#(←a very shitty one lol)

[sanjifucker42069]

Looks Like Lingerie to Me - Sanji x Reader

Word count: 854

We gender-neutral and short af today boys. This is crack treated semi-seriously lmao, and an actual drabble. I love idiot!readers, there isn't enough rep for us dumbasses. This is written with OPLA!Sanji in mind bc I dig the super effective suave vibe

Suggestive, there's swearing, the word cock is used once. Brief description. (Ha! Brief!)

Let's be real...Sanji might wears shirt stays....and that's hot as fuck

It was midday when you found yourself outside the men's quarters. You had been lounging around on the upper deck when Usopp had asked you to grab a wrench he'd left in his room. Fair enough, you weren't doing anything, wouldn't hurt to help. And so you padded off, making your way to the bedroom. It was the middle of the day, no one should be in there. You'd passed Zoro napping against some bags, you could still hear Luffy. Sanji definitely had to be in his domain of the kitchen. Still, you offered a quick courteous knock as you flung open the door to the men's quarters, wandering into the space with no preamble.

"Sorry boys, I gotta grab Usopp's- Holy shit!"

Sanji's head shot up to stare at you, cheeks lightly pink. He was stooped over, pants pooling at his knees. Sure, his thick thighs were enticing, and his position stuck that gorgeous ass out at a delicious angle, but your eyes were fixated on the crossing fabric that adorned his upper legs. Was that…a garter belt? You felt lightheaded at the view before you. He looked delectable. The cook quirked an eyebrow at your staring.

"See something you like, love?" He drawled, sending you a cocky grin. Sanji felt his ego swell when you tripped over your words. Had you actually paid attention, you'd notice how his usual clothes were covered in flour, but you weren't exactly the most perceptive.

"I…thighs." You spoke dumbly, causing you to mentally smack yourself. "I mean, sorry. I didn't think anyone would be in here at this time." 

With great hardship, you tore your eyes away from the garment. It looked like a garter belt, had to be! You always knew Sanji liked fashion, and that he could be a pervert, but you didn't expect him to be unembarrassed at being caught wearing lingerie. As if they were possessed, your eyes trailed their way back to his thighs. The elastic was biting into his thigh meat, bulk deliciously spilling over the edges. Saliva flooded your mouth. What you wouldn't give to touch them. To bite them. Fuck what if you-

Wait. 

Sanji had said something.

"Wha?" 

Nice going idiot.

Sanji had abandoned his grip on the trousers, gracefully dropping them and stepping out of the puddle of fabric. Your breath hitched as he turned to you.

Abort mission! 

Fuck you didn't even look at his underwear. Shit, fuck, that…that was clearly the outline of his cock, a pair of grey boxer briefs doing a horrible job at hiding his silhouette. You were thankful that the length of his dress shirt covered the majority, or you'd be due a visit to chopper from fainting.

"I said can I help you, love?"

An awkward cackle escaped your throat and you blushed. Oh, he could help you alright. Instead, you opened your dumb mouth again.

"Is that…why are you wearing a garter belt?"

Sanji froze. An uncomfortable silence filled the room.

Oh shit! Oh fuck!

You opened your mouth to apologise when that bell-like laugh permeated the awkwardness. 

"What?" He laughed incredulously. "They are shirt stays."

Sanji felt his heart squeeze when you cocked your head confused. You really had no idea how cute you were, did you? Trying to be polite and stop laughing, he coughed into his fist.

"They keep my shirt tucked in sweet thing. Can't be looking unprofessional around you cuties." Sanji winked, smirking with satisfaction as your face grew redder. He expected an 'oh' or a 'sorry'. He certainly didn't expect a;

"I'd call having no pants but lingerie on unprofessional."

"You were the one who bust in here!" He argued. "And it's not lingerie!"

"Ah…sorry about that. I meant to grab a wrench Usopp left in here. I…uh…I should go."

"Mmhmm." 

You wandered stiffly to where Usopp slept, finding the tool with ease, and trying desperately to not look at the cook. Sanji watched you, amusement clear on his face at your robotic movements. Wasting no time, you rushed back to the door. 

