lord its so dark in here the sahara desert of tsaritsa content you are like a shining oasis. your characterisation of her compels me & mihoyo would be hard pressed to top it imo.!! caaaaan i humbly request yr thoughts on her first meeting w a reader of any kind, or maybe even multiple kinds (sagau, sagau god au, isekai, etc) if you so desire...
it really is like a desert here. being the fan of a character we aren't getting until the last damn nation is driving me up a wall but i will persevere bc if nothing else i support morally bankrupt women in media. we r in a severe drought over here but i do my best. unfortunately nothing i say is ever coherent so pull out your translation notes its abt 2 be messy
also this got out of hand but thats bc first meetings w the tsaritsa are tricky to write + a LOT of her characterization lies in deeper exploration then just surface level yknow...NOT A DIG AT YOU this is just my excuse for rambling. gently pats the tsaritsa she can hold so much complexity i do not have the word count to delve into it completely :]
gonna talk cult au for a bit here though because that's 99% of my content. and honestly? she thrives in sub au's of the cult au like villain au + imposter au. it's basically made for her. i mean, early days, the imposter au had been going around for a little while but one of the first few ideas was the Fatui taking reader in so like. it kinda technically actually was. pretty sure cult au Tsaritsa popped up because of the imposter au. a lot of it's writers kinda left though which. man am i getting old or.
anyway.
there isn't much of a chance her first impression is all that positive. at best it's usually neutral, imo, but rarely if ever positive. specifically because i view the Tsaritsa as someone who isn't as fanatical as most of the acolytes typically are towards the creator. she's not exactly going to worship the ground you walk on unlike a certain geo lizard. which is partially why i think she thrives in the sub au's i mentioned.
imposter au, for example. she meets you at your lowest. there's no gaudy extravagance or pampering from the acolytes waiting for you because your own acolytes have turned on you. for all intents and purposes you aren't a "god" at all. which is why i don't think she meshes well with normal cult au reader. the Fatui are made up of outcasts, basically, and imposter au slots right in just perfectly. you're weak, at your lowest, when you meet the Fatui in the imposter au. and the Fatui can help you, too.
a mutual exchange, really. the Tsaritsa sees a tool she can use to one up the rest of the nations and especially Archons, and she has no qualms about you using her and the Fatui in turn. you both want something out of it, after all. whether you just want to be safe from the rest of the acolytes, or you want revenge, or whatever else..she'll give you the power to fulfill it, and she gains the strongest piece on the chessboard when all is said and done.
the best way i can describe the first meeting is "practical", i suppose. she sees an opportunity in you. the ultimate gamble. because if she "saves" you, and you dont trust anyone else because they tried to kill you, well..she holds all the cards, doesn't she?
but the Tsaritsa, imo, is just as capable of being just as fanatical towards you as anyone else. she just won't worship you as the creator. but as yourself? clawing your way back to your divine power and taking back what belongs to you? the Tsaritsa is, to me, a character who's character flourishes in long-term fics more because she changes a LOT between "just met reader" and after having been with reader for some time. she's practically apathetic at the beginning but a lot of her character, in my characterization, shines through LONG after the first meeting.
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how was the great gatsby musical?
overall, one of my favorite theatre experiences. to the level that i have been looping the cast recording nonstop since it came out last week
i do have a lot of specific points that i could talk So Long about with this show, most of which i'll put under a read more, but first: casting
anyway. spoilers for the great gatsby musical (things that were changed from the book for the production)
the 'main four' being Jeremy Jordan, Noah J Ricketts, Eva Noblezada, and Samantha Pauly, were all absolutely incredible. show stopping in their own ways. i was genuinely so scared that when i saw it that any of these 4 wouldn't be on, but i got so lucky and all of them were!! i am 100% convinced that many of the songs were written just to showcase certain actors voices (jeremy jordan).
let me tell you. getting to see jeremy jordan and eva noblezada live was unlike anything i've ever seen before. i was like. genuinely honored to be there. their stage presence, their voices, their acting ability, oh man... and Samantha Pauly was just incredible, and her big number was so. show stopping. Noah J. Ricketts was amazing the whole time, but his emotion in finale as he was saying the lines that are basically quoted exactly from the book... yeah i cried.
