#Backsliders band

[sonic-gonzo]

Last night at the Vanguard Newtown NSW Australia - BACKSLIDERS (040223) 

[mysadblacksoul]

Backslide - 3/13 of the Clancy album

Grab a coffee and let's start this madness

MV

Tyler is wearing the same clothes that he wore in Overcompensate MV to I would assume that this MV takes place right after

Let's break down the signs first

We see the return of Ned Bayou as well as FPA, now standing for Food Petrol Etc.

You can buy 9 buns for $21, love the symbolism

There is a Jim sign omg. Baby is having his own bubblegum business

Of course the Bishops sign with 9 lines marked on it

I could've sworn that the black sign says "Dema Vapes", but looking closely I believe it's "Velma Vapes" lol

What is more, the cones (?) are yellow and I'm pretty sure that the fact that there are 5 of them is not an accident

They sold him bread that went bad lol. Nah for sure it's not the case since he gives the same bread to a child

But I believe that the scene and the lyrics are closely tied with Stressed Out

Now the next scene is interesting

I think that the bad weather is a simple metaphor for feelings of anxiety or fear

We can see that Tyler was contemplating then he was suddenly pulled from his thoughts

This is when the scene changes to normal, right? Exactly on the line It's over my head

Then we move to the scene with the kid

And I really believe that this little lad is personification of Ned

Like he has the same boba eyes lol

No but for real, this is parallel to Chlorine - kid is giving Tyler a cup just like Tyler gave to Ned. Yet he accepts it and drinks whatever is inside and Ned just shudders

Another interesting thing, that could make my point more valid is that the kid literally asks Is that a stain? You should change / Are you doin' good? / Did you solve all of your problems? like he knows Tyler very well and is in a way looking out for him

It's like he's keeping Ned by him - okat I'll stop

It might be a stretch, but the N kinda looks like a mirrored band symbol, do you also see it?

If 0.75c is equivalent to the cost of one bun than Tyler is being ripped off since he paid $21 for the pack instead of $6.75 lmao

Something is really wrong with those buns lmao

Then the mood changes again, but this time is even worse. Like his mental health is declining even more and even faster

The bread is wet, the day is ruined, thanks Mr. Joseph

You killed it Josh, love your creative mind

*funny music stops*

Now let's talk about the way how the MV is looping itself

I would say that it is a demonstration of the twisted circle that is life

Maybe it's a very basic analysis but I think of all the complicated lore-oriented MVs this one is uncomplicated

What is shown here is how our psyche can play tricks on us and how we can complicate a rather simple situation ourselves

If Tyler hadn't had dark thoughts then nothing would have happened to the bread, so he would have just gone and given it to Josh

This shows how our psyche itself can abolish the situation in which we find ourselves

Looping, on the other hand, shows that as long as we don't do anything about it ourselves, we will be stuck in this fishbowl (see what I did there?)

Maybe it's one big AD to check your mental health and a sign to try to get better

Lyrics!

Rat race, place to place, adding weight / Tendencies on repeat, innit? - rat race for sure happened in Dema, and repeat is literaly the loop, innit meand that Clancy is canonicaly British

Benefit from a shoe with no lace - shoe with no lace would make you fall back on the behaviour that you are running from

Take the seat with the crease in it - seat of someone who already tried to change their life, or even who had the same dreams and hopes for better future like Clancy

This could be parallel to When I leave, don’t save my seat/ I’ll be back when it’s all complete from Chlorine

I don't care, you control me / Leading me anywhere - well, all I should say is Dema don't control me and we all know the rest of the story

I don't wanna backslide to where I've started from - he doesn't wanna go back to his back habits as well as doesn't wanna go back to his life before he tried to escape

There's no chance I will shake this again - if he falls back one more time that will be the end of him. His psyche won't take it anymore and his plans will be buried

'Cause I feel the pull, water's over my head - this is parallel to Fall Away And I, I can feel the pull begin. But it also gives me the parallel to Holding On To You MV, the scene with the rope

