#3D Camera Market

[trendingreportz]

3D Camera Market - Forecast 2024-2030

3D Camera Market Overview

The Global 3D Camera Market is estimated to surpass $17.3 billion market by 2030 growing at an estimated CAGR of more than 12.6% during the forecast period 2024-2030. Surging demand of 3D enrich content from entertainment industry and enhancement in 3D scanning technology are proliferating the demand of 3D camera in the market. Consumer electronics hold the largest market share of 41% in the end-user segment and will be a major driver for market growth due to rise in acceptance of the 3D Camera technology. Moreover, the automated operations in industries such as food and beverages, chemicals etc. started integrating 3D cameras with robotics arms which will further fuel the market for 3D cameras in future. Owing to the increased demand of the photographers, nowadays, there has been an increase in adoption of the 3D camera. Additionally, there has been a discernible increase in the demand for high-quality cameras for smartphones or professional cameras, which is creating opportunities for the manufacturers to innovate 3D Camera as a new product in the market.

The 3D camera market is witnessing a trend towards enhanced imaging technologies, allowing for sharper and more detailed captures. Innovations in sensor capabilities and image processing contribute to the production of high-quality 3D content, catering to diverse applications ranging from entertainment to industrial use. A significant shift is observed towards miniaturization of 3D camera technology to meet the demands of mobile devices. Manufacturers are working on compact and efficient 3D camera solutions suitable for smartphones and tablets, unlocking new possibilities in augmented reality (AR) experiences, facial recognition, and immersive gaming.

Report Coverage

The report: “3D Camera Market– Forecast (2024-2030)”, by IndustryARC covers an in-depth analysis of the following segments of the 3D Camera Market. By Type: 3D laser scanning sensors, 3D fringe projection, 3D profile sensors, 3D stereo cameras and Others. By Product: Smartphones, Tablets, Professional Cameras, Hobbyist Cameras and Others. By Technology: Time of Flight, Stereo Vision and Structured Light. By application: Gaming, General Photography, Healthcare, Automotive, Industrial, Logistics, Security & Surveillance, Architecture & Engineering and Others. By Geography: North America (U.S, Canada, Mexico), South America (Brazil, Argentina, Chile, Colombia and others), Europe (Germany, UK, France, Italy, Netherlands, Spain, Russia and Others), APAC (China, Japan India, South Korea, Australia and Others), and RoW (Middle east and Africa).

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Key Takeaways

Owing to the recent developments in the health care industry, 3D cameras have also penetrated into the healthcare sector. In 2023, LUCID Vision Labs launched the Helios 2 Ray Time of Flight 3D camera with a Sony DepthSense IMX556 sensor, 640 x 480 resolution, and 30 fps frame rate. Designed for indoor/outdoor use, it features a 69° x 51° FOV, supports Windows/Linux, uses 940 nm VCSEL laser diodes, is IP67 rated, and operates in -20°C to 50°C temperatures, making it ideal for diverse outdoor machine vision applications.

Emergence of 360 degree selfie camera is one of the pioneering discoveries for the upcoming advanced technology league. Most 360 cameras are launched for the purpose of capturing a complete image with particularly no dimensionality. It also provides virtual reality solutions and are also capable of recording more pixels and present a video which is high in resolution.

A high-tech system including 3D cameras could help UK farmers to recognize the early warning signs of tail biting in pigs. Tail biting is a health and welfare concern in affected pigs and a notable economic concern for industry, tail bite leads to reduce weight gain, culling and carcass condemnation. This technology is capable of predicting future victims and so offers opportunities to update and include information within our selection strategies to reduce the occurrence of tail-biting in future.

3D Camera Market Segment Analysis - By Technology

TOF and Stereo cameras have dominated the 3D Camera Market as compared to the other technologies. The Time-of-flight principle is used by 3D cameras to measure the distance between the sensor and the nearest surface point. The stereo camera is a type of 3D camera that is mainly used for making stereoviews, range imaging, and 3D photos for movies. The image sensors present in stereo cameras will allow cameras to simulate human binocular vision and captures the 3D photocopies. The low cost combined with their suitability for general photography and consumer applications drives the adoption of stereo and TOF cameras.

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3D Camera Market Segment Analysis - By Application

3D cameras are one of the most promising sectors for the healthcare industry. Third dimension is playing a progressively important role in image processing application. 3D Cameras offers great scope to healthcare industry and another milestone was reached by adding 3D technology to our camera portfolio. More detailed and realistic images are offered by 3D cameras as comparison to previous models. It also allows images to be routed in different aspects such as Digital Visual Interface (DVI) and High-Definition Serial Digital Interface (HD-SDI). 3D Cameras (HD) technologies benefits converted to wireless Communication as well. Results High-resolution and Minimal latency images, without restrictive cables. These growing applications will drive the adoption of 3D Cameras in Healthcare sector

3D Camera Market Segment Analysis - By Geography

Geographically, APAC has the most lucrative 3D camera market owing to the higher demand in the prominent consumer electronics market due to the presence of Samsung, Panasonic, Oppo, Xiaomi, and Vivo. Also, higher sales in the healthcare, construction, and automotive industries is influencing the 3D camera market by manifolds. Meere Company launched the next-gen Cube Eye 3D ToF camera lineup at CES 2022, featuring high precision, a compact design with an in-house ASIC chip for enhanced distance calculation, enabling touchless interaction, face recognition, eye tracking, and a future concept AR zone for virtual reality experiences in smart homes. Due to technological advancements in the region, APAC offered the maximum global market share of 37% in 2023. The rising smartphone production in the region combined with growing demand from the industrial sector will be the major drivers of the 3D Camera market in APAC region.

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3D Camera Market Drivers

Rising Number of Applications in Entertainment

Due to a rapid increase in the demand for HD movies, games, and videos, it has become easier for the new entrants to enter the 3D camera market. The 3D camera market is primarily driven by enhanced visual applications in the entertainment industry. Owing to the implementation of 3D technologies in the camera, the entertainment industry is anticipated to grow worldwide. The latest camera used to shot a film in Hollywood was by Weta Digital, with DNEG, Framestore, and MPC providing spectacular future cityscapes. The success of 3D camera in filmmaking is spawning many filmmakers that are venturing into 3D films, and the future will observe an enhanced frequency of 3D films, which is creating a sustainable 3D camera marketplace. 

