the rise of AI art isn't surprising to us. for our entire lives, the attitude towards our skills has always been - that's not a real thing. it has been consistently, repeatedly devalued.
people treat art - all forms of it - as if it could exist by accident, by rote. they don't understand how much art is in the world. someone designed your home. someone designed the sign inside of your local grocery store. when you quote a character or line from something in media, that's a line a real person wrote.
"i could do that." sure, but you didn't. there's this joke where a plumber comes over to a house and twists a single knob. charges the guy 10k. the guy, furious, asks how the hell the bill is so high. the plumber says - "turning the knob was a dollar. the knowledge is the rest of the money."
the trouble is that nobody believes artists have knowledge. that we actively study. that we work hard, beyond doing our scales and occasionally writing a poem. the trouble is that unless you are already framed in a museum or have a book on a shelf or some kind of product, you aren't really an artist. hell, because of where i post my work, i'll never be considered a poet.
the thing that makes you an artist is choice. the thing that makes all art is choice. AI art is the fetid belief that art is instead an equation. that it must answer a specific question. Even with machine learning, AI cannot make a choice the way we can - because the choices we make have always been personal, complicated. our skills cannot be confined to "prompt and execution." what we are "solving" isn't just a system of numbers - it is how we process our entire existence. it isn't just "2 and 2 is 4", it's staring hard at the numbers and making the four into an alligator. it's rearranging the letters to say ow and it is the ugly drawing we make in the margin.
at some point, you will be able to write something by feeding my work into a machine. it will be perfectly legible and even might sound like me. but a machine doesn't understand why i do these things. it can be taught preferences, habits, statistical probability. it doesn't know why certain vowels sound good to me. it doesn't know the private rules i keep. it doesn't know how to keep evolving.
"but i want something to exist that doesn't exist yet." great. i'm glad you feel creative. go ahead and pay a fucking artist for it.
this is all saying something we all already knew. the sad fucking truth: we have to die to remind you. only when we're gone do we suddenly finally fucking mean something to you. artists are not replicable. we each genuinely have a skill, talent, and process that makes us unique. and there's actual quiet power in everything we do.
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jealousy really is the driving force of DamiTim as a ship. love that for them. love how Tim has the Robin mantle ripped away from him and he has to suffer the jealousy of watching Dick and Damian bond. how possessive over Dick Tim can be, to have him stolen by Dick.
even more so though, is the jealousy from Damian. how on earth do you cope when you finally get to be Robin, a role you've convinced is your birthright, and no one really likes you? every prefers the Robin who came before you? Dick regularly reminds you that he can always go and call Tim back when you act out? like the complex Damian has over Tim is unreal. Tim, who was born with a silver spoon in his mouth and had everything handed to him his whole life. he never had to struggle or fight for his place like Damian did. Damian has spent his whole life fighting and proving himself, and yet he can't ever seem to truly claw the mantle of Robin away from Tim. even when Tim lets it go, becomes Red Robin, they seem to share it. Tim can slip back into the role of Robin whenever someone like Dick or Bruce need him to, because *he's* the Robin who they need. he's the Robin who was able to find Bruce. he's the Robin that Ra's wants an heir out of. he's the Robin who even Jason respects. in Damian's eyes, everything Damian has fought tooth and nail for, was handed to Tim.
so of course he's going to react to Tim with violence and aggression, especially after finding out Tim has contingency plans for him. no matter how much Damian proves himself, he's never going to be enough, especially not to Tim. and so his deep refusal to see Tim as family, to acknowledge Tim's legacy is all driven by such an angry jealousy. Tim understands aspects of Bruce's legacy that Damian doesn't, like the need to sweet talk and play nice with the elites of Gotham, even if they're corrupt. they exemplify different aspects of Robin, and the aspects that Tim exemplifies are the aspects that Damian knows he'll never fully understand and therefore holds such a deep contempt for. he wants to fight criminals, not play nice with politicians. Tim understands the side of Gotham that's utterly foreign to Damian. if anything, he represents that side of Gotham, to Damian. a pretty little rich boy who's nothing but a know-it-all and not a real son of Bruce. he can't be a Wayne. he can't be Damian's family.
