#(two of you may even be reading this)

[karouvas]

would absolutely love for part of the context of the “you’ve dated way more than I have” (which I will always maintain that whatever other factors are involved, had way more to do with Adam’s perception of Gansey’s levels of experience than the actuality of them / Adam is an unreliable narrator because he thinks of Gansey as the coolest hottest person evah and assumes everyone else feels this way too) to be that Adam spent ages thinking that Malory was their age but just had older mannerisms / hobbies like Gansey does and that Gansey might have dated them… in my mind the first time Gansey ever brings up Malory pre series he doesn’t use pronouns so Adam constructs this image of this glamorous old money English girl who has all of Gansey’s interests and is rabidly jealous of her, and also into the image of her in his head. Then like a few months later he realizes he’s a guy and is still jealous even though he thinks Gansey is straight or is he??… then like a few months after that it becomes clear he’s older but he’s still not sure How much older and this is Adam hot for evil Latin teacher Parrish so he’s still not ruling out the jealousy… and then he meets Malory and is embarrassed for his previous thoughts but still jealous, because he spent for much time with Gansey and because Adam is a neurotic freak.

[dailyjevil]

hello!! hope you're having a good day :D

since you're doing the pride flag challenge, I hope you don't mind me requesting the lithromantic/sexual flag!

left is lithsexual and the right is lithromantic, idm which one you pick :]

(it means to feel romantic and/or sexual attraction to someone but doesn't want the feeling reciprocated or stops once it is :>)

Day 297 of posting Jevil every day

[clownhonkbonk]

hi rqg people i am once again late to the party

[bittybeanie]

oh boy! time to post a new fic! I can't believe it's been *checks calendar* ....oh. uh. oops. ignore that! it's the fourth and final installment of (this) aspec reigen series, complete with a lite™ version of a couple different kinks and finally getting to touch the peen! this one's real long, folks, clocking in at about 9,500 words, so you might wanna get a nice beverage and settle in.

content notes: thigh riding, themes of consent, drunk almost sex, a discussion about the drunk almost sex in the following scene, praise kink, a very loose (literally) definition of bondage, and so so many pet names. minors please don't interact!

also on ao3!

It takes more than a couple tries for you to get settled on the bed. You’re too close, then too far, and Reigen can’t get comfy, and your hand keeps sliding out from under you, and he can’t decide how he wants your leg angled, and there’s too many clothes, then all at once so few clothes that it feels like too much at once and you hastily agree to put your shirts back on, not wanting to break the already fragile layer of quiet hope.

Finally, finally, everything is perfect.

Awkward, stilted, and a little tense, and you’re not sure how long your leg will let you keep it just barely raised like this before it cramps up, but he’s here, embarrassed but steadfast, breath coming out in shivery gasps, hovering over your thigh, one hair fisted in the back of your hair. If he tips over, there’s no way you’re not going with.

Perfect.

His thighs shake as he holds himself up, deciding which direction he wants to move. You reach for the small of his back to steady him. "Does this count as keeping my hands out of the way?" He nods, so you test the waters by sliding your other hand up his thigh.

"As long you don’t- just no direct touching. Close to is fine, just not… well." He moves a hand back and forth across where he’s hovering over your thigh.

“Keep off the goods. Gotcha."

"The goods? Awful. You're awful, I swear."

You slide your hand up, just barely skimming your fingernails over his hip when you catch the hem of his shirt, and his cock twitches in his boxers.

"The goods don't seem to agree."

"Oi." Despite his protests, the laughter loosens him, and he relaxes enough to lean back into your knee. “Fine, fine, just stop saying goods.”

“Alright.” He raises an eyebrow. You lift both hands in surrender. “I promise! I will never again use ‘the goods’ to refer to your perfect, gorgeous, suckable-”

“I get it! I get it.” He grabs onto your shoulder - maybe in an effort to distract you, or maybe just to keep his balance - as he shifts closer. You can practically feel the heat radiating from his ears. “Here, actually, can you-? Hm.” He presses a hand against the inside of your other leg, thumb digging in as he gives a shove. He slides a knee into the newly free space between your legs, leaning forward to get a better angle. Your hands settle back on his waist.

“Better?”

“Much.” He lets out a little hum as he pushes his hips forward, and you have to stamp down a whimper at the feeling, his dick heavy and warm even through fabric.

“Didn’t mean to just push like that, though. Sorry.”

“S’okay. I’ll survive a little manhandling, as a treat.” You hit the last “t” sound with a click of your tongue, and he falls into your neck with a laugh. You trace patterns on his hips as he moves, tracking the motion as you press your fingers into his skin. “God, how do you get your hips to move that smooth? It’s sorta mesmerizing.”

“Hm? Oh, I don’t know, I’m just- I wasn’t thinking about it. S’just what f- ha, feels good.” His breath fans out across your collarbone, warm and fast.

“Yeah? You like using my thigh, baby? No thoughts other than what feels good? Your own personal toy to get yourself off against?”

“Oi.” His hips stutter once before he falls back into a slower rhythm. His fingers dig into your shoulder as he pulls you closer.

“Too much?”

“That’s not how I think of you.”

You can’t help but laugh, a light chuckle coming out in a breath against his hair. “I know, ‘Taka, I know.” You slide your hands under his shirt, over his stomach and up to his collarbone. “But would it really be so bad to belong to you?”

“I- fuck.” There’s a moment of worry when he shoves you away, but then he’s scrambling for the hem of his shirt and pulling.

“Are you sure?” It’s a formality, uttered even as you’re already reaching to help slide the fabric over his elbows, but it’s one you can’t even imagine going without.

“Very.” He lifts himself off of you to push his boxers down, shifting his weight from one leg to the other as he shimmies them all the way off. The mattress shifts and pitches him over, and you hurry to grab his arm.

He crawls back over to straddle your thigh, the tip of his cock tapping lightly against your side before he leans back onto his ankles.

“Do I need to get-?” You chuck his shirt into infinity and gesture vaguely to the bedside drawer. He’s technically never told you that he started keeping lube in there, but he hasn’t made much effort to keep the secret either.

He shakes his head. “I’m close. Won’t matter.”

He tries to go back to rutting against you, anchoring his hands on your waist to tilt his hips this way and that, but something about the new angle is off, and he can’t get any good contact.

“Oh no, now horrible, your dick is just so hard it won’t stay down on its own.”

He clicks his tongue at you as he scoots to sit closer, flush making its way from his ears to the edges of his cheeks.

“That gorgeous curve probably isn’t helping, either. In this case, anyway. Be an absolute treat to have inside me, though.” You press your thumbs in just above his knees, encouraging him to spread his legs more, and he jumps with a squeak, hands flying to grab yours. “Sorry, sorry, di-”

“No, it’s-” He pulls your hands together, just in front of his stomach, and the tip of his cock brushes against you. For a moment, you think he’s going to pull down, but he guides your hands back to his hips, pressing them into his skin as he rolls his hips. “Here.”

He gives up and puts his hand flat over his dick, pinning it down against your leg. He lifts himself to adjust the angle, just his tip dragging along your skin until he bumps into your hip, precum rolling out in a thin line over your thigh. When he pulls back, he grinds down insistently, coating his length and covering what isn’t already marked of your thigh so he can slide more easily. After a few impatient jolts of his hips, he settles back into a rhythm, smooth and fluid, and lets up on the pressure of his hand. He slings his other arm over your shoulder to pull you closer, and he falls forward to bury his face in your neck, whining into your collarbone.

He wasn’t lying when he said he was close, because it only takes a few drags of his cock against you for him to seize up, body tensing before going boneless, cum rolling over his hand and onto your hip as he slumps against you in a mess of pants and sighs. You slide your hands up his back to support his full weight, pressing kisses to his hair as he catches his breath.

“Just… gimme a second, I can cl- get you- god, my legs.” He rolls off of you with none of his usual grace, limbs falling everywhere at once, lightly smacking your arm as he goes limp.

You laugh and push his hair back from his face. You don’t bother to untangle your legs from his, accepting your fate of needing a shower later in exchange for getting to lean down to kiss his cheek.

“Eh, let it dry.”

“I’m starting to think you like it more than tolerate it.”

“If you haven’t gotten the hint by now that I want you to absolutely cov-”

He gives you a shove, rolling his hand so there’s no real force behind it, but you seize the chance to topple with a dramatic moan, one hand falling theatrically across your forehead as your eyes flutter closed. 

“Oh, stop it.” He crawls over and props himself up on his elbows. You can feel his breath fanning over your collarbone, stilted like he’s trying not to laugh. You crack one eye open, breaking into giggles when you see his forced serious expression, eyebrows pinched together and one cheek sucked into his mouth to keep the smile off his face. He breaks at your laughter, breathing out through his nose and pressing his forehead to yours. “I can’t take you anywhere.”

“Oh, you could take me anywhere, handsome.” You waggle your eyebrows suggestively, and he rolls onto his back with an exasperated groan. You laugh again and sit up, pulling a blanket over him so you can settle in without accidentally brushing somewhere he’d rather you didn’t.

“Hey, Arataka?”

“I love you, too.”

“That, too.” You chuckle. “But I have a real question this time.”

“Oh.” He turns his head. “Sure.”

“After you… when you took my hands earlier, were you…?” The fleeting moment of contact between him and your hands floats through your mind. You can’t help but wonder what he was thinking in the moment he hesitated, but it feels weirdly invasive to ask so bluntly. “Sorry, never mind, this is a weird line of thought.”