Strength enough for one more time - like I said, this would be the last attempt to change everything

Reach my hand above the tide - it could indicate that his physical strength is also wearing out

I'll take anything you have / If you could throw me a line - again with the line. But it also can mean that he can endure anything now, he just needs a little helping hand

I should've loved you better - this line can be directed both to himself but also to the person who extends his hand to help. He might not have appreciated both parts before and now regrets it

Do you think that now's the time / You should let go? - This line is like both a request and an apology. As if he wants to say “I'm sorry I treated you badly before but please don't leave me when I need help”

Bad place, on a hundred-dollar bass - this line is also giving me Stressed Out. You can imagine the cheap bass being transported on the bicycle right?

Kinda wishin' that I never did "Saturday" - I think that he doesn't mean the MV irl lol, but the regret of taking part in Bishops' manipulation altogether

Is that a stain? You should change - a play with mentioning Saturday and the lirycs She said that I should change my clothes

Are you doin' good? / Did you solve all of your problems? - like I said before I believe that this is Ned looking out for Clancy, wishing him well

Thanks for asking, in a way, but / Accidentally uncovered a new one yesterday - safe to say that he is not doing better lol

What happened to what I brushed under the rug? - what happened to how well he used to be able to hide his problems and true feelings

I used to be the champion of a world you can't see / Now I'm drowning in logistics - if viewed as a fact that he created this world it now looks like he wants to regain all control over it. Logistics is to take care of the management of planning. And once again we see the mention of drowning

The bridge is acting as an externalization of his myhs and fears that even if he is outside the Dema, the Bishops will still have control over him

The entire song is about both regaining conrol over the world of Dema but also regaining control over himself, his psyche.

The main theme is about not going back to old habits.

The most important thing here is progress and pushing forward.

Because one wrong move can make all the work in vain and we will sink to the very bottom.

Safe to say that I liked it haha

[m4rg4r3t-008]

pardon my delay but I only now realised I can make art of them ;>

[forcebookish]

idk about u guys but i'm still mourning nicksand

[soubiapologist]

like i'm going to be real. i love love love evangelion, it was my primary fandom for many years, but "my life is worth living!" didn't do much for me. whatever the hell is going on with soubi though. now that hits

[snapbackslide]

can we talk about how in the livestream tyler said he titled the ‘at the risk of feeling dumb’ mv ‘progression of height’ and considering the repetition of ‘drop’ in the song it could represent how the more time goes by the higher the ‘drop’ would be and the more damage it would do… hmm

[m1ssunderstanding]

Understanding Lennon McCartney Rewatch Part 3.1

I thank my lucky stars every night that Yoko eventually got sick of playing secret-keeper.

Paul: I didn't leave the Beatles. The Beatles have left the Beatles . . . John said he wanted a divorce. Alright, so do I. See how they say “Beatles” and they mean each other sometimes?

Derek Taylor on John's position on the break-up: if Paul were to approach him and say “let's do it together again” he probably would; with no more words, he would probably do it. Which is an insane claim to make to a world full of people grieving the greatest band to ever exist unless you are very very sure of that probability. But if it's true that that's all it would have taken, and Paul didn't do it? That hurts my head a little. Do we think he was just hurt too bad to want it back? Do we think he didn't know he had that kind of power? Do we think he was glad to be free of the group?

Ugh my heart can't take it. I'd cry too, John, watching that. I mean look at how they are looking at each other. Look at everything they've lost in a year. I'd bawl like a baby too.

Paul sends John a long, thorough letter, begging for them to legally end their partnership outside of a court. John's run out of cards at this point, but he still doesn't want to lose Paul, so he's just going to play dumb.

This is how bad he doesn't want to lose him, actually: he goes along with Klein in tricking Paul this time. Calls him up and asks him to come to the studio for a jam session, because it'll hurt his case in court. But for multiple reasons – the Eastmans were knowledgeable lawyers, and Paul might not have even wanted to be in a room with John at the time anyway – Paul doesn't come. Which John would've been hurt and angry over, no matter his motives.

