#8 page photo folio

[voxyldy]

02.04.2023

[PHOTOS]

Me, Myself and JHope “All New Hope” Preview Photos 2

Source: WeVerse

[volturialice]

Hi! I messaged you about the mini book exchange back in May, and here are the photos of your fic! I don't think the person who did the binding is on tumblr.

Here's a link for the typeset as a readable pdf: https://drive(.)google(.)com/file/d/104w0GrSHdZS2yaSyThGp-hwZZutciu0Y/view?usp=drive_link

and here's one that's formatted for printing (page 1-7 are the front side of each page, 8-14 are the back side of each page): https://drive(.)google(.)com/file/d/1YHuhFndvvynPhKvuUqr6qNMaiD0R9H7H/view?usp=drive_link

Thanks again for letting me typeset your work for the exchange!

me looking at this typeset + binding of my fic

Ahhhh thank you so much!! The typeset is INCREDIBLE—those folio-esque motifs everywhere completely floored me. like. exceeding my wildest dreams over here?? the flawless elizabethan vibes it looks SO legit I feel like I just plucked it off Ye Olde Early Modern Printing Press 😍😍😍

and in a totally-not-coincidence, the person who ended up doing the binding is actually a friend who sent me my own physical copy!! do I even need to tell you it has skyrocketed to the top of the list of things I would run back into my burning house to save from a fire

[kanmom51]

Jungkook Masterlist

JK’s tattoos masterlist

About JK’s tattoo

JK’s tattoos

JK’s tattoos yet again

JK’s tattoos

JK’s tattoos once again

JK’s tiger tattoo

JK’s tattoos

JK’s tattoos sarcastic interpretation

JK’s proud of his tattoos

JM’s silence

What happened in 2019 that brought on JK tattooing JM on his hand

Again with this?

More examples for the upside down V in ARMY

JK’s tattoos still all there

JM’s dad has same A font in his cafe

Omitting JK’s tattoo from art is just wrong

The plus signs - their meaning

JK had work done on his tattoos

Soundcheck and JK’s new tattoo

JK’s tattoos LV 2022

Can someone explain the no tattoo rule on broadcast tv?

JK’s new tattoos and alterations

JK’s tattoo artist

The mic is blue!!!

Poly C posted on IG

Jikook tattoos connected

JK and the JM tattoo once again

JK’s moon tattoo

Again the JM

This is on purpose. Period

JK’s songs & covers masterlist

JK’s Decalcomania

All of my life (Park Won) - Jungkook’s cover from 27 February 2018

Jungkook’s cover of Adam Levine’s Lost Stars

Is Magic Shop about Jimin

JK’s cover to ‘Only then’

JK’s Still with you (LINK NOT WORKING)

Just because - Only then again

Your Eyes Tell

Falling

Falling too

Jikook and Lauv’s Never not - JK’s cover included

Jikook and Charlie Puth’s We don’t talk anymore

Jungkook’s cover to Hate everything by Golden

Jungkook and Hate everything

Jungkook spotify recommendation list

Stay alive

My You

JK singing My you to army during Mnet Pre-recording

Left and Right CP/JK MV is out

He is simply adorable

Jungkook has great taste in music

Me, Myself & Jungkook

Mood ‘Inner Self’ Teaser Me, Myself, & Jungkook Special 8 Photo-Folio

Me, myself & Jungkook

Me, Myself & Jungkook update

Me, Myself and Jungkook - what we have so far (16 August 2022)

Me, Myself, ​and Jung Kook​ ‘Time Difference​​’ ​Concept Film

Me, Myself and Jungkook ‘Time difference’ Teaser ½

Me myself and Jungkook - and the moon

Me, Myself and Jungkook ‘Time difference’ Teaser 2/2

Me, Myself and Jungkook is out

Me, Myself and Jungkook behind the scene post

Me, Myself & Jung Kook​ ‘Time Difference​’ ​Photoshoot Sketch

Hilarious

The way I see it…(photo folios)

JK IG post (1st) 19 August 2022

Photos and Articles

JK on Weverse 2 August 2022

JK 2021

This is Jungkook - reblog

How pretty is JK?

Jungkook D’festa  Photocard and Decobook

Jaykay…please

JK photo

Happy birthday JK on Weverse

Merchbox 8 Interview Photobook scan: Jungkook

JK day 2022

JK Proof photos

JK

JK looking fine

JM-JK 12 April 2023

JK and BAM

JK being a baby daddy

JK Bam’s daddy

Baby Bam

JK’s Other Masterlist

JK in Qatar

JK Qatar opening

JK shooting a promo (?) in Qatar

This is big

JK and Feb 10 Nov 2022

JK leaving for Qatar 15 November 2022

JK IG Story 15 Nov 22

JK IG story 16 Nov 22 - Run BTS

JK “see you at the opening”

JK meeting the SK team, Qatar World Cup

So proud of JK

JK Dreamers in HD

JK Qatar WC

JK reacted to Hobi’s IG

Wait for it

JK is loving chapter 2

Little did he know

Naver new article - Title look familiar?

Naver new article - Title look familiar?  Part 2

JK and the special necklace again

Social Media masterlist  (Including Tik Tok)

JK Calvin Klein

Ladies and gentlemen here we go

Vogue Hong Kong

JK CK global ambassador

JK CK clip GQ Korea

Are we ready for this?

JK Harper’s Bazaar

JK on main page of CK US official site

Who even needs an IG account when all the work can be done on CK’s IG?

And here come the billboards

A megastar

There is no escaping Jeon Jungkook

More to come

What landed overnight - 12 April 2023

JK CK round 2

Let's talk about JK's CK campaign and his tattoos

On set with Jungkook

JK CK 19 April 2023

JK on Vogue HK cover May 2023 issue

JK CK event 10 May 2023

More JK at the CK event 10 May 2023

More JK 10 May 2023

JK CK photoshoot BTB

This is a day

It's not like we weren't expecting it.

I promised not to swear

JK CK 14 August 2023

Knew this was coming

More JK with CK

Art

JK CK photo drops for his birthday

JK at CK event Tokyo 19 October 2023

JK CK 20 October 2023

New JK from CK 26 October

JK CK 11 November 2023

JK and the necklace

Does JK also have a special necklace?

Jikook and the necklaces

JM-JK 12 April 2023 - JK with the necklace again

JK and Tae Dream premiere - JK with the necklace again

JK Seven Masterlist

JK Dazed 2023

JK Dazed October 2023

JK Dazed the article

JK Dazed - more

JK Vogue 2023

JK on Vogue Korea October edition

JK Vogue 2023

JK Vogue 2023 - 18 Sep 2023

A little more from JK's Vogue shoot

The pose

JK Vogue Korea

More from JK’s Vogue spread

It’s out

Ooh la la JK

Told you there was more coming

JK Vogue Korea behind

Global Citizen Festival - GCF

Global citizen festival JK rehearsing

JK Global citizen -  global superstar

JK Still with you

What a day - and Euphoria

JK GCF - PTD, Dynamite and Butter

JK GCF Seven performance

Back to GCF 23 Sep 2023 (NYC)

Was that JM?

Did we talk about how anxious JK was?

JK for GQ - GCF

JK 3D masterlist

JK Golden masterlist

[insidemyfavoritemanuscript]

Episode 4: Michelle Margolis on Studious Women, Colorful Margins, and a Curious Bath

Folio 37v (not 40r!), men and women studying together.

In Episode 4 of Inside My Favorite Manuscript, Lindsey and Dot talk to Michelle Margolis about a 15th century Haggadah manuscript from Germany. We spend some time talking about how many women are present in the illustrations, and why that might be. We look at some of the other illustrations, which include a hunt, and a very interesting bathing scene. Finally we discuss the signs of use in the manuscript, including ones that you’ll only see in a book used at the dinner table.

