#300 GSM Paper

[pizzazz-party]

what Am I even doing these days

[psikonauti]

Filipe Branquinho (Mozambican, b. 1977)

After Sex, 2022

Posca and fineliner on 300 gsm Fabriano paper

[wildflowercryptid]

i drew another dorothy for mother's day and she has a new friend this year! i wasn't sure if i wanted to draw my mom cardinals ( her favorite bird ) or dorothy so when i asked her what she wanted, she suggested i draw both.

supplies used — fluid cold press finish watercolor paper ( 300 gsm, 6x8 in, ) sakura koi watercolors, angora watercolors, arrtx acrylic brush markers, prismacolor colored pencils, & posca paint markers

[kochevni-k]

This boy wears a heart on his sleeve.

Traveler's company passport notebook refill cover. Part two, SOAP.

Total time: 21 h.

Materials: 

1. Fabriano Artistico Traditional White Watercolor paper, 300 GSM, Grain Fin;

2. White Nights Watercolour paint (Scarlet, Burnt sienna, Raw umber, Mars brown, Sap green, Green, Green shadows, Dark blue shadows, Perylene violet, Neutral black, Titanium white);

Royal Talens Van Gogh Watercolour paint (Raw Sienna, Naples Yellow Red)

3. Handmade synthetic/badger liner brush.

I finally finished it! 😤 Not all of my artistic decisions were successful, but... it is what it is. Next time I'll try harder!!! 💪 And yeah, my light sucks. I'll scan full result and post it in recent days.

[cattun]

I've been getting into making sketch books from the random junk I've got laying around. I lovingly call them... crap books.

Here's #6 and #7.

Both books are stitch-bound (coptic-ish) and lie flat when opened. Front covers are made from cardboard stock, holographic effect foil and insulation tape.

The A4 one is #6 featuring 16 double-sided pages of rose-tinted 300 gsm watercolour paper (one side rough, one side smooth) and a back cover of paper-laminated polystyrene board.

#7 is the A5 one with 72 double-sided pages of 80 gsm pastel tinted printer paper in 6 different shades and a back cover of painted & varnished carton.

[goldfarthing]

https://www.etsy.com/uk/listing/1353147219/

A customisable A6 greeting card featuring my own Shire watercolour painting and calligraphy on the front. Warm tones of green, beautifully textured (and 100% recycled) card, and a blank interior make this the perfect gift for book and fantasy lovers, whatever the occasion! A6 brown kraft envelope included.

You can also choose to have a custom message handwritten inside in a familiar rustic script. Just drop your message in the customisation box, and my trusty pen and I will do the rest! Swipe through the photos to see an example.

Want me to send the filled-in card directly to the recipient? Pop their address in the delivery address section, and remember to mark your order as a gift! I'll seal the envelope, write the recipient name on it, and post it directly to their address (inside a second, card-back envelope so it doesn't bend in the mail).

Dimensions: A6 (105 x 148.5 mm) when folded. 300 gsm.

Materials: Card made of an uncoated recycled card in a natural shade, manufactured without the use of Optical Bleaching Agents (OBA). FSC Certified Recycled Fibre. Envelope made of brown kraft paper.

[shayafury]

"Tali" This fan art of Tali from Mass Effect is made specially for a Patreon reward for one of my tiers (original artwork size A5 - still have some spots left =] ) I am so happy when I have to draw Tali since she is one of my all time fav characters from Mass Effect. Not only that I drew her but also made a video you can watch it here: https://youtu.be/7icMbEOLOIs?si=A-ZOz0JNDUpiP0sg Made this artwork with high quality watercolours from Neva Pallet and Paul Rubens on high quality paper from Arches 300 gsm and the paper is cut to size A5.

I hope you like it =]

[geekynerfherder]

'Mickey's Christmas Carol' by Jerrod Maruyama.

