taiyami · 2 years ago
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happy moments, antagonists and teams for the ask game <3 hii
5 happy moments ;
-> Rukia and Ichigo reuniting [bleach]
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-> whatever this shit was in kny .. Definitely a little bittersweet.
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-> hated every minute of this garbage show except for the moment inuyasha met his daughter for the first time. that shit made me cry [Yashahime]
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-> Lol ! (buries myself in the dirt) [free! iwatobi swim club]
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-> this gay ass reunion scene [BEASTARS]
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______________________
5 Teams ;
-> Yuuji Itadori / Aoi Todo .. BESTO FRIENDOS !! [JJK]
-> Ikkaku Madarame / Yumichika Ayasegawa .. literally iconic [BLEACH]
-> Tanjiro Kamado / Inosuke Hashibira .. two neurodivergent best friends [KNY]
-> Sting Eucliffe and Rouge Cheney .. tag team me please [Fairy Tail]
-> Worick Arcangelo and Nicolas Brown .. their combined brain cell is 2 [Gangsta.]
Get to know me // Anime edition!
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yakocchi · 4 years ago
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Becoming a Family With Him, Part 3 // Shuichi, Hikaru, Rhion, Luke, Eisuke
so this came out, as further celebration for the anni. VERY GOOD, much more appreciated than the prior story set lol that one was kind of boring but i get it
they made the kids for all the... kid-less ones, and the eisuke one that used to be VIP-exclusive is now here for everyone to buy (rip those ppl who gacha for it)
my rambling behind the cut (spoilers!!)
shuichi // as ud expect, shuichi has a literal hime ass looking girl (kikyo) for a daughter. she’s only 6, but is pretty calm and ladylike. She even calls her parents with –sama so... ok luckily shuichi does not strip down all the way in the presence of her daughter and only takes off his suit coat. thanks dad
anyway since shuichi has a break coming up, he wants to have a family trip how nice. but then the dang girl wants to go over to see eisuke WHAT when soryu exists and lives a block away? unrelatable, im closing the app anyway eisuke is her first love, which wtf he’s like 20 yrs older than u. even worse, mc says she’s been in love since she was like 3.
shuichi is reconsidering the benefits of democracy in his mind but eventually relents. but then they’re still following the fucc-days rule they set years ago. well, as he says in the story, RULES ARE RULES
blah blah i don’t want to go over everything bc then it’ll be boring reading the story when it comes out in engl right? also im tired bc it’s 1 am and i just want to play toontown in bed but nothing really bad happens. they are a v cute family bc shuichi is a pleasant and mature dad. kikyo and mc even do a little surprise for him at the end and it is very sweet. i feel like out of all the families, this is the most ideal
mad hatter // so they have twin sons named Rui and Kai. Rui is the childlike one that resembles Rhion in personality, Kai is the more mature one that resembles Al. man i forget that boy’s name but u get me i know they only can use stock bgs but it’s killing me that these dang kids get to sleep in what looks like separate king sized beds.
even though rhion is now a father of two, he still acts like... 10. i mean he still horni but it makes me feel weird
later it’s revealed that Ota teaches them both as an art tutor bc they both showed an interest in art. this is cute bc ota is bad with kids in this universe LOL
the ending on this one was weird cuz the kids didn’t show up in the entirety of the last ep bc it was about WORK. so uh... interesting
hikaru // so their son is named akari. haha get it because it means light. like how hikaru also means light. can mc name her kids unrelated to their father or is that against the Geneva convention
this kid actually acts like an actual little boy. like what hikaru would’ve probably turned into if not for the whole sad backstory. the story starts with akari just bringing a dog randomly home one day. he actually saved the dog (it is very cute bc he did not want the dog to cry), and then after a talk they decide to keep the dog as long as akari knows the responsibility of taking care of an animal.
so next day, the bidders come over to their house and everyone’s like woaw a dog. lol they come into their house as guests and eisuke and mamo still demand for beverages, they all suck
akari names the dog... “Light” (Raito) and i want out of this nightmare. Naturally bc Light is an abandoned dog it’s still kind of bad with interacting with things. But then Light suddenly be giving the ( ╹ਊ╹) to soryu bc remember, animals love him. everyone clowns on soryu for being an unintentional dog whisperer and then akari is like “soryu san pls make me ur apprentice” and he gives some advice like approaching it slowly, and talking to it from the front instead of back.
blah blah there’s a situation where Light goes YEET after a Doberman gets all angry and then hides bc then another dog is scaring it. hikaru swoops in to the save the day as the Real Dog Whisperer. ok it’s cute when hikaru actually gets to look cool  for once LOL
luke // luke is cute on the bc “pre-story” scene he’s actually pretty open to the idea of having kids; he actually goes “well imo we should think abt it pretty soon, but i wanted to hear ur opinion on it” but then he gets horni. and then he’s like “our kids are going to have your collarbones. awesomeee im looking forward to that” ....ok
ok cut to the actual story and they’re in Japan. Luke’s kid looks... strange versus the others. why are his eyes so big? omg voltage his eyes arent going to be saucers just cuz he half white also the kid’s name is Yuri (Or Urey). They couldn’t think of any other Brit-styled names? Like Harry? Henry? William? Wilfred? hey stan be my princess btw he’s pretty cute, though he gives serious “timid kid that gets bullied in the children’s movie” vibes. He calls Luke “daddy” and mc “mammy/mommy”.
so luke talks about his relationship w/ soryu and eisuke and then yuri is like “i want friends like that” wow cute but also find less ethically-complicated friends
so luke lets yuri meet a young patient of his (haru) so they can be friends. they get along so it’s good. haru gets in critical condition later so luke zooms outta there to do the operation.
LOL but at the end yuri is like, “i want to make more friends. (...) can i go to the bidder’s room from now on?” this boy works fast
And then he’s like “Eisuke-san... please be my friend.” HIS POWER. even eisuke was like :O so then eisuke orders a whole bunch of food and books up to the penthouse. But then yuri’s like “...i like eisuke’s eyes” and everyone’s like oh man that’s gonna be his fetish
Baba: why have u started to have an interest in eyes Yuri: I read it from one of daddy’s medical books Hikaru: wtf u can read that at 4??? (...) Soryu: wat Yuri: um... i want soryu to be my friend too Yuri: bc soryu’s eyes are also powerfully cool...
eisuke // ok this gets an extended ramble bc the more annoying the story the longer i must complain
so you might be thinking, “oh so this is gonna be a flashback in some in media res styled story with your 2 kids, u know in the style of the others” and well, no you just go straight to white screen into the flashback, back when eito was smaller and thus a little more cute. well it’s not really false advertising bc they did say “reminisce” in the description. but i wanted to see eito be a good big brother for a moment! or... less good? man i wanted to see kaito go waaaah like a baby idk i wanted to see him exist
so back to the story they cut to small eito. even as a smaller punk he does fight with his dad a little, just w/ a more narrow vocabulary to work with. tho at this point he’s still pretty sweet so clearly eisuke clowning him day and night was a negative effect on his development. (doesn’t treat his child like a child) (child grows up to a punk that doesn’t respect him) (surprised pikachu) being the son of a billionaire means that this child has to go study at a very young age and listen to MOZART. no child of eisuke ichinomiya will be listening to degenerate bops like lee taemin’s criminal next day they all go to the very fancy school that eito will be attending. eisuke does a speech, but then eito is all like “why is papa over there all the time” in reference to how all the other parents in attendance are having fun with their children, but eisuke is busy talking to other people for business and connections etc. etc. mc kind of has a hard time trying to explain it to eito bc... it’s honestly poor parenting... eiji shows up after arriving late, and he’s like “gramps is gonna be with ya today! instead of papa” which is cute but then she’s like psst thanks for coming and im like oh... so grandpa just didn’t randomly come to the open house for fun he’s just gonna be surrogate dad while real dad is busy... aw... and then at the end eito’s like FUC THIS KINDERGARTEN. eisuke is like “(smh) don’t yell in public. (despite everything) you are still the eldest son of the Ichinomiya family”
and so afterwards it’s clear that eito does not want anything to do with this school. he just sits in the classroom until mc is there to pick him up instead of playing in the courtyard or w/e, wanting nothing to do with the other kids.
so later there’s a hiking trip for the students and both of their parents, and mc asks eisuke if he’ll be available for it. eisuke is like, “i have a business trip that day, so I’ll have to adjust my schedule” and he’s been very busy in the opening of a new business or w/e. mc tells him to not do so much for something like that and that it’s ok if she goes alone with eito on the trip.
it’s the day of the trip, and mc goes alone with eito. she notes that a lot of dads did indeed come along for the trip. she apologizes to eito and says that she did talk to eisuke about the trip before, but he’s simply busy for this day. and im like... but girl, you were the one who told him not to change his schedule for the trip. yes a trip may seem less important than business ventures, but don’t make it sound like you weren’t the one who stopped him. lol. idk why im pressed abt this single line of dialogue bc later she does realize she fucced up there well eito is just like w/e about it and has pretty much accepted that sort of thing
anyway eito goes missing later and one of the kids said that he told eito that his dad (eisuke) didn’t come bc his dad thinks that his work is more important than his son. so eito got mad and ran off somewhere
and then mc finally gets the lightbulb moment that eito... wants to see his dad!! he ran off to go try to see him somehow??? !! wow so sweet
it’s raining like a mf but then in her search for eito eisuke randomly pops out of nowhere. He’s like “ho i did not remember saying that i wasn’t coming” and she’s like “im sorrryyy” and both me and him are like “just find the dang kid”
ok yea they find eito, he starts being a good student, and u start to see where he starts being antagonistic towards his dad LOL etc. etc. lol this story annoyed me so i don’t feel like doing the rest of the play by play orz
anyway thanks for reading my garbage LOL
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outropeace · 4 years ago
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elotito tagged me on this so i’m gonna do it for her <33333
1. describe how you first started writing and when you first posted
i began to write in general since i was around 14 like any other emo kid kdjdjsks and o began to write fics when a friend asked me for one as a birthday present. it was written in a hurry and it’s not my favorite but i really enjoyed doing it. i posted that exact same fic on their birthday
2. which of your characters do you typically resonate most closely with? do you base any characters off of yourself?
