#Antidote market 2020

[naturalrights-retard]

The debt based monetary system is dying before our eyes. The collapse in bond prices, currency volatility and the coming collapse in financial assets are merely symptoms of the underlying problem.

With money anchored in nothing of value the financialisaton of the economy has resulted in every asset being levered up multiple times. This works whilst assets are increasing in price but those price increases depend on an increasing money supply. At some point the expanding money supply results in savage inflation. The central banks are then faced with two equally unpalatable options. They can allow credit to contract and implode all assets resulting in insolvency and bankruptcy of most banks. Alternatively they can continue to expand the money supply, perhaps using it to bail out the insolvent banks, and risk an almost certain hyper inflationary collapse. The house of cards has been built to a height at which it is hopelessly instable.

I believe central banks will pick the hyper inflationary route. The £65 billion bond purchase scheme announced last month and the unlimited and unfunded energy market subsidies strongly suggest that the UK is already heading down this route.

The global banking cartels have clearly signalled their desire to move towards Central Bank Digital Currencies ( CBDCs) as the new monetary order. As a system CBDC’s will still be under the control of those who have destroyed existing currencies. For that reason are likely to fail the fundamental confidence test that all money must pass in order to be accepted as a medium of exchange.

CBDC’s provide the infrastructure for a potentially tyrannical digital control matrix. CBDC money is programmable and decayable. The issuer can control how and where it is spent and can issue it with an expiry date. At an even more sinister level bank balances can easily be frozen or even cancelled for those who oppose a particular part of the prevailing state narrative. Trudeau’s freezing of bank accounts of any Canadians who donated to the Truckers campaign shows the willingness of some existing leaders in the supposedly free world to travel down that dystopian road.

Cash is the antidote to CBDC tyranny. Continuing to use cash represents a simple but highly effective step we can all take to guarantee our future liberty and freedom. The signs are good. In the UK many small businesses are reporting an upswing in cash payments. The Bank of England Weekly Report shows cash in circulation increasing from £73 billion in February 2020 to £87 billion last month.

But cash is much more than just the guarantor of our freedom. Cash provides the opportunity to build a robust, resilient, and inclusive economy. An economy in which high streets prosper and in which towns aren’t some identikit version of each other. An economy in which food and goods are mostly produced locally. And most critically an economy which doesn’t collapse every time there is a minor contraction in money supply.

The use and reuse of cash is the key to realising this economic dream.

Cash spending has a number of key attributes that are fundamentally different to digital spending

It tends to be spent locally.

It’s frequently used in transactions that contain a high labour component.

It is more frequently spent in small independent businesses than large multi national chains- many of whom are now banning cash transactions.

It provides some protection against the over leverage and financialisation of the economy. If you spend on a credit card the debt you create can be resold many times over before you settle the outstanding liability. Not so with cash.

By promoting the use of cash we promote transactions that support employment in diverse local businesses. We also get an economy that is more robust and able to withstand inevitable cyclical downturns.

Cash still needs help. Digital convenience combined with the tax avoidance employed by many multi nationals make this an uneven playing field. Government has a legitimate role in leveling this playing field. At Freedom Alliance we understand how that could be done. We propose that :

Cash retail transactions should be exempted from all taxes.

Employers should be able to pay up to 10% of wages in cash and in so doing avoid all payroll taxes.

Benefit claimants can elect to have one two year period each during which any cash earnings do not impair their benefit entitlement.

We need to ensure that cash remains circulating in the economy. If the employees receiving 10% of their wages in cash simply walk down the road to the bank and pay it in to a digital account there is no benefit. Consequently there should be a transaction tax on cash deposits to the banking system. This will partially offset the taxes foregone by the other measures. Any remaining shortfall would be recovered by additional taxation on purely financial transactions.

The additional cash in the economy will increase cash handling and security costs. But again local employment makes up much of that cost . This is fundamentally different to digital transaction charges that frequently end up being transferred abroad.

[deshpandeisha]

Exploring Global AI-based Clinical Trials Solution Provider Market Growth and Size with Our Research Company

The global AI-based clinical trials solution provider market size reached USD 1.30 Billion in 2021 and is expected to register a revenue CAGR of 22% during the forecast period, according to latest analysis by Emergen Research. Increasing adoption of Artificial Intelligence (AI)-enabled digital technology is a key factor driving global AI-based clinical trials solution provider market revenue growth. Increasing use of AI-enabled digital health technologies coupled with patient support platforms is expected to improve patient engagement and retention throughout study duration as well as after study termination, which is expected to propel revenue growth of the global AI-based clinical trial solution provider market. 

AI-enabled technologies are enabling data integration and interpretation along with evolutionary modelling and pattern recognition for gathering, normalizing, analyzing, and harnessing the growing volumes of data that fuel modern therapy development. Thus, AI and advanced analytics are considered as the digital technology that can potentially improve clinical R&D productivity and clinical outcomes, and this is expected to augment growth of global AI-based clinical trials solution provider market to a significant extent.

The segmentation of the industry by type, application, classification, and geography works as an impetus towards increasing the sale figures and boosting business prospects alongside the hindrances that often restrict the industry's growth. In addition, bifurcation of the market on the basis of consumption volume, customer preference, end-user, and production capacity is explained through important resources including but not limited to charts, graphic images, and tables.

Claim Your FREE Sample Copy with Table of content@ https://www.emergenresearch.com/request-sample/774

The leading market contenders listed in the report are: AiCure, LLC, Unlearn.AI, Inc., BioAge Labs Inc., Antidote Technologies, Inc., Saama Technologies Inc., International Machine Business Corporation (IBM), Concentro Health AI, Deep 6 AI Inc., PathAI Inc., and Owkin Inc

The research study examines historic data from 2018 and 2020 to draw forecasts until 2030. The timeline makes the report an invaluable resource for readers, investors, and stakeholders looking for key insights in readily accessible documents with the information presented in the form of tables, charts, and graphs. To Visit Full Report & Table of Contents AI-based Clinical Trials Solution Provider Market: https://www.emergenresearch.com/industry-report/ai-based-clinical-trials-solution-provider-market

Emergen Research has segmented the global AI-based clinical trials solution provider market on the basis of clinical trial phase, therapeutic application, end-use, and region:

Clinical Trial Phase Outlook (Revenue, USD Billion; 2019–2030)

Phase-I

Phase-II

Phase-III

Therapeutic Application Outlook (Revenue, USD Billion; 2019–2030)

Cancer

Cardiovascular Disease

Neurological Disease

Metabolic Disease

Infectious Disease

Others

End-use Outlook (Revenue, USD Billion; 2019–2030)

Pharmaceuticals

Academia

Contract Research Organizations (CROs)

The research report offers a comprehensive regional analysis of the market with regards to production and consumption patterns, import/export, market size and share in terms of volume and value, supply and demand dynamics, and presence of prominent players in each market. Get An Impressive Discount On This Report@ https://www.emergenresearch.com/request-discount/774

Regional Analysis Covers: North America (U.S., Canada) Europe (U.K., Italy, Germany, France, Rest of EU) Asia Pacific (India, Japan, China, South Korea, Australia, Rest of APAC) Latin America (Chile, Brazil, Argentina, Rest of Latin America) Middle East & Africa (Saudi Arabia, U.A.E., South Africa, Rest of MEA)

Key reasons to buy the Global AI-based Clinical Trials Solution Provider Market report:

The latest report comprehensively studies the global AI-based Clinical Trials Solution Provider market size and provides useful inference on numerous aspects of the market, such as the current business trends, market share, product offerings, and product share.

The report offers an insightful analysis of the regional outlook of the market.

It offers a detailed account of the end-use applications of the products & services offered by this industry.

The report holistically covers the latest developments taking place in this industry. Therefore, it lists the most effective business strategies implemented by the market rivals for ideal business expansion.

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[industryforecastnews]

Sodium Nitrite Market Size To Reach $580.8Mn By 2030

Sodium Nitrite Market Growth & Trends

The global sodium nitrite market size is expected to reach USD 580.8 million by 2030, as per a new report by Grand View Research, Inc. registering a CAGR of 4.2% from 2023 to 2030. The demand is attributed to the increasing demand for preservatives in the food & beverage industry. Preservatives help increase food items' shelf-life by delaying the spread of pathogens and microorganisms. Thus, sodium nitrite is highly used to enhance the flavor of meat and maintain its original color (making it look more appealing and presentable to consumers), while preventing bacterial growth.

In the pharmaceutical sector, sodium nitrite is a well-known chemical molecule. Its most common application is as an antidote for cyanide poisoning, as it is quite effective even in severe cases. It is used in the production of saccharin and caffeine and is commonly utilized as a raw material and preservative in pharmaceutical formulations like eye drops. Since sodium nitrite contains nitrogen, the product can be utilized as a control agent in a variety of medicines. It is also utilized as a butadiene antifoaming agent and a raw material for aminopyrine and sulpyrine antipyretic analgesics. Thus, multiple applications of the product in the pharmaceutical industry indicate that the growth of this industry is expected to drive the demand for pharmaceutical-grade sodium nitrite in the coming years.

The growing consumer acceptance of processed food in countries like China, India, Japan, and others is likely to bolster the demand for the product in the Asia Pacific. China is the world's largest consumer of food and beverages. The processed meat market of China majorly includes beef, pork, poultry, mutton, and others, which require the use of sodium nitrite as a preservative, thus driving the demand for the product market.

