark used to make whenever eve pulled all-nighters studying.  
for one terrifying moment, you think you've broken the fragile peace. then eve's lips quirk, just slightly. "pretty sure my cuddle buddy's busy, unless they suddenly found free time then i’m pretty sure they know where my room is," she murmurs, nudging you. it's not quite a smile, but it's the closest thing to one you've seen since chicago burned.
"well, i should go," she sighs, rolling her shoulders back into soldier-straight posture. "robot wants to 'review tactical variables' - which is robot-speak for 'i don't trust you not to screw this up.'"  
you catch her wrist before she can leave. "don't let his wiring get crossed," you say, squeezing gently. "no one could do this better than you." the words taste like ash, but the way her fingers briefly tighten around yours almost makes it worth the lie.
the underground bunker hummed with quiet activity, the air thick with the scent of stale coffee and nervous sweat. a fragile peace settled over the space—the kind veterans called "the calm before the storm" with grim smiles. if only they knew how right they were. across the room, eve leaned over a makeshift table, pointing at blueprints while the other heroes nodded along. nearby, robot's mechanical voice droned instructions to a group of civilians, their hands shaking as they prepped medical supplies. everything felt suspended in time, balanced on a knife's edge.
then the world exploded.
the ceiling shattered with a deafening roar, concrete and steel raining down like artillery fire. screams ripped through the dust-choked air as mark descended through the debris, his black-and-yellow cape billowing like a war banner. behind him, nolan's silhouette cut through the smoke—larger, more terrifying, a living nightmare made flesh.
"told you we were close," nolan said, his voice cutting through the chaos. the two viltrumites scanned the cavernous space, taking in the scrambling survivors, the overturned equipment. mark's stomach twisted when his eyes didn't immediately find you, a flicker of something raw and panicked flashing behind his visor. but he crushed it down, buried it deep. he had five minutes. if he doesn’t find you within those five minutes, he’ll have painted these walls with the civilian’s insides, turn this bunker into a slaughterhouse so brutal even his father would raise a brow. the thought sent a thrill through him—not at the violence, but at the certainty that when he found you, you'd be just as eager to watch it burn.
(≧∇≦)ノ☆
mark's voice drips with venom as it echoes through the ruined bunker, bouncing off crumbling concrete and sparking wires. "you and your stupid resistance made us kill thousands of innocent people," he says, so calm it's worse than any scream. his boots crunch over debris as he strolls toward eve like this is nothing, like she's nothing.  
eve's hands glow pink as she slams them together, layers of shimmering energy erupting between them—wall after wall of hardened force meant to cage him, to buy time for the last civilians scrambling up the emergency tunnels. she's panting already, sweat beading at her temples. "you did that yourself," she snaps.  
mark doesn't even slow down.  
he flies through the first barrier like it's mist, the second like paper, the third shattering around him in a rain of pink shards that dissolve before they hit the ground. eve barely jerks back in time when his hand lashes out for her throat, his fingers closing on empty air. he clicks his tongue, tilting his head as he studies her the way a cat studies a wounded bird. "cute," he murmurs sarcastically.  
eve's eyes flash. she feints left, then swings her glowing fist right—and for one glorious second, it looks like she might actually connect. the energy crackles inches from mark's smirking face—  
then your boot slams into eve's ribs with a crunch that echoes louder than gunfire.  
she doesn't even have time to scream. one second she's mid-strike, the next she's airborne, her body folding around the impact before she crashes into the far wall hard enough to crack the reinforced concrete. dust plumes around her slumped form, her pink energy sputtering out like a dying light.  
mark blinks. then his grin widens, slow and delighted, as he turns to you. "well," he purrs, "look who finally decided to play."
eve struggles to sit up, her body screaming in protest as shattered concrete digs into her palms. but the physical pain is nothing compared to the way her chest caves in when she sees you—your hands fluttering over mark’s arms, your brow furrowed as you check for wounds that don’t exist. mark leans into your touch, his smirk dripping with smug satisfaction as he watches the realization dawn on eve’s face.  
"...why?" eve’s voice is barely a whisper, but it cuts through the dust-choked air like a knife. you flinch, your fingers stilling against mark’s sleeve before you finally meet her gaze. the guilt is fleeting, there and gone in a blink, but it’s enough to make her stomach twist. her expression fractures—horror, hurt, betrayal, then finally, white-hot rage. "why?!" she screams, her voice raw as pink energy erupts around her, forming jagged armor over her trembling limbs.  
you don’t answer. just square your shoulders, fists clenching at your sides.
eve doesn’t wait. she lunges, a war cry tearing from her throat as she swings a glowing fist toward your face. you duck, her knuckles grazing your cheekbone as you pivot and drive your elbow into her ribs. she stumbles back with a gasp, but recovers fast, slamming a knee into your stomach that sends you skidding across the rubble.  
