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terrific-togekiss · 3 years

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What if Pokémon Legends went on to other Regions?

This has been a topic of the Pokémon fandom for awhile. With the announcement of Pokémon Legends: Arceus not too long ago, many fans are anticipating and speculating the future of this ambitious side series.

Being able to not only witness, learn and partake in the legends that shape both the regions and Legendary Pokémon, leaves much room for creativity.

This is all merely speculation.

Here's my take for how any future Pokémon Legends games could play out.

Pokémon Legends: Mew

Set about roughly 20 years before the events of Pokémon Red, Blue and Yellow, the elusive Mew makes an appearance in the Kanto Region.

This prompts many scientists to want to study and catch the original Pokémon, foreshadowing the creation of Mewtwo and the Ditto.

You, the player, are taken under the wing of a much younger Professor Oak, with the Gen 1 Gym Leaders also showing up to lend a hand.

As the plot focuses on you tracking down Mew before various criminals and an older Team Rocket, try to for their own nefarious purposes. Helping Professor Oak invent the Pokédex and with his research.

Gene splicing and gene testing on Pokémon grew after the War LT. Surge fought in, with an older Team Rocket using it to their advantage.

This Team Rocket being a much bigger criminal organization, before the player took them down and a smaller one appeared in Pokémon Red, Blue and Yellow.

A younger Giovanni is also present, as the player gets to know the man that would go on to lead present day Team Rocket. He's a friend to the player... for now, giving some insight on who he was beforehand and show how he took over the criminal organization, setting up the events Pokémon Red, Blue and Yellow.

Mew's appearance in the Kanto region, inspires him to the point of illegal gene testing on Pokémon.

As a nod to Pokémon first debuting in 1996, the game takes on a more of a late 60s to mid 70s aesthetic, so it feels like the player is shaping the legends that set up Gen 1 of Pokémon.

Plus Kanto in the Legends artstyle would be mindblowing. And take inspiration from 60s to 70s Japan.

In addition, to avoid looking too similar to Pokémon Legends: Arceus. Being more of a modern era Japan region, than a Meiji period Japan inspired region. While following in said game's footsteps, by focusing on the secondary legendary than the main one (Mewtwo).

The starters would be Chikorita (Gen 1 is about Nature vs Technology), Torchic (Peace and War aesthetic) and Popplio (60s to 70s definitely saw a rise in many famous and popular musicians).

Pokémon Legends: Celebi

Ever wonder the origins of the Legendary Beasts: Raikou, Suicine and Entei?

What they were before they were killed in Brass Tower revived by Ho-Oh? How Ho-Oh came down and choose them, saving their lives? The sea Lugia stays in the deep for? The early days of Johto? The ruins of Alpha in the past? The early days of the Kimino Girls?

Well now you, the player, do now! ...sort of. As the title of the game implies, the player meets and befriends Celebi and gets to see many of these events via time travel.

Not only would this include a huge mechanic separate from other Legends games, but it would be the most unique in how it could be approached. As Nintendo is no stranger to time travel games (e.g. Majora's Mask) that impact both the plot and gameplay.

Time travel tends to create stories that are very confusing or very heartwrenching. Or both. But I have no doubt it would be the latter.

It also leaves room for many side quests.

Starters would be Bulbasaur (Time is all about growth), Scorbunny (Bunny Rabbits are not only a common symbol in the older days of Japan, but of Spring much like Ho-Oh) and Froakie (ninjas were more prevalent during this time period, as they slowly faded out).

Pokémon Legends: Jirachi

1000 years before the events of Pokémon Emerald, (Omega) Ruby and (Alpha) Sapphire, chaos raged across the ancient Hoenn Region, between two legendary Pokémon: Groudon and Kyogre. The Draconid people hope and pray for the arrival of Rayquaza to save the Hoenn Region itself.

This is where the player steps in: in order for all this chaos to end, the wishes of the people must be heard. And the only Pokémon capable of that is Jirachi.

The player would go around helping wishes be granted, traveling and training Pokémon along the way.

An ancestor of Zinnia also makes an appearance as a friend and rival of the player.

To maintain the wishes and stars aesthetic, Deoxys also makes an appearance with its origin being explored. Being able to explore space itself, meeting Pokémon said to have an "alien" origin, like Elgyem and Beheeyem.

Latios and Latias can also be caught, flying on them just like in Omega Ruby and Alpha Sapphire.

The meteor that would hit the future Sootopolis is what awakened Groudon and Kyogre, said Meteor containing Deoxys. Setting up the game's plot.

Since it's roughly 1000 years before the Gen 3 Pokémon games, Hoenn resembles and takes inspiration from Japan during the Heian period.

The starters would be Turtwig (Theme of continents being at stake), Chimchar (Japanese and Chinese relations) and Totodile (sea monster symbolism, which is often associated with crocodiles and related animals).

Pokémon Legends: The Dragon

Two Princes, of Galar origin, known as the "Twin Heroes" share the power of an unimaginable Legendary Dragon. Bringing Truth and Ideals to the people of Unova. They live and lead from Relic Castle.

You, the player, are a friend of the princes and over the course of the game, your alliance with them changes. Struggling to choose between Truth or Ideals. Serving as a major story mechanic.

A feud and disagreement between the Princes happen, with the player being caught in the middle and to try to quell the anger of the Dragon.

In addition to finally seeing Reshiram and Zekrom before they split, Victini is also present with the Swords of Justice Pokémon (Cobalion, Virizion, and Terrakion), the Forces of Nature (Tornadus, Thundurus, and Landorus) and even Meloetta tries to raise people's spirits.

Team Plasma's origins are alluded to, with the army of the Princes baring an odd resemblance to the future evil team.

The game has more of a wild western aesthetic since Unova is based on New York. Think late 18th century America. With horseback riding on Pokémon like Zebstrika and Rapidash, bandits and criminals that try to steal your Pokémon and being able to explore Unova in its entirety.

Or perhaps roaring 20s to 30s America. If that setting sounds more vibrant and close to the Unova of Gen 5. This is all still speculation.

You even get to ride Keldeo in a later part of the game.

The starters would be Chespin (Chesnaught is based on a Glyptodon; fossils were found in South America), Litten (Wrestling is popular in New York) and Mudkip (mudpuppies are found in Lake Michigan).

Pokémon Legends: Diancie

Set after the Kalos War, you the player are caught in the middle of it going off to fight with your Pokémon. Hoping to make a difference as the Professor (ancestor of Professor Sycamore) takes you under his wing. And hoping to help the war turned world that is Kalos.

Yveltal and Xernas have both gone into slumber, with Zygarde needing to be restored to at least 50% (player can go to 100%), so the world of Kalos can be healed from this war.

The main game focuses on Diancie: since Diancie is the Pokémon of diamonds, the war has forced soldiers and leaders to exhaust the many resources of the Kalos region. Particularly precious stones and diamonds.

The player befriends Diancie later in the game as the two work together to bring an end the greedy hearts of those involved.

The game resembles France during the 100 Years War, with the player character even having armor as part of their attire. Due to Kalos being based off of France, roughly Middle Ages or Medieval France in this game's case.

AZ also makes a few appearances in the game, racked with grief over firing the Ultimate Weapon, mostly keeping to himself over the game's plot.

As a new gameplay mechanic, the player can befriend other trainers to amass armies to overcome many challenges, like beating other armies and crossing obstacles.

Volcanion and Hoopa are also present in the game and can be caught.

The origins of Mega Evolutions are expanded on, with the player getting their hands on some Mega Stones. Due to the energy of the Ultimate Weapon.

The starters would be Snivy (said Pokémon is based on French nobility), Piplup (Empoleon is based off of Emperors and can be a nod to Napoleon) and Charmander (Charizard is based off of European Dragons).

Pokémon Legends: Marshadow

Set in the ancient Aloha region, when Tribes followed the Tapu Pokémon, you the player find yourself stranded in this intriguing region.

Ultra space wormholes begin opening across the region and its up to the player to figure out why and how to stop them. Even being able to traverse the Ultra Megalopolis in its entirety.

Necrozma is up to it and the player must learn why. With Marshadow playing a bigger role, since most of its origin is shrouded in mystery, so this would be a great opportunity to explore those origins.

Along with the origins of the Z-Crystals.

The game has more of an ancient Polynesian world, seeing as how Aloha is based of Hawaii. Being able to sail to smaller islands and even catch Pokémon while doing so.

The starters would be Grookey (drums are a popular musical instrument in the tropics), Sobble (chameleons are native to Hawaii) and Tepig (pigs have been brought to Polynesian Islands in the past).

Pokémon Legends: Zarude

3000 years, before the events of Pokémon Sword and Shield, a black storm covers the very region itself. This black storm causes Pokémon to randomly Dynamax and Gigantamax. Many live in fear of what the next day brings, as hope of a better day seems like only a naive dream.

The player joins with many Pokémon researchers (some being ancestors of familiar faces in Pokémon Sword and Shield), in order to track down the source of this chaos.

Zarude comes in as he helps providing with resources from various forests, so less Pokémon and people are harmed. Or worse.

The player believes tracking down Zarude, will lead them to stopping this madness (Eternatus).

The game looks much like 13th to 14th century Britain, in much of the fashion of characters and even dealing with the equivalent of a plague. Ironically enough.

The starters are Treecko (Forest theme and light in the dark theme in contrast to the Darkest Days), Fenniken (Magicians are a common Middle Ages motif) and Squirtle (Cannons were first invented in Europe, around this time period).

#pokémon #pokemon #pokémon legends arceus #pokemon legends: arceus #pokemon legends #video games #video game ideas #my post #mew #celebi #jirachi #diancie #marshadow #zarude #terrific togekiss

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asophiajoy · 4 years

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In the reading by Benjamin Powell titled Seven Easy Pieces and Performance Document(ation)s, Powell focuses on the act of re-telling and re-presenting performances of the past. Marina Ambramovic turns the re-enactment into a performance of itself and how the reproduction even of the essay Powell writes, plays into the theme as well. Powell makes an interesting point highlighting how the act of documentation and criticism has been moved to analyze the difference between repetitions of a performance vs. multiple performances as the standard of success when thinking about performance (68). Since Ambramovic has a whole day, 7 hours of doing a single performance you have a whole day of repetition and with that comes endurance, practice, and multiples of the same performance in different ways. In Powell’s documentation- being another repetition of the performance in itself again. The slight variations play into the repetition as well from the past original performance presentations, into the future re-enacted performances. For example, Ambramovic’s rendition of Exports Action Pants, 1969 was a way to repeat the performance in another way recreated in her own way. The reading by Powell really helps me to understand the practice of repetition as performance and expands my idea and thinking of the concept of performance art. I look forward to experiencing my own reenactment and documentation of the important performances- and how I have the chance to keep the performance alive, as a part of my own process. I am also looking to make repetition and experimentation a part of my own practice as well.

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honeyopinion · 4 years

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20/20 Albums of the Year

Circles by Mac Miller | Hip-Hop, Soul, Funk Released: January 17, 2020

Best Album For... Pouring One Out for Mac

I wrote a few different drafts of this album summary, and none of them felt like they really fit the impossibly large bill of accurately describing the posthumous importance or brilliance of this album. If you are a fan of hip-hop or soul music of any kind, try to give this piece of work a chance. I for one, used to judge Mac based on his early frat rap days in the late 2000s. But a decade later he came to leave the world with one of the most surprising and frankly impressive artistic evolutions that I’ve been able to witness in real time. RIP Mac.

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Start With: “Circles” or “Everybody”

Marigold by Pinegrove | Alternative Country and Folk Rock Released: January 17, 2020

Best Album For… Passing Through a Small Town on a Cloudy Winter Day

Pinegrove was one of the last great concerts I got to experience before the pandemic. And it was my favorite performance of theirs from the last 6 years of seeing them play live. Is this my favorite album of theirs? Honestly, it’s not. But I still find it extremely enjoyable, and the memory of seeing these songs performed live, along with some of their classics, was enough for me to include it on this list. This is an album that marks Pinegrove’s exit from their pop punk roots. It’s still sentimental, but much more country and folk rock focused vs. anything trying to be associated with emo or punk.

Spotify Apple Music YouTube Pandora Start With: “The Alarmist” or “No Drugs”

Watch This Liquid Pour Itself by Okay Kaya | Synth Pop, Art Rock, Folk Released: January 24, 2020

Best Album For… Crywanking at 3am, Bathed in The Dull Light of Your Overheating Laptop

What if Feist and Father John Misty had a secret love child? They might sound something like Okay Kaya. Self proclaimed “Singer ~ Crywanker,” Okay Kaya brings serious BDE to weirdo art pop that she seems like she could be a plant from the mind of Nathan Fielder. Kaya delivers with such deadpan precision as she rolls out line after line of sarcastic joy, staring blankly at our dystopian reality. “Here I am, the whole world is my daddy,” “Netflix and yeast infection,” “Sex with me is mediocre,” “I just want us to do well like Jon Bon Jovi’s Rosê,” and, “My parasite and I are blushing / In the zero interaction ramen bar,” are just a few examples of some of her memorable and biting lyrics. The entire album is both a critique and nihilistic fondness for the absurdity of our lonely technological society, not quite sure how to deal with taboos like repressed female sexuality, depression, and codependency.

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Start With: “Baby Little Tween” or “Asexual Wellbeing”

UNLOCKED by Denzel Curry and Kenny Beats | Hip-Hop Released: February 7, 2020

Best Album For... Nodding Your Damn Head To, Feeling Cooler Than You Actually Are

I had to double check that this was an album. Clocking in under 20 minutes, this collection of songs feels more like an EP, especially with the track titles that purposefully look like file names and placeholders. But for a short album, Denzel wastes no time, furiously zigging and zagging effortlessly over Kenny Beats’ 90s New York-indebted production (ad libs and all). Kenny pulls out samples of an array of pop culture references made by Denzel (like quotes from movies and weapon sound effects like a lightsaber) — as he rotates his flow between admirable impressions of DMX, Nas, and Joey Bada$$.

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Start With: “So.Incredible.pkg” or “DIET_”

Cardboard City by Zack Villere | Pop, Electronic, R&B Released: February 14, 2020

Best Album For… Pal-ing Around With Your Friends From High School, Maybe Quoting Superbad At The Same Time

The first time I watched a music video from Zack Villere, I noticed the top comment said: “how did frank ocean get trapped in mark zuckerberg.” And while that definitely gets at the heart of how Zack Villere presents himself, he is not a phenomenal singer like Frank Ocean is, nor does he come off as an asshole like Mark Zuckerberg does. I would say that he is just a slightly awkward nerdy white guy who loves hip-hop production and R&B melodies. So the better question is really, “how did drake get trapped in michael cera?” This premise should not work at all, but somehow it does. This is only Villere’s second album, but he shows some serious production and songwriting chops, plus a commitment to his delivery that comes across as genuine, charming, and unique.

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Start With: “Grateful” or “Superhero Strength”

The Slow Rush by Tame Impala | Psych Rock, Synth Pop, Disco Released: February 14, 2020

Best Album For... Throwing a Silent Disco For One

Tame Impala continues on their now 10 year streak of psych rock dominance. Along the way we’ve seen Kevin Parker master and stretch the boundaries of psychedelic production. This has resulted in his music coming as close to sounding like the best aspects of The Beatles, while also expanding into hip hop drums, R&B hooks, plus more and more electronic elements. This is an album that I was not super impressed with when it initially came out, but as we entered the pandemic and were tasked with finding small joys in staying at home all the time, I found myself going back to this album and appreciating the themes of solitude and self reflection that Parker has drawn from throughout his career.

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Start With: “Posthumous Forgiveness” or “One More Hour”

1988 by Knxwledge | Hip-Hop Released: March 27, 2020

Best Album For... Pumping Your Brakes and Driving Slow, Uh *Homie* Although this album is named after a year in the 80s, the sound here is a perfect portal back to 90s golden era hip-hop, with all the gospel, soul samples, and the kind of deep bass you want to feel in your chest. This is the rare, largely instrumental hip-hop album that I find myself going back to, other than works from the legendary J Dilla and MF Doom. Knxwledge is good friends and a frequent collaborator with Anderson .Paak (in the form of NxWorries). Here we get Anderson to grace us with his presence on the track “itkanbe[sonice]”, and of course it sounds just like an authentic vintage soul sample. When I hear this collection of songs it makes me wish I still had a car, so I could inevitably damage my speakers listening to this.

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Start With: “dont be afraid” or “thats allwekando.”

Future Nostalgia by Dua Lipa | Pop, R&B, Funk, Disco Released: March 27, 2020 Best Album For... Alarming Your Pet With Your Enthusiastic Lip Syncing

This album is a pure sugar rush. Like Bruno Mars with the help of Mark Ronson, or Calvin Harris a few years ago, Dua has harnessed a nostalgia (it’s even in the title, wink) for disco, funk and R&B, and is instantly a sexy, catchy, not-so-guilty pleasure. It’s sad that the majority of these songs are all bonafide club hits that didn’t have a proper home this year … except for my living room. And hopefully yours.

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Start With: “Pretty Please” or “Future Nostalgia”

Hold Space For Me by Orion Sun | Alternative R&B and Hip-Hop Released: March 27, 2020

Best Album For... Wishing Frank Ocean Was Your Dad

“Alternative R&B” is a contentious term, but what else would you call one of a few R&B singers cool enough to make it onto (NYC indie darlings) Mom+Pop Records?? On one hand, she brings the vulnerable and introverted lyrics of an indie singer songwriter like Tracey Chapman, crossed with the raw presence and sweet melodic delivery of a true R&B star like Aaliyah. I’d even go far enough to refer to her as the musical stepchild of Frank Ocean and SZA.

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Start With: “Ne Me Quitte Pass (Don’t Leave Me)” or “Lightning”

You and Your Friends by Peach Pit | Indie Rock and Dream Pop Released: April 3, 2020

Best Album For... Going Back To Your College Town To Crash A Party

Peach Pit seem like they would be cool dudes to hang out with. You have no problem picturing them as the band playing a house show in an indie movie about college kids. And that’s because there’s a familiarity to the scenes that their songs portray, of stumbling through your 20s, either being too dumb or having too much fun to notice. It’s funny to refer to this as “Indie” rock since this is Peach Pit’s major label debut with Columbia Records. But It has all the trappings of Indie; sticky melodies, gentle reverb, an “I’m not trying that hard” vibe, and lyrics that are oddly specific enough to be interesting, but still vague enough to be relatable.

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Start With: “Feelin’ Low (Fuckboy Blues)” or “Shampoo Bottles”

Heaven To a Tortured Mind by Yves Tumor | Psych Rock, Indie Pop, Post-Punk, Alternative R&B, Experimental Electronic Released: April 3, 2020

Best Album For... Tearing Up The Fucking Dance Floor With Your Hot Robot Girlfriend

If Tyler the Creator, Alex G, King Krule, and Blood Orange all got into the studio together and dropped a shit ton of acid on Halloween, their recording session might sound something like Heaven To a Tortured Mind… And even then, you still might have trouble putting your finger on exactly what you’re hearing. “Dream Palette” is a good reference track for Tumor’s most wild and mesmerizing qualities. The biggest styles of the past half century of music have been loaded into this gleefully effective genre blender, with blades of dissonance slicing everything up, creating a surrealist sonic smoothie.

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Start With: “Super Stars” or “Dream Palette”

The New Abnormal by The Strokes | Indie Rock, Dirtbag Disco, Synth Pop Released: April 10, 2020

Best Album For... Mixing Yourself Another Drink This Saturday Night

Back from the dead, The Strokes return with their first album in 7 years to turn some heads and settle back into some old habits. The charming messy haired garage rock of the early 2000s still pops up here and there, but this is really a record where the group is mature enough to show you that they actually are trying, and are unafraid to take joyous swings for the fences. Julian Casablancas pushes his scratchy alley cat yelp of a voice into something more vulnerable, sunny, and sweet, like he asked for a piña colada (you know, with one of those little umbrellas) instead of a double shot of scotch before hopping up on stage… Or maybe he did both. But these days, everyone is looking for some sort of break from our groundhog day lives any way that we can. Sometimes that sounds like selling out, or depending on how you look at it, stepping up. This album is the result of a group of old friends who got together to make music they simply want to make for themselves. Now far removed from the 2000s New York scene where their younger selves were acting too cool and disaffected to care about having fun.

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Start With: “Eternal Summer” or “The Adults Are Talking”

The Loves of Your Life by Hamilton Leithauser | Indie Rock and Alternative Country Released: April 10, 2020

Best Album For... Drinking Down At The Docks, Watching The Sun Set

While I am a fan of The Walkmen, I have no idea what their frontman Hamilton Leithauser looks like or how he dresses. But hearing these songs off of his latest solo, I imagine the following: a member of Mumford and Sons if they were edgy and cooler, giving off a “cowboy rocker meets depression-era dock worker” aesthetic. That’s exactly how his music comes off to me. It’s a convincing blend of blues rock, Americana, and old timey country music. All expertly narrated by dusty country guitars and standup bass, tarnished horns and flutes, and what I imagine to be a restored saloon piano. The Loves of Your Life originally started as a collection of short stories, each about characters based on both people he knew and strangers. Leithauser then wrote the music separately, and finally came to mix and match their parts together in a surprisingly convincing fashion to create the album.

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Start With: “Wack Jack” or “Cross-Sound Ferry (Walk-On Ticket)”

What Kinda Music by Tom Misch and Yussef Dayes | Neo-Soul, Electronic, Hip-Hop

Released: April 24, 2020

Best Album For... Cooking For Someone You’re In Love With

Exactly what kind of music do Tom Misch and Yussef Dayes make? It’s orchestral, it’s jazz-infused, it’s hip-hop beats joined with gentle soul. It’s a little sexy, it’s a little mysterious, and you’re going to want to listen to it a whole lot. That’s it. That’s what kind of music it is! Send tweet.