Request a free sample copy: https://www.grandviewresearch.com/industry-analysis/sodium-nitrite-market-report  

Sodium Nitrite Market Report Highlights

Food & beverages application accounted for the largest market revenue share of over 66% in 2022. The growth is attributed to the increasing demand for the product as a preservative in processed meat and other food items

The pharmaceuticals segment was the second-largest application and is predicted to attain a CAGR of 4.7% over the forecast period, owing to its ability to act as a raw material or control agent for the development of several medicines used for treating muscular dystrophy, neurotransmission imbalances, epilepsy, and others

Asia Pacific dominated the regional segment with a revenue share of over 71% in 2022 due to the growth of the meat processing and food & beverage industries in the region

The increase in population and rising per capita disposable income drive the food and beverage market. According to a China Chamber of Commerce article published in 2020, the beverage market which includes drinks, vegetable juices, and fruits generated revenue of USD 39,330 million, thus driving the demand for the product in the country

Europe accounted for the second largest market share of over 16% in 2022 due to the changing consumer preference toward processed food over cooked food in the region. In the European Union (EU), sodium nitrite is approved as a food additive and is used to prevent microbial growth in meat, cheese, and fish products as it helps to improve the flavor while protecting it against botulism

Sodium Nitrite Market Segmentation

Grand View Research has segmented the global sodium nitrite market based on application and region:

Sodium Nitrite Application Outlook (Volume, Kilotons; Revenue, USD Million, 2018 - 2030)

Food & Beverages

Pharmaceuticals

Others

Sodium Nitrite Regional Outlook (Volume, Kilotons; Revenue, USD Million, 2018 - 2030)

North America

U.S.

Canada

Mexico

Europe

Germany

U.K.

France

Asia Pacific

China

India

Japan

Central & South America

Brazil

Argentina

Middle East & Africa

South Africa

Saudi Arabia

List of Key Players in the Sodium Nitrite Market

Deepak Nitrite Ltd.

Airedale Chemical Company Ltd.

BASF SE

Shijizhuang Fengshan Chemical Co., Ltd.

Ural Chem JSC

Linyi Liguang Chemical Co., Ltd.

Radiant Indus Chem Pvt. Ltd.

Yingfengyuan Industrial Group Limited

SABIC

Chemtrade Logistics

Browse Full Report: https://www.grandviewresearch.com/industry-analysis/sodium-nitrite-market-report  

[danielzeitlow]

Experienced General Manager, Daniel Zeitlow, Shares Insights on Managing Last-Minute Holiday Shopping Rush

Daniel Zeitlow

Daniel Zeitlow, a highly experienced General Manager renowned for his exceptional skills in optimizing operational efficiency, has an impressive track record in budgeting, fostering strong relationships, and providing visionary team leadership. With over a decade of industry experience, he has successfully managed diverse teams and spearheaded numerous projects, delivering exceptional results.

Now, Daniel generously imparts invaluable insights and strategies on effectively managing the exhilarating last-minute holiday shopping rush. His meticulous planning and attention to detail ensure a seamless and delightful experience for both customers and businesses alike. With a focus on customer satisfaction, he orchestrates the coordination of resources, implements innovative solutions, and guides teams to exceed expectations during this bustling season. He understands the importance of staying agile in a dynamic retail environment, and his practical approach empowers businesses to meet the demands of the holiday rush while maintaining operational excellence. Through his guidance, businesses can navigate the challenges of high-volume sales, inventory management, and customer service with ease.

Daniel Zeitlow’s journey to becoming an efficient General Manager began at KTM Supermarkets, where he served as a Perishable Manager from March 2014 to August 2020. His ability to manage perishable items effectively reduced wastage and optimized operations, thereby establishing his reputation in the industry. Transitioning to Sprouts Farmers Market in August 2020, he took his experience and skills to new heights. Here, he made significant strides in overseeing the purchase-to-sales process and reduced department overspending by focusing on the top 50 items and maintaining good back stock. His relentless focus on operations efficiency and strategic budgeting has enabled him to excel in managing the hectic holiday shopping periods. These experiences have shaped him into the seasoned professional he is today, providing him with a unique perspective on managing the last-minute holiday shopping rush.

Having recently served as the Perishable Manager at Sprouts Farmers Market since August 2020, he has acquired unique strategies to handle the annual shopping frenzy. With a keen focus on customer preferences and market trends, he meticulously analyzed data to identify the top 50 items that consistently drove sales during the holiday season. By implementing inventory management techniques and maintaining a well-managed back stock, he successfully reduced department overspending while ensuring that popular items were always available to customers. This approach, he believes, could be the antidote to the chaotic last-minute Christmas shopping scenario that often unfolds at supermarkets, providing a seamless and stress-free experience for both shoppers and staff alike.

According to a report on Fox29 News, Northeast Philadelphia witnessed a flurry of shoppers scrambling for last-minute Christmas shopping and essential items, such as decorations and gifts for loved ones. The bustling streets were filled with a sense of urgency as people sought to check off their shopping lists before the impending icy weather arrived. During this chaotic scenario, managing the influx of customers and ensuring a smooth shopping experience requires a refined strategy and the expertise of someone like Zeitlow. He possesses years of experience in handling the dual pressure of the festive rush and the unpredictable challenges posed by the incoming harsh weather conditions. With a keen eye for detail and a knack for anticipating customers' needs, he is well-equipped to navigate the demands of this bustling holiday season with finesse and efficiency.

Drawing from his extensive experience as the Perishable Manager at KTM Supermarkets from March 2014 to August 2020, he emphasizes the crucial role of proactive preparation. With a keen understanding of market dynamics and consumer behavior, he recognizes the importance of staying ahead of the curve. "We have to anticipate the surge in shoppers, analyze the latest trends, and ensure that our stock levels are sufficient to meet the increased demand," says Zeitlow. Moreover, he also emphasizes the need to prioritize the safety of both staff and shoppers, especially when bad weather is on the horizon. By implementing comprehensive safety protocols and effective contingency plans, KTM Supermarkets strives to provide a seamless shopping experience regardless of external challenges.

Effective communication with the team and customers during high-pressure times is crucial for success, as emphasized by Zeitlow. To achieve this, Daniel Zeitlow ensures that their staff is well-equipped to handle customer queries and complaints. They also prioritize maintaining open lines of communication with their customers, providing regular updates on stock availability, store timings, and safety measures. By going the extra mile to keep their customers informed and satisfied, he strives to build trust and loyalty in their brand.

While last-minute shopping is a cherished tradition for many, it is of utmost importance for retail management to ensure that this long-standing practice does not descend into chaos. With experienced retail professionals like Daniel Zeitlow leading the way, the shopping experience can be seamlessly efficient, remarkably safe, and incredibly enjoyable, even amidst the bustling excitement of the last-minute Christmas rush and the challenging backdrop of icy weather conditions. By meticulously coordinating staff, optimizing store layouts, implementing effective crowd control measures, and providing exceptional customer service. Retail management can transform the shopping experience into a delightful journey, where customers can find everything, they need with ease, peace of mind, and a touch of holiday magic.

Daniel Zeitlow’s meticulous approach to managing the holiday shopping rush is a true testament to his exceptional leadership skills, unwavering commitment to operational efficiency, and profound understanding of consumer behavior. By strategically focusing on key items, maintaining a well-managed back stock, and establishing effective communication lines, he has successfully handled similar high-pressure situations, setting a remarkable example for other retail managers to follow. His attention to detail, forward-thinking mindset, and ability to adapt to dynamic market demands are instrumental in ensuring a smooth shopping experience for customers while maximizing sales potential. With his comprehensive strategies and innovative tactics, he has not only transformed the holiday shopping experience but also solidified his reputation as a visionary leader in the retail industry.

[whydoistilldothis]

Vulfpeck is dancing at the edge of the world.

Vulfpeck does not exist to be a vacuous excuse for positive distraction.

Vulfpeck is dancing at the edge of the world.

If you weren’t aware, the Motown-inspired band from Michigan is not another drably choreographed group of white dudes playing Berklee Funk. The group, who formed in 2011 as a four-piece, is led by the mad-hatter of a bandleader, Jack Stratton. These days their line-up has expanded to an entire circus of rotating talent. They play tight, groovy, and well-informed songs, as well as instrumentals, that put the rest of the “Nu-Funk” (urgh) Spotify playlist to shame.

Recently, I have read too many milk-toast articles proclaiming that Vulf, as they are also known, is the joyous antidote to a terrible and persecuting world.

God, one even ended by saying “the world really does need some laughter right now…”

Vulfpeck is definitely no distraction, nor do they intend to be.

However, the band’s trademark self-aware silliness does distinguish them from the majority of other artists.

Among Gen-Z and the younger Millennials, a culture of ritualistic apathy has increasingly coloured their social media outputs over the past 10 years. Causes notwithstanding, this trend has developed in parallel with a gradual deterioration in trust of institutions. Online, younger people seek meaning, truth, fulfilment, and belonging in what they can salvage from the once semi-homogeneous culture that erodes around them.

And then there is Vulfpeck. A goofy group of college graduates who’s only raison d’etre appears to be an honest revelling in their own music-making. They have undeniable musicianship, for sure, but their refusal to take themselves seriously whilst treating their music as sacred is what truly sets them apart in the industry.

