#Audiobooks Market

[imrmarketresearch]

Audiobooks Market

Audio Books Market size is projected to reach 25.51 billion USD by 2028 from an estimated 5.26 billion USD in 2021, growing at a CAGR of 25.3% globally.

Books read aloud by the authors or other vocal narrators are called audiobooks. People who struggle with reading or vision, like to multitask, or even those who don't understand English well can all benefit from audiobooks.

The demand for audiobooks has increased significantly in recent years, and audiobook subscription start-ups are becoming more prevalent. The copyright is always protected and audiobooks are always supplied and listened to digitally on a tablet, smartphone, or computer, cutting down on distribution costs. Audiobooks are now more enticing than their hardcover counterparts because of the play, pause, advance, and rewind features that are integrated into them.

[balrajgis]

https://www.globalinsightservices.com/reports/audiobooks-market

[mostlysignssomeportents]

Kickstarting the "Chokepoint Capitalism" audiobook

My next book is Chokepoint Capitalism, co-written with the brilliant copyright expert Rebecca Giblin: it’s an action-oriented investigation into how tech and entertainment monopolies have destroyed creators’ livelihoods, with detailed, shovel-ready plans to unrig creative labor markets and get artists paid.

http://www.beacon.org/Chokepoint-Capitalism-P1856.aspx

Ironically, the very phenomenon this book describes — “chokepoint capitalism” — is endemic to book publishing, and in audiobook publishing, it’s in its terminal phase. There’s no way to market an audiobook to a mass audience without getting trapped in a chokepoint, which is why we’re kickstarting a direct-to-listener edition:

https://www.kickstarter.com/projects/doctorow/chokepoint-capitalism-an-audiobook-amazon-wont-sell

What is “chokepoint capitalism?” It’s when a multinational monopolist (or cartel) locks up audiences inside a system that they control, and uses that control to gouge artists, creating toll booths between creators and their audiences.

For example, take Audible: the Amazon division controls the vast majority of audiobook sales in the world — in some genres, they have a 90%+ market-share. Audible requires every seller — big publishers and self-publishers alike — to use their proprietary DRM as a condition of selling on the platform.

That’s a huge deal. DRM is useless at preventing copyright infringement (all of Audible’s titles can be downloaded for free from various shady corners of the internet), but it is wildly effective at locking in audiences and seizing power over creators. Under laws like the USA’s Digital Millennium Copyright Act, giving someone a tool to remove DRM is a felony, punishable by 5 years in prison and a $500k fine.

This means that when you sell your audiobooks on Audible, you lock them to Audible’s platform…forever. If another company offers you a better deal for your creative work and you switch, your audience can’t follow you to the new company without giving up all the audiobooks they’ve bought to date. That’s a lot to ask of listeners!

Amazon knows this: as their power over creators and publishers has grown, the company has turned the screw on them, starting with the most powerless group, the independent creators who rely on Amazon’s self-serve ACX system to publish their work.

In late 2020, a group of ACX authors discovered that Amazon had been systematically stealing their wages, to the tune of an estimated $100,000,000. The resulting Audiblegate scandal has only gotten worse since, and while the affected authors are fighting back, they’re hamstrung by Amazon’s other unfair practices, like forcing creators to accept binding arbitration waivers on their way through the chokepoint:

https://pluralistic.net/2020/11/03/somebody-will/#acx

I have always had a no-DRM policy for my ebooks and audiobooks. Amazon’s Kindle store — another wildly dominant part of the books ecosystem — has always allowed authors to choose whether or not to apply DRM, but in Audible — where Amazon had a commanding lead from the start, thanks to their anti-competitive acquisition of the formerly independent Audible company — it is mandatory.

Because Audible won’t carry my DRM-free audiobooks, audiobook publishers won’t pay for them. I don’t blame them — being locked out of the market where 90%+ of audiobooks are sold is a pretty severe limitation. For a decade now, I’ve produced my own audiobooks, using amazing narrators like @wilwheaton​, Amber Benson and @neil-gaiman​.

These had sold modestly-but-well, recouping my cash outlays to fairly compensate the readers, directors and engineers involved, but they were still niche products, sold at independent outlets like Libro.fm, Downpour, and my own online storefront:

https://craphound.com/shop

But that all changed in 2020, with the publication of Attack Surface, an adult standalone novel set in the world of my bestselling YA series Little Brother. That time, I decided to use Kickstarter to pre-sell the audio- and ebooks and see if my readers would help me show other creators that we could stand up to Audible’s bullying.