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Start With: “What Kinda Music” or “Storm Before The Calm”

Petals For Armor by Hayley Williams | Electronic Pop and Art Rock Released: May 8, 2020

Best Album For... Browsing Depop for Your Next 80s Normcore ‘Fit

Hayley, Hayley, Hayley. You are too good for this wretched world!! After exploring more adventurous sounds and genre hopping over the last few Paramore records, Hayley decided to go out on her own. This really frees herself from the expectations that come along with being the face and heart of a wildly popular band for the last 15+ years. Thom Yorke fans rejoice, because Hayley Williams has a clear admiration for Radiohead’s haunting indie electronic vibe, while emoting some pain and darkness atop her love for 80s pop and art rock (think Genesis, Devo, The Talking Heads). This is a promising new avenue for Hayley to explore herself and process her pain and desire completely on her own. I see this new project of hers only blooming further from here.

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Start With: “Simmer” or “Sudden Desire”

Set My Heart On Fire Immediately by Perfume Genius | Indie Pop and Art Rock Released: May 15, 2020

Best Album For... Daydreaming That You Were Somewhere Else

For his 5th studio album, Perfume Genius enlists production wizard and guitar god Blake Mills, along with Grammy Award-winning arranger and multi-instrumentalist Rob Moose to create a beautiful swirling mosaic of 80s pastel pop that also packs serious classic rock grandeur. Bass guitar dances between satin smooth lines on one song to churning distorted currents on the next. Sparkling string arrangements and organs bleed together to expose a fading sunset that you’ll want to try and hold in your hands to keep it in sight. Perfume Genius is unafraid to challenge traditional masculinity, packing a 21st century queer machismo into both the quiet moments and jubilant explosions.

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Start With: “Without You” or “Describe”

græ by Moses Sumney | Indie Pop, Art Rock, Neo-Soul, Psychic Folk Released: May 15, 2020

Best Album For... Astral Projection 101

I mean this in the best way possible, but I think that Moses Sumney is a witch. Or maybe a wizard? There’s no other reasonable explanation for the level of creativity and wonder that he summons. This album feels like a private concert by a waterfall (similar to one on the cover), with ethereal pleas, and heavy ideas—like meditating on what lies beyond the constraints of the physical self and reconsidering how well we can actually trust memory and the mind. Sumney layers his voice to create the effect of a ghostly choir, accented by a stark intimidating falsetto that reverberates through the ruins of an abandoned temple where Sumney is the only one in attendance.

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Start With: “Cut Me” or “Polly”

WILL THIS MAKE ME GOOD by Nick Hakim | Psychedelic Neo-Soul Released: May 15, 2020

Best Album For... Playing Pool in a Hazy Dive Bar

Nick Hakim is a silky smooth smokey crooner who paints with warbly piano loops, dreamy reverb-heavy guitar, boom bap beats—not to mention a falsetto that would make Smokey Robinson jealous. Clearly a fan of Motown and 60s jazz, Hakim could be considered a peer of Thunder Cat and Anderson .Paak’s to a degree. I remember seeing him perform at Music Hall of Williamsburg a few years ago. The performance ended with him falling down on stage (presumably from being under the influence of multiple substances). But while the song continued he popped back up and belted an impressive high note like it was nothing, drink in hand. And it’s that kind of messy beauty that also makes this album so engrossing. Like watching the eye of the storm get closer and closer, but unable to look away from the sheer magnetism that nature can wield.

Spotify Apple Music YouTube Pandora Start With: “All THESE CHANGES” or “ALL THESE INSTRUMENTS”

RTJ4 by Run The Jewels | Hip-Hop Released: June 3, 2020

Best Album For... Making Your Next Protest Sign

Run The Jewels’ fourth outing might be the most unapologetically angry rap album in the “fuck this” year of 2020. And it reminded me that I should absolutely still be furious about everything that happened during this groundbreaking yet terrifyingly familiar year: country wide protests over the continued murder of innocent black people at the hands of the police, government drone strikes and detaining kids in cages, the state of our environment worsening—and that’s not even addressing the pandemic or election. Killer Mike and El-P are here to scream from the rooftops that our current system of cutthroat capitalism and white supremacy is killing the planet and its inhabitants, and I’m glad that they’re using their platform to continue to sound the alarm.

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Start With: “out of sight” or “ooh la la”

Your Hero Is Not Dead by Westerman | New Wave Revival and Indie Pop Released: June 5, 2020 Best Album For... Wanting Your Old School MTV

The cover of Westerman’s first proper album is mostly black and white, except for the title, which is scrawled out in lettering which spans the Crayola color spectrum. It’s an album that on the surface is cold and buttoned up, but when these choruses open up, the maximalist 80s power pop bursts like the bulbs of a neon sign. There’s a level of even-keeled cool and confidence in small moments on display here that makes this relatively new artist seem well beyond his years. Having seen him play at Rough Trade a few years ago (opening up for the stellar Puma Blue), the songwriting growth on display on this record is impressive. I’m only sad that there wasn’t an opportunity to have seen him play these new songs live.

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Start With: “Easy Money” or “Confirmation (SSBD)”

Punisher by Phoebe Bridgers | Indie Rock and Alternative Country Released: June 18, 2020

Best Album For... Burning Incense and Breaking Out a Ouija Board to Talk to The Ghost of Your Former Self

This is without a doubt, a career defining release for Phoebe. Taking everything she’s learned from writing, performing, and touring with the likes of Lucy Dacus and Julien Baker (in boygenius), and Conor Oberst (in Better Oblivion Community Center), Bridgers levels up to become the truly prolific singer-songwriter she’s been telling us she would always be. Bridgers has explained her personal definition of “a punisher” as a well meaning person who’s, “just talking to you and they don’t realize that your eyes are glazed over and you’re trying to escape.” Vital to understanding this album and its central message is that Phoebe finds herself caught between the contradiction of falling victim to this phenomenon while also doing it herself, especially if she ever met her musical idol, Elliott Smith. Punisher serves as a warning to her audience that if you focus too much on trying to find yourself through other people (via escaping through fandom, drugs, toxic relationships), you’ll always feel lost and dissatisfied, without the proper self awareness to ever quite know why.

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Start With: “Garden Song” or “ICU”

Women In Music Pt. III by HAIM | Rock, Pop, Folk, R&B Released: June 26, 2020

Best Album For... Preparing For A Better 2021, lol

With this album, HAIM skyrocketed to the #1 position of family bands that start with an “H.” Sorry, Hanson! But seriously, HAIM has outdone themselves on this one. If there was one album from this list that I would dub my personal AOTY, this would be it. You might wince at any tracklist longer than 10-12 songs these days (I know I usually do), but almost every song proves itself worthy, pulling at a different thread of my heart until there’s nothing left. Sunshine State Beach Pop? Check. Blues Tinged Dad Rock? Yup! Dive Bar Country? Mmhmm! No, wait, what’s that you say, Glitched-Out R&B? Yes, yes, and yes. You can have it all, sister! ‘Cause when you’re Haim, you’re family! ;) And these three “women in music” continue to prove that they are just about the best Assorted Pop Rocks(™) act in the world right now.

Spotify Apple Music YouTube Pandora

Start With: “I’ve Been Down” or “Don’t Wanna”

Lianne La Havas by Lianne La Havas | Neo-Soul and Indie Pop Released: July 17, 2020

Best Album For... Sipping Coffee and Journaling on a Weekend Morning

This album exudes a warm vulnerability, like a comforting hug we all needed this year. On her third album, Lianne La Havas makes the risky decision to self title it, a move that artists make when they believe that it is the piece of work that they most want most directly associated with their name. It’s one thing to name your first album after yourself if you can’t think of anything else at the time, but to make a self titled album in the middle of your career, it means that you are sure about having captured who you really are and who you want people to remember you as. “If I love myself, I know I can't be no one else,” La Havas admits on the standout track, “Paper Thin.” She knows that she will meet her destiny and reach self actualization, but only through self love. And finally, I cannot overstate how breathtaking La Havas’s voice comes across on this album. The strength and control on display in her vocal tone and vibrato is quite a spectacle.

Spotify Apple Music YouTube Pandora

Start With: “Paper Thin” or “Sour Flower”

Limbo by Aminé | Hip-Hop and R&B Released: August 7, 2020

Best Album For... Trying and Get Over Kanye With

On Limbo, Aminé establishes himself as one of the torchbearers of soul-sampling, lyrics-driven hip-hop that still cares about storytelling, skits, and presenting vocals clearly. Kanye West, Drake, and J. Cole all paved the way for someone from the next generation like Aminé to keep the dream alive and avoid succumbing to the “feel good, don’t think” form of passive listening that mumble rap has made the standard for mainstream hip-hop.

Spotify Apple Music YouTube Pandora

Start With: “Pressure In My Palms” or “My Reality”

Shore by Fleet Foxes | Folk and Indie Rock Released: September 22, 2020

Best Album For... Running Along The Beach With Your Arms Stretched Out

It was really kind of Robin Pecknold and co. to have released an album this triumphant, calming, and awe-inspiring during the year of our Lorde 2020. On behalf of myself and anyone else who suffers from Seasonal Affective Disorder, the SAD people of the world really needed this, man. And to anyone who is quick to judge these beard-o’s of being boring, you’re simply not using your ears properly. Yeah, you know those two things on either side of your head? Get the gunk out of them! That way you’ll hear the choir of angels with acoustic guitars who are here to guide us through quarantine and beyond.

Spotify Apple Music YouTube Pandora

Start With: “Can I Believe You” or “A Long Way Past The Past”

Listen to all of these albums together in our playlist.

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shaonsim · 4 years

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Thoughts on the writing of itv!!! What kinda show would you writeee

My friend. My hero. Thank you for sending this in. Thank you so much!! You gave me such a wonderful opportunity to blab about stuff.

THANK YOU ❤️❤️❤️❤️

The writing of ITV, you ask? Hang on my friend, this will be a WILD ride. A wild ride. This will be loong and wordy and a little incoherent, jumping from one point to another, but this will tell you a lot about how I feel about the writing of ITV.

And yes, this will read like a letter to the CVs because I am totally incapable of abiding the rules of grammar and I don't want to edit all this.

And I apologise for the out of context references that seeped in with time. Sorry, couldn't help it. I will gladly expand upon any of the references.

The main thing with writing (according to me, but I don't like repeating this disclaimer since by asking the question you already know that this will be my personal opinion, but still, for safety purposes)...The main thing with writing is that the core concept can be summed up in one single paragraph, and then you add words for emphasis.

You write in a thousand situations, in different styles, only for the message to hit home.

Look at our Epics.

Ramayana can be summed up as the Ram-Ravan conflict in a good Vs evil way. Lakshman is the devoted brother, Hanuman (ji) is an ardent devotee of Ram-Sita.

Mahabharata is basically another story of good Vs evil, where Duryodhan is the evil guy , Shakuni is an evil mastermind, 99 Kaurav brothers (+ Karna) the sidekicks, and the rest of the Kurus (+ Drona and Kripa ) as the silent voices of reason.

And almost every event emphasises these points. Because that's the story.

Look at Harry Potter. Three kids (young blood/new generation ) fighting against the big bad and pointing out and fixing the mistakes of the past along the way.

Look at Kalpurush (I read it during the quarantine and I am in love ❤ ) , where the main theme is that a mother worries whether the circumstances will lead to history repeating itself, whether a son will follow his father's footsteps, and whether she would be happy if he did turn out to be like that.

Technically, it is the same with shows.

Sasural Simar Ka began with the concept of the deep bond between the sisters, then moved on to supernatural forces interfering with the Bhardwaj family. The theme changed, but it didn't vanish.

Swaragini began as a show revolving around the sisters, and it stayed like that for forever, even when the plot went sideways and the sisters were pitted against each other.

Kumkum bhagya is a show where the leads battle kidnapping, murder attempts, misunderstandings etc and come out longing for each other and dreaming about happier times (the same was the theme of Pavitra Rishta too, if I remember correctly. But with less kidnapping.) And now the show has taken a leap with a love triangle between the kids (look, another similarity between kkb and pr. Go Ekta)!

KZK2 *cringe cringe* is all about AnuPre who love each other but don't end up with each other because of various reasons.

ITV has this thing down pat.

But it fails to come up with proper events to highlight their core concept and of course, they fail to choose an interesting theme for the show, but heyy, human mind and relationships is a gold mine for ideas. It is fascinating, and quite enjoyable, if it is done right. Am I biased because it is my favourite genre? Yes of course.

But the point stands.

Another important part of writing is that in order to come up with plot points that will reinforce your main idea, you need to come up with a cast of interesting characters, and develop their background to give you an ample opportunity to create the above mentioned plot points. The spectators, onlookers, the influencers need motivation - reasons for their actions.

Think about Karna. Think about Drupad-Drona. Think about Bhishma-Amba. Think about Jayadrath and his boon.

Sub-plots, side-plots. Parallel storylines.

For the most part, ITV fails in this department. The characters or stories they introduce are a) boring (either because we fail to understand their motivation or because they are diluted versions of the leads) or b) annoying because of their over enthusiastic and blind favouritism for the lead character they support.

^ Casting and acting also plays a major part in this (ugh Chandni ), but most of the time, it can be solved with focusing on the actor's strengths and weaknesses and changing the dialogues based on that. A writer can change things.

That's their job.

If your side characters are not interesting enough to deserve a story of their own, you aren't trying hard enough. That said, if you can't weave in their story in your main story, do not focus on the side plots. No one is interested in seeing your hodgepodge of TWO (or more) stories. It should all come together in the end, it should become one BIG story. Bring it all together!!

But do focus on the side plots, because there is only so much you can do with your leads, especially in the romance/family (whatever you call it) genre that occupies 90% of tellywood (and for good reason too!!)

A good plan is to create events with one of your main character and a group of characters (how small or big a group is for you to decide). If you force the audience to look at two/three supporting characters, no body will be happy.

Use your leads!!!!

Also, PLEASE use the show Vs tell method.

You want us to know that the male lead is adored by his sister? Show us. And by that, I meant scenes where we can see the bond they share, NOT dull monologues where the sister sings praises of her brother (a few monologues are fine though). You are an audio-visual medium.

ACT LIKE IT.

Monologues are for written things. Where we only have the words and our own imagination. Here, you have the tools to present us with the pictures, with the words they speak to each other.

Don't waste it.

In the same vein, do not repeat dialogues. Not word to word (don't repeat the same thing with different wording multiple times in a single episode or a week of episodes). Switch it up, and if you have to, have to repeat stuff, use an actor who has decent facial expressions and voice modulation. If the actor is stiff, robotic, then don't use that actor to parrot your lines. Seriously.

<< Not to hate on anyone in particular but Prerna's 'Anurag Anurag Anurag' is very annoying, for reasons that are better left unspoken >>

Hey, hey, you know what else is an integral part of writing? Research. Making a show on doctors? Police? Engineers? Lawyers? Chefs? Do your research. And if you want to take the short cut and go with the convenient business men/women trope, by all means, go for it. GO FOR IT. But show them working, and no, not because of tracks revolving around the business, but always. Running a business is a full time responsibility. Show that. I repeat, show that. Show that the character isn't home 24x7, show late night meetings, show files neatly stacked (or strewn about, your choice). Show the products or materials involved in the business. Show your characters being exhausted with the amount of work, show their involvement in their work. Or don't, if that suits the story and your character is neglectful, or if you have a proper reason to have them take some time off. Pay attention.

Time for a checklist.

Central theme? ✅

Side plots (+ characters)? ✅

Edit things because of the actors? ✅

Show Vs Tell? ✅

Research? ✅

How much DRAMA is too much drama? ❔❔

Now, this is a product of my curiosity (+ me posting the Fic Which Must Not Be Named), but I think this fits nicely with the rest of this answer. I wouldn't explain this in detail because the original post does a much better job (and I need validation, so go read that post) but to think, that ITV tells us stories of other people, and whether it is this very question, this doubt, that leads to the numerous kidnappings and accidents/fire/misunderstandings we see in 90% of the shows.

Okay, time to return to the checklist.

Oh. Oh! I forgot my favourite part.

The influences of the audience. Every writer has a story to tell. And while it is difficult to think that the ITV creatives know what they want to do with their story, I would give them the benefit of doubt. Besides, as a writer myself, I know that 80% of writing is having no clue as to where you want to take the story. ANYWAY, back to the topic at hand. I think, if everything was written and shot before telecast, we might get cohesive writing. As it is, the creatives put out some content, look at the reaction, and try to maintain the highs or fix the blunders, by hook or crook.

And the story suffers.

Complete revamping of tracks, characters behaving worse than pendulums, repeat of romantic scenes, bringing in new characters out of the blue - I believe, most of these things occur in a rush to fetch (or maintain) ratings.

Now, let's talk about copy-pasting tracks without bothering to look at the bigger picture. What works for one show, works only because it goes with the past and future events of the show. You can't grab xyz from show1 and throw it into show2, because S2 does not have the background of S1. It wouldn't work, because the characters are different, their motivation is different, their past is different, everything is different.

Also, can we talk about how two people of opposite genders can be friendly and helpful to each other without secretly pining for the other person? It doesn't always have to be romance, although it can be perceived as that, if you want a jealousy track. Character A and B both know there is no romantic feelings, but Character C is seeing green because heyy, DRAMA!!

((This is one thing that disastrous Bajlo tomar alor benu did right, in respect to Minu and Rudra))

Another important thing - people can (and should, if you want it to be realistic) be morally grey. There is a phase between liking someone or hating them or wishing them to be dead or actually killing them. Also, not everyone has access to criminals and goons. I REPEAT, not everyone has a criminal connection, or the mental capacity to actually execute the plan to the T.

Thinking of murder, planning murder and straight up plunging a knife in someone's chest are different things. Remember the difference.

USE THE DIFFERENCE.

And while you are on it, learn the difference between attraction, appreciation and love.

We might be attracted to a particular quality - a physical attribute, a skill, a specific philosophy etc. We might appreciate that quality in a fellow human being. And we might be attracted to and appreciate the person with those qualities, but that doesn't mean that we would love them.

In the ocean of unnecessary romance angles and third wheels, this core difference is often brushed away in a bid to gain trps. Please don't do that.

Another checklist.

Ratings changing the story? ✅

Copy pasting tracks ✅

The world is grey ✅

Less criminal activity ✅

Not everything is love ✅

Would you look at that! I covered so many things. Fear not, I still have a lot to say. Mwahaha.

Not going to go into detail about my opinions on in-laws on ITV, because that is already covered here, but let's talk about the actual family.

The parents, siblings, cousins, relatives. Again, I am going to repeat myself and tell them to use the show Vs tell method. And actually focus on the dynamics because although the equations will change after marriage (for the male lead, the female lead will be cut off from her family 80% of the time), these relationships set the foundation for your character. Their personality. Motivation.

If you are going with a character who is distant, then by all means, do so, but do NOT ignore the family. Show that the character doesn't care.

Show it. Don't gloss over it.

That said, limit your exploration of characters and back stories. There is no hard or fast rule, but if it feels like too much focus, then it is too much focus. Go follow your basic INSTINCTS.

Okay, now is the time to come to the business side of writing for ITV. Bringing in popular characters, giving them smart dialogues and promoting them to the High Heavens. Wonderful trick. But do it in a subtle way. We will gladly let you play us, but only until we realise that we have been played. Subtly manipulate things. Subtly.

And, talking about that, let's also talk about how consistency is really important. Dumping black (or white) paint on characters would not wash away past grievances. It wouldn't remove the impression we already have. So if you want to portray someone in a positive light, work up to that point. Same with negative portrayals. Ease us into the change in perspective.

((Bajaj track in KZK2 is the perfect example of how the writers totally FAILED to follow this rule))

Also, if you are writing comedy, please hire good actors. Comedy is incredibly difficult, and if the performance isn't up to the mark, then it falls flat. And bad comedy is very annoying.

Another thing. If you have a social message, as in if the central theme is a social issue, do NOT forget your theme. And do not shove it down our throats. Don't make it preachy. Strive for balance.

And here, let me remind you that you do need a central theme, that's a very important part of your story. So pick a theme. And stick to it.

Think of your story like a human body.

Skeleton is the theme. The concept.

Blood is the undercurrents, the 'vibe'.

Organs are the characters.

Veins and arteries are the relationships.

Flesh is your plot.

Skin is the sub plots and side plots.

AND TOGETHER, THEY MAKE A STORY.

TOGETHER, THEY MAKE A STORY.

See how I repeated myself for emphasis? That's what you have to do, in a more subdued and complex way. I know you have it in you.

And because I wrote so much about adding sub plots and side characters, let's talk about what you shouldn't do, with me quoting myself:

Even CID, a show I loved to watch because it was a crime drama but less gruesome than what you would expect, could not escape tellywood’s clutches and turned into a chaotic mess with too many new characters and a massive shift in focus - in its last days, it was more of a romantic drama with the crime sprinkled in, and because there were so many new characters (who were boring 70% of time and annoying for the other 30%), I had ZERO interest in the series. The crimes have always been similar, what kept me hooked was the way they dealt with it and their group dynamics, which was ruined by bringing in a hoard of characters who contributed nothing to the story. And the Shreya-Daya track was a bad one from its conception, there was no need to drag it until my mild indifference turned into a major annoyance. And they could have avoided all of this. There was no need to ruin a perfectly good show with lazy, uncreative writing.

^ Bolded are the parts I consider important.

Also, let me take this opportunity to talk about shows similar to CID, in which every episode deals with a mini-plot and it is only the characters that remain the same. Crime dramas, medical dramas (although one the most popular ones on ITV - DMG was less about medicine and more about Jerk!Armaan and his jerk-ness and got rid of this problem in an innovative way that deserves an essay of its own, but I digress).

If the only thing remaining constant is your characters and their group dynamics, then do NOT throw in twenty new characters at once. Introduce them one at a time and limit the number of characters you will use. Keep the same cast for a decent chunk of time. Please. And do not add in multiple sub plots. The storyline is already a little blurry, jumping from case to case, so too much drama between the characters can be either too much to handle or just very, very boring. The focus is on the cases. Keep it there.