The band’s dual personality is perfectly poised and coherent across their every output. For example in the music video for “Sauna”, the single-take, one-room recording session is offset by the silly towel robes and red, bell hats that the band adorns. Furthermore during their Madison Square Garden show in 2019, virtuosic solos and sparkling ballads were accompanied by the unneeded members of the band reclining on sofas at the back of the stage.

The origin the group’s sense of humour comes from their bandleader, Jack Stratton. Even before the group had formed, Jack himself would upload mildly deranged videos to YouTube. Such classics include a satirical outpouring about his emotional connection to a for-sale tape recorder, intended for the would-be viewers of a fake eBay listing.

More recently in 2018 when Spotify launched their IPO onto the stock market, Jack was featured as an ‘expert’ interviewee by major news network CNBC. The program had intended for the bandleader to talk about Spotify’s royalty system and how Vulfpeck had somewhat gained it with their Sleepify album. Instead, straight-faced, Mr Stratton described the “fundamentals” of business economics; those being the basketball moves, the “bouncepass”, “jumpshot”, and “pick-and-roll”, among many other nonsensical utterances.

Jack’s refusal to participate in the traditions of industries is by no means only symbolic. Vulfpeck is signed to its own label, Vulf Records, along with the associated bands of its members - such as Cory Wong and The Fearless Flyers. Furthermore, for their 2020 album The Joy of Music, The Job of Real Estate, Jack Stratton auctioned off the 10th spot on the album to the highest bidder, and as far as I can tell, as a marketing strategy.

In a culture where the “corecore” hashtag on TikTok gets more earnestly depressed by the day, Vulfpeck reflects the post-ironic understandings of the younger generation in an artistic form. Instead of retreating from the horrors and realities of whatever era of late-stage capitalism we are in, young people yearn for humour in places where it traditionally does not belong.

They want to be recognised for their accepting and apathetic worldview, and then laugh about it. Vulf’s success can be partly attributed to filling this comedic void in the music industry. Their apparent rejection of authority may also be a hook that draws in those who are disenfranchised to the importance of systemic structures.

Their use of this style of humour also embraces the end of the search for societal-level meaning. In return, Vulfpeck offers their own authenticity, or their best attempt at it.

This is initially seemingly contradictory. However, for young people whose valuing of power-structures has been stripped for scrap, value can be found again at the point where sincerity and insincerity meet. No better is this highlighted in the so called ‘post-ironic’ understanding.

The band’s clear talents in musicianship, song writing, and soloing, scrambled with a fully self-aware lack of seriousness embody this. And with a lack of fabricated celebrity identity, which is commonplace and self-directed in modern fame, their music leaves you the listener to insert you own meaning, for your own sake.

However, this does however cloud Vulfpeck’s identity as an artist, which is further exacerbated by the band’s lack of frontperson that is a vocalist. Instead, this role in the band changes to fit any particular song’s style or to feature an outside-the-band artist.

As the ties between artistic identity and an artist’s real singing voice weaken, what does this change mean for the case of Vulf? For a band with a carousel-like singing position and many instrumental tracks to their name, Vulfpeck exist somewhat outside of this trend.

Unlike even the rappers who use disorienting voice effects, Vulf do not have a singular singing identity to weld themselves to. As a result, for those who find sanctity in a self-affirming identity, the group exists to be inserted into one’s own personal context. Like a popular song on TikTok that is repurposed and peeled of all its prior meaning, Vulfpeck’s music is mouldable to the self-expression of those who want it.

Vulfpeck is a band who fully endorse an apathetic view of the world. They are the laughing nihilist, the straight-faced hedonist. They do not care about what people think of them, but they care deeply for the music that they make.

Vulfpeck is the soundtrack to an end that will never come.

[essayly]

Kowloon Dairy: Unsweetened Coconut Milk Marketing

The Hong Kong dairy market is shifting from cow’s milk to plant extracts with fewer calories due to the high prevalence of lifestyle diseases and health concerns (Wu, 2020). Coconut milk contains only one-third of the cow’s milk calories and therefore serves as an antidote to the dynamic dairy market (Yankevych, 2019). Of all the non-dairy milk available in South East Asian countries, coconut…

[peterchiublack]

中國外長王毅 ：人民的曙光!

中國外長王毅 ：我國要做好準備面對未來三年的十大殘酷現實 !

　王毅：2020年對中美關係來講是艱難的一年，這種艱難可能還會持續幾年時間，甚至會更長，因為 *到現在還沒有解藥* 。而在接下來的三年裡我們也需要去面對的十大殘酷現實！

　　第一大殘酷現實： *中美關係是所有關係中的關鍵和核心* ，有一萬個理由可以證明搞好中美關係的重要性， *中國沒有成本優勢與美國對抗*。

　　不是說中國怕美國，而是不值得玩對抗﹔在對待美國霸權問題上， *中國必須要運用智慧* 。防止失聯朋友圈更精彩你可以討厭美國、不喜歡美國、恨美國， *但不要影響去重視美國*。不是因為覺得美國好才與他搞好關係，僅僅是因為 *美國是“老大”* ，是 *遊戲規則的制定者* ，是 *中國最大的消費市場* ，這是 *一個殘酷的現實和事實* ，你不服不行。

　　第二大殘酷現實： *現在的中國可以影響世界，但不能左右世界* 。目前能夠左右世界的只有美國，這個現實我們必須要接受。要知道：影響世界的國家有許多，況且這種影響也是有階段性的，你在影響別人的同時，別人 *也在影響你。世界萬物都是彼此影響的，所以 *不要有優越感* 。優越感會造成 *盲目自信* ，自信過頭就是 *自負*，自負過頭就會 *自命不凡*，最後只能是 *自作多情* 和 *自認倒霉* 了。

第三大殘酷現實： *“中國模式”僅僅適用於中國* 。

　　中國的高速發展是不能被複製制的。因為中國的歷史別國是沒有的，我們所受到的曲折、痛苦和折磨在人類歷史上是少有的，中國現在的發展模式是結合了中國國情而形成的一種模式。所以，不要動不動就想推銷“中國模式”，別人 *不會接受*，也會 *水土不服* 。

　　第四大殘酷現實： *不要輕言戰爭* 。

　　如果40年前中國說不怕戰爭，那是一種底氣，因為我們窮，光腳的不怕穿鞋的。但，如果你現在還說“不怕戰爭”，那是一種虛張聲勢。因為你已經“相當”富裕，你的北上廣深大城市已經與世界上任何大城市可以媲美。“羅馬城不是一日建成的”，但 *“毀掉羅馬城瞬間就可以實現”* 。

　　美國人是世界上最怕戰爭的，因為他有最繁華的城市群，所以美國要發展世上最強大的軍隊，目的就是要 *“拒戰爭於萬里之外”* ，絕不讓戰爭在本土發生。中國現在還沒有這個能力，中國若與強大的敵人戰爭，必然是 *本土戰爭*，我們壯大軍隊不是渴望戰爭，而是要 *防止把戰爭引入家門*/。

　　第五大殘酷現實： *中國永遠都是一個發展中的國家* 。

　　我們的朋友圈永遠在第三世界。要牢記：西方那些發達國家是不會帶我們玩的，在他們的眼中 *永遠有“優越感”* 。 *西方永遠瞧不起我們的價值觀*，永遠認為中國“落後”。在西方人眼裡，永遠都存在 *“東西方差異”* 。千萬不要認為可以融入西方世界，天真地認為可以與 *西方平起平坐* ，中國與歐美僅僅是 *生意關係* ，是 *做不了真朋友的* 。

　　第六大殘酷現實 *不要主動去向世界承諾什麼，更不要用錢去買地位，充當世界領袖* 。

　　真正的領袖都不是主動申請的，而是 *受命於危難* ，都是 *被人強推上位的* 。所以，領袖不好當，吃力不討好。如果你成了世界領袖，那麼必須要放棄許多，全世界都要跟你玩“貿易順差”，你卻又不敢有脾氣。如果這領袖好當， *美國就不會混的現在這麼慘了* (在川普眼裡，美國混的最慘，是世界級的大傻瓜)。

　　第七大殘酷現實： *中國已經回不去了* ，不可能因為“摸著石子過河”陷入了深水區就妄想退回去。

　　時光不會倒流，不可能因為害怕風險而停止這場遊戲。從開始打開國門的那一天起，我們注定沒有回頭路可走， *國門必須是越開越大，陷阱必然是越走越多* 。 *不能輕言放棄*，更 *不能 “好了傷疤忘了疼”*。

　　第八大殘酷現實： *不能為了追求“多快好省”而“超速上癮”* ，不要動不動就犯“大躍進”的毛病， *不要炫耀所謂“彎道超車”* 。

　　不是因為你技術好，僅僅是一種僥倖。遵守規則從來就不是墨守陳規，講究信用也不是呆傻愚鈍。所有投機取巧的鑽空子結果都會是互相傷害， *出來混總要還的，越強大的人越把規則當生命看待* 。

　　第九大殘酷現實： *你今天超越了別人，明天別人就會超越你* 。超越強者不是為了證明你的強大，而是要讓民眾享受到做強者的好處。

事實證明：*真正聰明的人願意永遠是一個追隨者*，而 *不願意成為一個超越者* 。也許你覺得韜光養晦無法顯出英雄本色，但低調做人恰恰是深藏不露高手的基本素質。

第十大殘酷現實： *所有用錢買來的朋友都靠不住* 。

“誰是我們的敵人？誰是我們的朋友？這是革命的首要問題”，真正的朋友恰恰是經常公開爭吵的、互相懟罵的。在你渴望用錢去收買別人的時候，一不小心就被別人利用了。真正強大的國家不是因為錢多而吸引別人，而是你的 *價值信仰* 和 *執政理念* *深深讓人折服*。

　　現實往往都是 *殘酷* 的，甚至是 *殘忍* 的。但是，許多時候並不是因為殘酷而使人不敢正視現實，僅僅是因為 *缺乏自信而曲解了現實* 。

　　—— *王毅*

王毅把天下興亡說得非常透徹，句句擲地有聲!

