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cindol · 9 months ago

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if ur requests are open can I request earthy black girl! reader x jjk men i love ur writing lots

jjk men and their earthy black gf !

jujutsu kaisen x black fem reader

incl — nanami kento , sukuna ryomen, gojo satoru, geto suguru and shiu kong .

cw + — established relationships, slightly suggestive with gojo, reader has locs, cult leader geto,

| NANAMI KENTO

he originally met you when saving you from a curse on your shoulder before it could develop and kill you in his usual bakery. It confused you when he tapped your shoulder and got you turning to him but he made up the excuse of swatting a fly away and ever since you developed a relationship with you.

Nanami’s favorite thing about you was how in touch you were with your roots and how you weren’t someone very big on technology, a simple tv and android does good for you and that’s just how he liked it with you.

Nanami's usual activity with you was to stroll through your garden with you just picking any fruit or veggie and in season flowers.

You always refuse to let him go without a meal after work. You always saw how drained he looked after work and tutted at that while prepping to cook.

“aye, just stay there baby. You’re crazy if you think I’ll let my boyfriend just go to bed without a meal.” saying it while getting ready to chop up some veggies and greens for a soup.

Your relationship with plants is what impressed, hearing you coo and sing at your venus flytrap while plopping a bug into it’s trapping mouth made him curious and intrigued.

“if you don’t mind me asking dear, what makes you sing to it?”

you were still humming while feeding the plant their bug of the day then stopped to answer.“a venus plant is a living thing, kento and living beings need some love and words of encouragement to grow, don't cha’ think?”

| SUKUNA RYOMEN

sukuna’s old school, always has been and always will be so your earthy nature wasn’t something he was bothered by. How natural you were with everything you did reminded him of his childhood in a way, always seeing his mother in their garden.

As earthy as you are he refused to let you garden in dirty gloves, he actually scoffed in disbelief seeing you in the gloves.” you needed a new pair of gloves you could’ve really told me woman.’’

You abruptly stopped to chuckle at your boyfriend.’’i’m not a materialistic person ‘kuna, these gloves of mine have done just their job for years.’’

Anything you say goes out one ear and the other for him.”nonsense, i refuse to have you garden in those unruly gloves, i’ll call uraume to pick up a pair of gardening gloves the nearest store i’m sure they won’t mind.’’

sukuna likes to see you in your most natural state. You liked to do some little glam, a little eyelashes and lip gloss but he liked when you were all natural. To him, seeing your brunette colored locs in a ponytail and you in your dark green robe showing some cleavage was his favorite sight of you when you entered the kitchen.

sukuna not being careful of his own health doesn’t slide around him. a simple cough or wound makes you immediately take any herbs and first aid kit out.

“uraume won’t be here always to take care of you ‘kuna, you gotta let me take care of you.”

when you try to put an evil eye necklace around his necklace a loud roar of laughter comes from his mouth.“No damn necklace will protect me of all people from any bad spirit.”

| SATORU GOJO

After a long day with his students he enjoyed being with you. When he enters your house you shush up whatever ranting he’s gonna ramble about the elders.

“Let's just forget all of that, yeah? I think a nice fresh water bath would do you some good today.” whilst shutting him up and taking off his black blindfold.

gojo enjoyed bathing with you just to have a front row to see how you untie your locs and see them drop down to your back along with your towel to show your….assets.

gojo liked how natural you were down to your hair. When he asked for you to dye your hair the same color as his he was excited to see your once brown locs now a snow white color in your black headwrap.

“thought hair dye went against like, the earthy thing?”

a small tittering sound came from your mouth at that.“Henna hair dye. The earth has many resources satoru.”

| SUGURU GETO

suguru appreciates how down to earth you are, he sees it as a good influence on his girls. Being a cult leader can be taxing and takes up much of his time so when you’re around to remind them they’re not so alone when geto’s on cult leader duties it makes him happy.

when you both are alone in his master bedroom hearing how you spent the day with the girls picking tender plump fruits from the family garden and putting them into your hand made wooden baskets to bring home.

geto isn't one to restrict how you choose to dress. He’ll gladly wear his yukata with a gold kasaya garment while you walk around the place in a strapless knitted olive green dress and knitted white long sweater, and whoever has an issue with it can take it up with him

#jjk x black reader #jjk x black y/n #jjk x black!fem reader #jjk x reader fluff #jjk x y/n #jjk x you #jujutsu kaisen x black reader #jujutsu kaisen x reader #jujutsu kaisen headcanons #jujutsu kaisen x you #jjk x fem!reader

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nickssidewitch · 7 months ago

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👾🕹️ List of Games the Triplets Should Play if They Stream Again 🕹️👾

Can y’all share this everywhere if you like my list because I’m sick of Fortnite-only streams and I damn well do not want to constantly see Roblox…

Obviously no hate to Fortnite because yass kings grind 😤💪🏾‼️. But like… let’s switch it up a lil’ bit, boys. Get sexy idk.

Horror🔪

💉 Outlast: Horror. Thee scariest game on this list!!! Great story, but even if you’re not interested in the story, the gameplay is interesting and nostalgic. May be a bit jumpscare-y at times. Not too much gore, but enough to make the spine tingle.

🧸 Five Nights at Freddy’s: Horror. Honestly, I highly doubt they’d actually play this because it’s probably the second scariest game on this list and they don’t seem like they could handle it. But, a one-off stream of this game would be nice idk. If they do, I’d suggest the first and second ones because they are good, Otherwise, the third one is ass, and the fourth one is way too scary. The other installments are forgettable (no shade 🥱).

🌙 Little Nightmares: (Mild) Horror. One of my personal favorite games. Right amount of scares, but definitely nothing like Outlast or FNAF. The main character is literally the cutest little thing!

🌺 Poppy Playtime: Horror. Similar to FNAF in the sense that you’re in a world where childhood characters come to life wnd become murderous villains, but the story is incredibly unique and eye-catching. There are a few Gaming YouTuber surprises in there as well.