A show that did it quite well, was Goyenda Ginni, what with the overarching plot of a homemaker balancing housework and her passion for solving crimes. And because it was always about a family, with limited characters (bringing in spouses for the unmarried characters), it wasn't crowded.

Before I forget, here are some of my common issues with ITV and their writing department ⬇️

EK and her love for the child!track

Portrayal of marriage and relationship

^ And I must add that the Fic Which Must Not Be Named came into being because I couldn't accept the marriage trope for the two characters from the show that has become my latest obsession, even if the trope is shown in a negative light and the people in it are called out and they realise how wrong they are. #shaonHatesDealMarriages

The year 2020 and tellywood marriages

For the most part the last two links say the same things, but the wording and examples and the object of focus is different (this is how you hammer it home, CVs, write long posts on the same thing until the world learns about your hatred for said things. You're welcome 😎)

Also, something I remembered while writing the little note about forced marriages - acknowledge the wrongdoings of your characters, EVEN if they are the leads and you want people to love them. Glossing over the misdeeds wouldn't help, but accepting the truth, pointing out the flaws and then adding the reasoning behind the actions, and later on, writing in the realisation and apology for the act, is a much, much better idea. It is easier to forgive someone if their misdemeanor isn't shoved under the rug. But don't go overboard with the accusations. Repeating the truth multiple times only serves to annoy us.

Have I covered everything? I don't know. Feel free to ask me specific things in case you think I didn't comment on something. It is easy for me to forget about things while writing an answer as long as this. Not to mention, that I framed the first two-three paragraphs in my head while I stood under the shower, so in the rush to jot down everything I had thought of, I might have missed some stuff. Happens to the best of us, eh?

Coming to the second part of your question, I must admit, I am not the best at coming up with original premises. I like to dwell on the thoughts of the individual, delve deeper into their minds and do stuff - as evident in my love for the romance/drama genre, and why I love that ITV has so many shows in this genre. Why my writing (the drabbles I wrote last week), is more about the people than the plot. That's just who I am.

That said, I think I would do good with a team. Together, we can write a lot of things. ((Someone agree to do a collaborative fun writing project right now, I love those. We can make full use of all this free time and write a story of our own)).

No, seriously.

I love writing as a team.

#please leave a message || asks #tw:longpost #someone do a word count #I am going to add this to my weekly word count #because woah #I wrote so much #Enjoy!!#and share your views!!!!#shaon watches itv #3155 words #this includes the emojis #so like #3100 #I suppose?

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comicteaparty · 4 years

Text

July 25th-July 31st, 2020 Creator Babble Archive

The archive for the Creator Babble chat that occurred from July 25th, 2020 to July 31st, 2020. The chat focused on the following question:

Where can your comic be read, what is it about, and why should people read it?

carcarchu

last one

mariah (rainy day dreams)

You can read Rainy Day Dreams on it's homesite: http://rainydaydreams.mariahcurrey.com/ Book 1 of RDD is also currently in pre-orders for both physical and digital books. This volume collects the newly redrawn and remastered first five charters. Currently not all of those pages are online so book buyers will get to see them first https://gumroad.com/mariahcurrey Rainy Day Dreams is a manga influenced, character driven supernatural story with dreamlike pacing. It follows the lives Tristin, an excitable and friendly human who becomes trapped in the Nameless World after a treasure hunt gone wrong, Mara, a reclusive retired knight belonging to an ancient lineage of psychics, and Michael, a sad vampire torn between his vampire instincts and being the soft boy he is deep down. Come for the compelling characters, interpersonal drama, and found family, stay for the underlying slow build of the cosmic machinations of the Nameless World's gods and a villain from the past bent on undoing the very fabric of reality. Reasons you should read it beyond the above pitch: - I've been told by frequently people find it's relaxing to read. We all need a little relaxation - Has a female driven narrative - I take every chance I get to put my characters in ball gowns or party dresses - Monsters! Cute monsters, scary monsters! Monsters that want to eat you, monsters that want to smooch you! - I make this comic traditionally with ink wash so enjoy all the beautiful ink blooms! - Chapter 18 starts this week

CoppertheCarutor

Oh wow, I missed out on A LOT! Dang! Well, here it goes I guess. To start off, please read with discretion, this project is rated R/17+ and for now contains: Abuse, discussion of suicide, blood, violence, queerphobia, trauma, mental illness, self-harm, mild body horror, substance abuse, profanity and full-frontal nudity. You can read my comic, The Guide to a Healthy Relationship, on it's main site: http://tgtahr.spiderforest.com/ I also have it posted on Tapas, Webtoons (nudity censored), Comicfury, FlowFo and Itch.io. The Guide to a Healthy Relationship is a slowburn character driven psychological drama about an emotionally immature alcoholic trying to make amends, and fix his friendship with his ex-childhood friend upon discovering they're not dead. Unfortunately the situation is much more complicated and serious than he can comprehend. Why you should check it out: - Possibly interesting if you enjoy non-fantastical character studies and/or Psychology. - May be cathartic if you like consuming heavy content in a controlled environment. - Has some light horror elements. - Contains an extremely flawed LGBT+ cast. - No romance. - This comic is drawn traditionally with pens and color pencils. - The story is a little over halfway finished. - Contains/will contain beaches if you like the beach. - Lots of sky shots.(edited)

Krispy §[Ghost Junk Sickness]§

(Ahhh this was hard to write out, i'll really miss this server) Ghost Junk Sickness is a free to read LGBTQ+ sci-fi that tackles themes of found family, accountability, and acceptance. It rated T for it's course language and violence, and can be read on it's official website, < https://www.ghostjunksickness.com/ > . Books 1-3 are available on the store (link on site) and we're currently on our way to wrap up and print vol 4! Ghost Junk Sickness is about two bounty hunters with an unstable dynamic who are pushed to pursue the elusive and deadly bounty dubbed The Ghost. It updates mondays and fridays, features an extensive cast with queer rep, topics about dealing with trauma, responsibility, and taking control. GJS has: -Space ships! -Lived in worlds/ extensive world building through illustrative backgrounds and characters - Slow burn character growth, expanding relationships, and new love -Drawn traditionally and worked on by a team of two! -Long run story that reached the halfway point, GJS has a huge buffer of over 800 pages now, so it's a time sinker! - hot lizard lady (best part)

Eightfish (Puppeteer)

holy shit 800 page buffr

OH wait by buffer you mean archive omg

Krispy §[Ghost Junk Sickness]§

(oh YE we only have 70 page buffer now woohopps lol)

Eightfish (Puppeteer)

holy shit 70 page buffer

that's like 10 months

eliushi [Keyspace]

KEYSPACE: A Winged Tale is a story about kids with wings for hair, and can be found at https://www.webtoons.com/en/challenge/keyspace-a-winged-tale/list?title_no=322364 https://tapas.io/series/KEYSPACE-A-Winged-Tale/ TW: Body Horror (comes with having wings sprouting from the head and more) Keyspace is my passion project about a world between portals that is dying. A Winged Tale is the first story of this series and touches upon the deeper magic that unites the work. It’s about a wingless girl trying to find her missing scientist mother in a laboratory beneath a forest, winged children discovering their origins and Machines that once ravaged the world, now lost. It’s a story for those who grew up with Studio Ghibli stories but want a little more complications and lore but still retain hope for the future. TL;DR: Come for winged hair, sad robots, possibly dragons, lots of science. The comic returns August 1

CoppertheCarutor

AH! Thank you for reminding about a couple content warnings I forgot to add.

LadyLazuli (Phantomarine)

Phantomarine is a story about a haunted ocean, a ghostly princess, and her journey to save her soul from a death god known as the Red Tide King. http://www.phantomarine.com/ TW: death, body horror, limb loss Princess Phaedra's untimely and mysterious death casts her out into the dark waters of the Candlelight Sea, forcing her to wander the world as an ethereal seaghost. Her journey toward resurrection quickly evolves into a grand maritime adventure on her ship, the Mantaluna, along with a crew of similarly-cursed friends and familiars. But Phaedra's mission has a dark undercurrent to it - a divine mystery that, when solved, will force her to question everything about her life, her death, and her world's long-dead past. If you like:

-THE COLOR BLUE (or just the ocean) -general spookiness that never gets too dark or gory -flamboyant villains of various kinds -swashbuckling pirate-y stories -fancy boats and pretty islands -big elemental animal gods fighting -friends and family fighting for each other -lots of hero-vs-villain salt and sass -DOGS

then heck yeah, this is your comic (edited)

Miranda (Into the Swell)

Into the Swell is about a Pirate with nothing left to lose but his life and a Wizard who wants more than a life of entertaining royals with party tricks being thrown together on the treasure hunt of their lives. The official blurb is: Ocean swells are remnants of storms hundreds of miles away. So do past actions cause swells of destiny on the shores of the present. Fate will always find a way. Given the choice between a one way trip to the gallows or a return to high sea adventure, imprisoned pirate Fletcher makes the obvious choice. With Court appointed wizard Kelwyn watching his every move, the two set off to reclaim a stolen treasure for King and Country. The ocean journey leads the duo through uncharted waters that hide dangers and secrets that could unravel the very fabric of their lives. Could this treasure hunt prove more adventure than they bargained for? TW: deaths? You can find it on https://tapas.io/series/into-the-swell or Webtoons It’s just starting out so there’s not much yet but you gotta start somewhere!

Cronaj ~{Whispers of the Past}~

Heyo! For all you who don't yet know me, I work on Whispers of the Past, a fantasy comic about a farm girl and an amnesiac elf man going on a journey to learn who they really are. https://www.webtoons.com/en/challenge/whispers-of-the-past/list?title_no=191366 Age Rating: PG-13 or T+ TW: death and corpses, blood and violence, bladed weapons, profanity, depictions of racial discrimination, alcohol, miscarriage, suicide, suggestive content Magical powers can only come from the other side... When Aniya discovers a foreigner with amnesia, she sets out to help him find the answers to his nightmares. Along with their growing feelings for one another, they will uncover an identity riddled with magic, bloodlines, and betrayal. What WotP has to offer: - a unique painterly art style - in-depth world-building (including a conlang) - hurt/comfort themes - hella family drama - MAGIC - ace, bi, and POC representation - cute romance - If you like high fantasy like ATLA, this might be right up your alley

Nutty (Court of Roses)

I wanna say first of all that thank you for this server. Even if I couldn't participate often, it was a lovely place, love you all!! Court of Roses is in several places, but its main site on Spiderforest is a page ahead! Best place to read it is here: http://courtofroses.spiderforest.com/ As summer comes to an end in the kingdom of Prismal, the Bardic Festival is in full swing, bringing together musicians and minstrels from all over. But amidst the celebration, a sinister plot of murder unfolds... Follow a ragtag group of bards as they band together and travel the realm of Prismal; Merlow the Rose, half-elf, charismatic leader, bagpiper, and perpetual drunk; Diana the Fleetfoot Fletcher, human tidinit player with a heart of gold; Nocturne, brooding but classy Infernal and violinist; Sven Rockscreamer, goliath drummer and seeker of justice; and Feliks Halfdance, curious gnome who plays accordion and magically conjures their entire backup. And who knows! Mayhaps they'll solve a murder mystery together! The comic is greatly LGBTQ-friendly, and takes inspiration from both classic fantasy themes (Dungeons and Dragons, Lord of the Rings, The Elder Scrolls, etc.) as well as music across all genres. Specific pages and scenes might even include their own suggested theme songs in the author notes. Contains Fantasy Violence and Alcohol Use(edited)

AntiBunny

You can as always read my comic at http://AntiBunny.net/ and is a film noir inspired story about anthropomorphic rabbits and the difficulty with coexisting with humanity. Crime and conspiracies move the plot along, but in film noir there's rarely a clear black and white. Why should you read it? Do you like stories about crime and conspiracies? Do you like bunnies? Do you want to see a contrast of cute and grim, and see relatable characters who deal with mental health issues, and fight a struggle for acceptance? Do you ask yourself the question what is identity? Well then this is for you.

You can find my other comic at http://nailbat.AntiBunny.net/. Nailbat is part of the AntiBunny universe, and deals with many of the same issues, but using a more straightforward and action packed superhero story. If you love superheroes and action you'll enjoy it, and maybe along the way get into the deeper lore of the AntiBunny world.

Holmeaa - working on WAYFINDERS

Thanks everyone who I have chattet with in here, it has been a delight <3 Wayfinders: Off Course Can be read on Tapas or Webtoons (I prefer tapas ) https://linktr.ee/snackbagstudios Whats it about? You may ask. In a world where magic is as natural as breathing, and the gods are known to actually answer some prayers, a ship is sent to keep the fragile peace between 2 countries that has been at war for 60 years. But guess what? The ship crashes almost immediately. Now the 3 only survivors, a runaway monk, with unexplained powers, the noble son and peace advocate, and a chaos child with an affinity for magic washes ashore on an unknown island and is forced together by a magical compass. With navigation, and magic being broken, it is not an easy task to cross the ocean. If only they knew of the chaos which is unravelling outside their comfortable lives. If they thought this adventure was going to be uneventful, they are in for a surprise. Why should you read it? It is a mix between the Road to Eldorado, and Avatar the Last Airbender, and if that short pitch is not enough, I don't know how else to sell it. It has fun colors, anime reference, and a lot of ocean and sinister magics Thanks to all the admins for putting in so much work in this server

Feather J. Fern

Okay, I have like three comics, and the fourth one coming soon so.....Lets get the easy ones out of the way. On Webtoons, you can read Teasday or Don't you hate it when...(DYHIW) https://www.webtoons.com/en/challenge/dont-you-hate-it-when/list?title_no=486501 https://www.webtoons.com/en/challenge/teasday/list?title_no=169870&page=1 DYHIW is a gag comic, so if you want a little laugh to brighten your week, feel free to check it out. Teasday is a tea informative comic, but it's on a bit of a hiatus and ending soon. My current project is Gravitational Pull, a story about a depressed magical girl trying to save the world while also trying to get the energy to leave her bed that day. Read it if you like magical girls, space and representation of anxiety, depression, inferiority complex and learning to take each day slowly. http://gravitationalpull.featheryterrarium.com/ And when it comes out, Go Figure is my comedy action webtoon about someone who wants to use a powerful wish to cure their asthma and allergies over anything else.

sssfrs (JOE IS DEAD)

JOE IS DEAD A band of pirates are visiting an island and they discover the dead body of their astronomer JOSEPH CINNABAR. He leaves behind a will with mysterious instructions that none of the pirates really feel like following. The crew decide to send the least-liked and least responsible pirate of them all on a solo mission to carry out Joe's final wishes. If you like: - Alternate historical timelines where the United States doesn't exist - Gay, lesbian, and transgender pirates - Morbid humor, death, dying - Biblical allusion - Warm colors - Alliteration - My handwriting - Birds or anything else, you will love to read JOE IS DEAD, a webcomic worked on entirely by me that will be at 150 pages within a week or so. My background is in marine biology and satirical writing, so I promise you this comic is funny and scientifically accurate. Rated PG 13, mild violence and swearing Where can I read it Read it on http://joeisdead.com/ (the main hosting website with some functional html) or on Tapas: https://tapas.io/series/JoeIsDead It's also on Webtoons but it's a couple chapters behind on there You can follow me on Twitter for information about updates https://twitter.com/sssfrs_

boogeymadam

Sink Your Hookteeth An LGBT+ Cosmic Horror/Love story about eldritch merfolk that fall for a pair of humans who are studying mermaids to cure a supernatural illness. CW: bodyhorror, gore, upperbody nudity, sickness, drowning, tryophobia, eye trauma, If you like:

-sea monsters

-big teeth

-painted comics

-nonbinary and binary transgender, lesbian, bisexual, and pansexual protagonists

-neurodivergent protagonists

-goofy friendship dynamics

-nasty and imperfect wlw couples

-enemies to lovers trope

-childhood friends to lovers trope

then this is a comic you might enjoy :D! It finished chapter 1 a few months ago with 195 pages, takes maybe an hour or two to read, and is currently on hiatus while I am building chapter 2's buffer. You can read it on Its own site https://hookteethcomic.com/ Webtoons https://www.webtoons.com/en/challenge/hookteeth/list?title_no=300709 Tapas https://tapas.io/series/Hookteeth/info

also i need to read more of these but joe is dead, wayfinders, keyspace: a winged tale, phantomarine, ghost junk sickness, the guide to a healthy relationship, and court of roses are all absolutely amazing and -chefs kiss- please give them all read if you aren't yet!

varethane

Comics!! Chirault A young half-demon named Teeko has been forced from her home, and to make matters worse, is now the size of a squirrel thanks to a wayward magic spell. Her only protection is the demon-hunter Kiran, who is a demon himself and lacks patience for children. Together, they must seek the help of a mage to reverse the spell on Teeko, but the journey is far from straightforward.. My first webcomic-- it's complete, it's a high fantasy adventure comic about finding family, fighting monsters, and also making friends with monsters (both outside and... inside). Check it out if you enjoy any of those things! http://chirault.sevensmith.net/ Wychwood Tiara is a delinquent who has been using a mysterious power to goof around for years without realizing the kind of attention it could attract. When a powerful organization finally tracks her down and attempts to recruit her, she has to decide what she really stands for. This is my new/current webcomic! It's a sci-fantasy genre-blender, with bits of post-apocalypse and urban fantasy thrown in as a treat just for fun. If you enjoy stories involving evil organizations, fire-flinging delinquents, and angsty supersoldiers, give it a look :U (Chapter 4 has just gotten started!) http://wychwood.sevensmith.net/

TaliePlume

Feather Cleanse (French: Nettoyage des plumes, Haitian Creole: Plim Geri) is a supernatural, sci-fi and military Shonen manga. Set in the year 2034 in the Haitian kingdom, Vérité Kindgom, the story follows 14 year old Soleil Andirans, her two older brothers and their cousin who joins their kingdom's military program to help Soleil find a wanted criminal and stopping a mad scientist from taking over the kingdom. This is a personal project that is very dear to me and I can't wait to share with you all hopefully around June of 2023. Why should you read it: -A positive Haitian representation -Strong female protagonist -Learning about a new culture - Family Bonds -Mad Scientists and experimentations - Criminal MasterMinds - Servant and Master relationships -Kings and Queens/Royalties -Dynamic and Impactful Fights Then, this is the comic for you.

shadowhood {SunnyxRain}

Alrighty cracks knuckles SunnyxRain, a webcomic about monsters surviving college.....BY THE POWER OF FANFICTION. Follow Sunny Dupont, a gluttony demon as she navigates college life and fanfic writing with the help of her housemates Liam (a qilin she roped in as her beta/editor) and Aron (an ocean naga as a fan). A story of trauma recovery and learning lessons about life and love. If you like: -housemate shenanigans -fanfic/fandom culture exploration -kickass but seriously flawed protagonists recovering from trauma - VOID CAT -LGBTQ+ cast because I can -coffee gremlin cryptid dudes -sweet slow burn romance -lesser known mythological creature representation Then this webcomic is for you to read, and y'all can come read it here! https://tapas.io/series/SunnyxRain/info and HERE https://www.webtoons.com/en/challenge/sunnyxrain/list?title_no=409335(edited)

Deo101 [Millennium]

Well, Here we go ^^ I have 2 comics right now, so: Millennium: A sci fi adventure featuring two best friends as they seek to help anyone and everyone they can, where we put together a bit of a misfit crew who are all intent on bettering themselves and the world around them. It's a lighthearted, LGBT+ Slowburn The sci fi is soft and so are the characters It's got found family, hurt/comfort, and gentle handling of heavier themes. It's easy to read and shouldn't make you think too much, it's just an hour or two of simple adventure between friends! It can be read a lot of places! My personal site: https://millennium.spiderforest.com/ Webtoons: https://www.webtoons.com/en/challenge/millennium/list?title_no=110866&page=1 Tapas: https://tapas.io/series/Millennium Comic Fury: http://millennium.thecomicseries.com/ and Tumblr!: https://millennium-comic.tumblr.com/ Time and Time Again: A noir mystery about time traveling vampires! We follow Adam, a vampire, and his subject of study, Steve, the first werewolf/vampire. The two of them are trapped in the 20's, looking to solve the mystery of a missing relic. It's a limited palette, scroll style comic if you're looking for a bit more action and higher stakes, and a more serious tone, then this one might be a better fit for you than Millennium ^^ I'm planning on finishing it up relatively soon, so get in on it now! (It's currently on a short hiatus while school is doing me in) It can only be read on tapas! https://tapas.io/series/Time-and-Time-again

kayotics

Ingress Adventuring Company You can read Ingress Adventuring Company at https://www.ingress-comic.com/ TW: some gore, blood, violence Saving the world is a pretty big deal, but what do you do once you’re done with that and no one needs you anymore? Do you become a magic professor? Do you study a convoluted thesis that no one understands? Maybe you relive the glory days by starting up a one-man adventuring party to gather mystical artifacts for people who may or may not pay you. Or, if you’re Toivo Kissa, you do all of those things. Reasons to check it out! - You like D&D or other stories inspired by it - It’s got bittersweet comedy - Very fun villains - Expressive art - Elves. Just a lot of elves. - Sad Dads and old men - LGBTQ+ cast

maxwestart

Poison Ivy Gulch is hosted on its own WordPress site: http://www.poisonivygulch.com/ Poison Ivy Gulch is a funny Western set in a frontier town in the 1870s. The protagonists are Lotta Doler, a gambler, and her kid sidekick Ace. Other characters include a marshal, an undertaker, a prospector and many extras. Poison Ivy Gulch is a spiritual successor to Tumbleweeds. If you like Blazing Saddles, you'll love this!

sagaholmgaard

Ahh dang, thanks for the heads up!! Here it is: https://tapas.io/series/_Reclaim_ My comic, Reclaim, is about a prince that has to deal with the aftermath of a successful coup. His father is imprisoned and sentenced to death, and he's in hiding with his dear bodyguard. Now he has to save his dad and reclaim the throne from the power-hungry witch warrior Irene, but how can the two of them hope to stand a chance against the entire force of the empire? And what was the real reason for the coup in the first place? This is for people who want a heartfelt fantasy story, with inspiration from Steven Universe and themes around being a better person than you were yesterday, and sticking together through hardships!