轉自 ”人民的曙光”

*Wang Yi Foreign Minister*: my country should be ready to face the *ten cruel realities* of the next *three years*!

Wang Yi: 2020 will be a difficult year for China-US relations, and this difficulty may continue for several years, or even longer, because *there is no antidote*. And in the next three years, we also need to face the ten cruel realities!

The first cruel reality: *Sino-US relations are the key and core of all relations*, there are 10,000 reasons to prove the importance of doing well in Sino-US relations,

*China has no cost advantage against the US*.

It is not that China is afraid of the United States, but it is not worth playing against; *China must use wisdom* in dealing with the issue of American hegemony. You can hate the United States, dislike the United States, hate the United States, but *don't affect the importance of the United States*. It's not because he thinks the United States is good that he has a good relationship with him, but only because *the United States is the "boss"*, the maker of the *rules of the game*, and the largest consumer market in China. *This is a cruel reality and fact* , *You can't not accept it.*

The second cruel reality: *Now China can influence the world, but it cannot control the world*. At present, only the United States can control the world. We must accept this reality. You must know that there are many countries that influence the world, and this influence is also phased. While you are influencing others, others are also influencing you. Everything in the world affects each other, so *don't feel superior*. Superiority will lead to *blind self-confidence*, too much self-confidence is *conceited*, too much self-confidence will be *pretentious*, and in the end it can only be *self-consciousness* and *self-confessed bad luck*.

Third cruel reality: *The "China model" only applies to China*.

China's rapid development cannot be replicated. Because China has no other country in its history, and the twists, pains and tortures we have suffered are rare in human history. China's current development model is a model formed by combining China's national conditions. So, don't try to sell the "Chinese model" at every turn. Others *will not accept* and *will not acclimatize*.

The fourth cruel reality: *Don't talk about war lightly*.

If China said 40 years ago that it is not afraid of war, it would have been a kind of confidence, because we are poor, and those who are barefoot are not afraid of wearing their feet. But if you still say "not afraid of war" now, that's a bluff. Because you are already "pretty" wealthy, your big cities in Beijing, Shanghai, Guangzhou and Shenzhen are comparable to any big city in the world. "The city of Rome was not built in a day", but *"destroyed the city of Rome in an instant"*.

Americans are the one most afraid of war in the world, because they have the most prosperous urban agglomeration, so the purpose of the United States to develop the most powerful army in the world is to *"held back war from thousands of miles away"*, and never let war occur in the homeland. China does not have this capability yet. If China fights a powerful enemy, it must be a *local war*. We are not longing for war to grow our army, but to *prevent war from being introduced into our homes*.

The fifth cruel reality: *China will always be a developing country*.

Our circle of friends is always in the third world. Remember: those developed countries in the West will not take us to play, and in their eyes *always have a "sense of superiority"*. *The West will always look down on our values* and always consider *China to be "backward"*. In the eyes of Westerners, there will always be *"East-West differences"*. Don't think that you can *integrate into the Western world*, and *naively think that you can*.

The sixth cruel reality *Don't take the initiative to promise anything to the world, let alone use money to buy status and act as a world leader*.

The real leaders are not actively applying to be one, but *accept the mission under dangerous and difficult condition*, and *they are all being pushed to the position by force*. Therefore, it is not easy to be a leader, and it is *thankless* . If you become a world leader, you have to *give up a lot* . The whole world wants to play a "trade surplus" with you, but you don't dare to have a temper. If this leader is good, *the United States will not be so miserable now* (In Trump's eyes, the United States is the worst, and it is a world-class fool).

The seventh cruel reality: *China has no way to go back*, it is impossible to go back because of "crossing the river by feeling the stones" and falling into the deep water area.

Time will not go back, it is impossible to stop this game because of fear of risk. From the day we started to open the country's door, we are destined to have no turning back. *The country's door must be opened wider and wider, and come across more traps as you move among . *Can't give up lightly*, and *can't "get rid of the scar and forget the pain"*.

The eighth cruel reality: *You can't be "addicted to speeding" in pursuit of "more speed and better savings"*, don't make the "Great Leap Forward" at every turn, *don't show off the so-called "curve overtaking"*.

It's not because of your skill, it's just a fluke. Obeying the rules is never sticking to the old rules, and paying attention to credit is not stupid. All opportunistic exploits will result in mutual harm, and the more powerful people will treat the rules as life.

The ninth cruel reality: *You surpass others today, others will surpass you tomorrow*. Overtaking the strong ones is not to prove your strength, but to let the people enjoy the benefits of being a strong ones.

It turns out: *Really smart people are willing to always be a follower*, and *will not be a transcender/surpasser*. Maybe you think that keeping a low profile cannot show the true character of a hero, but being a low-key person is precisely the basic quality of a *master who is hidden* .

Tenth cruel reality: *all friends bought with money are unreliable*.

"Who are our enemies? Who are our friends? This is the primary question of the revolution." *The real friends are those who often quarrel openly and scold each other*. When you are eager to bribe others with money, you are accidentally used by others. A truly powerful country is not attracted to others because of more money, but because of your *value beliefs* and *governing ideas* *deeply convincing*.

Reality is often *cruel*, even *brutal . However, many times it is not because of cruelty that people dare not face reality, but because of *lack of self-confidence and distorted reality*.—— *Wang Yi*

Wang Yi explained the rise and fall of the world very clearly, and every sentence is powerful!

From "The Dawn of the People"。

[martblogs]

Pharmacological Antidotes Market Key Drivers and Restraints, Opportunities, Industry Share & Trend Analysis Report to 2028

This report provides a comprehensive analysis of current Global Pharmacological Antidotes Market based on segmented types and downstream applications. Major product development trends are discussed  under major downstream segment scenario. This report also focuses on major driving factors and inhibitors that affect the market and competitive landscape. Global and regional leading players in the Pharmacological Antidotes industry are profiled in a detailed way, with sales data and market share info. This report also includes global and regional market size and forecast, drill-down to top 20 economies.

 According to this survey, the global Pharmacological Antidotes market is estimated to have reached $ xx million in 2020, and projected to grow at a CAGR of xx% to $ xx million by 2028.

 Get Request Sample Report @ https://martresearch.com/contact/request-sample/2/63126

 Covid-19 pandemic has impacted the supply and demand status for many industries along the supply chain. Global Pharmacological Antidotes Market Status and Forecast 2022-2028 report makes a brilliant attempt to unveil key opportunities available in the global Pharmacological Antidotes market under the covid-19 impact to help readers in achieving a better market position. No matter the client is industry insider, potential entrant or investor, the report will provide useful data and information.

 The Global Pharmacological Antidotes Market has been exhibited in detail in the following chapters

Chapter 1 displays the basic product introduction and market overview.

Chapter 2 provides the competition landscape of global Pharmacological Antidotes industry.

Chapter 3 provides the market analysis by type and by region

Chapter 4 provides the market analysis by application and by region

Chapter 5-10 presents regional and country market size and forecast, under the context of market drivers and inhibitors analysis.

Chapter 11 analyses the supply chain, including process chart introduction, upstream key raw material and cost analysis, distributor and downstream buyer analysis.

Chapter 12 provides the market forecast by type and by application

Chapter 13 provides the market forecast by region

Chapter 14 profiles global leading players with their revenue, market share, profit margin, major product portfolio and SWOT analysis.

Chapter 15 conclusions

 Segmented by Type

l Injection

l Tablet

 Segmented by Application

l Pesticide Poisoning

l Heavy Metal Poisoning

l Animal Bites Poisoning

l Cyanide Poisoning

l Others

 Get Enquiry Report @ https://martresearch.com/contact/enquiry/2/63126  

 Segmented by Country

   North America

       United States

       Canada

       Mexico

   Europe

       Germany

       France

       UK

       Italy

       Russia

       Spain

   Asia Pacific

       China

       Japan

       Korea

       Southeast Asia

       India

       Australasia

   Central & South America

       Brazil

       Argentina

       Colombia

   Middle East & Africa

       Iran

       Israel

       Turkey

       South Africa

       Saudi Arabia

 Get Discount Report @ https://martresearch.com/contact/discount/2/63126

 Key manufacturers included in this survey

l Roche

l Pfizer

l Novartis

l Mylan

l Johnson & Johnson

l GSK

l Furen Pharmaceutical

l Fresenius Kabi

l Eli Lilly

l Boehringer Ingelheim

l Bayer

l Baxter

 Contact Us:-

+1-857-300-1122

 enquiry@martresearch.com

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[acadestudio13]

5 REASONS WHY YOUR COMPANY SHOULD LOOK OUT FOR CERTIFIED TRANSLATION SERVICES?

Global expansion of the business is the desire of most business houses globally. The surge of expanding business catapults due to globalization's ripple effect, and it significantly hastens business cohesion. Translation plays a significant role in the entire gamut of the corporate world. Unfortunately, many businesses do not pay proper heed to translation services. 