🩸 Fears to Fathom series: Horror. This series is an indie gaming community favorite! Real-life people sent in submissions of their actual true experiences, and the developer made each story into actual games! I love the simple retro feel of the design, and the stories are very intriguing especially since they are all true stories.

🧟‍♂️ The Walking Dead: Horror, Story, Action, Adventure, Apocalyptic. The hype for this game never dies (imo)! Matt would absolutely fall in love with this story and its characters!! I feel like it would definitely cement his love for TWD as a whole. And if he ever played the Michonne DLC?? omg. Someone get this man to play TWD! Chris and Nick would love it too I feel.

Story 📖

📸 Life Is Strange: Story. A story-based decision game series. You play as young adults who have special powers that develop through difficult life experiences. Each game delves into different aspects of sexuality, love, mental health, and other real-life experiences. I’d like if they played only the first one, but the other games are also pretty cool if they like the first story.

🌄 Until Dawn: Horror, Story. A story-based decision game set u like a classic “cabin in the woods” thriller… with a twist. There’s a new remake as well, so that adds a bonus point to the overall enjoyment and the hype of the experience.

🤖 Detroit Become Human: Story, Sci-Fi. I know the hype for this game is gone, but I need it! The world is set in the future where robots and androids roam the Earth amongst humans. It’s such a great story with great graphics. And every single one of the choices matter. I feel like they’d genuinely enjoy it if they immersed in it.

😷 The Last of Us: Horror, Sci-fi, Story. It’s the game that inspired the TV show. I personally think the game is better than the show, but I digress. Great story, the best characters with such various traits.

🐈 Stray: Adventure, Sci-fi, Puzzle. (This is more for Matt than anyone else lowkey highkey). You play as a stray cat, but it’s more than just a cat simulator— it’s a journey set in the future. Everyone, but especially Matt, would love this. Very great graphics. Pretty calm, but can definitely get the heart racing at times. Will pull at the heartstrings.

Miscellaneous 👾

🍄 Mario Kart / Mario Party: Multiplayer, Party. This is a given 🤷🏾‍♀️

☠️ Dead By Daylight: Multiplayer, Horror. When Nick’s computer is finally fixed, they can all play together and probably even get some friends (or play online).

💎 The Sims: Simulation. Honestly, this can be like a game they play ironically. 🤷🏾‍♀️ I just wanna see them argue about how to customize their characters.

🌚 Among Us: Multiplayer. They’ve played it before both online and with fans, but I’d love if they played some rounds that were more organized with real-life friends and maybe even their mods/subscribers on Twitch!

🔫 Call of Duty (any of them): Shooter, Action. Literally just wanna see how good they are since they were flexing in that one stream they did a while back. 😒 Like where’s the proof?

🤺 Mortal Kombat: Fighting, Action. Any of the recent additions. I don’t need Story Mode if they don’t care to know the lore! I just wanna see them beat tf outta each other 🤫 ! Nick playing as Mileena would be a gag! 🤷🏾‍♀️

🦸🏻‍♂️ Injustice 2: Fighting, DC Universe. It’s similar to Mortal Kombat, but just set in the DC universe with characters like Batman, Harley Quinn, etc. I think made by the same developers as MK? Wanna see them beat each other up.

🎰 Liar’s Bar: Multiplayer, Gambling (not actually, but—). You play as up to four characters. You get cards in your hands. It’s up to you whether you play truthfully, or lie and place whatever cards you want all without getting caught. And if you get caught, now you gotta survive a round of russian roulette. It’s actually so fun for a few rounds if you have a good party.

Please share this across platforms! I’d love that! I really wanna see them at least try some things from this list. It’d make my little gamer heart so happy 😭 And I’m sure the other fans who like videogames as well would agree.

And I’m sure the boys would definitely appreciate the ideas since they seem open to them. 🥰🤍

#nickssidewitch #sturniolo triplets #matt sturniolo #nick sturniolo #chris sturniolo #christopher sturniolo #nicolas sturniolo #matthew sturniolo #nickssidewitch thoughts 💬

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amberrn5 · 20 days ago

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Another translation for you all!

*I am a journalist in Norway, so I have access to many Scandinavian and European journalism sites.

*Please be aware that my German is in need of much practice, so there may be a couple of errors or strange direct translations to English.

Alexander Skarsgård: The most beautiful sex scene – without genitals

The actor plays a robot in the series "Murderbot." A conversation about beauty, pee breaks, and his family clan.

He is a member of the famous Skarsgård clan and a heartthrob. In his native Sweden he has been named Sexiest Man Alive five times. But in his film roles, he torpedoes this pretty-boy image, whether in the viking film The Northman, the body horror Infinity Pool, or now in the sci fi series Murderbot, where he plays an android who acts very stiff and is hidden under a helmet for a long time. The series is currently airing on Apple TV+, with new episodes every Friday. We spoke to the 48-year-old actor about it.

Interviewer: Murderbot is a scam. The android is initially bullied by humans and wants to kill them. But he only calls himself that because he thinks it is cool. And then he even develops a relationship with humans. Could some viewers be disappointed because they expect something different?

Skarsgård: Probably. I fell for it too. When I got the script, I had not read Martha Wells' books yet. I just heard: sci fi, action, adventure, Murderbot, and thought yes, I get to play an ass kicker. But I was not disappointed. Quite the opposite. It is much more charming that Murderbot is not a typical action hero, but an android who loves soap operas more than anything but cannot get along with people. It is weird, but very endearing and unique. And it is much more interesting to build a sci fi universe around a character like that.

Interviewer: What is more exhausting, running almost naked through the jungle like in Tarzan, or wearing clunky armor like Murderbot?

Skarsgård: Definitely the latter. I would wear a loincloth again anytime. Murderbot's body armor looks cool. And that helped me get into character, because I was supposed to play hard-on. But it was like a thick latex condom. It was very tight and very hot inside. It always took an hour to get in. And the first time I had to go to the bathroom to pee, we realized it was not that easy. We had to get creative and add a hidden zipper.