Listen here, or wherever you find your podcasts.

Join our mailing list to receive weekly updates about the IMFM pod!

Below the cut are photos of some of the specific things we discuss in this episode.

University of Darmstadt, Cod-Or-8, Israel ben Meir, Pessach-Haggada. Heidelberg, [ca. 1430]

Folio 37v (not 40r!), men and women studying together.

Folio 5r, the blessing of the wine

Folio 25v, with two initial letters

Folio 10v, the one with all the colorful critters

Folio 10v, close-up of the one that “looks like a bat that is also a flower”

Folio 10v, close up. Is this a page (a boy) or a woman?

Folio 56v, the colophon, aka where the scribe, Israel ben Meir, wrote his name

Folio 57v, the hunt

Folio 58r, bathing

Folio 51v, with birds and lions

Folio 30r, which has been spilled upon

Folio 29v, which faces 30r and has also been spilled upon

Article about a project to analyze stains in manuscripts: Campagnolo, Alberto; Connelly, Erin; and Wacha, Heather (2019) "Labeculæ Vivæ: Building a Reference Library of Stains for Medieval and Early Modern Manuscripts," Manuscript Studies: Vol. 4: Iss. 2, Article 7.

Emma Stanford, “Booksquashing.” The Bodleian Libraries, July 31, 2018

Folio 37r, the other side, 37v, shown at the top of this post.

Folio 10r, the other side, 10v, shown further up in this post.

Front pastedown, inside front cover, with writing that has been erased.

Close up of erased section

Back pastedown, inside back cover.

Folio 48v

Folio 48v, close-ups. Woman surrounded by men looking at the reader, and a man who is very excited about his book.

[pjmdaily]

SPECIAL 8 PHOTO-FOLIO 'ME, MYSELF AND JIMIN' [ID:Chaos] The unconscious self, chaos and the desire for freedom.

PRE-ORDER DATE : September 29 — 11AM KST RELEASE DATE : October 13th

• Photobook - 80 pages • Mini poster • Folded Poster • Postage Stamp • Photocard - 2 each • Jimin’s Item (folding card) • Based on Jimin’s own ideas in different moods and costumes, and Jimin’s never-seen inner self.

This photobook created based on Jimin’s own ideas, unveils different moods Jimin creates from the same costumes, the strength Jimin has discovered in himself, the meaning of light in his confusing consciousness, the moment Jimin’s inner self and persona finally met and his chaotic and finally, an immature journey to finding the true “me”.

This 80-page photobook will also portray Jimin’s objects and costumes, and Jimin’s never-seen inner self visualized in four topics – black, light and darkness, white, color : freedom.

[for-yoongi0309]

[공지] Special 8 Photo-Folio Me, Myself, and SUGA ‘Wholly or Whole me’ 출시 안내

A time with myself, a time to go back to my true self. Special 8 Photo-Folio Me, Myself, and SUGA ‘Wholly or Whole me’

SUGA of BTS living a glamorous life on stage. The time arranged for SUGA, who believes the best moment he could go back to being no one other than his whole self as Min Yoongi is when he’s out camping on his own.

A camping trip to enjoy freedom in nature away from everyday life. A journey in search of his whole self in vast nature. A comfortable time at his haven filled with things he likes. Plus, SUGA’s on/off the record pictures he took by himself with a film camera! Find and see SUGA in the way he wanted to express himself. ‘Wholly or Whole me’ is solidly composed of a 80-page photobook reflecting SUGA’s taste and intention, a mini poster, a folded poster, a stamp, a photo card, a random photo card and a special item- a compass card. SUGA wishes to share with ARMY the time of him being his truest self in a space only for him where his taste and intention are reflected on each and every object and the entire theme of the photo shoot. Containing the time of celebrating freedom in the wild nature of Los Angeles, Special 8 Photo-Folio Me, Myself, and SUGA ‘Wholly or Whole me’ will be available for pre-order from February 21nd and released officially on April 4th.

*This photobook was made of naturally dissolved paper, eco-friendly ink and biodegradable PLA packaging material.

[Weverse Shop - USA] • PRE-ORDER DATE : From 11 AM, Tuesday, February 21, 2023 (KST) *WHILE SUPPLIES LAST • RELEASE DATE : Tuesday, April 04, 2023 (PDT)

[SPEC] 1. Pet Cover + Photobook Size : 220x280mm / 80p 2. Mini Poster Size : 200x150mm / 1ea 3. Folded Poster Size : 550x410mm / 1ea 4. Postage Stamp Size : 150x200mm / 1ea 5. Photocard Size: 55x85mm / 1ea + Random 1ea of 3ea 6. SUGA’s Item (Compass card) Size : 130x110mm / 1ea

※ Please bear in mind that sizes and content may differ depending on any issues with the production company.

※ Due to the nature of the materials used, you may experience cracks, discoloration or color bleeds.

※ Please recycle products with PET covers.

[musiconanironingboard]

8 August 2022: Decade, Neil Young. (2017 Reprise repressing of 1977 compilation)

While I’ve long owned two different CD copies of this landmark Neil Young compilation, I’ve never owned it on vinyl, and this summer, out of thin air (and probably while I was supposed to be working) I got sick of this fact and impulsively went straight to the Internet and found a new copy to buy. 2017 saw Decade get a Record Store Day reissue, I am guessing for its 40th anniversary. This version came with two art prints. My version is just a plain-old regular reprint of the original, with no art prints, but the packaging is quite complex as you will see in the photos below. The dealer who sold me this copy claimed it was going to be on yellow vinyl, which I knew was hooey the moment I read it. I’m guessing that comment was an old cut-and-paste artifact from something else and he forgot to remove it from the listing.

Above are the front cover, hype sticker, and back cover.

The gatefold of Decade is a complicated thing. Because this is a triple album, there needs to be somewhere for the third album to go. Most of the time, a three-record set has a gatefold that simply opens up twice; Decade, however, has a separate folio containing the third album that tucks into one of the existing pockets. If this is confusing, maybe these pictures can clarify, but maybe not.

When you first open up the gatefold of Decade, you see the following:

In a regular gatefold album, that would be it. But the second side of the image above is actually like a page that you can turn. When you turn it, you see this:

This “page,” whose sides you see on the right of the first gatefold photo above, and then the left of the second photo, contains one of the three records. It is moored to the packaging by a 12″ by 12″ flap that tucks into one of the jacket pockets, and it can be removed.

This flap also has artwork on it. When you remove it from the pocket, you see this:

If you flip this now-removed folio over, you see this; note that the right side of this object is also the right side of what you see in the first gatefold above. 

With this folio/page/whatever you want to call it is completely removed from the packaging, the opened gatefold now looks like this:

Got it? 

I remember being a little kid either in the ’70s or very early ’80s and seeing on my brother’s copy of Decade that smiling image of Young cavorting on a balcony while holding a beer. At the time I found that so undignified and embarrassing of him, and it reminded me of photos I’d seen of my parents at hotel parties on occasional long-distance golf trips they would take when I was young. I thought my god, do all adults act like this? Of course before long I was cavorting goofily at parties of my own, and now that I’m no longer eight years old I don’t see anything wrong with those photos of my parents or of Neil here on the Decade sleeve.

The packaging of Decade is complex enough, and the records just come in plain white sleeves. Below is side one’s label; all six sides look like this, a pretty fair approximation of the Reprise steamboat label you would have seen when Decade first came out.