"They tell you to stop crying at about age twelve. Be a man. What the hell's that?" I'm so proud of John for his (albeit long and backsliding) journey out of his toxic masculinity and violence. Something I honestly don't see him achieving without Yoko.

And from that quote it transitions to Paul in Scotland, looking like the embodiment of depression, as the opening of “Isolation” plays. It's perfect.

“And don't try to come over here. Or you might get in some trouble.” The way he just froze when he saw them filming him and then the next thing we see is him threatening them? Get ‘em, babe!

John sounds so giddy about this one-upping competition with Paul. I'll scare him and then he'll scare me!

The whole Lennon Remembers era is such a terrible case of diarrhea of the mouth in general, but the amount of homophobic language is quite striking compared to how John talked before and after.

John, talking about George in Rolling Stone: "he was working with two fucking brilliant songwriters and he learned a lot from us." People read that quote and just parrot it like they do with everything John said in this period and act like George had nothing to be angry over. He had every right to be much angrier and hold a much bigger grudge than he did.

And about George's new record, which was phenomenal and brilliant, John is transparently jealous and so cruel. If he'd said that about me and then asked me to play on his new record I'd tell him to go to hell. Why did George do it?

See and everyone who knows John knows how much he loved Brian and to hear him speaking so crassly and cruelly about Brian must've been a sure indication to them to just take the entire interview through that lense of “oh he's just saying shit”. But that's only the people who knew him. Everyone else for the rest of time took this shit as constitutional. And it pisses me off. It should be locked away in a vault somewhere and no one is allowed to listen to it until they've passed some kind of Beatles and emotional intelligence tests.

This crushes my soul. How warped must his definition of love have been by that point that he genuinely believed Phil Spector and Allen Klein loved him more than Paul and George did? It's bonkers.

John in 1967: all you need is love! John in 1971: the point of life is to manipulate people. . . . What the hell happened to you, buddy?

I go back and forth as to who's the smarter PR person: John or Yoko? Because maybe she's right. Maybe they shouldn't divulge that they're master manipulators. But is this one of those times when it's good to be all “look how honest we are about this! We're not hiding anything! We're saying bad things about ourselves too! So you should believe us about everything else!”

Really this documentarian should be hired to make all the music videos for all the Beatles and solo songs. This one for “Too Many People” is perfect. Paul walking into court with a full beard and a confident stride, John and Yoko in bed, Paul horse riding overlayed on Linda's gorgeous face like she's some goddess, designing his fate. All of it is just pure brilliance.

I'm forever laughing at just the title of the song, too. Because to John and Yoko it was so important that they were Weird and Off-putting. Different. Revolutionary. And to say “no. You're not special. There's actually an excess of people like you.” Is so funny to me.

“When she wants an A side, that's when we start fighting.” Oh gosh. Remember how I said he backslides a lot in his feminism journey? Yeah…

Insanity quote Hall of Fame. Yeah, I know he meant to say it's weird to be best friends with a woman. But it sounds like he's saying it's weird to fuck a woman. Which maybe he subconsciously means both idk.

Paul: we need to legally dissolve the partnership because it's the only way we're attached anymore. Ouch. Okay it's true. It's deserved. But that must've stung for the guy who was terrified of losing people. Must've sent him into fight or flight.

I think the point of this framing is to say that if they'd had facetime back then, instead of just crackly phone lines, HDYS would not have been written. Not with those puppy eyes staring him down like that.

Interviewer: the song wasn't even funny though. John: well I think it's hilarious. Interviewer: hmm. Lol I love hearing interviewers talk to John about his lyrics like he's a real guy doing a real job, though. Imagine a music critic now saying John Lennon wasn't clever in his lyrics. You can't, yeah. Me either.

What a slap in the face to Cynthia. Guess she wasn't Cool Girl enough. Should've gone girled him. That would be an excellent fic. Cyn and Jane gone girl their idiot bfs and John and Paul realize they're in love on death row. But anyway, yeah. If Paul would've just pet John's head . . .