Officially licensed 18" x 24" Mixed-Media (pigmented inks & screen-printed) print on Entrada 300 gsm archival paper with hand deckled edges, in a signed limited edition of 150, with Authenticity Seal, for $100.

On sale Friday December 15 at 10am PT through Cyclops Print Works.

[puccadraws]

OH GOD I forgot to post this here, but I remade my old 300GSM Watercolor sketchbooks from a couple years ago! This time, upgraded cover design with slight embossing, golden accessories, GILDED EDGES which I’m obsessed with, and can take even the heaviest mediums very well! 60 individual pages, it also LAYS FLAT omg. That way you don’t have to fight against the sketchbook while you’re drawing bc that’s the most annoying part of sketchbooks sometimes.

I’ve tested this with copic markers, permanent markers, ink pens, colored pencils, crayola markers, watercolor, acrylic, gouache, pencils of all kinds, etc etc.. nearly no bleed through and absolutely no footprint on the other side. I’m sooo happy with these. 

These will be in my store today at 12 pm PST! Definitely a warning: these were expensive for me to produce so the price tag might be a little steep, but here’s a more accessible alternative! You can find 300 GSM watercolor paper pads at most art stores or online for much cheaper. I just want everyone to experience this amazing paper it’s so good hahaha I worked so hard on these.

https://puccanoodles.bigcartel.com/product/ramen-300gsm-watercolor-sketchbook

Link to my store there :) Thank you guys... this will.. help me pay off my medical bills and also my service dog’s recent vet bills aaaaaaaaaahhh hahaa.

[zombieprowl]

Up until now I have been hand cutting to size the Sketch cards using a brand of celullose paper at 250gsm. These are sized at standard Sketch Card size which is 2.5 x 3.5 inches. Most sports trading cards have been this size and it is the standard size for artist trading cards and standard Pokemon cards.

The new cardas on the right are pre cust 100% cotton pulp sized 300 gsm. These are sized 2.59 x 3.26 inches. They are slightly wider while they are quite a bit shorter. This is the "Bridge" size which from what I can tell is more commonly used in Asian memorabilia and the size of Yu Gi Oh cards.

What are the pros of the new cards? In watercolor, wood pulp or cellulose paper are known to suck up the vibrancy of the colors to varying degrees. While 100% cotton paper will retain as much vibrancy as the natural dry shift of watercolors will permit.

They are also thicker which means they are sturdier and less prone to warp when wetted.

They are pre cut so I just have to pull them fromma block instead of manually measuring and cutting myself.

Cons: More expensive since cotton pulp paper is more expensive in general. (However at this size and vs the current paper I'm using the difference are a few cents per card at the price I paid.)

The size. We cannot deny half a centimeter is still space I am restricted to. In this case, Senator Shockwave's hand didn't make it into the 100% cotton paper cut.

The only supplier I can get them from easily is from China and prices and availability could change at any given time.

Help me out with your feedback!

[garadinervi]

Toba Khedoori, Untitled, (intaglio etching, hard ground; Somerset Satin White 300 gsm paper with torn edges 2-inch margin all around, in Payne's Grey color, one printing), 2017, Edition of 44 plus 10 Artist Prints [LACMA Store, Los Angeles County Museum of Art, Los Angeles, CA. © Toba Khedoori]. Produced on the occasion of an exhbition at LACMA, co-organized by the Pérez Art Museum Miami (PAMM), from September 26, 2016 through March 19, 2017

[psikonauti]

Filipe Branquinho (Mozambican, b. 1977)

Tempo, 2022

Mixed media on Arches paper, 300 gsm

[mokutone]

🌿🌱 Mokutone Masterpost 🌱🌿

Hi! Welcome. This post will function sort of as a FAQ and will be updated as such. You don't need to read it, but if you've had these questions, here are my answers:

"Do you take Commissions?"

Not yet! I do, however, have a Ko-fi, where I'll do some little thank-you doodles!

"Do you have a shop?"

No, not at the moment! I am considering it though...

"What materials do you use?"