One of my favorite Decade stories involved a friend in college, with whom I definitely cavorted at parties while holding beers. At some point he bought a vinyl copy of Decade at one of our college town’s record stores. That night he had a dream that he slipped his newly purchased Decade into a narrow slot in the wall that he’d never noticed. When he woke up in real life, his copy of Decade was gone and he never saw it again. I can’t see this album without thinking of that story.

[daveg65]

226 - New iPads, Apple TV, and Pencil $9 Adapter- With Guest Mike Potter and Jeff Gamet

The latest In Touch With iOS with Dave he is joined by guest Mike Potter and Jeff Gamet. The new iPads are here via press release. iPad Pro with M2 Processor and 10th gen added USB-C that still uses 1st gen Pencil which needs adapter to charge. New Apple TV faster plus price reduction starting at $129 with no charging cable for remote. We discussed the rumor of MacOS on an iPad. iOS16.1 RC to release next week. Plus more news and discussion. 

The show notes are at InTouchwithiOS.com


Direct Link to Audio

Links to our Show

Click this link Buy me a Coffee to support the show we would really appreciate it. intouchwithios.com/coffee 

Another way to support the show is to become a Patreon member patreon.com/intouchwithios

Website: In Touch With iOS

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Facebook Page

Twitter

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News

Google Completes Rollout of iOS 16 Lock Screen Widgets With Updates to Maps and Search

iOS 16 Features an All-New iPhone Keyboard Layout Option

Apple Begins Selling Belkin Mount for Using an iPhone as a Mac's Webcam

DaVinci Resolve coming soon to iPad Pro, enhanced by the M2 chip 

MacOS rumored coming to iPad? We discuss. Apple rumored to be testing macOS for M2 iPad Pro

Topics

Beta this week. 

iOS 15.7.1 Release Candidate Breaking Face ID for Some iPhone Users -

iOS 16.1 Introduces New Copy-and-Paste Permission Settings on Per-App Basis

Apple Seeds iOS 16.1 and iPadOS 16.1 Release Candidates to Developers

Apple Seeds tvOS 16.1 Release Candidate to Developers

Apple Seeds watchOS 9.1 Release Candidate to Developers

iOS 16.1 to Feature iCloud Shared Photo Library, Key Sharing in Wallet App, and Apple Card Savings Account

Live Activities on iOS 16.1: App Store Now Accepting Apps, Sports Scores via TV App Potentially Delayed

iOS 16.1 for iPhone Launching on Monday With These 8 New Features

iPadOS 16 is coming Monday but you'll need a very new iPad to get every feature

All the new product announcements were press releases. Did you miss the hoopla with the events they had before?

Press releases

Apple unveils completely redesigned iPad in four vibrant colors

Apple introduces next-generation iPad Pro, supercharged by the M2 chip

Apple Fitness+ available to iPhone users in 21 countries starting October 24

Big announcements this week including new iPad 10th Gen, iPad Pro M2 processor, and Apple TV with A15 processor. We discuss the changes and is it worth the upgrades. 

Everything Apple Announced Today: M2 iPad Pro, Redesigned iPad, Updated Apple TV, and More

Apple's redesigned entry-level iPad has an A14 chip and USB-C charging

New iPads and Apple TV 4K: All the important details in the fine print 

Compared: New iPad versus 2021 iPad

Apple TV

Apple Removes Apple TV HD From Sale on Online Store

New Apple TV is Thinner and Weighs 50% Less With Fanless Design

New Apple TV No Longer Includes Charging Cable for Siri Remote in Box

Apple Announces New tvOS 16 Features Coming Later This Year

New Apple TV (2022) release date, price & specs

Apple Announces New Apple TV 4K With A15 Bionic Chip and HDR10+ for $129

​​Compared: New Apple TV 4K versus 2021 Apple TV 4K

iPad

Apple Launches Magic Keyboard Folio for 10th-Gen iPad With Two-Piece Design, Kickstand, and Function Row

iPad Pro and iPad Now Include Woven USB-C Cable, Also Sold Separately

Ninth-Gen iPad Still Available for Same $329 Starting Price

M2 iPad Pro Seemingly Features Exact Same Display and Camera Hardware as 2021 Model

10th-Gen iPad Features Apple's First-Ever Landscape Camera Design on an iPad

Apple's New 2022 iPad Lineup Gives Customers More Options Than Ever

iPad 10 vs. iPad Air Buyer's Guide: Is the $150 Difference Worth It?

M2 iPad Pro Tidbits: ProRes Video Support, RAM Configurations, and More

Logitech Crayon for iPad Now Available With USB-C Port

New iPad Lacks Several Display Features of iPad Air

Apple's New iPad Lineup Causes Potential Confusion With Inconsistent Features

iPad Accessories: A Quick Compatibility Guide for the Confused

Apple Pencil Adapter for New iPad Facing Up to One-Month Shipping Delay

iPad 9 vs. iPad 10 Buyer's Guide: Is the $120 Difference Worth It?

Our Host

Dave Ginsburg is an IT professional supporting Mac, iOS and Windows users and shares his wealth of knowledge of iPhone, iPad, Apple Watch, Apple TV and related technologies. Visit the YouTube channel https://youtube.com/intouchwithios follow him on Twitter @daveg65.and the show @intouchwithios

About our Guest

Mike Potter is the organizer of Macstock Expo: and the host of the For Mac Eyes Only Podcast. You can reach him on Twitter @macstockexpo and @formaceyesonly

Our Regular Contributors

Jeff Gamet is a podcaster, technology blogger, artist, and author. Previously, he was The Mac Observer’s managing editor, and Smile’s TextExpander Evangelist. You can find him on Twitter and Instagram as @jgamet and YouTube https://youtube.com/jgamet

Here is our latest Episode!

[voxyldy]

12.09.2022

[PHOTOS]

Me Myself and V: Veautiful Days Preview 2

Source: WeVerse

[behind-the-screen-of-bangtan]

Mascots, games, webcomics...

BTS stuff that exists but about what I don’t have much to say😅

Mascots

Hip Hop Monsters

BTS’ first mascots! Seven black and white animals representing each member. Jin is a wolf, SUGA is a turtle, j-hope is a horse, RM is a duck, Jimin is a cat, V is a monkey and Jung Kook is a rabbit.

Merch has been created and launched during THE RED BULLET concert. There was also a webcomic that has since then been deleted (but you can find the English translation here).

BT21

see this post

TinyTAN

see this post

Games

This section is dedicated to the games centered around BTS. For collaboration between the boys and existing games (Maple Story, Cookie Run...), see this post. For the games featuring the BT21 ou the TinyTAN, see their respective posts above.

Superstar BTS (Twitter)

The first rhythm game about BTS. Service ended in 2020.

Rythm Hive (Twitter)

Another rhythm game, this time featuring songs from all the groups belonging to Hybe.

BTS World

See this post

BTS Universe story (Twitter, website)

A simulation of the BU story. It also offers the possibility to create your own interactive game with BTS.

BTS In the SEOM/BTS island (Twitter, Youtube)

A Candy crush like game with cute design to which BTS participated. SUGA notably made an OST titled “Our island”. The game is also full of easter eggs referencing real interaction between the members ou choreography moves (see this video).

There’s a special MV for “Yet To Come (The Most Beautiful Moment)” featuring the characters from the game (making-of video). Check this tweet for a translation of the polaroids’ messages.

The CEO and the director of Hybe IM have been interviewed about the game, you can find a summary here.

In 2023, Weverse Magazine released an article about the conception of the game titled “In the SEOM is a tiny island made by BTS and ARMY”.

Webcomics

We On: Be The Shield

A comic that has been deleted where the boys were highschoolers in a sci-fi world. You can still read the English translation here.

花樣年華 Pt.0 Save ME (Webtoon, Twitter)

A webcomic retaling the beginning of the BU story.