PiraPiranha

DEPARTURE is a story about dead brothers, hot guys and competent women! Lights! Camera! Action! The flaws of our predecessors are the burdens that we carry today! As galactic governance has been passed down from generation to generation of divine beings, the wars and insecurities of the previous pantheons are weighing down on our world. Whether it’s vanquishing your greatest enemies, or buying tomorrow’s cereal, keeping this flaming shipwreck of a universe together is going to require a little elbow grease, and a lot of flashy super powers! Follow Kovit, a space fighter turned part-time cook and his friends Casey (Cool, has a nice jacket) and Vermillion (Dumb, has stupid hair) as he tries to help the most powerful beings in the universe keep it together (Ostensibly by beating them up). Check it out here! http://departurecomic.cfw.me/(edited)

seetherabbit

Vulperra is an anthology comic featuring superheros, cowboys and regular common folk in the fantasy world of Vulperra. Most of the stories are about the hero Flash Gauntlet, who travels from place to place to solve problems with his magical gauntlets which were bestowed to him by the goddess of the land. https://vulperra.com/

NAAN

Legendary Beings Ara & Celi is about a young girl, Miyara, who is chosen to be the successor to a specific line of Angels – headed by none other than Ara–and with it, duties that extend beyond the physical world. Only one problem: Miyara has no desire to do the job! What will happen then, especially with Celi, Ara’s counterpart, is intent on causing chaos in her life?! You can read Ara & Celi at its main site: http://ac.jadinerhinestudios.com/ Here is the Webtoons mirror: https://www.webtoons.com/en/challenge/legendary-beings-ara-celi/list?title_no=59422 Doesn't have any trigger warnings (maybe that (1) page in chapter 2 is too creepy-crawly for anyone?), and it's currently on hiatus because I'm working on chapter 4, will update again when I have completed it! So enjoy the 3 chapters so far! If you like: • MAGICAL GOILS • an old school b&w shoujo manga style (according to some people, and I don't even do it on purpose ) • on that note, since the 3rd chapter, the comic is drawn traditionally! (all covers are in color and traditional) • expressive comedy • language jokes and notes • angels and demons, yes, it's one of those but is anybody really the bad guy here • a lion and a jinn walk into a bar-- • slow worldbuilding and character development • heck if I know what else, you should just check it out and tell me what you think later like in the good ol' days

L Hornsby

Heyo, I haven't been very active. I'm not used to Discord. If anybody would like some silly comics about puppies that live in the clouds and enjoy parties (and also happen to be princesses) my comic Princess Pups has you covered. It's all ages friendly so if you have younger kids you want to get into comics, it's a swell read according to my 3 years old :) https://tapas.io/series/Princess-Pups/info

carcarchu

@L Hornsby oh i didn't know you were in this server! i actually read your comic because our comics have really similar names ahaha

L Hornsby

Oh wow hey there! :)

I usually lurk on Instagram and Twitter these days and have been crocheting more than comics lately

mathtans

What the heck, been on hiatus more than a year but there's an archive and it's not like there's any dangling plot points. I personify mathematics! Because equations are people too. The hairstyles are the graphs, and there are puns.

Main site: http://mathtans.ca/

Tapas mirror: https://tapas.io/series/Any-Q

It's called "Any ~Qs" because notQ is the symbol for irrational numbers. So anything irrational, in a sense. Very G rated - maybe PG, some discussion of biological sex and tangential politics. Enjoy, possibly.(edited)

Spring-heeled Jack

Hey all! My comic is a horror comic that features some LGBTQA+ characters in the main cast. Today is also my monthly update on public sites. I do four pages at the end of the month on Tapas, Webtoons, and my website. (Patreon gets weekly updates.) It is a story of a picturesque town with a dark secret and what will be done to keep that secret. I follow a few characters through the the twisting plot and show how the darker side of this town affects them. I think this would be PG13 mostly because there will be some blood, but there are no sexual situations. Currently Tapas has the most recent free pages as I will have to do Webtoon and the website manually later today. Happy reading and please do let me know what you think! <3 Website: https://www.iamfilledwithstatic.com/crocus Tapas: https://tapas.io/series/crocusheights Webtoon: https://www.webtoons.com/en/challenge/the-secret-of-crocus-heights/list?title_no=405820 Patreon: https://www.patreon.com/iamfilledwithstatic

DanielHookerArt

I have a series of self published graphic novels. When all copies of the first volume sold out I posted it on Webtoon. It's sort of a Isekai Mystery Adventure, inspired by the 1980's movie Labyrinth.

https://www.webtoons.com/en/challenge/line-of-ruin/list?title_no=232705

StickFreeks

Hi I'm Christy! I make the webcomic / graphic novel series EXTRA! It's about Extras in the backgrounds of a movie world escaping their fates of getting killed off... by going to go ask the Producer to stop killing them off. (Sort of like The Truman Show, but everyone is in on it.) You can read it at https://extra-comic.com/ I'm always looking to make new comic buddies! (edited)

Annausagi2

Hello! I joined right at the announcement of the channel shutting down, so bad timing. :,O I've been working on my webcomic Helix since 2012: Read from the start here: http://helixcomic.com/ Description/warnings: A street rat is given a second chance when he is dragged from the gutter and into a new life. Will he accept his position at the side of royalty, or fight every step of the way? -Rated M for sex (M/M, consensual), violence, nudity, language, and dark themes.- Warnings: -References to child abuse and sexual abuse.- If you can handle these subjects, I hope you'll enjoy the comic. :) Thanks for reading! UPDATES EVERY WEDNESDAY! ~ Support me on Patreon: https://www.patreon.com/Annausagi2 ~ Join us on Twitter: https://twitter.com/Annausagi2

Kalli

I joined right when things were shutting down too :( Just my luck Anyway! I'm Kalli and I have a fully traditionally drawn webcomic, called World of Ruan! https://www.worldofruan.com/ It's a post apocalyptic, sci fi adventure type story, following Cait, a mutant mouse/human hybrid and Roxy, her robot companion! I update every Saturday~ And I'm always down for meeting new comic friends!

Cap’n Lee (Flowerlark Studios)

I make Children of Shadow: Ashes and Dark Wings: Eryl. Ashes is an urban fantasy / horror about teens with supernatural powers who have to team up with woodland critters to save the world from twisted monsters. It’s rated PG-13 and has mild language, graphic violence, and intense scenes. Eryl is a dark high fantasy about a fallen angel, a woman on a journey to find a dragon, and a wyvern who has been kidnapped. It’s rated 16+ and contains strong language, nonsexual nudity, and graphic violence. https://twitter.com/kickyourwrasse/status/1277315129793826816?s=21

Tuyetnhi (Only In Your Dreams!)

Only In Your Dreams! is a rom-com Drama comic featuring shoujo and future LGBT+ elements. Also a mainly BIPOC cast! Rated: PG16+ There are some suggestive language & content, and partial nudity. “Cara Luong is tired of her failed dating attempts and settles for Richie, her imaginary lover every night in her sleep. When given a chance to meet him in person for the first time, she suddenly forgets their long-term romance! Now it’s up to Cara to decide if Richie can live as a real boyfriend. That is, if she wants him to exist in the first place!” What it contains: - Dumbassery moments between a dreamer and a dream boi - Expressions that you can feel it in your soul - Main romantic interest participating in healthy masculinity and embracing femmine traits - horror elements in a romance comic? huh-- - Himbo appreciation - A mixed-Black Vietnamese protag for this romantic rollercoaster lol If you're looking something self indulgent, read it why don't you? I release pages early on patreon! https://www.patreon.com/tuyetnhip Otherwise you can check out the site! It updates once bi-weekly on Wednesdays usually! http://oiydcomic.com/ Tapas: https://tapas.io/series/Only-In-Your-Dreams Webtoon: https://www.webtoons.com/en/challenge/only-in-your-dreams/list?title_no=115046 Other links: https://linktr.ee/oiydcomic

alizarin

I joined near the end of the server but I can't wait to participate in the reboot! So many interesting comics in here * _ * I make a comic called Patent the Sun, it basically reads like a big puzzle. It's about two characters who wake up without any memory, but slowly we learn about their whole universe and what happened to them. Oh and there's also magic, aliens, murder, and crossdressing https://www.webtoons.com/en/challenge/patent-the-sun/list?title_no=123560 https://tapas.io/series/Patent-the-Sun(edited)

Las Pinter

It is a pity that I was not so active here. I create the Tales From Somewhere comics, currently there are two of them: The Legend and The Secret. Both of them are high fantasy stories taking place in a fantasy world. The Legend is about three adventurers trying to survive in their realm. They are aware of being DnD like characters in a cruel world, where the DM wants to kill them as fast as he can... without luck so far. It has some comedy, action, horror and weird elements. This comic is ongoing since a long time, so expect to have big changes in the style and writing. The Secret is about an elf, who begins his journey from the world's end after an apocalyptic event. Accidentally meets a human thief girl, and now they are travelling together and figuring out what is happening to their world. This comic is currently being revamped and the story is continued parallelly. I would rate them R/17+ since they have some blood, violence, profanity and nudity. Website: https://www.talesfromsomewhere.com/ Tapas: - The Legend: https://tapas.io/series/Tales-From-Somewhere-The-Legend - The Secret: https://tapas.io/series/Tales-From-Somewhere-The-Secret Webtoons: - The Legend: https://www.webtoons.com/en/challenge/tales-from-somewhere-the-legend/list?title_no=77159 - The Secret: https://www.webtoons.com/en/challenge/tales-from-somewhere-the-secret/list?title_no=78355 And I'm on Twitter: https://twitter.com/thelaspinter

quietsnooze

Radio Silence is an award winning queer coming of age webcomic about a British rock band’s rise to fame. Hitting the road on a journey of self discovery and acceptance, this coming-of-age tale gives a backstage look at friendships and the plights of fame as experienced by a modern British rock band. On the fast track toward fame, the five members of the fictional British rock band, Radio Silence, enter into an exciting new life on the road with their best friends. As they tour across the United Kingdom, they excitedly embrace this new lifestyle and all the resulting challenges, including living in close quarters with each other with little privacy, and the overwhelming reaction of the public to their new-found success. Main site: http://radiosilencecomic.com/ Webtoons: https://www.webtoons.com/en/challenge/radio-silence/list?title_no=35242 Twitter: http://twitter.com/quietsnooze

Tired Programmer

This is mine. There will be update tomorrow (in 10 hours). https://tapas.io/series/The-story-of-how-humanity-has-thrown-itself-into-the-scrapyard Civilization, technologically advanced in the past, is now in decline. Killer and hacker are trying to survive and find the answers to their questions among the ruins. What will they meet in this crazy and cruel world of misused technologies? WARNING: strong language, violence and nudity. Only for adults.

JUNK

If any creators or readers are looking for another webcomic server to hang out in, you can check out this one: https://discord.gg/qjWJt7

I'll post it in the general channel too. :3

sierrabravo (Hans Vogel is Dead)

I wish we could have had a bit more time, but thanks everyone for creating such a great space for webcomic creators!! I make HANS VOGEL IS DEAD: an antifascist fairy tale with elements of historical fantasy. A German fighter pilot is shot down and killed during the Battle of Britain. When he wakes up in a fairytale afterlife, he learns what the evil he served has destroyed, and must undo the damage of fascism to become a better person. The end of Volume 1 is coming in the next two weeks, and September will be the fifth anniversary! You can read it on Webtoons: https://www.webtoons.com/en/challenge/hans-vogel-is-dead/list?title_no=62633 and find me on twitter! https://twitter.com/chjorniy_voron

Haruh2 (Colony Life)

This was such a great discord, hopefully we can keep in touch and still chat about comics and such my twitter is : https://twitter.com/Haruh2 Here is my comic Colony Life, ive been working on this for abit and will always love making this comic no matter what https://www.webtoons.com/en/challenge/colony-life/list?title_no=193784

boniae

I regret that I wasn't more active in here besides occasional lurking, but I always think back fondly to the CTP chat that my comic was discussed in, it was the first time I ever got to see so much in depth feedback and analysis on my comic and I will forever appreciate this server Four Corners is set in 1995, Yokohama, as the story follows Kazuhiro Tsuchiya who now leads his deceased brother's legendary gang, the Four Corners. Kazuhiro is approached by Hideki Yuhara, a schoolmate who claims to have vital information that Kazuhiro should be wary of. The two unlikely delinquents pair up to figure out the reason as to why gangs in the city are being brutally eliminated...though the unraveling of the mystery is darker than it appears. How far will Kazuhiro and Hideki go to rest their case? If you're looking for a slow burn lgbt romance, 90s manga nostalgia, drama, mystery, and a story with a general theme of: misfits who come together against dangerous odds to protect others, especially the ones they love—come check it out! https://tapas.io/series/four-corners/ http://fourcornerscomic.com/ https://twitter.com/boniaeart

snuffysam (Super Galaxy Knights)

I'll really miss having a new comic to read every week! My comic is called Super Galaxy Knights Deluxe R. It's a story of a small woman from a small town who goes on adventures across a strange kingdom. Action, comedy, and very, very slow burn romance... http://sgkdr.thecomicseries.com/ https://tapas.io/series/sgkdr https://www.webtoons.com/en/challenge/super-galaxy-knights-deluxe-r/list?title_no=41795

LeahVillart

I haven't done much work or anything in general these past months because they've been utter shit for me. This year had stuff breaking in my home, my grandma died from covid, family issues, found out my 9yo dog has lymphoma (blood cancer) and I got to a break point and I'm trying to recover from all the shit. Now it's late and I'm tired so I'm gonna make a super sleepy pitching~ I make Teach Me To Kill a horror-comedy webcomic about a school of villains and killers where a new seemingly innocent teacher arrives to help the worst class become the horror legends they are "destined" to become. [IN ENGLISH AND SPANISH] If you like contradicting/opposite genres or themes you'll find it here, violence, blood, kills, but all done with a cute colorful style where nothing is as it seems. With a cast made of crazy humans, detectives, monstergirls and guys like -our sexy looking hybrid vampire Daki who didn't ask for any of the cards she's been dealt and only wants to find true love and not something attracted by her vampiric aura. - Our lil raven kid Nayla who is a sugar bomb ready to explode, but can break a mountain in two. - Kyllian, a boy who's managed to make a personality out of each of his expressions, which sometimes is helpful and others a horrible mistake. - Q.Bee, an innocent looking girl who radiates sensuality in some weird way luring her victims into her trap. You never know what she's thinking or could do at any moment. the cast and world is really huge and don't want to spoil more, but it's filled with slice of life, mystery, action, dark humor, romance, fantasy, paranormal stuff. A total mix. If you give it a read, thanks for doing so and hope you like it! <3 http://teachmetokill.com/(edited)

Comic Tea Party

This concludes our final #creator_babble chat. Thank you so much to all the wonderful creators who have participated in this chat over its existence. It has been great to see your enthusiasm for the craft of webcomics, as well as learn your unique stories of how you pursue it. We are positive these conversations have helped many other creators out, so we appreciate you having them. For this conversation, and all past #creator_babble chats, you’ll be able to find them archived here: https://comicteaparty.com/creatorbabble

#ctparchive #comics #webcomics #indie comics #comic chat #comic discussion #comic tea party #ctp #creator interview #comic creator interview #creator babble

2 notes · View notes

chibimyumi · 5 years

Note

Hi Chibi! How are you? Hope it's all okay ^_^ I've been asking to myself what are the main theories in the jpn Kuro-fandom or what are their thoughts about the main characters. More in general, i'm curious to know if there are differences between the western fandom and the jpn fandom. I know it's a vague question and there's a lot to say (i suppose), so please feel free to ignore me if you don't want to reply! Thanks for reading and have a nice day ^_^

Hi Anon! I’m doing very well, thank you very much. I hopeyou are doing well too.

Hmm, this is indeed a very, very broad question… The theories that are flying around right now that remain unanswered aremostly the ones revolving Our!Ciel team vs. Real!Ciel team’s future course ofactions.

I have the feeling that the main difference between the Japanesefandom and the Western fandom is mostly the focus. While the Western fandom appears to be more concerned with Undertaker’s past (his relation to Claudia(usually in a romantic sense) and his identity), the Japanese fandom right nowis more focused on Undertaker’s future. But I might be wrong, so correct me if Iam about the Western fandom.

I am actually not fully up to date with every single theory flying around, so I shall just list a few prominent theories in the Japanese fandom, and you all can compare and chip in ( ^w^ ) So, how would you say the following theories compare to the theories here in the Western fandom?

Future in France

The Japanese fandom has been discussing where Sebastian and Our!Cielwill be headed to next. This theory starts with chapter 105 wherein Deidrich toldthe protagonists that Undertaker had visited him recently, and that the maneven shared with him that “he had ‘business’ in France”.

The Japanese fandomwonders why Undertaker would deliberately give Deidrich this piece ofinformation, while knowing that Deidrich would be on Our!Ciel’s side.

The points discussedright now are as follows:

The location of France may provide Undertakerwith something that is needed for his complete resurrection of Real!Ciel, andmay be an important source for him to obtain large amounts of blood. In orderto make this plan happen, he would require Our!Ciel and/or Sebastian to be inFrance as well. This brings us to the following reasoning: Undertaker hadbeen hatching a plan so solid that he had confidence that he would successfullydrive Our!Ciel and his team out of England. As such Undertaker leaking thissensitive information about France to Deidrich is a trap, because he knows thatOur!Ciel’s objective is his revenge. As of this point, Our!Ciel is still ratherclueless as to who attacked the Phantomhive estate on his 10th birthday. Rightnow, Undertaker seemsOur!Ciel’s most likely key to finding an answer andtherewith concluding his revenge.

The Japanese fandom thinks that “the return ofthe true Phantomhive Earl and taking back his rightful position” – is merely a façadeto neutralise Our!Ciel. With the check recently played against the protagonists,Undertaker has made it virtually impossible for Our!Ciel to move in public ashe is now on the wanted list.

Undertaker is very confident about his eventual victory.Even if the information about France is not a trap, then it is either likelythat 1. it is false information to lure his obstacles away for the sake offurthering his plan in England, or 2., that Undertaker has full confidence in beingable to neutralise Our!Ciel’s squad. (Side-theory: Undertaker’s actions on theCampania were obviously his first experiment. But it is also likely thathe deliberately stayed on the ship and even provoked Our!Ciel and Sebastian,KNOWING they would engage him in battle. There is no actual need for Undertakerto stay on the actual ship and fight; as such some believe that it was also hisway of getting an estimate of how much of an obstacle Sebastian’s demon powerswould be. As such, it is conceivable that that the reason why Undertakerspared Sebastian’s life even though he was fully at his mercy, was becauseSebastian’s presence is apparently needed for Undertaker’s ‘big plan. (Also, Our!Ciel would not have been able to survive the Campania without Sebas). In a nut-shell, Undertaker was testing the waters on literal water.

Speculations based on Yana’s habits.

Considering Yana’sgreat interest in references to actual historic events, it is also not unlikelythat the setting for the following arc might indeed be in France, since theEiffel Tower was completed in 1889. During that time, there was an influx offoreign workers and also an increase of unemployed persons. As such it would bevery easy for Our!Ciel and his team to live an inconspicuous life and hatchtheir plans there. Our!Ciel’s French is known to be his strongest feat amongschool subjects, and therefore France may indeed also be considered a potentialcomfort zone, especially after the embarrassment of experiencing a reallanguage barrier in Germany during the Green Witch Arc.

The Twins’ Happiness Objective

Another big topic ofdiscussion is the ultimate goal of the Blue Sect.

From the fact that the Sphere Musical collapsed and Undertaker being indifferent towards this, we know for certain that the Music Hall was merely a foil. Therefore, people doubt the goal was to simply frame Our!Ciel by having Blavat address Our!Ciel as“Lord Sirius”. Why would Undertaker frame Our!Ciel for something he is indifferent towards? Instead, this framing is a tool to an end:

It is believed thatthe main objective is not simply ‘reviving the true Earl and take back hisrightful position’. If anything, this is believed to be a façade used toofficially introduce the real Earl to the public, and simultaneously fullyneutralising Our!Ciel’s influence. Considering Undertaker’s obsession and clearpassion for the Phantomhives, it is conceivable that his true objectiveis to reunite the twins and ‘securing their happiness’ – albeit on Undertaker’sown twisted terms. The Japanese fandom theorises that Undertaker wishes tosecure an artificial happiness for the Phantomhives, by taking the burden off Our!Ciel’sshoulders, and placing him under the ‘protective wings of his big brother’(i.e. return to the past and just be the helpless baby brother again, because Our!Ciel “was happy back then” (Our!Ciel, Chapter 131)

Additionally, the Japanese fandom seems quite in favour of theories revolving around the symbolisms behind the ‘binary star’ that is ‘Sirius’. The theme of the ‘Blue Star’has been prominent from the start of this arc, and even after the collapse ofthe Sphere Musical Hall, the theme remains present. Sirius ismade up from ‘Sirius A’ and ‘Sirius B’. The A and the B herein arebelieved to be a reference to the Phantomhive twins’ bloodtype, AB. Interestingly,the Sirius Stars are also sometimes called the ‘Dog Star’, which would be anexplicit reference to ‘the Queen’s Watchdog’ title.

Sebastian

As for Sebastian…Undertaker probably just really wants him gone, regardless of his plan. People don’t think that Sebastian will die, but most seem reserved about him defeating Undertaker. Of course the odds are stacked against Sebastian right now. Sebastian lost miserably to Undertaker on the Campania, to the point that he even avoided engaging Undertaker in battle again in the Boarding School Arc. Sebas is VERY scared.