it depends the fic i guess. and not really, i think the closest i’ve been to do that is in the rockstar au (coming to the @bottomlouisficfest very soon), i put one or two of my old insecurities in h so he could connect better and wouldn’t be persieved as just an asshole-y dude cause i don’t like that and louis don’t deserve that uwu🌸
3. where do you often find inspiration?
music, movies, tiktoks (DONT JUDGE KDKDKS)
4. has quarantine helped or hindered your writing process?
before the quarantine i had around 3 wips, now i have 8
5. do you listen to music/noise while you write or do you prefer silence?
i listen lofi youtube playlists shjdkld
6. what is your biggest writing pet peeve in your writing or in general?
me repeating “Oh...” over and over again through tall my fics, it shouldn’t be legal
7. describe your ideal writing setup
rainy day, good coffee, comfy sweater, my cat besides me, arely sending texts about teeth/imessage games, snacks
8. favorite time of day to write?
nights (it’s usually when i have time)
9. favorite genre to write + one you’d like to try writing in the future?
i’d LOVE to write a thriller
10. do you struggle with writer’s block? how do you typically overcome it?
i just leave the fic for a bit, i don’t really like to push myself about this cause i’m just doing it for fun
11. what is the easiest part of your writing process and the most difficult?
the easiest is the dialogues, i could write pages and pages of just dialogues in hours and the hardest is the smut dhjdd
12. how do you come up with original characters? (if applicable)
it depends, is the antagonist? i ask myself how’d i feel if i were them, like a third party just trying (and usually failing) to get in between
13. what is your favorite and least favorite word?
i like “wet” i just... yeah.... and least favorite i don’t really know tbh
14. what is one thing about your writing that you’re really proud of and one thing you hope to continue working at?
i like that people conect with the characters because i always put a lot of effort in making them realistic (as much as i can), i make them flawled and sometimes even messy but with good hearts and intentions, all of them are (even the antagonists). and my grammar OH MY GOD MY GRAMMAR
15. what work of yours has your favorite ‘verse/world building? how did you come up with it?
hands down the ice prince fic. and funny thing is, i already had my prompt for the fic fest but i just couldn’t stop thinking about one particular prompt about a bratty prince and an alpha who hated omegas and the amount of POSSIBILITIES that had. two days later or so, the mods of the fest gave us the opportunity to pick another prompt if we wanted and the rest is HISTORY
16. what font and size do you write in? single spaced or double?
11 and single
17. what is a typo(s) you find yourself making consistently?
baby do we have TIME FOR THIS ONE?
18. (if applicable) do you separate fic writing from fandom?
yes, always 100000000%
19. what emotion is your favorite to write? which is the most difficult?
angst, sadness, anguish, sorrow, jealousy, i love to hurt hearts. and it’s not an emotion but after they get together it’s really difficult to me to actually keep going (oh god dkdkdkkdd)
20. what is one thing you hope readers always take away from your works?
that that’s okay to fuck up, that no matter the circumstances you have to respect your partner and TALK WITH THEM and that a person can be successful, independent and a badass while being soft and a c*mslut
21. what is the best and worst writing advice you’ve ever received?
i think “write whatever you like, you’re not being paid for it anyways” is the best and only advise i’ve actually listened to
22. which one of your works would you most want to see turned into a film/television show?
it’s complicated cause my two favorites are abos and idk how that would work dkskkss but the ice prince and the alpha/alpha fic
23. do you write scenes chronologically or out of order?
chronologically but i have a document apart where i write everything that comes to my mind at the moment, that one is A MESS
24. how do you handle criticism?
i think good, if it’s respectful
25. what is the advice you would give to someone who is looking to start writing?
trust yourself, have fun
26. what kind of feedback on your work always makes your day?
ANY type of positive feedback makes my day tbh
27. which fic ‘verse of your own would you most like to exist in? which fic’s characters would you most like to befriend?
none tbh dkdkks and louis, obviously
28. what do you always enjoy getting asks about/wish people would ask about more?
about my stories, i love when people just come to rant to me about certain things the characters did and ask me why they did it
29. what has writing added to your life? how has it changed you?
it relaxes me a lot. i just can write for hours and hours and it just feels nice and in some way exciting
30. why do you write?
refer to question 29 kdkdkxk
boost yourself + tags!
1a. share the last sentence you wrote
from the exes to lovers au:
The second hiccup of the night came in the form of his ex smiling to a boy sitting next to him on a couch. The boy had gorgeous, dark and wild hair, clear hazel eyes and a pretty pouty mouth. Their body language screamed attraction and that they both were ready to devour each other. Louis was familiar to the smile Harry was giving to him, bright and seductive, ready to give anything you asked for.
2a. describe the wip you’re most excited about
right now i’m very excited for the happiest season au, my “cliche story” au and for my exes to lovers au dksks i’m excited about a lot of my wips i’m so sorryjdjd
3a. share the piece of dialogue from one of your works you’re most proud of
from the alpha/alpha au:
“I’m not giving up on love,” He softly touched the hand that was still grabbing his thigh. “To me, love is like flowers. Each one needs a special treatment, if you give an orchid the same treatment you give to an iris, the orchid will die. Same thing with love. I’m not giving up on love, I’m just changing the treatment. We might not be an orchid, but we could make such a pretty iris.”
4a. share the best first and last lines from your work(s)
favorite first line from the sugar baby au:
Powerful people only end up with powerful people. The rest are just playthings in their lives. Louis Tomlinson was many things, but he wasn’t anybody’s plaything.
favorite last line from the ice prince fic:
“Who would have guessed…” Harry whispered after a while, smiling against Louis’ lips. “the dragon finally got to keep the princess.”
5a. link the last fic you read
HAYLEY’S MASTERPIECE
6a. link the last work you published
that’d be the ice prince fic
7a. link to your ao3 (if applicable)
hereee
8a. someone that inspires you
louis teheeee
9a. a comfort fic/work that you’ve been grateful for this year
god, again, there’s so so many of them, like the amount of authors i’m so grateful for, the list is infinite but these are a few that comes to my mind
all elote’s (@defencelesst) fics makes me really really happy and never fails to give me a cozy/wintery feeling, her louis IS THE MOST PRECIOUS THING ON EARTH AND HER HARRY IS JUST PERFECTION, i’m in love with her descriptions and how she just takes you THERE. hanis @loulicate-recs always makes me smile so fucking hard. ris @falsegoodnight fics NOW.... well.... ris fics they make me smile but also make me want to throw my phone to the other side of the room BEST OF BOTH WORLD IG. MAR’S FICS (loubellies on twitter, idk their @ here i’m sORRY) ARE LITERALLY ONE OF MY FAVORITE AUTHORS AT THE MOMENT, such a pretty louis IM SO IN LOVE WITH MAR’S LOUIS ITS UNFAIR
10a. other writers that you’d like to tag!
omg i’m probably so late to this and idk how many of you have actually done this so here goes nothing @allwaswell16, @runaway-train-works, @greenfeelings, @kingsofeverything, @thepolourryexpress, @larents
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theravenlyn · 5 years ago
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atla for the ask thing!! 👀
ATLA?????????? i’m gonna include LOK too
Favourite character: T O P H
Least Favourite character:
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5 Favourite ships (canon or non-canon): hmmmmm zukka, sukka, korrasami, zuko and his honour, iroh and tea hahhah
Character I find most attractive: look im demi but
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look at this^^
Character I would marry: hmmmmmm suki
Character I would be best friends with: asami?? because she’s an engineer and i love engineering so much
a random thought: im so in love with how there are sub-elements, like earth benders can train themselves to bend metal and crystal and lava and oh my god i loVE
An unpopular opinion: idk???
My Canon OTP: sukka? because suki is such a goddamn legend and im so soft for when sokka’s huge dumbass grin when he realised suki was in front of him, just without her kyoshi warrior makeup
My Non-canon OTP: zukka i guess? i saw a post that compared the zuko’s relationship with mai and katara and sokka, and i can’t stop thinking about it. it wasn’t necessarily shipping them from what i remember, but it was just some Real Good analysis about how well they work together and such and i swear it opened my eyes--wait maybe i just really love sokka
Most Badass Character: i’m gonna go with katara. like, just watching my girl develop over the whole series!!! when we meet her, she can barely control the little bubble of water she caught a fish with. but then at the end she pulls the absolutely Iconic Master Move with azula. and not only was freezing them such a powerful move, she outwitted azula. 
Most Epic Villain: well, aside from azula i’m going to say kuvira. i quite like her. i love her efficiency and her power and her resourcefulness. her bending is so sMOOTH and AHHHH I LOVE. she pulled together an army and she was united her nation, although in an immoral and unorthodox manner i suppose. that’s-- that’s what makes her bad? idk. i think most of korra’s antagonists were really interesting tbh. like amon? the equalist arch was so interesting to me? and i love zaheer and his squad? *looks at smudged ink on hand for book 2 evil avatar water tribe guy for his name and can’t be bothered searching it up* rip 
Pairing I am not a fan of: hmm idk. im pretty chill with it. if i had to put a finger on something, than maybe makorra but eh 
Character I feel the writers screwed up (in one way or another): i don’t really have any strong feelings about this i think. if anything it might be sadness with atla characters and their relationships with their children. 
Favourite Friendship: I’M BACK WITH ZUKO AND SOKKA BECAUSE GOSH,, THE BOILING ROCK?? DO I NEED TO SAY ANYTHING MORE?????
Character I most identify with: you know what,, i think it’s sokka. is that why he appears almost under every prompt??? like stupid dad jokes? loving suki? stressing out when my assessment groups don’t follow the schedule? feels like im not valuable because i cant do things my friends can do?? unfortunately i do not have a sword master.
Character I wish I could be: iroh, i think. i guess i do want to be able to help people they way he does. i don’t have the answers but if you’re my friend i’d give it a try. i wish i could be as content as he seems to be. to react generously like he does, that literally his response to his son’s death was to help people,, im soft. what i’d give to settle with a lil tea shop. but also be badass enough to break myself out of prison and wise enough to know when to bide my time. 