You lay down beside him, craning your neck to rest your head on his shoulder. His hand finds yours, lacing your fingers together as his thumb smooths up your wrist.

“Do you mean…” He takes a steadying breath, grip tightening almost imperceptibly. “Do you mean after the clothes came off?”

You nod. For a moment, he stills, not even breathing.

“I was… I wanted so badly to let you touch me. I thought if I didn’t have to say it, if I could just… imply, then I could get around it, but,” he sighs heavily, and he sounds tired when he continues, “I panicked.”

You’re both quiet, long enough that you startle even yourself when you finally break the silence.

“It’s not a bad idea.”

“...Panicking?”

“No, angel. Implying.” He presses his cheek to the top of your head. “Maybe you just have to imply for a little longer.”

“I’m not following.”

“What if you left your hand on top of mine? That way it’s like- it’s the same as when you do it, but it sort of, hm, bridges the gap? All the sexy, none of the surprise.”

For a long moment, you’re not sure if he’s quiet because he’s thinking or because he’s falling asleep.

He hums, shoulder rolling under your head, and he pulls you tighter against his side.

+

"Okay." You shift nervously, tucking your foot underneath yourself, then deciding against it and unfolding your legs. "Walk me through the zones again."

"I'm not a city planning map." He rolls his eyes, but he takes your hand. You’re not sure which one of you the gesture is supposed to comfort.

You shift back onto your knees.

"Here up, anything goes." He points at the middle of his chest. "But try to stay- so more like, well, from maybe..." He gestures to his collarbone and wags his finger up and down. "Here to here, really."

When he looks back at you, you can tell he's waiting for something. You settle for a small nod.

"Right. A-and then, here to here," he points from his chest to just above his hip, "Hands are fine. Doing... whatever." He steadies himself with another deep breath and rushes through the rest. "Legs, stay still, and anything... direct we'll do the- on the- yeah, got it, that's all."

You let him sit for a moment to make sure there's nothing he forgot. His grip on your hand tightens, and you swear he moves to pull you closer, but he must decide against it at the last second.

"Whose hand is going on top again? Sorry, we've swapped it so many times I can't remember if we decided."

"Oh. Right. Um." He hovers his right hand over his left, then swaps them, then swaps them again. “Yours under mine.”

“Got it.” You reach for him, letting him pull your hand up to his collar. "And you know you can tell me to stop at any time?"

"You tell me that every time."

"It's important every time."

He swallows thickly and traces a circle on the back of your hand with his thumb. "Yeah. I know."

You shift to pull your legs off to the side, then cross them again, then sit back up on your knees. Gently taking the collar of his shirt in your hands, you trail one thumb along the edge of the fabric until you reach the top button. "And can I do this, or would you like to?"

He nods before realizing there were two options in your question, then points at you, then at your hands, then flashes you a thumbs up. "Yeah. Go ahead."

"Well, now hold on, I have manners. I'm not going straight for the goods." He laughs and shimmies to sit up straighter, letting his legs straighten out in front of him. "How about the pants later?"

"Uh, right, that's, I didn't think about that. I mean it would make sense that you're going to be- I mean it's not like-"

"Arataka."

"Yeah." He swallows.

"I'm not going to be offended if you’d like to take off your own pants."

He pauses, staring down at his knee. Eventually, he shakes his head. "I want you to do it."

"And your-?"

"Just do it at the same time."

"Got it." You take a steadying breath of your own. "I won't stay there, but is it okay if I straddle you for a little bit? I wa-"

His hands are pulling at your waist before you can get your legs properly unfolded, and you almost tumble over him. He laughs an apology as you move on top of him, hovering over his legs to avoid making any real contact.

You brush his bangs back from his face, following through with the motion until your fingers tangle in the shorter strands of hair at the back of his head. He tilts to follow your hand, craning his neck to keep you from pulling.

"Ready?"

He nods slightly.

"I’d like a verbal yes for this one, lovely."

He swallows. You watch his Adam's apple bob.

"Yeah, yes.” He nods again. His hand jerks, taking yours with it, and he awkwardly lets your hand fall into his lap. You do your best not to move. “I trust you."

You drag your gaze back up to his face, searching for any last signs of reluctance. A bead of sweat trails down his temple, and you’re certain if you put your hand to his cheek you’d worry he had a fever. Sure enough, when you slide your fingers along his jaw, he’s hot to the touch, and the tips of his ears are turning brighter shades of red by the second.

He clears his throat, pushing his jaw into your palm. “Are you gonna-?”

“In a minute.” You swipe your thumb across his bottom lip. “I’m savoring.”

He scoffs at that, the same scoff he uses when he sees somebody do something stupid in public, and you take the opportunity to catch him by surprise, surging forward to push him down onto the bed. His hands go to your shoulders on instinct but he pulls them back almost immediately, hovering awkwardly in the space between you. Using your grip on his chin, you angle his head so you can lean down and kiss him without knocking your noses together.

Once you’re sure you can support yourself without falling on him, you allow your free hand to trail down, tracing down the muscles in his neck, across his collarbone and back, finally settling on the first button of his shirt. It takes a little effort to get it undone with just one hand, but you manage it, and you allow yourself to dip down as you settle into a rhythm, lips ghosting along Reigen’s skin as you uncover more of it.

He’s shivering, hand shaking where it hovers over yours on the last button of his shirt. When you slide your hand back up along his side, his hand falls back to the bed, pulling at a wrinkle in the sheets.

You kiss along his jaw, savoring the feeling every time his breath catches in his throat under your lips. Your hand trails down along his side, wrapping around him to hold his waist when he arches up into the press of your thumb. He hums, eyelids fluttering, and you dare to slide your hand down, ever so slightly, thumb brushing over his waistband and back onto bare skin.

He grabs for you, grasp tight around your wrist, almost painful before he slowly relaxes and drags your hand back up toward his chest. You push yourself off him, swinging your leg to kneel beside him.

“Here, let’s try this.” You guide him to sit up. Once he’s situated against the headboard, you settle in by his thigh, your knee pressing gently into his hip. One hand traces circles and patterns as you trail down to his stomach. “Still good?”

He hums, but he scrambles for your wrist again, holding on tighter and tighter the closer you get to the button on his pants.

“You’re allowed to change your mind, y’know. I can let you do it.”

“That’s not- mm.” He relaxes his death grip on your arm but keeps his thumb hooked around it. After a few tries to let go completely, his head tips forward into your shoulder. “I thought I would… I’m sorry.”

You shake your head and slowly pull away. “Nothing to apologize for.” You cup his face with both hands and gently turn him, but he doesn’t hold your gaze for long. 

“Do you want to keep going? Should I…?”

He opens his mouth, but says nothing. His expression is pinched, tight with something you’re not sure how to label. His fingers press together, thumb and index, thumb and middle, thumb and ring, thumb and pinky, over and over as you lean back, nodding softly.

“Stay in bed?” Your voice is shakier than you’d like. You swear he flinches, and you clear your throat. “Or move to the couch and watch something?”

“Couch.” He nods once, stiff and harsh, and swallows thickly. “Thanks.”

He presses a kiss to the corner of your mouth, and slides out of bed, starting to button his shirt back up as he wanders into the other room.

You keep nodding as if in a trance, and you follow him out. 

+

Despite the now faint memory of some friend of a friend forcefully inviting you, there's not a single soul at the party you recognize. With the exception of a few people dancing by the kitchen, closer to the speakers, everyone has settled for taking a seat and awkwardly bobbing their head. You’ve repeated the same three lines of small talk more times than you can count, it's just cold enough that you've had the chills the whole time while still managing to feel overwhelmingly stifled, and the music is so awful you wonder how somebody hasn’t tried to change it yet. But there's alcohol, the good stuff that somebody is clearly very particular about, and lots of it. You can't remember how much you've had, and that fact is enough to tell you it was probably too much, but it doesn't stop you from taking whatever the host is passing out when they wander through.

You think Reigen might be the only person doing worse than you. He looks... woozy. His face is flushed and his eyes are lidded like he might throw up, pass out, or both at any moment. At one point he took a tumble when he tried to sit down, graciously ignored by everyone else, and you had to throw your arm around his waist to keep him from sliding down the front of the couch again. He's leaning on you for support every time he moves, and if there were anything left in his can you’re sure he would be spilling it on you right now.

He's restless at the best of times, you know this, but even through the fog you can tell something is off. Not wrong exactly, but he keeps giving you this sideways glance, digging his fingers into your thigh to steady himself and then yanking his hand away, knocking his head into your shoulder and muttering something you haven't been able to make out.

He laughs - way too loudly at something you're not sure was supposed to be funny - and stands abruptly. Your hand around his waist falls limp on the couch, and he sways without the support.

"I'm going to the re- the ba- I gotta piss."

Nobody but you pays him any attention. He takes a wobbly step forward, knocking his foot into the leg of the coffee table, but he doesn't seem fazed. His knees bend at a weird angle as he shifts his weight from foot to foot, then he straightens back up and whirls around to face you. The momentum sends him tumbling back down, and you manage to catch him before his nose smashes into your jaw.

"I guess you better help me there."

"Yeah." Your voice crackles from dehydration. You have to clear your throat and try again to get a recognizable sound to come out. "Alright." You do a quick mental scan of your legs to make sure they'll support you before you motion for him to get up so you can stand. He does, grabbing your wrist and pulling with the conviction of somebody who does not need help walking.