By far the questions I get asked the most are about this, so this will get very long and I'm going to put it under a readmore. I will address the papers, inks, watercolors, dip pens, brushes, and other materials that I have used.

I also answer questions about my materials under the "my ninja tools and scrolls" tag, and give art technique advice under the "my jutsu" tag. Yes it's silly, but this is a Naruto art blog. this is what we all signed up for.

Mostly, this will be a list of my traditional materials. I will address the paper, pens, inks, and various types of watercolor that I use!

📄 PAPERS: 📄

—Strathmore 400 Series Heavyweight Drawing Pads 100lb/163gsm. (these numbers refer to the weight/thickness of the paper. thicker paper is less likely to buckle) ———> This paper is extremely cheap (a 9"/12" pad is often under 10 dollars), takes inks EXCELLENTLY, but it's a much lighter paper, and it will buckle under watercolor. For this paper, it's good to only paint small sections, to paint very slowly, or to paint with the paper taped down to another surface.

—Fabriano Hot Press (Hot Press means the paper is smooth, not rough) Watercolor Paper, 140lb/300 gsm ———> I use this paper the most because it's fairly cheap to buy in bulk, while still being good enough quality that my picky watercolor teacher approved it, Lol. I can usually find a 9"/12" block of it with 50 pages for about $20 if i look hard enough—and the paper is hardy enough that if I'm careful, I can paint on both front and back of the paper. Bad for archival purposes maybe, but great for having fun and not spending more money. [Example]

—Vision Cold Press (Meaning the paper is rough and textured) Watercolor Paper, 140lb/300 gsm ———> My watercolor teacher said this stuff was garbage, but...I don't really care! It is DIRT CHEAP and YES it buckles a little despite being thick, and YES it feels like cardboard in your hand, and YES it ONLY comes in coldpress, but the texture is grainy and even and nice... and like. when I say dirt cheap I mean dirt cheap. I used to get the 6"/9" 30 page pad for like 6 or 7 bucks. [Example]

—Arches Watercolor Pad/Block, Hot Press, 140lb/300 gsm ———> This is that expensive shit. I got a pad of it for a class back in college, and I dip into it now and again—I also bought a little bit more when there was a sale recently, a 12 page. It's 100% cotton, and it takes pigment based watercolor REALLY well, but it's not so good about dye based (I'll discuss the difference between those later) [Example]

🎨 WATERCOLORS: 🎨

DYE BASED:

Dye based watercolors, because they are based in dyes instead of pigments, are not lightfast. They are not archival. If you expose them to sunlight, they will begin to fade, and some will fade rapidly. That said, if you hoard your art in a dark place once you've documented, go hog wild! The fact that they're all liquid already makes them really easy to use.

—Ecoline Watercolor [Liquid] ———> These are a little watery, but they are cheap and easy, and I used them for the majority of my early watercolor art on this blog!

— Dr. Ph. Martin's Radiant Concentrated Watercolors [Liquid] ———> They are expensive, and sold in small quantities. They are, however very bright, like that label isn't lying! They're super concentrated! I have not actually run out of any of the ones that I bought (at a store closing sale bc otherwise they're too expensive lol) because they only use a small amount at a time

— Dr. Ph. Martin's Synchromatic Transparent Watercolors [Liquid] ———> They are also expensive, and also sold in small quantities. They aren't really made for paper either. They're fine. Probably not worth it though!

PIGMENT BASED:

—Black Sheep Art Supply's Pans And Half Pans! [solid watercolor] ———> These have been very enjoyable for me to work with!! They're very bright, affordably priced, and the paints are from a small business, as well as being handmade and from the first Black-owned art supply store. I've had wonderful experiences ordering from this store, and I wholeheartedly recommend them!