"you were supposed to be better than this," she snarls, her voice cracking. pink energy coils around her fists like serpents. "you were supposed to be good."  
you spit blood onto the broken concrete, your lips curling into something too sharp to be a smile. "good didn’t save anyone," you say, and launch yourself at her.  
your fist connects with her jaw hard enough to snap her head back, but eve’s already twisting, her armored forearm slamming into your throat. you choke, staggering—but then mark’s voice cuts through the haze. "c’mon, sweetheart," he purrs from the sidelines. "show her what happens to traitors. stop going easy on her."
the words ignite something feral in your chest, a hunger that coils hot and vicious under your skin. you feint left—just enough to make eve jerk sideways—before slamming your knee up into her stomach with a wet, cracking sound. the air bursts from her lungs in a choked gasp, her pink armor flickering as she folds in half, hands scrabbling at your costume for balance. you don’t let her find it.
your fist cracks across her jaw with enough force to send teeth skittering across the concrete. she doesn’t even have time to cry out before she’s on her knees, one arm braced against the ground as blood pours from her ruined mouth. her armor sputters, barely clinging to her body now, revealing the deep purple bruises already blooming across her ribs.  
above her, you flex your fingers, knuckles split and dripping red onto the rubble. "stay down," you murmur, voice soft as a lover’s.  
eve sways, her breath coming in ragged, wet hitches. but when she lifts her head, her eyes are wildfire. blood streaks her chin, her neck, the front of her ruined suit. "never," she rasps, and with a broken scream, she lunges.  
her fingers hook into your hair, yanking your head back as her other hand ignites with the last dregs of her power. the pink glow reflects in your widened eyes—just for a second—before you grab her wrist and twist. the snap of bone is obscenely loud. eve’s scream is louder.  
you don’t stop.  
your knee meets her face this time, cartilage crunching under the impact. she collapses onto her back, her nose a ruined mess, her good hand twitching weakly at her side. the pink glow finally dies, leaving her bare and broken in the dust.  
somewhere behind you, mark laughs—that bright, boyish sound that used to echo across playgrounds and now drips with something rotten. it makes your stomach flutter with warmth you desperately wish was disgust. you remember how his laughter used to sound when you’d push him on the swings, how his cheeks would dimple when he’d beg you for one more push, just one more—
the memory fractures when your gaze lands on eve. she’s barely breathing, her body a broken puppet sprawled across the concrete. blood bubbles at her lips with each shallow gasp. the world starts to blur at the edges, the sounds of the crumbling bunker fading into static—until mark’s hands settle on your shoulders. his touch is so familiar it hurts, his fingers tracing the curve of your collarbone before sliding down your arms.
“good job, baby,” he murmurs against your ear, his voice honey-sweet. “you did so good.” his hands don’t stop until they’re wrapped around your wrists, guiding them down to eve’s throat. your fingers twitch against her pulse, still fluttering like a dying bird’s. when she manages to focus her eyes on you—wide, wet with tears, the same eyes that used to crinkle when she’d sneak you candy between classes—your stomach heaves.
“shhh,” mark croons, his lips brushing your temple as your hands tremble around eve’s throat. “you’re helping her. look how she’s suffering.” his thumb strokes the inside of your wrist, tender as a lover. “end it. be merciful.”
your voice cracks like glass underfoot. “...i-i can’t.” the words taste like ash. this isn’t you. this can’t be you. this isn’t right. right?
mark doesn’t get angry. he never gets angry with you. his fingers just tighten over yours, pressing down until you feel the first faint crunch of cartilage beneath your palms. “do it,” he whispers, his breath scorching against your skin. “show me how much you love me.”
eve’s mouth opens in a silent scream.
your hands shake.
then they don’t.
when it’s over, the blood isn’t just on your hands—it’s in the creases of your knuckles, under your nails, streaked across your costume where you’d wiped them absently. mark beams at you like you’ve hung the moon, his hands cradling your face as he kisses you deep enough to steal your breath. his tongue swipes across your bottom lip, licking away the salt of your tears.
“mine,” he murmurs, forehead pressed to yours.
and you are.
down to the marrow.
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..... 5.3k words... i'm so sorry to anyone who's been disturbed when they read this umm... i don't know what else to say it took me approximately 4 hours to write this one-shot. wait, does this even qualify as a one-shot still? and if anyone noticed, yes, i know mark still doesn't wear the black and yellow suit during that resistance scene but like... he looks hot in it- that scene where he goes "ohoho, poor angstrom" is just stuck in my head
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