--
original ask post here :)
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In which we close a narrative loop and dave is a tsun
Dave: Get the damn beta and save your friend's life!
Let’s get a move on!!
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Finally the betas are easily accesible when we want them to be, instead of spending 40 pages finding them by doing things like throwing cakes out the window
This notion strikes you as nonsensical. You can't imagine how a video game could save someone's life, and in any case, you're quite sure no one you know is in any danger.
.... fucking what
Is this before the other things? Have we gone slightly back in time in terms of the general story? Is this while John was fucking around in his room?
....Does this mean that we will lose these betas somehow in the inmediate future because nothing can ever be easy? Oh no
Anyway, these are your copies of the beta you received in the mail recently. You've labeled them with your name in BOLD RED PRINT to distinguish them from your BRO's copies, who labeled his in kind. Neither of you really gives a shit about this game or has any intention of playing it, but you'll be damned if you'll let that get in the way of your campaign of one-upmanship.
What is it with these kids and weird family relationships?
I predict we will lose our copies and we will have to get Bro’s copies, based on that each kid so far has had their parent/authority figure as an antagonistic force.
Dave: Bleat like a goat and piss on your turntable.
Oh god this is indeed a pattern we are going to be following!
We had the “wrong name” bit, the “find your arms” bit, the “idiotic command” bit....Are we going to do them again for GG when they are introduced? I wonder what this command will be then.
You would never consider allowing any fluid even remotely resembling urine to touch your beloved TURNTABLES. That would risk breaking them, and a world without the gift of your godly science just doesn't sound like a place you want any part of. While you're at it, you might as well wipe out human civilization with a meteor or something ridiculous like that which will probably never happen.
I like that the “on your turntable” part is the outrageous part of “bleat like a goat and piss on your turntable” for Dave. Kid values his raps more than his life. Although it’s probably true that the world would be lesser without those wonderful, wonderful things.
And yeah, nothing to worry about with meteors and such, Dave. I’m sure nothing bad will happen, ever. Just like how those game copies you have are going to be safe and accesible forever.
That sort of thing only happens in stupid idiot movies for stupid idiots.
Oh come on, I’m sure you can find a bit of value in them, even if it’s in a “so bad it’s good” kind of way.
==>
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...wait, are you really considering it?
You will however contemplate bleating like a goat for IRONICALLY HUMOROUS purposes at a later date.
...I will keep that in mind in case it comes up later.
If PS has taught me anything is that these comics are Chekhov’s armories
Dave: Examine closet.
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So inside the closet there is yet another package (probably a gift from John, judging by the pattern we seem to be having. Seriously, do all these kids send each other presents in the same manner? ) and some sort of drink?
This is your closet. This is where you keep a lot of your crap.
Most accurate description of a closet ever
Like that BOX. And that bottle of... what is that? Is that...?
.....
Is that seriously a jar of piss? I would say “wtf” loudly, but your room is such a weird combination of things (including those weird fetus/ dissecated animals/ weeeeird shit) that I wouldn’t even be suprised
Dave: Check the blue box.
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.....WHAT?
W-Why is there the BLACK OILY SUBSTANCE THAT STAINED THE KITCHEN WHERE JOHN IS STRANDED IN THE VOID HERE, ON THE PACKAGE??
Does the oil have multiversal properties? If it stains one’s house it also retroactively stains his possesions?? Or is this package from after those events?? Has it gone back in time??
WHAT??
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But first let’s stop for a moment to appreciate the fact that Dave has a signed Stiller poster
This is the package that your friend John Egbert sent you for your 13th birthday a little while ago. It now contains nothing except a NOTE and a CERTIFICATE OF AUTHENTICITY vouching for the genuine Hollywood memorabilia which the box originally contained, and which you are now wearing to be IRONIC but also to be INCREDIBLY COOL IN A WAY SOMEHOW INTANGIBLY RELATED TO THE IRONIC NATURE OF THE ACCESSORY. You find it sort of exasperating to explain these subtleties to people.
John gave him the shades!! And they are apparently the real shades Ben Stiller wore in the movie!! That means that they are not *the* universal shades of PS, unless the shades in the Stiller bust were these ones and they somehow ended up there. But isn’t PS a videogame in this universe? But these shades had the universal glow?
Let’s not think too hard about that. It’s probably just an easter egg.
Also Dave please write a thesis on irony, the world needs it please.
The BOX also included a signed photo of BEN STILLER which now proudly hangs above your closet. Proudly and IRONICALLY.
I really like this totally (un)cool hipster kid.
Dave: Take box.
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ohwahtthefuck
WHY ARE THE SYLLADEXES GETTING WORSE???
So it classifies things based on the balance of consonants and vocals in the name of the object and assigning an index value like in a hash map.
Oh boy this is a completely useless one in terms of getting shit done quickly, unless you have a godly grasp on words and their composition.
You captchalogue the BOX through your HASH MAP FETCH MODUS. Your modus's current HASH FUNCTION resolves the index by valuing each consonant at 2, and each vowel at 1. The total is divided by your number of cards, and the remainder is the index. BOX = 2 + 1 + 2 = 5 5 % 10 = 5 The BOX is captchalogued in card 5.
Just...LOOK at this
Look at this madness.
Dave: Examine jar of unknown yellow substance in the closet.
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I don’t know why, but the combination of the quick turnaround, the fanfare and the fucking apple’s face makes this way more funny than it should be.
So it WAS apple juice after all.
Oh hell yes. It is an unopened container of APPLE JUICE. You thought you were all out. It is like fucking christmas up in here. This is so great. You've got to tell John about this immediately. He'll be so excited.
Oh wait, is this before the first conversation, when Dave and John talked about Little Monsters and Apple Juices? Is this why that conversation was as out of left field as it was?
I see how it all fits together now
Dave: Take juice.
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You captchalogue the JUICE into card 7. 2+1+1+2+1 %10 = 7.
Dear god is this system nightmarish
Dave: Access Pesterchum and pester John.
Oh I can see the loop closing!
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In addition to letting your buddy know about this outstanding juice windfall, you figure you'll wish him a happy birthday while you're at it. In your own cool, sort of roundabout way of course. Good thing you looked at that box he sent you, or you might have forgotten. You also might as well ask him about that beta. The kid's been harping about it for weeks. It would be cool if it came on his birthday. He'd be one happy camper.
Dave is such a tsundere in his friendships holy shit. You care about your friends a lot you dork
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That background is rad
Wtf is “Complete Bullshit” as an app. (Probably some complete bullshit)
Ill beats because the laws of this universe demand it
Hephaestus, isn’t that the god of the blacksmiths and craftsmen? Cool icon. Reminds me of those flash games where the icons all fought each other.
Of course his emote in Pesterchum is  S m o o t h
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-- turntechGodhead [TG] began pestering ectoBiologist [EB] at 18:13 -- TG: hey so what sort of insane loot did you rake in today EB: i got a little monsters poster, it's so awesome. i'm going to watch it again today, the applejuice scene was so funny. TG: oh hell that is such a coincidence i just found an unopened container of apple juice in my closet it is like fucking christmas up in here EB: ok thats fine, but i just have one question and then a word of caution. have you ever seen a movie called little monsters starring howie mandel and fred savage? TG: but TG: the seal on the bottle is unbroken TG: are you suggesting someone put piss in my apple juice at the factory EB: all im saying is don't you think monster howie mandel has the power to do something as simple as reseal a bottle? EB: try using your brain numbnuts. TG: why did the fat kid or whoever drank it know what piss tasted like TG: i mean his reaction was nigh instantaneous EB: it was the 15th day in a row howie mandel peed in his juice. TG: ok i can accept that TG: monster B-list celebrity douchebags are cunning and persistent pranksters TG: also fred savage has a really punchable face TG: but who cares about this lets stop talking about it TG: did you get the beta yet EB: no. EB: did you? TG: man i got two copies already TG: but i dont care im not going to play it or anything the game sounds boring TG: did you see how it got slammed in game bro???? EB: game bro is a joke and we both know it. TG: yeah TG: why dont you go check your mail maybe its there now EB: alright.
And they DID indeed have the exact same conversation!!!
We are indeed back in time!!
We are sooooo gonna lose those Betas!!!! : D
28 notes · View notes
imnotcameraready · 5 years ago
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chivalry is dead (16)
A/N: oh my g o o oooooooooooooooooooodddddd im so happy this is finally going up!!!! i have been excited for this chapter for so long, you wouldn’t believe. and i also think that rounds us out for all the romans :^) finally have a full cast! he’s only showing up, you know, in the second act lmao 
WARNINGS: Remus/Duke mentions, blood, stab wound, old wounds, bloody bandages, self-hatred, panic — i think that's it, but please let me know if there's anything else that y'all want tagged!
Words: 4731
AO3 link!
MASTERPOST! <– look here!! for the longterm warnings!! including sympathetic Deceit and cursing/swearing! i dont think i’m gonna be adding remus to the masterpost tags though because like. in full honesty? hes not actually a character. he’ll just be alluded to from time to time :^) 
chivalry taglist: @starlightvirgil​​ @forrestwyrm​​ @daflangstlairde​​ @marshmallow-the-panda​​ @askthesnake​​ @k9cat​​ @patromlogil​​ @theobsessor1​​ @ninja-wizard101​
general tag: @jemthebookworm​​
hope you like it !! <3 
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Thomas didn’t have a fear of heights, but he did have a very healthy fear of falling. Virgil kept his eyes squeezed shut, arms wrapped tightly around the Child, who had yet to stop hiss-screaming into Virgil’s chest. The teensy rational voice in the back of his mind told him that the Dragon’s claws were squeezing them way too tight for him to slip through, but whenever he opened his eyes, he saw only the drop. It must have been hundreds of feet. 
In truth, the flight only lasted about fifteen minutes. The Dragon did want to make it last. He loved flying, loved the wind sliding over his scales, the dewiness of flying through clouds, all of it. It was just such fun! 
