#(is this meta???? idk…)

[ansburg]

Now, perhaps we might try a more — intimate style.

[tinystepsforward]

What do you think the chances are that Mud Pit is gonna be ousted by the people who need Automattic to have good will in the eyes of the community to actually get anything out of this site and wattpad

I know it’s probably low but the fact that he’s acting like a poorer Elon Musk is making my skin crawl and making me hope that a second lawsuit hits the company

ok here's the thing. he is meant to be on sabbatical. automattic gives employees a three-month paid sabbatical every 5 years, so that they can have a break from the product they work on and come back rested and with a new perspective.

matt has never taken one before now. he spent the entire leadup to his sabbatical posting increasingly wild shit in public channels at the company (like the chess thing, or trying to get people to buy a friend's product, or the entire fracas with taking over the wordpress.org twitter account. wordpress.org is an independent non-profit that he is not the ceo of).

i mention this because people were hoping (including me) that he really would actually log off, have a chill time (or, idk, whatever kind of time CEOs who go off the grid bc they got flooded in at burning man like to have), and let the interim CEO get a chance to do a better job. that would help the board make a decision based on data.

he was very clearly spiraling before he even left, and then within the first few days of Company Sanctioned Log Off Time he's pulled multiple Classic Matt things on multiple parts of the company before showing up here. this whole thing is so deeply unfunny but it also is a bit of a tom and jerry or looney tunes bit, where i can only imagine HR or Legal is chasing him around the various accounts/platforms with a comically large inflatable baseball bat and he's just evading them.

he can't do that in person, but he still gets a lot of leeway generally. at the last division meetup (irl meeting for employees, flown from all over the world) he showed up twitchy and exhausted and hyped in a way that was very familiar to me from flatmates who used to steal and snort my adhd medication, then proceeded to drink so much over the course of an evening answering questions from his employees that he had to be firmly babysat off the stage and walked back into the lobby of the hotel to sober up.

i made eye contact with him that night, before he dropped his head back into his hands. two people relatively high up in the company were sitting with him, silently watching him as he struggled to sober up. it wasn't the first drunk shenanigan of his i witnessed at one of these, and this is purely opinion but i have to assume that his current behavior is the result of suddenly having time on his hands to have the world's longest bender and post through it.

back to your question: i do not know if what he's done is enough to get the board to remove him. i wish it didn't have to come to this to hope that they will. but we'll find out.

[prezaki]

One core trait of Phoenix Wright as a character that I rarely see discussed is how utterly evasive he is about his private affairs. It sticks out the most in AA4 when we see Phoenix from the outside, but "Phoenix won't tell anyone anything important unless he absolutely has to (and even then, he probably won't)" is by no means a new development for him.

From AA1 onwards, we see Phoenix dodge people's questions about his personal life time and time again. In part, this is by narrative necessity - Phoenix knows more than the player is meant to know in order to achieve the optimal tension curve. But AA takes his narrative shortcut and turns it into a real character beat.

Phoenix Wright is the most cagey fucker on the planet.

At the end of 1-1 Mia asks him how he came to befriend Larry and Phoenix dodges the question with a vague promise to tell her later - this also means that in all of his time working with Mia, he's never actually disclosed his full motivation for becoming a lawyer to her.

In 1-2, Maya asks him how he knows Edgeworth and he dodges, because of course he does. The same song and dance repeats at the end of 1-3. And despite Maya's repeated prodding by 1-4, Phoenix still has not told her a thing about his past. That's from October until December that Maya is left going ??? and her questions go nowhere.

Then, between AA1 and AA2, Edgeworth is presumed dead by suicide. Does Phoenix tell Maya about this? Absolutely not. He does not tell her in letters nor is he clear about it when they see each other again in person, months later.

What Maya gets once it's inevitable to talk is a vague 'he's gone' and no elaboration other than the request to not speak about him again.

This is Phoenix's default coping mechanism.

In AA3, there are numerous instances where he mentions forgetting Dahlia, not speaking her name again, etc. Edgeworth is 100% getting the 'person who hurt me too deeply to think about' treatment here.

But to not even tell Maya a vague overview on the matter, when Maya knew him too? Rough. And it just keeps going.