The importance of translation has become de facto due to the appropriate antidote to simmering language barriers. Any business to stay relevant, particularly concerning the global business scenario, should leverage the Certified Translation Services at the earliest to keep their global business ambition alive. If they failed to realize the importance, they would soon become irrelevant.

There is no doubt about the benefits of hiring translation services for your business. Businesses are entirely dependent on translation agencies like never before. It does not allow the audience to think that there were no translation services earlier, and corporates extensively used translation at those times. In today’s context, the services provided by translation companies back up by advanced technology that makes the translation quick and quality-driven.

The world blesses numerous culturally-driven audiences, and reaching that audience to provide products and services becomes a daunting proposition. Hence, the need for Best Certified Translation Services becomes an obvious choice for the corporation. 

Survey reveals that the market size of the translation services estimated a USD 39.37 billion in 2020 and predicted to reach a staggering USD 46.22 billion in 2023 at a growth rate of CAGR (Compound Annual Growth Rate ) of 2.07% starting from 2021 to 2028.

Translation Services: Why It Becomes a Necessity for Your Business?

The mentioned hurdles have become a challenge for the business to set foot in the international market with the active support of Translation Services. At the outset, organizations hesitate to bestow the mantle to in-house teams thinking they provide the best service. 

On the contrary, outsourcing professional services are the best bait for the organization in these circumstances.

Let’s unlock the secret of its potentiality.

Perfectly Maintained High Standard  

It is a pleasure to come across Certified Translation professionals who maintain the quality standard regardless of the language and physical location. The audiences across the length and breadth of the globe receive the same amount of experience. When the organization involves localizing content into the local language, it signals to the clients how the organization cares for the consumers. 

It is the kind of gesture that indicates respect and appreciation that helps the organizations position the brand in the marketplace. Additionally, it is an excellent means of showcasing in the international market. When the Certified Translation Services undertake the project, the organization can deliver a consistent message across different markets. It helps an organization maintain its brand credibility in the market.

Multilingual Expertise

Language plays a pivotal role in every aspect of human activities, particularly international business. Notwithstanding, English is the common official language, and it is palpable that the team member is expected to communicate in meetings and other forms of official correspondence. 

As corporates are on the verge of entering the global business, a strong strategy is on the card that eases comprehension and inspires team member confidence. The fallout of this results in smooth communication to diverse clients spreading across the world. So, theCertified Translator's role in this connection is vital. 

The efforts of the organization can help prevent miscommunication while dealing with international clients by the team members. It brings a smile to non-native speakers to express their views confidently without facing any hindrance. After all, everybody prefers to speak in their native language. 

Google's Dependence is no longer the Yardstick. 

In today's context, translation no longer raises eyebrows for many. The respite comes from numerous automatic translation software available on the internet. At the time of requirement, it promptly and easily unearths the meaning of the written document. 

However, when it comes to business information, it does not produce the desired results and particularly while foraying into the global marketplace where reliability is the cornerstone. A slight slip can completely ruin the business prospects.

 At this juncture, companies need human intervention to churn out effective content in the multilingual environment as it often requires deeply understanding of cultural sensitivities.

Strictly Adhere to the Rules 

It seems doable that international businesses just need translation services to set foot in the global marketplace. But in reality, it is not as simple as it looks. There is a dollop of rules, and religious beliefs are intertwined with different cultures in the world. So treating them is not the cup of tea for many translation services. 

They are making a mark in the local market with reams of legal documents in a different language and proceeding following the local laws. The good news is that Best Certified Translation Services have all the qualities to confidently cater to the local audience. They encounter all the challenges confidently and provide the best solutions.

Ahead of the Curve

The fierce business competition is known to all. Staying tall amidst the cut-throat contention is rather difficult. The organization tries its best to meet the requirements of the consumers effectively. Satisfying consumers want a strong marketing strategy that effectively comprehends their pain points. 

Once formulated and executed rightly, the company can expect more footprint on the website resulting in a high conversion volume. Therefore, the main intention at this stage is to understand the audience thoroughly, which confidently leads to moving ahead of the pack.   

Closing Thoughts       It leaves no doubt that Translate Documents Near Me is the best means for organizations to meet their requirements, providing an accurate and culturally relevant document that exactly fits in.

[mostlysignssomeportents]

NYC's driver-owned Uber alternative

New Yorkers have a new ridehailing alternative to Uber: The Drivers Cooperative is a driver-owned, app-based ride-hailing service that pays drivers more, charges riders less, and pays out any profits to driver-owners as periodic dividends.

https://www.nytimes.com/2021/05/28/technology/nyc-uber-lyft-the-drivers-cooperative.html

Platform cooperativism is a powerful antidote to app-based gig work: a way to provide customers with the convenience that made app-based services so popular while putting workers in control of their days, schedules and working conditions.

It’s particularly buoying to see a platform co-op challenge Uber, a company that started as a way to funnel Saudi royals’ billions into a bid to dismantle public transit and worker protections in a single fell swoop.

Uber is especially vulnerable. It’s losing billions of dollars, and it had to pay a group of suckers $400m to relieve it of its failed, $25b self-driving car unit whose product couldn’t manage a single mile on its own.

https://pluralistic.net/2021/02/16/ring-ring-lapd-calling/#uber-unter

Uber’s main project has always been regulatory, not technological: that’s why it funneled hundreds of millions of dollars into passing California’s Proposition 22, a law that legalized worker misclassification and banned unionization.

After years of losing billions, Uber’s original investors exited through an IPO that brought in suckers who bought in on the premise that a pile of shit as big as Uber must have a pony underneath it somewhere.

Now those investors have to figure out how to recoup the billions that Uber squandered on subsidizing rides, suborning regulators, and staging elaborate long cons like its self-driving car unit.

It must pay drivers less and charge riders more than a new market entrant that has none of this baggage. That’s why a drivers’ co-op is such a big move.

But I fear that Uber has one enduring advantage that the drivers will struggle to overcome: the network effect.

Drivers and riders are already overwhelmingly on Uber. If you’re a rider, trying to hail a Drivers Coop car is likely to result in a longer wait because fewer drivers have the app installed. So fewer riders will try, and drivers won’t have an incentive to sign up.

Both critics of tech monopoly and apologists for it zero in on this network effect as the key driver of market concentration — but this analysis misses a far more important factor: switching costs.

https://onezero.medium.com/tech-monopolies-and-the-insufficient-necessity-of-interoperability-aafba94f1eb3

It’s easy for a driver to drive for Uber and the Drivers Coop (just as many drivers already keep both Lyft and Uber running simultaneously), but it’s extremely hard for a rider to send out ride-hail requests to multiple companies at once.

That’s not because of any technological barrier — it’s trivial to build a service that hails your driver as an Uber, then automatically checks whether they have Drivers Coop running as well, and, if so, cancels the ride and rebooks it as a Coop ride.

https://locusmag.com/2019/01/cory-doctorow-disruption-for-thee-but-not-for-me/

That would be fully in keeping with Uber’s fiction that drivers are “independent contractors” and not employees, but Uber’s got a powerful tool to prevent drivers and customers from evading high switching costs.

Uber and other tech giants use “IP” — a cluster of laws best understood as “any policy that allows me to control the conduct of my customers, competitors and critics” to criminalize the “disruption” they laud — if it’s directed at them.

https://locusmag.com/2020/09/cory-doctorow-ip/

Thus a meta-ride-hailing app would face claims under Sec 1201 of the DMCA (for bypassing the DRM on the Uber app); CFAA (for violating terms of service) and maybe even tortious interference (for allowing drivers to get a better deal).

I will definitely use the Drivers Coop the next time I’m in NYC and I hope you will too. But if platform coopertavism is to take hold, we need ways to lower the switching costs of using a co-op over a monopolist. We need interop.

https://www.drivers.coop/

[helloyoucreatives]

Future Factory has rebranded to mark a decade in business and to celebrate a massive 35% surge in business growth since 2020.

The founders of the new business consultancy for creative agencies, which has offices in London and Manchester, credits the growth to a significant shift in the new business climate during the pandemic, with agencies from all corners of the industry no longer having a strong, predictable pipeline of client spend and business. 

The process for securing new business is rarely discussed by agencies, or the wider industry, outside of a glowing announcement detailing a pitch win or a frantic statement defending a loss. While many agencies are experts at selling the brands they work with, when it comes to their own business, they don't always have the time, expertise or resources to find and secure the dream clients. As a result many turn towards lead generation partners - who can often lean towards a ‘hard sell hustle’ of marketing automation and mass emails, that burn more bridges than they build. 

Future Factory is committed to being the antidote to this, with many of the team coming from creative backgrounds. They have developed and delivered new business strategies to over 300 agencies over the last 10 years, including some of the most successful creative shops in the UK, namely Digitas, The Romans, Mother, Quiet Storm, Ogilvy and M&C Saatchi. 

Alex Sibille, co-founder at Future Factory explains: “The traditional pitch process is in flux. It’s harder than ever to find the right work, and the pandemic made agencies realise how vulnerable they can be if they rely on inbound new business. Plus with talent shortages and having to turn down work, agencies want to make sure the work they do take on is dream work, and not just whatever comes through the door. We help agencies proactively get the type of work they really want, and from the brands that light them up.” 