Another absolutely bonkers thing to say. That's something the Rockstar’s ex wife says in a documentary ten years after he's dead, not something a songwriting partner says, completely unprompted, in an exiting the band interview.

And then he goes off on what I see as a self-soothing diatribe on Paul the family man. You can see the hoops he jumped through to get himself there. What did Paul want that I couldn't give him? A family. And is that justified? Absolutely not, only pussies and conservatives want families.

Allan Klein: were you and Paul ever really close, then? John: no. John: not that I didn't love him. I did. It's just that every time I let my guard down, he hurt me. Holy shit. At this point, after getting hit in the face with so much of John's Paul-made pain with nothing from the other side but pictures of the happy McCartney family, I'm genuinely feeling quite angry at Paul. Me. An extremely biased Paul girl who knows it's far more complicated and multi-dimensional than this. No wonder the uninformed public fucking hated his guts.

And as they're showing this quote, “I didn't want to hurt you,” plays mournfully in the background. They really are so twisted up in each other there's no separating individual identities.

Okay so he's a psychopath. So what? He's the sexiest man that ever was or ever will be. He's allowed to be a horrible person. No, but really. He's Get Back Paul but healthier. He's done with his depression drinking and he's been spending a lot of time proving he's still useful enough to exist by building fences and shearing sheep.

And this is how Paul talks about George to interviews. John said Klein made ATMP a success but Paul disagrees. "George recorded it all, wrote it all, did it all, wasn't anything to do with [Klein]. It was George's victory, wasn't it?" Compare that to how John does it and tell me again why the hell George is Team John?

What is Paul's obsession with daddies? Actually I know exactly what the obsession with daddies comes from, but we won't get into that here. I do find it interesting that in ‘69 he's saying “we do need a sort of central daddy figure.” And in ‘71 he's deriding John needing one and won't let John's daddy of choice touch him with a hundred foot pole.

I tend to think Paul chafes against authority in general, but that's actually not right. He never had a problem with George Martin. I think it's just abusive authority or authority he doesn't trust yet.

[goth-oatmilk-latte]

I looked really nice for someone who ended up sweating all this makeup off. my fav local band remembered me and played my fav song 🥺

[mysadblacksoul]

Backslide - breakdown and theories comming very soon

[multiplicity-positivity]

Happy Disability Pride Month!!

From one disabled system to another, we’re wishing y’all peace, comfort, safety, joy, and rest this month (and always!).

Please remember:

- it’s okay to go slow and take it easy

- it’s okay to be frustrated and angry at inaccessibility and ableism

- it’s okay to backslide, regress, or have bad days

- it’s okay to cherish your own disability and take pride in it

- it’s okay to ask for and request accommodations

- it’s okay to be your authentic, disabled self!! Your existence is never an inconvenience!

Disabled systems are the backbone of the plural community - we owe these spaces to the disabled systems who advocate for each other, lift each other up, relate with our struggles, and celebrate our victories! Let’s keep fighting for each other, banding together, helping each other, and creating a more welcoming community for other disabled systems!

This blog will always be a welcoming space for systems of ALL sorts, and it is our goal to keep this blog as accessible as possible. Please don’t hesitate to reach out if there is any way our blog can be more accessible for you and your system!

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[moons-epiphany]

clancy album review

i have finally listened to clancy and watched all the music videos so i thought it'd give a little album review

okay first i'll give each song a star rating out of 5 which will mean:

1 star = i didn't like it

2 stars = it was okay

3 stars = i liked it

4 stars = i really liked it

5 stars = i loved it

(also disclaimer in case anyone tries to come for me lmao - i've been a clikkie since 2016 back when i was a young cringefail teen so just bc i'm not a massive fan of all of their songs does not mean that i hate the band or that i'm not a true fan or anything. fans can be critical of the bands/media they like and in fact i encourage it. okay anyway, let's go.)

album rankings

and, because why not, here's my ranking of all of the top albums so far:

trench (5 stars): you can take this album from my cold dead hands. i firmly believe that this was top's best album music wise. (also the bandito tour was an overwordly experience that i'm grateful i saw twice so i'm very biased towards this album).