Interviewer: As an android, you have to act stiff. And you wear a helmet, so you are often invisible. Isn't that a waste of time for an actor?

Skarsgård: Quite the opposite. That was precisely the challenge. When you cannot see the face, no facial expressions, no eyes, you have to think carefully about how to express it differently. Every little movement is all the more important. Sometimes it was enough to just tilt the head slightly. You can read a lot into that.

Interviewer: Whether it's Tarzan, The Northman, or Infinity Pool, you are repeatedly cast in extreme roles. What appeals to you about that?

Skarsgård: Good question. I ask myself that a lot, too. Especially when it is five in the morning, lying in the mud, wrestling with other vikings. Sometimes you think, "What a stupid idea that was." But I think I am just attracted to complex characters. Or those where primitive or atavistic traits sometimes surface when you dig deep. Or when you do not want to dig deep and hide it, but then it comes up anyway. Maybe this is a bit of psychotherapy for me, too. It is a bit of a catharsis. I am a modern, civilized Northern European. But this way, you can let out a little of the wild animal that lurks somewhere inside us and live it out.

Interviewer: Are such quirky characters also a way to escape the pretty-boy image? There's not a single article about you that does not at some point mention the heartthrob, the Sexiest Man.

Skarsgård: That image never interested me. Of course, there were offers like that. But I want to be creative and be challenged. And look forward to the characters I play. I remember, at the beginning of my career, no, even before I had a career and was trying to establish myself in the industry, I received a lot of offers like that. Like, Guy Number 5 in a bad romantic comedy or the jock in a bad teen movie. It was not about a character at all, they were just stereotypes. I was unemployed so of course I auditioned for everything but I was not hired. And I think there was a reason for that. Because I just did not find it interesting, and maybe people noticed my reluctance. So I barely worked for many years until Generation Kill came out in 2007. That was the first time I was excited to audition in the US and really wanted to be a part of it.

Interviewer: Whether you are a pretty boy or not, you often have to play nude scenes. That is also the case in Murderbot but then you do not have genitals.

Skarsgård: I was very nervous about that scene. Murderbot feels uncomfortable around people. If he has to interact with them, he prefers to do it in a tank. But he does not have a problem with nudity. There are no puritan algorithms in his chip. Instead, a researcher comes in and feels shame about the nudity. But also because there is no gender. The only stupid thing, and it is really my own fault, was that I thought Murderbot was not allowed to have body hair. On the head, yes, to make him seem more human and user-friendly but not on the chest and arms. So I had my whole body waxed. And that was unbearably painful. And because I did it once, I had to keep doing it. And I was waxed again and again for months.

Interviewer: The Murderbot books are very popular with diverse people and in the LGBTQ community. Are you aware of that? Is Murderbot a kind of role model in that regard?

Skarsgård: I don't know if an android can serve as a role model. But I was aware that he is a popular character among many people in the diverse and LGBTQ community. And that is understandable. It is a pretty unique character; that is rarely found in series, especially not in science fiction. Classic heroes are much more self-confident and assertive, and they throw themselves into adventures with great enthusiasm but we break down the idea of someone being socially awkward and preferring to be left alone. I find that very refreshing and it is nice that that appeals to people, too.

Interviewer: The research team is something like a hippie commune, which also integrates the robot. Is the series a strange hymn to family?

Skarsgård: I think so. At first, Murderbot is treated by the humans as a machine, as a piece of equipment. And discriminated against, so much so that he wants to kill them. But then he comes to these space hippies, and they are completely different. Like a family that treats each other with love and respect and supports each other. And they invite him into this family as well. And the android opens up. And for the first time, feels something like love. Yes, you could see that as an ode to family.

Interviewer: That brings me to another family question. You come from a family of actors. Your father is an actor, and so are your brothers. Are you competitors? Are you constantly compared to each other?

Skarsgård: No, fortunately not. For some reason, we are never considered for the same roles. Not even when we were first starting out. If you are considered for a role and you really want it, but you do not get it, you never want to hear about the project again. You want to put it behind you and move on. But if your brother got it, you would not be able to be truly happy for him, and you would be hearing about it forever. But we are fortunate to have very different careers and work on very different projects. And so I can also be incredibly happy for my brother's success.

Interviewer: How should we imagine that? Do the Skarsgårds sometimes sit together and watch each other's films and series?

Skarsgård: No, that is what premieres are for. We go there, including to each other's premieres, to celebrate together. Those are the moments when we watch each other. But not at home. We are often together in Stockholm. But we prefer to talk there. We like to do that, including about work. Maybe you are working with someone your dad has filmed with before. We exchange ideas then. But it all stays within a healthy balance because believe it or not, there are also some family members who are not actors. So we talk about other things too.

#alexander skarsgard #alexander skarsgård #murderbot tv show #murderbot diaries #murderbot #interviews #translated #family

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arcielee · 11 months ago

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How House of the Dragon’s Ewan Mitchell became TV’s most chilling villain [interview + pictures]

He played Barry Keoghan’s geeky friend in Saltburn. Now, the 27-year-old from Derby is riding dragons as Matt Smith’s terrifying nephew.

House of the Dragon, the Game of Thrones prequel series, is coming to the boil for its second-season finale, a cauldron of Targaryen civil war, court skulduggery and dragon-on-dragon dust-ups. For many, the highlight of this season has been the emergence of a beguiling new villain in Ewan Mitchell’s Prince Aemond Targaryen, who has a character arc that’s more like a zigzag. Spoilers follow.

Aemond lost his eye to the knife of his cousin, Lucerys, got airborne revenge when his dragon, Vhagar, swallowed Lucerys whole and is now on the Iron Throne as prince regent after Vhagar barbecued the king, Aemond’s despised brother Aegon, into a walking kebab. What makes the character, though, is the chilling panache with which Mitchell plays him; an impassive psychopath behind his eyepatch.