Holy shit, did it ever work. The Kickstarter for the Attack Surface audiobook turned into the most successful audiobook crowdfunding campaign in world history, grossing over $267,000:

https://www.kickstarter.com/projects/doctorow/attack-surface-audiobook-for-the-third-little-brother-book

Which brings me to today, and our new Kickstarter for Chokepoint Capitalism. We produced an independent audiobook, tapping the incomparable Stefan Rudnicki (winner of uncountable awards, narrator of 1000+ books, including Ender’s Game) to read it.

We’re preselling the audiobook ($20), ebook ($15), hardcover ($27), and bundles mixing and matching all three (there’s also bulk discounts). There’s also the option to buy copies that we’ll donate to libraries on your behalf. We’ve got pins and stickers — and, for five lucky high-rollers, we’ve got a very special artwork called: “The Annotated Robert Bork.”

https://www.kickstarter.com/projects/doctorow/chokepoint-capitalism-an-audiobook-amazon-wont-sell

Robert Bork was the far-right extremist who convinced Ronald Reagan to dismantle antitrust protection in America, and then exported the idea to the rest of the world (Reagan tried to reward him with a Supreme Court seat, but Bork’s had been Nixon’s Solicitor General and his complicity in Nixon’s crimes cost him the confirmation).

Bork’s dangerous antitrust nonsense destroyed the world as we knew it, giving us the monopolies that have wrecked the climate, labor protections and political integrity. These monopolies have captured every sector of the economy — from beer and pro-wrestling to health insurance and finance:

https://www.openmarketsinstitute.org/learn/monopoly-by-the-numbers

“The Annotated Robert Bork” is a series of five shadow-boxes containing two-page spreads excised from Bork’s 1978 pro-monopoly manifesto

The Antitrust Paradox

, which we have mounted on stiff card and hand-annotated with our red pens. The resulting package is a marvel of museum glass and snark.

[Image ID: A prototype of ‘The Annotated Robert Bork]

Bork’s legacy is monopolistic markets in every sector of the world’s economy, including the creative industries. Chokepoint Capitalism systematically explores how tech and entertainment giants have rigged music streaming, newspapers, book publishing, the film industry, TV, video streaming, and others, steadily eroding creators’ wages even as their work generated more money for the monopolists’ shareholders.

But just as importantly, our book proposes things we can do right now to unrig creative labor markets. Drawing on both existing, successful projects and promising new experiments, we set out shovel-ready ideas for creators, artists’ groups, fans, technologists, startups, and local, regional and national governments.

Artists aren’t in this struggle alone. As we write in the book, chokepoint capitalism is the final stage of high-tech capitalism, which atomizes workers and locks in customers and then fleeces workers as a condition of reaching their audiences. It’s a form of exploitation that is practiced wherever industries concentrate, which is why creators can’t succeed by rooting for Big Tech against Big Content or vice-versa.

It’s also why creative workers should be in solidarity with all workers — squint a little at Audible’s chokepoint shakedown and you’ll recognize the silhouette of the gig economy, from Uber to Doordash to the poultry and meat-packing industries.

40 years of official pro-monopoly policy has brought the world to the brink of collapse, as monopoly profits and concentrated power allowed an ever-decreasing minority of the ultra-rich to extract ever-increasing fortunes from ever-more-precarious workers. It’s a flywheel: more monopoly creates more profits creates more power creates more monopoly.

The solutions we propose in Chokepoint Capitalism are specific to creative labor, but they’re also examples of the kinds of tactics that we can use in every industry, to brake the monopolists’ flywheel and start a new world.

I hope you’ll consider backing the Kickstarter if you can afford to — and if you can’t, I hope you’ll check out one of the copies our backers have donated to libraries around the world:

https://www.kickstarter.com/projects/doctorow/chokepoint-capitalism-an-audiobook-amazon-wont-sell

[Image ID: An image of a mobile phone playing the Chokepoint Capitalism audiobook, along with the title and subtitle of the book: 'Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back.']

