I’m going a little wild over the fact that Percy started feeling the effects of the chimera’s poison two minutes before he collapsed. I thought this part of the episode was weird when I first saw it because the camera focuses on him when it seemingly should be focusing on Annabeth, but then, I realized Percy’s odd behavior while he’s in focus.
He also turns abruptly, and a little late, to Annabeth, as if he just remembered to listen to her, as if he’d been distracted by something.
Then, this boy starts cracking jokes to cheer her up instead of saying, “Hey, something’s wrong; I could literally be dying.” And you can see on his face a few seconds before he collapses that the poison’s starting to really get to him, and still, he doesn’t attempt to get her attention and ask for help.
Then, when they’re at the fountain, he tells her and Grover that he’s feeling better even though he obviously isn’t, because he’s hoping he’s physically strong enough to pretend. (He falls on his ass.)
100% Percy just didn’t want to worry them and thought there was no way to find a cure in time anyway. I’M SCREAMINGG
so yeah i'm losing my entire mind about the pjo adaptation like everyone else, currently foaming at the mouth at the mouth after having finished episode 4. but what i haven't seen anyone talk about was how the show treated the museum in the arch, which i thought was an AWESOME move by the writers!!! they didn't have to acknowledge it, but they did!! the disagreement between annabeth and grover where she makes the excuse that "it's just what some humans /want/ it to be" while grover is sort of like, doesn't matter, it's still complicity with the crimes that are being celebrated here... the way aryan managed to look so DISGUSTED!! amazing!! and it also shows how annabeth tends to be on the side of lawfulness/status quo and usually isn't ready to examine whether or not that's the right thing, but also shows how as she continues to be challenged in that worldview, she opens up
also, how they brought in the whole centaur thing earlier in the episode--i did think that it was a metaphor for both the overhunting of buffalo and the ethnic cleansing of indigenous people, but i thought it was gonna be a one-off thing. but then they tied it back in with the museum and UGH i just think it's so good! such an awesome way to talk about environmental harm and colonialism in a way that a) makes a lot of sense with the story and will come back later in the series and b) is easier for younger kids to understand. rick and the other writers are killing it with the reinterpretations of myth and stuff and also with confronting very real, very complex issues in a fun kid's show. i love this show dude.
Book: "I don't know what my mom will do. I just know I'll fight next to you." "Why?" "Because you're my friend, Seaweed Brain."
Show: "You've done more for me in the past few days than my dad's done for me in my entire life. If I have to stick with someone, I—" "Careful. I think you were about to call me your friend."
I am once again thinking about how in The Naked Time, Spock has an emotional breakdown after contracting the virus and cries about the regret he feels for not loving his human mother vs his shame he feels for his ongoing friendship with Kirk, but before he contracts the virus, Spock finds LOVE MANKIND written on the wall. And it's been written and discussed to death about what it means, I know this, but it's telling that Spock not only loves in spite of his Vulcan upbringing and continued adherence to their customs but that he holds regret and shame deep down inside because the love is still there, regardless.
Whereas Kirk likewise has his virus-induced breakdown over the opposite: his self-inflicted pressure to not love an individual, either due to fear of distraction from duty, losing his position as captain due to the ethical conundrum of "How can a captain date one of their crew?" (no, I do not know the details of how Starfleet manages crew relationships, but I'm assuming rank is an issue, especially where captains are concerned), or even the unspoken taboo of the show's production era, his sexual orientation, hence his focusing on the ship as the only safe and constant outlet for his love. But after this, Kirk finds SINNER REPENT written on the wall, as if to say his altruism isn't the full truth, as if what he desires is what he denies even with the virus lowering his inhibitions.
And like my god. What foils to each other! How damned telling the literal writing on the wall is for them! I am going to eat my fucking sweater!
do we think for a moment when that door banged grover and annabeth were kids again? 19 and 7 standing on that hill in each others arms watching thalia take her stand ?
you think for a moment when grover realised percy was going to die for them he hoped Poseidon would help?
you think after everything annabeth couldn’t hope? you think she might have been angry because it was happening again? after all she’d done she was going to lose another friend