It's six months between telling Maya that Edgeworth is 'gone' in 2-2 and her finding out that 'gone' seemingly means' dead' in 2-3.

Maya complains about it, too. This isn't a matter of 'she never asked again', it's a matter of 'Phoenix is dodging all questions'. Gumshoe has to intervene in order for Maya to finally find out.

And finally in 3-5, does he tell anybody why he's going to Hazakura temple and why he seems interested in Iris? Absolutely not!

At this point we get Edgeworth openly acknowledging that Phoenix keeps his emotional cards extremely closely to the chest. When he states that he wants confirmation on whether or not he has met Iris before, this exchange happens:

Even as Edgeworth directly calls him out on being evasive and never actually speaking to people, all Phoenix can do is acknowledge that this is how he is by apologizing - but he won't change his ways.

AA4 Phoenix is really just a natural evolution of Trilogy Phoenix - Trilogy Phoenix is already evasive, already hates telling people about his struggles or accepting help... It's really no wonder that he'd isolate himself instead of reaching out once he gets disbarred.

[lightbluetown]

part of me feels like this doesn't just mean "i should have told him i was in love with him". i think it also means, or it should also mean, that he should have told ed that things were happening too fast, that he was scared, that he was happy when ed kissed him but it made him panic, that he felt inadequate, that he couldn't fully understand ed's or his own feelings, that chauncey messed with his head, that he felt like he had to go back to his family because it was the one thing he could try to fix but he couldn't turn ed back into the "beautiful" blackbeard

[bbygirl-obi]

considering shaak ti was like 6'2" i love the idea that female togrutas are taller on average than female humans. this is in part motivated by the fact that i love leaning into the carnivore/predator vibes of togruta bc i think we all deserve a lil more adventurous alien biology. but it is also in part bc i love the trope of younger characters being taller than older characters.

please see the vision: when ahsoka first passes 6'0" in height and is taller than obi-wan, anakin loses his SHIT and won't shut up about it. he's so fucking giddy about it bro. teasing obi-wan is like, his favorite thing to do aside from hang out with padme. the height jokes now that obi-wan is officially the shortest out of the trio are marvelous and anakin loves every moment of it.

but then... then ahsoka keeps growing. and soon she's 6'1" and anakin is getting a bit nervous, though he vehemently denies it when asked. and then she's 6'2" aka anakin's exact height and still growing and suddenly anakin doesn't find the height jokes funny any more.

...and then, one day, she inches past anakin. and suddenly anakin finds himself the butt of all of the jokes he made about obi-wan, but it's a million times worse because he's used to being the tallest. please please PLEASE imagine all of the different expressions (and colors) that would cross anakin's face the first time ahsoka rests an elbow on his head or, gods forbid, calls him "shorty."

tldr: i think ahsoka deserves to be tall and buff enough to carry her masters like this, as a treat:

[acti-nerdington]

Splatoon patch notes will be like "decreased sloopy goopy fire rate by 0.2%" and the community will just be like "dead weapon, fuck the devs, how could they do this"

[aziraphales-lawyer]

Something something about how Crowley and Beelzebub are portrayed as equals in this scene. In other scenes of Beelzebub with other demons, they're always portrayed as front and center and/or on an elevated throne due to their authority (obv). But in this scene, Crowley is not only sitting on a chair with the same fashion as Beelzebub, but they're also side by side. It would have made more sense to talk to your boss facing one another, and this may just be for the transition from the Bentley to Hell to work but Beelzebub brought Crowley to hell, they could have easily just miracled him right in front of them. But this works thematically.

There could be many interpretations about this, most famously the Duke of Hell Crowley theory (since Crowley is sitting in a chair fashioned the same way as Beelzebub's + horns perfectly angled to his head, and Beelzebub's chair-horns are offset because they basically do not want to involve themselves in that anymore)

But this is probably also one of the first hints we had for ineffable bureaucracy. Beelzebub understands Crowley now, they understand why he stopped Armageddidn't — for his angel. And Beelzebub did that too, they agreed on not having another Armageddon (at best, postponing it) because they wouldn't be able to see Gabriel again if that happened. For the first time in the show, Beelzebub is portrayed to have the same level of understanding with someone. Crowley and Beelzebub side by side because what *their* side is, is on the side of their angel.