7 Fates Chakho (Twitter, Youtube, read)

Someone posted a thread showing the content of the soundtrack album to which the boys participated.

Others

BANGTAN BOMB

See this Google Sheet file

MAP OF THE SOUL ON:E CONCEPT PHOTOBOOK

See this post

Deco Kit

Spot

‘DECO KIT’ Photoshoot Sketch

Naver post

A variety of posters can be seen in the background:

a vintage invitation poster with retro elements: black and white

a “Just be yourself” vintage card

postcards from the 1930 Liège exposition (including a card showing Gand’s beffroi) held by Jin

a Honolulu poster

a retro party poster

a hot dogs poster

j-hope is holding a tin can of Crisps from Bonilla a la Vista and Jung Kook has a copy of Andrew Marr’s My Trade. You can also see a Dyn O’ Mite flipper behind SUGA.

Special 8 Photo-Folio Me, Myself, and

See this post

BEYOND THE STORY : 10-YEAR RECORD OF BTS

Release date: 9 July 2023

Official page

Official Trailer

Pre-Order notice of the Korean version

Quotes from the members (eng)  

Tweets

Weverse magazine: “Interview with the Writer & the Editor of BEYOND THE STORY”

‘BEYOND THE STAGE’ BTS DOCUMENTARY PHOTOBOOK : THE DAY WE MEET

Release date : 22 December 2023

Release notice

Poster

Official trailer

Preview Cuts: #1, #2, #3

[publishthisecc]

Ok I am going with an 8 X 10 Photobook for the Jewelry Club Members books and they are about $27.49 each. For sale versions will be an 8 X 10 Trade Book because the starting cost is $3.99 each. I’m going to use the brass and silver peacock feather earrings for the cover and I am developing a font for the title as I have posted previously. I am using the hammered and drilled forged ring for one spread and thinking of using a cast silver piece for the second spread. For the image page I am using Bodoni MT typeface for the Byline and the artist statements. For the Recipe Page I am using Segue UI font, one with bullets for the ingredients and one regular paragraph for the cooking instructions. I used Gill Sans Ultra Bold for the SMITHEREENS text I made so I have repeated that font in the Folio and in the Running Header.  And my Cover Design...and 1 page Spread... having a few issues with my Paragraph Styles but will try and work them out. Worked out the issue with the text...The Professor suggested NOT to put the gray background on my cover so I added a plain cover with a white background...

[chrismalcolmhnd2c]

Editing Workbook: Folio One Introduction

BRIEF: People Make Glasgow

Where might you find good resources/ tutorials for the following? Name at least 3 sources of good online tutorials.

https://helpx.adobe.com/uk/photoshop/user-guide.html

https://helpx.adobe.com/uk/photoshop/tutorials.html

https://phlearn.com

https://photoshopcafe.com

https://helpx.adobe.com/uk/bridge/user-guide.html

https://helpx.adobe.com/uk/support/bridge.html

https://spark.adobe.com/page/ZYS1NsR6NKqfH/

https://www.photoshopessentials.com/basics/what-is-adobe-bridge/

https://helpx.adobe.com/uk/lightroom-classic/user-guide.html

https://helpx.adobe.com/uk/lightroom-cc/tutorials.html

https://www.theschoolofphotography.com/courses/lightroom-course-online

https://www.photoblog.com/learn/lightroom-tutorials/

Other programs: Make a list of other programs that photographers might use to edit enhance photographs.

1/         Capture One

https://www.captureone.com/en

2/         Affinity

https://affinity.serif.com/en-gb/photo/

3/         Pixlr

https://pixlr.com

4/         Gimp

https://www.gimp.org

5/        PhaseOne Capture One Pro 20

           https://www.captureone.com/en/products-plans/single-user/capture-one-pro

Mobile apps: Make a list of useful mobile apps for photographers.

1/         Adobe Phone Apps

https://www.adobe.com/uk/creativecloud/catalog/mobile.html

2/         Snapseed

https://snapseed.online

3/         Geometry Club

https://geometryclub.org/app/

4/        PicsArt

https://apps.apple.com/us/app/picsart-photo-studio-picture-editor-collage-maker/id587366035

5/        Pixlr

https://apps.apple.com/us/app/pixlr-photo-collages-effect/id526783584?irgwc=1&aosid=p239&cid=aos-us-aff-ir&irchannel=13631&irpid=221109&clickid=WLGziny4LxyORNRwUx0Mo3ERUkE0B72Vm2YOVg0&ircid=7613

File types refresher:

File type

RAW

+ The best quality image file is captured

+ Extensive options in post-processing and image manipulation

- Time needed to convert and edit photos

- Bigger file sizes mean more storage needed and longer post-processing times

JPEG

+ Small file size so good for social media and emailing

+ Universal format that doesn’t need proprietary software

- Loss of quality due to image compression

- Less opportunity for image manipulation in photo editing software

TIFF

+ Ability to manipulate photos extensively in photo editing software

+ Option to print at the highest quality and at much larger sizes

- Much bigger file sizes (more storage needed)

- Longer transfer and loading times due to file size

GIF

+ Small file sizes makes these ideal for use on the web

+ Files can contain animation

- Limited colours means it is not the best choice for photos

- Does not support partial transparency like drop shadows

ADOBE PDF

+ PDF can be opened on any device with any operating system in exactly the same form in which it was created

- It’s not free to edit PDF files

- It’s easier to edit files in other formants than in PDF, because PDF files must be edited in specialised programs

Choose another that you might use

DNG

+ Ability to use image processing software such as Lightroom and Photoshop

+ Possibly guard against inability to open or access files in future

- Extra time needed to convert camera raw files to DNG (if your camera does not have the option to supply files in this format)

Choose another that you might use

PNG

+ Lossless compression means good image quality

+ The ability to maintain transparency

- Quality will not be good enough for printing at any size

RAW workflow: In photoshop.

Add an appropriate diagram from the web.

Source: https://chriseyrewalker.com/my-complete-photography-workflow-in-10-steps/

Explain the need to develop a good digital workflow.

Why workflow matters

Photography workflow is the sequence of steps and actions you take to edit your photos, work them up to a result you consider finished, and share them with the world. Editing photos can be like baking a cake or assembling flat pack furniture. You start with raw ingredients, or loose parts, and use an ordered sequence of steps to put the thing together. In a good photography workflow, the end result is a perfectly crafted image, securely stored for future use, all with the least possible effort.

Efficiency is important. Without a good workflow, at minimum you’re wasting time. Worse, you run the very real risk of losing your most precious photos. Forever. A couple of years ago I knew a wedding photographer, then aspiring to become professional, who lost an entire wedding shoot because of relatively simple errors in her workflow. (In short, the mistakes derived from a convoluted importing method and totally inadequate backups.)

Maybe you’re only taking pictures for fun? If you’re planning to continue with photography, you still need to use an effective workflow. If you don’t, your photo archive will become a beast, very difficult to tame. And your images won’t look as good as they could. No fun.

When you’re starting out in digital photography, you need to develop good habits early.

Source: https://digital-photography-school.com/digital-photo-editing-workflow-better-images-capture-output/

1/ What software did you use to optimise/ name/ select these? Where did you store them?

File management

Name Three places where you will store your images.

1

Memory Card/USB Drive

+ Small and portable.

+ Easily share files documents with other devices.

+ Simple to operate.

+ Cheap to buy.

- Easily infected with viruses or malware.

- Easy for users to lose or break them.

2

Computer HD

+ Fairly affordable and easy to use.

+ Higher capacities than those available with small USB drives.

- This type of physical storage doesn’t last forever.

- Don’t usually come with password protection or advanced security features.

3

Cloud Based Back-up

+ Your data to be accessible from anywhere.