and all of that angry jealousy leading to unhealthy obsession turned a weird, angry crush from Damian is just my bread and butter. that is how DamiTim should be. to me. Damian obsessed over hating Tim Drake so much he accidentally ends up sort of in love with him and that only makes Damian angrier. because he can't prove everyone right by *also* liking Tim. he can't let Ra's win like that, because frankly why wouldn't Ra's be delighted by Damian and Tim getting together. and it builds and builds with angry passive aggression towards Tim that culminates in angry hate-fucking-that's-not-just-driven-by-hate. love and hate are always viewed as opposites in shipping and i think they're the same intense passion just in different directions. and for the best ships, they're very intertwined. what is DamiTim is not the peak of that. "i put so much of myself into hating you i had no choice but to fall in love with you somewhere along the way" core. love that bleeds into hate and hate that bleeds into love. "you make me so angry i regularly passively try to kill you but not with any real effort because who would i obsess over if you were actually gone" core. murder attempts as a form of courting. contingency plans to take each other out as a love language. they're unwell.
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This line is extremely funny (motherly??? hello??) but also it just reminds me of why the Minori & Airi dynamic makes me want to explode (positive).
Even though she's only a year older, Airi sees so much of her past self in Minori -- she knows what it's like to be an outsider in their industry, to be someone who's faced rejection for simply not possessing the innate “idol aura” that people like Haruka and Shizuku have. She’s not like them; and neither is Minori. Having a dream is great, but you can't become an idol purely out of desire. This is expressed very directly in the digest animation (which condenses the MMJ main story): "Just because you want something to happen doesn't mean it will."
Screenshots from MORE MORE JUMP - Journey to Bloom: [HOPE].
Airi's resigned herself to the fact that she's stuck in her role as a variety show entertainer, even though being an idol was her real dream. And, after seeing her own fate, she bluntly tells Minori that the other's passion isn't enough for her to successfully break into the industry. Despite this, Minori isn’t discouraged from her path; after all, she'd already been rejected 50 times. In her own words: she has faith -- something Airi has almost lost.
But Airi hasn't lost it completely. After some reminders from Shizuku, she reluctantly agrees to watch Minori's practices and give her some advice. It's a small ask, but one means a lot to Minori -- which Airi knows, and she's willing to give Minori a chance.
Minori has the chance to return the favor when Airi goes to confront Cheerful*Days. Even when Haruka warns her about the ugliness she's about to see, she isn't swayed. In her own words: she "care[s] too much for Momoi". Not just as a fan, but a friend* now, too.
Screenshots from the MORE MORE JUMP! main story chapter 11.
*friend is a bit of a loose term here but Minori does know Airi personally by this point. Not as well as Shizuku, but better than she used to.
The affirmation of being an idol that Minori gives is huge for Airi. After being constantly denied her identity as an idol from both her managers and peers, hearing this from the girl who she had accidentally dismissed is perhaps the most powerful thing she could have heard in that moment. It's clear that Minori hasn't been disillusioned in the slightest even after seeing all the resentment and anger, and despite everything, she still believes in Airi, and her ability to spread hope as an idol.
After all that happens in the main story, Minori's presence becomes a non-negotiable part of MMJ. She is, after all, the final bit of glue that brought them together as a group. In Time to Re:Start! (Airi 1), Haruka, Airi, and Shizuku all make it extremely clear that they refuse to let their group split up. We see how Airi takes this a step further:
Screenshots from Chapter 4 of Time to Re:START!
Notably, she's willing to go back to variety programs and talent work if it means that MORE MORE JUMP! can stay together (even though doing so means that she probably would be extremely busy and have less time to do "real" idol work!)
Since Airi's offer is rejected here, we don't see the consequences of this negotiation come to fruition, but it's certainly not an offer she makes lightly. Note that Airi 2 hasn't happened yet; she still hasn't fully made peace with how her role as Happy Everyday took time away from her as "Airi Momoi the idol". Despite how painful it would be her to reprise as that role after resolving to become an "regular" idol again, Airi still makes this request as a last resort, because she would put herself through something she doesn't want rather than sacrifice Minori's dream to be an idol. This isn't something that the rest of MMJ would agree to, of course, but this cements a trend in Airi's behavior -- namely, her desire to protect Minori from the thorns of the idol industry that she's had to go through. Her Colorful Fes card gives some insight into this, where she encounters the younger version of herself (Little Airi).