[biceratops7]

hold- wait a fucking minute...

Beelzebub is acting really freaking weird in this scene.

Ok so I encourage you to rewatch it cause I can't really properly illustrate it in gifs, but they don't sound irritated, or even particularly intimidating. We know Beezlebub to be a very dry person, even in moments they want something and need to manipulate/ convince someone for it. So this abnormally animated and even somewhat friendly demeanor doesn't strike me as part of buttering Crowley up to get him to help them.

This is a weird line. We know Beelzebub isn't like Shax, they've been around a bit more and have a better grasp on things like tone and figurative language. There's almost no way they're unaware that saying this would immediately clue Crowley in to the fact that Heaven and Hell do in fact have communication, so they must want him to know. For whatever reason, it's important to them that Crowley knows they're a reputable source.

And then I remembered where I've heard that tone before.

It's nearly the exact same one Crowley uses to tell Aziraphale that he needs to protect them. It's the kind of tone you use when you need someone to read between the lines and understand more than you can safely tell them. Beelzebub is fully ready to believe Shax when they say Gabriel's in the bookshop, and acknowledge later that Aziraphale was a very fitting and likely candidate to harbor him. They know full well Crowley doesn't want jack shit to do with Hell, and would probably be offended if anything by anyone referring to his "nasty little heart". That is merely a performance to mask what they're really trying to tell him, which is that Aziraphale is in danger.

Without this detail Crowley very well could've turned Gabriel in to Heaven instead of Hell, he certainly doesn't see much difference between the two. Beelzebub is the reason he decisively doesn't, and races home in a panic.

And I think it's genuinely so sweet, this moment of understanding and comradery between them that goes unnoticed, even to Crowley. They drop the shtick and make sure that he knows the book of life is a real threat, and you only need to be merely involved in hiding him to be erased from it. Because to them, there's also the very real possibility that Crowley knows about Gabriel while Aziraphale doesn't, so they're double checking Crowley will not to tell him and instead go straight to them. There’s just something so protective in it.

[tofixtheshadows]

So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.

And I kept wondering: why?

For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.

So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.

But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.

The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.

Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?

That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.

My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.

Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.

Milsiril the puppetmaster.

[das-a-kirby-blog]

feeling cute, gonna post meta knight/dedede inspired void terminas

[myrkulitescourge]

i'm surprised i haven't seen any text posts yet about the Unsubtle Differences between astarion’s tiefling party/high approval forest scene and the one you get after the goblin party.

there’s something so terribly interesting about how the conversation afterward plays out depending on which variation you pursue.

like, most people have seen the tiefling party version by now. astarion basking in the sunlight the morning after, playing off most of what tav says with relative ease, even when they ask about his scars and he tells them about cazador. his cadence is smooth and composed, his smile almost friendly, even though you know, as the viewer, he’s playing a game of manipulation at this point. the only real crack in his demeanor is if tav notices that cazador’s “poem” was written in infernal, which, understandably, startles him.

but recently i watched the goblin party version of this same scene, and everything reads so differently. unlike at the tiefling party, it’s still the middle of the night when astarion tries to leave, thinking tav is asleep—almost immediately after the act, in fact. when tav does speak to him, he’s visibly nervous, halting and stammering in the middle of lines delivered unflinchingly in the other version of the scene. he gestures broadly and fidgets more while talking, his smile comes and goes. there’s even some of his distinctive high pitched, fake laughter sprinkled throughout the exchange, almost identical to later scenes where he's very, very obviously uncomfortable (like if raphael mocks him and magics off astarion's shirt to show the party his scars in act 2, or when confronting the gur children in their cell in act 3, etc etc).

siding with the goblins represents something deeply familiar to astarion, a level of cruelty he's more than familiar with and embraces likely because cruelty and duplicity, to him, go hand-in-hand with the power and freedom he craves so badly—but he won't stay the night with this tav, even if he approves of their actions. no, in this case, he'll keep to what's familiar and attempt to leave them in the forest under the cover of the very same darkness he resents having been cast into by cazador. when he gets caught, it sets him on edge, and everything he says becomes such a blatant lie to save face that tav would have to be completely oblivious not to see through him, or maybe just not care enough to.