The gears in your head start to turn.

He drags you along, glancing over his shoulder as he rounds the corner into the hallway, only stumbling once when he has to screech to a halt and back up to yank a door open. He pushes you inside, pulling the door closed behind him after he follows you in.

It's pitch black, and you're not sure if the overwhelming lemon smell is coming from Reigen or something in the room. You reach out to find him, but your fingers brush against something cold and smooth instead, and it's not until it tilts and hits you in the head that you realize it's probably a handle for something. Reigen's hand whacks into your arm and he holds on tight, fingers digging into your shoulder as he pulls you forward.

"I don't think that was the right door."

"Hm? Oh, sure." You can feel the air beside you moving until eventually his other hand finds your face, one finger dragging across your cheek until it hits your nose. "No, I- yeah, I know."

"Then wh-"

He pushes, hard and sudden. You fight to keep your balance as you adjust to the weird backwards lean you find yourself in. Reigen hisses as he pulls his fingers out from between you and the wall.

"Dumb, that was so dumb. Sorry." He fumbles for your waist to guide you backwards, and you feel his hips press against you when he reaches past your head to lean on the wall.

Everything clicks together all at once.

Your hands fly to where his waist should be. Once you find him, you're not sure if you want to shove him away or pull him in closer.

"You're super drunk. I don't know if-"

"Tha's the point." The hand on your face slides around until his thumb catches your bottom lip. He sways, like talking about it has made him remember how much he's had to drink. When he leans against you, he's heavier than normal, like he can’t support his weight anymore. "Liquid courage."

"I’m drunk." 

"Mm. Shit." He pulls away, just barely, and he nods. "Do you mind?"

Your mouth drops open uselessly. All your thoughts feel like static, indecipherable noise screaming for you to do something, if only you could figure out what. He's squirming now, like it hurts to stay still. You realize he's whimpering at the same time you realize he's grinding his hips against your leg.

“M’fine.”

He lets out a sigh of relief and drops his hands as he shuffles around. You take the chance to stand back up. When you finally bump into each other again, he wraps his arms around you and squeezes, his breathing coming out in pants against your chest.  He hooks one leg around yours, tapping his foot against your heel to bring your leg forward. You make a strangled humming sound when he grinds against your thigh.

"Hey, where's your hand?"

"My...?" You suddenly remember you have hands. You allow yourself a moment of silence for all the time you could have been holding onto him before you push one hand forward. It smacks into what you think is his stomach. "Sorry. Here."

"S'kay. Stay put." You keep your hand pressed against him as he leans backward. You're not sure when he stopped holding onto you, but one of his hands is suddenly over yours, and a loud zip cuts through the sound of you both breathing. He slides his hand down, dragging yours with it. Your fingers glide along his skin, smooth and soft, until you brush against a patch of hair.

A sobering panic cuts through you.

He must realize what he's doing at the same time you do, because you both freeze. His grip tightens. He guides your hand away from him slowly, stopping when he makes contact with your side.

"Stay... stay put."

He turns and scrambles for the door. Something falls beside you when he misses the doorknob, then you're squinting as light floods in from the hallway. You can make out the silhouette of him sprinting into the room diagonal from where you're standing, and then there's the unmistakable sound of vomiting.

Your place is only two blocks away - no more than a ten minute walk.

You call a cab service.

+

It smells like coffee.

When you try to sit up, the room spins. You end up in a sort of half sit, half lean as you grab onto the side of the mattress, willing everything to stay still. You take stock of the things that are clear enough to look at, slowly making sense of what happened once you got home.

You're laying on top of the covers, still in your clothes from last night. One shoe is in the doorway, and the other is nowhere in sight, probably somewhere closer to the entrance. The coffee smell, growing more enticing by the second, is a good sign Reigen's in the kitchen.

You slide onto the floor beside your bed, not trusting yourself to stand up without falling just yet, to rummage for more comfortable clothes. Once you manage to get changed, you stand up slowly, and make your way to the kitchen.

Reigen must have grabbed a set of pajamas at some point last night, though you can't remember when. His back is turned to you; he's lazily stirring something on the stove. Two steaming cups of coffee sit on the counter beside him. Before you can decide whether you want to say something and risk startling him, he seems to sense you standing there, and he turns around with a weak smile.

"Hey."

"Morning?" It's both a greeting and a question, because you have no idea what time it is.

"Yeah." He lets out a breathy chuckle. "How, um, how you feeling?"

Your head is throbbing so bad your teeth hurt, your legs and back are sore, and you have a looming sense of guilt.

"I think I should be asking you that."

"I'm fine, really." He clicks off the fire and reaches for a bowl. "I told you, I felt basically back to normal after I- well, um, you know. Thanks again, by the way, for car- for carrying me."

You nod softly, feeling a little useless as he hands you what looks and smells like a very delicious soup.

"Reigen, I am so-" "I didn't mean-"

He reaches for a second bowl. "You first." When you start to shake your head, he rolls his wrist in a "go on" motion. "Please. I'm not actually sure how to say mine yet."

"Right." You swallow thickly, fidgeting with your spoon. Deep in thought, you miss Reigen slipping past you. He clears his throat and gestures to the seat across from him. You slide into the chair. Your spoon clanks against the bowl as you set it down. "I, um. Shit, I'm so sorry."

He seems surprised, a spoonful of soup halfway to his lips.

"What for?"

"Wh-" You blink. "Every... thing? I- I know sorry doesn't even cover it, but I-"

"Whoa, hey, okay." He shakes his hand in front of him. "Never mind, I'll go first, because I think you got the wrong idea and I'm not gonna let you apologize for anything that happened."

"But you trusted me, and I-"

"And I still do. That's- that was the whole- look, I-" He sighs. His spoon clanks as he sets it down, abandoned in favor of wringing his hands together. "I set you up."

"You-?"

"I didn't mean to! I thought- It was stupid, and I should have just told you what I was trying to do, I know , but I- I wasn’t exactly thinking straight, and I thought if I could speed up the process, then- I mean, there's only so many times you can put up with almost getting to- if I could- ugh, sorry, hang on."

He pinches the bridge of his nose. You swear your headache is reacting sympathetically, because pain shoots between your temples, dull but persistent. He goes to retrieve the coffees from the kitchen, just cool enough to drink, and you down some as soon as he hands you a mug.

"You've been so patient, and I know you would never do anything I didn't want, but I... I keep overthinking it. And I thought it would be the perfect excuse to... to not have to think about it at all. I mean that's- that's just what people do at parties, right, and- I mean, it was... ugh." He sits back down, his posture unnaturally rigid. He chooses his next words carefully, pausing between words as if he’s testing out different sentences in his head. "I trusted you… to not take it further than I was comfortable with… more than I trusted myself to… not panic over nothing. So, I- I saw the chance and I..." He gestures weakly, hand falling back to the table with a soft thump.

"Liquid courage."

He takes a sip of his coffee and slumps forward, holding his chin with one hand.

"You... got drunk on purpose?"

"Not originally, but, uh."

You nod slowly. Your stomach grumbles, and you realize you haven't actually eaten any of your soup. You take a reluctant spoonful, chewing slowly as you take everything in.

"When you froze up, it- I realized how little I had thought it through. I- it wasn't fair to you. You didn't do anything to- I never should have put you in that position in the first place."

"I... would have appreciated a warning, yeah."

"Sorry." He runs his hand through his hair and leaves it against the back of his neck. "I'm really sorry."

"Apology accepted." Reigen relaxes into his chair. As he stretches his legs out, one of his feet bumps against your ankle, and you laugh softly. "I'm still sorry, too. I should have asked more questions. And I didn't... I think I noticed something was wrong but I didn’t realize it was that frustrating for you. Before, I mean. I never wanted to make you feel like you had to do something like that."

"It's exclusively a me problem, I promise. I thought something would have worked by now. I don't... I don't really know what’s getting in the way." He shakes his head, breathing out sharply through his nose.

“I mean, literally speaking, your hands.” You laugh and take another sip of your coffee. He tilts his head. “Because, you know, y-you always grab my hand before I-?” He stares, unblinking. “Sorry, too soon to joke, probably,” you mutter into your cup, taking another sip just to have something to do.

When he moves again, it’s with a jerky start, sitting up and leaning forward. “My hands.”

“Yeah, I-”

“No, my hands.” He throws his elbows onto the table. The bowls clatter and his coffee sloshes; his chair scrapes against the floor as he stands. His wrists come together in front of you, palms up and fingers curled loosely, as he stares, silent, waiting for a glimpse of recognition to cross your face. It takes a moment, but when he finds it, he grins. “My hands.”

“If you want to stop-”

“Saying so has always been enough.”

You stand, leaning to match his eye level. You consider him, searching for hesitation, but you find none.

You take his hand, and you start pulling.

+

“This is… mine?” An old black tie lays across Reigen’s palms, the ends hanging loosely over his thighs.

“Yeah, you left it here. A while ago, I guess.” You shrug. “You never really liked it, though, plus you’re here all the time anyway, so I didn’t get around to giving it back, and it’s just been here ever since.”

As you slide the drawer closed, he catches a glimpse of an old t-shirt he left on his first night in your place, folded neatly in the back corner, under a small collection of his dress socks. 