"Oh, uh, Sanji?" The man hummed in response. "I, uh, I'm sorry for thinking you were wearing lingerie. Not! Not that there's anything wrong if you were, you'd look hot in it. I mean! I….uh…no, you'd definitely look hot in it. What was I saying?"

Silence. Sanji was staring at you with wide eyes, face now red from your comments. You clicked your fingers.

"Right, right! You should probably put some clothes on. Don't want you catching a cold ha ha." You forced out a robotic laugh. "Sorry again."

You slammed the door shut, leaving a confused and slightly aroused man in your wake. Sanji sighed, making his way back to his sleeping area to change into clean clothes. The door creaked back open. Sanji groaned quietly. Who now?

"You have to admit, they are kinda slutty though, right? Sorry! Bye again!"

You were gone before Sanji could even process your words properly. He groaned audibly this time, raking his hands down his face. He needed a fucking smoke. You were going to be the death of him.

[crybaby-bkg]

a slight continuation of this

no caller ID pops on your screen, pulling your attention away from your previous task at hand: not fucking up your eyeliner. you typically wouldn’t care if it was a little uneven, but you’re going on a date tonight, for the first time in so long, and you want everything to go as smoothly as possible.

which is why you groan when you end the call, and that same no caller ID pops right back up seconds later. you know who it is—who else would it be? you figured he’s already seen your story of being excited for going on your first date in a while, on the only app you hadn’t blocked him on. petty? perhaps, but it’s on him to be keeping up with you despite you cursing him out for wasting your time and then blocking him right after.

you watch it ring though, contemplating for a while longer than you should. you blocked him for a reason. no need to entertain his same shit that he always spews to you when he realizes that he might be losing you once more?

….but it doesn’t hurt to hear the hero beg for you.

“What do you want, Bakugou?” You sigh irritably as you finally answer his call, putting him on speaker as you go back to even out your eyeliner. You hear him huff on the other side of the phone at the use of his surname, but he doesn’t say anything about it, instead, quickly telling you what he’s been bothering you for.

“Who’s the fuckin’ loser that’s gonna drool over how good your tits look in that stupid green dress you love so much?” Bakugou grunts, and you instantly feel your face heating at his crude words. You glance over with a frown at that same green dress that makes your tits look good, where it hangs on your closet.

“None of your damn business, Bakugou.” You snap at him, wondering if it’s too late to find something else to wear. “Not like you ever took me out in my stupid green dress.” Your voice holds a level of bitterness that only he can bring out of you, and you hear his sigh through the speakers.

“I told you this before, I’m always—”

“Busy.” You cut him off, voice suddenly thick as you think back on the countless rejections he’s splattered at your feet every time you tried to further your relationship with him. “You reminded me of how busy you’ve been since you first started this whole situationship.”

“Situation—? Huh? We were dating!” Bakugou protests with a huff, and you can hear how he paces the floor quickly. You glare at your phone, setting down your liner to instead pick of your (his) favorite lipgloss.

“You’d have to ask me out to be dating, Bakugou. You’d have to court me to be dating, Bakugou. You’d have to make time for me and take me out on dates and not hide me to fucking date me, Bakugou.” You spit at him, venom dripping off of your lips in waves. You don’t know why you answered, why you even entertained him. You shake your head with a huff when the line goes quiet, eyebrows quirking up when your date sends you a text to make sure you’re still on for tonight.

“I’m sorry.” Bakugou mutters pathetically, his voice suddenly soft. You hesitate, for some reason, when it comes to texting your date back. Why do you always hesitate when Bakugou is around?

“Let me make it up to you, court you, and shit. I can take you to one of my favorite places, you can wear that pretty green dress and that gloss you know I love.” His voice is pleading, thickening and sweet and suffocating. You shouldn’t respond, should reply back a yes to your date.

“Please? You know how much you mean to me.” Bakugou mumbles, and you can hear the earnestness in his voice. Why haven’t you said yes to your date yet?

“I’ll do better this time. Just one more chance, sweetheart.” Bakugou’s voice is so soft, you’ve never heard him this vulnerable before. You sigh with a shake of your head, slumping back into your seat in defeat.

…

Sorry, I can’t make it tonight. Something came up. Maybe we can reschedule for another time?