The showrunner, Ryan Condal, has said that he was at times taken aback by the Derby-born actor’s intensity. “I sometimes forget to blink,” Mitchell, 27, says with a smile. “I need to just chill out a little bit.” Not if it means losing the edge that defines Aemond, the same contained menace that fuelled Michael Corleone. It’s a Dornish-hot day in Covent Garden. Mitchell is softly spoken like Aemond, with striking blue-grey eyes, but considerably more courteous and less terrifying. His hair, which he buzz-cuts for the show to accommodate a wig, has grown to a tousled mop, dyed a Targaryen peroxide for this publicity tour.

To help him to get into character Mitchell listened to Metallica and Slipknot (“Aemond’s straight out of heavy metal”), while cinematic inspirations included Kirk Douglas’s titular swashbuckler (“with his strong chin”) in the 1958 movie The Vikings, the icily evil android played by Michael Fassbender in Prometheus and slow-walking horror villains such as Michael Myers in Halloween. “That’s the message that Aemond wants to give off: that he has you in his sights and you won’t be able to escape him,” Mitchell says. Sometimes he took it too far. In one scene he stalked into the council chamber, “and [the director] Alan Taylor said, ‘Can you speed up the walk, please?’”

His dragon’s knack of pouncing midair (“She comes up out of nowhere like Jaws”) helps Aemond’s aura, as does that eyepatch, even if it took Mitchell a while to get used to when riding horses. He often kept it on between takes, he says, “because over the course of a couple of hours you develop a headache”. That, in his world, is a good thing because it helps to suggest a “volcano that’s boiling underneath the surface”.

We are increasingly invited to compare Aemond with the show’s other compelling bad boy: his uncle Daemon, played by Matt Smith. Both are spares who believed they deserved the crown more than the heir. “Aemond is a prince who stands to inherit nothing,” Mitchell says. “He recognised, similar to Daemon, that everything he wanted to achieve he’d have to go out and get himself. Daemon and Aemond — their names are anagrams of each other and he definitely looked up to Daemon growing up.”

Similarly, Mitchell was a fan of Doctor Who as a child and Smith was his favourite Doctor. “There is a certain resemblance as well. I remember my nan saying that,” he says. Now, though, Aemond and Daemon are on opposite sides, the former fighting with the “Greens”, the latter, nominally, with Queen Rhaenyra’s “Blacks”. Two men with brutal self-confidence, a sense of grievance and prominent chins … the stage is set for a bloody confrontation, as it was in the original Game of Thrones between the brothers Sandor and Gregor Clegane. Aemond has already said he would “welcome” a chance to test himself against his uncle.

When it will happen, Mitchell can’t say. In preparation, though, he and Smith have been avoiding each other on set. That was Mitchell’s idea, but Smith and Condal agreed that it would help them to keep their grudge-match powder dry. “In the same way that Aemond keeps Daemon on that podium, I wanted to keep Matt Smith on that podium,” he says. “Our stories are very much contained and we shot in different studio spaces, so we never really brushed shoulders.”

Mitchell has also decided not to watch or read the original Game of Thrones. “I didn’t want it to influence me whether it be subconsciously or consciously,” he says, before asking me, “Which one do you prefer, House of the Dragon or Game of Thrones?” It’s hard to say until this show is over, I say, although both are equally obsessed with incest. He looks puzzled. “There was only one Targaryen in Game of Thrones, right?” Erm, not quite but I don’t want to spoil it. He smiles. “I’ll get around to watching it.”

He has certainly steeped himself in the world of House of the Dragon, which was adapted from the book Fire and Blood by the Thrones creator George RR Martin and is set more than a century before the first saga. Mitchell drew Aemond’s family tree when he got the part and can’t hide his annoyance when he briefly confuses Driftmark and High Tide, respectively an island and its castle in the show. “I’m kicking myself,” Mitchell says, which feels typical of his obsessiveness.

What is it about the Midlands that produces actors with such bristling presence? Mitchell, like Paddy Considine, who played Aemond’s father, Viserys, in the show, is a working-class son of Derbyshire and studied at the Television Workshop, an affordable, inclusive drama school in Nottingham whose other alumni include Samantha Morton, Jack O’Connell, Bella Ramsey and Vicky McClure.

“It’s just an amazing platform that champions raw talent,” Mitchell says. “I didn’t necessarily possess the means or the finances to go to drama school — no one in my family has ever done it.” His father’s side is “very much military”, he says, his grandfather having served in the SAS in Malaya and Oman after the Second World War. “He was very stoic; didn’t show much at all.” So that’s where Mitchell gets it from — his friends in Derby, where he still lives, call him “the Iceberg”. “I keep my cards quite close to my chest,” he says and he certainly does when it comes to saying if he has a partner.

After graduating he got his break in The Last Kingdom, the medieval drama series, playing Osferth, a kinsman of King Alfred. Good practice for the sword swinging, horse riding and dagger tossing to come. There was also a small role in High Life, the sci-fi-horror film starring Robert Pattinson, and a bigger one in Saltburn, Emerald Fennell’s remix of Brideshead Revisited, as Barry Keoghan’s geeky mathematician friend — one of the few non-plummy characters. “Emerald would give me something new every single take: ‘Play this one like Travis Bickle, play this one like a serial killer,’” Mitchell says.

• Before Game of Thrones — the story behind House of the Dragon

Like Robert De Niro as Bickle, Mitchell is brilliant at showing vulnerability beneath the menace. He loved shooting the scene in House of the Dragon where a smirking, pre-barbecue Aegon finds a naked Aemond in bed with the brothel worker who has become a mother figure. Aemond’s real mother is Dowager Queen Alicent Hightower (Olivia Cooke), whom he, as regent, has just ruthlessly stood down from the Small Council. “He doesn’t want anyone else to notice that he actually really loves his mum,” he says. “Once the war ends he wants to be sat on a Dornish beach with her sipping piña coladas.”

“Horror is definitely a genre I’d love to venture into at some point.”