There are signs of him everywhere, really, if he looks. His toothbrush in your bathroom, a blanket he bought you for your birthday draped over the back of the couch, his favorite sweater of yours hanging on the handle of the closet, never out of service long enough to make it in with the rest of your clothes.

He’s struck with the realization it’s not just in your things, your home, but in you, the way you gesture with an extra dramatic flourish that wasn’t there before, the unwavering, tight smile that settles on your face when you talk to clients, the softness in your voice when you welcome the kids into the office, quietly clearing a table for them to do homework on, the flashes of movement in the kitchen as you dash back and forth whenever you make recipes he taught you - favorites from when things were harder and uncertain and cooking was his escape, before even the hardest parts of his life were laced with joy.

He’s wearing off on you.

He’s known it for a while, but he’s never put it all together like this, never seen it all so neatly represented in a single black tie, satin and unassuming and full of possibility. You kick your abandoned shoe out of the way, pushing the door shut with a soft click that startles him just enough to draw his attention.

“Still okay?”

He wonders how you’ve worn off on him, which parts of him weren’t there before that he doesn’t notice, can’t notice.

“Yeah.” He nods. “I’m ready.”

He smooths his thumb over the fabric, watching it wrinkle and crease where he applies pressure. It slides across his palms, dragging slowly as you wrap one end around your hand, until he’s left with empty air, hands outstretched between you.

He feels light.

You take his hands in yours, turning them in toward each other, and start to lay the tie across his wrists.

“Oh, wait!” You pull back right away, and he holds up one finger. “Not- we should take my shirt off first.”

“Jesus, you scared the shit out of me!” You laugh and settle back onto your knees. “Yes, okay, let’s- yeah.”

Reigen stops halfway up. The fabric stays bunched when he lets go, and he pulls your hands to the exposed patch of skin. He can feel the tie, still wrapped around your palm, pressing against his side, cold and smooth, and he swallows thickly. As you drag your hands up, it slides up with you, and a shiver wracks through him when you finally pull the shirt off his arms.

He cups your face, pulling you into a kiss, fingers coming to press at the back of your neck to keep you against him as he topples backward. You catch yourself on one hand, the end of the tie flipping to rest over his shoulder as you climb to straddle him. He’s insistent, both hands tangling in your hair, little sighs and puffs of breath against your mouth as he refuses to pull away for air.

You press a kiss to his cheek to soothe the loss when you lean back. He drapes his arms over your shoulders, locking his fingers together behind your head.

“We could stay like this? My hands are… close-ish together.”

“I can’t see behind me to tie it, but,” you pull his hands around your head, “I’m sure we can figure it out after that.”

He nods. You turn his hands back toward each other and his fingers curl, knuckles pressing together as he relaxes. You drape the tie around his wrists, trying a few different ways of looping it but not finding anything you’re satisfied with.

“Sorry. I just wanna make sure you can get out if you need.”

“It’s alright. I like the attention.”

You freeze, a wobbly grin taking shape as your face heats up.

“‘Taka, I’m supposed to be the composed one!”

“I’m just trying to be honest!” He flexes his wrists, pressing his knuckles together to crack them.

“Don’t worry,” you press both ends of the tie between his hands and motion for him to hold them still, “I like giving you attention.” You fold the middle of the tie over to make two loops and start twisting them in on themselves. “And I wanna hear about it as much as you can bear.”

“You seem plenty composed to me.” He pinches his thumb between two fingers and squeezes.

“Quick recovery. I learned from the best.” You wink and put your fingers through the loops. “Here, hands in here.”

He flattens his hands to squeeze them through, stopping to let you shimmy the tie the rest of the way over. You hold the ends of the tie and give a quick tug before tying them together.

“There, it’ll have to do.” You slip a finger in each loop, making sure there’s enough room to be comfortable without him being able to slip out without meaning to. “It’s a little loose, so don’t pull too hard, okay?”

“Sure.” He folds his elbows down, letting his hands come to rest on his chest. He jerks one hand up toward his hair, pulling his other hand with it, and the tie snaps taut. He has the courtesy to look sheepish. “I’ll try.”

You roll your eyes, smile still wide.

“Hands above your head, please.”

“Hm?”

“I’d like to get at your neck.” You press up on his elbows, and he unfolds his arms. “Those were in the way.”

“O-oh. Right.”

You lean down, tilting his chin up with one hand, and press a kiss to his throat, savoring the way it moves as he swallows. You trail down until you reach his stomach, dragging your tongue along his skin on the way back up. He exhales sharply, breath moving your hair as you get closer to his face. He forces out a laugh, and he rolls one shoulder.

You glance up. The tie is already starting to come loose, untwisting in the middle, but his hands are clasped together, the tie held in place between his wrists, fingers over the ends.

You kiss him, quick and breathless, and slip your fingers under his waistband. When his breath hitches, you smooth your thumb along the bone there, a reassurance you won’t move yet. You can feel him tense under you, pressing up into your touch, then slowly settling back onto the mattress.

You’re both reluctant to acknowledge the fact that you have to get off of him to take his pants off. You do your best to shimmy them under you, and he lifts his hips to help, but you need both hands to make sure his boxers stay on for now, and you want to make sure he can move his legs, so eventually, begrudgingly, you climb off him.

He takes the opportunity to stretch, his back arching off the bed as you throw his pants off somewhere to worry about later.

“Ooh, pretty. Think you can do that for me again?” You press a thumb to the inside of his thigh, at the edge of where his boxer leg has ridden up, and he jumps, hips rolling against your touch.

“Trickery.” He squirms, a whine that refuses to come out shining through in his voice. “Not fair.”

“Don’t worry, you’ll get plenty more chances.” You trail your fingers up his thigh, along the “v” of the bone, up his stomach. He shivers when you trail back down, your fingers catching on the waistband of his boxers to drag it over his skin before letting go, settling your hand lightly over the bulge in the fabric. It’s slightly damp against your skin, and Reigen chokes back a moan when you press down. 

You pull, grinding your palm down on his cock as the waistband moves until you can see the base of it, then you slide back up, tracing the outline of him with your fingers. When he whimpers, you’re too slow to hide your grin, and he glares halfheartedly.

“Having fun down there?”

“Oh, lots, thanks.” You slip your thumb below the elastic. “Seems like you are, too.”

“Hm.”

“Sorry, what was that?” You lift your hand with mock alarm, and he scrambles to reach for you, slowly lowering his arms to his chest when he sees your smile.

“Yes.”

“So, just to make sure, you are having fun?” It’s just as sarcastic as it is serious, and he seems to take it in equal measures, because he scoffs at the same time he nods. Both hands are on his hips now, both thumbs in his waistband, and you pull up gently to get him to lift his hips.

“Good boy.”

You’re not sure you would have felt it if you weren’t holding him, but he definitely shudders, trembling where your fingers press into his skin.

“Arataka.”

“Hmm?” He sounds breathless, and his chest heaves with effort, the rest of him as still as he can keep it.

“Should I keep calling you a good boy?”

“Um. If you want.” He jerks his hips up, and you take the hint to slide his boxers off, keeping an eye on his face as you do. You climb between his legs and lean over him, wrapping your hand slowly around his cock, firmly but gently, your thumb over the tip.

He squeaks, and he tenses, but he doesn’t reach for your hands.

“You’re doing so well, ‘Taka.” He swallows, and he shifts his hands, twisting the tie so he can lay his arms closer to his hair. “Such a good boy for me.” Precum oozes out of his slit, and you feel it roll down your hand.

“Mhm.” You lean back on your heels. “How about this? You tell me what feels good, and every time you do,” you pull your thumb down, spreading the precum along his length, “I’ll let you know just how much I appreciate it. Sound good?”

He nods, and you stop moving.

“Can I hear you say it?”

“Yes,” he breathes, pressing his wrists together, “yes, sounds good.”

“Good job.” When you lean to kiss him, grip tightening to keep his dick down against his stomach, his knuckles brush over your hair. “So perfect.”

You start slow, focusing more on touching every inch of him then keeping any sort of rhythm. When you trail up the vein on the underside, he shivers, and he gasps when you squeeze the base, and his hips jerk up when you pass over his slit, one leg coming up to press his ankle against your side. It’s not until you slip your other hand around him, though, arm passing through the space created by the bend of his knee to settle on his outer thigh, that he says anything.

“Fuck, that, more of that. P-please.”

“This hand?” You press your fingers into his thigh. He presses back.

“Yeah. I need… just, hold onto me.”

“Okay. Yeah, of course, sweetheart.” You scoot closer to wrap your hand tighter around his leg, spreading your legs to slip your knee underneath him. Once he relaxes, the full weight of his leg on yours, you press a kiss to his knee. “Good boy.”

“Shit,” he laughs, squirming closer to you. “S’not close enough.”

“Let me try something, then.” You slide backwards, reluctantly letting his leg fall to the bed, and you shimmy onto your stomach. When you pull his leg over your shoulder, he immediately hooks his ankle into your back and lets out a breathy moan. The pressure makes it a little harder to reach back around his thigh, but he relaxes into it easier, and the view is incredible. “There you go, perfect.”

You start up a little faster this time, twisting your wrist as you move up and down, and he bucks up into your hand. You risk a kiss to his thigh and his hands fly to your hair, the ends of the tie flowing down against your cheek.

“Sorry, too much?”

“Not enough.” His voice is scratchy now, and he gives a little tug once he gets a hold of you. “Can you, don’t put it- but, closer?”