[sundry-whovengerslocked]

Dirty Valentine by Richard Siken

[godsfavoritescientist]

Sometimes the way people talk about missing social cues is so over the top 😭 people will really say stuff like "how can someone live such a soulless joyless existence that they don't understand my joke" and "if you don't laugh at this are you even human" and "I can't imagine being such a miserable asshole that you think this is serious" and "how stupid do you have to be to fall for this 💀" and on and on like. I promise autism isn't a moral failing

[baby-xemnas]

a breed of guy

(they couldnt be more different)

[crownedwille]

I've come to the conclusion that loving young royals doesn't mean I can't be critical about it, maybe especially bc I love the show so much I have such strong feelings about it, good and bad and I can love parts of canon and agree with it and appreciate it but I don't have to love it all. I have accepted that it's okay if I don't accept the ending and I don't have to force myself to support it. It's okay to not agree with all of canon and it's okay to not side with all of the creators' intentions/views. Loving a show doesn't mean you have to take everything the writers say on face value and that's the only version that is allowed to exist. Canon isn't everything and fandom is about curating your own experience that makes you happy and not miserable. You don't have to dismiss canon in every aspect and ignore it entirely, that's certainly not what I want but there is a fine line between being canon respectful, allowing some parts to exist and sometimes, yes, you just have to say "fuck canon" and move on for your own sanity and wellbeing

[sisterdivinium]

Finding "the meaning" to a show that could have had up to five or seven seasons but was cancelled after the second is somewhat like trying to understand a novel composed of seventy chapters by having read only twenty — there is a whole wealth of information which we do not possess that could alter our reading of any given element or of the entire thing in itself.

Still, there are always patterns that weave a story into a cohesive unit and they can help us to better grope in darkness towards comprehension. One such pattern in Warrior Nun appears to be how the consequences to mistakes, "sins" or evil deeds committed by characters manifest.

Basic storytelling usually requires characters to act on something so that complications or resolutions may arise from their choices and move the plot forwards. In Warrior Nun, many of these actions are quite tragic in nature: Suzanne's arrogance and pride lead to the death of her Mother Superion; Vincent's allegiance to the higher power he believed Adriel to be inspired him to kill Shannon; Ava's flight from the Cat's Cradle ends up damning Lilith as she is mortally wounded and taken away by a tarask... All of these events have negative outcomes and heavy repercussions on all characters directly or indirectly involved. Something changes permanently because of them, be it in the world around them or within the characters themselves.

And yet, it would seem that all of these dark deeds not only move the story forwards but might also have overall positive results. We would have had no protagonist without Ava — and she would arguably never have received the halo to begin with had she not been murdered. What's more, on a personal scale, the horrifying crime she suffers is, in the end, the very thing that allows her a second chance in life, a new life.

An act of outside evil permits Ava to grow and develop, shows her a path she would not otherwise have found. Without her own season in some sort of hell, Lilith would not have been able to advance towards other ways of being and understanding beyond her very strict limitations. Vincent and Suzanne would not have embarked on their own journeys of enlightenment without having caused the pain they are responsible for.

Beatrice might have been paying for someone else's mistakes, but she, too, is given the chance to grow into herself through it. The afflictions that torment these characters advance the overall plot, but they also advance them, as individuals, as long as they are willing to learn and keep going despite the calamities large and small that they are faced with. Beatrice keeps going after parental rejection, Mary keeps going after losing Shannon, Jillian keeps going after losing her son (in part through her own actions, adding insult to injury)... Trouble and the adaptation that follows it, if one is open enough to learn from the experience, motivates the characters, propels them forward, teaches them.

The problem of evil has occupied the minds of many a thinker throughout the ages, given how the very existence of it, evil, might call into question that of God (a good, omniscient, omnipotent one, anyway). A common way of justifying suffering (and also God), then, is by claiming, as Saint Augustine, that "God judged it better to bring good out of evil than not to permit any evil to exist".

Now, it would be rather ridiculous to say of Warrior Nun that it follows in Leibniz's footsteps, also because this philosopher, expanding on the augustinian concept, attempted to defend the goodness of a real God with his "best of all possible worlds" while all we have is... Well, whatever/whoever Reya is.

But there seems to be an inclination towards some sort of optimism as a worldview nonetheless.