+ Allow clients to view select files through cloud sharing platforms.

+ Off-site storage so useful in disaster recovery.

- Security is a major concern for businesses using cloud storage solutions.

- Possibility of remote failure of server.

- Can be expensive.

Name File management software.

1/        Adobe Bridge CC

2/        CyberLink PhotoDirector 10

3/        Magix Photo Manager Deluxe

Explain the need for good clear file management.

Good file management is important to allow you to quickly and easily locate images.

1. Everything is easier to find

2. See how you’ve progressed

3. You’re forced to review the good with the bad

4. It will teach you to avoid recurring mistakes

5. Discover ideas you want to revisit

6. Find themes and begin developing a vision

Source: https://digital-photography-school.com/8-reasons-organize-your-photo-collection/

People make Glasgow: Editing tasks.

Manage files:

Store and rename you files.

Where have you saved these images?

Camera Memory Card, External Hard Drive and One Drive in the Cloud

Contact sheet:

What software did you use?

Adobe Bridge

Place an of your ‘People make Glasgow

How straight forward was it to make this in your selected software?

Quite straightforward, I selected the shots I wanted in Bridge’s “Output” tab, selected the number and size of images I wanted on a sheet and exported them as a PDF file.

Explain two methods of Black and white conversion from an RGB original.

From Bridge, an image can be opened in Camera RAW and converted by selecting the “B&W” option in the top right-hand side.

In Photoshop, a new “Black & White” adjustment layer can be selected.

BLACK AND WHITE CONVERTION:

Choose three of your ‘People make Glasgow’ images and show before and after edits below.

Before: file name: _DSC0464.NEF

After: CMalcolm_HND2C_PMG1_103.jpg

Before: file name: _DSC0483.NEF

After:  CMalcolm_HND2C_PMG1_007.jpg

Before: file name: _DSC0496.NEF

After:  CMalcolm_HND2C_PMG1_044.jpg

Evaluate how the edits have changed/ enhanced the feel of the image.

For these shots, I first corrected the image in the “Optics” tab of Camera RAW to correct any chromatic aberrations. Next, I converted to B&W and checked the exposure and colour temperature. I then added a small amount of clarity and adjusted the contrast, shadows, whites and blacks. Next, I opened them in Photoshop and cropped them a small amount.

I think all the edits have worked well and by making the adjustments described above, I feel I have met the brief by providing more high contrast “gritty” and engaging images of Glasgow’s people.

People make Glasgow finished canvas, make a selection of your best images and display on one A3 300 ppi canvas.

How do you feel about your final series of images?

I think the final series of images work together well to give a flavour of the different characters that make up Glasgow’s people.

[for-yoongi0309]

Special 8 Photo-Folio Us, Ourselves, and BTS ‘We’ SET, the latest trip down memory lane in BTS’s Special 8 Photo-Folio series, will be available for pre-order on October 26 and released on January 11, 2023

This photo-folio is a quintessentially BTS collection that brings together the seven members’ ideas and catalogs their memories together as a group. This photo-folio is a visualization of the past and the present of BTS! The roughly 80 pages of the photobook include memorable photos of BTS playing sports back in the day as the blue and white teams, plus selfies capturing the charm and everyday lives of the members. It also comes with goodies like a mini poster, folded poster, postage stamp, random photocards, and 4x6 photo set. And don’t miss out on each member’s own instant photos and the 14-page calendar! Plus, the first printing of this set will include an exclusive, ready-to-assemble paper out box that you can keep all eight photobooks in.

[SPEC]

1. PET Cover + Photobook

Size: 220x280mm / 80 pages

2. Mini Poster

Size: 150x200mm / 1ea

3. Folded Poster

Size: 550x410mm / 1ea

4. Postage Stamp

Size: 150x200mm / 1ea

5. Photocard

Size: 55x85mm / Random 1ea of 7ea

6. 4x6 Photo Set

Size: 152x102mm / 2ea

7. BTS’s Item (Instant Photo)

Size: 270x210mm / 1ea

8. 2023 Calendar

Size: 140x190mm / 1ea, 14p / 13months (World ver.)

*Out Box (available with first printing only)

Size: 235x295x105mm / 1ea

[underthewingsofthblackeagle]

The Murderess from the Grunewald (27): Preparing for War (3a): "The Monster in the Petticoat" (1)

“Hamburg / Alster” by StephanieAlbert 

Previously

Six months ago. One day after Jamie's fourth Attorney’s visit to Claire in prison.

         It was exactly 8:00 the next morning when Jamie arrived at the office. Tessa Lüttgenjohann greeted him and then asked:

        "Coffee?"

        "Oh yes, will you make me a whole pot?"

        "It's almost ready. I'll bring it right away."

        A few minutes after Jamie took off his jacket and made himself comfortable at his desk, Tessa brought the promised coffee.

“Kaffee” by  Luiz-Jorge-Artista

        "You're remembering having a conference call with Prof. Dr. Nerz at 10:30?"

        "Yes, but could you please remind me at 10:15?"

        "Sure. Is there anything else you need?"

        "No. But I don't want to be disturbed until then. I still have to work on an urgent contract. Please block the whole morning for calls, etc. And please register a visit to client Beauchamp at the correctional facility for tomorrow morning. I need to discuss important documents with her."

        "Will be done. Would 9.00 a.m. be ok?"

        "Yes, or does it collide with other appointments?"

        "No. I distributed your other mandates as you had ordered."

        "Good. I have to devote myself entirely to this matter. That is an absolute priority right now. Thank you.”

        Jamie nodded and signaled that the talk was over.

        Tessa also nodded and as she walked out, she wondered if in all the years she was working for “Fraser, Gowan & Coll.” she had ever heard such a sentence from James Fraser's mouth: 'I have to devote myself entirely to this matter. That is an absolute priority right now. Thank you.’? Tessa doubted it. James Fraser, as long as she knew him, was an attentive, conscientious, hard worker when it came to his mandates. He always showed 'full commitment' to clients and the passion with which he pursued his profession made him a boss for whom people liked to work. But since he devoted himself to the 'Beauchamp case', he seemed to work even more intensively and passionately than usual.

        Jamie poured coffee into his cup and began to work on the contract between Dr. Claire Elisabeth Beauchamp and the editor-in-chief of the ‘U-Turn-Magazine’. The work was relatively easy for him, as he had already negotiated and sealed similar contracts in the past.

        When Tessa Lüttgenjohann knocked on his office door at 10.15 a.m. and reminded him of the video conference, he was already able to give her his first handwritten draft. Then he went to the toilet. Back in his office, he looked into the mirror hanging inside his wardrobe, combed his hair, straightened his tie, pulled over his jacket and sat down at his desk. Jamie had already opened the page for the video conference and punctually at 10:30 a.m. he heard the signal that announced the call from Prof. Dr. Nerz's office.

“Monitor” by Free-Photos

         "Good morning, Professor Nerz," Jamie greeted the lawyer on the other side of the video transmission.

          "Good morning, Dr. Fraser," Nerz replied, wearing his characteristic golden glasses and his well-kept beard. Behind him, a shelf wall made of expensive wood could be seen, which was decorated from top to bottom with folios bound in leather. For a moment, Jamie wondered whether this shelf wall was in Nerz's office or in his firm's library.

          "Thank you for agreeing so quickly to advise me."

          "Thank you for putting confidence in our firm," Nerz replied. After the first ice had broken, the Hamburg specialist for media law immediately turned his attention to the matter at hand:

          "I read the dossier on Dr. Beauchamp's case, which your secretary sent in advance. And I share your conviction that the case has the potential to be inflated by the media."

          Jamie nodded. He had expected Prof. Nerz to confirm his fears. 