[EDIT: apparently the shop is on a break or something! oh well]

—Dr. Ph. Martin's Hydrus [liquid watercolor] ———> These are liquid watercolors, like the dyes, but they are archival and somewhat light-fast, which means they can be exposed to moderate amounts of sunlight without fading. I haven't gotten to use them much yet, but they seem fine. You do have to shake them a lot to mix the pigment in. They can also be a little difficult to rewet, and may appear somewhat flaky.

—Turner Professional Artists' Watercolors [tube/semi liquid] ———> These are watercolors stored in tubes, you know, the traditional way! I used these for class, back in college. They're cheap, but well pigmented as far as cheap watercolors go. If you're really on a tight budget, this is probably the best pick.

—Holbein Artist' Water Color [tube/semi liquid] ———> My best friend (the one who got me into naruto!) gave these to me! Usually they can be very expensive. They're very high quality, and gorgeous. I'm so enamored with them and touched by the gesture that I use them very rarely, I don't want to lose them! They're special to me!

✒️ INKS: 🖋️

I only use permanent inks which will not bleed (much) when water is applied, due to working in watercolor. This list will reflect that

—Dr. Ph. Martin's Bombay Black India Ink ———> I use this the most frequently. It's a little shiny, but not too bad, and it is completely waterproof once dried. Of the Ph. Martin inks, it's the cheapest by far, and a 1oz bottle (which lasts me months) can be found for about $5. —Dr. Ph. Martin's Black Star (Matte) Ink ———> Very waterproof, does not shine much at all. If you record your art with photography rather than scanning, this may be useful to you! Unfortunately, it's about $10 a bottle. —Dr. Ph. Martin's Black Star (Hi-Carb) Ink ———> Very waterproof, very shiny. I don't use this much because I don't like my ink to shine, but it can be very nice with the right application. Unfortunately, it's also about $10 a bottle.

—Yatsumoto Sumi Ink ———> you can get this stuff cheap. Like, you could get a 12oz bottle of it for like $12. That's very cheap. Unfortunately it's not completely waterproof, and if you agitate (rub the brush vigorously) over the ink, it may seep into the watercolors. If you're careful though, this won't be a huge problem. It's also good for ink-only work.

—Liquitex Acrylic Ink ———> This is also very waterproof, but it also takes longer to dry than the other inks, so I find myself smudging it a lot. It's also about $7 for a 1oz bottle, but about $20 for a 5oz bottle, so if you're committed to the ink, it can be cheap to buy in larger sizes.

—Diamine Registrar's Blue-Black Ink ———> Expensive. Really more of an interesting find than a practical ink for me. This is mostly waterproof, but a very thin ink, and you can feel the nib get scratchier when drawing with it. That's not a bad thing, it's just a textural thing. It's produced in a similar way to medieval inks, with iron and oak-galls, and because of this it has some interesting properties: When first applied to paper, it's a pale or sky blue, but it darkens rapidly as it dries, becoming almost black over time. It runs the rusk of corroding metal pen nibs due to its chemical makeup, and so nibs which use this must be washed extra thoroughly.

✍️ PEN NIB HOLDERS: ✍️

—Speedball Sketching Pen Set: ———> Easiest to get your hands on. Comes with two nib-holders and 6 different nibs to try out, available at most art stores, and usually around $10. It's also not bad quality—I don't use the tiny little nib-holder any more, but I use the standard black one all the time.

—Tachikawa Comic Pen Nib Holder, Model 40/ Model 36 ———> My Favorite. Thank god it has a little rubbery thing around it, because I grip pens hard 😭. It is able to hold standard-size AND small-size nibs. Occasionally, I find that some "standard-size" nibs might not fit, but I've never had this issue with the small size nibs.

Honestly, those are my favorites, but it's really hard to go wrong with pen nib holders. If they fit comfortably in your hand, and they hold a nib, they're good!

🖋 NIBS: ✒️

Nibs are difficult to acquire. They can be expensive too.

— Speedball ———> If you want to get a variety of nibs to experiment, this is my first recommendation. They have a wide variety of nibs to experiment, and find out what your favorites are.