He didn’t want his Virgil to get too frightened, though, so he wasn’t doing anything too crazy. He’d have to go out later and do some flips or something, because now that he was in the air, the desire to flip was strong. 
The Dragon may be the villain, but he wasn’t antagonistic. He LOVED his Virgil — he loved all of them! He’d just have to tear the twerp in his Virgil’s arms limb from limb in another room. That was fine, a drop in the bucket if you would! He’d get his Virgil, then his Deceit, his Logan, his Patton, his THOMAS, his Imagination. He’d rule it all! Just like the Prince, no, the King.
He slowed down as he reached his tower bedroom, slowly descending onto the balcony on his hind legs. The Dragon roared and the Child screamed again.
“It’s gonna be okay,” Virgil whispered, breath escaping in unwilling relief as he felt the Dragon touch solid ground. He didn’t believe those words, either, but he had to deal with a child here.
“He’s–He’s gonna kill us,” the Child responded through dry sobs, breathing still heaving without any tears. 
Virgil just squeezed him tighter. He wanted to comfort the kid, he just had no idea what to say nor do. God, he was garbage at this kinda thing. Patton’d be better suited. He just made people anxious.
Dude, he missed Patton. 
The pressure surrounding him disappeared in an instant. Virgil swore quietly as he fell about a foot onto the balcony’s ground, stiffening around the Child, who in turn balled his hands tighter into Virgil’s shirt fabric. 
“Relax, Shortstop, I’m not going to kill you,” the Dragon’s voice had a humored lilt.
He’s transformed back, sauntering closer and inspecting his two captives. The Child’s face, visible over Virgil’s shoulder, was squeezed into a shut-eyed, bitten-lip scowl. As the Dragon approached, he opened one eye, then both eyes, shock and stress written across his features. 
“Well,” the Dragon grinned, barring his sharpened teeth at the Child, “Not just yet.”
The Child squeaked and squeezed Virgil tighter. 
Virgil rubbed his back and exhaled slowly, trying to steel his shot nerves. He was definitely more jumpy than usual, if there was a usual where he wasn’t jumpy. But he couldn’t afford that right now — his instincts were torn between screaming, freezing in place and yelling bloody murder, and kicking the shit out of the Dragon right here and right now. 
Neither of those were very productive options, and the Child’s panicked breaths reminded him that he needed to focus. Needed to think. Of something.
“It’s okay,” he whispered, knees bending and pushing off of the ground so he could sit up, “No one’s getting killed.”
Virgil looked back at the Dragon with a hard-set glare. “Back off, Dragon Tales.”
The Dragon stopped. 
Virgil watched him raise his hands, as though he were trying to pretend he weren’t a threat. Why would he do that, though?
“I won’t,” he said, more serious, eyes meeting Virgil’s, “I promise.”
They held eye contact for a few seconds, Virgil searching for the Dragon’s honesty. He wanted to trust him, wanted to trust every part of Roman, of course. Roman was his friend, built quite literally to be a hero. He was….
The things Virgil was ready to do for Roman. His shoulders slumped a little. On the other hand, this guy was ready to actually kill the Roman in his arms. 
He still wasn’t super over this whole “multiple Romans” thing. One was a handful already. And he didn’t want to THINK about the implications of multiple Romans and what that might mean if one wanted to kill the others.
“Can I come closer?” the Dragon asked. 
The Child gripped Virgil’s shirt tighter, poking his head out to glare at the Dragon. “No!” he shouted, “You’re not allowed to hurt Mister Anxiety!”
Virgil opened his mouth to respond, but no sound came out. He should say something, should defend himself and the Child — oh goodness gracious, he was just a CHILD! — but he couldn’t think of what to say. 
The Child was worried the Dragon was going to hurt him?
“I’m not going to,” the Dragon said.
He was trying to level out his voice but it was difficult. His instinct was to pounce on them both and tear the Child right from his Virgil’s arms but he also wanted to give his Dark Night anything he wanted. Anything but the other Romans. But if they made him HAPPY — they couldn’t, no. They were annoying! Stupid! Useless and Worthless! 
Virgil slowly stood up, watching the Dragon with a guarded expression. 
They had to find a way out of here. 
Pain. He hissed, stumbling a little.
The Child felt his hold loosen and slowly let go himself, sliding down Virgil’s side. He didn’t want to burden him any more than he already was. Plus he could walk. He should have been walking! Why had he let Mister Morality carry him, ah, jeez. Useless.
His hand ran over a wet patch. Oh no. 
“Mister Anxiety, you’re still bleeding.”
So he was. Virgil put a hand to his side, feeling the cloth thick with blood. 
“Oh, dear.” He had done that, hadn’t he? The Dragon put his hands down and rushed over immediately, eyes wide. He sucked in a breath when Virgil flinched away, but with the adrenaline wearing off, the pain was settling in. It must have hurt. Why did he do that? 
The Child moved Virgil’s cloak to the side, revealing a fairly large spot of wet, dark blood against his dark purple shirt. He immediately turned back to the Dragon, face set in an angry scowl. 
“You hurt him,” he snapped.
The Dragon opened his mouth, stunned, stuttering. He hadn’t meant to! He swore, he would never, he didn’t want to hurt his Virgil. “I–Well, I didn’t–I–”
“You hurt Virgil!” the Child shouted again, anger building in his voice.
“Hey, kid,” Virgil hissed, putting his other hand over his ear while the other clamped over the wound.
“You HURT VIRGIL!” the Child screeched. 
He stomped his foot and the Dragon actually took a step back. 
“ALL YOU DO IS HURT! YOU’RE A MONSTER!” 
He was wrong, the Dragon thought numbly. He was a monster, he was a villain, but he wasn’t evil. He hadn’t meant to hurt Virgil. It probably wasn’t even that bad. 
Yeah, it probably wasn’t. 
He had to be wrong.
“YOU’RE STUPID AND MEAN!”
“Shut up,” the Dragon leaned forward again, ignoring how Virgil put an arm around the Child, pulling him back.
Smoke escaped from his lips as he barred his teeth, snarling at the Child to get him to shut up. He had to! The Child was wrong, getting it all wrong! 
You’re getting it all wrong, and hurting them in the process.
But he did not. “YOU HURT HIM AND YOU’RE GOING TO HURT EVERYONE ELSE!”
“No, no, you know I’m better,” the Dragon darted forward, pulling Virgil off of the Child and grabbing him by the front of his cloak. He lifted the Child off the ground, ignoring his incoherent shouting, kicking, arms grappling to get out of his hold. But he didn’t stop shouting accusations.
“YOU’RE EVIL! YOU’RE NO BETTER THAN A DARK SIDE!”
“I WILL TEAR YOUR NECK OUT,” the Dragon roared, shaking the Child as he hung in the air. 
“HEY! HEY HEY!”
The Dragon was yanked back suddenly, jarring him into dropping the Child. Virgil yanked him back by the horn and shoved him behind, placing himself between the two. He held up two hands, two trembling hands, head turning quickly between them both as the Child pushed himself up and the Dragon regained his balance. 
Ridiculous. He was being childish, lowering himself to this. He didn’t want his Virgil to see those parts! Maybe they could go somewhere else, somewhere less out doors. The wind was really whipping around them, a storm brewing over the forrest. 
“Virgil,” the Dragon spoke, ignoring how Virgil immediately turned to glare at him, “Don’t you want to go somewhere more….comfortable, without the Child? I can take you to another room, I can have the healers dress your wound—”
“I’m not going anywhere without Child,” Virgil snapped.
The Dragon scoffed, straightening his back and resting his hand over his sword. “Come on, Virge, you can’t be serious. Look at him! He’s just a snot-nosed brat with a loud mouth,” he gestured to the Child with his elbow, who glowered in anger. 
“Well, said brat didn’t stab me, and never kidnapped me, so we’re on better terms,” the Child grinned at Virgil, brightening up immensely. 
“We are?” he asked, jumping in place and clapping, “Yay! I love you, Mister Anxiety!” 
“Shut up, Beanie Baby,” the Dragon said, cape whipping around as he glared at them all. 
He growled again at them both, ignoring how Virgil and the Child both flinched away as smoke blew up from his mouth once more. If Virgil was so adamant….
Maybe the Child was right. Maybe they were all right! That didn’t matter! He couldn’t be a monster, he was ROMAN! By Mars’ sword, he was NOT evil. Just a little impulsive, brash, self-centered. Wasn’t a little self-centeredness good when you were the ego? I mean, if I didn’t love myself then what would that say about Thomas?
The Dragon smoothed himself down, running his hand along his sash and looking out across the world. Worlds, actually. He could see the peaks of sky scrapers beyond the mountains in the distance. There were so many universes, so many stories and songs and characters and people that lived in this Imagination. His babies! His prides and joys! 
He was protecting it all. He had to do this, he had to kill the others. They didn’t know what was best for Roman! 
Virgil squeezed the skin over his wound again, one arm still bracing the Child back. If the Dragon were to attack, though, neither of them stood a chance at survival. Guess I’ll die. 
If Virgil was so adamant about staying with the Child, then the Dragon would allow him to get annoyed in his own time. He could bleed out for all the Dragon cared! Well, he wouldn’t bleed out. It was Thomas who’d be suffering a loss of Anxiety, so what was a little extra time in the dungeons?
The Child peeked around the balcony. It was large, and high up. They couldn’t fly like the Dragon could and if they jumped they’d surely fall. He could imagine something! But a lot of the things the Child imagined were unsafe, or unfinished, or scribbled out on crayon. The Child scooted closer to the balcony’s railing and peered over. It was definitely far. “What do you see?” Virgil asked, leaning over to look as well.
“Ground,” the Child said, then he sighed, “Humpty Dumpty sat on a wall. Humpty Dumpty had a great fall.”
“Falling would suck,” Virgil mumbled.
“Yeah, I don’t wanna. It looks far.”
“A great fall indeed!” they both jumped and turned to the Dragon.
He was at the balcony doors, throwing them open. Beyond were a few guards, who immediately turned and began towards Virgil and the Child. One guard lifted the Child by the scruff of his shirt while two guards grabbed Virgil by the arms. 