The identity was developed by design and brand consultancy DutchScot, and reflects how the new business consultancy aims to visually connect with creative agencies, rather than the ‘anti-design’ look of most lead-gen businesses. The visual language and identity throughout the new brand is a play on the word ‘factory’, to highlight that Future Factory’s hand-crafted approach to lead generation is anything but mass produced.

Jacob Vanderkar, Creative Partner at DutchScot said: "We loved the juxtaposition between the mass-produced, 'Factory' element of their name and the very personable, bespoke, and tailored way in which they work. That felt like a combination that could be really fruitful to play with and it turned out to be exactly that.”

The original Future Factory brand was designed by co-founder Dan Sudron, based on a royalty free vector that the team discovered later, was used by Thom Yorke on one of his album covers. 

Dan Sudron, co-founder added: “While sharing something in common with Thom Yorke was pretty cool for a while - it’s time that we ensured our brand reflected what we do and where we’re headed. The last two years have taught us that you don’t have to be physically in-house to be part of an agency, understand it, represent it, and help with its growth. In that sense, we’re like a surrogate new business team. 75% of the new business connections our team creates are with C-Suite or Director or Head of or VP, and those are the people that hold the budgets and briefs for our clients. We help agencies get back to growth by building connections with the brands that they dream of working with.” 

The rebrand will be live from 6th April. 

[iwanthermidnightz]

*As usual, below I’m sharing excerpts from this article that are noteworthy*

What may come as a surprise to the band’s fans is the news that T.J., 36, is gay. This isn’t a recent revelation for him; he’s known since he was young, and he’s been out to family and friends in his tight-knit Nashville community for years. In some respects, he says, coming out publicly is no big deal. “I’m very comfortable being gay,” he says later, in a quiet room at the office of his management company. “I find myself being guarded for not wanting to talk about something that I personally don’t have a problem with. That feels so strange.”

But his reservations are understandable, given that country music remains a bastion of mainstream conservatism in American arts and culture. If liberal Hollywood is notorious for pushing a progressive agenda, country has historically been its counterpoint—a safe haven for traditional “family values.” Never mind that many country artists, like Nashville as a city, lean blue: They know that their primary market, like the state of Tennessee itself, skews red. The country music business is lucrative, generating $5.5 billion to Nashville’s economy alone, according to RIAA; if artists speak out, they run the risk of alienating listeners, particularly in an era when even anodyne statements of support for a cause can be misconstrued. The tale of the Chicks, formerly the Dixie Chicks, who were exiled after criticizing the Iraq War, looms large over country music. Taylor Swift even cited the band’s ouster as a reason she remained publicly apolitical for so long: “You’re always one comment away from being done,” she told Variety in a 2020 interview.

With this news, T.J. becomes the only openly gay artist signed to a major country label—a historic moment for the genre. He’s had predecessors, of course: Other openly queer artists, from Grammy-winning singer-songwriter Brandi Carlile to masked cowboy Orville Peck to viral hitmaker Lil Nas X, have found success by integrating country influences into their genre-defying music, and country artists including Chely Wright and Billy Gilman have passionate fanbases. But T.J. may be the first to come out with his feet so firmly planted in both the sound and machinery of mainstream country, in the full bloom of his career.

He is worried that coming out will look opportunistic, or attention-seeking. “People will ask, ‘Why does this even need to be talked about?’ and personally, I agree with that,” he says. “But for me to show up at an awards show with a man would be jaw-dropping to people. It wouldn’t be like, ‘Oh, cool!”

What happens next remains to be seen. “I don’t think I’m going to get run off the stage in Chicago,” he says. “But in a rural town playing a county fair? I’m curious how this will go.” The professional risks he’s taking in coming out feel worth it, both for his own happiness and because, well, it’s time. Country music is about storytelling, and that means T.J.’s identity is inextricable from his music. Maybe, T.J. says, country isn’t the most popular genre among gay people. “But is that just because they’ve never had the opportunity to relate to it?”

But being closeted was painful. “It was so lonely and isolating,” T.J. says. “It made me resent people.” A first heartbreak in his early twenties crushed him all the more because he felt like he couldn’t tell anyone. “I was mad that no one knew why I was hurting,” he says. He channeled that anguish into his music. One song he wrote about that relationship, called “21 Summer,” has become a fan favorite, and you can see why: It’s a big, nostalgic singalong with lyrics about cutoff jeans and hair blowing in the breeze. It’s still tender for him—not just heartbreak, but how alone he was going through it. “There are so many times I’ve sung that song and wanted to cry,” he says. “People love that song, but the emotion of it is deeper than they even realize.”

As Brothers Osborne’s career grew, they made gestures toward inclusion, starting with the video for single “Stay a Little Longer,” which featured gay and interracial couples. For the most part, the response was overwhelmingly positive. “And then,” T.J. says, “there were people who were like, ‘Faggot lovers!’” This kind of reaction was especially discouraging for T.J., even amid the affirmation he had received from his family and friends. But staying publicly closeted was suffocating too—not only for him, but for the guys he dated. “Saying, ‘Hey, don’t hold my hand. Someone I know is in here, so can you wait in the car?’” he says. “Rightfully, they would feel unwanted by me.”

The months spent in lockdown due to the pandemic forced some introspection, and he realized the perfect moment to come out would never arrive; he had to create it for himself. “I want to get to the height of my career being completely who I am,” he says, then stops. “I mean, I am who I am, but I’ve kept a part of me muted, and it’s been stifling.”

But there’s also a chance that T.J.’s openness will widen the field for new fans to feel welcome. “Others will now feel invited to the country music party for the first time,” says T.J.’s close friend Kacey Musgraves, the singer-songwriter whose progressive-minded storytelling has helped earn her a mainstream fanbase. “Country music deserves a future even more honest than its past.”

When Ellen DeGeneres came out on the cover of this magazine in 1997, it was shocking to many—both the act of coming out, and how visible she made herself with it. Now, the tides have turned toward quieter declarations of identity, particularly as young people embrace more fluid expressions of sexuality and gender. For high-profile people, a high-profile coming-out has mostly fallen out of favor; a public figure might be as likely now to mention their queerness offhandedly on social media as they are to make a formal announcement. It’s a way of both controlling the message, and also, maybe, of minimizing it.

Even amid calls for greater inclusion, the homogeneity of the top artists in the genre is still striking. “Any steps that have been taken have been purposefully kept small enough to not ruffle feathers at country radio,” says Musgraves.

So I ask T.J. a question, which is: What if there is nothing to move on from? What if being gay is a gift, and your gayness is not something to be tolerated but something to be celebrated, and even if untangling the shame and confusion of growing up gay in a straight world takes a long time, it’s worth doing so you can use your voice, not only to sing songs about cutoff jeans and hair blowing in the breeze but to say, clearly and unapologetically, that this is who you are? What if there are a lot of gay boys in small towns who haven’t figured it out yet and feel overwhelmed by snarky TV sidekicks and glittery pop stars bellowing self-empowerment anthems, and what if those gay boys in small towns got to have an avatar of their own—if they knew that someone like them was singing that song about cutoff jeans and hair blowing in the breeze on the radio? Isn’t that why we spend so much time talking about representation, because as much as it’s a burden, it’s also the only antidote to the loneliness of being different? And—not to tell him how to feel, which is, of course, exactly what I’m doing—but isn’t this occasion, of owning who he is in a place where some people might prefer he didn’t exist, something to embrace instead of something to endure?

[southeastasianists]

According to the World Health Organisation, the first case of COVID-19 was confirmed in the Philippines on 20 January 2020. More than a year after, there are now more than 600,000 confirmed cases, nearly 13,000 deaths and a surge of 5000 new cases in one day. Approximately 41 percent of the total number of confirmed cases are from the National Capital Region (NCR), where Manila is located. The death toll from Duterte’s Drug War since July 2016 ranges from a conservative estimate of 8,663 people according to the UN Human Rights Council, to possibly thrice as high based on statements from the Philippine Commission on Human Rights. The official record from the Philippine Drug Enforcement Agency (PDEA), the agency implementing Duterte’s Drug War, is at 6,011 deaths from July 2016 to December 2020.

Alarmingly, the national pandemic response is even being harnessed in the service of the Drug War with extrajudicial killings registering a 50 percent increase between April and July 2020. Both COVID-19 related deaths and extrajudicial killings linked with the War on Drugs have been popularly represented by the Duterte government as disconnected from, or outside of, all the range and repertoires of repression at the state’s disposal.

Yet prior to the pandemic, Filipinos were already primed for and inoculated to mass loss of life and human rights violations, precisely because of the militarism that has been the logic of security under Duterte’s rule. We can understand everyday life in the Philippines as part of an ongoing continuum of violence, from the first day that Duterte launched his war on drugs, to the present militarised response to the health crisis. The Philippines was already suffering a ‘murderous plague’ which made death paradoxically both an abstract and visceral reality for many Filipinos, even before the disease outbreak.