On the Campania however, Grell and Ronald were actively hindering Sebastian, making Sebastian fight a two-front battle. If Sebastian can manage to get Grell and other reapers to his side (by some miracle) this time, and they cooperate, then Sebastian might have a chance at not dying. Winning though? Not sure.

#Kuroshitsuji #Black Butler #Theory #Theories #Blue Sect Arc #Manga #Japanese Fandom #Ask #Undertaker #OCiel #RCiel #Ciel Phanomthive #Sebastian Michaelis

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huntress-of-stories-and-dreams · 4 years

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Shokugeki no Soma: Fifth Plate - OP analysis

Hi guys!

Since this week’s episode will be the last before the delay that has touched half of this Spring Season’s aired shows, let me present you the analysis of Shokugeki no Sōma’s last opening, “Last Chapter” by nano.RIPE. Keep in mind that this analysis will contain spoilers, so...

If this doesn’t stop you, then let the fun begin.

The OP starts with a purple curtain with Tōtsuki’s emblem, showing that the story happens in the theatre called the Tōtsuki Academy. It’ll be important a bit later.

This shot (and some smaller ones concentrating on smaller groups) presents the established after the Regiment de Cuisine Elite Ten Council and new Headmaster. From right to left, it shows them in their seat order:

10th Seat: Megumi Tadokoro playing plates, which represent her famous hospitality

9th Seat: Nene Kinokuni playing a roller used in soba preparation

8th Seat: Etsuya Eizan shaking expensive wine bottles, showing his “Alchemist” side

7th Seat: Takumi Aldini holding his mezzaluna

6th Seat: Alice Nakiri dancing with a fork and a spoon, used in eating her molecular cuisine

5th Seat: Ryō Kurokiba with a pot used in cooking sea food

4th Seat: Akira Hayama playing on a frying pan with cinnamon

3rd Seat: Terunori Kuga playing his wok

2nd Seat: Satoshi Isshiki with chopsticks and a plank to serve his signature Japanese food

1st Seat: Sōma Yukihira holding his knife

Dean: Erina Nakiri conducting them with a ladle

The lyrics in this sequence is worth noting (source: https://www.animesonglyrics.com/food-wars-the-fifth-plate/last-chapter):

How beautiful the melody has to be To be able to reach that girl who's been hurt The girl is obviously Erina, hurt by her father’s ‘teaching’ and people’s attitude towards her becasue of the God Tongue, who, thanks to Sōma’s and their friends’ (but mostly Sōma’s) cooking, starts to enjoy cooking. This is the beautiful melody - sincere cooking.

One last note about the lyrics, because if I analysed it in its entirety, it would take me ages - the song is sung most likely from Sōma’s persperctive.

The next shot shows Tōtsuki Academy hill on spring, sigifying the new year (most of our chefs are second years now) and new beginnings. At the front are the three Headmasters, though from Nakiri household, each of them is different. Senzaemon stands tranquil and firm, looking at the Jewel generations students, Azami looks as if he was trying to convince the world to change their ways - both of them are sure of their work, unlike Erina, who’s hands hugging her body and darkened eyes show her uncertainty.

Next is the title panel, swiftly transitioning from fire to snow to finally sparkles and cherry blossom, showing Sōma’s path from conquering (usually he was the one to bring fire) to protecting - this will be important later. Also, Sōma seen in this frame has just begun to cook his dish.

After the title, let’s skip to the big character exposition panels! First we have the peach themed frame with Nakiri girls: Erina, Alice, Ikumi (who, at the beginning, was working for the God Tongue) and Hisako. The peach may represent feminity, as there are only girls in here, and luck.

Next one’s the Polar Star Dormitory group shot with all of its residents present, with apples in the background. While apples may refer to various dishes cooked by Sōma and Megumi that included these fruits, apple symbolises youth, which is often brought up by Isshiki, Madame Fumio and Jun Shiomi.

Then we have a lemon-themed shot with Sōma’s “rivals” (apart from Isami, he never was battling Sōma on his own - it’s a reference from their first encounter during the Hell Camp). One of lemon’s symbolisms is freshness, which perfectly fits each of their meetings, bringing freshness into their lives.

Finally, with cherries signifying maturity, we get to see the original Elite Ten Council members.

Each group pannel is separated by a dish frame. It’s important that only the white backgrounded frame has dishes prepared by various cooks - the rest were cooked by (from upper left to right) Sōma, Erina, Megumi and Takumi. This shows their strong connection forged in the Tōtsuki Train arc, where they were together, and predicts all of them participating in BLUE.

Until now there was no clear shots focusing on strictly Sōma - now’s the time they are here. We get shots from his early past, reminding us also of the Karaage Wars arc, and from Stagiaire. Each time he’s standing in the bright light, surrounded by cherry petals, symbolising him being ‘spring’, beginning of the new era. The light here is very bright and yellom, as if he was standing on a stage - remember the opening shot with the curtain? Sōma is this story’s main hero, the one that iniciated the whole process of change in Tōtsuki.

The contrast between Eishi and Sōma in this frame is spectacular - gourmet cuisine vs family diner, autumn vs spring, showing how Sōma became Eishi’s successor to the First Seat in the Elite Ten Council. Look at how gorgeous they look with flying maple leaves and cherry petals flying around them!

(keep in mind Tsukasa’s red kerchief/tie, this will be important later)

The sequence right before the chorus is so full of hidden meanings! The first frame of this sequence is Sōma, standing in the light, probably on the top, reminescenting. His signature headband, now on his left wrist, is connected to...

... his late mother, Tamako Yukihira! This is the first time we actually get to see her, besides the covered in light family photo from the very first episode. I love the gentle difference of colour shades between Sōma and Tamako - Sōma is bright as the light around him while dim shades of Tamako imply her being already in the realm of shadows, however she returns for a brief moment to life everytime he starts cooking. The frame is full of love and support Sōma got from her, showing how important she was in his life. His signature headband is most likely a memento of her - it’s the thing that keeps them tied after all these years.

It quickly changes to Erina tasting one of Sōma’s dishes, seemingly taking pleasure from it. This screen (and two others, each getting closer to Erina’s blushed face) indicates Sōma’s desire to make Erina say ‘delicious’ - she’s the one he wants to make happy with his cooking. His mother was first btw :)

Sōma’s knife is brightened by cherry petals - it shows his power coming from his cooking, cumulated in the cutting edge. This is the blade of change.

Finally, Asahi Saiba appears! As you can see, he’s the one surrounded by flames, it’s not Sōma anymore. The leader of Noirs is the one who wants to disturb the balance. There is also some similarities between him and Sōma - their cooking look is similar, probably because both of them were raised (though differently) by Jōichiro. Also, he has a signature red kerchief around his neck, similarly to Eishi, however his kerchief isn’t loose on his neck, it’s tight and Asahi used it to cover his face, also covering his true intentions.

This shot presents the famous BLUE fortress where the contest takes place. The frame shows the entire building, particularly the final building where the Bookmaster is staying, in the fantastic blue light, not calming as it may look like, but giving the one looking at it chills of excitement. The moon also reminds of the Autumn Selection and the Moon Banquet, taking place at approximately the same time as BLUE.

Erina, held by Asahi surrounded by Noirs, is clue to one of this arc’s plot, as her freedom depends on Sōma’s ability to win against Asahi. Yes, it looks like she’s the damsel in distress - it’s direct parallel to Erina being ‘imprisoned’ by her father.

There’s also a group shot of all of the WGO judges that we have met and the ones that we’ll meet during BLUE, of course on a blue background.

This frame is very intriguing. There is a silhouette visible behind the two fighting cooks - it’s Mana Nakiri, Erina’s mother and the Bookmaster, the one behind all of this. There is an astonishing contrast between Asahi and Sōma - Yukihira wields a single, pink (like the cherry petals) blade while Saiba has two, which refers to his special ability, the Cross Knives.

Finally, FINALLY Sōma gets his presenting shot. It’s worth mentioning that Erina was the first one to be presented - this is yet another way of showing their connection. She’s the beginning, he’s the end. Or maybe the other way?

In both this and the following frame we can also see Sōma being on the top/looking at his opponent from the top, foreshadowing his victory against Asahi in BLUE.

This screen presents the two possible destinies of Erina: the upper is with Sōma by her side - most of their bonding moments take place under the starry night, so this shot is really meaningful, the nether - Erina as Asahi’s bride. While they both stand in the same place, the upper destiny seems more realistic, as the nether looks like a mere reflection of what could happen and the duo from the top is the one that moves a bit the water.

Note: Sōma and Erina were supposed to get married at the end of the series, but creators didn’t have enough space. The couple however has been claimed as canon.

This is the final group shot of all Tōtsuki students we came to love, watching sakura blossom at night. It’s simply beautiful, watching their silhouettes near the bright water, cherry blossom and Tōtsuki Academy. This frame is full of love and reminescense...

The penultimate frame is a direct continuation of the ‘destiny’ shot. Sōma and Erina are standing here, together. It’s gorgeous, beautiful, showing how close they have become and that a bright future awaits them, written in the stars. The lighting of this frame, warm and delicate, gives us a sense of intimacy and fondness.

The last shot presents a dim silhouette of Sōma who ended his cooking (it’s the position we often got to see either on the episode’s numer frame or at the end of the episode) and, most importantly, Sōma walking away in the sunlight. It predicts Sōma’s parting from Tōtsuki to travel around the world, just like Jōichiro once did, but with a difference.

There is no storm to swallow chefs who want to reach the top.

Sōma and his cooking dispersed it, saving himself, his friends and Erina from it.

#opening analysis #shokugeki no souma: fifth plate #shokugeki no soma #food wars #Elite Ten Council #Polar Star Dormitory #Regiment de Cuisine #BLUE #is this good?#let me know #sorry for spelling mistakes

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televinita · 5 years

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Little Women (2019): Thoughts

REQUIRED READING: the prequel post about my background going in to this film.

SNAPSHOT VERSION: Though I have some casting qualms, and may adjust my opinions after I reread the book, mostly I think this is everything my heart has needed since the magic of the ‘94 movie was broken for me. My heart is very full.

FULL VERSION: Twice as long as the prequel post (a.k.a. 1800 words), starts below.

I did not expect LW to be the first Unexpected Comeback Fandom of 2020 (or a comeback fandom ever, really), but here I am, having spent every day since I saw this film mooning about this story and looking up different editions and supplemental books in the library catalog, so I'd better process how I feel about it while the memories are relatively fresh.

Most of my thoughts are on casting rather than specific scenes because like I said, I can’t remember the book super well, so I’d like to get my movie memories to fade so that the book can surprise me. Also because I think I will have a more in-depth post about them when I watch the film a 2nd time, whether that’s in theaters or on DVD. But here’s what I’ve got for now.

ON CASTING

In no particular order --

* Emma Watson is very pretty but it is so hard to take her seriously as an actress. She's just Emma Watson, Famous For Being In Harry Potter and Getting Hired For Other Big Name Projects. I feel like she's so consciously acting all the time. She made a not-terrible Meg, I guess? No worse than she made a Belle. But it was roughly as hilarious watching her try to be a mother now as it was watching her try to be a mother in the last Harry Potter movie. To the point that I just kept hearing the "Damn! I'm SO maternal!" song playing as her theme in the background at all times. * I realized 6 days prior to seeing the movie that Florence Pugh is recognizable because she's in Midsommar and honestly, that just ruined everything for me. I didn't even see that film, I just know it's gross and I would hate it and while she is not tainted forever like the 50 Shades actors, she is definitely too tainted for Little Women. Also I could not stop thinking about how I associate Amy with being very dainty and prim and Florence, while perfectly lovely, is not. * Laura Dern was kind of strangely modern and kooky for Marmee, but I love her as an actress and I loved that she was just like "HELLO STRANGE NEIGHBOR BOY, COME BE MY FIFTH CHILD." So I was OK with that. * ARE YOU KIDDING ME WITH BOB ODENKIRK. What kind of anachronistic garbage. What crack were you on, because it was obviously not the good stuff. "Did I stumble into an SNL parody??" I wondered more than once. * Meryl Streep as Aunt March was AMAZING. Ten Oscars. * Beth consistently looked younger than Amy, so that was weird. She was okay but kind of childlike, and failed to make Beth my favorite like she is in the book. * JO! Saoirse Ronan is by far my favorite actress in this set, but I didn't think she was right for Jo going in. "Jo's not a redhead!" I said, indignantly stamping my foot, because my childhood-era love for this novel reigns defensively supreme like for no other classic besides Black Beauty. (another 1994 classic they should remake soon, even though I love that version. Just saying.)

But damned if she did not COMPLETELY embody every essence of Jo there is and make Jo my favorite character this time. Truly, nobody except Meryl Streep so thoroughly matched my expectations for their character. Ten Oscars, part II. Or at least the one she is actually nominated for. If Jo loses to ScarJo I will riot. * John was nice. I feel like he was exactly what he was supposed to be, which is to say kind of plain and milquetoast but perfect for Meg. I don't actually remember him existing in the novel, so that was an interesting game of "how important is this guy?" until suddenly Meg was getting married and I realized I did, in fact, have a very dim memory of a wedding from the book. I think I will like their romance more the second time around, though. * Mr. Laurence was VERY EXCELLENT. IDK why I know the actor, even after looking him up, but I liked him in this role a lot. His grandfatherly quasi-adoption of Beth was so sweet. * As for Professor Bhaer...UGH. I hated him on sight and my brain wouldn't even let me recognize who he was for like 3 scenes, I was just like, "who is this random boarding lodger and why are we focusing on that weirdo." I mean, he's objectively handsome? But he did not do it for me. He lacked the gravitas I expect from this character and his thick accent scraped my ears and drove me insane (update from the future: his accent is also driving me insane in the book, where I have peeked in at a few chapters as incentive to reread. whyyyyyyy). * LAURIE: maybe it's been too long since I read the book, but never could I ever have imagined I'd want to use the term "fuckboy" to describe Laurie. It wasn't even Ski Chalet's face so much as it was that in all present-day scenes (post-rejection), he is such an insufferable, melodramatic, pouting trash heap that I didn't want him to marry any of them at that point. (Also YOU STILL DIDN'T MAKE ME UNDERSTAND WHY HE GOES FOR AMY, so good job.**) However, I took especial delight in paying attention to all the cuddly platonic friend cuddling he heaped on Jo growing up, in focus or in the background, and I loved it...kind of a lot? The ship radar made noise. That noise is getting louder by the day, smoothing away his faults. He may have permanently taken up residence in my mind's eye as the new Laurie. ...this is the worst. Make it cease. (**update from the future, I am peeking at the book and it looks like it's a lot easier to understand both in text and when you're inside Laurie's head. He is still clearly sulking his way through Europe, but in a way it's easier to recover from. Also, I don’t have time to unpack this but as I finish the edits on this post I started 5 days ago, I’m starting to think I could not only ship Laurie/Amy, but believe in it from the start.) ACTUAL PLOT AND FILM QUALITY

+ The shifting between past and present was very jarring right off the bat, but after that I think it worked.

+ I loved the attic play rehearsals so much

+ I am so glad Jo’s shorn hair is both fleeting and as hideous as it should look, and not Pixie Cut Chic (Childhood Me wailed at that part reading the book)

+ I remember hardly anything about the book's Part II / Good Wives, so basically everything in their adult lives was news to me. Amy and Aunt March go to Europe? Jo goes to live by herself in New York? Meg marries a relative pauper? Any of this could be true to the book or just made up as an alternate idea to explore, and I would be none the wiser. That made it more fun. (NOBODY SPOIL ME ON WHAT'S TRUE)

+ It did not occur to me until just now that the part where Jo publishes her version of Little Women is not in the book (right?), but that was beautifully done.

+ The house interiors were breathtaking. It's not like I don't regularly watch period pieces, but this time there was just something about seeing an old house, like the ones I am often in for estate sales, decorated the way I always imagine seeing when I enter those homes, that kind of made me tear up. + The outside shots were pretty too + Jo made me cry with her I'm so LONELY! speech, rude. (I went into this movie thinking I was 100% on board to finally read Alcott’s sequels for their Jo/Professor content, and now I'm like 'ah damn it is gonna be the season for the Jo/Laurie AU novel, isn't it.')

+ A strike against Beth and/or the actress playing her: I did not cry about her death (in my defense I was busy crying about Jo's pain).

+ I did NOT remember precisely how Laurie & Amy got married, so even though I knew it happened eventually, I felt that sucker punch to the gut reveal just about as hard as Jo did. WHAT DO YOU MEAN YOUR WIFE.

+ My mom said she’d heard this movie was lauded as being super feminist, which rarely goes well for me, but I thought it felt like really authentic "married women literally were not allowed to control their own income and it sucked" 19th century feminism, and not someone using their 21st century voice to claim this is how people would have REALLY talked if The Patriarchy Of Historical Record hadn't silenced/suppressed it. Nothing rankled me. I’m very confused by the people who think it says Jo is queer and/or didn’t end up with the Professor, but if that’s what you see then I guess it’s a win/win situation for all of us. + LOVED the closing montage. + Basically, at all times that I wasn't annoyed by the casting, I was feeling the same magic I did while reading the book and/or while watching the 1994 movie as a child. I can’t think of any parts I really hated.

IN CONCLUSION

Part of me is honestly kind of sad I didn't reread the book before watching this movie, because even though I usually prefer to go movie first and then get the Expanded Edition that is the book, in this case I wish I'd taken my last chance to properly visualize everything in my head on my own -- since I’ve mostly forgotten the ‘94 film -- before the new movie washed it away forever. This is one of the rare times I would have liked to hope and guess what would be shown vs. cut, and be able to anticipate the thrill of seeing the page come to life.

However, seeing it was the impetus I needed to finally take my childhood copy off the shelf (and thank heavens I have it, because the library request is backed up 3 or 4 deep for every copy), and it took all of 5 minutes to get instantly sucked into chapter 1 and feel such rapturous joy and familiarity that I consciously cut myself off and decided I am going to journal out my feelings after each chapter on this reread. So that’s something!

#the biggest surprise is that maybe Timothee Chalomet is not the worst thing ever #and I frankly do not know what to do with this loss of identity #little women #little women spiral

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ngame989 · 6 years

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SVTFOE 4A Prediction/Analysis Master Post

So we just had the first two episodes come out, and overall I enjoyed them. There’s been a lot of mixed reactions to the details, from myself included, so let’s dive in a bit. Apologies for when this becomes a giant wall of text in the back half, I'm not digging through promos for images.

Butterfly Follies

In the first episode, 98% of it is focused on Star feeling like shit because Moon is missing and nothing she does to try and find her works, and other people keep telling her she is screwing it up. Yeah, many of us thought this theme of “Star screwing up” would extend a bit more concretely to stuff with Marco and Tom, and it was present but only a tiny bit as a reminder. Her interaction with Tom was basically just a reminder that the situation from after Booth Buddies hadn’t budged - Star still was barely paying attention to him, Tom was still not really a companion to her at all, it just isn’t working, but they haven’t talked about it yet.

Tomstar has always had the candy coating of a romantic relationship (nicknames, handholding, occasional smooching, gossip and drama, etc) with virtually nothing underneath. We see this over and over - Demoncism has a genuine emotional connection between them in that moment, but once their relationship starts up again, it takes until Is Another Mystery for even a hint of true, genuine support between them, and it still doesn’t extend to either of them considering the other as a life companion at all. Most of it is going through the motions for both of them. When everyone’s lives were on the line, Tom stepped up, but this doesn’t immediately make him Marco 2 - the issues that existed before, the lack of commitment and drive between them (still candy-coated by nicknames and whatnot) is as present as ever, and arguably more so, now that Star has the events of the end of S3 dwelling somewhere in the recesses of her mind. Plus we get a moment of Tom checking in with Marco about Star’s comment, showing once again that Marco is the one Tom actually turns to for genuine support.

Contrast that with Starco in these episodes. Yes, it’s not magically perfect, there’s still lots of stuff to resolve and many people (myself included) have felt that it was a bit “off” (more on that soon). But there’s still a genuine sense of progression, where Marco is comfortable being close with Star again, being emotional support, even if he doesn’t always know how to help.

As predicted, Eclipsa’s style of ruling has mostly been “make disliking monsters entirely illegal because that’s Equality™” and it’s not working out so well for true social change. I expect this to be a major plot point moving forward.

Honestly, I dunno what all to make of the details of Glossy’s lines here. Considering the situation with Toffee was pretty explicitly Glossaryck’s intentional method of teaching Star how to do things her own way, this definitely isn’t literal. Maybe he’s playing 4D chess, and Star questioning whether Glossaryck was misleading her is all part of how he leads her. There’s a... nonzero chance, I suppose, that there is some more direct connection here and trying to fix past mistakes (since time travel is brought up very shortly) but I’d be incredibly shocked and largely appalled if that’s where things actually head.

(Skipping around on photos a bit here to just get the point across)

So let’s talk about this for a moment, shall we? I’ve seen a lot of talk about this photo and how it’s really sketchy that Star apparently knew it was from the future the whole time, given its past importance in Starcrushed. Granted, we don’t know exactly how it’s going to pay off yet, but I’ll take a strong educated guess - it’s basically a gag because the writers thought it would be fun. A relevant gag and kind of an asspull, yes, but still just a gag. Yes, the photo is now factually from the future and will be relevant again in that capacity, but I’m entirely convinced that the point of it wasn’t to intentionally retcon something about Starcrushed or anything like that - a meaningful photo of Star and Marco was used in Season 2 to generically remind her of their “good times” and their relationship as a whole, and that same photo was used here as a promise of happiness to come, and the primary purpose of the photo in each case is how it was written for that case.