Well. Fuck. He shouted, struggling to get out of their hold. His face was gripped roughly and turned up. 
Panic met pride as the Dragon looked him over, eyes trailing across Virgil’s face with an unreadable expression, taking in the details. The Dragon had been so flamboyant earlier, what gives now?
What, was this the last time they’d see each other or something? That was a stressful thought. Virgil tried to yank his arms free again but to no avail.
“I’ll leave you with Child, my stormcloud,” the Dragon hissed into his face. 
Virgil smelt the smoke and froze in fear. 
The Dragon let of Virgil’s face with a terse smile and patted his head as he leaned away. “Take them both to the dungeons,” he waved his hands to the guards, who tightened their hold. “Throw them in with Princess Peach!”
“Lemme go!” Virgil shouted, trying to kick the guards. 
One of the guards yanked his arm and they both lifted him off the ground. Well.
The Child and Virgil were carried, dragged, and pulled all the way down the stairs. There were a lot of stairs. It must have been floors and floor of stairs because Virgil had no idea how far they’d descended so far. On every landing was a tapestry, something artsy, sometimes with a picture of Roman. 
Some were torn. Virgil winced at one that was torn to unrecognizable shreds. He wondered what that was about; it was clear that the Dragon had torn them up, given the rips looked like claws (or maybe Roman could turn into a Dragon? Who knows.) and the sporadicness of which tapestries were ripped up. But Virgil couldn’t really tell the correlation. 
The farther town they got, the colder it got, too. By the time he’d noticed the temperature changing, Virgil’s legs were weary from the long walk down. 
“Are we there yet?” he heard the Child groan from behind. 
No response from any of the guards. Guess none of them recognized the Roman in him. Well, ya know, maybe it was a fluke! They did have orders. Maybe they’d recognize him when he was idle.
At the next landing, somewhere between the fifteenth and the eighteenth, Virgil noticed the first tapestry with Remus. It was, of course, of Roman standing literally on top of him and basking in sunlight, but you know. It was the thought that counted. As they descended, more of the tapestries featured anecdotes from Remus, and more of the tapestries featured gory scenes. Some featured Roman being defeated and Remus reigning supreme. 
He could hear the Child grumbling. Honestly, he was a little scared, too. In all their hassle of trying to find Roman, none of them remembered that Remus and Roman’s sides of the Imagination had probably blended with the Imagination’s dismemberment.
They didn’t really know how the Imagination was separated between the two. Roman had always kept the Imagination under such tight lock and key that even virgil and Patton only knew certain select locations, and had never been to the town or the castle, despite the fact that all the Romans seemed to refer to it as a very regular scene. 
That hurt. Again. 
Did Roman not trust them or something? 
Did he think they were going to wreck his creations? 
Well, Virgil thought bitterly, he wouldn’t be wrong.
Virgil knew he wasn’t exactly a well of positivity, that his criticism would often leave the prince actually offended. But that was part of his job. If Thomas wasn’t putting out his best final product, then what was the point of putting it out? And then what would be the fall out? They couldn’t risk a risky video or something that wasn’t up to par with their others. 
Still. He’d take back every jab and note if it meant Roman would have never done this to himself. 
That had to be it, right? Or at least part of it. They’d all pushed him down so much he broke and now they were without their prince. “Their.” His. Yeah. 
Finally, once they were out of stairs to descend upon, the guards veered right down a corridor. At this point, this far down, Virgil was sure they were underground at least a little. 
“The dungeons,” the Child spoke quietly. 
The hall felt damp and the walls were some kind of stone. An incredibly stereotypical dungeon, but it fit in with the rest of the stereotypically Disney village and castle. Virgil could barely see anything, either, because the only light was from some torches on the walls. There were doors, thick and iron, none open. This was honestly almost his aesthetic.
They were brought down the hall, turned a left at the very end, and the walls pushed back. All of the cells down this hall had barred gates and they could barely see into each of the cells. They all seemed to have lumps. There was a tiny window at the very top of every cell, light streaming in, but with grass visible. Just barely under ground. And that was all the light down this hall, only those tiny ass windows.
Virgil did NOT like this, not in the slightest. First the fucking sewer, and now this?! Like, he would have liked this aesthetic, but he was not going to be staying down here. And these cells were TINY!
The frontmost guard opened a cell and both Virgil and the Child were tossed in, falling on top of each other. 
The Child wrapped his arms around Virgil’s waist immediately. He pressed his face into Virgil’s chest and squeezed his eyes shut. 
If he thought about it, he could imagine a different situation. They were just sitting on bed! He was Roman and he was sitting on his bed in his room and he was snuggled against Virgil’s chest and they were watching Black Cauldron and they WEREN’T in one of Remus’ dungeon rooms and he WASN’T terrified out of his fucking mind. 
“Hey, hey,” Virgil ran a hand through the Child’s hair, holding him closer and looking around at their surroundings, “It’s okay.”
It was very much not okay. Upon closer inspection, Virgil could make out a toilet, a sink, and a regular twin-sized bed. Seemed pretty clean, too. Huh. 
Honestly, the amenities were alright. The real issue was the fact that the cell was tiny, dark, a little wet now that he was sitting on the ground, cold, and that the stab wound in his side still hurt. It couldn’t have been that deep, since he wasn’t bleeding too much anymore (listen to him, bleeding too much, as if there were an acceptable limit to bleed), but it hurt like a bitch. 
“We’re….We’re gonna be okay.” And now he was lying through his teeth, that wasn’t helping. He hated lying so blatantly like this, especially to Roman.
It felt like his heart was going to jump out of his throat and strangle him on its way out. Virgil was two seconds away from losing his mind already.
The Child looked up at him and scooted off his chest. He watched Virgil with a pout, eyes boring into his. “You can’t actually believe that,” he said.
Called out. Virgil’s cheek twitched and his fingers drummed against his arms as he crossed them. He could feel himself shaking.
“....Alright, well, I don’t. But I do know Logan and the Thief wouldn’t just leave us,” Virgil looked out the bars in front of them and did not say anything about how he wasn’t even sure if the Thief was alive still, since the last time they saw him, he had a giant sword slice through his chest. 
“But how’re they gonna get in? So how’re we gonna get out?” the Child hopped to his feet and ran up to the bars. 
He stuck his head between the bars — if he started panicking, that’d upset Mister Anxiety, and the Child did NOT want that! — and looked around. There was another cell across from them and the Child could have sworn that he just saw something move. Ew, did Remus’ rats get out? DID THEY EVEN HAVE CAGES?! 
Oh my goodness, where was Remus?
The Child turned his head away from the other cell, because it wasn’t helping his no-fear situation now that he was imagining his demented brother locked in with him and Virgil. Instead, he looked down the hall. He was bouncing on the balls of his feet, expelling some energy. Not afraid at all. There were some guards standing at attention at the turn. They weren’t moving, they hadn’t gotten any orders. 
“Hey!” the Child shouted at them.
No reaction. 
He deflated. He wasn’t Roman. He’d never be Roman. He rested his head on the bar and exhaled. That’s okay. He knew he wasn’t Roman! It was okay.
Meanwhile, Virgil had scooted himself back against the wall. Definitely Logan and Patton wouldn’t leave them captured, that’s for sure, but Virgil had never really expected them to be fighters. Not in the slightest. So he wasn’t sure of when or how they’d get them out. 
A part of him, though, almost expected Deceit to just storm into the castle. 
Not really storm so much as phase in through the wall or something. Emerge from the shadows and unveil that he’d been there all along and was going to save him or something. He was always everywhere anyway, and when they’d been friends, he’d used that omnipresence to be helpful. 
Virgil kind of missed that. He did miss Deceit and the relationship they shared. Fuck, was he already getting cabin fever?
He leaned his head against the cold stone wall. Clear your head. You have to be perceptive. The smallest of things. This is what you’re good at. He slowed his breathing, tapping out the 4-7-8 rhythm on his leg. 
As he calmed down, he did begin noticing things. One thing in particular. 
“Child,” the Child turned around to Virgil, who motioned him closer. 
He hopped back, sliding across the ground and plopping down beside Virgil. 
Virgil cupped his hand around the Child’s ear. “Someone’s singing,” he breathed.
The Child pulled back and looked up at him with a frown. Was Virgil already getting cabin fever? He couldn’t hear any singing. 
Virgil took his hand and a deep breath. 
Slowly, the Child’s poorly hidden fear was drawn away, and he sniffed. Behind the fear was sorrow first and foremost, because he wasn’t Roman and he wasn’t Roman and Roman was never coming back and if he was he wasn’t going to be the same.
“Hey, breathe,” Virgil whispers cut through his thoughts like a sword “Just focus. Listen.”
The Child sniffed again and tugged his hands out. He rubbed his face, hid his face, and tried to focus.
Quiet. Dark. HE wanted to do some singing to fill this void. It was hopeless.
But then he heard it. 
“Far from the ones who abandoned you~”
Shiny. Moana. 
The Child looked up immediately. He looked at Virgil, who raised his eyebrows at him and nodded forward. 
The singing was coming from the cell across from them. 
“Chasing the love of the others~”
Another Roman?
‘Damsel,’ the Child mouthed.
Virgil nodded, then turned back to the cell. He squinted into the dark. The Child followed suit.
Instead of the rats that the Child thought he’d seen, he could vaguely make out someone sitting in the corner, curled into a ball with an arm around his head. 
“Who made you feel wanted.”
“Damsel?” Virgil asked.
The singing immediately stopped. The lump in the corner curled up tighter, shifting only a little, becoming smaller. 
The Child frowned. “Hello?” 
No response yet again. The Child pressed his hands into his lap, straightening his elbows. He was so frustrated. And sad. He kinda wanted to cry.
But he didn’t have any water in him. Hm. The Child smacked his lips quietly and exhaled. 
“I’m thirsty,” he murmured.
Virgil sighed. He was still watching the shadow — the Damsel, maybe?
“Sorry, kid,” Virgil said, “I don’t know how to help.”