          "What do you think if we take a look at the first case in the history of Europe in which the media played a decisive role? We can then draw conclusions from this for the case of Dr. Beauchamp."

          "Gladly," Jamie said and nodded again.

          "Does the case of Violette Nozière mean anything to you?"

          "The name sounds familiar to me, but ..."

“Bücher” by JackPierce

         "Good. It's 1933 and we're in France. The world is full of crises. In Germany Hitler has seized power and you can literally smell that a war is coming. This is a good time for the newspapers because, in addition to information on world political events, people want to read more and more stories that distract them from these crises. A murder case shocks the Parisian society and, as a result, the whole of France. It is the so-called case of the "Monster in the Petticoat" and should become the most sensational case of the 30s.         The accused, Violette Nozière, grew up in the Rue de Madagascar in the 12th Arrondissement. Her father was Jean-Baptiste Nozière, who worked as a locomotive driver for the PLM railway company. Her mother is Germaine Nozière, now a housewife. Although her parents only come from the middle class, they try to give their daughter the best possible education. She is allowed to visit the famous Lycée Fénelon. This is expensive and not usual for a child from this class. However, the reports of that time show that the young woman preferred to spend her time with other young people in cafés rather than in school. She is also said to have had several friends, or rather lovers. It is also said that to finance her lifestyle, she stole money and other things from her parents and possibly other people.

”Violette Nozière” by Agence de presse Meurisse [Public domain] via Wikimedia Commons

         The family lives in a small, narrow apartment with only two rooms. Over time, tensions are said to have increased, leading to disputes, threats or blackmail. On August 23, 1933, Jean-Baptist Nozière and his wife were finally found lifeless in their apartment. Jean-Baptiste is dead, his wife is still breathing and can be rescued. The police investigate and after a week Violette Nozière is accused of murdering her father and mother. She is said to have intended to murder her parents with poison. She succeeded with her father and failed with her mother.           French society at this time is marked by the civil code, the Code civil, also known as Code Napoléon. And according to this code, the father is the pillar of the civil order. Imagine what a patricide means in such a society! Patricide is the worst of all crimes. And the crime was committed by a woman who is also the child. What a scandal!           But in the beginning, little is known and the newspapers can only report that two lifeless bodies were found in Rue de Madagascar. Violette Nozière is only mentioned as a daughter. Everything else is unclear. It could also have been a suicide. But then it comes to an interesting incident. When Germaine Nozière has recovered from the consequences of the poisoning in the hospital, the investigating police officer wants to confront the daughter with her mother. But Violette Nozière flees. And of course, that makes her very suspicious.           And now the bloodhound instinct of press is in full mode. Because, as I said, we have all the ingredients for a real scandal. And then, as now, there is this mantra of the press: If there are no interesting stories, one has to be found and made up. Violette Nozière is accused and the police search for her. And journalists who crave for sensations 'support' the police by also searching for her.           At that time, the press in Paris consisted of the so-called 'Four Big One’s’. These included 'Le Journal', 'Le Petit Parisien', 'Le Matin' and 'Le Petit Journal'. But in 1930 Jean Prouvost took over the newspaper 'Paris-Soir' and this changed the Parisian press landscape permanently. To stabilize the crisis-ridden newspaper financially, he increasingly relied on the printing of photographs. That was something that had been practiced in America for quite some time. And in 1931 he wrote media history with it. The paper published a total of nine photos on the title page. It is assumed that this 'Americanization' of the newspaper, as it was called, the use of the photos and also introduced large, shocking headlines, contributed significantly to its success. When Prouvost took over the newspaper, it had a circulation of 700,000 copies. He was supported by the well-known journalist Pierre Lazareff. And the success seems to prove the two men right. You know how it is, Dr. Fraser?"

          Jamie, looked astonished at his counterpart because he was still thinking about Nerz's historical lecture.

          "What do you mean?

          "Well, you know, Dr. Fraser, how the saying goes: “Numbers reflect success and those who have success are right," Professor Nerz said with a smile.

          "Oh yes, of course," Jamie replied with a clearly audible ironic undertone.

          "By 1937 the circulation of the "Paris-Soir" is increased to 1.8 million copies. This number should then increase again to almost 2.5 million copies. That was shortly before the German occupation of Paris started in June 1940. Photography had been known since the beginning of the century, but newspapers in Europe were still skeptical about it. This was to change with the "Paris-Soir". The journalists at the  "Paris-Soir" were of the opinion that readers should not only be provided with information for reading but also with pictures to look at. And of course, in the case of Violette Nozière, the readers also had the wish to 'see something'. Historians, lawyers, and media experts agree that this case also had a very voyeuristic component.

“Journal Le Petit Parisien, édition du 2 septembre 1933″ via Wikimedia Commons

         And here we come to an application to our case: Like Violette Nozière, your client is also a very beautiful woman. That, in any case, is what I see in the picture that you sent me together with the dossier. And she is younger than the victim. One cannot say that the murdered man, Dr. Randall, could have been her father, but ... such things fuel the voyeurism of the masses. We won't be able to prevent the media from taking pictures of your client each day of trial. Even in the case of Erich Honecker, who was severely sick, the court wasn’t able to prevent it. However, we can attack any other picture report. But we should talk about this in detail later.           Let us come back to Violette Nozière's story. She was arrested on August 28, 1933, in Paris and in the "Paris Soir" illustrates the report about her arrest with a whole series of pictures. This gives readers the impression that the newspaper is very close to the real events. And, of course, these pictures help to reinforce the dark impression, that the public has about Violette Nozière. And so the verdict is pronounced before the accused has even entered a courtroom! Now other newspapers and magazines too publish more detailed reports - and with pictures! They report about the case and - call the accused a poisoner. Some newspapers draw a historical line from the well-known poison murderers of French history up to the year 1933, thus reinforcing the impression that the accused must be a treacherous criminal.           You shouldn't be surprised if anyone writes such crap about your client. With historical comparisons, the columns of the newspapers can be filled splendidly, if one knows nothing else to say about the case.         Historians and lawyers also agree that the Violette Nozière case was the first case in media history in which a defendant was literally hunted. Cases such as the one in Paris in 1933 are the stuff from which serial stories are made of. Murder, sex, mysterious rumors and surprising twists in a criminal case, that's what a serial story needs. And it's exactly these serial stories that give the papers the big money because they bind the readers and make them buy one issue after another. And that's it what most media are all about: money. I think we agree on that.” 

         Jamie nodded approvingly.

         “The reader,” Nerz went on, “thinks that it is information that is brought to him. But basically, reporting on such a case is nothing but a pure money machine for most newspapers. The whole story is split into many small parts, which are then fed to the reader piece by piece. For cash, of course!          That, Dr. Fraser, won't be any different in the case of your client. If Dr. Beauchamp's case causes the nation-wide sensation that we expect, then we have to assign at least one full-time person to look through the media reports daily and check for violations of the law. We might even need two people to do it."

         "Whatever you need, Professor Nerz, use it. You don't have to worry about the costs. Our law firm will take care of that."

         "Good. If you don't mind, I'll send you the draft of a contract, which we can talk about later this week."

         Jamie nodded again.  

         "Let's go back to Violette Nozière. As I said before, the political situation, the world economic crisis, led people to look for entertainment, for distraction. And the media was only too happy to offer people this distraction, or rather to sell it. Basically, we are dealing here with a kind of movement that we also know from the Biedermeier era. The time of the Biedermeier era, the time after the liberation wars against Napoleon and after the Congress of Vienna was characterized by a retreat of the middle class into the private sphere. Personal security and private happiness were the top priorities for these people. And it was similar in 1933. As in the Biedermeier era, the focus of people here was more on the inside. That is why the interest in her case was so huge. Personal stories, such as the one of Violette Nozière's, seemed to be closer to the life of the common people than the reports about political or economic issues. Political or economic processes were decided somewhere far away from the people. And no ordinary person could fully understand these things, let alone influence them.          And so this ‘serial story reporting’ in words and pictures, if I may call it that, for the first time gave the people the illusion, that there was something evil, but that one could control this evil. Media fulfilled this human need, which combined horror with subsequent reassurance. And the people were willing to pay princely for it. Today it's no different, only the nature and number of media has changed. Do you watch television?