They may not get that far, although you sometimes feel that Aemond knows how things will pan out — he accepted the regency with a cool sense of inevitability. Condal has stressed the parallels of his story with the Greek myth of the Cyclops, Mitchell says. “He traded one of his eyes to Hades so he could see the day he would die.” Recent events have tested Aemond’s prescience, though, notably Rhaenyra’s recruitment of low-born Targaryen bastards to ride dragons. In the finale “you’ll see Aemond lose that composure”, Mitchell says. “He’s gonna get desperate, and you don’t want Aemond desperate because that’s when he starts to overextend.”

What next? Mitchell won’t say how many seasons of House of the Dragon he has signed up for and we know by now that anyone can be killed off with zero fanfare. He clearly loves movies, peppering his chat with references to Inglourious Basterds, The Untouchables and the M Night Shyamalan film Split, and says he would love to work with Jodie Comer, the Safdie brothers, who made Uncut Gems, and Rose Glass, who directed Love Lies Bleeding. Oh, and “horror is definitely a genre I’d love to venture into at some point.” He would be a natural.

tagging my beloved @assortedseaglass fuck the paywall

copy pasta from The Times

#ewan mitchell #house of the dragon #aemond targaryen

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funkin-news · 6 months ago

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ninjamuffin newgrounds post!

tl;dr

fuck ads!! use adblocker whenever you can!!

the crew tries to make fnf as ad-free as possible, not just the game but where you download it- it's why it's on itch/newgrounds and not anywhere that offers ad revenue

that being said, fnf mobile will likely have a free version which... will have ads. they will try not to make the ads too obnoxious

(there will be an ad-free paid version too!)

extra note from me, not the post: if you're an android user you totally shouldn't use youtube revanced and purpletv or anything for mobile youtube and twitch adblockers. it would be such a hindrance to the advertisers. ha ha

full post copied below ⬇️

greetings and merry xmas newgrounds

on my brain for a very long time has been advertisements. Something about ads that stick in my brain ever since I came across this little thing from Lichess.

In due time, unfortunately this post will become a bit hypocritical, as we will eventually publish FNF onto mobile, and that will very likely have a free ad supported version. Hopefully that doesn't undermine my thoughts too much, however FNF is more than just me and my brain! Not everything I say goes in terms of FNF decisions! So with all that being said, let me begin shouting about everything I hate about ads.

I use adblocker on everything, and you should too. UBlock Origin has been my reliable go to. Online ads are especially an insidious breed. I'll try not to be some tinfoil hat, but I do often wonder what the internet would look like if the online ad model *wasn't* fruitful back in the early days of the internet. Would Facebook, Google, etc. have an arms race to the bottom to get infinite amounts of data on every single person ever? Would social media algorithms optimize for a different experience other than *spend as much time as possible on our site*? Ads have existed before Youtube, Google, internet though. They exist on TV, on subways and buses, on radio, in newspapers. I think for the most part my deep hatred of ads is for online kind, I do think there can be "irl" ads that I find very unpleasant. Going on a subway or sitting at a bus stop, I think people deserve more dignity from their city public transit than to have something sold to them! I don't think an ad free life should be only reserved for those who can pay for spotify premium, youtube red, etc. I think everyone should be entitled to that DIGNITY.

X (the everything app, formerly Twitter ) has a Premium subscription that costs 10$/month (CAD), and they will only give you *half* the ads in your feed. How generous of them. I will be dramatic, and say that I look at ads with disgust. I hope to think I'm somewhat justified, as most ads look like dogshit, and are pretty worthless.

For a very long time (and currently, as of writing/posting) FNF has been entirely ad free. We did stand up to putting it on other web portals that offer ads and ad payments/rev share, because we do somewhat want to be part of the change we'd like to see in the world. We want to believe in a world where someone can put out a free game on itch/newgrounds, and have the development be supported purely off donations (which FNF was supported by that in the early days / first 6 months of development!). We definitely could have made much MUCH more money if we put FNF on websites that offer ad rev share, but we didn't, and I hope that doesn't fall on deaf ears.

However we do promote our own things from within the game, Kickstarter, merch, etc. I suppose I'm less upset or even thinking about that, I think there's a big difference if we had a lil Kickstarter trailer in-game that played, opposed to having an in-game advertisement for some fuckass mobile game or some cosmetics or somethin. We specifically are still curating what we are putting in the game with our lil links to merch, kickstarter, etc.

We also provide the soundtrack on Spotify / streaming services, which do indeed get money from ads. I think I'm so detatched from Spotify ads and being angry at them, since I've been spotify premium user even at the brokest poorest in my life... i need them album downloads!!! I do think that's an aspect where there is an adfree alternative, which is Bandcmap, where you can listen to the FNF OST as much as you want, and if you pay some coin, you can download it in high quality!

My thoughts on FNF mobile with ads is that they will make me very unhappy and deeply sad. I do sincerely apologize to those of you who would be unable to play FNF on anything other than a mobile device, and aren't able to get the full mobile version, so you become punished with ads. We do hope to not be obnoxious with mobile ads. If you have a computer, even a shitty busted one that runs slow, I personally hope you end up compiling the mobile version yourself to get past ads. The thought of that lets me rest easier just a little bit. The FNF will be proudly open source forever.

There will also be a paid version of FNF mobile, that will have no ads. Pay for that one if you please.

#fnf #friday night funkin #fridaynightfunkin #og funkin news

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ewanmitchellcrumbs · 11 months ago

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How House of the Dragon’s Ewan Mitchell became TV’s most chilling villain

He played Barry Keoghan’s geeky friend in Saltburn. Now, the 27-year-old from Derby is riding dragons as Matt Smith’s terrifying nephew

It’s just an amazing platform that champions raw talent,” Mitchell says. “I didn’t necessarily possess the means or the finances to go to drama school — no one in my family has ever done it.” His father’s side is “very much military”, he says, his grandfather having served in the SAS in Malaya and Oman after the Second World War. “He was very stoic; didn’t show much at all.” So that’s where Mitchell gets it from — his friends in Derby, where he still lives, call him “the Iceberg”. “I keep my cards quite close to my chest,” he says and he certainly does when it comes to saying if he has a partner.