but so many other actors were also so amazing! John Zdrojeski as Tom was so good at the role, because Tom really was genuinely awful, but not in like an evil villain way, because he's much more realistic than that. i also find that a lot of times Tom is kinda seen as stupid or whatever for not noticing a lot of things going around him but in the musical he really like. could tell what was going on. and he worked his way into finding out secrets (kinda more on this later bc of my favorite song)
another main this was just. the design. Linda Cho costumes MY BELOVED im so glad she won the tony because this show DESERVED IT. it was definitely a glorified image of what those 1920s outfits would actually be, but most musical theatre isn't meant to be an exact replica of history, it's meant to dramatize it, and Linda Cho understands the assignment when it comes to costumes. the lighting and scenic design were also just incredible, especially their use of the green light shining from across the bay...
the show started out with Gatsby onstage, reaching for the green light. a set piece is moved across the stage, passing in front of him, Nick standing where Gatsby was. within that moment i was like "if they don't end the show with Nick standing there, the set piece passing in front, and leaving Gatsby behind, reaching for the green light, then what is the POINT" and then they DID and it was just as great as i'd imagined.
there were definitely changes to the story to adapt it to the stage, which i actually enjoyed (i've read the book, but didn't love it mostly due to a bad experience with reading it in school so. yeah). it is kinda more romance-centric in the first act, which i have heard people complain about, but i kinda see reasoning for it. yes, the first act is very much centered around the various relationships (especially the romantic ones), and in the second act, while certain characters (mostly gatsby) try to keep it centered on the romance, there is a much bigger, darker story going on all around them. so i really liked that meta perspective of it.
they also gave a lot more character to mr wilson (idr his first name), effectively intertwining him with both Gatsby and Wolfsheim as he, from the very beginning, plans to move him and Myrtle away from the city (its been a hot sec since i read the book, so idr if that's there but i don't think it is).
the relationship between Nick and Jordan is also taken a lot further in the musical, to the point where they are engaged, but after Myrtle's death, it gets broken off. this is because, in this version, Jordan ends up lumped in with both Tom and Daisy, in with the old money. throughout most of the show she is much more aware of society and doesn't want any part of what her role 'should' be, but when things go south, she is just as quick as the others to abandon what's 'right' in favor of what's better for her. and ik some people might not like that change but i actually did.
Myrtles character is also taken a lot further in this, which i find really fascinating. she is given her own big number right before her death as she tried to go after Tom, saying that he'll leave Daisy and marry her instead, but then she realizes she'll become just like Daisy in that situation, and the only choice is 'love or money.' she eventually decides that she wants to go back to her husband, and the moment she turns back, she is killed. this was Such a big number and, looking back, might be one of my favorites story-wise.
while i absolutely adored most everything, genuinely, the music was by far my favorite part (besides maybe jeremy jordan and eva noblezada...) a personal thing for me was that Every. Single. Song. has SUCH a good bassline. man i need the sheet music for this show. (side note: i got to talk to the show's bass player for a few minutes after the show! i was super nervous about it but im glad i did. he was super nice)
there's def a mix of more modern showtune styles, along with bringing in a lot of jazzy elements, which was GREAT. i love jazz. like i mentioned before, certain songs were definitely written for actor's voices (Past is Catching Up to Me) which is absolutely not a bad thing because they were AMAZING
two of my favorite songs were 'Only Tea' and 'Made to Last.'
only tea is when Gatsby is stressing about Daisy coming over for tea. this was hilarious. I kid you not jeremy jordan jumped a fence at the end. it was iconic. (you can Feel the nerves in just the cast recording alone).
made to last takes place in the scene in the Plaza. it's mostly Tom, revealing the secrets he learned about how Gatsby got his fortune, then Gatsby trying to get Daisy to tell Tom she doesn't love him. there are So Many Good lines in this song (everyone kinda drags Tom a lot its great) but this is where the characterization of Tom was really just. top notch. because he really is freaking Awful. but he's also smart and not going to let go of what he owns (not good that he considers Daisy a possession though...), and he knows exactly what is going to happen to Gatsby--he's not Made to Last.