“You want me here instead?” You press a kiss to the underside of his cock, flipping the loose ends of the tie out of the way to lay across his hip.

“Y-yes. Yes, fuck.”

“Gladly.” Between words, you pepper kisses along his shaft, following the trail of your hand up and down. “Thank you for letting me do this for you. You look so beautiful like this, feeling so good.”

He starts to make a noise of protest, but it quickly shifts into a stifled groan when you press a kiss to his tip, just barely letting your tongue drag across his slit as you pull away.

He whines and bucks his hips to follow you, and you can’t help but let an incredulous laugh slip out. “Alright, love, I’m gonna give you a choice, okay?”

He swallows thickly, then nods.

“Option one, you can tell me exactly how you want me to make you come. If you want my hand or my mouth or to go faster or slower or anything at all you just have to say the word. But I won’t do anything you don’t tell me, so you’ll have to say exactly what you want.”

His breathing is ragged, and he twitches in your grasp. “And option two?”

You grin and lean over him, propping yourself up on one hand. “I do whatever makes you the loudest, and if you stop making those pretty noises for me, I stop.” He seems to flinch at that, and you brush his hair back. “Just for a little while.”

He takes a shaky breath, eyes fluttering closed, and he pulls his arms in and down to drape one across his forehead. The tie was never really secure in the first place, but after quite a bit of pulling and flailing, it’s fully undone by now, nothing but luck and stubborn determination holding the loops in place around Reigen’s wrists.

“Both options, of course, come with all sorts of praise and admiration.” You slip a finger under the fabric and give a light tug. He lifts his hands to let the tie slide free.

When he opens his eyes, a shudder running down his spine, he sees you absent-mindedly tying the tie around your neck, uneven and loose, hanging down between you to brush against his stomach. He’s sure you just needed somewhere to put it, something to do with your hands, but it flips a strangely possessive switch somewhere inside him. Not because he’s seeing you in his clothes - he’s had the privilege of that many times before - but because you’ve taken the thing that was supposed to restrain his ability to fuck up the situation, taken something he left safe for you to keep track of without even realizing he’d done it, taken the symbol of his presence in your space and your time and your life, and you’ve put it on without a second thought. He thinks of his misguided reasoning that got you into this situation, that he trusts you with him more than he trusts himself, and he knows what he wants.

For once, words are failing him, which just makes the choice even easier.

“Second one.”

Your eyebrows raise a little, like you’re surprised at his answer, and he almost takes it all back, but then you’re grinning and leaning down to cup his jaw, kissing him like he’s giving you the only air you could ever breathe, and he moans into your mouth.

You lean away just enough to pull in a gasp of air, fingers sliding to tangle into the base of his hair.

“Just like that, gorgeous.”

He laughs, sucking in a shaky breath as you wrap your hand around him again. It pinches into a sort of strained whimper as he starts to quiet himself and thinks better of it, and you start moving.

“That’s it, good boy, just let me take care of everything.”

For all he got into his head before, breaking the seal of touching him seems to have removed any last bits of hesitation, because he relaxes into your touch almost immediately. Your experimenting earlier left you with a good idea of what will get the best noises out of him, and he doesn’t hold back. You’re silently thankful, not only because you get to hear him, but also because you’re not sure you could have followed through on your threat of stopping. And if he’s exaggerating for your sake, all clipped moans and raspy mumbling and bucking hips, well, you’re not going to complain.

After a particularly tight stroke up his cock and a brush of teeth up the inside of his thigh, he pulls one arm over his mouth, pushing it against his lips with his other hand. You’re still deciding if that counts as muffling his sounds enough to slow down when he bites his wrist and yelps, a loud, desperate, frantic noise that seizes what little of your attention isn’t already on him. His head tips back as he struggles to prop himself up on one elbow, hand flipping to clamp down over his mouth, and you can see the bite mark, lines pressed into the pale skin just below the jut of bone where palm meets wrist. It takes you a minute to realize he’s saying something, your brain struggling to piece his noises together into words.

“Can I have your hand?” You hum, scrambling to extract your hand from his leg. “I just- I need,” he opens and closes his hands, “something.” When you hold your hand up blindly toward him, he takes it quickly and holds on tight, fingers lacing together with yours. He gives a few tugs, and you hurry to sit up.

“Please, I need- I can’t take it anymore.” He looks frantic, eyebrows pinched together and his chest heaving with ragged, shaky breaths. His hips buck wildly, quick and shallow into your curled fingers. You realize you’ve forgotten to keep moving as you were watching him, and you quickly correct your mistake, reveling in the shiver that racks through him as your thumb swipes over his tip.

He’s begging now, your name falling out in pieces between gasps and cries; he’s still tugging at your hand like you can’t get close enough, pressing his lips to your jaw like he can’t quite remember how to leave kisses there. He pitches his hips up and presses against you, knees coming together to press into your sides, pinning your hand against your torso as he lets out a final shuddering whimper.

He comes across your fingers, his whole body tense as he holds himself up, back arched and head rolled to the side. He moves to wrap his arms around you, forgetting that his elbow is supporting him, and he pulls you down with him as he falls the short distance to the mattress.

You do your best to roll off him without letting go of him during the aftershocks, but you’re not exactly paying attention to where you’re still holding, and he yelps again from the overstimulation. You yank your hand away with half an apology, smoothing your hand up his side as you lift yourself up on your other arm.

“Nono, wait, don’t-” He scrambles to grab you wherever he can, and you intercept him before he can smack you across the face.

“It’s okay, ‘Taka, s’okay. I’m not going anywhere. I just didn’t wanna crush you. Let’s sit up so you can get some water, alright? All that noise can really make your throat sore, I know.” You slip your hands under him, one at the small of his back and one between his shoulders, gently lifting him toward the headboard. “That’s it. You’re okay. I gotcha.”

Once he’s upright, a glass of water in two shaky hands, you lean over the side of the bed to fumble for a washcloth. When he doesn’t slow down on his own, you start to reach for the glass, but he pulls away for a big gulp of air before you can.

“How you feelin’?”

He doesn’t answer right away, leaving you to fidget with the cloth, slowly reaching for his thigh. He lets his eyes slide closed as you start to wipe him off, smoothing an apologetic thumb over his hip when he hisses from the sensitivity. You wipe your hand on a mostly clean corner before you chuck it in the general direction of the hamper, silently relieved when it makes it in.

“I think I died.” His hands are still shaking as he goes to set the glass on your nightstand, and you gingerly take it from him, lifting yourself up to set it on the far corner where neither of you can accidentally knock it off later. “I understand you now.”

“You didn’t die, I promise.” You allow yourself a smirk and pull a blanket up from the end of the bed. “That’s high praise, though.”

“You’re high praise.”

“You’re the one that liked it so much.”

He rolls his eyes, too tired to argue. As you pull yourself up the bed to sit beside him, he leans over, one hand sliding behind you to rest on your hip. Now that he doesn’t have the distraction of everything else, you can tell he’s starting to think, because his ears are tinting pink and he’s fidgeting with a string on the edge of the blanket.

“Doesn’t mean I wasn’t happy to oblige.”

You scoop his hand into yours, leaving the blanket’s seams to live another day, and examine the bite mark on his wrist.

“I can’t believe I did that.” He scoffs, shaking his head a little as you turn his arm over. “The hell was I thinking?”

“Obviously you weren’t, which is both the point and very hot, so hush.” He turns away stubbornly, but he looks pleased. “You could probably say a spirit did it. Biting seems like an evil ghost thing to do, right?”

“With clearly human teeth?”

“Maybe it… stole them?”

He laughs, pulling away from your grip to get comfortable against your side. Just as you start to drift off, soothed by the sound of his breathing slowing and his weight settling on you as he relaxes, you feel his fingers walking down your hip, making their way to your thigh. You crack one eye open, and he looks away with obviously fake innocence.

“Where you going with that hand, darling?”

He smiles, bright and daring, as his fingers dig in. “Your turn?”

You consider it. You’re not quite capable of fully ignoring how turned on seeing him like this has made you. There’s a bit of nervous energy, buzzing over what’s left of your hangover, excitement, the joy that bubbles up in your chest at seeing him smiling at you like that, everything coming together in an overwhelming, swirling feeling of wanting whatever he will give you. But there’s something else, a calm undercurrent to it all, coating the emotion in quiet and directing it all back to a single point, solid and unwavering and right .

More than anything, you are content.

He sees your expression and laughs, must know what you’re going to say the moment you decide, because he mouths the words along with you as he pulls his hand back up to your hip.

“Maybe next time.”

[yellowocaballero]

Omg hi Ms. Yellow Caballero big fan of your work <3 For real though, I'm really excited that your sharing the Weekenders, it was a joy to read and I'm bongocat-ing now that others also get the privilege to read it as well.

Referencing your tags, would you please elaborate of ableism in fandom and, like you said, how fandom treats characters with unpalatable disabilities?

Hi Ms. Bud Lite I'm a big fan of you <3

TL;DR A fear of writing characters of highly marginalized identities shields you from criticism and discomfort, but it's actively stigmatizing to people of these identities and as a writer you really need to get over yourself and write The Icky People.