#house of the dragon #ewan mitchell #aemond targaryen #the times

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i-just-give-you-the-vidya-songs · 3 months ago

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The song is "The Stains of Time" from the game 'Metal Gear Rising: Revengeance', a 2013 action-adventure game developed by PlatinumGames and published by Konami. Initially released on Playstation 3 and Xbox 360, followed by Windows and OS X (Both 2014), and finally Shield Android TV (2016).

youtube

#video game music #video games #active vote #audio poll #music poll #poll #Youtube

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desigrrrl · 11 months ago

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List of Telugu learning Resources

Writing

Script: about, history and development, impact of writing tools in its evolution

Alphabet: multibhashi, wikipedia, wikibooks, edzym

Reading

Textbook: intensive course (archive.org), ncert school books, ap scert school books, ts scert school books, hindi-telugu praimaru, grammar (written in telugu)

Prose: kids’ stories, stories, collected manuscripts, parikini, soundaryalahari, barrister parvateesam, history, translated quran,

Poetry: kinnerasani patalu, movie songs book, maha prasthanam, tyagaraja kirtanalu

Blog/Misc: chandamama kathalu magazine, kavithalu, saaranga magazine, hasam magazine, bharati magazine, swathi weekly, sakshi news

Dictionaries: andhrabharati, tel-eng by sankaranarayana, eng-tel by venkatacharyulu, tel-eng by percival, tel-sans, hin-tel.

Vocabulary

MyLanguages

MeaningInHindi

1000MostCommonWords

proverbs: sametalu (written in telugu)

Grammar

malik’s absolutely goated guide

praveen ragi

vakyam (written in telugu)

Apps

Mango

Multibhashi (android)

HelloTalk

Dasubhashitam (android)

Learn Spoken Telugu From English (android)

Websites

Languages Home

Goethe-Verlag

LearningTelugu

Learn 101

Desi Bantu

YouTube - Native

Telugu teachers: telugu vanam, teach me telugu, pr learning hub,

Beginner level/Kids content: koo koo tv, jum jum tv, paa paa tv, horror planet

General: permit room, sumakka, chai bisket, naa anveshana, my vilage show, ragadi, chitra alochana, thyview, mahathalli, vikramaditya, yevarra meerantha, aye jude, dhethadi, chari not sorry

YouTube - Learners

Mexico: Christina

USA: Kari, Isaac Richards, Manasa (Danya), Omar Crockett

Italy: Franchesca /Telugutalian

Denmark: BigAReact

Poland: Zbigsbujji Chetlur

Sweden: Karl Svanberg

Online Keyboards

lexilogos

typingbaba

branah

gate2home

#telugu langblr #telugu #langblr #language study #masterlist #literature #indian literature #poetry #language history #etymology #language #langblog #language community #desi academia #indian languages #south indian

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astroboyart · 1 year ago

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Astro Boy Reboot not dead yet; new visual unveiled at 2024 edition of Annecy International Animation Film Festival

Sources: TF1 Pro (English Google Translation), Mediawan Kids & Family (X)

Announced on June 11, 2024 at the Annecy Festival in France, Astro Boy Reboot has surfaced once again with a new visual.

This version of Astro Boy Reboot will be co-produced by Method Animation (Mediawan Kids & Family) and Shibuya Productions. No release date was given.

TFOU, a youth based TV channel in France, signed an agreement with Method Animation/Mediawan Kids & Family to develop this new version of Astro Boy Reboot which will be geared towards the 6-10 year old crowd.

It will have 26 episodes which will each last 22 minutes.

A pitch for the show was posted:

Atom is 9 years old, he plays soccer, has his small group of friends at school, bickers with his little sister Uran, and dreams of telling his friend Silica that he is in love with her. But Atom is no ordinary boy. He is a 9-year-old ultra-advanced robot and the only android capable of feeling real emotions! He hides his true nature to live like a normal child. But when supervillains threaten the coexistence between humans and robots, he must act, because he dreams of a world where everyone lives in harmony. Secretly, he transforms into a superhero to protect Metro City. To all the locals, he is Astroboy! But can Astroboy save the city without revealing its secret and thus preserve his complicity with the marvelous Silica?

A couple major figures for Astro Boy Reboot also commented on Astro Boy Reboot:

Yann Labasque, director of youth programs at TF1. "Welcome Astro Boy to the TFOU family! We are delighted to launch the development of this new animated series with Mediawan Kids & Family," rejoices Yann Labasque , director of youth programs at TF1. "A series rich in promises of action and adventure, but also of emotions through the eyes of this little robot boy with a human heart who will have to find his place in a divided society and the solutions within him. Themes with great stories to tell and great values to convey.

Katell France, General Manager and Content Director of Method Animation. "We are very happy to be able to develop the reboot of Astroboy, an iconic character created by Osamu Tezuka, with our historic partner TF1 who has supported us for many years on the Miraculous franchise with the success that we have known. Astroboy is a legendary character whose values such as the cohabitation of technology and nature, tolerance and friendship, perfectly embody those that we defend at Mediawan Kids & Family. This series responds to our strategy of creating a great franchise for young people and families. We look forward to bringing Astroboy back to life through this reboot, and new stories in which all children today will recognize themselves."