I know it’s not a satisfying explanation, but it is entirely consistent with this show to have details occur that are largely arbitrary and inconsistent, and there’s a consistency to that inconsistency. Adult Marco is another example, Janna implying Kelly maybe had feelings for Marco in Stump Day is another, any time Star yeeted a high school student into some pit of horrors is another. All of these are situations where, if you examine them thoroughly as a whole and consider all the possible implications, they get kind of sketchy really fast. Yes, it is frustrating at times, but I think you just have to roll with it - Marco has memories of a 30 year old when the boarders want to make a cool reference before Marco does a bunch of fancy weapon tricks, but it never affects his normal existence unless it’s needed for a joke/reference. Janna says something that implies complicated romance drama incoming when the boarders want girly banter to accompany dudes fighting, but it doesn’t go anywhere beyond that. Star has a body count on Earth but she’s not a wanted criminal, probably. The consistency here is that if the show kind of glosses over some sort of possible implication and plays it off for a gag, then that’s what you should take it as.

Again, I don’t know exactly how this will pay itself off, but I have an incredibly strong suspicion that the answer to “what were the boarders thinking when they did this??? It screws up a core moment in Starcrushed!!!” is that they weren’t thinking about that. COULD they actually do something more in-depth with the time travel aspect? I guess, but “throwing organic core moments of character/relationship growth under the bus for the sake of wacky over-the-top plot” sounds like the opposite of this show. I’ll cover more about how I think this might actually work later.

A lot of people said Star and Marco felt like acquaintances this episode, and not best friends. I understand where they’re coming from - there weren’t all kinds of hugs and affection flying around, their talks were awkward. But this honestly makes a lot of sense for where we’re at now. We’re completely over the hump where they they're hesitant to even think of themselves as best buddies, where they’re struggling with their feelings just to spend time with the other. Marco is back to making all attempts to be her close friend and companion and support, Star is comfortable around him... but, there’s still some lingering “OK we moved forward from here, what now?” We saw in Divide that a simple hug between them brought out strong feelings for both of them. I think a lot of the awkwardness remaining could be attributed to the strong sour mood of the situation overall, but part of it could also be a subconscious “OK, Marco confessing his feelings made things better, and we’re OK being close, but...” lingering, waiting to be addressed. And given pancake and cereal clips, it will be soon.

Escape from the Pie Folk

I have less to say about this episode, it was fairly straightforward, honestly. It was 22 minutes of adventure and fights while trying to find and steal away Moon - lot of really fun and well-executed humor, it definitely was a strong showing for pretty much all the parts of the show besides “focus on the relationship growth of Star and Marco”.

More Marco trying to be constantly supportive, but still maybe having a bit of lingering tension in the how.

And sweet family moments.

Overall, a very isolated situation, honestly. The actions and interactions of the characters were put in a very specific, very focused situation where “finding Moon” overrode anything else, and didn’t allow for much other special elements to shine through. I liked the episodes, but some part of me was disappointed that most developments besides Moon were put on pause for the premiere. Still, resolving this in its entirety straight away sets up for some pretty strong coverage of the rest...

INTERMISSION

Let’s take a moment to talk about compartmentalization and the rules of TV pacing. I love Star vs the Forces of Evil, and I’m sure many of you do, even if its infuriating and painful at times. A lot of times. But I definitely think the show is special and does things differently than many others, to an extent. And that extent is key - I like to think of it as content vs structure. Content-wise, it is rather different from what you might expect (especially with character/relationship development). Characters come first, always, and there isn’t a sense of outside drama pushing characters around like ragdolls, changing their relationships and emotions in ways that they aren’t already naturally primed to at that moment. Romance isn’t handled as a drama-fest love triangle, with Star and Jackie or Tom and Marco directly vying for the affection of their love interest, nor do those love triangles ever damage the development of the main dynamic, Starco. Basically every shift in Star and Marco’s relationship, the ebbs and flows of it, can be entirely explained by just the two of them. Yes, seeing the other be romantic with someone else was a partial catalyst to individual moments of growth, but by and large Star and Marco themselves have been their own biggest obstacles, their own insecurities and missteps guiding the path of Starco 1000x more than Jarco or Tomstar or plot.

However, this doesn’t mean the show is magically free of the confines of episodic story pacing, and that’s where people often find faults in it. Many, including myself, went into the premiere thinking/hoping that it would include some relationship payoff, or skip some steps and just have Tom and Star break it off right away. And while anyone is free to disagree with the general concept of the premiere being entirely focused on Moon and plot setup, it’s completely logical for the show to take its development in concrete, compartmentalized chunks. An episode dedicating itself to a theme, to a concrete piece of plot, is likely going to focus on that. And this can be nuanced - I don’t think it was wrong of people to think that Follies could have had a theme of “Star confronted with her screwups” in a broader way that included multiple aspects of that, but it doubled down on Moon and it’s totally understandable that she didn’t take time during her hunt to figure out her feelings, etc. Still, it included reminders of the current situation, and we’ll see those pay off very soon. It’s not so reasonable to expect the show to bend over backwards to steamroll through Starco development right away, but it’s also unreasonable to expect no chunks of development at all, or for them to stop randomly.

More specifically, the way the episodic structure handles these chunks is to follow up underlying buildup with inevitable realizations. It’s very, very rare for an episode that confronts a character with a specific question (e.g. “How do I feel about my Earth life” - Marco in Sophomore Slump, or “How do I feel about Marco” - Star in Starcrushed) to actually have the emotional development required to understand it occur within that episode. Star isn’t confronted with her crush on Marco until it’s developed enough to be ready to burst out. Marco isn’t confronted with his priorities in life until he’s experience enough of a bold, adventurous life with Star that his heart has already decided, and in both cases it’s a matter of a climactic wake-up call to what’s already there. On that note, onto predictions.

Moon Remembers

Well, I dunno much specific to say about this. Seems like this will be the episode dedicated to trying to get Moon her memory back - we have scenes from the promos of them riding warnicorns and Eclipsa playing guitar with her, maybe just trying to jog it. Could lead to some type of plot revelation (”I remember something big I saw in the Realm of Magic!” etc) but who knows. Seems likely that it’s entirely plot/Moon-focused, maybe with some more tie-ins to magic lore.

Swim Suit

This is a big one. So from the synopsis, we know that this is when Star and Marco attempt to have their beach day (which we now know is a celebration of things being “back to normal”, with Moon being back) but get interrupted by Eclipsa. I don’t know specifics of it, but in general, I think this is going to be the episode where Star truly settles in to an understanding of how she feels.

Quick tangent about the photo and how I think it’ll be used: in Follies, it was primarily encouragement for finding her mom. It’s still definitely interesting, and intentional, that the particular reminder of future happiness is a time with Marco, but it wasn’t relevant immediately - I think it will be used that way moving forward. Basically like this - “I kept this photo as encouragement to think positively and know I’d find my Mom. We found Mom, so now I can be happy like in the photo. It feels really good being happy with Marco like I am in the photo. Huh, I wonder why it is that my ideal of happiness is having fun with Marco...” Clearly the underlying feelings are already there, this is just bringing them to the forefront, actually giving Star a chance to reflect on how her heart feels after recent weeks/months and big events. As for specifics, I think they won’t actually take the photo here. They’ll try to have a beach day, get interrupted, and throughout the course of Eclipsa shenanigans, the episodic plot will tie in towards thinking about her feelings, with the end result being a “well, we didn’t achieve Beach Happiness™, but it was still nice.” We already know that an Earth beach is in episode 16, so maybe the photo comes full circle then (and at that point, they’re completely together already, and the photo is spontaneous). Or maybe I’m wrong, but who knows, this is a level of specificity I can’t predict with any confidence.

Also note here that, provided animation studio order stays consistent as expected, the cereal/pancake/babysitting Meteora scenes aren’t actually from Swim Suit, so who knows where those end up.

Overall, my general expectations for this episode are to set the stage for Starco developments, to start the ball rolling on payoff from last season and to start characters recognizing those changes and truly moving forward. Of course Tomstar is likely not going away officially until Lake House Fever, so I don’t exactly expect Star and Marco to talk about their feelings in depth here, but it’ll still be an important episode for Starco regardless.

Ransomgram

Alright, let’s just make something clear here. Yes, we already know Star is going to be fawning over adult Marco’s hot bod here, and very likely before breaking up with Tom. I know a lot of people are gonna find that sketchy, and I don’t entirely disagree, but adult Marco (and Star thirsting after hot dudes in general) has always been a gag never treated with any real serious weight. Both Jarco and Tomstar overall, but especially Tomstar, never really ever are treated with any true weight in the story. Like, yes, it’s acknowledged that Marco and Star kissing while she’s dating Tom are bad, but none of the moments of Marco abandoning Jackie to be with Star, or Star ignoring Tom to be with Marco, or Tom being a really unhelpful/unsupportive boyfriend, are ever treated with any real gravity. In the real world, perhaps these would be frowned upon much more even in weaker relationships, but in the show, “Star and Tom are dating” is taken as a given in the background, and none of the actions that characters take are really ever truly treated seriously as hurtful. So yes, on some level it’s weird and questionable that Star will be drooling over Marco (again) while STILL not talking to Tom, but Compartmentalization™ and the general lack of concern for treating the possible implications of situations like this seriously add up to explain it. Feel however you want about it, but this is how I expect it to work, because it’s how it’s worked in the past.

MHC is gonna come back here, and there might be a connection to the monster side of the plot, figuring out where the old guard fits in with the new regime and how politics are moving forward. Also, as far as Starco goes, I think this will be a sort of emotional payoff to Swim Suit. Not that anything tangible will result within the episode, but showing the differences in how Star acts around Marco when she’s actually admitting to herself that she loves him. Just like how Marco Jr., for instance, showed a very clear and different Starco interaction than 3A episodes, as a result of the concrete development moments in Deep Dive. Or how their interactions in Divide were very clearly the result of changes in Booth Buddies. So on and so forth.

All of this, then, leads into...

Lake House Fever

So this is where Tomstar finally rots. We have all-but-confirmation from animation studios, hints in the title, and background/SFX “leaks” that this is where the Tom and Star clips in the promos are from. So how exactly might this work? I can’t even say for sure, but I think it’s going to follow the usual trend of Tomstar episodes and basically be a vehicle for Tom development. Let’s face it, Star basically got nothing out of Tomstar besides a general passive armor against having to contemplate heartbreak/feelings since Tom filled the checkbox of “romance” in her life. She initially at least did truly fulfill the role of “normal teenage girlfriend” by spending time with him, dates, etc, but that started to wane after Lava Lake Beach and kept doing so more and more, and it’s now basically at the point of Tomstar being a couple in name only, with 0 effort between either of them put into actually... being anything.

Let’s compare to Sophomore Slump for a minute, shall we? So in that episode, we had Marco who had undergone a ton of previous developments in how much he cared about adventure and a greater purpose in life and Star, and his heart had already basically made up its mind (Scent of a Hoodie’s ending and wearing the cape in Rest in Pudding, as clear signs of this). Sophomore Slump was the direct reality check, the final piece of the puzzle slotting into place, at least with regards to specifically “where he’d rather be” (even if the why still needed a bit more). So we could say, in effect, that Marco had fully developed everything underneath to answer the question of what mattered more to him, the old safe kid Marco’s ideal Earth life, or the new Marco’s life, and the breakup was simply everything that was already there clicking into place - he moves to Mewni immediately afterwards.

So how does this fit into Lake House Fever? I think the positioning of the episode is going to revolve around Star’s “growth” from it to work like Marco’s. In the Jarco case, the breakup wasn’t about Starco specifically, but Marco’s overall goals and focuses in life (Star was a part of that too, of course). It’s fairly clear that the Tomstar breakup will be different - the tension in their relationship is FAR more directly related to Starco itself (and also a much greater overall dysfunction within Tomstar compared to Jarco). It’s not a case of “this is a perfectly working relationship but it’ll eventually have issues, so let’s end it before we both become miserable”, it’s “this relationship isn’t working at all right now, for multiple reasons, among which are that Star prioritizes/loves someone else, but also general incompatibilities between them for committed companionship”.

I think on Star’s end of things, we’re going to enter the episode with her knowing, very close to the surface if not on the surface already, that she has feelings for Marco and they need to talk, but will just have the one last hesitation holding her back. Not a “I genuinely don’t know who I like/whether I want to keep going longterm with Tom”, but a “this overall situation needs resolved and I just don’t know exactly how to handle it”. From the very limited info we have from the title/promo (no synopsis yet), it seems like Star might be helping Tom with something - he kind of looked ill in the promos. Regardless, I still sort of predict a semi-arbitrary episodic plot leads them to meet up in the episode. Give em a reason to interact that isn’t directly related to awkward and complex feelings, and let the handling of those naturally evolve from there.

So as for Tom, I think the bulk of the change in this episode will be on his end. I think he’s going to sort of have an attitude not too dissimilar to Star - knowing they should talk at some point, but not really knowing how. I think the bulk of the episode’s plot, whatever it may be, will lead up towards Tom getting the wakeup call that it 100% won’t work and that he needs to pull the trigger on it. It would give Tom a really solid moment to follow up on some of his initial moments in Season 3, would give him some critical agency when he honestly hasn’t had much of it for a while (Starco developments just kind of happen around him, although of course his general lack of presence in Star’s life contributes to this as well - Star’s a fairly absentee girlfriend, but Tom’s no angel either). Getting over that initial hump of awkwardness would still accomplish things for both of them, but Tom being the one to first make the leap of faith into starting the uncomfortable conversation would fit best imo.

As for afterwards, much like how I said Jarco was the final puzzle piece for Marco decisively figuring out his priorities, I think this will be the same for Star’s feelings. She’ll be aware, nearly-consciously, that she has feelings for Marco ahead of time, but will just be stuck on inaction, not being confident enough to take a bold step forward on her own. So I think the breakup for Star’s feelings will do what the breakup did for Marco’s sense of accomplishment - the final domino will not only help her realize that she has feelings for Marco, but prime her to actually act on them.

Now if this breakup occurred earlier, I’d say it could have a major impact on Star’s own growth and understanding, and it still could, but I don’t think it’ll be so likely. There are certainly situations where the breakup would serve as a shakeup for her to consider her feelings, which would then take some more time afterwards to solidify, but I can’t help but assume that’s what the purpose of multiple Starco episodes beforehand is. The situation is too much of a powderkeg for Star to have any downtime with either of them that doesn’t start turning the gears in her brain. Anyway, that’s all for this.

Eps 5-7

Yada Yada Berries/Down by the River

The Ponyhead Show!/Surviving the Spiderbites

Out of Business/Kelly’s World

These, I have no clue on specifics, to be honest. There’s an RDK Ludo episode coming up, so that would be part of episode 5 most likely. Second half of that seems like a River episode contender, but who knows. The first half of episode 6 is some type of variety show involving Eclipsa in part - this may be part of the plot of Eclipsa trying to find her place as Queen. Spiderbites is a possible contender for the babysitting Meteora clip, the first half of episode 7 is Quest Buy with the Ocrams, and Kelly’s World is something with Marco and Kelly. We’ll circle back to these, but let’s look at broader strokes first.

Curse of the Blood Moon

I’m entirely confident that by the end of this episode (at the latest) Starco will be 100% canon, ready to move forward into Season 4 as a couple, romantic uncertainties behind them. It’s the only possible next “big” step in their development, one that was set up very directly in Booth Buddies with the idea that things were different now and they could no longer ignore their friendship meaning more than friendship. I’m sure it will be tied in to Starco relationship progress, but as I’ve said many times before, it’s entirely out of the realm of how this show handles development as a whole to actually prioritize plot over characters and obstruct character development with plot. The “Curse”, whatever it may be, could very well be activated by Starco itself, but it’s entirely out of line with everything the show has ever done with characterization to actually claim plot is “forcing” feelings, capisce?

Now how could this be accomplished? Well, given the pacing of the show in general, concrete chunks of development along the way seem most likely. And Star and Marco acknowledging the stronger nature of their relationship and stepping over the edge towards mutual romance, to me, seems like a different piece of the puzzle than something so strong as becoming 100% canon forever. After all, Bonbon for Jarco still had a Naysaya before it, a setup with clear and direct Jarco moments nudging it over the edge of romantic before going the whole way. Similarly, Tomstar had Demoncism before they officially confirmed they were a couple a few episodes later.

Curse is definitely going to be a big episode, but I don’t see it being very likely that we entire the episode with the entire prospect of Star and Marco talking about their feelings still completely looming over them. Another major reason I have to believe this, which is in some ways related to the above point, is that the show doesn’t overly fetishize romance. It’s all-too-common in media, especially family-friendly/kid media with romance, to warp the whole concept and make the “confession + big kiss + happily ever after” one monolithic moment at the very end, as the pinnacle of romance, often going so far as to delay natural developments and put roadblocks of misunderstanding in the way to keep the pair apart until both could have this moment. SVTFOE, on the other hand, historically hasn’t done this. It has always, thus far, recognized the ebbs and flows and slower progression of natural relationships, with steps in between “I guess we might like each other” to “yup we’re 100% dating”. So I can’t guarantee anything about the specific pacing along the way, but I’d wager that Starco has already crossed the threshold into mutual romance before Curse begins.

I have genuinely no idea what the plot will be here overall. We have a shot from the promo which is a newly animated version of the Blood Moon Waltz... flashback? Recreating the event? Time travel? I hope not the last one, but I have no clue.

So circling back around, we have the cereal, pancake, and babysitting Meteora scenes which (as far as I can tell, assuming animation studio order holds) are unaccounted for. There’s... I suppose a nonzero chance for a huge curveball, with some of them being Lake House Fever? Star wears the new S4 outfit in cereal/pancake as well as then, and they’re all Sugarcube. Another option I’d been considering was for Surviving the Spiderbites to be their attempt to spend time together, either resulting in feelingstalk or being the result of feelingstalk and tiptoeing into romance, with the cereal/pancake scenes being about trying to have a good “date” but getting interrupted... which is now the plot of Swim Suit, so I don’t know. Quest Buy has always, historically, involved heavy Starco importance, so perhaps that episode is a leadin to Curse on that front. Note that either everyone actually thinking Kelly’s World (and their baking scene in Ponyhead Show) is actually implying more love triangles is wrong, or the writers officially gave up and we can all go home.

As a note, I’m of course not really making any bold claims of confidence in the minutiae of these predictions: there’s so many options for curveballs that I can’t say anything for sure! But I think, in a general sense, the path of Starco buildup towards and through Curse is a sure thing, one way or another, because there’s basically nothing else meaningful that could happen!

Hope you enjoyed the read, and stay tuned for any new updates we get on future episodes.

#svtfoe #star vs the forces of evil #svtfoe spoilers #starco #tomstar

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aspiestvmusings · 5 years

Text

ENDGAME: PARALLELS

SPOILERS, BEWARE!

SUPER LONG MASTER POST!

All* the little parallels, callback, tie-ins & little nods in Endgame:

* Not really all of them, but just a few... most “important” ones according to me.. This is not a complete list...as I've not seen all 22 films & because there are just too many to list them all in here:

CHEEK KISSES: In the beginning, when Tony returns from space - the fist Pepperony scene, where he kisses Pepper’s cheek VS In the Pepperony end scene at the battlefield, where she kisses Tony’s cheek.

The Pepperony couch scene & Pepper telling Tony that if he doesn’t do it/let it go, he won’t be able to rest VS the Pepperony end scene, where she tells him that he can now rest...finally.

Tony’s first recorded message to Pepper...the one he makes in space in the beginning of the film (the one from the trailers) and him asking not to post it in social media, because it’s a real tearjerker...is both a call-forward to the end of the film, where we see & hear Pepper & Morgan & others listen to his (last) tear-jerking message from beyond, AND a call-back to the very first Iron Man, where Tony asks the soldiers to not post the picture they snap with the legendary Tony Stark...on MySpace/online.

The Tony/Peter scene from A3, where Peter tells Tony “I don’t wanna go, mr. Stark”, VS A4 Tony/Peter end scene, where he basically says the same thing... (just the other way around)

One side of Tony’s Iron Man helmet being completely destroyed in the beginning of A4:EG...after the events of Infinity War...as he records his message to Pepper in space VS Tony’s one side (right side of his face & body) being completely destroyed/burned by the power of the infinity stones after he snaps his fingers at the end of A4:EG

Tony’s home (the Malibu villa) & family (Pepper) being attacked in IM3 VS Tony’s home (the Avengers Headquarters) & family (The Avengers) being attacked in A4:EG. Water being part of the scenes in both cases. Both being “bombed” by aircraft (helicopter, spaceship)

Tony spending 3 weeks on a spaceship stranded in space, trying to get out of the situation alive...with an alien creature (Nebula) made out of “spare parts” in A4: EG VS Tony spending 3 months in a cave held hostage, and trying to escape by building his first Iron Man suit from a box of scraps/spare parts in IM1. Useful spare parts. Playing board games to kill the time/entertain themselves.

Tony wearing the BLACK TANK TOP during the “mechanic” scenes - the clips of him & Nebula fixing the ship, as he is welding/fixing something in A4: EG VS Tony wearing the BLACK TANK TOP during building the first iron suit in the cave...as he is welding/creating the suit in IM1 VS Tony wearing the suit as he is creating the new element (to keep him stable) in his Malibu house basement in IM2.

Tony’s comment to Morgan that Mommy/Pepper never wears anything he buys her (but the thing is... he didn’t buy the helmet/suit, he made them...for her) in the beginning/middle of the films VS Pepper showing up in the end wearing the thing/outfit Tony bought/made her. Bonus: the Rescue armour in A4 seems to be based on the colour of that IM1 first Pepperony dance dress (blue-ish) - the one “Tony gave/bought her for her birthday” So... she actually does wear things he “buys” her.

Morgan asking for a cheeseburger, when Happy asks her what she wants to eat at the end of A4:EG, after Tony's funeral VS Tony asking for a cheeseburger as the 1st thing he wanted after he got home/to US after being held hostage for 3 months in IM1.