[Image ID: Are you a writer, a musician, an artist? Is Big Tech eating your brain and sucking your financial blood? Cory Doctorow and Rebecca Giblin’s new book, Chokepoint Capitalism’, tells us how the vampires crashed the party and provides protective garlic. Your brain must remain your own concern, however.’ — Margaret Atwood, author of The Handmaid’s Tale]

[Image ID: I loved this book. It brings a clear and rigorous vision of the chokepoint controls that are breaking our spirit and an equally clear path forward. It speaks directly to creators, would-be artists, writers, and musicians, and all who want a free society alive with culture, dissent, creativity. It helps us all see the locks and chains, and the ways to chisel through them.’ — Zephyr Teachout, law professor and author of Corruption in America and Break ’Em Up]

[Image ID: Creators are being ground up by the modern culture industries, with little choice but to participate in markets that weaken their power and economic return. In this brilliant and wide-ranging work, Giblin and Doctorow show why, and offer a range of powerful strategies for fighting back.’ — Lawrence Lessig, Roy L. Furman Professor of Law and Leadership, Harvard Law School]

[Image ID: This compellingly readable indictment shows how ‘consumer welfare’ regulatory theory has allowed Big Tech to choke creators and diminish choice. Giblin and Doctorow demonstrate that the goal to lower consumer costs means ‘you get what you pay for’: paying less for cultural goods leads to getting fewer creative outputs and enterprises. Chokepoint Capitalism couples its legal-economic critique with provocative, sometimes utopian, prescriptions for fairly remunerating authors and performers.’ — Jane C. Ginsburg, Morton L. Janklow Professor of Literary and Artistic Property Law, Columbia University School of Law]

[Image ID: The great myth of the American economy is that it rewards creators and producers. But Chokepoint Capitalism dares to tell the real story of how it actually rewards the all-powerful middlemen fleecing both workers and consumers. This book is an absolute must-read for anyone who senses that the predominant economic mythology is a lie, who wants to know what’s really happening in this economy — and who is ready to finally start fixing the problem.’ — David Sirota, writer of Don’t Look Up and founder of The Lever]

[Image ID: We all know something is wrong about every click, stream, and purchase we make — unfairly depriving value creators of their worth, while enriching the wealthiest and most extractive entities in human history. Instead of just complaining about the corporate stranglehold over production and exchange, Giblin and Doctorow show us why this happened, how it works, and what we can do about it. An infuriating yet inspiring call to collective action.’  — Douglas Rushkoff, author of Throwing Rocks at the Google Bus and Survival of the Richest]

[Image ID: Twenty years of internet copyright wars got us nowhere — creators are still getting the shaft. Giblin and Doctorow persuasively argue that copyright can’t unrig a rigged market — for that you need worker power, antitrust, and solidarity.’ — Jimmy Wales, cofounder of Wikipedia]

[Image ID: Capitalism doesn’t work without competition. Giblin and Doctorow impressively show the extent to which that’s been lost throughout the creative industries, and how this pattern threatens every other worker. There’s still time to do something about it, but the time to act is now.’ — Craig Newmark, founder of Craigslist]

[Image ID: Chokepoint Capitalism really is a tome for the times. It’s comforting to feel validated and terrifying to realize I was right all along! And now, to action! The revolution will not be spotified!’ — Christopher Coe, artist and cofounder of Awesome Soundwave]

[Image ID: If you have ever wondered why the web feels increasingly stale, Chokepoint Capitalism outlines in great detail how it is being denied fresh air. Over the past two decades, we have seen an immense consolidation of power, depriving us of fresh visions for what the web could be and contorting art and culture to flatter the objectives of a few platforms. This book does a remarkable job of identifying the blockages and surfacing ideas on the margins that could reroute us. I’m grateful it exists!’ — Mat Dryhurst, artist and researcher, NYU’s Clive Davis Institute of Recorded Music]

[Image ID: Chokepoint Capitalism is more than a clarion call for a new, necessary form of trustbusting. It’s a grand unified theory of a decades-long, corporate-led hollowing out of creative culture. It will make you angry, and it should.’ — Andy Greenberg, writer for WIRED and author of Sandworm and Tracers in the Dark]

[Image ID: If you’re halfway through this book and aren’t boiling mad over the way contemporary capitalism has deformed and crippled culture, get your head checked. Chokepoint Capitalism is a Why We Fight for a long-overdue uprising. Rebecca Giblin and Cory Doctorow lay out their case in plain and powerful prose, offering a grand tour of the blighted cultural landscape and how our arts and artists have been chickenized, choked, and cheated. But it’s more than just a call to arms; it also provides a plan of battle with inspired strategy and actual tactics — ways that we can all channel that anger and make real change.’ — Kaiser Kuo, host and cofounder of The Sinica Podcast]