I guess I'll come out swinging on this one and say that fandom doesn't like severe mental illness. (As a note, when I say severe mental illness (SMI) I mean illnesses such as psychotic disorders, bipolar disorder, substance use disorders, personality disorders, etc)

Obviously, nobody likes people w/SMI. It's just insanely egregious in fandom to me, since fanfic writers absolutely love writing characters or HC characters with depression, anxiety, or a specific variety of PTSD That Isn't Scary. People actively reject any character HCs for a SMI. When people write a character with SMI, they nicely downplay it, ignore it, substitute it for a disorder they like better, or rewrite it. It's completely untolerated, in both headcanons and in fanfiction, and every time I bring it up I always get the most interesting reasons why somebody couldn't possibly acknowledge a character's SMI in their writing. I've heard all of these:

"I don't know enough about the disorder to write it accurately." Do research.

"I'm not X, so I can't really depict it." You probably aren't a cis white man, but you depict those guys just fine.

"It feels insulting to the character." There is no shame in having a SMI.

"I can't understand what it's like, so it's better to be cautious and avoid giving characters stigmatized identities." There are LOTS of experiences that you'll never understand because you've never had them - you just don't want to write anything you're uncomfortable with. People with SMI make you uncomfortable, and you don't want to write anything that makes you feel uncomfortable, or think of a comfort character in an uncomfortable way. SMIs are marginalized differently than solely depression/anxiety/The Nice PTSD, and by refusing to write them you're actively contributing to the stigma.

I think (?) I've spoken in the past about how I believe that the rigorous external and internal policing of writing people of marginalized identities is actively harmful towards efforts to increase diversity of experience and background in fiction. A lot of fanfiction writers are just terrified to write people who they can't directly relate with, because they're worried 'they'll get it wrong' and be Big Cancelled. I think this is negative enough when it prevents people from going outside of their comfort zone, but on a macro level I think this results in people refusing to write characters of marginalized identities as all. It's an insidious thought process, and it's reflected in people's unwillingness to diversity their writing or acknowledge canon diversity.

'Well, I don't understand what it's like to be Black, so I don't want to write Black people'. 'I want to project on this character, so I only want to write them with mental illnesses and identities I have'. 'If I write a marginalized character incorrectly people will yell at me, so I won't write a marginalized character who's marginalized differently than me at all'. Can you imagine writing a lesbian character with a boyfriend because 'you feel uncomfortable writing lesbian experiences'? It's blatantly homophobic. But people do that with disability and race/ethnicity ALL THE TIME.

People with SMI notice that you feel uncomfortable with them. It's obvious. They notice when a character has a SMI + anxiety, and you only write their anxiety. They notice when a character displays symptoms of a SMI in canon, but you write it out. And POC notice when the characters of color are written out. I know we all like to project on the blorbos and relate to them, and in the joys of your own head do whatever, but as a writer if you only stick to identities you're comfortable with you are actively being a worse writer. Which to me is the REAL sin lmfao.

[bonebabbles]

I keep starting and abandoning posts that go into my drafts, as I try to stay tasteful about how fucking revolted this part makes me. Like, I'm legitimately unsure if the very relevant trauma I have is making me see things that aren't here

But first we see that Star Flower is trying to ingratiate herself to the group, just after she reappears from chapter 5. Chapter 5 is about how Clear Sky is still abusive towards his son, and she comes in after stroking his ego, stressing how alone she is, and appealing to how she'll be loyal unlike his child. (She glances over at Thunder, directly implying this.)

Now in Chapter 9, she's babysitting and trying to care for Milkweed's kits (in spite of discomfort from Milkweed), taking a wet sleeping space away from the others, and pulling more than her own weight "without complaint." Putting herself through harsh sitations to prove her worth.

All while trying to appear extra attractive to Thunder, and later Clear Sky. Basically every man in power who can "protect her"

Like, am I going fucking crazy? With how we later find out that Star Flower was "promised as a mate" to One Eye's subordinate Slash, is... is that hypersexualization? One of the extremely stigmatized symptoms of sexual abuse?

She goes to find Clear Sky alone to throw herself at his paws, and he's very quickly attracted to how she promises to perfectly obey him, have no needs of her own, and finally be the perfect servant that he desires

"I don't deserve your trust because I am dirt. I understand you because I also regret something. I'd die for you. I'll never betray you unlike those who have."

This isn't manipulation. She means this. The story is playing their romance sincerely. She's comparing "betraying" Thunder by telling her own father about an assassination ambush to Clear Sky's history of child abuse, physical assault, and murder

She believes she's on the same level as this; a monster who murdered a childhood friend in a fit of entitled rage. She was a victim of One Eye who really believes that the way her father used her means she "understands" this monster, deserves this treatment.

And Clear Sky LIKES that.

He likes that she will have COMPLETE FAITH in him. That she will follow him WITHOUT QUESTION. That she will OBEY his orders. That's fucking verbatim, that's THE TEXT!!!

WHILE HE'S STILL CRYING ABOUT "ive tried to atone every day" FOLLOWING THE LAST TWO BOOKS WHERE THE ONLY SHITTY THING HE DOESN'T DO IS MURDER INNOCENT WOMEN

Am I insane?? Am I wrong??? Am I missing something here???? Why the fuck is the fandom takeaway "haha sexy girl steals his dad." Did I read the same book

[feroluce]

So I went to the wiki page for the henghill Bullet & Brain mission of 2.2 looking for some dialogue I had missed and

a) I found something incredibly tasty that slotted into some other thoughts I'd been having, more on that on another day, and

b) I saw this super fun little trivia at the bottom, which!

I knew Penacony characters like Boothill took a lot of inspirations from old movies, but I didn't realize it was even in his and Dan Heng's relationship, that's so cool!!

It fits them very well, it's such a fun reference. "Butch Cassidy and the Sundance Kid" was an old buddy Western film (from 1969- nice) about a pair of outlaws. Butch Cassidy was the leader of a gang, and described as clever, affable, and talkative. Meanwhile, his closest companion, the Sundance Kid, was known as a man of few words.

Cassidy's original birth name was much more plain, but similar to Boothill, he took on a new moniker when he became an outlaw. "Cassidy" had been the last name of his beloved mentor, who taught him how to shoot and ride. And Sundance Kid was known as he was because Sundance was the name of his hometown, and it was the only place that had ever managed to catch and jail him, back when he'd been younger (also similar to Dan Heng, but ouch).

These two stick together like glue throughout the length of the film- through Cassidy's leadership of the gang being challenged, through a train robbery gone wrong, through being pursued by mercenaries, and even through fleeing to Bolivia and trying to start over together.

I don't want to say too much more, since the mission title is referencing one specific movie that I've never seen. I kinda wanna watch it now, though, just to see the inspiration that went into Boothill and Dan Heng and how they get along. I just think it's really sweet that these two were literally made to be the best of bros, how lovely is that. 💕

[unordinary-diary]

Blyke and John: Parallel Characters

I’ve written multiple entries about this,

[x] [x] [x]

But I’m back to make a comprehensive analysis about the glaring similarities between these two. I’ll try not to repeat myself here.

‼️SPOILER WARNING for the whole series‼️ but this mostly focuses on the story before John’s suspension.

Firstly, this scene:

ch. 121

This conversation takes place near the beginning of the Joker arc. It’s after John targets Zeke, after he targets Juni, and the day before he goes after Seraphina’s kidnappers. The timing is important.

“If someone hit your best friend, would you let it slide?”

That question is supposed to remind us what John does to people who hurt Seraphina: hunting them down and sending them to the hospital. Blyke shooting a destructive beam really close to John was an example of a trait they share: they both blow up violently when people mistreat their friends.

John’s downward spiral carries strong themes of hypocrisy. He’s angry at the world, he’s angry at himself, and as a coping mechanism, he chooses to believe that everyone else is as bad as he is. That means that most of the traits he hates others for are the same things he hates about himself. In this scene, Blyke is unintentionally calling out this hypocrisy: “What I did is no different from what you do”.

But Blyke’s just trying to connect with John here, he has no idea what John’s been doing. And John, of course, doesn’t give a shit about what Blyke has to say. This line was here for the audience to notice.

They’re both so similar, but their similarity immediately causes tension between them because, well, John was on the wrong end of Blyke’s protectiveness.

I really love the way this was written— there are so many flashbacks to this scene, but they remember it differently. John remembers the part that hurt him— he’d describe it as “the time that jackass shot a beam at me”. Blyke remembers the part that hurt him, or rather, hurt Remi: “the time that jackass hit Remi for no reason”.

Blyke and John are both hotheaded characters with strong ideals. They’re similar enough that Seraphina points it out:

(ch. 80)

As Blyke grows as a character, he becomes more like John: sticking up for low tiers and speaking out against the injustice in the world. But while Blyke is doing that more, John is going in the opposite direction, until they are fully opposed to each other.

Speaking of Blyke’s character arc, it took me a few rereads to actually understand what part of him changed. His kindness, selflessness, bravery— all of those things were there from the start. Blyke’s character arc was about becoming more aware of his surroundings, and how his carelessness can harm others. Blyke was never malicious, but after X-Rei and integrating more with the school, he becomes aware of people suffering around him and how he unintentionally contributes to it. He becomes less reckless, privy to the flaws in the system he grew up not questioning, and uses his power more responsibly. He even comes up with a more controlled way to wield his ability. The part of Blyke that changes is his maturity.

Part of John’s character arc is also about being careful. It’s not as close of a parallel as other things are, but one of the things that John works on during his redemption arc is holding back. Both of them learn self-control throughout the series, and for John, that means acting early before his emotions spiral out of hand.