(also the song Shady is iconic. spinny tailcoats)
another just. singular line that i need to draw attention to, sung by mr wilson (he has multiple songs directed to the Eyes of God), and this line is right when he decides to go after Gatsby. "God sees everything but he's slow on his commands/You've got the eyes of God, Doc/Who's gonna be his hands?"
(this line is reprised in the middle of Gatsby's song right before the gun goes off. fun fact)
i'm sure there are So Many Other Things i could talk about (i s2g i could write 13 essays about this show) but in general like. while it wasn't groundbreaking to the theatre, it was still Such a good show and absolutely deserves better yknow. attention then it's getting. like jeremy jordan is here for a Reason this is a Good show. and mostly this is my begging people to listen to the cast recoding because its SO GOOD.
anyway. if anyone has questions about specific things i am So Happy to talk but here's a lot of my more general thoughts... (god i haven't even Talked about Eric Anderson as Wolfsheim...)
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Hello Jay, I would like to hear your headcanons about Tom and his mom 👀👀👀 Go on, speak into the mic 🎤
AAA HI NEIL I'M SO GLAD YOU ASKED
Taps mic 🎤 ahem
Buckle in cause this got absurdly long I did not expect to get this long omll
So I guess I'll begin when he was younger,, when his mother and father first got married they were just going into their 30s, and while weren't actually trying for a kid they did end up having one: Tom
Barbara (Tom's mom) was ecstatic at having a kid whereas Peter (Tom's dad) was terrified, he knows he has anger issues and is very aware of how he's gotten easily frustrated with children in the past and doesn't want to get angry towards his soon to be son (though Barbs has been a dear with helping him and his anger, truly he'd be in jail by now if not for her)
Fast forward a bit, Tom's born and while Peter isn't magically cured of any anger issues, Tom is just the sweetest little guy and he, genuinely throughout his fatherhood, has not once gotten angry at his son. Gotten angry a good few things, but his son and wife weren't in that list
Tom is also born completely nonverbal (this is a little reference to how 2004 he's drawn without a mouth,,, I know that all the characters are at this time because mmm animation but in most fanart of 2004 only Tom is the one kept without a mouth because that and his one eye gives him creechur vibes I love it so I incorporated it like this) due to his autism, and he did get formally diagnosed early on due to this
It's a bit of a struggle trying to figure out what he's saying but he's a quick learner for how to read and write so if he can't get what he's trying to say through hand motions or actions he'll go and write it down (at least when he gets around 5yo, the years before were hard and they had to learn a weird, Tom version of sign language,, to clarify not actual sign language just learning what motions of his mean what)
One interaction I think about a lot with Tom and his mother is in Tom's youth when he's, maybe, 4? And he sees his mom shave her hair for the first time. Tom didn't like the sudden change as she looked like a different person and was having trouble understanding why it was gone
It took Barb a while to fully understand what he meant, why he was crying and whatnot, but finally able to sit him down in her lap he started making a lot of motions towards his own hair and then Barb's, and the interaction goes something like this:
"Are you talking about my hair?" Barbara quietly concerns, gesturing to her now bald head.
Tom made small grunts with wide eyes, rocking in his mother's lap incessantly.
"Okay, okay," She nodded holding her son's hand gently in her own- less so holding and more resting them in her own. "It's gone, baby."
Tom didn't seem to like that answer, shaking his head no with his hand reaching up to grab and tug at his his in distress. His eyes were screwed shut, why would his mom do that? But Barbara was quick to respond with carefully holding her son's hands again, their fingers interlaced as he squeezed on her hands instead in his temper.
"You don't like that it's gone?" She tilted her head to the side, bringing Tom's hands away from his face and towards her chest.
He shook his head no with an upset grunt, swinging his hands (and by proxy his mother's) side to side to drive the point further.
"Ohh,, pumpkin," Barbara gave Tom a sad smile, resting their hands in her lap as she gave him a small, reassuring squeeze.
"It’ll be alright-”
Tom hated that answer more, giving a frustrated noise as his eyes started welling with tears.
“Honey,” Barbara frowned at the tears coming out of her child’s eyes, it hurt to see him so upset, gently running her thumb along his cheeks to swipe them away. “I’m still mama, I’m still you mom.”