but if tav saves the refugees? challenges his worldview and comes out victorious? oh, he'll complain of the poor rewards for his trouble at the party and whine about it being boring, but he decides to stay with tav through the night while they're asleep and on past dawn. he takes a moment to enjoy the morning sunlight, returned to his life after two centuries without. the same is true if you have high enough approval that he asks before the party, in which case, you've almost certainly hit his biggest approval gains: trusting him and supporting his safety. maybe he doesn't trip over his words when he speaks because, well, maybe this is someone he doesn't have to worry about. someone who's already more than proven themselves a foolish, heroic sort with a bleeding heart or otherwise demonstrated that they're already in his corner. in other words, not a threat—at least not to him.

does any of this make sense. i wanna study this guy under a microscope.

[afreakingmilkshake]

good day to draw meta knight gijinka

[cakemousse]

alright unless proven otherwise, i'm going to hc that toxinelle's crush is actually griffe noire

or a “crush who doesn’t think I’m a lame-o”! credits to @2manyfandoms2count for the translation

it's unfortunate... but hear me out

the salters always say that the lovesquare is toxic codependency, imma show you what real toxic codependency really is, on the part of emonette at least

'he's rude as fuck and disrespects her all the time, there's no way emonette would fall for him' while this is true and i would agree under normal circumstances, toxinelle came from a world where she didn't have anyone, no super awesome friends to inspire her everyday, no best friend in life and in death, no mum who is gentle and calm, nothing. she's lonely and has nothing to fall back on, but you know who she can fall back on? griffe noire

even if he does let her fall

he is the only constant she has in her life, at least ever since she got her miraculous. even if it means getting insulted left and right by him, she puts up with him

why? cause if she doesn't she'll truly lose the only thing she has 'going' in her life

and we can see that after she read marinette’s diary about the part where ladybug and chat noir are partners or rather teammates, she looks at griffe noire, as though she’s thinking of being teammates with him. it’s something she wants, and we know it’s something she truly wants by the end of the special

also in this universe, emodrien has a crush on emonette, so what's preventing toxinelle to have a crush on griffe noire?

toxinelle isn’t happy, we can tell when she poured her heart out to ladyfly about everything and then finally about her crush thinking she’s lame all the time, but there isn’t much she can do if she wants her constant to continue be by her side

loneliness really does some fucked up things to a person huh?

the concept’s pretty fitting of a villain don’t you think? 🥲

[adriancatrin]

just a reminder that azulas hair arc is just as important to her character as zukos is to his

her first real intro draws attention to the perfection of her hair (“only one hair out of place”)

after ty lee and mai betray her, while she’s attacking the western air temple & zuko, her hair frays and she eventually pulls out her hairpin to catch herself on the cliff side, a hint at the self destruction she’s willing to endure to achieve her goal

and ofc when she becomes firelord and has her psychotic episode, she cuts her hair into a ragged mess

zukos arc is about rejecting the original idea of what honor is and coming to and achieving your own sense of honor, and azulas is about failing to achieve perfection and losing control of yourself in the process. the evolution of their hair shows this so well—zukos is just more obvious

[yokyoaaa]

So I have a vision

[carrioncrowes]

deleted sae palace scene makes me SO upset because of how much it really adds to Joker and Akechi's relationship. There's just so much?? Akechi slipping the cards into Joker's sleeve and intuiting/trusting that Joker will a) realise he's done it b) know what to do with them and c) wait for the opening that Akechi will provide later.

Like!!!! Joker very pointedly DOES NOT cheat in the first round despite knowing that the cards are on him. He waits for Akechi to insert himself, distract Sae, and set up events so Mona can give him an opening. They didn't even DISCUSS the plan beforehand, they just have such a deep understanding of each other by this stage that they can freestyle an entire plan

It's EXTRA sad this was cut from the game because I think it adds a nice poetry to 3rd semester where their showtime is completely improvised from their understanding of how the other thinks and trust in one another

idk. I just! wish that scene hadn't been cut!!