          "Not very often..."

          Nerz smiled.

          "Good for you. Nevertheless, if you look at television, what are the three most common types of programs that are offered? What would you say?

          Jamie thought for a moment and went through last week's television program in his mind. Then he said:

          "Crime movies, comedy, satirical shows, and... well, everything you'd call 'heart-pain' movies."

          "Exactly," Nerz replied with a smile. Then he continued:  

          "The situation is still the same. In view of today's crises - an impending war in the Middle East that could set the whole region on fire, the economic upheavals in Europe and the world as a whole, the ecological crisis - the majority of people are turning back to the private sphere. Comedies are the answer to people's need for distraction. Did you know that between 1815 and 1830 almost 300 comedies were premiered in the Schauspielhaus Berlin alone, but only 56 tragedies?

          Jamie, who had listened to Nerz with growing attention, shook his head.

          "No, but that's interesting."

          "You addressed the satirical programs on television."

          Jamie nodded once more.

          "Did you notice that some of the best-known broadcasts in this format started after the 2008 financial crisis and that since the wars in Ukraine and the Middle East, others have expanded their slots?

          "Really?"

          Nerz nodded and Jamie made a mental note to check this information. His counterpart continued:

          "As I said, the way in which criminal cases are reported and how they are portrayed in films can make the viewer feel as if evil is controllable. It's a kind of 'wash my fur but don't make me wet' mentality behind it. You can enjoy the gruesome horror of the deed, but in the end, everything is fine again because the perpetrator is caught and sentenced. If the world out there is already in shards, here with us everything remains in order! ‘Crime and Comedy' are a great way to close your eyes to the real problems of reality. Either you have something to be upset about or you have something to laugh about. I am not saying that the desire for distraction is not legitimate, nor am I saying that the media do not have the right to meet this need for distraction. But I also say that people can be manipulated through their needs. And when, in order to do this - and to make money with it - the fate of our clients is used, the red line is already crossed. That is why we will sue everyone, and if necessary we will go as far as the European Court of Human Rights, which wants to abuse your client's case as an 'egg-laying woolly sow'. You have me all on your side, Dr. Fraser."

Thank you for reading. Next time, read: “ The Murderess from the Grunewald (28): Preparations for War (3b): "The Monster in the Petticoat" (2)

[billsarchives]

Original 1970 offset lithograph from artist Sätty printed over photo of Nude Woman In Window by Mike Powers, designed by Dale Smith above quote from Goethe: "We are formed and fashioned by what we love." Celestial Arts CA86 Orbit Graphic Arts, a poster printing company based out of San Francisco during the 1960s/1970s, distributed this overprinting by Sätty who was famous for creating mind-blowing and now highly collectible collages, having been exhibited at the MoMA, Boston Museum of Fine Arts, San Francisco Museum of Art and several other major museums listed below. If you look at the last photo, you'll see two of the base images (both available for purchase if interested) over which he would print layers of other illustrations. www.etsy.com/shop/BillsArchives One of the better-known poster artists when the psychedelic era was in full flower in the 60's, Wilfried (Wilfred) Podriech, also known as Sätty, was as much a part of the scene as Dr. Hip or the Grateful Dead. For a few years, his life had been one long summer of love. He staged huge parties where socialites and hippies mingled, in a subterranean basement of the pre-earthquake building where he lived on. He was schooled in architecture, engineering and design, and spent some time working in Brasilia before he settled in San Francisco in the early 60's. It was the threshold of the psychedelic era, and Sätty soon began making posters, developing an extraordinary collage technique that brought together both the technological and surreal sides of his background. Drawing from his enormous collection of 19th-century illustrations, and using his knowledge of overprinting, collage, overlays, paints and offset lithography, Sätty superimposed and juxtaposed images to create layered compositions of such wildness, density and subtle detail that they speak more tellingly than any static visual records of the time could do. His transformations of the original materials range from the discreet addition of a few whimsical oddities in the foreground of an etching, to the full-out hallucinations of an opium den or a ballroom swirling with romantic delirium. And the fact that these are all 19th-century images, radically revised by a 20th-century eye, gives one the eerie sense of shifting back and forth in time, space and perception. There's a startling sardonic humor in Sätty's visionary history, but there is love as well for the reckless, plunging voracity of those early days. EXHIBITIONS One Man Shows: • Moore Gallery, San Francisco; 1968. • Berkeley Gallery, San Francisco; 1970. • Goethe Center, San Francisco; 1971. Group Shows: • San Francisco Museum of Art; 1967. • Moore Gallery, "Second Joint Show", San Francisco; 1968. • Museum of New York City; 1969. • Boston Museum of Fine Arts; 1969. • Sun Gallery, San Francisco; 1969-1971 • National Museum of Art, Belgrade, Yugoslavia; 1970. • National Museum, Warsaw, Poland; 1970. • Gary Standiford Gallery, San Francisco; 1970-1971. • Richmond Art Center, California; 1971. • Museum of Modern Art, New York; 1971. • Arts and industry exhibition, San Francisco; 1971. • Dr. Reidar Wennesland Art Collection (public Exhibition), San Francisco; 1971. • Gallery: The Poster (with David singer), Los Angeles; 1972. • Kristiansand Art Association, Norway; 1972. • The Palace of the Legion of Honor, San Francisco; April-June 1975. GUEST LECTURES • The artist's studio, San Francisco; 1970. Lecture for members of the Society for the Encouragement for Contemporary Art concerning "Art and the Electronic Media". • Berkeley Gallery, San Francisco; 1971. Lecture about the artist' work for members of the San Francisco Museum of Art. • San Francisco Art Institute; 1971 and 1974. Two lectures in printmaking and one lecture for students at the artist's studio. • College of Arts and Crafts, Oakland; 1974. Lectures on "Photo and Printmaking" with slide show. • San Francisco State University, Art Department; 1974. "Imagination vs. Media" with slide show. • San Francisco Museum of Art; 1974. "Media and Poster Art" with slide show. • San Francisco State University, Literature Department; 1975. "Composition" with slide show. PUBLISHED ILLUSTRATIONS Washington Post (Book World- syndicated Sunday supplement) 1973-1975- nine illustrations. • Rolling Stone (26 issues) 1969-1975. • Berkeley Barb, 1969. • East Village Other, 1969. • Organ (7), 1970. • Oz Magazine, England (3 issues), 1971-1974. • Clear Creek (10), 1971-1972. • KPFA folio, 1971-1972. • Ramparts (4), 1972. • Communication Arts Magazine (2), 1972. • Sunday Paper (illustrated in collaboration with David Singer), 1972. • Equilibrium (5), 1973. • Video City- Radical software (2), 1973. • Living Daylights, Australia (2 illustrations from "Time Zone", 1974. • Village voice, 1975. COVER ART • Washington Post (book World syndicated Sunday supplement, 1973-1975: The Sovereign State of ITT, by Anthony Sampson. Gravity's Rainbow, by Thomas Pynchon. Through Russian Eyes, by Anatolii Gromyko. Richie, by Thomas Thompson. Before Civilization, by Colin Renfrew. The Clockwork Testament, by Anthony Burgess. • California Living, Los Angeles, 1969. Two color posters as part of cover. • The East Village Other, New York, 1969. • Berkeley Barb, Berkeley, 1969. Two covers • KPFA Folio, Berkeley 1972. • Publisher's Weekly, New York, April 1975. • The San Francisco Sunday Examiner And Chronicle, 1975. RECORD ALBUM COVERS • "GHANDARVA", Beaver and Kraus; Warner Bros., 1971. Five color cover with David Singer. • "The Occult", United Artists, 1973. A variety of interviews and music. Color cover and back plus 1 color and 12 black and white illustrations in booklet explaining the album. • "The Miraculous Hump Returns from the Moon", The Sopwith Camel, Warner Bros, 1973. • "Feel", George duke, MPS Records, 1974. Separate European release, MPS Records , 1975. • "The Aura Will Prevail", George duke, HPS Records, 1975. BOOKS • The Cosmic Bicycle: Straight Arrow Books, San Francisco, 1971. Limited hardbound edition, regular softbound edition. 160 9"x 12" pages. 79 black and white and 8 four color illustrations. Four color cover and back. • Time Zone: Straight Arrow Books, San Francisco, 1973. 9" x 12" softbound edition, 160 pages, 84 black and white illustrations. Three color cover and back. ISBN: 0879320281 0879320672 (pbk.) BOOK ILLUSTRATIONS AND COVERS • Biafra Good-bye, 1970 • Rolling Stone Book of Days, 1970-71 • One Eighty Five, 1973 • The Axis of Eros, 1973 • Madness Network News Reader, 1974 • Monsters, 1974 • The Index of Possibilities-Energy and Power, 1974 • The Rainbow Book, 1975 • The Annotated Dracula, 1975 • The Hashish Eater, 1975 • The Illustrated Edgar Allan Poe 1976