[Image ID: The story of how a few giant corporations are strangling the life out of our media ecosystem is one of the most important of the decade, and Giblin and Doctorow tell it better than anyone. Searing, essential, and incredibly readable.’ — Adam Conover, comedian and host of The G-Word]

[Image ID: Chokepoint Capitalism is not just a fascinating tour of the hidden mechanics of the platform era, from Spotify playlists to Prince’s name change, but a compelling agenda to break Big Tech’s hold. It presents a clear new way to think about corporate power — and a path to taking that power back for cultural creators and all of us.’ — Eli Pariser, author of The Filter Bubble and cofounder of Avaaz]

[Image ID: Chokepoint Capitalism is a masterwork. Rebecca Giblin and Cory Doctorow lay out in chilling detail how the deck is stacked against artists, the relentless corporate drives to control production and distribution through technology and deregulation, and how oligopolies deprive gifted artists of fair compensation by eliminating true competition. But they don’t stop there: this is also a useful handbook to take on that power structure. Giblin and Doctorow remind us that when individuals understand the value of their work, they can create the necessary leverage to challenge the status quo and retake what is rightfully theirs. Both frightening and uplifting, it’s a necessary read for any artist in the entertainment industry.’ — David A. Goodman, writer, executive producer of The Orville, and former president of the WGA Wes]

[Image ID: Anyone who cares about culture can see that something is deeply amiss in the ‘creator economy’ that today’s artists are obligated to participate in. Rather than simply lamenting the problem or falling back on clichés about starving artists, what Rebecca Giblin and Cory Doctorow do in Chokepoint Capitalism is to make clear the overall pattern that drives the exploitation of artists, from music to gaming to film to books. And they lay out a credible, actionable vision for a better, more collaborative future where artists get their fair due. Every creator will find inspiration here.’ — Anil Dash, CEO of Glitch]

[anhed-nia]

These THINGS are in my ROOM. I keep covering my eyes and saying ARE THEY STILL THERE?, and then I look and they ARE. They EXIST. Be warned, this can happen to you too if you pre-order my SPLICE novelization from Encyclopocalypse Publications! Eternal thanks to the extremely supportive Vincenzo Natali for making my life much, much weirder.

[thealogie]

I was gonna say “who the fuck is quinn” but fortunately I know how to use Google so I don’t embarrass myself in front of the kids 😌

[alwaysalreadyangry]

just finished listening to emma southon’s book a fatal thing happened on the way to the forum, and

1) i went in to this knowing less than nothing about the romans. like, you might think that surely any adult with a degree in english literature would be expected to know something, but no. i didn’t really know about the distinction between the roman republic and the roman empire, let alone understand that rome had originally had an actual proper monarchy.

2) i have retained very little in the way of names and how they relate to things that actually happened, which is my own fault really for listening to it on audio. but i do now have a general sense of rome as a place full of horrible death and terrible executions and a total lack of intrinsic value of human life.

3) the sense of humour, which is all very 2016-era twitter and tumblr, grated on me until it didn’t. and then it did grate on me a bit more. it’s weird because the book at times talks about incorrect or at least probably incorrect things in popular children’s history book series horrible histories, but it’s written a bit like horrible histories for adults. people on goodreads don’t like the swearing - i don’t care about the swearing, i just think the humour has already aged a fair amount and will continue to age very quickly. like… despite the fact that the book discusses its sources the whole way through it doesn’t feel like something i can actually, you know, trust.

4) i do now want to write fanfics about immortals andy & quynh with one of them as a vestal virgin getting buried alive and the other one having to dig them out so they don’t just keep dying/reviving/dying again. seems like a fun story concept to me, personally

[era13479-blog]

Jazzy World Chapter 6: Boo! Boo! Growl! Halloween!

Jazzy World Chapter 6: Boo! Boo! Growl! Halloween!