Growing Usage in Automotive Market driven by Technological Advancement

In the automotive industry, innovation is expected to drive the adoption of 3D Camera market. 3D cameras are used as range cameras in cars to detect the position of the car on the road. Using these sensors in the system's driver is warned regarding the vehicle approaching from behind so that he can change the lane and also it detects the deviation from the lane and warns the driver by vibrating the seat. In 2023, Pickit3D and Zivid have joined forces to provide cutting-edge 3D vision solutions for the automotive industry, amalgamating Pickit3D's adaptable automation solutions and Zivid's top-tier 3D cameras. This strategic partnership targets increased efficiency, competitiveness, and widespread adoption of Industry 4.0 technologies, benefiting major players such as Hyundai, Kia, GKN, and Toyota. These developments will enhance the adoption of 3D Cameras in the ADAS and Safety Systems market for automotive sector. Additionally, the autonomous trucks and self-driven vehicles are gradually emerging in the automotive industry which will further catapult the demand for 3D cameras. 3D Cameras find prominent usage in autonomous vehicles for improving the drivability. Thus, they are an essential tool in furthering autonomous vehicle research and deployment. Thus, this will drive market growth of 3D Cameras.

3D Camera Market Challenges

High Cost of 3D Cameras

The major challenge for the growth of the 3D cameras market is regarding cost issues. Despite of its uses in various industries such as logistics, automotive, and gaming, However, existing industrial 3D solutions are often too complex and expensive for many "simple" 3D applications. 3D cameras are available in the market at a highly expensive, so they are acquiring demand from a very limited section of the market. Therefore, the sales of the market are less when compared to the other camera technologies such as 2D, primarily due to the cost factor despite the improved capability. Thus, the market for 3D Cameras will be largely limited to complex applications where 3D Cameras are a necessity rather than a feature. This will hinder the market in the short run, however; with the price of 3D Cameras dropping, the market will find significant adoption in the long term. 

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Market Landscape

Product launches, acquisitions, and R&D activities are key strategies adopted by players in the 3D Camera Market. Basler AG, Sick AG, Orbbec 3D Technology International, Inc., Panasonic Corporation, ifm electronic gmbh, Allied Vision Technologies GmbH, Vital Vision Technology Pte Ltd., Solomon Technology Corporation, Kandao Cognex Corporation are considered to be the key players of the 3D Camera Market.

Acquisitions/Technology Launches/Partnerships

In January 2023, Orbbec, a global leader in 3D camera technology, launched its advanced 3D sensor cameras, Gemini 2 and Astra 2, at CES 2023. Powered by the new MX6600 ASIC chip, these cameras offer a wide field of view, exceptional sensing range, and high-quality depth processing, introducing innovative possibilities in 3D across various industries, supported by an easy-to-use SDK and multicamera sync capabilities.. 

In April 2023, SICK has unveiled the safeVisionary2, a compact 3D time-of-flight camera with ISO 13849 safety certification, leveraging three-dimensional environmental perception to enhance safety and productivity across various manufacturing and logistics settings.

In July 2022, TKH Group N.V. has successfully acquired Nerian Vision GmbH, a pioneering stereo machine vision company based in Germany. This strategic acquisition allows TKH to integrate Nerian into its portfolio of machine vision companies, operating under the TKH Vision group, while Nerian retains its brand identity and ongoing partnerships. 

[insightslicelive]

3D Camera Market Size Trends Growth Value Forecast to 2032 | Panasonic Corporation, Sony Corporation and LG.

3D Camera Market Size Trends Growth Value Forecast to 2032 | Panasonic Corporation, Sony Corporation and LG.

insightSLICE has recently updated the Global 3D Camera Market research report inclusive of recent trends. The report is authored by seasoned researchers. To put marketplace clearly into the focus, up to date market insights and analysis has been offered via this report. The industry data presented in the report helps to recognize different domain opportunities present internationally. This market…

[sarojmarketreserch]

https://www.htfmarketintelligence.com/report/global-professional-3d-camera-market

[ama2024]

https://www.advancemarketanalytics.com/reports/9735-global-smartphone-market-3d-cameras

The global Smartphone 3D Cameras market is expected to witness high demand in the forecasted period due to high demand from the entertainment and media industry for high-resolution images. The smartphones enable with artificial sense movements as well as capture the best quality of the pictures. The significantly growing technological innovations, social media trends of photography, and the rising disposable income of consumers, enabling them to own expensive gadgets, helping to propel the demand for the smartphone 3D camera market. Also, the introduction of new features such as depth provided by these cameras, facial recognition, and open new avenues of opportunities.

Read more on below link:

https://www.advancemarketanalytics.com/reports/9735-global-smartphone-market-3d-cameras

[lackadaisycats]

Hey Tracy! Have you heard about the new Ai called Sora? Apparently it can now create 2D and 3D animations as well as hyper realistic videos. I’ve been getting into animation and trying to improve my art for years since I was 7, but now seeing that anyone can create animation/works in just a mare seconds by typing in a couple words, it’s such a huge slap in the face to people who actually put the time and effort into their works and it’s so discouraging! And it has me worried about what’s going to happen next for artists and many others, as-well. There’s already generated voices, generated works stolen from actual artists, generated music, and now this! It’s just so scary that it’s coming this far. 

Yeah, I've seen it. And yeah, it feels like the universe has taken on a 'fuck you in particular' attitude toward artists the past few years. A lot of damage has already been done, and there are plenty of reasons for concern, but bear in mind that we don't know how this will play out yet. Be astute, be justifiably angry, but don't let despair take over. --------

One would expect that the promo clips that have been dropping lately represent some of the best of the best-looking stuff they've been able to produce. And it's only good-looking on an extremely superficial level. It's still riddled with problems if you spend even a moment observing. And I rather suspect, prior to a whole lot of frustrated iteration, most prompts are still going to get you camera-sickness inducing, wibbly-wobbly nonsense with a side of body horror.

Will the tech ultimately get 'smarter' than that and address the array of typical AI giveaways? Maybe. Probably, even. Does that mean it'll be viable in quite the way it's being marketed, more or less as a human-replacer? Well…

A lot of this is hype, and hype is meant to drive up the perceived value of the tech. Executives will rush to be early adopters without a lot of due diligence or forethought because grabbing it first like a dazzled chimp and holding up like a prize ape-rock makes them look like bleeding-edge tech geniuses in their particular ecosystem. They do this because, in turn, that perceived value may make their company profile and valuations go up too, which makes shareholders short-term happy (the only kind of happy they know). The problem is how much actual functional value will it have? And how long does it last? Much of it is the same routine we were seeing with blockchain a few years ago: number go up. Number go up always! Unrealistic, unsustainable forever-growth must be guaranteed in this economic clime. If you can lay off all of your people and replace them with AI, number goes up big and never stops, right?