—Tachikawa Pen Nibs ———> They've got less robust options than Speedball, and a little more expensive too, but they're very good nibs! The G-Nib is the standard nib used in comic making, and especially for lettering. It's a very stiff little nib, so it doesn't flex too much. This makes it pretty reliable, and especially good for lettering/writing.

—Manuscript Leonardt Pen Nibs ———> A lot of options for everything from caligraphy to cartography to sketching, also a little expensive—what is notable is that their pen nibs tend to be on the more flexible side, allowing the artist to get a lot of line weight variance. This is bad for lettering, but fun for drawing! They also have pens shaped like hands. Neat.

—Brause Pen Nibs ———> These were always super expensive where I was. I got a few. They come in this dorky plastic case with a sliding top, and I kinda wish they didn't bc that's a whole lotta plastic for something that coulda been stored in cardboard or paper, lol. I now use the cases to hold perfume samples. They're good pens, they're just expensive and the packaging is dumb.

—Whatever the hell is on Etsy. ———> People love to sell vintage things on etsy, and pen nibs are no exception. Often, you can find random samplers of pen nibs, or collections of pen nibs for sale. Sometimes you can find a whole box of one kind of pen nib, often times with a lot of nibs in it. I once bought one of these for like $45 and i don't even regret it because it's got a shitton of nibs and I realllly like using them. It will literally last me the rest of my life.

🖌 Brushes: 🖌

I don't have a lot to say about brushes! Ultimately, if it makes a mark on paper, and you like the mark it makes...I think that's a good brush.

I've been told you should go for ones which hold a shape, I think, and don't spread out in a big puff. Ones which use animal hairs are apparently best, but they are also very expensive. Generally, with watercolors, you will want to use "round" brushes, especially for beginners. If you want to experiment, I recommend Filberts, but there are also sword/dagger brushes if you're painting something like grass. Mostly I use:

—Creative Mark Mimik Kolinsky: ———> As the name implies, these are meant to mimic (synthetically) brushes made from Kolinsky fur. These are nice and I like them. They're cheap, but hold their shape well, and feel good in the hand. —Creative Mark Mimik High Performance Synthetic Squirrel Hair Watercolor Brushes: ———> What a name. I find these to be just as good for me as the Mimik Kolinsky, but a little bit cheaper. As long as ur careful not to treat them too roughly you'll be fine.

—Princeton Watercolor Brushes ———> Good. Expensive, but good. They have a variety of synthetic + natural materials, they are well made, if you have a little money to throw around + want a brush which will preform very well but will not destroy your bank, this is a solid brand. I've used ones from their Velvetouch, Mini-Detailer, and Heritage collections before, and enjoyed them all very much.

Additional Supplies:

—Porcelain Palette ———> I highly recommend using a porcelain palette instead of a plastic palette, both because I like to cut down on plastic when I can, and because the porcelain palettes are just....so much more convenient. The glass-like coating means that they will be easier to clean, whereas all of my plastic palettes over the years have gotten permanent stains. They're a little harder to accidentally knock around because they're heavier, which probably isn't a problem for most people, but I can be kinda clumsy. I can't tell u the number of times I've sent a full plastic circle-palette of watercolors flying lol

[kochevni-k]

Traveler's company passport notebook refill cover. Part one, GHOST.

Total time: 16 h.

Materials: 

1. Fabriano Artistico Traditional White Watercolor paper, 300 GSM, Grain Fin;

2. White Nights Watercolour paint (Yellow ochre, Red ochre, Raw Sienna, Sepia, Indigo, Scarlet mist, Ivory black (HUE), Neutral black, Titanium white);

3. Handmade synthetic/badger liner brush.

OK, It's been 4 years since my last painting. I'm trying to remember how to draw 🤷‍♀️

[389]

Ian Davenport Mirrored Red and Black Etching, 2021 Etching with chine collé on Somerset satin 300 gsm paper 59 3/4 × 47 3/4 in | 151.8 × 121.3 cm