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Astrid Sonne - Great Doubt
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Astrid Sonne’s Great Doubt
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Astrid Sonne
2019 Beursschouwburg, Brussels, Belgium
source: shapeplatform
📸: ???
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Astrid Sonne - "Give My All"
Great Doubt [Escho, 2024]
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1/29/24
Astrid Sonne
Great Doubt
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Slow and a bit forgettable. There are a few tracks here where she definitely branches off into much more experimental concepts. Her voice is supremely relaxing and I can really tell that she's trying for some experimental sounds like Portishead. That is what I noticed the most about this album.
7/10
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Outside Of Your Lifetime - Astrid Sonne (2021)
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Great Doubt, Astrid Sonne (2024)
I can only admire a release which, in every choice and sound and rhythm, sounds so exceptionally thoughtful. Immense thought has been put into Astrid Sonne’s Great Doubt, and immense thought is required to get everything out of it; properly commit, and it’s wonderful.
Pick: ‘Give my all’
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Astrid Sonne - Great Doubt
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Astrid Sonne, Great Doubt
New music Wednesday
The third album by Danish-born, London-based composer Astrid Sonne places significant emphasis on subtle details. Through a sparse yet extremely powerful blend of wonky pop sounds, all along the album, the artist skillfully navigates between a delicate sense of unease and wistful reminiscence, on which she reflects on themes of love, parenthood, and the unknown future.
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Album Review: Astrid Sonne - Great Doubt
#AlbumReview: #AstridSonne - Great Doubt
Sonne delivers a vacuum of negative space with the sounds of her somber and expertly played #viola
@TerrorbirdMedia @Escho #newmusic #review #instrumental
Astrid Sonne is Danish viola player and composer based out of London. On January 26th, she brings us a winter’s lament with her album Great Doubt. Her viola plays somberly and beautifully through her minor keyed atmospheric tracks. The vocals are minimal, like in the track “do you wanna” which asks the simple, yet heavy question — “Do you want to put people into this world?” She does this often…
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Astrid Sonne - Ephemeral IV
from:
Astrid Sonne - Ephemeral Camera Feed (Escho, 2022)
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astrid sonne, “boost”
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