I have some doubts. ----------------------

The chips also haven't landed yet with regards to the legality of all of this. Will these adopters ultimately be able to copyright any of this output trained on datasets comprised of stolen work? Can computer-made art even be copyrighted at all? How much of a human touch will be required to make something copyright-able? I don't know yet. Neither do the hype team or the early adopters.

Does that mean the tech will be used but will have to be retrained on the adopter's proprietary data? Yeah, maybe. That'd be a somewhat better outcome, at least. It still means human artists make specific things for the machine to learn from. (Watch out for businesses that use 'ethical' as a buzzword to gloss over how many people they've let go from their jobs, though.)

Will it become industry standard practice to do things this way? Maybe. Will it still require an artist's sensbilities and oversignt to plan and curate and fix the results so that it doesn't come across like pure AI trash? Yeah, I think that's pretty likely.

If it becomes standard practice, will it become samey, and self-referential and ultimately an emblem of doing things the cookie-cutter way instead of enlisting real, human artists? Quite possibly.

If it becomes standard industry practice, will there still be an audience or a demand or a desire for art made by human artists? Yes, almost certainly. With every leap of technology, that has remained the case. ------------------ TL;DR Version:

I'm not saying with any certainty that this AI blitz is a passing fad. I think we're likely to experience a torrential amount of generative art, video, voice, music, programming, and text in the coming years, in fact, and it will probably irrevocably change the layout of the career terrain. But I wouldn't be surprised if it was being overhyped as a business strategy right now. And I don't think the immensity of its volume will ever overcome its inherent emptiness.

What I am certain of is that it will not eliminate the innate human impulse to create. Nor the desire to experience art made by a fellow soul. Keep doing your thing, Anon. It's precious. It's authentic. It will be all the more special because it will have come from you, a human.

[greatwyrmgold]

When was the first 3D video game published? Trick question, this is a post about how "3D video game" is a meaningless phrase.

In 1984, King's Quest: Quest for the Crown was published. King's Quest was marketed as a "3-D Animated Adventure," even though it looked like this:

At first glance, it looks like any other low-resolution 16-color adventure game of the pre-EGA era. But it has one revolutionary feature that sets it a step above its peers: You can walk behind things.

To be clear, that's basically it. There's not even sprite scaling or anything; King Graham is the same size whether he's close to the "camera" or not. Modern gamers would probably find it a bit ridiculous to say this game has a "camera" at all. But you can walk around in that green field, and you can go behind the tree or the castle tower, and those things would hide the part of Graham's sprite behind them—and you could also walk in front of them!

Well, if you didn't fall off the bridge. Why did Roberta Williams never put handrails on those things?

Anyways, the next game I'm going to mention is Wolfenstein 3D (1992), another game which marketed itself on cutting-edge 3-D technology.

You can see a lot of graphical improvement between these two games set in castles, and not just because Wolfenstein has thrice the resolution and 16 times the colors. The sprites can be scaled with their distance from the camera, for instance, and the backgrounds aren't static flat planes. They're dynamic flat planes, capable of warping as your angle to the wall changes.

In some ways, this is as great a leap over King's Quest as King's Quest is over Zork, or at least Mystery House. But is it really 3D? It's still just a bunch of distorted 2D sprites being drawn to the screen. There's nothing really 3D going on in the computer. It's no Super Mario 64 (1996).

SM64 is among the first popular "real 3D" games, with models and polygons and stuff. And it is, again, a great leap above Wolfenstein 3D. It doesn't distort 2D sprites to mimic 3D shapes; it shapes 2D textures around 3D models. Totally different! It has polygons and stuff!

Now, I'm not 100% sarcastic about that. There are some technical differences between how SM64 handles its textures and how Wolfenstein and other Id shooters handle their sprites. But those differences aren't so much "doing something completely different" as they are "doing the same thing with fewer limitations".

And it would be absurd to claim that Wolfenstein graphics have more in common with KQ1 than with SM64. It would be even more absurd to say that SM64 has less in common with W3D than it does with older and newer titles using what people commonly consider 3D technology.

On the left we have Battlezone (1980), an arcade title which predates KQ1 as much as W3D predates SM64. It has little in common with Wolfenstein's graphics, not needing to distort any kind of 2D image file to mimic 3D, because it's just wireframes.

From a graphical perspective, it has more in common with KQ1 than W3D; both use vector graphics. (Bitmap images would take too much storage space for KQ1.) In fact, you could probably make a compelling argument that KQ1 and Battlezone's vector graphics have more in common with each other on a technical level than they do with Wolfenstein's 3D sprites or SM64's 3D models.

And on the right...it's either leaked security cam footage from Area 52, or The Callisto Protocol (2022). I can't explain what separates it graphically from the other games in this post, because there are so many new systems—systems which require specialist graphical engineers to understand, let alone create or use. I could rattle off some technical terms like subsurface scattering and cloth simulations and soft-body deformation, but I don't understand these techniques on anything but the shallowest level, and TCP has elevated them to another level.

I know it sometimes seems like graphical technology stopped having Big Improvements some time around the seventh or eighth console generation, but it kept going. The difference, I'd argue, is that the improvements have been more spread-out, enabled less by advances in hardware technology and more by learning how to use those advances, distributed throughout a hardware generation rather than concentrated at the start.

Anyways. The point I'm trying to make is that modern games make every prior game in this post look ridiculously primitive. SM64 was impressive in its day, but Mario is rendered with less than a thousand triangles, separated into several rigid components. And his face is just a couple dozen flat polygons with a texture printed on them. Even modern indie games often animate eyeballs with more polygons than Mario's entire body, with the eyeball and eyelid and so forth all being separate models with textures and shaders bringing them to life. Giving them more depth.

Making them even more 3D.

There is not a firm line between 2D and 3D. Wolfenstein 3D is more 3D than King's Quest I, and Super Mario 64 is more 3D than either of them, and Skyrim more 3D than that, and The Callisto Protocol more 3D still. If someone dismissed Doom as not being "real 3D," they're drawing an arbitrary distinction around one of many graphical innovations that made gaming graphics incrementally more verisimilitudinous. That's all.