Betrayals reveal truth and grant knowledge (Vincent's culminates with the coming of Adriel, which allows us to know of the threat of a "Holy War" and thus prepare for it; Kristian's gives Jillian much needed insight, William's lights up the fuse for the fight to be taken more seriously...), crimes committed willingly or not open the way for Ava (Suzanne's killing of her Mother Superion causes the loss of the halo, which is transferred to Shannon, whose death opens the gates for Ava to walk through after being herself murdered by sister Frances)... The magnitude of these positive outcomes is perhaps not "balanced" when compared to the evil that brings them about, but there is still something to take out of the catastrophe.

However tragic the tones of a given event, the show itself appears to shun the predetermination that makes tragedy as a genre; if everything is connected, here it at least appears to not necessarily drag everyone into their horrible dooms.

What's more is that this lurking "optimism" matches really well with our own protagonist's personality.

And it makes perfect sense that Ava would do the best she could with whatever she is given.

Life for her, in the conditions she experienced after the accident, would have been unbearable without some sort of positive outlook on life. However deadpan, the joking and the "obscene gestures" and whatever other forms of goofing around beside Diego are a way of turning a portion of the situation in her own favour. Proverbial eggs have, after all, already been broken right and left — might as well make an omelette of whatever remains.

Humour is just another way of looking at the bright side of something, or, at the every least, of mitigating the utter horror it might bring. If the show allows for moments of lightness, if it lets us laugh, if it takes us through a perilous voyage which still bears ripe, succulent fruit instead of the rot of pessimism and its necessary contempt for humanity, it is because Ava herself sees things in this way. It isn't gratuitous or naïve in this case, but a true survival strategy, especially as it is confronted with the morbidity of Catholicism.

Here is a religion that soothes its faithful with the promise of reward in the afterlife — how else does one charge into battle against the unknown, risking one's own death along with that of one's sisters, without the balm of believing that we shall all meet again eventually, "in this life or the next"? How else does one come to terms with the ugliness and the pain of this existence if not by looking forward to a paradise perfect enough to make all trials and tribulations here worth it?

True nihilism would have annihilated Ava. Her present perspective is what avoided the abyss.

And there is nothing Panglossian to her attitude or what the show might imply by giving us her view on things. This isn't about "the best of all possible worlds", but of making the best of whatever situation we're in, of taking what we have and doing something with it, something good, something of ourselves. It isn't God making good out of evil, but our choices.

Killing innocent people and feeling no remorse will never be the best someone can aspire to do. Sister Frances, cardinal William, Adriel all learn this the hard way.

Those who do their best find that, somehow, they can move on from whatever it was that paralysed them. Ava, most of all, knows what it is to be stuck, frozen in place; she can never be the character who refuses to grow, even through pain, lest she condemns her spirit to the same fate her body is all too familiarised with. Those around her wise enough to let themselves be touched by her, by the dynamic power she carries, walk forth with her and live.

It says very little about "God" that Warrior Nun should adopt its heroine's views and seem "optimistic" as it progresses — but it speaks volumes about the values it presents for pondering, of the inspiration its protagonists provide, and of the multiple reasons why this is a story unlike most others.

[nitroish]

woke up in the middle of an anxiety attack last night and drew this when it was finally winding down

[dawn-of-tomorrow]

Gepard during Jarilo-VI arc:

[samarecharm]

Bouncing off my bi ryuji awakening post, im gonna add these tags from it: (separated to make it easier to read)

[#anyway. akira is the guy ever. and ryuji is exploding#‘i have died. badly’#i like thinking of akira like this; hes ryujis first exposure to nb ppl and gnc adjacent stuff#even if akira is p masc by most standards hes still got a bit of. aloofness. about his gender stuffs#ryuji is just really into the way akira carries himself#and it takes him a while to go oh. oh i think its cause i like this dude#um.#😳.