The Child rubbed his face. 
There was a wooshing sound, and he felt something appear beside him. A….A wine glass full of water? 
Virgil squinted at the Damsel. If that was him. The more he starred the more he was certain. He must be injured, upset even. 
He wondered what part of Roman he represented. It couldn’t have been something good, not with that name and not with those experiences.
The sound of slurping drew his attention. Virgil blinked and looked at the Child, who was chugging a wine glass of water. Where’d he get that? 
“Where did that come from?” Virgil asked, brow furrowed. 
The Child shrugged, still drinking, and got through about half of it. Then he held it out to Virgil. “Thirsty?”
Huh. Virgil raised an eyebrow.  “Did you conjure that?”
The Child shook his head. 
They both looked up at the other person. Virgil slowly took the drink and sipped it a tiny bit. He couldn’t deny that he wasn’t thirsty. After he handed back the glass, he pushed himself up, then winced. 
“Mister Anxiety?” the Child asked, jumping up as well.
“I’m okay. It just hurts,” he was really trying to keep the kid from panicking, honest, but he couldn’t do that naturally. 
Plus, he’d been having a very light level of panic this entire escapade, and it was very much skyrocketing right now.
“Is it still bleeding?” the Child asked.
Virgil opened his mouth to respond, but his eyes flicked to the side. The figure had straightened up at that. 
And he got an idea. 
“Yeah. A little,” Virgil watched the figure stand up and limp to the bars. 
“You’re bleeding?” a soft, gentle, painfully familiar voice from the other cell.
The Child grinned as the other Roman entered the light, but Virgil just blanched. The Damsel was definitely in distress. He wore a black tanktop and white pants with a red stripe down the outer side, but what was truly troublesome were the wounds. A bloodied piece of white fabric was wrapped around his head, covering one of his eyes, and there were others wrapped around his arms. One of his pant legs was torn, with another makeshift tourniquet wrapped around his leg where it was torn. 
His hair and disposition were both drooping, shoulders slumped, weight balanced more on his undamaged leg. He met Virgil’s look and immediately ducked his head. “Do you need a bandage?” his voice was breathy and breathless at the same time, soft but reproachful. 
He reminded Virgil of a kicked puppy. 
Oh, Roman. 
 “If you have one to spare?” Virgil asked, pressing his lips together and thinking for a second before continuing, “Are you Roman?”
He didn’t look up, turning back to his corner and bending down. Something was tossed across the cells, which the Child caught with one hand, in sync. A torn piece of white fabric, a makeshift bandage. 
“Y-Yes. A Roman. I’ve been called the Damsel,” he returned to his corner, “But I’d prefer it if you-if you just didn’t call me at all.”
“No, I–Damsel, please,” the Child rushed to the bars, pressing into them, “Are you okay? He hurt you, right? Bard didn’t let me watch much but I saw a little and—”
“Can you please not talk about that?” the Damsel hissed, and the Child immediately shut up.
Virgil gently tugged the bandage from the Child’s hand and he let go immediately. There was something….disconcerting about this Roman. Virgil didn’t know what it was, but he was either scared of, or scared for him. 
He was hurt. That was for certain. Carefully, he began taking off his coat, then he lifted his shirt, holding it with his mouth as he squeezed his wound and covered it with the bandage.
The Damsel was watching them, tired. Somber. 
Roman was always tired. 
He exhaled and looked back up at the window. At his beautiful creation, the little light he could see. The little he could feel. And he kept singing, gentle, for the world.
“I tried to be tough~”
“But my armor wasn’t hard enough.”
36 notes · View notes
comicteaparty · 5 years ago
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January 11th-January 17th, 2020 Creator Babble Archive
The archive for the Creator Babble chat that occurred from January 11th, 2020 to January 17th, 2020.  The chat focused on the following question:
What’s an unplanned idea you had through your story part way through that forced you to change things?  How did everything go?
eli [a winged tale]
After my beta feedback there were some characters that needed further fleshing out with stakes and relationships. Therefore I had to change some backstories to make certain interactions impactful. Thankfully im at the start so nothing i had to go back and fix. I did think of some alternative openings should the comic goes to print but that can be future me’s worries
snuffysam
simultaneously very little and a huge amount, lol. in terms of big story beats, they've pretty much all stayed the same since i first started planning the comic. the twists have been set up and paid off and the like. but there's a bunch of things i've improv'd at the last minute. one notable example that was pretty well-received - in book 2 chapter 4, taci has a fear of puns (basically only shown in facial expressions and a single comment from mizuki towards the end of the fight). this was added because... otherwise the fight at the end of that chapter is just a bunch of walking around in near-identical dark tunnels. the way the fight ends is fun, but the fight itself isn't really anything. with taci having a reason to be afraid of coruby, the fight has more stakes & entertainment value, and it makes coruby feel much more interesting as a character. another huge example is the love triangle in book 1 - in that in the script, it was non-existent. mizuki being into girls was originally only gonna be introduced in book 2 (guess where), and the relationship between cahe and pejiba was going to advance with no real competition (besides bullets). it was gonna be mentioned in like book 3 that she had a thing for pejiba, but nothing in book 1 itself. (similarly to the pun thing, you may notice that mizuki being into pejiba isn't referenced at all in the dialogue besides pejiba saying "i know what mizuki thinks of me" which is kinda vague. i... don't like changing scripts last-minute lol.)
Mei
Not gonna lie, everything I do is entirely unplanned. I focus a lot on improvised comedy and what feels right 'at the moment', and considering I write scripts way in advance, sometimes it leads to jokes falling flat when I read them again a few months later. Which is all fine, honestly, it's part of the process. The main unplanned idea for My Husband is a Cultist was turning it from a 12 page one-shot into a fully fledged webcomic, now with 3 chapters and more to come. It was very 'on a whim', and from that very first chapter I came up with more silly ideas. And the more I talked to friends, the more ideas I had for chapters. So the biggest change personally was going from a pure slice-of-life comedy and spending time actually building the world around it so that there was structure to the chaos. I'm still working on it all. I now have an underlying plot that I'm hoping to explore, and I have the arcs planned out way in advance. So it's wild that I went from 'random ideas spewed on a document' to 'I now have a plot and several arcs to cover'. That being said, I still come up with a lot of things on the fly, so I'm changing things constantly as I go and hoping that there aren't too many inconsistencies!
LadyLazuli (Phantomarine)
One of the most important story elements of Phantomarine (http://www.phantomarine.com/) came up early in the second chapter, when I was asking myself some more questions about the world - and came upon a crucial opportunity. Luckily I didn’t have to change too much to make it work, and while it didn’t really change the plot, it upped the emotional stakes 100-fold. Which is just what I wanted. In this world, I have a big naval force, of which my heroine is (was?) the future leader - but with relative peace and cooperation between the different island nations, who the heck does the navy fight? Pirates? Eh, maybe. But vanilla pirates have been done to death, and while they can be awesome, I wanted to do something different. I wanted to tie them into the world’s supernatural element - while strongly avoiding the Pirates of the Caribbean cursed-buccaneer aesthetic. I decided to tie them to a particular blight that affects some of the characters - so as to up their stakes and better convey why they’re societal outcasts. And finally, I wanted to give them a freaking awesome name, something both nautical and supernatural. Thus, for those reading - the Fata Morgana. What didn’t even exist at the beginning of the second chapter is now an absolutely crucial story element, and I’m so happy they came into the picture. They’ve changed everything for the better. This is one reason why I resigned myself to revealing the world in bits and pieces - I’m revealing it to myself as I go along, too. It helps to be slow sometimes
eli [a winged tale]
The Fata Morgana introduction in the story was A W E S O M E! I’m so glad you have them in the story and looking forward to that amped up stakes!
Cap’n Lee (Flowerlark Studios)
I think the biggest example would be the last-minute inclusion of Jonathan as a main character in my comic Dark Wings: Eryl (https://www.flowerlarkstudios.com/dark-wings-2/). I had originally planned for him to be a temporary character that we said goodbye to at the end of Chapter 5. But the more I thought about it, the more I realised the main travelling party needed another character to balance things out. I was really struggling with planning future scenes because the pool of characters felt too small. I also realised that I had developed Jonathan’s character quite a lot for him to be dropped so early. So halfway through drawing chapter 5, I rewrote the second half and he’s now a major part of the cast.
Cap’n Lee (Flowerlark Studios)
A second example is Anor in my other comic, Children of Shadow: Ashes (https://www.flowerlarkstudios.com/cos/). He was originally written as a far less sympathetic character. In fact, he was going to be a borderline antagonist who only became sympathetic close to the end. But my characters often do things I don’t expect, and as I was planning the story, he and one of the other main characters, Rava, started falling for each other. I honestly loved this, and so I reworked the entire story to make Anor part of the main cast and much more sympathetic. He’s still a tsundere, and at the point where the story is now, still in constant friction with Rava, but I feel he’s now a much stronger character and is contributing a great deal more to the story than when he was a vaguely ominous frenemy in the original draft.
varethane
ooooo I am intrigued by this factoid about Anor
re: unplanned story elements, in Chirault..... [spoilers obviously] Ridriel and Trillia being sisters was something that hit me out of the blue about halfway through the story, and I immediately reworked a lot of things to make it happen http://chirault.sevensmith.net/(edited)
FeatherNotes(Krispy)
In ghost Junk... We actually avoided a major character death and had revised it literally a chapter before it happened!! We had everything written out right the the very end, but were seeing the readers reactions and reflected on the importance/and if it was absolutely necessary! So with that said, we saved the character, and kept the necessary impact and growth that it was to bring, and honestly- I'm so happy we did it
Cap’n Lee (Flowerlark Studios)
@varethane Yeah, Anor’s character has evolved a LOT since the first draft.