For all those doggies and Pet Parents out there! Here are a few ideas on how to celebrate your Halloween fun with your furry friend. Check out #jazzywazzy slideshow of doggie costumes, pet parent costumes and treats. Don’t forget to view the Halloween dog treat recipe from pillsbury.com. Finally, someone made treats with MEAT for us dogs (carnivores)! “Costumes, candy, and mummy hot dogs—that’s…

[loonarmuunar]

Longing for the forbidden Zora plush

There’s probably a reason why the glow-in-the-dark Molly and Trixie were made and not her, idk I don’t have Twitter, I just found this on a link. But still I yearn…

[hypaalicious]

Hey. Do y’all like audiobooks? 👀

Cause the one for my novel just dropped! [Link]

Working with her was such a joy and I feel she did an amazing job! Part of my worries when it came to finding the right voice was ofc when it comes to AAVE, but she killed it and really made me feel like I was listening to a play being performed. She brought my characters to life in ways I’m still blown away by 🥹

Full disclosure: I normally do not indulge in audiobooks because I can read much faster than someone reading to me, and my ADHD causes my mind to wander and words just become background noise after awhile. It’s just hard to keep my attention 😭 But Rose kept me seated through each chapter. So for that alone she deserves her flowers!

Bullet Points about Fated to Flame:

Black female main character

Reluctant heroine? Check!

New Adult goodness

Portal Fantasy realness

Third person perspective

Shenanigans between (sexy) demons & dragons

Romance sub-plot with a hint of queerness

My pinned post has the real synopsis, but ya know… I’m tryna truncate for those who want the main deets. Also, I’m gonna plug the cover art again because it’s pretty!

[deacf-coffee-is-a-sin]

yall i know im late to the party but u HAVE to read 13 storeys by jonathan sims. holy fucking shit this book was so fucking good

[coffeeandcalligraphy]

some days you’re just going through your typical routine and bam you are once again 30% through a reread of cleanness by garth greenwell

[gmaybe666]

thinking about my interests save me. thinking about my interests save me from an 8 hour shift at a job I hate. please.

[balrajgis]

Audiobooks Market to record robust growth rate in coming 10 years | Apple, Google

Global Audiobooks Market report from Global Insight Services is the single authoritative source of intelligence on Audiobooks Market. The report will provide you with analysis of impact of latest market disruptions such as Russia-Ukraine war and Covid-19 on the market. Report provides qualitative analysis of the market using various frameworks such as Porters’ and PESTLE analysis. Report includes in-depth segmentation and market size data by categories, product types, applications, and geographies. Report also includes comprehensive analysis of key issues, trends and drivers, restraints and challenges, competitive landscape, as well as recent events such as M&A activities in the market.

Audiobooks are a type of book that can be downloaded and listened to on a portable device, such as a smartphone, tablet, or mp3 player. They are becoming increasingly popular as people look for ways to fit more reading into their busy lives.

Audiobooks are usually read by professional voice actors, who are able to bring the book to life in a way that is enjoyable to listen to. The recording is usually of high quality, and the listener can choose to have it play at a faster or slower speed, depending on their preference.

Request Sample Report – https://www.globalinsightservices.com/request-sample/GIS10122/

Key Trends

There are a few key trends in the audiobook market:

The rise of digital audiobooks. With the advent of smartphones and tablets, more and more people are listening to audiobooks digitally. This trend has been growing steadily in recent years and shows no signs of slowing down.

The popularity of audiobooks among commuters. With the rise of digital audiobooks, commuting has become a great time to listen to books. This is especially true for people who live in cities and have long commutes.

The rise of audiobook subscription services. With the popularity of audiobooks, many companies have started offering subscription services. This trend is likely to continue as it is a convenient and affordable way to listen to a large number of books.

Key Drivers

The first driver is the increasing popularity of digital devices. More and more people are using smartphones and tablets, and they are increasingly turning to these devices for entertainment and information.

The second driver is the growing awareness of the benefits of audiobooks. As more people learn about the advantages of audiobooks, such as the fact that they can be listened to at twice the speed of normal speech, they are more likely to give them a try.

By Genre

Fiction

Non-Fiction

By Device

Smartphones

Laptops & Tablets

Personal Digital Assistants

Others

By Business Model

One-time Download

Subscription-based

By Target Audience

Kids

Adults

Key Players

Amazon/Audible

Apple

Google

Spotify

iHeartRadio

Pandora

Request For Customization – https://www.globalinsightservices.com/request-customization/GIS10122/

About Global Insight Services:

Global Insight Services (GIS) is a leading multi-industry market research firm

headquartered in Delaware, US. We are committed to providing our clients

with highest quality data, analysis, and tools to meet all their market research

needs. With GIS, you can be assured of the quality of the deliverables, robust

& transparent research methodology, and superior service.