It matters, therefore, that we constantly articulate how tragedy and mass loss of life are routine and logical outcomes under Duterte and why this government must be made accountable for the murderous plague it has authored. Filipinos must maintain their demands for better leadership, crisis response and management despite the persistent gaslighting by the President, his spokespersons, and enabling members of his regime. The forthcoming May 2022 national elections have prompted discussions on the importance of leadership among specific sectors mobilised by the question, ‘pangulo’ or ‘pang-gulo’ (‘president’ or ‘nuisance’)? At the highest level of power, does the Philippines have someone who leads, or someone who self-servingly obstructs recovery and fuels division?

Drug war and the limits of militarised security

Duterte’s default approach has been to wield the military and police at every crisis. However, this approach generates its own crises because the truncated lens of militarism comes up inadequate in addressing the multidimensional root causes and consequences to much of the global security challenges we are facing today. Based on the best available science, and what COVID-19 is demonstrating globally, state leaders must be able to address a drastically changed security landscape where the heightened intensity and frequency of extreme events will threaten all areas of human life and ecosystems. What has been undeniable is that leaders disastrously fall short of managing crises—whether in the context of armed conflicts, disasters and climate change, or health pandemics—when they do not incorporate a range of perspectives and expertise.

Duterte’s military and police-driven approach to every national decision-making process is exclusionary. He has sought to frame Filipinos, especially frontline health workers who express their discontent, as ‘enemies’ who do nothing but complain. Because he reproduces and invests in militarising crises, he cannot but interpret differing views as an existential threat to his power. The Philippines therefore has a leader that forecloses spaces for civic deliberation and participation at a time when these are most needed.

The drug war has gradually created the institutional and rhetorical foundations that enable other forms of violence: the use of Anti-Terrorism Act of 2020 and ‘red-tagging’ to silence opposition; the compounded suffering of internally displaced communities as resources are diverted away from the forgotten crises in Marawi and Tacloban; and ongoing violence and development aggression against Indigenous peoples and environmental activists. Duterte’s war on drugs has been argued to satisfice the stages of genocide.

Death and disinformation due to ‘infodemic’

The pandemic is also mediated by a pervasive climate of disinformation in the Philippines. The deadly combination of militarism and disinformation has been effective in fragmenting and eliminating political opposition, and in state repression more generally. Over the past years, Philippine democracy has been constantly threatened and undermined by the rapid and increased production and dissemination of misinformation and disinformation. A study has shown how insidious, partisan and curated content is produced and circulated by “architects of networked disinformation”, including influencers, online celebrities, politicians in-house team’s, and marketing companies. These players have weaponized the internet to support and bolster the operations of Duterte’s administration in designing and implementing a political and militarist agenda.

An evident outcome of weaponizing social media platforms is the silencing of dissent. Paid trolls, bot armies and a range of fake news websites run by supporters of Duterte have targeted and harassed individuals and institutions. For instance, in 2018, Maria Ressa, the chief executive of Rappler, was the target of state-sponsored “patriotic trolling”, misogynistic comments and hate speech. Meanwhile, the Philippine government attempted to revoke Rappler’s license in 2018. Notably in 2020, Philippine lawmakers rejected the franchise renewal for ABS-CBN, a Philippine’s broadcasting company also critical of Duterte’s governance.

Misinformation and disinformation also impact the lives of ordinary Filipinos in national and transnational contexts. A report shows that Filipinos spend an average of 4 hours and 15 minutes each day on different social media channels. These online platforms have also been used to sustain ties among overseas Filipino workers (OFWs) and their families. For the ten million Filipinos spread across the world, social media and mobile applications have become valuable tools to remain connected to home. However, these channels serve as key sites for producing and disseminating fake information. For example, a study on the 2019 Philippine election shows how OFWs are targeted by online communities that disseminate falsehoods and manipulative content.

More recently, an ‘infodemic’ has emerged in tandem with the COVID-19 pandemic. The spread of hoaxes and conspiracy theories about COVID-19 and attacks on the credibility of the World Health Organization (WHO) re-victimises all those who have died in the pandemic and the families they have left behind. In a digital environment muddled by falsehoods and inaccuracies, people are afforded narratives that only validate their own pre-existing beliefs and affirm experiences that reflect their immediate or narrow environment. This makes it all the more possible for those in positions of power and privilege to detach (and stay out of touch) from the harsh realities millions of Filipinos are facing.

The use of digital technologies at a time of crisis can stir heightened ambivalence among Filipinos. On the one hand, greater online connectivity affords the maintenance of intimate ties transnationally. However, it is the same connectivity that can potentially be used to distort understanding of social welfare, human rights, and personal and familial futures through the lens of fear. Akin to the pandemic, widespread disinformation is slowly but effectively killing mutual trust and civic participation in Philippine society. It does this by eroding Filipinos’ access to reliable information and their right to thrive in democratic spaces. Crucially, disinformation hinders Filipinos from seeing the structural inequalities, marginalisation and exploitation that implicates us all.  There is neither one person nor a “silver bullet” that can magically vanquish—in six months—what has been built over decades by political and economic systems in the Philippines. It will take care, collective action and mutual responsibility.

Stop the killings; stop the strongman

Crises can provide windows of opportunity to overhaul ossified harms done by this government, and repair what good is left. Deaths and killings may be mundane now but they do not have to be acceptable: not now and not in the future. There is a need to develop antidotes that can reclaim, secure and protect democracy. As the COVID-19 pandemic intersects with Duterte’s murderous plague, Filipinos are faced with clear lessons that can be brought to bear in the next election.

First, there is no path to “rapid” recovery and it takes inclusive governance and leadership to realise long-lasting and “crisis-proof” reconstruction. Moving forward, Filipinos might be more sceptical and suspicious of leaders promising to do everything without demanding shared responsibilities and recognising diverse expertise from the Filipino public. Globally, we are also seeing youth-led protests both from afar such as in the US, and closer in neighbouring Thailand and Myanmar, against police and military violence as well as outdated styles and systems of militarised authority. While their rule may seem inescapable at present, young people are taking the lead in sending a clear message: the myth of the ‘strongman’ is no more.

Second, the killings were indirectly enabled by the political fragmentation and societal division accelerated by digital technologies. What proved most effective in stifling collective action was the framing of political engagements in terms of “camp” politics and loyalties—us versus them / DDS versus Dilawan—instead of under a unifying identity of “the Filipino people.” Duterte’s success in fulfilling an initial populist desire for a ‘strongman leader’ is an outcome of previous failures in crisis response under the Aquino government. Rather than see Duterte and Aquino as oppositional, we need to see the violent continuity between the two different models of leadership.

Third, the rise and resilience of Duterte’s strongman rule is connected with his leveraging of underlying sexism, misogyny, class and regional prejudices in Philippine society. Clearly, Duterte’s misogyny is no laughing matter. Rape jokes are neither humorous nor harmless. His speeches form part of, and feed, societal violence. Finally, the path to stopping the killings will be long and difficult, but necessary. The governance challenges ahead will be more complex and difficult. An indispensable step in this direction is recognising and healing from collective grief on a transnational scale. Then the task of refocusing energies toward building new leaders and political agendas can begin.

[justinsentertainmentcorner]

Sam Lansky at Time Magazine: 

People keep asking T.J. Osborne how he’s feeling, which makes sense, given the thing he’s about to do, but it’s making him uneasy, hearing that well-intentioned question over and over again from so many people—his friends, his family, his team, and even me, over the course of the days that have led up to this one. Now, at a masked-up photo shoot in east Nashville, he insists that he’s feeling good as he slips on a jacket. “I’m ready to put this behind me,” he says.

T.J. is tall and friendly, with a twangy, sonorous voice that often crests into deep, warm laughter. He’s the lead vocalist of Brothers Osborne, the duo he formed with his brother John, a guitarist, in 2012; together they make roots-inflected, soulful country-rock that sounds just as good on the radio as it would filling an arena. Since signing to EMI Records Nashville, they’ve released seven country Top 40 singles and three studio albums, including their swoony, rollicking platinum hit “Stay a Little Longer,” which crossed over to mainstream radio. (Have you ever fallen in love in late summer, gazing out at an orange-and-purple sunset from the bed of a pickup truck? Well, me neither, but this song will make you feel like you have!) The duo has won four CMA Awards, been nominated for seven Grammys, and collaborated with heavy-hitting country contemporaries such as Dierks Bentley and Maren Morris. There’s nothing surprising about the duo’s popularity: Both T.J. and John are engaging performers with a knack for anthemic hooks.

What may come as a surprise to the band’s fans is the news that T.J., 36, is gay. This isn’t a recent revelation for him; he’s known since he was young, and he’s been out to family and friends in his tight-knit Nashville community for years. In some respects, he says, coming out publicly is no big deal. “I’m very comfortable being gay,” he says later, in a quiet room at the office of his management company. “I find myself being guarded for not wanting to talk about something that I personally don’t have a problem with. That feels so strange.”

But his reservations are understandable, given that country music remains a bastion of mainstream conservatism in American arts and culture. If liberal Hollywood is notorious for pushing a progressive agenda, country has historically been its counterpoint—a safe haven for traditional “family values.” Never mind that many country artists, like Nashville as a city, lean blue: They know that their primary market, like the state of Tennessee itself, skews red. The country music business is lucrative, generating $5.5 billion to Nashville’s economy alone, according to RIAA; if artists speak out, they run the risk of alienating listeners, particularly in an era when even anodyne statements of support for a cause can be misconstrued. The tale of the Chicks, formerly the Dixie Chicks, who were exiled after criticizing the Iraq War, looms large over country music. Taylor Swift even cited the band’s ouster as a reason she remained publicly apolitical for so long: “You’re always one comment away from being done,” she told Variety in a 2020 interview.