Phu
With Blackblood, we actually created the 2nd and 3rd chapters and then thought we wanted a chapter ahead of those as sort of a prologue to give some world building and lore elements haha. Worked out well i think! https://www.webtoons.com/en/challenge/blackblood/list?title_no=300252(edited)
Erin Ptah (BICP 🎄 Leif & Thorn)
This is kind of the opposite, since I did the "include a new thing in the story" part first, and that's what forced me to come up with a previously-unplanned idea to explain it... In Leif & Thorn, I had a character drop a reference to "that country doesn't allow interspecies marriages" before there's any canon reference to nonhuman species that human characters might want to marry. ...and even I didn't know what that species was going to be. Had some vague idea about revealing that mermaids existed, but in my head I never managed to integrate them with the rest of the plot or the worldbuilding real well. A few months later, I finally remember that I like drawing Tiny People (not like hobbit-size, think Borrowers-size), and realize this is the perfect setting to have a Tiny People Species! Now I get to come up with plot-based excuses to draw them wherever/however I want. Plus it opens up a whole new mine of jokes: https://leifandthorn.com/comic/somethings-cooking-26-29/
Can't for the life of me remember where I got this quote from, but there's an author who, when readers would ask for details about future developments in her books, would only give answers with the disclaimer "I reserve the right to have a better idea." Words to live by.
Cap’n Lee (Flowerlark Studios)
Damn, I love that quote.
DanitheCarutor
Admittedly there isn't a whole lot I've changed, maybe a couple small things here and there, but major stuff has been the same since I started. During the very beginning of the planning phase Daniel wasn't even going to be in the story and Julian was going to be homeless, but I wasn't quite satisfied with it. The story would have been too short, contrived and the resolution didn't feel satisfying. After some brainstorming and reflection on my feelings on certain experiences I've had, I added Daniel and 'The Guide to a Healthy Relationship' as it is kinda fell into place. It's weird thinking about how important Daniel is in spite of how new a character he is. Usually it takes me a little time to build one up before throwing them into a story, they gotta age like a fine wine first, but he popped out all ready to use like one week hooch.
Not sure if it counts, but I've also made changes to future parts of my comic. Like recently, even though I know what the ending is, I put a more final image in my head on what the final frame will look like. Also I changed an event that will happen at some point revolving around Apollo and his friends. Originally something skeevy was going to happen with Brandon and Apollo involving video uploads, and a homemade contract that was signed with Apollo was drunk. I thought it was too... I dunno, stupid? impractical? So I changed it to Julian was going to (unwillingly) attend a party at Brandon's (Apollo's friend) apartment, then some big, jealousy induced fight happens where Julian gets kicked out and Apollo feels bad. I didn't like that either, felt too reaching, so I'm going with another event that is a little out there but does happen in real life and something I have done some good research on.
Gonna be as vague as possible because it's spoilers.
keii4ii
Surprising myself is pretty much every step of my writing process. For good or bad.
I do plan things in advance, but find that sometimes things aren't what they seemed from 15 chapters ago.
I think what it is is this particular comic is such a visual story. I could plan out my previous comic with far greater accuracy. That comic was more dialog-driven; you could convert it into an audio drama with minimal changes, and it would still make sense. Whereas my current comic, you can't turn it into an audio drama without very VERY extensive changes (not even sure if possible... Many silent scenes). So I need to actually draw the pages to feel it out. And I can't draw out of order. Brain just won't that way.(edited)
carcarchu
totally agree with you @keii4ii sometimes u have to actually draw it out to get a feel for it. when i write out all the dialogue for my chapters i feel like it always ends up coming out so stiff, thats why i prefer to let it flow naturally and if something happens that i didnt account for just roll with it and adjust the story accordingly
Cap’n Lee (Flowerlark Studios)
I'm kind of weird about always needing to know exactly how many pages a chapter is going to have, so I script right down to the panel. It can create flow problems on occasion, so I wish sometimes I could plan my pages more visually, but my brain just doesn't work that way. >< It's a good thing my stories mostly rely on dialogue because they're pretty much novels in comic form.(edited)
Cronaj
When planning a scene at the end of Chapter 3 of Whispers of the Past (https://www.webtoons.com/en/challenge/whispers-of-the-past/list?title_no=191366), I was having a hard time writing the dialogue. I had the images of my lead characters, Agatha and Izrekiel, talking by the docks in the moonlight, and I knew generally what they talked about, but I couldn't script it. And then, one day while walking to work, my characters straight up had the conversation in my head! And as the dialogue unraveled, the characters (mostly Izrekiel) did something completely unplanned (which I won't reveal because spoilers). This unplanned change has completely upped the drama and sexual tension for the entirety of the future story. The second event of this is in Chapter 2, where Izrekiel is helping out on Kelan's farm. Initially, there was going to be some dialogue that mostly served as world-building, but when actually writing the scene, it occurred to me that they would likely not talk too much, too absorbed by the work of harvest. And then, I suddenly visualized/heard Kelan and the other farmhands SINGING. I don't know why it popped in my head that way, but they began singing a working song. Now, I am not a musician, but I used to sing in choir and do musicals and such, and like half my family members are musicians, so I have a bit of a musical background. Anyway, all this to say that the characters started singing, and in response, Izrekiel (who has amnesia) has a flashback to some repressed memory of men marching and singing the same song, with altered lyrics. This can get extra spoilery, so I won't delve too deep into what his memory means, but.... The lyrics go as such: Oh earth, oh rain, Oh sun in the sky, You grant me with your fruit In this land. And they are directly mirrored in the flashback with: Oh strength, oh grace, I'll raise my sword, With victory in mind In this land.(edited)
Deo101
For me, I totally changed the ending! I was going to make it a tragedy, and then at some point I realized I didnt NEED to... that a story can be happy and good. So, I rewrote a ton of stuff, and actually ended up adding in some new characters! I'd say It's gone very well ^^ I'm much happier with everything now (for one, I can think about the ending without crying!!) I've changed a lot of other little things as i've gone along too. too many things to count, really.
Tuyetnhi
Initially I was writing the story timeline to 5 days but it spanned to something about a year. Which means I had a chance to develop it further than trying to rush plot points. Used to be like 3 chapters originally but now its like ....I guess 20 chapters? I don't remember the full count but lmao I'm ready to endure.(edited)
varethane
most of the biggest changes to Chirault were decided on during the first 3 years of me making it..... I completely threw out the first plan I had made, lol. There was no specific trigger for this, except maybe for 'I don't like this, actually'
keii4ii
Oh! I remembered something specific. My tiger character used to have a 'generic lean-ripped' build. Kinda like the rabbit from Juuni Taisen. Then I posted a random beach day picture, and someone (who wasn't used to seeing characters with visible leg muscles... A lot of comics they read have characters who suffer from Skipped All The Leg Days syndrome) pointed out how insanely muscular his legs were. I ran with it. Today his legs are 2x bigger than they were in that beach day pic, and it's all muscle. Also while this character stays very lean throughout the story, I as the author guarantee you that if he were to put on fat, his thighs will be the first to expand, and the most. 8)
Tuyetnhi
omg
Cronaj
@keii4ii I'm so glad for this change. Lu's legs are majestic
Capitania do Azar
Interesting replies here
In o Sarilho https://www.sarilho.net/en/, I have avoided one major character death in the first part of the story because I grow super fond of them and also because it wasn't really going to build up to anything... Which felt really unfair. So now I had to come up with narrative lines for them and I'm quite enjoying that. Furthermore, I was halfway through chapter 3 when I figured out Eurico's looks but especially his role in the story. It involved drawing a lot of trucks (and there will be more trucks in the future) but I'm really excited for him as a character
Desnik
As I was writing my comic I was trying really hard to keep the POV limited to one character, but that character doesn't have enough perspective to set up the plot very well at the beginning. This meant hopping POVs to some other characters and now I'm gently trying to squash a lot of these subplots before they go completely out of control...
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blyedeeks · 8 years ago
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Why the heck hasn’t Bellarke gotten together yet, a Meta.
So here’s a meta I never thought I would write, cause everyone is always so caught up on the “behind the scenes” (aka jason, eliza, etc interviews)that they miss what the show is saying (screaming)
And to prove I’m not crazy, here is the reason why i’m writing this in the first place:
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So there you go, @ivthegreatest​, as promised this meta is for you (i LOVE YOU for questioning this).
So without further ado, let’s discuss Bellarke’s development and their obstacles.
I love Season 1, it’s no secret. One of the (many) reasons why is because I think its arcs are very well organized and built. That being said, on season 1 we can divide bellarke’s arcs in groups of 3-4 episodes.
1x01-1x03: The Clichés
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(1x01)
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(1x02)
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(1x03)
It starts like this: Belamy and Clarke antagonize each other from their very first scene. 
As their initial roles had them, Clarke was the hero/princess and Bellamy was the villain/rebel. As much as there’s always been some intense level of attraction between them (also ever since the first scene?!), their ideals alone set them miles apart.
Clarke thought Bellamy was a first class douche and Bellamy saw her as a representation of all the priviledged people on the ark. Each one of them had their own agendas: Clarke just wanted everyone to survive while Bellamy wanted to make sure the arkers wouldn’t make it down to Earth (+ he wanted to protect O).
The show sets Bellamy as “the bad guy”, the one who starts rebelions, the one who tries to create anarchy while making sure he’s in power. And Clarke was “the good guy”, seaching for food, protecting the moste fragile ones etc. They would never get together as they were ,in fact, enemies.
It all escalated on 1x02, where Bellamy (on the most “Bellamy you played yourself” moment in history) threatened to cut off her hand because she was getting in the way of his plans. But, on the same episode, when Bellamy – the supposed bad guy- had a chance to get rid of his problem– he doesn’t. That’s when the audience realizes there’s something there (with bellamy, with bellarke). Clarke doesn’t make the same realization necessarily (she must see something, but this is for another meta).
On 1x03 we end this arc as Bellamy and Clarke see they MIGHT be wrong about each other - as Bellamy sees Clarke killing atom.
Clear as heck, Bellamy changes the way he sees Clarke, he realizes the “princess” is very capable of making tough choices. Less obvious, but even more canon, Clarke sees Bellamy differently too, she knows now he’s not a murderer (” I saw you in the woods with Atom. I know you're not a killer “ 1x04 ).They weren’t friends at all, but they saw something in each other that other characters didn’t see.