Pepper adding Tony’s first arc reactor (the one she framed & gave him as a present instead of throwing it away as he had asked... and in doing so saving his life in the first film) to the flowers at Tony’s funeral scene in A4: EG VS Pepper framing the first arc reactor and giving it to Tony as a gift in IM1. As “proof that Tony Stark has a heart”

The scary “visual” parallels - Thanos & his dream of Garden & small-time farm life VS Hawkeye living that quiet family life on a farm (as seen in past Avengers) VS Tony living that quiet farm life...with his wife reading about composting... They all kinda wanted the same thing, but the motivation and reasons and ways to get there are different. But still... crazy “similarities”

Kids coming to Team Avengers, while they’re out in public (restaurants)... as civilians (not in their costumes) & asking for autographs/photographs Kids asking for Hulk/Banner’s autograph/selfie with him in A4:EG VS Kids asking for an autograph from Tony in IM3.

The look back: Nebula & Gamora. Nebula saying she doesn’t need her sisters help, when she offers her hand to help her up in 2014 VS Later when Gamora helps Nebula up in 2023 - she lets her/asks her to offer her hand to help her get up.

Thor summoning his hammer, Mjolnir during the 2013 time heist and the “wait for it” moment, where they say that it might take a moment for it to fly to him in A4: EG VS Tony “summoning” his suit to him (first the gauntlet, then the other parts) and stalling while he waited for the gauntlet & other suit pieces fly to him ... the “wait for it” moment, as he was tied up in IM3

Pepper entering the Big Fight to help Tony out in her Rescue armour & having Tony’s jaw drop in sight of her in A4: EG VS Pepper entering/returning to the Big Fight after surviving the fall because of glowing from Extremis in her body & having Tony’s jaw drop from the sight of her in IM3

Clint watching Nat fall from the cliff after he’s unable to hold onto her in A4:EG VS Tony watching Pepper fall in IM3, when he was unable to catch her...after he asked her to reach for his hand. Tony’s “You gotta let go” vs Nat’s “Let me go”

Father & Daughters theme. Started in Avengers 3 with Thanos/Gamora & Thanos/Nebula VS continued in Avengers 4 with Hawkeye & his daughter (we see his whole family, but the focus is on the daughter, not the sons), Scott & his daughter, Tony & his daughter (very important!). Plus that hint about Nat’s father (that’s for sure part of the MCU future) The parallel of father/daughter relationship...throughout the MCU

The gauntlet scene parallels: The first time we see a character turn over the gauntlet... and be really surprised about what they see- Rocket Raccoon’s surprised look when he finds that there are no infinity stones embedded in the gauntlet VS The end scene, where a character turns it over... and being surprised to see what they see... -- Thanos finding out after the hollow snap that there are no infinity stones inside his gauntlet...and realizing Tony did some magic to snap them from him. Both of characters realizing... something... these scenes are visuals parallels

Thor powering up Tony in the Lobby (before) with (lightning) his hammer during the 2012 time heist VS Thor powering up Iron Man at the battlefield (later) using his lightning.

In IM2 we see Tony find a video message from his dad... (to him, his kid) - that is meant to be seen by him when his dad is gone VS In A4:EG we see that Tony records a (video) message for his offspring too - to be seen after he’s gone. But those messages are very different at heart. (PS. There is no doubt in my mind that was not the only message Tony has recorded over the years that that is not the only message left behind from him. (He most likely even had a failsafe in the suit to download his consciousness or something like that).

Tony’s dad in the video footage found by Tony in IM2 asking the kid (him) to be taken away from the “office” after he had snuck in there asHoward was working, cause he’s got more work to do and no time for the kid VS Tony as a dad putting aside the work (he’s made another huge discovery...) when his kid sneaks into his “office”, and putting work aside and focusing on his kid. #NoAmountOfMoneyEverBoughtASecondtOfTime

Howard’s legacy (greatest thing he created) is his son, Tony VS Tony’s legacy (greatest thing he created) is his daughter, Morgan. And Howard’s legacy being “war” VS Tony’s legacy being “peace”

Tony’s dad/Tony father-son relationship VS Tony/Tony’s child relationship (his relationship with his own child) are very different. As we’ve heard & seen...many times in past MCU movies... Tony’s relationship with his parents/father was...not good. But... he broke the cycle. The fact that his father wasn’t a good father doesn’t mean that he won’t be - he makes different choices & doesn’t excuse his behaviour with “i grew up knowing nothing good, hence I became not good myself”. He proved that professionally already in IM1 with his decision to choose peace over war/wealth. And now he proved it personally, too. A complete arc.

Tony at the end of A4:EG in the battlefield...taking the power of the stones in his suits gauntlet on his knees, holding up his hand VS Tony in IM1 in the desert... as he’s about to be rescued..on his knees, holding up his hand. Visual parallel....kinda.

Water being the element & connecting visual during death & funeral scenes - Clint waking up in shallow water after Nat’s sacrifice...as he gets the soul stone VS Nat’s memorial moment by the lake next to the Avengers HQ in the middle of the film VS Tony’s funeral by the lake next to the Stark/Potts countryside home VS small, quiet memorial moment for fallen team members (Wanda & Clint talking Nat & Vision?) by the river.

I AM IRON MAN. Tony’s last words as Iron Man, just before he snaps his fingers being “...and *I* am Iron Man” in A4:EG VS Tony’s last words at the press conference for damage control at the end of IM1 being “(Truth is...) I am Iron Man”. The words that started his journey as the superhero & the words that ended his story as the superhero. VS The words also being the last words of IM3... so he starts & ends his journey both within the IM trilogy & the Infinity Saga 22 films with the same sentence.

Tony’s last words in IM1 - his first lines as Iron Man (publicly) were “I am Ironman” VS Iron Man’s last lines in A4 are “...and I am Ironman” #fullcircle PS. While those are Iron Man’s last words, they are not Tony’s last words. His last word is Pepper’s name...Pep (”Hi, Pep” He really drifts off thinking of her...every night). And then the final voice over (which is essentially a goodbye message from RDJ & IronMan... and parallels IM3...which also had an end voiceover...) RDJ saying goodbye to the character/Tony saying goodbye to IM... and summarizing the book that are the films from the past 11 years.. which should make it easier for us, fans, to move on, but... I think it’ll take some time to accept that RDJ really isn’t gonna play IM anymore...and that this really was the end of the journey....at least in this form.

Not to mentioned the many more obvious similarities: Like his A2 vision that Wanda “showed him” being visually very similar to what the battlefields looked like in A3 & A4 (down to the shield being broken in two). Like having a kid named Morgan...named after that eccentric uncle. Like solving a complex problem seemingly overnight (time travel, new element, miniature arc reactor...)

List compiled between April 24th & May 10th

#SPOILER #endgamespoiler #endgamespoilers #endgame spoiler #endgame spoilers #MCU #Avengers 4 #Avengers: Endgame #Avengers Endgame #Tony Stark #Pepper Potts #Pepperony #RDJ #LIST POST #MASTER POST

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pigletsbigmovie · 5 years

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endgame spoilers i watched it a couple weeks ago here are my complaints lol

nebula and gamora...... were done so dirty lmao....... i am not surprised, i knew this was gonna happen but still.

i mean i really liked nebula in endgame! i love seeing how far she’s come since gotg! she played a larger role in this film than i was expecting and that was nice!

i just disliked the fact that she ends up killing her past self?? it’s such an example of the problem with these big ensemble films... other characters’ arcs take precedence over other characters and so like while killing her past self makes sense for the overall narrative... it doesnt make sense for nebula’s character arc....

or like how since this the last film in which we’ll be seeing all original avengers together, of course it’s them that are prioritized over other characters which means Of Course it’s tony that ultimately defeats thanos even tho really it makes more sense for thanos to be defeated by nebula and gamora and that would’ve been a rly big development in their arcs but guess not! i guess! no can do!

they tried to make the tony vs thanos conflict this Big Dramatic Thing but in reality it is sooooo impersonal....... which makes the conflict and the resolution of that conflict just not very interesting to me...

like imagine if the gotg films were it’s own franchise. no other marvel movies exist, it’s not connected to anything else, it is it’s own thing. then that would mean the gotg franchise has thanos for itself and those films would be leading up to the defeat of thanos which can be fulfilled by nebula and gamora because theyre protagonists of these films. imagine how satisfying that wouldve been!! like gotg has always focused on themes of family! that franchise ending with nebula and gamora defeating their abusive adoptive father with the help of their new found family wouldve been so emotionally impactful and satisfying!

but nnnoooo instead we get tony vs thanos. they don’t even know each other. they’re just that one guy that got in the way of their desires. just an obstacle. that connection is not deep enough to be interesting

ok i went off on a tangent there but back to nebula killing her past self.... Why. we know that given time, the nebula that we see can change for the better! we know bc we see that nebula right there! our nebula! but nooope instead of getting a powerful scene about nebula literally staring her trauma right in the face and how she feels about that now that she’s grown so much...... she just kills her? i mean she tries to appeal to her? but this past nebula isnt given the time she needs to grow! she’s just killed off with 0 compassion......... and it’s such... a sad and unsatisfying development... like there’s a difference between “letting the past die” and killing your past traumatized self.... like if her past self deserves to die and isnt worthy of compassion then that just goes against our nebula’s entire existence? she is the person she is in the present bc she was shown compassion and was allowed to grow! why is this nebula not deserving of that? it’s literally just bc it’s inconvenient to everyone else... thats awful.

then there’s gamora...... like she finds out about this future in which thanos succeeds in his plan and........... she fucking WAITS???? SHE WAITS TO STOP HIM??? IM SORRY BUT WHHHAAAAT THE FUCK??????

like!!! this is literally around the time in our timeline when gamora enacts her plan to ditch thanos and steal the power stone for herself as soon as she finds out that he’s found it’s location in order to stop it from getting into his hands. you’re telling me that gamora waits A LONG SIGNIFICANT AMOUNT OF TIME after thanos gets all the information he needs to get not just the power stone but ALL THE OTHER INFINITY STONES before attempting to stop him?? YOURE ASKING ME TO BELIEVE THAT?? THAT SHE WOULDNT IMMEDIATELY OR AT LEAST AS SOON AS POSSIBLE TRY TO STOP HIM?

like if i remember correctly, by the time she teams up with future nebula to try to stop thanos, he’s already made significant progress in formulating/enacting his plan to get all the infinity stones..... like she doesnt try to sabotage/steal the information re:time travel in order to keep thanos away from the stones??? it doesnt make sense. it does not make sense that she would wait i cant get over it what the fuck alsooo...... while im glad that gamora isn’t just Dead now and that there’s an alive gamora out and about.... it Upsets me deeply that this isnt our gamora lmao. and this isnt just me being unnecessarily sentimental. it just sucks storytelling wise. gamora underwent so much development from the 1st gotg up to infinity war...... and now all of that is all Gone bc new gamora didn’t experience ANY of that! like saying her development was retconned maybe isn’t exactly true bc all of that development still happened and is Canon but... it’s basically all irrelevant now bc! again! this gamora didnt go through any of it! when peter and gamora reunite in infinity war and peter is emotional and gamora is like What the Fuck? like ha ha yeah funny but...... peter and gamora are very important to each other. theyve been through a lot together. whether or not you like their romance is whatever but them telling each other “i love you” in infinity war was such a HUGH DEAL considering everything they went through as individuals..... and now that development is Gone. and it sucks.

rly i felt all the female characters in endgame got the short end of the stick in this movie :/ like sure theres that One Group Shot... and sure it made whiny men cry so that’s great... it’s cool but like it felt so shallow to me! the bare minimum! very few of the women in that scene actually significantly contributed to the plot of endgame.... like it’s So Easy to put all these women in one shot but it’s a whole other thing entirely to give those women actual Roles in the plot. they even fridged another women in the Literal Exact Same Way they did in infinity war! the exact same way! like the 1st time they did it was unnecessary and unjustifiable to me and then they really went and did it again exactly the same! ALRIGHT! COOL I GUESS!

also captain marvel was so hyped up as being the Key to defeating thanos but the film comes out and i dont think she’s even in it for like 5 minutes total screentime. i mean i wont lie. seeing her fight thanos no problem was really really cool and i loved it but then it lasted what? 10 seconds?

idk it’s just. rly rly easy to give superficial nods to the strength of these women and while, yes, it bothers whiny man babies and isnt harmful... it’s still superficial <:/ like these are just tiny itty bitty baby steps. it’s 2019 please allow female characters to play larger more significant roles in stories..... alluding to their strength is not the same thing as that. hire female writers.

overall i didnt have a Bad Time watching this movie? i actually laughed plenty. all the scenes with scott are wonderful. but overall the movie was just... fine... and left me feeling empty and indifferent like a lot of other mcu films leave me feeling <:) despite it’s faults i enjoyed iw a lot better and so endgame felt anticlimactic to me which is yknow. bad. considering it’s supposed to be a big finale.

sorry to be a big ol No Fun Allowed boy but i mean. the thing that i find so attractive about these films is Character! like ive only rly enjoyed a handful of mcu films but the reason i keep coming to watch the new ones is bc the idea of these characters is so attractive to me! this expansive superhero universe gives a big opportunity to explore a whole bunch of different characters and a whole bunch of different character dynamics. and while for the most part the mcu is good at producing distinct, conceptually interesting characters.... theyre generally not very good at utilizing them and building them up... which is why they leave me feeling empty

#this is rly long im sorry lol #you may be thinking 'hey tenten why do you keepign watching these movies if they disappoint you more often than not'#the answer is: i love disappointing myself #ten2 talks

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madfictionland · 6 years

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KHIII - Strengths and Weaknesses of Nomura’s Insanity

1. Xehanort Saga’s Closure

Great:

- Axel vs Xemnas sequence and that entire battle alongside Xion and Roxas, with Shimomura’s orchestrated music - Sea Salt Ice Cream Rules!

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it was just golden and weighted heavily on me! Lots of emotions and great closure there

- Xemnas and Ansem... being awkward... it was extremely weird at first, seeing them on strange errands, behaving the way they did, no Darkness lines for Ansem, and overall the two of them kind of less important than Xigbar, for example.

But it was actually perfect and then it all came full closure with their defeats! They were taken from their own timelines (in which they were soon to be defeated or right before the final blow?), briefed on the current situation and assigned tasks under MX. And Ansem being the most awkward because...

no madness, no darkness showdown! Being approached by some children! it’s just aren’t his thing, clearly... Oh, and Xemnas handling the “benched” Norts as if they were his students, something that he does proudly. Pretty much the only thing that gives them both purpose after that time travel ordeal is the sense of companionship and MX’s goal which they feel obliged to pursue “because they are him” - only not really, actually. Because as it turns out... they found they did not really care, in the end.

So yeah, in the end it’s actually pretty sad... and they fade away to be ultimately defeated in their own timelines!

- Young Xehanort being an utter dickhead of darkness (although the bad thing is... no more backstory, explanation and only minimal amount of screen time for him, damn)

I mean, seriously, I enjoy the fact he turns out to be one of the most engaging KH3 villains, so focused and bitter. When you think about it, then it makes sense since he was given great power early on and explored through time... obtaining even more power. He never met Eraqus, he never created his bizarre self-rightous grand goals to begin with... He was just... alone, traveling through time, and exploring the outside world through darkness and his dark future selfs, the future that he embraces fully. He is the embodiment of everything what’s dark about Xehanort, in some aspects perhaps even more souless than the old man himself, and we even have him take on Ansem’s role... lol

I like his interactions with Sora, especially here.

- Goofy being smart in the Xehanort’s plot business, lol and they’re always debriefing Sora on Mickey’s encounters from BBS. Nice!

- Finally we know how Axel and Saix got turned into Nobodies - we really needed that backstory...

- The replica research plays a big part here and it serves to create vessels for hearts... with data!memories... and we even get glimpses of artificial hearts being researched now... nice, it REALLY does bring into closure all this data madness that Nomura had started

- Vanitas regenerated through negative emotions of children’s screams in the Monster world + his entire ending with Sora/Ven which was amazing - Vanitas was darkness and it was his own choice because his very nature was darkness... he wouldn’t have it any other way! but despite this, he appears to be actually humanized in the end, at least as much as a rebelious pure darkness plucked from someone’s heart can be

- Terra reveal and him being Ansem SoD/Terranort’s sidekick pet all this damn time... like, I never thought that’s a possibility... even though it does make sense...

Now that’s the kind of crazy Nomura reveal that I like!

- Yen Sid finally takes action! WOOOOW

- final battle with 3 main Norts, and Master Xehanort doing a fingers thingy!

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With a glorious MAD score and mix of all three bosses themes! YESSS

Bad:

- Kairi situation... although to be honest it was expected so it doesn’t weight on me too heavily, personally

- very few cutscenes/very few long dialogues and NO backstory cutscenes... now that’s a BIG flaw

- none of the time travelling stuff from DDD gets explained... we don’t know why Young Xehanort is still here despite (apparently) dispersing at the end of DDD... and we don’t even know which Norts are time travelers... and we don’t know their backstories either... how they got Norted? When? How many are there??? It’s not even clear if all of them (those that we meet in game and cutscenes) are present at the final battle because 13 figures showcased with MX prior to battle... all of them with hoods! And we know Demyx is not one for fight so maybe he bailed? Plus Vexen betrayed them? Also, Marluxia, Larxene, Demyx and Luxord were all secondary vessels... kept only due to their Keyblade War connection... so I would assume they had other more serious Norts in store? So who exactly was fighting and who wasn’t? Who was a time traveler and who wasn’t? Who was in a replica body and who wasn’t? Also, is Xigbar a Nobody or somebody Braig with Xigbar’s features? Just FUCK IT. I really like all these convoluted little details but none of this was discussed... which is so unlike Nomura...

- very little presence for MX, no backstory explored and... overall VERY anticlimatic final boss fight and weak ultimate resolution to his “big” saga

- Vexen is just too good at pretending... he really does seem like a bad guy again, who just wants to do research, I don’t buy his sudden redemption and I actually thought he was going to double cross Ansem and use him as his puppet! How can Vexen even feel anything, especially redemption desire, as a freshly cooked Nobody? lol

- Big big flaw is that many Norts were... not really Norts. What’s the point of them getting Norted if they don’t get a slight change in personality and aren’t driven by Xehanort’s purpose? It worked so well with Saix... only think what kind of Demyx or Larxene we could get if they were actually Norts. Seriously, that was disappointing. Frankly enough, we even have Demyx say this line...

which is EXACTLY the case, he would make an interesting vessel, and I assume one capable of good fighting skills or intimidation... if only they were influenced by the entire process and written as actual Norts - important to the plot - not just some toys and Keyblade War Legacy research project for Xemnas...

2. Union X / more...

Good:

- Ephemer and all the Keyblade wielders coming to help! With players’ names shown! Just wow, this was super powerful, and great soundtrack for it too. Also, it kind of confirms my suspicion there were two Keyblade Wars? The “Lost Masters” one and “Union Leaders” (the one in which Ephemer fell, thus he is there with the “spirits” of the wielders).

- Ven’s Chirithy, such a cute little detail :)

- The Final World - atmoshere, music and design... all of them GREAT. It makes sense in the lore + some of its design/animation reminds me of data worlds... Hmmm, could it be... some kind of bin folder on the MoM desktop?

In any case, the future of Nomura Mindfuck seems bright

- the ending with Sora vanishing (to another plane/world?) and Secret Movie with MoM fucking conceptualizing Kingdom Hearts under the normal’s moon light, all of it in a remake of the newest FF title......

I mean, we are one step closer to ultimate shit, right? Which would be Nomura self-inserting himself into the game as Master of Masters... and I’m all for it! XD

- seems like the time travelling Ven + other guys from Union Cross will be progressing places... diferent worlds, planes, realities? And I like it, this seems more interesting and like a fresh surge of madness from Nomura that he kind of wanted to do with Xehanort (hence time travel) but wasn’t really able... in the end. So maybe, just maybe... MoM will get a better conclusion?

- Xigbar makes it to another game. What can I say? I like him, he’s entertaining, that’s all

Bad:

- Xigbar being Luxu seems to be poorly explained, like... he ONLY pretends? Even in those Braig scenes from BBS? And when talking with YX? Really? Even though his BBS scenes were short and we knew nothing about him... it could have been done better, like maybe Luxu planted a piece of himself into Braig and pointed him towards Xehanort, but he wasn’t actually Braig? Hence the guy who gets Norted - Braig - isn’t Luxu? At least not yet? But then Luxu can take over? Well, I think that would be much better... unless there is more to it that we don’t know but i really doubt

- Maleficent, the Box, Xigbar searching for the Box... (wtf even? what MX has to say about this? what’s that box Xigbar? and how dare you hide shit from me?)

All of this... is quite different than earlier KH hints or reveals. It’s just extremely CRYPTIC. It leaves you with nothingness because the characters themselves feel like nothingness when they are forced to speak about this. I could understand it if it contributed to KH3 plot in any major way, like the box being a catalyst in MX’s plans maybe, but it wasn’t - it was pointless, so the attention it got, and they always speak about it in such vague terms... what’s the point? because that’s hardly a surprise and we knew about the box...

- Maleficent and Pete are pointless, especially pointless because the only way for Maleficent to be interesting was to explore some of her hidden (?) memories regarding her time travel experience (which she does not remember, I assume?). Instead, something was “etched”... and a black coat told them about the box... and replica Riku has an akward encounter with them... but nothing is explained or actually said in clear terms. OK, so it sucks, why don’t you skip their cutscenes then - it does NOT create a *Nomura mystery*, it just says “here is some random gibberish that won’t be ever explained because it doesn’t mean anything and doesn’t introduce anything new” A Nomura mystery would be to explain to us whether Maleficent actually remembers the box from her time travel experiences and THEN introduce a new solid mystery, like: she doesn’t remember, but there was a mysterious black coat guy who said there was a box (and there would be a flashback of this past encounter!). But at this point it seems like Nomura just completely doesn’t care, at least not in KH3

The Final Judgment: KH3 was quite a letdown (as the Xehanort’s saga conclusion) but still enjoyable and with grand potential for better mad shit in the future.