vessel (5 stars): my favourite album (despite being second). it's very nostalgic for me. when i think of twenty one pilots i usually think of guns for hands first as both the song and music video are peak.

blurryface (5 stars): i love every song from this album :) also tear in my heart was the first ever twenty one pilots song that i listened to <3

self-titled (5 stars): every song is a banger. ate no crumbs.

regional at best (5 stars): again every song is a banger.

clancy (4 stars): some songs will have to grow on me but i largely like most of it.

scaled and icy (4 stars): i did really like this album and i did like the sound but only after listening to it a few times (and the live stream experience really helped me to like it even more because that slapped).

track rankings

alrighty now for the actual songs themselves. also another disclaimer, i'm not a musician, i don't know a lot of the terms lmao i'm just a sensory seeking autistic and listen to music a lot. also i listened to all the songs first and then watched the music videos (not including the singles - overcompensate, next semester and backslide - though) if that adds anything at all.

1. overcompensate (4.9 stars): okay the reason why i put my album ranking is because you need to know how much i love trench lmao. the bandito sample at the start was the peak of the album for me. the rest of the song is why it's a 4.9 (i'm being kinda petty with this lmao) and not a 5 star song but i have listened to it a bunch of times and it is a banger. also the muscial video created the perfect level of hype for the album, it made me very excited for the rest. a strong opener indeed!

2. midwest indigo (5 stars): now i know it might be silly to have a 5 star song below a 4.9 star song but listen this is my ranking list and i can do what i want ;3*. when this song first played it reminded me of what i call my "don't stop believeing" song. essentially, songs like these make me react like how every white person, like myself, reacts to don't stop believing when it comes on. that song for me is magnolia by gang of youths. as soon as the first note is heard, i am up. midwest indigo is a close second to magnolia. this is the highest praise i can ever give to a song lmao. also the music video is very twenty one pilots to me seen by tyler tweaking on the ice and dancing - remember when i said that guns for hands is the first thing i think of when i think of twenty one pilots and have you seen how weird he dances in that music video? /pos (dw this is a compliment) [*it's second and not first because overcompensate is a certified twenty one pilots song, if you don't know what that means, i can't help you just trust me on this.]

3. at the risk of feeling dumb (5 stars): okay so this song just makes me want to cry because 1) it hits close to home and 2) i'm going through some shit right now and this song just perfectly describes it. i also love the music video, it may be simple** but i really like it. the way that at the end it gives like classic band vibes? like i can think of a lot bands that have had that same shot of very close up to the camera stood on top of a building lmao. [**in comparison to some of their higher production music videos with the special effects and what not]

4. vignette (5 stars): as soon as this song started i liked it. it gave me gang of youths vibes (one of my fav bands, listen to magnolia linked above!!) tyler's vocals in the chorus come throughhh (this means that i loved them). such a groovy and cool song, how can you not like it is the real question. i also love the shouted (or at least in top terms just a slight volume rise lmao) "where do i go from here?". and don't get me started on that little music break oooooh so stimmy. the "(denial)" part after "no-no, not me, it's for a friend" is also hilarious in a way i can't describe. the music video: what was that red piece of paper??? that's a lovely portrait of josh, but tyler, what is that paper????

5. navigating (5 stars): loved this song as soon as it started, i loved the groovy retro almost 80s vibes to it?? and in typical top fashion i thought "oh this song sounds groovy the lyrics must be really sad" and then bro started saying "disassociate" in the chorus lmao. but anyway yes, i instantly adored this song. the song is just so stimmy, i was stimming pretty much the whole time this song was playing. obsessed with the music playing in the background of the verses. also obsessed with the way tyler sings "navigating" idk he just says it in a way that's fun. further, obsessed with the bridge and the bass. so the music video. first of all, why did the aspect ratio change, was that just me? secondly i'm welsh so i loved the daffodil cameo <3 thirdly, WHAT??? WHY IS MY BLOOD HERE? WHAT'S WITH THE MY BLOOD SAMPLE? WHAT DO YOU MEAN BY THE MY BLOOD SAMPLE??? WHAT DOES THIS MEAN???? HUH???