And,... there was a catch already. While Bellamy and Clarke were on this antagonistic cycle, Clarke was already getting involved “prince charming”. Someone who (supposedly) shared her views on keeping peace, someone who was against that anarchy mess, someone with hero hair and a flashing smile. Yeah, Finn.
But well, as 1x03 prelude-ed it, all roles were about to change drastically and everyone would find out they were wrong about...everything. Which bring us to the next arc:
1x04-1x07: The Switch
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(1x04)
1x04 pinpoints the moment Bellamy and Clarke begin to lead together. After getting to know each other better (1x01-1x03) – but not enough for them to even be friends, they find something in common: Charlotte.
And because of the whole mess she created by killing Wells (RIP bb) and accidentally framing Murphy for it, throughout the whole episode, Bellamy’s and Clarke’s leading styles clash and it was a mess.
That is until they realize they are both wrong, they lose Charlotte, they don’t know what to do with Murphy and then Bellamy finally accepts that they can’t leave in anarchy anymore. Clarke accepts that she can’t lead of her own, “We make the rules” and all that shiz. And bellarke become co leaders, what a beautiful thing.
BUT, on the same episode- Clarke and Finn finally get together. So, whatever it was that MIGHT have happened between Bellarke now that they’ve reached a middle ground (?))............. well, there’s a Finn in the way now. Sorry, folks.
(the writers know what they are doing im telling you).
But... but 1x04 is also the episode Raven comes down to earth.....hum. (more on that later).
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(1x05)
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(1x06)
1x05-1x06 follow 1x04’s lead. Bellamy and Clarke aren’t exactly friends, but they compromise. Bellamy is still somewhat of a “bad guy” (bad boy?), Clarke is the moral compass, and they fight a lot. Bellamy still has his agenda, Clarke still calls him on it  (“That's why you took the wristbands. Needed everyone to think we're dead” -1x05 / “Yeah, he knows. Now has to live with it.”  1x06– Clarke after the deaths of the Culling). But they are understanding each other better step by step.
And what is interesting here is that  the writers created this movement of Bellamy and Clarke getting closer and closer while Finn and Clarke got further away from each other.
On the first arc, episodes 1x02-1x03, when Bellamy and Clarke were the most apart, Clarke and Finn got closer and the writers were selling him as her obvious romantic interest with all the flirting and the smiles and the presents.
But on 1x04, as Bellamy and Clarke become leaders, Finn and Clarke get together for the first time only so the writers can show it was a farse (Raven). When 1x05 starts, Bellamy and Clarke just agreed to... agree, they are on their way of becoming closer- and Flarke is about to do the opposite. 
That’s why 1x04-1x06 was an uncertain period for Bellarke as it was for Flarke.
For Bellarke, Bellamy and Clarke had this partnership where they would have a real conversation in one moment (“you’re not a murderer” 1x05/” Can you wish on this kind of shooting star?” 1x06) and fight on the next (see the quotes up there). For Flarke, Finn and Clarke were just dancing around each other, but Raven was his girlfriend and she loved him. Clarke was pissed at Finn, she wanted to stay away from him, but she had feelings for him, and they just wouldn’t have a definite conversation about the matter.
Which bring us to 1x07:
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1x07 changed everything.
I know everyone loves 1x08 (so do I), but man, 1x07 is the reason everything happened the way it did.
Thing is, on 1x07 the writers threw grey all over the place. Sure, they were already playing with the ideal of people being morally grey since forever, but 1x07 was the real deal. Bellamy and Clarke connected like HECK….. and over torturing a person. (Only my otp would.)
And this is not something they can go back from. Clarke stained herself, and she didn’t know what to do with it. But there came Bellamy to tell her something he’d been telling himself for awhile: “Who we are and who we need to be to survive are very different things.”.
(something that rang so freaking deeply in her, she’d repeat it again: “ The things that we've done to survive, they don't define us.” 2x08)
Now, they have more in common than they had before. More than that, it’s like they are accepting that, crazy as it might be, they understand each other.
So, to me, it’s no coincidence that right before that Bellarke scene Clarke lets Finn go for good. Rewatch if any of you might, on 1x07 Clarke just tells him to be with Raven, and she walks away from him (and even though Clarke would still have feelings for Finn - that was the end of their romantic relationship for good.).
....... she walks away....from Finn....... and then that scene with Bellamy happens outside the dropship.
Smart writers.
 Now Iv is probably reading this and saying “see?!?!? You’re just proving my point, THEY COULD HAVE GOTTEN TOGETHER AT LEAST ONCE AFTER THAT”
Okay, okay, I know what you mean because here is the MOST FLIRTY ARC OF THIS ENTIRE SHOW i’m not gonna even describe me i’ll just leave the pics here:
1x08-1x10: The Bellamy and Clarke FEEL THINGS
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(1x08)
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(1x09)
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(1x10)
Do I need to talk about it?
1x08-1x10 was epic, it was feels all over the place, it was Clarke and Bellamy bonding and pouring their hearts for each other, forgiving each other, accepting each other; It was flirting at inappropriate times, having deep conversations, trusting each other and making Finn annoyed and jealous. It was a freaking magical time.
I personally believe that only after this arc Bellamy and Clarke were close enough for their characters to “hook up” in some way and for it not to be OOC.
But, we only had 2 problems: 1- They were just getting closer. 1x07-1x10 happened in the span of days, they were beginning to truly be friends or something, so I think they would need more time.Plus, Clarke was hurting over Finn.
2- If there was anything to happen, before it could, they were separated.
The writers must have realized what Iv has (why wouldn’t bellamy and clarke hook up now??) because those two were separated all the time after this arc. They had the total amout of (*SPOILER NUMBER FOR IV*) separations, it’s ridiculous.
So here we go:
1x11-1x13: The Kidnapping Fest
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(1x11)
Clarke and Bellamy were on their awesome co-leader, bickering mode. But Clarke and Finn are taken in the middle of 1x11, try to run away and failed.
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(1x12)
Clarke and Finn manage to come back only at the end of 1x12, but then chaos had already started as they knew the grounders were coming (so yeah no time for anything else- only for dramatic co-speeches because Bellamy and Clarke will always have time to be Drama King and Queen).
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(1x13)
On 1x13, they did their co-leadership thing, heart eyes and all, but they had a war to prepare to. And then, they were separated. Again.
Which actually bring us to Season 2.
( Season 2 isn’t as well structured as season 1. So I’m not gonna talk about season 2 arcs, but episodes)
As everyone well know, Bellarke was freaking separated up until episode 2x05.
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(Sigh)
But right at the very moment they reunited, they found an obstacle already. (these writers are out to get us)
“Where’s Finn?” , Clarke asks Bellamy right away.
Well, Finn, Finn was killing people because he loved Clarke
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(bc i’m extra and the writers are sneaky:
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)
Make no mistake, this shiz is heavy. Clarke doesn’t deal well with blood on her hands, she hates it. Now she sees Finn, Spacewalker, supposedly the guy who loves peace and sunshine, killing 18 people in cold blood because of her.
( Is anyone really surprised the next theme of the season was “love is weakness” or-? )
So, from the moment Bellamy and Clarke reunited until they were separated again (2x09), all this was over Clarke’s head.
And things just kept piling up: Bellamy and Clarke reunited, they found Finn killed 18 grounders, the grounders now want Finn to die a very painful death to pay for his crime, huge tension fly between Arkers and Grounders -who were supposed to be allies as their people were stuck in Mt Weather. Finn surrenders himself, Clarke KILLS Finn, it haunts her like heck, L.exa s gets in her head that they are both leaders that need to “do what needs to be done” for their people – and that love is weakness.  
But this was not only a huge emotional ride that happened in a short period. This shaped the way Clarke allowed herself to feel for Bellamy.
How? Let’s re- analyze things.
It sure seems that ~something~ changed about her feelings for Bellamy on the time they were away from each other. They went from walking side by side on 1x13:
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or even this
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To this:
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It’s a freaking huge leap.
Not to mention all the times between 2x01-2x05 when it was pretty obvious she had been missing Bellamy, worrying about him AND equating him with Finn:
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(”Finn and Bellamy?”)
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(”Not all of us”)
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(” Finn and Bellamy?”)
When we get to 2x05, we can’t even tell for sure what Clarke’s feeling (I don’t think Clarke knew) , but ,my friends, it’s deep. But then when she finally finds Bellamy again – Finn is in trouble, and he killed for her, and he created tension between grounders/skypeople and he died at her own hands.
Finn, the guy she had feelings for. ( also had feelings for). The first member of the “ Finn and Bellamy???” duo.
And that’s when we realize this “duo” is no coincidence at all.
Her feelings for Bellamy are SO (VERY FREAKING MUCH) related to this season 2 plot that one of the first things she said to him on 2x09 was “I can’t lose you too” (remembering Finn). Right after we saw L.xa convincing Clarke that “love is weakness” and that leaders had to forget about the matters of the heart to take care of their people. Then Clarke let go of Finn (“Love is weakness”), then she let go of Bellamy too (“I was being weak”).
.
Which lead them to be separated, again.
And this time, it was not only the physical separation that set them apart and didn’t allow their relationship to reach a new level.
Now Clarke got this new belief that would only be over by the end of season 3 probably (that is, if it is over). Now Clarke puts her people first, forget about liabilities and love if they are an inconvenience.
(which is an interesting way to watch s03 if any of you might. )
Of course, that her love for Bellamy is a freaking bastard and it doesn’t exactly allow her to do that-
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(oh Clarke, you try, I’ll give you that) 
-But truth be told, this plot is also one of the huge reasons why they aren’t together (yet).
Clarke would later be haunted by other decisions she made on season 2B, which also separated her from Bellamy, and other separations (literal and metaphorical) came between them, but this is one arc is one of their most important obstacles.
 Phew, since Iv hasn’t watched past 2x12 and this is long already, consider this meta a “part 1” of why the heck Bellarke didn’t get together yet.
However, for anyone (including you, Iv) that watches past 2x16 I’m pretty sure there are so many obstacles there we don’t even need to discuss it. 
But we’ll see about that later.
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