#Astro Boy Reboot #Astro Boy

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trashcanlore · 9 months ago

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A Crack Theory About Maze

Alternatively: Everyone in Natlan is dead and I can prove it with 3 easy tools I already have in my brain

*Record scratch* I bet you're wondering how we got here. Well, it all started when I was playing through Simulanka and saw the carpet on the floor of Constellation Metropole. The pattern reminded me of player piano scrolls, and since my brain needs to be studied in a lab, that then reminded me of Westworld. (Slight spoilers for season 1 follow)

Westworld is a sci-fi-ish TV show about a futuristic amusement park recreating the Wild West, featuring interactive storylines where guests can act out their hearts' darkest desires. The only ‘people’ hurt are the hosts, who are basically the android NPCs of the park. Hosts are part of greater park narratives, and individually operate within their story loops, unless disturbed by the outside forces of guests. At the end of each day, the hosts are reset/memory wiped/repaired (unless the narrative says differently) and return to experience the horrors anew. The player piano is used as a visual and narrative motif throughout Westworld to represent the cyclical and automated lives of the hosts; similarly, the clockwork in Constellation Metropole represents the strictly laid out paths of the toys while under the ‘protection’ of the Goddess of Prophecy.

Convinced this carpet pattern was an intentional reference, and knowing that summer events foreshadow the new region, I flung myself headfirst into themes and narratives delulu (a season 1 rewatch) and during that rewatch I realized that a different Westworld plot point and visual motif might be what's actually foreshadowing for my mostly vibes-based theory: Everyone in Natlan is dead.

THE MAZE

The imagery of a humanoid figure in a maze is used throughout Westworld, explained within the narrative of the park as a Native American myth. According to the in-park mythology, the maze represents “the sum of a man’s life,” and the man in the center has been killed and resurrected many times, eventually building the maze around himself as protection. (Resurrection is a very common theme in Indigenous American mythology.) There is a human character who is trying to solve the maze, and for a time he believes the center of the maze is true death, something that does not exist in the park because the guests cannot be killed (by the hosts) and the hosts can always be repaired.

This myth is based on the real life creation myth of the Tohono O'odham people, where the Man in the Maze, I’itoi, created the world in an intense struggle and then retired to a labyrinthian cave on top of a mountain. In art, I’itoi is depicted above a maze, which represents the experiences and choices of a person throughout their lives. The middle of the maze represents their goals and dreams, and once they reach the center, they can look back and then pass into the next world.

According to some tellings of the myth, I’itoi was killed by the humans he created and taught. He then resurrected himself, invented the concept of war, and then brought the Tohono O’odham people to the surface of the earth to be his soldiers.

Fun fact: This creation story is actually referenced in ZZZ, with the Papago hollow (Papago is an alternate name for the Tohono O’odham people).

In Westworld, the maze is actually a thought exercise and model developed by the programmer behind the park hosts. His theory of consciousness was that it was achieved through a journey inward, and when a host reached the center of the maze, they would achieve true consciousness and be ‘free.’

Maze iconography in the Americas is not unique to the Tohono O'odham people - another notable example is the Hopi Tapuat. This labyrinth (technically only has one path) represents the human life cycle and eventual (spiritual) rebirth.

While researching maze symbolism, I read a few articles that mentioned Mesoamerican mazes being used to trap the spirits of the dead, but unfortunately, I couldn't find any specific source for that information. However, it is possible to connect maze imagery to the Aztec and Mayan beliefs about the Underworld. Multiple archaeological excavations have uncovered huge networks of caves, tunnels, and rooms underground that may have been built to represent the journey to the underworld and/or provide a location for rituals associated with death. (You can read more about this here: 1 2 3)

As for the underworld itself, both the Aztec Mictlan and the Maya Xibalba are described as containing all kinds of traps and challenges for the dead passing through - and can’t forget the ballcourt (in Xibalba at least). Ball is life. While this isn’t exactly a maze, I will argue that for the sake of this crack theory, it’s close enough thematically.

Smoke and Mirrors

You may have recognized the name Mictlan, because in Genshin, that’s one of the names for the Masters of the Night-Wind tribe, which can be alternatively translated as “Masters of the Mysterious Smoke.” This will be relevant later, I promise.

The Natlan craftable sword, the Flute of Ezpitzal, is described as being a ritual instrument of this tribe, and the description tells the story of how humans and dragons came to a (local?) agreement to ensure their survival. The dragons had fled into dreams because of the fire of “ancient beacons,” and when the humans asked for their protection, they offered the following:

"A labyrinth of mirrors and a fortress of mist, these shall we build to shield your tiny mortal tribes from the scourge of war."

The theme continues with the name of the sword’s passive: “smoke-and-mirror mystery,” and the upcoming Archon Quest “Beyond the Smoke and Mirrors.” The phrase “smoke and mirrors” is an idiom for distracting from something unpleasant, but in the context of Natlan lore, it’s almost certainly referring to the smoking obsidian mirror iconography.

Mirrors of all kinds were used throughout ancient Mesoamerica for divination and scrying-like rituals, including communication with otherworld entities. The most well known mirror material used was obsidian, which was also used for blades and tools - the black color of obsidian is probably what led to its association with smoke (also you can use mirrors to start fires). Obsidian mirrors were associated with additional imagery such as fire, the sun, eyes, butterflies, and caves as the entrance to the underworld. Mirrors were also compared to the surface of still water (a straightforward comparison) - one interesting example is Aztec writing that referred to Aztlan (mythical origin of Aztec people) as ‘the great water mirror that surrounds the great city.’ There was even a period of time where the mirror was used as a metaphor to represent the world itself.

This is similar to what Mona says about Simulanka: fate in Simulanka is directly based on Teyvat’s, and that “the creator made this world inside a mirror, or a lake, and this world is the reflection.”

Here’s where things start to get interesting: there is a Nahuatl glyph for the smoking obsidian mirror, specifically associated with a god who we’ll discuss later. The scroll-like shape used for the smoke is very similar to the symbol used for speech, singing, or breath.

This shape is also very similar to the older Mayan glyph for smoke - which happens to be basically identical to the symbol used for blood. You can see an example here in this famous carving from Yaxchilan:

The link between smoke and blood is actually explicitly referenced in the name of the Flute of Ezpitzal. Ezpitzal is a Nahuatl word meaning ‘gust of blood’ - eztli is blood and pitza is ‘to blow,’ as in playing a flute. Pitza is also sometimes translated “becoming inflamed with anger.” The ezpitzal symbol is made up of six streams of blood, ending in a precious stone, with a heart in the center:

The ezpitzal can be found flowing from the head of older depictions of Tezcatlipoca “smoking mirror,” the Lord of the Night.