PS: Also, it delivered the greatest score in the history of KH... so that’s a win!

#kingdom hearts iii #kh3 spoilers #kh3 opinion #xehanort saga #tetsuya nomura

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anice1-blog · 5 years

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*Rhetoric as Narrative*

In this entry, I will be examining the question(s): What narratives are important to me or U.S culture or a certain group of people? What truths does it promote? What truths does it limit or ignore? What are the advantages or disadvantages of this narrative?

To help me investigate these questions, I will be analyzing a press conference with Penn State football coach James Franklin after they lost to Ohio State this past year by one point. This press conferences forms a narrative based of loss to Ohio State to work harder after failure as opposed to quitting and accepting defeat. James Franklin uses rhetoric to create a narrative that is very motivational for the success of his football team moving forward. This press conferences highlights the things his program is going to do differently moving forward to help allow the program go from great to elite.

“Narratives can be stories, characters, themes, or plots that describe events” (Palczewski, Ice, Fritch 2012). Narratives are referential. Stories can be told in different manners because everyone interprets or experiences a situation in a different way. They indicate values and ideology and engage interest throughout. I chose this artifact involving Penn State because of the current state of their football program. Which revolves around the american success narrative that the harder you work the more success you can obtain. In this press conference with James Franklin, Penn State is suffering a tough loss to Ohio State. Penn State was leading by a margin the entire game and ending up coming one point short to Ohio State for the second year in a row. In the press conference, Franklin talks about the football program going from average to great and from great to elite. He talks about the strides the team has made to become great but he then focuses on how such little details make up the difference between great and elite. The truths that this narrative shows is that after defeat it is a social norm to not give up and work even harder. Franklin talks about how much harder the entire program is going to work to bridge the gap between great and elite. He talks about all the little details such as going to class are what is going to make the difference. Some truths this narrative limits are the fact that just because you say you are going to do something doesn’t mean it’s going to happen. This revolves around the idea that just because we work harder doesn’t mean we are promised anything more because of it. So for the purpose of this artifact, Penn State is not promised to go from great to elite just because James Franklin says they are going to outwork everyone else by the little things. In “Rhetoric in civic life”, it states, “Narratives are interesting and enjoyable, even when they are about painful events,” (Palczewski 126). I think this relates directly to this interview because although Penn State was suffering a very hard loss, the interview was very enjoyable to watch and provided an important message of how very small details over the course of a game or even life are what make the difference between winning/losing or even success vs. failure.

This narrative shows more advantages than disadvantages because of the theme that is prevalent throughout the press conference. It shows the norm of expectations for powerful programs like Penn State. It shows that after losses by one point in back to back years is not an excuse to give up and stop working hard. The coach shows how the situation is going to motivate him and his entire program to do better in every aspect of life, which includes all the things players and coaches do off the football field. A message like this is setting a high standard for not only Penn State athletics but everyone they compete against. As an athletic program, this interview sends the message of match up with our standards or we will outperform you. Some people could have blamed the entire game on poor weather, bad officiating, or many other factors. Franklin shows the impact of integrity and it’s very important to always own up to what you do and not blame others for the outcome of your decisions.

In additional research, I analyzed a scholarly article titled “Narratives Hold Open the Future”. This article elaborates on how narratives play a tremendous role in our individual lives and can mold our personalities. They do this by bringing listeners into the memory with the storyteller, causing us to empathize with their dilemma that has brought them to the future they now are at (Halpern S25). This article goes on to talk about narrative ethics, narratives within friendships, and the importance of communication and how hearing different narratives can change our thinking or motivation. Halpern states that “Narratives can help people see that our individual potential can be widened if we have others who can listen to us with open minds and help us form our stories” (S27). This holds well with the press conference that I analyzed because it focuses on how the impact of losing by one point to Ohio State is going to strongly make the Penn State football team want to be that much better. It focuses on how the narrative that what their coach is saying in the press conference is going to translate back to being better in every aspect of life so it ultimately bridges the gap between great and elite. Their story is losing to Ohio State two years in a row and it creates a sense for each individual to be that much better. Each teammate is going to be responsible for making the person beside them as good as they are willing to be. This press conference also connected with me on a deeper level because I saw on the bus ride home following one of our losses to Millikin University in which our case we lost back to back years by one point in each game. So I was able to relate to this narrative very strongly and it motivated me to be better in all aspects of life on and off the football field.

In summary, narratives and narrative ethics are important to individuals and how they go about achieving their success. Narratives can be a useful way for us to express emotions after certain situations and also a way for us to move forward in life. This interview presents the narrative of moving forward in life with hard work. It demonstrates the reward that success can bring and how hard it can be to achieve. It also shows that all the hard work in the world can still leave you to come up a point short. But instead of blaming other people and quitting, this narrative embraces the idea that suffering from defeat is not an excuse to quit but rather use it as motivation to be successful moving forward.

References:

ESPN. (2018, September 29). ESPN “James Franklin sounds off over loss to Ohio State”. Retrieved March 22, 2018, from https://www.youtube.com/watch?v=V6zBzZSitDc

Halpern, J. (2014). Narratives Hold Open the Future. Hastings Center Report, 44(pp. S25-S27).

Palczewski, C. H., Ice, R., Fritch, J. (2012). Narratives. In Rhetoric in Civic Life (pp. 117-146). State College, PA: Strata Publishing, Inc.

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pitchingmoundideas · 6 years

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Mario Party: The 64 Years and Mario Party: The Gamecube Years

Alright here’s my first non-Smash Bros related idea on this tumblr, and it’s one that’s been saved for a long time. So 2018 will mark a big milestone in Nintendo history, and that’s the 20th Anniversary of the Mario Party series. That’s right the first game released on the Nintendo 64 in Japan way back on December 18, 1998, and the series is still going strong to this day with 10 main console games and various handheld and arcade takes.

But Mario Party has “gone downhill” to most people since Hudson Soft was bought out by Konami. In stepped ND Cube, who changed the formula completely with everyone in cars, having minigames played at different times, etc. With every new release it seemed the games got further and further away from what fans enjoyed.

So it got me thinking, this year is a very important celebration for a series all about partying, we need something BIG to celebrate. So what if Nintendo made a pair of HD Collections for the Switch of all the past Mario Parties fans know and love?

The Collections themselves

The Mario Party HD Collections consist of seven total games, split across two releases.

Mario Party: The 64 Years, includes Mario Party 1-3, all originally released for the Nintendo 64.

Mario Party, the game that started it all in 1998. Featuring six playable characters (Mario, Luigi, Wario, Peach, DK and Yoshi), and 50 minigames, the story revolves around the six heroes battling it out in a series of adventures to see who can be considered the “super star”. Outside of the main Party mode of 8 boards, players can also explore a Mushroom Village themed menu to access various mini game based challenges, buy new Board Effects and alternate dice blocks, and other bonus distractions

Mario Party 2, the first sequel released one year later in 1999, and improved pretty much everything. All six characters from the first game return, in a new storyline involving everyone fighting to get a Theme Park named after them. Every board offered players a new costume to wear, from Pirates to Wizards to Spacemen, and many new minigame types were added (including Battle and Duel) for a total of 65, a mix of new and returning games. Items were also introduced here, allowing players to spend coins on objects that could turn the tide of a game.

Mario Party 3, the final in the N64 trilogy, released in 2000. Waluigi and Daisy make their debut as new characters, as well as new original NPCs like Tumble and the Millennium Star. The story this time revolves around Mario and friends being sucked inside a magical toy-box by the Millennium Star, a powerful object born every 1,000 years, who tests them to see who is truly worthy of possessing him and becoming Superstar of the Universe. Alongside a classic party mode of six boards (which includes players now being able to hold 3 items at once), a new DUEL Mode makes it’s debut, with six of it’s own boards designed for two player vs and featuring RPG elements like partners and health bars. 71 minigames are featured, all of which are completely new.

Mario Party: The Gamecube Years features 4-7, all originally on Nintendo Gamecube.

Mario Party 4, the first installment of the series for the Gamecube, released in 2002. All eight characters from the previous game return, in a much more lighthearted plot involving everyone celebrating the player’s birthday in the Party Cube and earning presents. Fully 3D boards are introduced, as well as new items (mainly the Mega and Mini Mushrooms, which are heavily focused on to access new areas and disrupt opponents). Players now have the option to Pair Up in Party Mode, and with 60 minigames offered, you can even create custom minigame packs.

Mario Party 5, released in 2003, changed up the series. DK was removed as a playable character, now hosting his own space on boards to reward players (an opposite of Bowser). In addition three new characters (Toad, Boo, Koopa Kid) make their playable debut for a total of 10. Items have been removed in favor of the new Orb system, which has players use various items and abilities from capsules/orbs to effect themselves or opponents in a variety of both positive and negative ways. Story wise, the game is set in the Dream Depot, a dream world hosted by the Star Spirits from Paper Mario, who invite Mario and friends over, but must soon stop Bowser who wants to conquer the dream worlds for himself. Lastly, 77 new and different minigames are on offer.

Mario Party 6, released in 2004, wasn’t as drastic a jump as the previous game. Toadette is added as the only new playable character, alongside everyone from 5 returning, in a storyline involving the conflict between the Sun (Brighton) and the Moon (Twila) which Mario and the gang try to put a stop to. In this game, every Party Mode board has day and night variants, which swap every 3 turns, changing up the layout and adding new areas and gimmicks to make players strategize in new ways. This game supported the Gamecube Mic, letting players play special minigames and modes with their own voice! 82 minigames are featured, five of which require the Mic.

Mario Party 7, was the final Gamecube game, released in 2005. Birdo and Dry Bones appear as new characters, while Koopa Kid is removed back to an NPC role. In this story, Toadsworth invites Mario and his friends onto a globetrotting Cruise vacation, but due to Bowser not being invited, he plans to ruin their vacation with a revenge plot. The biggest new addition into MP7 was the 8 Player Deluxe Cruise mode, letting eight players duel it out in teams across specially designed minigames and modes. Mic support also returns to play special minigames when players land on the designated Mic Space. In total, there are 88 minigames.

The Features!

Overall, both Collections have access to most if not all the same general features. All seven games have enhanced visuals and sound for the modern generation including optional widescreen, with the 64 Years even having the option for a 90s TV look. Players also get access to a PARTY MUSEUM across both collections, letting players peek into the development process of the seven titles with concept art and documents. The Museum also includes a Sound Test that lets you listen to the game’s classic tunes and voice lines. A Model Viewer is even included for people to get a closer look at boards, players, items, etc. As for the seven games themselves, all their original modes, content and features are all fully included.

All of the Nintendo Switch’s various control styles and play options (TV, Tabletop, Portable) are supported, letting anybody make and hop into a party with their friends and family. It also means seven classic Parties on the go! Overall multiplayer across the seven games can be done either off the same system or with wireless play in Portable/Tabletop Mode. 8 Player Mode in MP7 is still supported, letting people bring their own Switches over for wireless play (with 2 players on each Switch), or off the same system by syncing their controllers.

However, the biggest new feature by far, is the long requested ONLINE MULTIPLAYER. All Seven games now fully support online, with various options available to create a party of your choosing.

With Friends: With this option, players can get together with their Switch friends online and fully customize a party to their choosing like it would be in local play. What specific board, turn order, minigames included, etc.

With Anyone: This option has various different areas letting players choose their specifics for an online party with random people. What region do you want to search in? (Local, Regional or Worldwide?) Do you want a short party, or a long party? Do you wanna play a minigame mode instead? Etc.! Players can also create custom lobbies, similar to Mario Kart 8, so players can make a party for other people to join and search for. They can even be locked behind codes if you so desire.

Players have a Profile they can customize with unlockable titles and various visual looks, that others can view when checking you out during or after a Party. It contains various information relating to both your offline and online player history across the seven games (such as favorite characters, boards, minigames, amount of wins and losses, etc.).

And if a lobby is full, Spectating is available, letting others tune in to watch some live MP action. Once spectating, you can cheer for your favorite player and even bet on who you think will win the current minigame or overall party. Correctly winning bets doesn’t do much, though it does get you a special badge on your online profile saying how many Party Winners you’ve correctly predicted.

Lastly, the Nintendo Switch Mobile App is even supported! Using the Party Hub, players can set online parties for the future and invite friends, or even save/create Lobbies for playing with random players all while away from your system. Player Profiles of both friends and random people you’ve partied with can also be viewed via the hub. And once you’re playing, you can use it for voice chat! The app also lets players play the Mic Minigames featured in Mario Party 6 and 7. In a fun bonus feature, the Hub even syncs with the game’s Sound Test, letting you listen to the 7 game’s soundtracks in an iTunes-style music playlist.

#ideas #Mario Party #64 Years #Gamecube Years #hd collection #nintendo switch

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alwrath · 7 years

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FMA 2003 THEORY: Alphonse Elric’s Soul is Artificially Created

Details that are often discounted as plotholes have fascinated me in FMA 2003. This is primarily due to viewing some of Sho Aikawa’s (head writer on 03) other works. His stories tend to be multilayered and symbolically complex, but often suffer from a lack of time to tell them. This leads to intended subtle of ideas going completely under-the-radar for the sake of the narrative completing in the allotted time.

Through interpreting commonly labeled “plotholes” as intentional, interesting readings of the narrative can emerge.

LITERAL SPOILERS FOR THE ENTIRETY OF FMA 2003 AHEAD.

Could Barry’s claims on the nature of Al’s soul have had a grain of truth? If the homonculi are artificially created souls, is it entirely out-of-the-question for Alphonse to be one as well?

(please take note I am working from the mechanics/logic of 03 solely in this post, not taking bh into account for the sake of clarity.)

1. The Nature of Memory and Created Souls in FMA 2003

Here, Barry claims that Alphonse never existed. After considering this possibly of being solely a creation of Ed, Al falls into an existential depression. He believes his brother his lying to him and that perhaps “Alphonse” didn’t exist in the first place.

Soon after, there is assurance that Ed did ‘invent’ Alphonse (to Ed’s own knowledge, at least). The conflict is ultimately resolved by Al finding purpose and meaning in helping the Ishvalans refugees. The FMA narrative never explicitly resolves this concern as whole, it simply assures us that a character called “Alphonse Elric” existed before the transmutation of their mother.

However Sloth’s death scene caused me to entertain the possibility of Al being an artificial soul once again. She describes the homonculi’s experience of having only memories implanted by their creator: thus, her only memories of herself prior to transmutation are as a mother to the Elrics.

Interesting enough Al’s first doubts of selfhood come previous to his confrontation with Barry, when he couldn’t remember a former neighbor of his in episode 17.

Furthermor a look at multiple flashbacks in the reveals that we never see Alphonse recount memories separate from Ed.

The one instance where a flashback is focused solely on Alphonse features him running off to sit by the riverbank. Using this memory, Ed is able to locate the current Alphonse exhibiting this same behavior. Al is surprised that his brother knew he would be there.

Although it becomes clear that if Alphonse were not a genuine soul, Ed is not aware of it... could Barry have been hinting at some aspect of the truth in hinting that Alphonse’s memories could have been created from those of Ed? Perhaps armor!Al is a living memory of the original Alphonse, through the eyes of 11-year-old Ed.

This point would not be so relevant if Ed was evidenced as the first-person narrator in the Elric’s portion of their story. However that is shown to be Alphonse, who begins telling their story to Rose at the end of episode 2, and recurring at the beginning of every episode until the 40s I believe.

While the last few episodes are replaced by Ed’s narration in dub, the original continues with a new script, but continues with Alphonse as narrator. This implies Al as a kind of narrator even as the events occur. Therefore every flashback (unless told by Ed) in the Elrics portion of the story are implied to be Alphonse’s memories. These never feature Alphonse as a solitary figure, or even the central figure in nearly every case.

One might now say that the difference between Alphonse and the homonculi is that their soul wasn’t present in the transmutation, wheras Ed retrieved Alphonse’s soul from the gate immediately.

Other characters whose souls were never ‘missing’ were the Lab 5 guards (Barry, Slicer brothers), whose souls were attached to pieces of armor. When we meet these characters in episode 19, their flat fixation on their murderer identities and pasts via villain monologue doesn’t appear to be out-of-the-ordinary, especially for a shounen action series. (which, by the Lab 5 episodes, the show hasn’t really departed from).

But after hearing the narratives of the homonculi I always come back to the question: Why are they so fixated on their identities as murderers? Could it be because those who attached them to armor only knew of their history as criminals?

Consistent with artificial souls and “artificially created” figures in FMA 2003 (chimeras, soul transfers, homonculi ect.) is a drive towards death. It works with the narrative’s focus on themes of man vs “god”, balance, ect. and ends up winning even over the drive to “become human” for most characters.

It is also interesting to reflect on Alphonse’s realization at the end of the show, especially in relation to the speeches of other “artificial” beings. He comes to a new realization of how he should have died long ago. Could Sloth’s death have confirmed the true nature of the feeling he had beginning in episode 17?

A counter to this could be that Alphonse has an artificial body. After all, a clear rule of FMA03 is that those with artificial souls cannot perform alchemy. Al can perform alchemy, thus his soul must be genuine.

The presence of Wrath counters this, as he is able to perform alchemy with Ed’s arm and leg. If alchemic ability were purely based on a “genuine” soul, we’d have to assume that Ed’s soul is somehow contained in his limbs that Wrath now has? As FMA speaks to a division between mind, body, and soul this is doubtful.

It is never confirmed if Wrath can perform alchemy once losing his “human” limbs. (He only fights physically in CoS.) Furthermore, Shou Tucker is able to bring Nina back to “life” at some level using the stone but it is doubtful she can even speak. Are there different levels of skill in transmuting souls?

Nevertheless, there is clearly a dialogue beyond genuine soul -> alchemic ability.

(Could this apparent lack of alchemic ability in fake souls be engineered by Dante herself as a means of control? That’s a post for another day.)

2. Equivalent Exchange and Human Transmutation

The finale of the show is important to discuss when approaching this topic. It serves to deconstruct the rule of “equivalent exchange” touted (yet challenged) by the series up until this point. It is ultimately countered by the presence of a philosophers stone, which essentially vetos personal responsibility in order to commit alchemic taboos (in exchange for thousands of human lives.)

At this point, Al himself has become the philosopher’s stone. When Ed is killed, he uses the power of the stone to bring him back. During that exchange we see something interesting.

As so much of Al’s character in FMA focuses on the dissonance between his form and his soul, why would Alphonse appear in the gate in this form? (Envy appears right Alphonse, but in his preferred form(s)). The Ed he brings back is presumed to be the “original”, including his original body parts. We are able to see his “complete” (two arm, two leg, non-stabbed form) here.

But when Ed brings Al back, we meet a very different Alphonse — one with only the memories of his fully human life, before transmuting their mother.

Unlike in BH, he hasn’t aged nor is there any mention of recovering from his time in the gate. We first see him healthy and playing with Den, standing a few inches taller than his pre-transmutation self.

Could the Al that Ed brings back in episode 51 not be the Alphonse we knew during the majority of the show? I personally have understood that the young Alphonse we see in episode 51 is pre-mother transmutation Alphonse, with no relation to the armor!Alphonse we met in the show.

CoS constantly mentions his inability to “remember” those days, but I wonder if those memories belonged to this him in the first place.

It seems to be that the power of the stone is what allowed a “perfect” transmutation to occur, in the cases of Ed and Al in 51. One may wonder why Shou Tucker’s stone of Nina transmutation failed in comparison.

Well, he doesn’t have a great rep for doing things correctly. Furthermore, 03 operates on a more symbolic plane which likely contributed to Tucker vs the Elric’s results. Will expand on this in future post.

What’s very interesting to me is the stark shift in personality, especially exhibited in CoS. He is more of a risk-taker, and much less cautious. This may be purely circumstantial — to someone whose identity is so closely dependent on his brother, waking up in a world without him would certainly have an effect.

But sans any effects that the lack of his brother brought on him, could this show hints of parts of Al’s personality that were subconsciously omitted or toned by Ed when he attached him to the armor?

3. Al’s Soul and Character Depth Within the Narrative

Hopefully it has become clear that I am not arguing for Barry’s stance (”Alphonse Elric never existed in the first place”) but rather an idea that armor!Alphonse, like the homonculi, was created from the memories of the one who created him.

In a character-driven series, where even the most minor characters seem to have a level of depth and agency, why does Alphonse often seem so “supporting”? It seems he should have many more layers, especially acting as the central main character following Ed.

But for his narrative prominence, he seems reduced to a set of character traits that (while not stereotypical or flat) are much less dynamic and developed than many characters that are far less prominent.

I don’t doubt that the Elric’s relationship was codependent before the transmutation (and such is evidenced in how Al turns out come CoS). However if Ed (inadvertently) created Al’s soul, the strongest ideas of Al in relation to Ed (as our memories of anyone other than us are). This may explain the odd discrepancy between supposed main character armor!Alphonse as a fully-rounded character and the plethora of dynamic side characters.

4. But what about the other Conqueror of Shamballa details?

A good question! The Alphonse that appears in CoS is able to transfer his soul to other bodies. And in the end he regains his memories and ages.

These facts could stand in opposition to this theory, but in order to fully explain my perspective (which is highly entangled in this theory as well) I would have to go into an even longer post on my interpretation of CoS in general. lmk if anyone wants that!

(tl;dr i guess?) by interpreting the ‘plot holes’ as intentional, one may come to the conclusion that armor!alphonse has an artificial soul and the alphonse brought back in ep 51/cos is the original Alphonse that died in their transmutation of their mother.

#fullmetal alchemist #fma #fma 2003 #fma03 #alphonse elric #spoilers #fma meta #my writing #LOL i have had this theory since like 2011 i finally wrote it #thank you calangkoh #for making me do this #also thank you afgunst for fact checking and thank you derlingdarlest for proofreading my 6am writing

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