Screenshots from "To You Who Wants To Be An Idol" Side Story 2.
The way Airi treats her literal younger self mirrors the way she treats Minori at the start of the MMJ main story. Even though she knows better than anyone how much being called a "tomboy" hurt her younger self, Airi still calls her that on accident. This is extremely similar to how she dismisses Minori upon their first meeting -- she of all people should know how hurtful it is, but she does it nonetheless. This time, however, she doesn't need Shizuku to remind her of her mistake, and quickly rectifies it -- a testament to how she's changed since the events of the main story.
Still Airi's ColorFes card story 2. Sorry for the spam of screenshots from this one I love this card way too much
Airi imparts the lesson she learned from Minori to Little Airi: "tomorrow will always be a better day." She shares the hope that Minori (and the rest of MMJ) shares, something she directly says she's grateful for. Meeting Minori has changed her for the better, and also allowed for her finally continue on her path towards being a "real" idol -- one that never gives up.
By the time Airi 3 happens, MMJ have taken off as online streamers. People have started to accept Minori as an idol -- but she's still a newbie when compared to the rest of the group, and lacks the same training that her fellow idols have. Nobody is more keenly aware of this than Minori herself. While she's initially practicing on her own, Airi is quick to understand what Minori's issue is, as its one that she's dealt with herself. Yet again, it comes back to seeing her past behaviors in Minori's - she's gone through the experience of trying to emulate the "idol aura," so she knows doing so is a waste. She wants to save Minori the time and effort that it took for her to learn these lessons, so that Minori is able to hasten her path towards finding the "best way to shine".
Screenshots from Chapter 6 of "Chasing The Sparkle Beyond the Blue Sky"
The other really interesting thing is how Airi tells Minori her to not put herself down -- and yet Airi does the same to herself! She needs Shizuku to reaffirm her status as a true idol and tell her the same things that Airi herself tells Minori. She's been able to relearn how to inspire others, but still needs help when it comes to having that faith in herself.
This event is a testament to how much the two of them have matured since the main story, while also showing where they still have more room to grow. The two of them still have some doubts about whether they "deserve" to be idols, but it's something that they're both working through, together with each other as well as the rest of MMJ.
In regards to Airi trying to shield Minori from going through the troubles she did, it comes into the spotlight yet again during Airi 4:
Screenshots from Chapter 4 and Chapter 5 of "Friendship Rebuilt"
This time, we see this behavior explicitly stated: "I don't want her to experience what I did back then". Minori is her own person, and Airi respects her ability to make her own decisions, but she can't help but see her past self in the other, even after how far they've come. She's worried; Minori may be strong, but Airi wants to make sure that she can avoid having to go through the same pain she did.
This all comes full circle then, when Airi excitedly talks about her upcoming school trip to Kyoto.
Screenshots from the "I'm Excited Too" (Pandemonium/Spirited Affair 2*) side story 1.
After constantly being the one looked after, Minori finally gets another chance to be happy for Airi. For once, Airi doesn't have to sacrifice her own happiness for work, and for that, she's glad. It's the least she can do for the girl who's been protecting her all this time, and its a step towards Minori truly becoming an equal to the idols she's looked up to her whole life.
MMJ as a whole unit is about spreading hope and joy -- more specifically, about sharing hope and joy. The reason both Minori and Airi decide to become idols in the first place is because they were cheered up by idols in their childhood, and wanted to do the same for others. Minori is able to finally become an idol herself after she helps Airi (as well as Shizuku and Haruka) regain their own hope and passion; Airi does her best to guide Minori down a path that is as least painful as possible in return. MMJ's stories focus so much on the idea of paying it forward it truly drives me crazy to see how Minori and Airi's dynamic really embodies that ideal, where Minori will never stop uplifting her friends while Airi always looks out for them.
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