6. the craving (both versions): listen i'm not rating this, it's a cute wholesome sweet love song for his wife. it would be evil to say anything bad about this and it doesn't really feel like my place to say anything about it in the first place, yk? the song isn't for me. however, the music video... what? there was me thinking they were making a cute music box for their family or something only for it be a box for a bullet??? huh???

7. backslide (4 stars): we now enter the songs that i didn't instantly love, but i'm sure they'll grow on me. i really like backslide but what's stopping me from giving it 5 stars is the chorus, which is complicated. i love the sound paired with the vocals but i just feel weird about it??? idk how to explain it. the music video also doesn't help bc i don't really like the part where he rides his bike through the wind and rain. i get it. i get why. but i just don't really vibe with it??? i'm being really petty about this but i just can't get over it. apart from all that i really liked it. i loved the references in the music video but justice for that meat patty damn.

8. next semester (4 stars): okay not an instant hit for me. it sounded very pop punnky 5sos-y??? which isn't a bad thing but it's not my usual taste. however, i loved the chorus. the vocals and the sound are peak, i love it. also the ukulele part, love love love. also the "oh-whoa-oh" part is amazing too, i'm a massive fan of "oh-whoa-ohs" and i also love it when vocals overlap. i alsoooo love it when there's a group of people singing together :) it's also so catchy? i find myself humming and singing it a lot. the music video was very sweet, having members of the clique there singing along was a lovely detail. the bow at the end too :')

9. lavish (4 stars): this song took me by surprise. it still sounds like the classic top sound but in a way i never expected they'd go, yk? and i think it worked! honestly, there's no reason why this is a 4 star rather than a 5 star, i just feel like the 5 stars are in a different catergory if that makes sense? i loved those better. also the music video for lavish is my favourite out of all of them. it's so fun. the suits and sunglasses. the weird ass dancing from tyler and josh just being there. it's groofy, it's got charm. i love it so much.

10. routines in the night (3 stars): okay i know a three doesn't look great but this song isn't my usual taste in music, nothing necessarily bad on the song or anything. i loved the vocals on this track and i find it catchy because i will sing along to it. i also found it was too cool for top if that makes sense?? like it's very different from the ukulele emo band yk? again, not a bad thing, just not *my* thing though i can see this growing on me for sure. also i see those references in the music video.

11. paladin strait (3 stars): this song is confusing. i like it but there are parts where i don't like it so i averaged it to a 3. i feel like those vocals don't really match the song? i'm not sure. i know i just talked about the good old emo ukulele days but i feel like the ukulele doesn't really fit here?? i did like the "here's my chance" bit, though i still felt like something was wrong about it?? idk. i also really liked the lyrics, they were very sweet and encouraging :) i've listened to this song a bunch of times and still the random ukulele that starts playing jumpscares me T^T it happens so suddenly lmaooo but that part is nice :) then the rest... the fpe???? hello clancy??????? hello???? clancy is still in the thick of it, huh? finally showdown vibes, i'm ready let's go. i've also seen theories about how this relates to the isle of flightless birds which is very interesting and i mean they did play it recently sooooo.

12. oldies station (3 stars): okay when this first started playing it gave me children's song vibes, you know? like it was a kids song or even a song in the background of youtube videos or something. that is to say, i didn't really like it. however, the lyrics were sweet and i liked the line "your favourite song was on the oldies station" :') yeah that hits oof. i also liked the "you don't quite mind" part! it saved the song for me i won't lie. it was very sweet and nice :) nothing really bad to say about it. also the lyric "you're in the crowd at her first dance recital" was very sweet :') as for the music video: yo homies you just killed someone. anyone gonna comment on that at all? and the white pole things moving was really trippy T^T i hated it, it hurt my eyes.