[jmdbjk]

3D

I had to let some time pass before I wrote this. The discourse is heated and polarized.

You say: "ABG ... Asian Baby Girl, doesn't mean the same as it used to" ... it might not for you but it is rooted in misogyny and racism. Does that mean the n-word doesn't mean what it used to? Or the word bitch, cunt or whore? It's ok to use those words too when rapping about women? What about fag or fairy? Ok? No. Not okay.

You do you, Boo, but:

"The ongoing oppression of women is enshrined in religious, legal, political, educational, and employment systems and structures. An equivalent level of systemic and structural oppression has not been experienced by the current generation of white men in America. "

You can read the article this excerpt is from here.

My first impression upon listening/watching the first time: I did not like it because of fugly white boy, Jack Harlow. I've never liked him, I've never liked his lyrics or his vibe. He is the type of overdone, asshole misogynistic male bullshit rap that had become unavoidable for a while.

I don't have ANY problem with JK singing about sex, having sex, shooting his jizz to the sky or any of that. BRING. THAT. ON. I don't care if the song is about phone sex or masturbating on camera or whatever.

What I do have a problem with is a white guy saying one girl (the black girl) is boring but two girls (add the white girl) is cool. I have a problem with the concept of having women lined up ready to fuck as some sort of thing to laud. And they are all dressed alike, so that means he doesn't care about them, they're all the same. Just another pussy to fuck. Diversity, yay. Not.

I will listen to the alternate version of the song but I will never listen to or stream the version with the rap.

I love Jungkook. I love that he's exploring his sound. He is creating music that speaks to him RIGHT NOW in his career. Do I like that he's put this song out? No. But that's my own personal opinion.

I can't speak for Jungkook, a 26 year old Korean man. He has his own systemic and structural oppressions to deal with.

I am not going to second guess him. He will see the feedback and take it into consideration, I don't have to guess on that, I know he will. They all see what goes on.

I wanted to give JK the benefit of the doubt with Seven. I don't have a problem with Seven the song, but its the hype surrounding it that is perpetuated by the fandom that he is being pushed in the western market. This song proves it.

All that being said, BTS and each individual member all exist within an industry that is heavily influenced by the western market.

As such, every song each member releases will add to the colors that the team will be able to use when they come back together as a group. No one will be surprised if BTS utilizes a hardcore western rapper in the future now. It is just one more color in the mix.

But as my friend says: "Shoot for another Coldplay....They don't need to be lifting people up. They need to find peers. Which is why I would support a Lady Gaga collab with Tae. Which is why Hobi asked for J Cole. That's a peer, man. I can handle Pharrell with them.

The benchmark for peers, to me, is another artist who has nothing to gain from collab'ing with them. An artist who holds their own, on their own, and collabs to let each participant have fun, shine, and grow a bit. Not some newbie who needs the boost. The only exception to that would be if they worked with one of their juniors at Hybe."

And now I move on from this.

[taergalive]

Random Things That Existed While Alastor Was Still Alive

Electric Irons

Electric Washing Machines

Electric Dishwashers

Electric Refridgerators

Vacuum Cleaners

Automobiles

Sewing Machines

Pop-up Toasters

Band-Aids (like the legit brand)

Bulldozers

Television (It existed but was not widely utilized. Hard to come by but it existed!)

Traffic Lights

Escalators

Lie Detectors

Teddy Bears

Neon Lights

Crayons

Windshield Wipers

Cornflakes

Helicopter

Instant Coffee

Binder Clips

Electric Blankets

Jungle Gyms

Hair Dryers (though they were awful)

Water Skiing

Reuben Sandwich

Drive-Thru Restaurants

Garbage Disposal

Lifesaver Candy

Crossword Puzzles

Ecstasy

Bras

Batteries

Disposable Razors

Gas Masks

X-Rays

Marshmallow Fluff

Dimmer Lights

Hamburgers

Kool-Aid

Corn Dogs

Ice Cube Trays

Reclining Armchairs

Clip-on Ties

Tampons

Eyelash Curlers

Sunglasses

Cheesesteaks

Chocolate Chip Cookies

Electric Guitars

Toilet Brushes

Lincoln Logs

Super Markets

Grocery Bags

Blender

Modern Zipper

Fortune Cookies

Bug Zappers

Reese's Peanut Butter Cups

Twizzlers

Air Conditioning

Tommy Guns

Dum Dums

Butterfingers

7Up

Milkyways

Insulin

3D Movies

Frozen Food

Self Winding Watches

Spiral Notebooks

Loudspeakers

PEZ Candies

Steamboat Willy Cartoon

Instant Cameras (where the picture would develop instantly)

Wonderbread

Sliced Bread!

Heinz Ketchup

Aunt Jemima Pancake Flour

Rice Krispies'

Klondike Bars

Technicolor (Colored Movies)

Aerosol Cans

Paper Towels

Candy Apples

Bubble Gum

Electric Shavers

Car Radios

Yo-Yos

Scotch Tape

FM Radio (created the year Alastor died)

[puddingpong]

🌈CSP Assets MasterList🌈

I use Clip Studio Paint a lot… and i am always checking the assets store

This is a big list of assets i find interesting/useful that are ✨free✨

🖌️Brushes

Belt Buckle

Scattering Papers

Bullet Band

Simple Rope

Wisteria Flowers

Rubble/Debris

Vertical Rocks

Pointy Rocks

Chains

Simple Chains

Floor Pattern

Wizard Bookshelf

Cartoon Leaf Brush

Large Foliage

Bushes

🛋️3d Furniture:

Modern Bookshelf

Antique Books

Chesterfield Antique Chair

Bookcase

Simple Computer Chair

2 seats Sofa

Armrest Chair

Office Chair

Fancy Chair

Celestial Globe Set

Simple Queen Bed

Bird Cage Chair

Toilet Set

Bunk Bed

Hospital Bed

⚙️3d Misc:

Angel Wings

Cogs

Helm

Wires

Cowboy Hat

Camera

Dog Muzzle

Valves

🏠3d Buildings / Structures / etc

Back Alley Wall

Cartoonish Back Alley

Mobile/Ice Cream Stand

Outside Asian Insp. Lantern

Tall Upscale building with 4 entrances

Medieval Market Stand

Fantasy city street

Mansion

Wooden School Hall

Boxing Ring

Multitenant Building

Sci-fi Door

City

Medieval Ruins

Throne Room

Big House

Iron Gate

Torii Gate

Japanese Style Room

Cliff Covered With Concrete Blocks

Medieval Shop Stand

Bus Seats

Boxing Hall

Simple Building Apartments

Sci-fi Medical Pod

Basic Ruins

Tiny Cafe Table Set

Tall Shopping Street Building

Shopping Street Building

Inside Castle Throne Room

Inside Castle Hall

Inside Castle Corridor

Skyscraper

Fantasy Castle/Church

🚲3d Vehicles

Racing Bike

Bicycle

⚔️3d Weapons

Nodachi Sword

Medieval Sword

Dart Gun

Pistol Parts

Automatic rifle

Futuristic Weapon Set

🎸3d Instruments:

Drum Set

Guitar

Electric Guitar

Electric Guitar (Mustang Type)

🌈Hope it helps? idk... bye bye🌈

[icedteaandoldlace]

It started the night of the electrical storm. No one knows exactly where the storm came from or why it ended as abruptly as it started; all Kamilla knows is that one minute, everything was normal, and the next, there were streaks of lightning in all colors lighting up the sky and wreaking havoc all over the city.

And okay, maybe it was stupid to go outside in the middle of it—maybe it was really, really stupid because this is Central City, and the aftereffects of natural and unnatural disasters here are a million times weirder than anywhere else in the world. But as dangerous as this freak lightning storm looked to be, it was also really cool, and even kind of beautiful, in its own way. And Kamilla didn’t want to be a bartender forever, and no one’s ever impressed the editor of National Geographic with their portfolio of senior portraits on railroad tracks, so of course she had to go out to try to get a picture of it and grow her collection of unique and incredible shots. She’s an artist, after all; this is what she does. Photography is practically fused in her DNA.

Of course, it’s not the only thing fused in her DNA—not after that night, anyway. Not after a blue bolt hit the sidewalk just yards away from her, and a dark wave of whatever-it-was rushed over her, knocking her off balance and making her camera smoke and spark, before everything around her went silent.

For a moment, she thought she’d gone deaf. She could see the lightning still flashing, and the people on the streets running for cover, but she couldn’t hear the thunder, the crackling, the footsteps, or the screams anymore. There was no sound anywhere.

The sound of her own breath catching stopped the panic before it could really take hold, but the relief that she felt afterward was quickly replaced with confusion. Her hearing was normal within a very short radius, but everywhere else, it was like she was watching a 3D movie on mute. What’s more, she could sense an odd sort of tingling all around her, like she was surrounded by energy that was in constant motion—rushing, swirling, vibrating—and there was a space where that energy came to a standstill.

A little time spent focusing on that space, and she was able to tell—without really knowing how she could tell—that that space was the same as the space where her hearing range stopped. From there, it didn’t take her long to find that the longer she focused on the edge of her range, the wider that range grew.

“Oh, fuck.”

Coming outside was definitely a stupid idea.

-

It took some time to figure out how this new ability worked, but now she pretty much has the hang of it. Whatever this omnipresent energy is, it seems kind of like how she imagined the Force, as Obi Wan first explained it to Luke. She can’t control it fully; she can only stop it, either from reaching a certain point, or from moving altogether. She knows that some of the vibrations she feels are sound waves, and she can stop the waves before they reach her ears. This comes in handy at work, whenever a sleazy customer tries to hit on her, a coworker tries to dump their responsibilities on her, or the owner of the place decides to showcase another terrible band. Her coworkers start to joke that she has selective hearing. They have no idea how right they actually are.

Other types of vibrations are trickier to understand. She knows there’s something moving through the atmosphere at all times, and she knows that she can stop it in its tracks, but she doesn’t know where it came from or what its purpose is. She knows she can hold it back so it just vibrates in one place, and when she does that at the farmers market, the fruit flies bothering everyone else can’t pass through the vibration field to buzz her.

She understands now why people say that some people give off bad vibes. This should make reading people’s emotions and intentions easier, but instead it makes some things more confusing. She doesn’t know why she feels a sense of foreboding when she walks into a cute little pawn shop, but it’s strong enough to make her leave without buying anything and never go there again. She doesn’t know why she feels perfectly safe walking past the scary looking guy standing outside her apartment late one night, or why the fact that he lingers and watches her go inside doesn’t give her the creeps. She doesn’t know why the man in the black cap she sees on the subway gives her such a weird feeling—not bad, just different—or why her cell reception suddenly returns the exact moment that feeling leaves. And the day she first sees Cisco Ramon, she feels something unlike anything she’s ever felt before.

Technically it happens before she sees him; she can feel it the moment he walks into the bar, something like a rip current among the usual waves, but it takes her a little while to figure out that it’s him that it’s coming from. It’s only part of the reason why she feels drawn to him; the lustrous, wavy hair, the warmth in his dark eyes, and the fact that he acknowledges her more than anyone else at the bar does (and not in a creepy or contemptuous way), all play a pretty significant part as well.

But then he picks up a piece of the glass that Truck smashed against the bar, and…Kamilla doesn’t know what hits her. Something changes—not for long, but for a few seconds, the vibrations in the bar start moving in all different directions, changing frequencies, and…and she really wishes she understood the science of how this energy works, because she’s no expert, but she’s pretty sure it shouldn’t be possible for it to move that way. She can’t see what it’s doing, but she can sense it, and it is chaotic.

In an instant, everything goes back to normal, and almost immediately after, Cisco throws the glass shard away from him. For one wild second, Kamilla wonders if he felt the energy shift, too—if maybe him holding that piece of glass caused a weird reaction in the universe. But that’s silly—even for Central City, something as simple as a man picking up a piece of glass shouldn’t butterfly-effect a potential cataclysm.

She lets it go, writing it off as a coincidence. But she keeps her eye on him, anyway. He doesn’t appear to be having a good time, and if the hellhole that is Liquid Kitty is just not his kind of scene, he might not ever come back—which would be a shame, because he is such a hottie.

She shoots her shot when the opportunity presents itself, and she finds that he’s sweet and smart and adorably goofy, and he ends up leaving the bar in a better mood. He also leaves with her number.