[whenfrasermetbeauchamp]

“I found the deed of sasine.” Roger’s face was flushed with excitement. He had hardly been able to contain himself, waiting with open impatience at the train station in Inverness while Brianna hugged me and my bags were retrieved. He had barely got us stuffed into his tiny Morris and the car’s ignition started before blurting out his news.

“What, for Lallybroch?” I leaned over the seat back between him and Brianna, in order to hear him over the noise of the motor.

“Yes, the one Jamie—your Jamie—wrote, deeding the property to his nephew, the younger Jamie.”

...

“And you’ll never guess what else we found!”

…

“See?” she said, twenty minutes later, as I bent over the desk in the manse’s study. On the battered surface of the late Reverend Wakefield’s desk lay a sheaf of yellowed papers, foxed and browned at the edges. They were carefully enclosed in protective plastic covers now, but obviously had been carelessly used at one time; the edges were tattered, one sheet was torn roughly in half, and all the sheets had notes and annotations scribbled in the margins and inserted in the text. This was obviously someone’s rough draft—of something.

“It’s the text of an article,” Roger told me, shuffling through a pile of huge folio volumes that lay on the sofa. “It was published in a sort of journal called Forrester’s, put out by a printer called Alexander Malcolm, in Edinburgh, in 1765.”

I swallowed, my shirtwaist dress feeling suddenly too tight under the arms; 1765 was almost twenty years past the time when I had left Jamie.

I stared at the scrawling letters, browned with age. They were written by someone of difficult penmanship, here cramped and there sprawling, with exaggerated loops on “g” and “y.” Perhaps the writing of a left-handed man, who wrote most painfully with his right hand.

“See, here’s the published version.” Roger brought the opened folio to the desk and laid it before me, pointing. “See the date? It’s 1765, and it matches this handwritten manuscript almost exactly; only a few of the marginal notes aren’t included.”

“Yes,” I said. “And the deed of sasine…”

“Here it is.” Brianna fumbled hastily in the top drawer and pulled out a much crumpled paper, likewise encased in protective plastic. Protection here was even more after the fact than with the manuscript; the paper was rain-spattered, filthy and torn, many of the words blurred beyond recognition. But the three signatures at the bottom still showed plainly.

By my hand, read the difficult writing, here executed with such care that only the exaggerated loop of the “y” showed its kinship with the careless manuscript, James Alexander Malcolm MacKenzie Fraser. And below, the two lines where the witnesses had signed. In a thin, fine script, Murtagh FitzGibbons Fraser, and, below that, in my own large, round hand, Claire Beauchamp Fraser.

I sat down quite suddenly, putting my hand over the document instinctively, as though to deny its reality.

“That’s it, isn’t it?” said Roger quietly. His outward composure was belied by his hands, trembling slightly as he lifted the stack of manuscript pages to set them next to the deed. “You signed it. Proof positive—if we needed it,” he added, with a quick glance at Bree.

She shook her head, letting her hair fall down to hide her face. They didn’t need it, either of them. The vanishing of Geilie Duncan through the stones five months before had been all the evidence anyone could need as to the truth of my story.

Still, having it all laid out in black and white was rather staggering. I took my hand away and looked again at the deed, and then at the handwritten manuscript.

“Is it the same, Mama?” Bree bent anxiously over the pages, her hair brushing softly against my hand. “The article wasn’t signed—or it was, but with a pseudonym.” She smiled briefly. “The author signed himself ‘Q.E.D.’ It looked the same to us, but we aren’t either of us handwriting experts and we didn’t want to give these to an expert until you’d seen them.”

“I think so.” I felt breathless, but quite certain at the same time, with an upwelling of incredulous joy. “Yes, I’m almost sure. Jamie wrote this.” Q.E.D., indeed! I had an absurd urge to tear the manuscript pages out of their plastic shrouds and clutch them in my hands, to feel the ink and paper he had touched; the certain evidence that he had survived.

“There’s more. Internal evidence.” Roger’s voice betrayed his pride. “See there? It’s an article against the Excise Act of 1764, advocating the repeal of the restrictions on export of liquor from the Scottish Highlands to England. Here it is”—his racing finger stopped suddenly on a phrase—“‘for as has been known for ages past, “Freedom and Whisky gang tegither.” ’ See how he’s put that Scottish dialect phrase in quotes? He got it from somewhere else.”

“He got it from me,” I said softly. “I told him that—when he was setting out to steal Prince Charles’s port.”

“I remembered.” Roger nodded, eyes shining with excitement. “But it’s a quote from Burns,” I said, frowning suddenly. “Perhaps the writer got it there—wasn’t Burns alive then?”

“He was,” said Bree smugly, forestalling Roger. “But Robert Burns was six years old in 1765.”

“And Jamie would be forty-four.” Suddenly, it all seemed real. He was alive—had been alive, I corrected myself, trying to keep my emotions in check. I laid my fingers flat against the manuscript pages, trembling.

“And if—” I said, and had to stop to swallow again.

“And if time goes on in parallel, as we think it does—” Roger stopped, too, looking at me. Then his eyes shifted to Brianna.

She had gone quite pale, but both lips and eyes were steady, and her fingers were warm when she touched my hand.

“Then you can go back, Mama,” she said softly. “You can find him.”

— Voyager

Photos: Starz, Season Three, Episode Five, October 8, 2017

Gif: @rankinblueeyes Twitter, Season Three, Episode Five, October 8, 2017

Book: Voyager, Diana Gabaldon, 1994

Tumblr: October 16, 2018, WhenFraserMetBeauchamp 🏴󠁧󠁢󠁳󠁣󠁴󠁿❤️🇬🇧

WFMB’s Tags: #Outlander #Season Three Episode Five #S3E5 #Freedom & Whisky #Voyager #Chapter Twenty-One #Freedom and Whisky gang tegither #Then you can go back, Mama. You can find him #Claire Fraser #Brianna Randall #Brianna Fraser #Brianna MacKenzie #Roger MacKenzie #148 #101618