She led Tom’s hand over her heart, letting him feel the steady beating of it. The constant and steady pattern of thumping seemed to entrance him for a moment until his mild rocking and distressed noises slowly came to a halt.
“See? It’s still me, baby.” She cooed, running her thumb along the back of her son’s hand. “My hair is gone, but I’m here.”
“Sometimes, in life,” Barbara began, setting Tom’s hands down in his lap again now that he was calmer. “things change, and we can’t control it. Like my hair, you couldn’t control that, could you?”
Tom looked up from watching his hand feel the steady movement of her heart pumping, looking up at his mother’s face. He still looked displeased and upset, but less so, even going as far as to reach for where her hair used to be, trying to grab at the air around her head like it was still there. Fruitless.
She held his hand again, pressing it against her cheek with a broad smile, one she gave him often. He couldn’t keep his resentment for long, giving his own goofy smile back with a giggle. The way her gap tooth showed when she smiled that big was forever burned into his memory, only disappearing from her face so that she could kiss the palm of her son’s hand.
Tom shook his head, frowning at the thought but keeping a wide eyed expression to his mother as she continued her lesson. She smiled to him once again.
“Well, that happens a lot in life.” She sighed, cupping Tom’s cheek in her hand. “And no one likes it, you’re not alone for thinking that. But what you can control is how you deal with the change. Like how you showed me how upset you were, so now we’re talking about it. Do you feel better about it now?”
Tom took a moment, eyes casted down as he thought on it. He gave a small nod as he looked back up at her.
“Good.” She beamed. “And from now on, I’ll do my best to let you know beforehand when I make a change like that, alright?” She kissed Tom’s forehead, causing the child to give a small giggle. That was her favorite noise.
Now, Tom was always a Mama's Boy (not in a derogatory way, he just loved his mom a whole hell of a lot) but even moreso after his father died. They both were grieving and so it caused them to cling closer together because of it, to the point that had it not been for his friend (at the time only Matt, but later Edd too as this was before Tord was introduced to the friend group) he probably would've completely self isolated
They do a ton of things together as Tom gets over and they both eventually heal from Peter's death, baking, sewing, shopping, watch movies, anything they can do when they have the chance to hang out together
They were so close in fact that Barbara was genuinely the first person he came out to for being nonbinary (He/They pronoun user :) ) and of course she loved him unconditionally, but he didn't even tell Matt, Edd or Tord (now in Highschool and having been introduced to delinquent) that yet
However, later in his highschool years, around late Junior year (11th grade) or early Senior year (12th grade) of highschool his mother dies as well. Not from a freak bear with a gun attack though, instead from Pneumonia, which is something she tends to get a lot and always had in her youth, and while it usually isn't fatal and there is treatment and whatnot and she definitely took as much as help as she could, this time just hit different it seemed.
This really fucked with Tom during some of his most important years of his life and caused him to go into a BIG depressive episode for a long long time
Side note that I guess also kinda applies: Had it not been for Tord being just as stubborn of a jackass as Tom, he would've completely self isolated. Edd and Matt helped a lot in his youth but he also had his mom to encourage him, but now with his immediate family all gone he didn't see much of a reason to interact with people. And where Edd and Matt lack in persuasion, Tord more than makes up for in the lack of giving a fuck and would literally drag Tom outside even if he was kicking and screaming. This is mostly because Tord is second only to Tom himself in how durable he is, like a brick shithouse (built like one, too) and not afraid to make Tom hate him if it meant getting him better in the long run (a running theme I have for their relationship :) they're less so "GRR I HATE YOU I HOPE YOU DIE /GEN" and more of like have this weird understanding with eachother where like "I'll literally kill you if you touch me but I'd kill anyone you touched you" type beat, unafraid to get the other to hate them for the greater good because they have the understanding that they wouldn't do something so wildly stupid for no reason. Yes that plays into The End and the future events of WTFuture)
I love them so much oh my god you have zero idea
Anyway, TL;DR
Tom and his mom are extremely close and helped each other get through the worst of times while Tom continues to learn the lesson of "everything changes, it's out of your control, and you can only control how you proceed with it"
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