Adding onto my first point about the two of them wanting to protect their friends— the fact that they can’t do that makes them both angry and desperate. For most of the story, the “block” that prevents John from protecting Seraphina is in his head. It’s his own trauma that holds him back. The block that prevents Blyke from protecting his friends is, guess what? Also John’s trauma! Parallels abound.

Another thing I noticed in Episode 80 is this:

Notice that when Seraphina says “I’d take that over strength any day,” John is looking at the camera. He’s avoiding Sera’s gaze. Seraphina is saying she prefers honesty over strength. John is very strong, and very dishonest, but Seraphina thinks the opposite because John is so dishonest. John appears to be reflecting on this disconnect.

In relation to this analysis, Seraphina is actually pointing out a major difference between Blyke and John. Beyond that, she’s praising Blyke’s traits, (less strong but very open) above John’s traits, (strong as fuck but a liar with his pants on fire). Furthermore, John really cares what Seraphina thinks of him. Knowing that she would think less of him is the main reason why he spent so much time and effort preventing her from catching his lies.

This leads into my main point here: Blyke is the “goody-two-shoes” version of John. Or, more accurately, the person that John wants to be. Blyke has a clean track record and doesn’t really get into trouble. He is respected and left alone by the school without being hated and feared, he de-escalates conflicts without taking things too far, he doesn’t lose control, he’s someone Seraphina thinks highly of, hell, even his grades are better! Blyke represents everything that John wants to be, and the person that he could have been if he’d gone down a different path.

But, crucially, John is also what Blyke wants to be. Well, not wholly, but his ability? His strength? It’s one of the things John hates about himself, but Blyke wants that strength so desperately that he risks his life for it over and over again.

They’re both desperate to be like each other, even when they hate each other the most. Neither of them have any idea how alike they already are.

I don’t know what Season 3 holds in store for us, but I do hope that John realizes that Blyke embodies who he wants to be, because mutual jealousy would be a very interesting dynamic to explore in my opinion. I also hope that it ends up being something they can bond over, by helping each other accomplish their personal goals. (Blyke being another helper in John’s character arc, and John helping Blyke train.)

A side note: John beat up Blyke four separate times. That’s more than any other character, which is interesting because John’s main rival is supposed to be Arlo. For reference, John has beaten Arlo twice, three times if you count the time when Seraphina intervened, and he only beat him unconscious once. But John beat Blyke to the point of passing out all four times, the worst of which being a shot clean through his chest. (shoulder? Unclear. S1 finale).

It’s odd, isn’t it? Out of everyone, Blyke is the one who John physically hurt the most. John’s only grudge against him is an old memory from episode 33, of an event that didn’t actually harm him. John’s grudge against Arlo is much more serious and again— that’s his main rival. So why is it that he’s so much more violent towards Blyke?

The problem here is that I’ve been thinking about these fights as “John picking on Blyke”. And that’s… kind of true? But while Blyke didn’t start any of these fights, they were all consensual in a way. He didn’t seek to fight John, nor was he ever happy about fighting John, but he was always a willing participant.

(138, 153, 206, & 211)

In three out of these four fights, John didn’t even expect to be fighting Blyke going into it. This is significant because while Arlo is John’s main rival, John absolutely fills that role for Blyke. Blyke’s own agency is what leads to most of these events. The reason, narratively speaking, why they fight so much is not for John’s character, but for Blyke.

For John, his reason for fighting Blyke so much is not narrative but moreso symbolic. John is angry at everyone and everything, but ultimately the person he hates the most is himself. It’s only fitting that the character most like him would bear the brunt of his wrath.

As John is having his positive character arc (suspension and post-suspension), he is becoming more like Blyke, and the two of them reach a point where they’re even more similar than they were at the start of the series.

In the Rowden amusement park, John does start to realize how similar they are:

(249)

Additionally, I want to draw your attention to the parallels between this scene:

Blyke and John’s argument in chapter 249

(which the image limit won’t let me add, scroll until you see red hair.)

And this scene:

Argument in ch. 121 (it’s at the beginning)

Two sides of the same coin.

Furthermore, in the S2 finale, Blyke is shown being taken to Keon. There is an implication that by Season 3, Blyke and John will share Keon-related trauma as well. Despite my pessimistic predictions, I do hope that this is a similarity that can bring them together rather than tear them apart.

[ayrennaranaaldmeri]

ok ok its my fault for being on reddit but r/houseofthedragon rn full of people arguing that demon and his 99% neck lizard have a stronger bond than aegon and sunfyre and it's so fucking frustrating that its entirely condolt's fucking fault that this is even a fucking argument because he thinks the greatest bond between a dragon and his rider to ever go that fucking hard in this universe is pRopaganda and gives dae mon and car ax es more screentime. i'm just so fucking done man. never showed us sunfyre TRULY until it was time for demon jr the anime edgelord to attack him and aegon, never get the fact that sunfyre is literally on aegon's arms, never got the coronation flying, DIDN'T GET ANYTHING UNTIL IT WAS TIME TO FUCK HIM UP FOR THE PLOT.

i wish this mf would get fucking fired before he has a chance to touch these two anymore because I don't think i can handle how he will underplay and butcher the fact that this dragon literally fought tooth and claw with a broken wing to find his way back to his rider.

[hiraganasakura]

Hi so me being me I've decided to hyperanalyze the conversation Qrow and Raven had in Higanbana practically line by line bcus I have Many Thoughts and this is the best way I can think of to get them all out. If you can't tell I'm absolutely obsessed with these two. Btw.

Thanks to the RWBY wiki for providing transcripts for every episode, otherwise I definitely would have missed smth despite having just watched this scene recently lol

I put it under the read more for easier scrolling due to how long this post got!

I immediately noticed smth in the very first lines of the interaction:

Raven: "Hello, brother." Qrow: "...Raven."

You'll notice throughout the whole conversation that Raven never calls Qrow by his name, only condescendingly referring to him as "brother" this one time and never calling him anything else. Meanwhile, Qrow directly refers to Raven a total of three times throughout the conversation, and only one doesn't call Raven by her name (which we'll get to shortly)

On the other hand, Qrow doesn't bother with even so much as a greeting beyond simply stating Raven's name

It's different ways of communicating their distance. While Raven holds her relationship with Qrow over his head — never once, even outside of this scene, does she call him "brother" with affection iirc, only derision and condescension — Qrow doesn't seem to rly know how to greet her. He hesitates before saying her name and approaching her, as if trying to assess the situation before acting

Qrow: "So, what do you want?" Raven: "A girl can't just catch up with her family?" Qrow: "She can, but you're not. Now how 'bout we get on with it? Unless you plan on keeping these [drinks] comin'."

Again, Raven seems to bring up her familial ties with Qrow as a tactic to get him to do what she wants — in this case, stick around to talk to her despite him not seeming to rly want to. Frankly, it feels manipulative. We're gonna put a pin in this for now and come back to it in just a moment

Additionally, Qrow already knows that Raven's not just here for a friendly chat between two siblings, and sees right thru her facade that it is. Raven is here bcus she wants smth from him. But interestingly, it is Raven in V5 that says, in an almost frustrated/disappointed tone, "Family. Only coming around when they need something." There's another pin; keep both in mind

Raven: "Does she have it?" Qrow: "...Did you know Yang lost her arm?" Raven: "That's not—" Qrow: "Rhetorical question, I know you know. It's just obnoxious that you'd bring up family and then carry on like your own daughter doesn't exist." Raven: "I saved her." Qrow: "Once. Because that was your rule, right? Real 'Mom of the Year' material, sis."

Qrow dodges Raven's question about the Relic and instead brings up her hypocrisy in how she treats family. And it's a good point. Here she is lording her siblingship with Qrow over his head while simultaneously defending and upholding her rule that she is only obligated to help her own daughter a single time. Another pinpoint on our little conspiracy board

Also, here's the one time in this conversation Qrow refers to Raven as "sis". Like Raven's use of "brother", Qrow's use of "sis" is very pointed and with intent. But it's not to manipulate Raven, it's a snarky jab meant to rly hammer home Qrow's point

Raven: "I told you Beacon would fall, and it did. I told you Ozpin would fail, and he has. Now you tell me. Does. Salem. Have it?" Qrow: "I thought you weren't interested in all of that." Raven: "I just want to know what we are up against." Qrow: "And which 'we' are you referring to?"

A few things of note here. At some point in the past, Raven expressed an outright disinterest in Ozpin's inner circle, at least to Qrow. Qrow also feels excluded in the "we" Raven mentions being against Salem. To me, there seems to be a distinct possibility here that it wasn't that Raven felt personally disinterested in Ozpin's operations, but that she somehow felt excluded and feigned a lack of interest in order to protect herself. An idea that is further supported in my eyes by the following dialogue:

Qrow: "You should come back, Raven. The only way we'd beat her is by working together. All of us." Raven: "You're the one who left. The tribe raised us, and you turned your back on them." Qrow: "They were killers and thieves." Raven: "They were your family." Qrow: "You have a very skewed perception of that word."