They begin texting, and Kamilla becomes so taken with Cisco that she almost forgets all about the weird thing that happened with the vibes at the bar. And even though he’s an hour late for their first date and positively radiating with the irregular energy she only feels around him, it doesn’t take long before she starts to feel like she’s falling in love.

One night, she runs into him at Jitters. He’s ordering a lot of espressos for how late it is, and she asks him what’s up.

His answer is vague, just a quick explanation that his team is pulling an all-nighter and he’s providing the fuel, but something is off. It seems a little odd that he’d need to pull an all-nighter now, when the big project he keeps alluding to is already finished. He’s also visibly anxious about something, and not in a rushing-to-meet-a-deadline kind of way.

After a little gentle nudging, he finally comes out with it: someone broke into the lab where he works. The place has been thoroughly trashed, a lot of his equipment destroyed.

It’s clear he doesn’t really want to talk about it with her; he reassures her that everyone is okay and the break-in is being investigated, but he says very little other than that. He just wants to take his coffees and get back to work fixing things up.

Kamilla understands that she needs to just let him have his space. She understands that he needs to deal with this in the way that is best for him, which is apparently to dive right into work with just his team, and to do more than say. She understands that maybe he is capable of talking about it right now, just not with her, because maybe they’re not close enough for that kind of conversation yet. She understands that catching the burglar is a job for the police, and that there really isn’t any meaningful help she can offer him right now. Still, she wants to do something. Telling her as much as he has seems to have made him process the situation a bit more, and now he’s shaking, looking antsier as he waits for the barista to return with his order. She can’t leave him to walk back to his lab alone when he’s like this.

She decides to try something new. Maybe she can’t fix the problem for him and maybe she can’t make his anxiety go away, but if she can get his body to calm down, maybe it’ll be easier for his mind to follow suit. She takes hold of his forearm, causing him to look her in the eyes. She smiles, then she stands on her toes and gently kisses his cheek—distracting him, just in case he can feel it when she steadies the turbulence inside him, causing his muscles to relax.

When she pulls away, he looks at her differently than he ever has before, and when she tells him that she’s there for him if he needs her, he actually smiles.

He leaves with his coffees shortly after, looking much calmer than he was before, and Kamilla smiles to herself. Mission accomplished.

She doesn’t know how Cisco would feel if he learned he was dating a metahuman—because that’s what she is, she’s finally determined; she is a metahuman. Her powers may not be anything spectacular, but she is a metahuman nonetheless. Cisco’s pretty cool about a lot of things, so he probably wouldn’t be bothered by this—if she decides to eventually tell him about it, anyway.

She’s honestly not sure how she feels about it. It doesn’t affect her life in any major way, and if she pleases, she could go her entire life without anyone else ever knowing it. Still, it makes some already uncomfortable comments about metahumans even less fun to hear. At the same time, the majority of the known metahumans don’t do themselves any favors by choosing a life of crime, and she’s not sure she wants to align herself with that kind of crowd. The Flash and the rest of the local heroes are widely regarded as the exceptions, not the rule. But maybe there are more metas quietly living their lives like her—maybe even the true majority of metas are. Would being out and proud about it make it easier for others to do the same, or would it just put her in danger? Would it even make a difference? Does it even matter?

Part of her wants to tell him because he’s a scientist, and maybe he can help her understand how her powers work. And yet another part of her feels like there’s no need to bother. She’s happy, she’s healthy, and while she is unnerved about there being a metahuman serial killer on the loose, she doubts he’ll know to target her. Besides, the Flash and his team can probably handle him, right? They always trump the bad guys and save the day in the end.

Cisco is with Kamilla at the farmers market when she casually brings up the new metahuman cure. She’s pleased that his thoughts on it boil down to being glad that metahumans who don’t want their powers now have the choice to get rid of them. Choice is the keyword here. He doesn’t think metahumans shouldn’t exist, and he doesn’t think they should be forced to take the cure against their will. And at the same time, he doesn’t think they should have to keep their powers if they’d rather live their lives without them. It’s comforting to know that he would support her whether she chose to keep her powers or not (hypothetically, anyway—she still doesn’t know if she wants to tell him about them or if she just wants to keep that information to herself).

He spots a vendor selling tomatillos, and he leaves Kamilla to pay for her mushrooms while he buys the final and most essential ingredient he needs to make his famous Ramon Sauce, which Kamilla is excited about getting to try for the first time tonight.

As the mushroom vendor is handing Kamilla her bag, she hears a creaking sound from above. She turns around, following the sound with her gaze to see one of the big fans on the pavilion ceiling fall—right over the tomatillo stand.

With a gasp, she reaches out and puts all she has into stopping the vibrations over Cisco’s head, her hold on them loose enough not to still them completely, but tight enough to hold them in place.

The fan bounces off the vibration field, crashing into a flower pot display across the aisle and making a huge mess.

Cisco turns suddenly at the noise, startled and confused, but unscathed. The rest of the market quickly becomes abuzz with everyone wanting to know what happened. Some people scurry toward the fallen fan, others away from it, and questions are asked and answers are given. No one looks Kamilla’s way or says anything about her, and even the mushroom vendor, still staring at the ceiling, seems to have been too distracted by the fan itself to notice the way she’s holding out her arm (which she quickly draws back in before anyone can notice).

Kamilla rushes to Cisco’s side, arriving just as the tomatillo vendor is recovering his bearings, though Cisco is still stunned.

“I don’t know how that thing didn’t hit you,” the vendor is saying. “Can’t imagine what would make it land all the way over there, but lucky thing it did!”

Cisco’s breathing deepens. The initial shock appears to be wearing off as he now looks more disconcerted at the knowledge that he was almost taken out by the big hefty thing. He looks around anxiously—for what, Kamilla doesn’t know. It’s almost as if he expects to find the phantom of the farmers market lurking in the shadows and singing about his plan to make some other young engineer the most renowned in the city (okay, so technically Cisco doesn’t hold that title, either—but he does to Kamilla).

“Babe, are you okay?” Kamilla asks, setting a hand on his shoulder.

“I don’t know,” Cisco says bemusedly. “Did you see what happened?”

Kamilla shakes her head. “I missed the whole thing.”

Cisco looks up at the ceiling again, and Kamilla can see the math happening in his head right now. She was never an ace at physics, but even she can tell that the fan’s falling path wouldn’t be possible without interference.