With this news, T.J. becomes the only openly gay artist signed to a major country label—a historic moment for the genre. He’s had predecessors, of course: Other openly queer artists, from Grammy-winning singer-songwriter Brandi Carlile to masked cowboy Orville Peck to viral hitmaker Lil Nas X, have found success by integrating country influences into their genre-defying music, and country artists including Chely Wright and Billy Gilman have passionate fanbases. But T.J. may be the first to come out with his feet so firmly planted in both the sound and machinery of mainstream country, in the full bloom of his career.

He is worried that coming out will look opportunistic, or attention-seeking. “People will ask, ‘Why does this even need to be talked about?’ and personally, I agree with that,” he says. “But for me to show up at an awards show with a man would be jaw-dropping to people. It wouldn’t be like, ‘Oh, cool!”

What happens next remains to be seen. “I don’t think I’m going to get run off the stage in Chicago,” he says. “But in a rural town playing a county fair? I’m curious how this will go.” The professional risks he’s taking in coming out feel worth it, both for his own happiness and because, well, it’s time. Country music is about storytelling, and that means T.J.’s identity is inextricable from his music. Maybe, T.J. says, country isn’t the most popular genre among gay people. “But is that just because they’ve never had the opportunity to relate to it?”

***

T.J. is short for Thomas John, the inverse of his older brother and bandmate, whose name is John Thomas, named after their father, whose name is also John Thomas, though people call him “Big John.” Growing up in Deale, Md., a blue-collar town on the Chesapeake Bay, T.J. and his siblings—including sister Natalie, who now works for a publisher in Nashville—were always musical, performing alongside Big John’s blues band in local shows. But being closeted was painful. “It was so lonely and isolating,” T.J. says. “It made me resent people.” A first heartbreak in his early twenties crushed him all the more because he felt like he couldn’t tell anyone. “I was mad that no one knew why I was hurting,” he says. He channeled that anguish into his music. One song he wrote about that relationship, called “21 Summer,” has become a fan favorite, and you can see why: It’s a big, nostalgic singalong with lyrics about cutoff jeans and hair blowing in the breeze. It’s still tender for him—not just heartbreak, but how alone he was going through it. “There are so many times I’ve sung that song and wanted to cry,” he says. “People love that song, but the emotion of it is deeper than they even realize.”

[...]

Will conservative radio programmers or rural concertgoers be as eager to play and tailgate a gay artist, even one they already know and love? Both brothers want to believe the answer is yes. “Maybe I’m not giving my fans enough credit,” T.J. says. “Maybe I’m not giving the genre enough credit.” His reasons for doing this now, he says, have nothing to do with wanting to be loved or hated. “I just want to move on,” he says again, and it’s here that I break.

So I ask T.J. a question, which is: What if there is nothing to move on from? What if being gay is a gift, and your gayness is not something to be tolerated but something to be celebrated, and even if untangling the shame and confusion of growing up gay in a straight world takes a long time, it’s worth doing so you can use your voice, not only to sing songs about cutoff jeans and hair blowing in the breeze but to say, clearly and unapologetically, that this is who you are? What if there are a lot of gay boys in small towns who haven’t figured it out yet and feel overwhelmed by snarky TV sidekicks and glittery pop stars bellowing self-empowerment anthems, and what if those gay boys in small towns got to have an avatar of their own—if they knew that someone like them was singing that song about cutoff jeans and hair blowing in the breeze on the radio? Isn’t that why we spend so much time talking about representation, because as much as it’s a burden, it’s also the only antidote to the loneliness of being different? And—not to tell him how to feel, which is, of course, exactly what I’m doing—but isn’t this occasion, of owning who he is in a place where some people might prefer he didn’t exist, something to embrace instead of something to endure?

“Don’t get me wrong,” T.J. says. “When I say I want to put it behind me, I want to put the coming out behind me. Because ultimately it’s a very small detail about me.”

But what if being gay is not a small detail? I ask. What if it’s the most important thing about you? Which is not to say that it should be, or that it is, but just that—what if?

T.J. Osborne of country group Brothers Osborne came out as gay. 

[sirikenobi12]

Creator Tag Game

I was tagged by the absolutely wonderful @mahizli (Meysun on AO3) - 2020 has been overall terrible for many reasons, but it brought me back to the world of Star Wars fanfiction and introduced me to so many amazing writers such as Meysun who continue to inspire my work!

Rules: It’s time to love yourselves! Choose your 5 (ish) favorite works you created in the past year (fics, art, edits, etc.) and link them below to reflect on the amazing things you brought into the world in 2020. Tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome works!

Deception -  Back from an undercover mission Siri Tachi learns of Obi-Wan’s “death” at the hand of assassin Rako Hardeen – but she sees through the Deception (set during The Clone Wars animated series episode 4.15 entitled Deception).

So, this was the very first fic that I wrote after a decade and it’s very dear to my heart! Watching TCW for the first time re-ignited my passion for Star Wars (Obi-Wan in particular) and this arc felt just perfect to bring Siri Tachi into the world of the animated series. This one also started my first series which is finding ways to include Siri into TCW. 

It Takes a Village - The events, consequences and aftermath of the Phantom Menace as seen through the eyes of Obi-Wan’s closest friends. And when they see their friend grieving the loss of his Master, dealing with the fame associated with killing a Sith while also taking on a Padawan (the Chosen One no less) they step in to help because they realize he is in WAY over his head.

This is probably hands down my favorite story that I’ve ever written (so far). This fic not only allowed me to write about not just the difficulties Obi-Wan faced after Naboo, but also Siri having to prepare for her Krayn mission. It gave me an opportunity to discover my love of writing this group of friends and caused me to want to include Quinlan Vos in nearly everything I write! This fic also was special because it was a sort of collaboration with @mahizli and just how much fun it was to write our two fics at the same time! 

Aftermath, the Fall of Kenobi - Obi-wan is struggling, the darkness he felt on Zigoola has come back full force after the death of Satine and he is close to falling. It doesn’t help that Sidious was injured after his duel with Darth Maul and he is now looking to transfer his essence into someone.

This fic nearly killed me, but I am so oddly proud of it! It all started when someone prompted me to try and write a “realistic” depiction of a Dark Obi-Wan and it ended up in the most complicated story I’ve ever written. I have never felt comfortable writing duels or battle scenes and I ended up with huge chapters that showcased probably 15 different characters dueling and battling. This also took me on a wild deep Wookiepedia dive to learn about ancient Sith prophecies and tactics. Even though it was a struggle to write I am so very happy with how it turned out, and it’s one of my more popular stories which is also pretty cool. 

Tested - There is an unspoken rule throughout the galaxy - if you go after a Jedi Padawan you better make sure the Master isn’t breathing. Unfortunately, not everyone follows that particular rule. 15 year old Obi-Wan Kenobi is kidnapped and experimented on by an old enemy and Qui-Gon races to his rescue. 

This is my most recent story and is currently a WIP. I wasn’t expecting this one to be as fun to write as it was, it was really just supposed to be a short writing exercise to see if I could write other characters (like Qui-Gon, Tahl and Mace Windu). It was a super fun surprise to learn just how enjoyable writing these other characters were. Plus, this is so full of angst and Obi-whump how could it not be one of my top 5?? 

It’s also overwhelming just how popular this story is!! Definitely my most popular to date. 

Memoirs of Kadavo - Siri Tachi was the spy who gave Obi-Wan and Anakin the intel on the Zygerrian Queen in order to help rescue the people of Kiros. She did not agree with their plan to infiltrate the slave market undercover, but of course our boys didn’t listen to her warnings. Now, she has to pick up the pieces of three traumatized Jedi.

This was another installment of bringing Siri Tachi into the world of the Clone Wars series and what was supposed to be a simple story that dealt more with Obi-Wan’s mental health after Zygerria instead of his physical turned into a crazy ride through the Force and Obi-Wan’s past. 

This story became a character study of Obi-Wan and also it dealt with the difference between attachment and love. Not to mention it had some quality Siri and Ahsoka bonding which was such a treasure to write (and can’t wait to write more). 

The Jedi Virus -   A deadly and highly contagious virus which specifically targets Midi-chlorians has been secretly created by unknown forces. Siri Tachi and Obi-Wan Kenobi have unknowingly been infected with the virus, and now both are under strict quarantine orders. As they face their fate together in isolation another team of Jedi race to find an antidote before it’s too late.

So, I know this game is only 5 fics, but I’d be remise if for 2020 I didn’t include my quarantine fanfic. I wrote this at the beginning of the lock down in March when it was only supposed to be a couple of weeks and here we are 9 months later and it still relevant. This story started out as just a fun short story with the idea of how fun it’d be to have Obi-Wan and Siri stuck in quarantine together and it became a huge plot that will come into play in some of my future fics. I really enjoyed writing this one!

 Well, there you have it my friends. Thank you again to the wonderful @mahizli for tagging me in this game! I’m tagging other authors who have really inspired my work this year (besides Meysun’s). No pressure tags (I’m sure you’ve all already been tagged): @luvvewan @stolen-pen-name23 @kckenobi harpforhim  @meantforinfinitesadness​  kyitsya @firondoiel 

[martblogs]

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l Pfizer

l Novartis

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