And there it is. Raven's problem is laid out here for us, loud and clear: She feels like she was the one abandoned, not the one running away. She says it outright! "You're the one who left." To her, Qrow is the traitor, the one who left their family behind. If you ask Qrow (or, for that matter, Tai, Yang, and even Summer based on the scene in V9), it's the opposite

Bcus they have different definitions of family

Another thing to pin (I promise this will all become clear soon)

Raven: "I lead our people now. And as leader, I will do everything in my power to ensure our survival." Qrow: "I saw. The people of Shion saw, too." Raven: "The weak die. The strong live. Those are the rules." Qrow: "Well, you've certainly got someone strong on your side. I've seen the damage." Raven: "We couldn't have known the Grimm would set in as quickly as they did." Qrow: "I'm not talking about the Grimm. And I'm not talking about you, either."

Notice Raven's shift from "the tribe" to "our people". More of that guilt tripping!

Additionally, Raven is *obsessed* with rules. One save. The weak die, the strong live. Raven lives and breathes rules, even seemingly arbitrary ones. Guess what this is? Another pin!

Raven: "If you don't know where the Relic is, then we have nothing left to talk about." Qrow: "I don't know where the Spring Maiden is, either, but if you do, I need you to tell me." Raven: "And why would I do that?" Qrow: "Because without her, we're all going to die." Raven: "...And which 'we' are you referring to?"

Qrow's "either" here implies that he also doesn't know where the Crown of Choice is, which is... interesting. He's one of Ozpin's closest lieutenants, and is in the dark on where Beacon's Relic is? Wherever it is, it is such a closely kept secret that even Ozpin's best spy doesn't know where it is (maybe so that in the event Qrow gets captured by Salem he can't be forced into giving her the information?)

Meanwhile, Raven's "And why would I [tell you]?" implies that she does know who the Spring Maiden is (obviously. Raven's the Spring Maiden lol) but refuses to disclose to Qrow

A lantern sputters out after Qrow says "Without [Spring] we're all going to die." Now, I genuinely can't remember if this is headcanon or canon, but iirc Misfortune seems to act up when Qrow's upset. He's clearly tired of this little game of dancing around topics that Raven's been playing with him

And once again, Raven indicates a feeling of exclusion from Qrow's life in the iconic final line. She gets the final word in before leaving

We've finally reached the end of the conversation. Now what does all of this tell us?

And here is where all of those pins I wrote down are relevant. As I mentioned, the twins view family very differently

Qrow's view is pretty obvious: he views family as the ppl in his life who matter most to him. Unlike Raven, he does not view the tribe as family despite the fact that they raised him, disgustedly referring to them as "killers and thieves". It's implied that he was, in fact, neglected and/or likely abused by the Branwen tribe, saying in V6C4, "No one wanted me... I was cursed..." further explaining his distaste for them. Furthermore, despite not being related to Ruby by blood, they clearly consider one another family throughout the series, and he even seems closer to her than he seems to his niece who's actually blood related to him (I personally headcanon that he keeps more of a distance from Yang bcus she reminds him too much of Raven, who he feels abandoned and hurt by, but that's neither here nor there). Bloodlines and debts are secondary compared to loyalty, if they're considered at all. He is obviously furious that Raven only insists on saving Yang once and never directly interacting with her beyond that, despite Raven constantly guilting Qrow over abandoning his so-called "family" of the tribe. And yet. And yet. He still offers Raven a place back in his life, even if only to unite against Salem

Raven's view, to me, has been an enigma for a while. But after hyperanalyzing this conversation, after noting down all of those points of interest, I feel like I've finally cracked the code. Raven views family as an obligation, an exchange that always has an ulterior motive behind it. She seeks out Qrow only bcus she desires smth from him despite showing distaste when someone does the same to her; condescendingly calls Qrow "brother" more than his actual name and calls the tribe their "family" to try guilting him into doing what she wants; and feels fierce loyalty to the tribe but barely interacts with her daughter, only seeming to count one of the two as true family. She views the concept of family with cynicism and seems to feel an obligation to the tribe, as if she "owes" them for raising her

I think the two's perceptions of what defines family are all to do with the way the tribe treated both of them. This crosses a bit into headcanon territory, but as you can see by the above quotes and analysis, I rly don't think I'm just making it up entirely

As I already mentioned, I think it's implied that the Branwen tribe neglected/abused Qrow. In fact, we could probably blame their treatment of him for the deep self-loathing he has due to his "cursed" Semblance. But what about Raven?

Well, it's simple: I think she was abused, too, just in a different way. While Qrow was likely shown and told on a consistent basis that he was unwanted, unloved, undeserving of good things, Raven may have been shown and told she was wanted, loved, and deserving of good things... if she did what the tribe told her. If she repaid them for raising her and her brother, for being her "family". The way she uses her familial ties with Qrow as almost blackmail may be exactly the way the tribe treated her. Her obsession with following rules may stem from the fact that she had to follow the rules the tribe set for her in order to be accepted and deemed worth smth

As for her distance from Yang... honestly, I wonder if Raven is aware that Yang deserves better and keeps her distance as her way of doing that. When Summer confronts Raven in the V9 scene, Raven says, "...You're better at that life. Better than I was." She seems to have a fear and insecurity about being a good family member, a good mother, and maybe that's why she fled. Maybe she was scared of being like her abusers due to how she emulates them as a self-preservation tactic in so many other ways. Not entirely sure about this point tho

And I think too this is why the twins don't rly understand one another. They may have been unaware of the different ways in which the other was treated. Qrow, constantly unwanted and loathed, can't understand why Raven sticks around with the tribe; Raven, who obeyed the tribe and, in doing so, garnered enough of their favor to even eventually become leader, can't understand why Qrow can't just be "good", earn respect, and stay

This dissonance between the two experiences may also be completely intentional on the part of the tribe; abusers will often eliminate their targets' support systems in order to make them completely reliant on the abuser, so it's highly likely that the wedge was intentionally driven between the two siblings so that they could not find support in one another. This would also tie into why the twins seem to feel excluded from one another's lives and abandoned by one another: bcus they were made to feel that way by their common abusers, and did nothing to challenge these assumptions bcus they saw no reason to — and only seemed to keep proving one another right if they did

Which rly has some disturbing implications about how the Branwen tribe works. Like, do they just pick orphaned kids up off the street and abuse them into being perfect little bandits, molded to be of the greatest possible use and discarded if they're deemed worthless? Plus Qrow says his Semblance is how he got his name, which implies that the tribe also renames the kids they scoop up (possibly as a form of control or a way to make sure they can't be tracked down by any remaining family)? Plus there's the whole thing where Qrow and Raven were originally sent to Beacon to learn how to kill Huntsmen, which carries with it the implication that the Branwen tribe grooms literal orphan children into becoming stone-hearted murderers? What. The heck.

And if I'm right, if the Branwen tribe is that severely abusive, then like... wow, no wonder Qrow and Raven are Like That. They're both very deeply hurt people expressing it in different ways

I was considering adding their conversation at the Battle of Haven to this post, but I think that would be better as its own thing. Also I haven't gotten there on my rewatch yet so I may miss some details if I try to analyze it rn; it's better to wait overall methinks

But I have reached the point of my rewatch where we see Weiss and Whitley interact, and I think it would be very efficient to sum up what Qrow and Raven's relationship seems to be by using those siblings as a point of reference. Qrow = Weiss, actively trying to break free from and fight back against their abusers in different ways, while Raven = Whitley, continuing to do as their abusers want and have wanted as a method of self-preservation. Only, unlike Weiss and Whitley, Qrow and Raven have yet to come to a point where they can understand one another. I think that's a good way to briefly summarize the uh. Absolutely massive post this is.

In conclusion, I may have cracked the majority of the Branwen twins' pre-Beacon backstory purely by hyperanalyzing a single conversation. Oopsies

[waywardstation]

Almost back home!!! I’ve been away for two weeks and I haven’t had good internet connection. Looking forward to getting back home.

I’ve been quiet cause of it, so how about a shop/merch update!! The products from my shop have already gone through a round of proofs this last week after I placed the order (as some files had gotten mixed up). I’m hoping the products finish their manufacturing and are shipped to me within this next week or so!

I’ve ordered extras of everything to put up in the shop as “in stock” after I send out my preorders, also ordered a few items as samples. They had a higher MOQ (minimum order quantity) so if they turn out well, I’d like to do a giveaway with some of them!

[deus-ex-mona]

favourite stupid relationship dynamic: idiots who would immediately protect and defend the other but never themself

[dapperrokyuu]

While I do wish we can see more about the Anakt quartet's relationships, it was incredibly funny for me to be, like, "*Round 2 just got released* Oh, Till doesnt even KNOW or has ever talked to Mizi, hes just projecting and obsessed and heteronormative-" to "*experienced all the official art and Round 3 and 6* Oh, they were, like, actually friends to an extent and the meaning Mizi has to Till is very sweet even if its born of and is a reflection of just how desolate his lived experience just Is Constantly, ultimately a guy with a cute crush made buckwild due to- *gestures vaguely* -and hes heteronormative."

[the-busy-ghost]

Me normally: Let people love what they love

Me, after a Test Match Special commentator expresses their belief that the new All Creatures Great and Small is somehow "better" than the 1978 version: This is pure insanity and TMS can no longer be trusted on anything, how can they even be trusted to know about cricket, do they have no TASTE

[seagull-scribbles]

Sibling Knuckles and Amy my beloved ♥️

[old version here]

[evilkitten3]

au where after shisui rips his eye out, stuffs it in a crow, and steps off the cliff, itachi instinctively uses the shunshin to catch him. now they're both alive and nobody has a mangekyou except danzou so they have to like actually deal with their problems and shit