Contact Us:

Global Insight Services LLC

16192, Coastal Highway, Lewes DE 19958

E-mail: info@globalinsightservices.com

Phone: +1-833-761-1700

[updated-reviews]

Elevate Your Marketing Videos: The Power of AI Text-to-Speech with Different Voices

In today's fast-paced digital world, capturing audience attention is more crucial than ever. Marketing videos have become a cornerstone of successful marketing campaigns, offering a dynamic and engaging way to connect with your target audience. However, creating high-quality video content can be a time-consuming and expensive endeavor, especially when it comes to professional voiceovers.

This is where the magic of AI text-to-speech (TTS) technology comes in. Imagine a world where you can transform your marketing scripts into captivating voiceovers with just a few clicks. AI text-to-speech allows you to do just that, offering a powerful and versatile tool for businesses of all sizes. By leveraging the power of AI, you can create professional-sounding voiceovers in a variety of styles and languages, all at a fraction of the traditional cost.

Beyond the Human Voice: Unveiling the Versatility of AI Text-to-Speech (AI text to speech different voices)

Gone are the days of being limited to a single voice narrator. AI text-to-speech technology boasts a vast library of AI voices, each offering unique characteristics and personalities. This opens up a world of possibilities for your marketing videos. Imagine tailoring the voiceover to perfectly match the tone and style of your brand. Need a friendly and approachable voice for a product explainer video? AI has you covered. Creating a high-energy commercial? No problem! The variety of AI voices allows you to select the perfect narrator to resonate with your target audience and enhance the overall message of your video.

But the versatility of AI text-to-speech goes beyond just voice selection. Many platforms allow you to fine-tune the speaking style, adjusting the pace, pitch, and even adding emphasis for dramatic effect. This level of control empowers you to craft the ideal voiceover that seamlessly integrates with the visuals of your video, creating a truly immersive experience for viewers.

Crafting the Perfect Tone: How AI Creates Emotionally-Charged Voiceovers (convert text to speech with emotions AI)

The human voice is a powerful tool for conveying emotions. A skilled voiceover artist can inject the right amount of enthusiasm, authority, or warmth to captivate the audience. But what if you could achieve the same level of emotional resonance with AI? Believe it or not, AI text-to-speech technology is rapidly evolving to incorporate emotional intelligence.

Some advanced platforms allow you to choose from a range of pre-programmed emotional styles, such as joyful, persuasive, or urgent. This allows you to tailor the emotional delivery of your voiceover to perfectly compliment the message you're trying to convey. Imagine a heartwarming ad for a charity using a gentle and compassionate voice, or a product demonstration packed with excitement and energy. AI text-to-speech empowers you to evoke the desired emotions in your audience, fostering a deeper connection and ultimately driving results.

Elevate Your Reach: Expanding Your Audience with Multilingual AI Voices (AI text to speech for marketing videos)

The global marketplace offers a vast pool of potential customers. However, language barriers can often present a significant hurdle for marketing campaigns. AI text-to-speech technology breaks down these barriers by offering a multilingual solution. Many platforms support a wide range of languages, allowing you to create voiceovers in the native tongue of your target audience. This not only enhances the overall understanding and engagement of your videos but also demonstrates a commitment to catering to a global audience.

Imagine reaching new markets and expanding your brand awareness without the need for expensive voiceover translations. AI text-to-speech provides a cost-effective and efficient way to localize your marketing videos, ensuring your message resonates across borders.

From Budget-Friendly Options to Premium Solutions: Choosing the Best AI Text-to-Speech Software (best AI text to speech software)

The beauty of AI text-to-speech technology lies in its accessibility. A variety of options are available, catering to different needs and budgets. For those just starting out, several free AI text-to-speech converters (free AI text to speech converter) offer basic functionality. These platforms can be a great way to experiment with AI voiceovers and see if they align with your marketing strategy. However, keep in mind that free options may have limitations in terms of voice selection, audio quality, and customization features.

For businesses seeking a more professional and feature-rich solution, several premium AI text-to-speech software providers exist. These platforms offer a wider range of voices, advanced control over audio parameters, and even integration with text to speech API with AI for seamless workflow integration with your video editing software. While premium options come with a cost, the investment can pay off handsomely, allowing you to create high-quality marketing videos that truly stand out from the crowd.

[dyrewrites]

In the Marrow - now on Audible!

Listen to my weird little voice tell you a story about a lady and her haunted bones.

It could be fun.