A lady in an apron starting to clean up the mess pulls Cisco’s attention as she rants that she’s been telling the owner of this place that they need to replace those piece-of-junk fans, and maybe now he’ll listen to her. He looks a little reassured by her words (not the work of the phantom of the farmers market after all?), and he finishes buying his tomatillos, though he’s still befuddled about the whole thing.

“I just don’t understand how it ended up hitting the flower pots,” he says as they’re walking out, arm in arm.

“I don’t, either,” Kamilla replies. “But why question a good thing?”

Cisco shrugs. “Yeah, I guess. But it’s so weird—I mean, right before the crash, for a second there it felt like—”

Kamilla’s stomach drops. It shouldn’t be possible for him to have felt the change in the energy. No one else has ever noticed it when she held it still before. For the first time in months, she thinks about the weird phenomenon in the bar the night they met. “It felt like what?”

She must be projecting, because for a split second, Cisco is the one who looks nervous. But his expression looks normal again quickly enough. “Nothing.” He turns to her and smiles. “You’re right. Why question a good thing? I must just have someone up there looking out for me.”

Kamilla smiles back. Or someone down here, she doesn’t say.

She’s starting to think she’s just gonna keep these powers after all. Not that she was too seriously contemplating getting rid of them before, but now, more than a set of pros and cons, she has incentive. She may not be quite superhero material, but if she can keep one person safe with them, that’s worthwhile cause enough—especially if that person is Cisco.

Besides, the Flash and his team can only take care of so much at once. If she doesn’t stop heavy falling objects from flattening her boyfriend, then who will? It’s not like she can speed-dial Vibe.

[merakisphere]

Someone recently commented how the cost of materials is all I should charge for my handmade product, and not a penny more...with the assumption that material cost is $3, I should only charge $3.

That's kind of disheartening...there are many expenses behind the scenes such as website fees, business registrations, shipping fees and materials, Etsy fees (there are a lot), Shopfiy fees, taxes, marketing material, office supplies, trademark fees, advertising on multi-platforms, vehicle fuel, subscriptions to adobe express, erank for SEO, Lightroom, camera equipment, and most importantly, my time making and operating this small gig of mine. All of this goes into making these fidget stims, and material cost is way more than $3...especially since it is prepaid, meaning I incur these costs before I even make a sale.

If I only charged $3 for my 3D wire mandalas, I wouldn't be making and selling them. Nobody would...

[peachjagiya]

I think Jungkook being key also plays his role in head vs heart dillema. Tae is generally ignored by company until they want to label him as "other" as you mentioned. So he can tell them to f*** off easily, it's also in his nature. But when it comes to Jungkook he is the main vocalist, not only the company demands he listens to them but members too. I have noticed Jungkook sticking to company narrative (2016-2019 except some parts) like his life depends on it all because it's a 5:1 position tbh. He also didn't want to disappoint Army. I am not claiming members were against taekook or their closeness but they are now much more liberal in how they handle taekook which is understandable coz everyone has given their everything for this life so it makes sense for them to stick to company narrative. That's why I think the stricter duty to keep taekook separated lies more heavily on Jungkook than Tae. I personally observe this with how he tries to balance taekook with bh jkks narrative. if partly things are natural because of their bond, other part is careful and deliberate strategy. Sorry to those who think their idols can't lie and play it up for cameras.

I am just gonna be ticked off if company continues their jkk are in love narrative because

1. They aren't kids anymore.

2. Jmn and jungkook looks super cute when they act naturally and don't play up for the camera

3. It's gonna harm Tae more n more

4. Jungkook gonna always be in a tight position.

5. More fan wars.

6. It's sick.

This all feels spot on to me.

I do want to reiterate, and you've made this point here, I don't think it makes any of them bad people to adhere closer to what their company wants. We don't know their motivations or goals. It might really work for them in a way it doesn't work for Taehyung or maybe JK. And considering the livelihood afforded to them by the company, I wouldn't blame a single one of them for playing the game.

I don't want to come off critical of JK, I think I've made it clear I love the hell out of him, but I do think he gave the impression of running hot and cold with Tae in the middle. I always put down to interpersonal drama but I do wonder now if it was more push and pull and extreme pressure on him to play his part whilst also wanting to be authentic with Tae. Again he was 14 when he joined Bighit. It's a LOT to rally against the life of nearly your entire teens and whole adult life and I'm frankly staggered, and admiring, that he's managed to push back at all.

Sorry to those who think their idols can't lie and play it up for cameras.

Yeah. And again, it's not the mark of a bad person. PR/marketing strategies are in place to protect as much as promote. Imagine they just had free rein to say whatever about anything. It would be chaos. I don't think every thing they say is a lie, and broadly I think the stories have a significant grain of truth to them, but there's definitely omissions and slight bending of reality. That's just basic PR. Think about any celeb doing the promotional rounds on chat shows and press junkets. They'll have a couple of stories in the bag to pull out. It's not lies, it's just safe and easy.

And yes, I do think JKK is fanservice-y but possibly helped along by genuine friendship and Jimin's touchy feeliness.

I am just gonna be ticked off if company continues their jkk are in love narrative

Yeuuupppp. I just don't fancy seeing men in their 30s/late 20s pretending anything really. Especially not when I quite strongly believe one of them is going to be hurt by the narratives.

The "characters" they fit into are cute-ish when they're younger but I really just want to see them as real 3D people with genuine flaws and personalities. Because they all shine when they get to be themselves and behave genuinely.

I think it's heading that way? I hope it is.

Thanks anon! 💜

[waycaseuk]

The **evolution of the iPhone** since its introduction in 2007 has been a defining journey in the world of smartphones, with significant advancements in design, performance, and features. Here's a brief overview of key milestones in iPhone evolution:

### 1. **iPhone (2007)**

- **Notable Features**: 3.5" touchscreen, 2 MP camera, 4GB/8GB storage.

- **Innovation**: The first touchscreen-only smartphone, removing the physical keyboard seen in other phones at the time. It introduced multi-touch technology and mobile internet.

### 2. **iPhone 3G (2008)**

- **Notable Features**: 3G network support, App Store.

- **Innovation**: Faster internet browsing with 3G connectivity and the launch of the App Store, which opened the door to third-party apps.

### 3. **iPhone 3GS (2009)**

- **Notable Features**: Faster processor, video recording, voice control.

- **Innovation**: Significant speed improvements ("S" stands for speed) and better camera capabilities, including video recording.