#also i wanted to clarify#but ryujis mom just doesnt know Who akira is in that picture#and in my head hes like. looking down at mona and petting him (while sitting)#(AND hes with ann and theyre both kind of a distance away from the camera)#so at a quick glance; hes just Some Girl#and even though shes wrong; it kicks off the mental chaos olympics in ryujis head#‘what hes not a girl’ to ‘where would she even get that from’ to ‘well akira said himself he didnt rlly care what ppl thought about it’#to ‘well. where DID she get that from?’ to lookin at what his homie does a little closer to ‘aw fuck. man.’#but i love that for him

#ALSO. RYU/GORO IN TAGS…..#but ryuji going oh my GOD oh my godddd 😨😓😓😓 when something clicks in his head about goro#his voice is so practiced and naturally softspoken and his public facing persona is very demure#and once he gets past the initial anger over goro being a pompous prick who shittalks about the thieves. hes like. god fucking dammit.#There Is A Pattern and A Type He Has and Its Killing Him To Realize it.#hes literally sitting in his room w his head in his hands]

Ryuji definitely finds Conventionally Attractive Girls pretty, but he realizes around postgame that he genuinely formed crushes on THREE people; Akira, Makoto, and Goro. And all three of them are people who carry themselves as a bit Soft and Delicate (akira and makoto w their personality and mannerisms, goro w his appearance) while also being deceptively strong. Yusuke WOULD fit into this but hes only strong in the metaverse. Also if u tried to argue that he still finds yusuke pretty, Ryuji would just say ‘yeah duh? Of course???’ and would not elaborate further.

I just think. Its cute 👉🏾👈🏾 Ryuji loves someone whos pretty and capable of knocking him flat on his ass lmao He LOVES a challenge and he likes that they can all challenge him in different ways.

Akira is way stronger than he looks; hes very toned and he used to be quite active before being shipped off to tokyo. And after fighting in the metaverse, hes gotten way better at using an enemies mass and momentum against them. Yeah he can properly knock someone down, but its way easier to let Ryuji charge him and use that momentum to sweep and pin. Which Ryuji remembers vividly for Weeks. Akira is not allowed to spar w him and Makoto for awhile after that.

Makoto is just strong as hell. But shes very defensive, and extremely patient. ‘Ill wait and see before I decide What to do’. Shes got good reaction timing and its hard to catch her offguard. Its very difficult to disorient her so oftentimes, his spars w her are more about endurance. And if he ASKS her to do so, she’ll actually fight him back. He never wins 😭 but she is very patient w him and she doesnt treat him like an idiot. She likes to give him tips and redirect his strengths to make up for his weaknesses and it makes him a bit warm in this chest

Spars w Goro are just fun. Theyre fun! Goro is way more aggressive and reckless than Makoto and Akira. He is looking for openings near constantly and Ryuji has to either keep up or tank hits. Its very. Engaging. For him. Sometimes he loses and Goro is giving him a look so smug, Ryuji wishes he could kick him in his fucking teeth (something he clearly couldnt do bc hes already been knocked flat on his ass). And sometimes he wins, and hes so shocked and HAPPY about it; he doesnt miss the way Goro looks away from him pouting like a brat (‘no fucking way are u POUTING man, what a sore loser 😭’). Goro and his uptight personality is thrown out the window completely and its so fun and refreshing to see. Hes tall and imposing w broad shoulders and toned arms and if Ryuji is staring, he finds himself immediately distracted when Goros cheerful, softspoken voice asks if hes willing to go another round.

I love it 👉🏾👈🏾 Ryujis got a complicated relationship w violence but it helps to have people he trusts engage with it in a way that doesnt make him feel like some brute. Theyre all kind of itching to beat the shit out of things for multiple reasons, but instead of taking that out on each other, they spend time training one another so that they can beat the shit out of OTHER things better. Its an efficient system 😊

[silverskye13]

It is like soaring

Before a galaxy

And being asked, with

Softened sincerity

To count out the stars.

The first challenge isn't

Innumerable,

Scattering of blinking

Lights, nor the speed at

Which they hurtle through space,

But is instead the

Silent, breath-held wonder

Of finding where to start.

[bmpmp3]

11 fish

[puppyeared]

save me old flipnote studio MVs.......

[vamppvania]

their gay and lesbian hostility is so important to me. I'm so serious

[why-the-heck-not]

hate hate hate the feeling of turning in a part of an assignment and being hella embarrased abt how it is :3 like, feeling someone’s just gonna email me like ”hey?? what the fuck ??? what are u doing here this is garbage” like yeah dude i dont know what to tell you, things did not go well this week

[idiosyncraticrednebula]

People on social media will get mad as hell and call you problematic if you enjoy a villain for being, well, a villain.