The Lord of the Night

Tezcatlipoca is one of the central Aztec gods, associated with the night sky, hurricanes, and conflict, and the calendar. He was typically depicted with a missing foot due to a monster attack and a smoking obsidian mirror somewhere on his body. The missing right foot is usually replaced with a smoking obsidian mirror, a snake, or a bone. Tezcatlipoca has similarities to the earlier Maya deities Tohil (god of fire and associated with sacrifice) and K’awiil (thunder god), who is depicted with a smoking obsidian knife in his forehead and one leg replaced with a snake.

The smoking mirror glyph associated with Tezcatlipoca looks a little bit like the obsidian carvings in the Night Kingdom:

Besides for the title of Lord of the Night, Tezcatlipoca is Genshin lore relevant as the rival of Quetzalcoatl. In one version of the Five Suns Aztec creation myth, Tezcatlipoca and Quetzalcoatl are creation gods and take turns being suns and destroying each other’s work. Quetzalcoatl hasn’t been mentioned by name in Natlan yet, but his Maya equivalent, Kukulkan (“Plumed Serpent”), also known as Waxaklahun Ubah Kan (“War Serpent”) sure has. In Genshin, Waxaklahun Ubah Kan, or the Sage of the Stolen Flame, stole a seed of phlogiston from the dragons and taught the humans how to use it. He is shown alongside Xbalanque, the first Pyro Archon, on a mural, where they both appear to hold phlogiston. There’s something important missing here: How did the Genshin equivalent of Tezcatlipoca contribute to the ‘creation’ of humans?

In the 5.1 trailer, the Lord of the Night and the “protection of the rules” are mentioned. The only information we have about the Lord of the Night is that in the misleading Records of Hanan Pacha, he leads humans astray and is the enemy of Waxaklahun Ubah Kan, and that a cat in the Night Kingdom warns us against trusting the Sage.

The set of rules we know the most about are the ones created by Xbalanque, using borrowed power from the heavens (Ronova). These are the rules that allow humans to become Archons and inherit the memories of the land.

The other, more mysterious set of rules, are those that allow Ancient Name bearers to resurrect through the Sacred Flame with the help of the Archon. The Sacred Flame is a conduit to the Night Kingdom and the Wayobs, and is fueled by Contending Fire produced by battles between Natlan people. Given that Tezcatlipoca is a god of conflict, I think these rules mentioned in the trailer are referring to the Sacred Flame system of resurrection.

Therefore, at some point during Natlan’s history, the beef between the Sage and the Lord of the Night became so severe that the Lord of the Night’s contribution to the system of Natlan was intentionally covered up- which may be what Capitano is hinting at in the 5.1 trailer when he says Mavuika is withholding information from us.

This was a bit of a tangent, but I promise it’s relevant to the thesis. At the conclusion of the Five Suns myth, Quetzalcoatl descends into Mictlan to find the bones of the humans he created under earlier suns, and who were destroyed by various god antics, including those of Tezcatlipoca. He then uses his own blood to bring the humans back to life. Maybe my insistence that everyone in Natlan is dead isn’t so vibe based after all.

The Center

It is time for me to confess something. In actuality, these 2k words were elaborate setup for a pun.

Here it goes: At the conclusion of the K’iche’ Maya creation story, the Popul Vuh, the gods finally find the perfect material for creating humans who will worship them: maize. The hurricane god and the Quetzal serpent sculpt the first humans out of a maize paste, with water for blood. Conveniently, these two can be directly compared to Quetzalcoatl and Tezcatlipoca - further supporting the possibility of the latter’s important role in Natlan’s history.

Earlier, I mentioned how water and mirrors were closely associated, and how the glyphs for blood and smoke look similar. The Flute of Ezpitzal name and lore reference the protection of humans with a ‘labyrinth of mirrors,’ smoking mirrors (weapon passive), and blood through the word ezpitzal. The ezpitzal is also closely linked to Tezcatlipoca, one of the Aztec creator deities. Using this symbolism, the smoke and mirrors represent the water, or blood, used to (re)create humans. Which then means of course that the second ingredient needed for humans is maze - I’m sorry, maize.

And if the humans are made out of maze…well then they must be dead.

Sabre’s Fun Fact Science Corner (with bonus Latam literature section just for Schwan):

The Genshin writers love the story of the Hero Twins defeating Seven Macaw and replacing his teeth with maize - they’ve referenced it at least three times so far. The weirdest is the flipped version where the human priest Maghan sacrifices himself and combines his blood with animal teeth and dirt to create grainfruit (maize). Autosacrifice of blood in particular was a very important Maya ritual. I appreciate their commitment to keeping the maize cannibalism implications going.

The Narzissenkreuz Ordo associated lore has had multiple references to circular ruins and mirrors (which may simply just be the Alice in Wonderland reference) - however, we do know that one Ordo member went to Natlan looking for Something. “The Circular Ruins” is a short story by Jorge Luis Borges where a man tries to create another man through dreaming, with the help of a deity known as “Fire.” The story itself references Through the Looking-Glass as well.

This one is full credit to Schwan but there’s a Mexican novel Pedro Páramo, which was very influential on other Latin American writers like Gabriel García Márquez. The plot is basically that this guy travels to the town where his father is from to meet him and then it turns out that everyone in the town is dead. It’s very core.

It turns out Westworld season 1 is extremely HYV core - I just know some guy there saw the last episode and had their brain rewired, much like Dawei seeing Misato Evangelion for the first time

References: https://www.library.pima.gov/content/man-in-the-maze/ https://en.wikipedia.org/wiki/I%27itoi https://westworld.fandom.com/wiki/The_Maze

youtube

#genshin lore #genshin #natlan #genshin natlan #everyone in natlan is dead send tweet

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