### 4. **iPhone 4 (2010)**

- **Notable Features**: Retina Display, FaceTime, 5 MP camera, glass design.

- **Innovation**: A major redesign with a stainless steel frame and glass front/back, and the introduction of the Retina Display, which had higher pixel density for crisper visuals.

### 5. **iPhone 4S (2011)**

- **Notable Features**: Siri, 8 MP camera, A5 chip.

- **Innovation**: Siri, the first virtual assistant on an iPhone, was introduced, along with significant camera and processor upgrades.

### 6. **iPhone 5 (2012)**

- **Notable Features**: 4" display, Lightning connector, LTE support.

- **Innovation**: The iPhone grew in size to a 4-inch screen and introduced the Lightning connector, replacing the 30-pin dock.

### 7. **iPhone 5S & 5C (2013)**

- **Notable Features (5S)**: Touch ID, 64-bit architecture.

- **Notable Features (5C)**: Colorful plastic body.

- **Innovation**: The iPhone 5S brought Touch ID for fingerprint authentication and a powerful 64-bit A7 chip. The 5C was a more affordable model with colorful designs.

### 8. **iPhone 6 & 6 Plus (2014)**

- **Notable Features**: 4.7" & 5.5" displays, Apple Pay.

- **Innovation**: Apple entered the "phablet" market with larger displays, along with introducing Apple Pay, the company's mobile payment system.

### 9. **iPhone 6S & 6S Plus (2015)**

- **Notable Features**: 3D Touch, 12 MP camera, 4K video.

- **Innovation**: The introduction of 3D Touch, which allowed the screen to detect varying levels of pressure, creating new ways to interact with the phone.

### 10. **iPhone SE (2016)**

- **Notable Features**: 4" screen, A9 chip (same as iPhone 6S).

- **Innovation**: A smaller, more affordable model, resembling the iPhone 5S but with the internal power of the iPhone 6S.

### 11. **iPhone 7 & 7 Plus (2016)**

- **Notable Features**: Dual cameras (7 Plus), no headphone jack, water resistance.

- **Innovation**: The removal of the headphone jack was controversial, and Apple also introduced dual cameras on the 7 Plus for improved zoom and portrait photography.

### 12. **iPhone 8 & 8 Plus (2017)**

- **Notable Features**: Wireless charging, glass back, True Tone display.

- **Innovation**: While similar to the iPhone 7, the 8 series introduced wireless charging through the glass back and enhanced display technology with True Tone.

### 13. **iPhone X (2017)**

- **Notable Features**: Edge-to-edge OLED display, Face ID, no home button.

- **Innovation**: A radical redesign that removed the home button and Touch ID, replacing it with Face ID, Apple’s facial recognition technology. It also introduced the first OLED display in an iPhone.

### 14. **iPhone XS, XS Max, & XR (2018)**

- **Notable Features**: Larger OLED display (XS Max), Liquid Retina display (XR), A12 chip.

- **Innovation**: The XS Max brought a massive 6.5" screen, while the XR offered a more affordable option with an LCD display but the same powerful internals.

### 15. **iPhone 11, 11 Pro, & 11 Pro Max (2019)**

- **Notable Features**: Ultra-wide camera, night mode, A13 chip.

- **Innovation**: A triple-camera system on the Pro models enhanced photography, including better low-light performance with night mode.

### 16. **iPhone SE (2nd Gen) (2020)**

- **Notable Features**: A13 chip, 4.7" display, Touch ID.

- **Innovation**: Like the original SE, this model combined older iPhone design (resembling the iPhone 8) with powerful internals from newer models, offering a budget-friendly option.

### 17. **iPhone 12 Mini, 12, 12 Pro, & 12 Pro Max (2020)**

- **Notable Features**: 5G support, MagSafe, Ceramic Shield.

- **Innovation**: The iPhone 12 series introduced 5G connectivity and the MagSafe system for attaching accessories. Ceramic Shield provided increased drop protection.

### 18. **iPhone 13 Mini, 13, 13 Pro, & 13 Pro Max (2021)**

- **Notable Features**: Smaller notch, ProMotion 120Hz display (Pro models), Cinematic Mode.

- **Innovation**: Focused on camera improvements, including Cinematic Mode for video recording, and higher refresh rate displays on the Pro models for smoother performance.

### 19. **iPhone SE (3rd Gen) (2022)**

- **Notable Features**: A15 chip, 5G, improved battery life.

- **Innovation**: Continuation of the budget-friendly SE line with more powerful internals.

### 20. **iPhone 14, 14 Plus, 14 Pro, & 14 Pro Max (2022)**

- **Notable Features**: Dynamic Island (Pro models), 48 MP camera (Pro), Always-On Display (Pro), satellite SOS.

- **Innovation**: The Pro models introduced the Dynamic Island, a new interactive notification area, along with the powerful 48 MP main camera and satellite communication for emergencies.

### 21. **iPhone 15, 15 Plus, 15 Pro, & 15 Pro Max (2023)**

- **Notable Features**: USB-C port, A17 Pro chip, Action Button (Pro models).

- **Innovation**: The transition from Lightning to USB-C for universal charging, along with enhanced performance and camera upgrades.

The iPhone's journey reflects major technological strides and design shifts, focusing on improving usability, camera quality, and processing power with each iteration.

[321arka]

SketchUp's intuitive and accurate 3D modeling makes it extremely popular in a wide range of situations that require precise and intuitive drawing. It helps talented people create perfect working drawings in a wide range of fields, including architecture, interior design, and landscaping, engineering, and even game design.

SketchUp produces simple rendered models of 3D models. Shadows, colors, and textures appear beautifully, but reflections and light sources cannot see.

Introducing Real-time rendering with Light-Up

SketchUp's Light-Up renderer is the fastest and easiest on the market. Light-Up for SketchUp is used by countless professionals, ranging from solo architecture practices to Pixar filmmakers, to instantly illuminate their models and present them in the best light.

Object-based rendering is unique to only Light-Up's SketchUp renderer plug-in. In other words, your results will be stunningly accurate and beautiful right inside the SketchUp window.

Light-Up is the perfect tool for designers due to its speed. By tweaking your model, you will see immediate results. Moreover, you won't have to wait around for minutes or hours as you would with an old-fashioned ray-tracing renderer. As a result, you can view everything rendered in real-time as you move the camera around your model.

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