13. snap back (2.5 stars): honestly when this first started playing it gave me like txt / kpop vibes??? not a bad thing as such but just surprised me. however... i gave it a 2 so i wasn't really a fan of this song. though i did like the "i've been praying for my elasticity..." part. that was really vibey :) if we wanna get personal real quick then i'm someone who becomes quite angry and quick to irritation when i'm not doing well mentally and can lash out at people as a result so normally i relate a lot to lyrics like the ones in this but something just felt off about them??? it kinda felt like 'oh i hurt people when i was mentally unwell the other day but why haven't they forgiven me?' type of vibes??? (i got this largely from the lyric "blacklisted from forgiveness") essentially it sounds like an excuse for doing something shitty to someone when you're mentally unwell which doesn't sit right with me.* which i know is referenced in the song itself -> "i have seemed to run out of excuses of why i am this way" which yeah i relate to that because i have said those exact words to myself before, so i get it. i have first hand experience. it's something that i have done before but deeply regretted and don't really want to be reminded by a song. in short, "i am in this and i don't like it." the music video itself was fine i guess but didn't really change my opinion of the song at all. [*also remember that music is up to interpretation, so just bc this is how i see it does not mean that this is the actual meaning, reasoning or the thought process behind tyler's writing. art is subjective and we're all allowed our own opinions and all that jazz. i mean no hate or disrespect when i voice my opinions and only ask for mature responses that contribute to a healthy discussion.]

anyway we got deep at the end there but please don't jump on me bc my opinion is different from yours i beg T^T i left twitter to avoid that, please don't disappoint me tumblr clique :') but i was being serious innit, feel free to add your own opinions onto this :) i'd love to know what everyone else thought!

[thechaoticarchivist]

Omg I am just in bliss.

Seeing twenty one pilots live - I have no words. This was a bucket list item for me, and I’m so thankful I could go with a lifelong Bestie (who also introduced me to the band when we were in college.)

I just…wow.

And I’m typing to process it all here because I’m still currently riding that Post-Concert high in the best way. My throat hurts, my eyes sting, and I feel so wonderfully light.

Both of ‘our songs’ from the new album were played (Vignette and Backslide), and then we had a lot of throwbacks that included Migraine, which will always hold a special place in my heart.

I belted out songs in a way only those that have heard their music will understand. And there’s something about doing it as a group with people who Get It - get why you have to scream That Part from That Song the top of your lungs to try and heal some broken part that’s inside of you - that adds an extra layer of healing and comfort there are no good words to explain.

I’m just forever thankful for the experience.

Pictures under the cut…

[rivangel]

my personal ranking of Clancy by tøp :D (w/ my fav lyrics)

13 Lavish

during the livestream, to explain the song i think tyler said smth along the lines of he wrote it for the sake of writing outside their known genre, which is something tøp does every now and then. (they will not stay in their lane, boy)

it’s good. it’s a bop, nicely tongue in cheek, and i can see it as a commentary on celebrity culture, but overall there are songs that do this style better, and i don’t listen to tøp for it.

12 The Craving (Jenna’s version)

don’t get me wrong, i love this song so much but i love them ALL. i have to be in the right mood to listen to smth slow, let alone a slow acoustic love ballad.

the single version of The Craving is different but im going w/ what made it to the album.

11 Paladin Strait

again i have to say that slow songs aren't my preference (shrug) but i also can't overstate how much i love the sound of it, especially the bridge. it's gorgeouss.

tøp is known for these climactic emotional songs to end their albums and this is definitely no exception. right below Leave the City for me.

10 At the Risk of Feeling Dumb

i found out there is such a thing as too relatable when i listened to this song for the first time. it’s not a bad thing exactly? but i kind of need to be in the right mood💀?? if this weren’t the case it would be much higher.

9 Oldies Station

nostalgia and the passage of time is a major thing in contending with lately and this is a good comfort. feels good.

the entire bridge sorry

8 Snap Back

i adore this song but i can’t put it any higher🧍🏻it reminds me of a water level. a genuine vibe with depressing implications: classic tøp.

anyway, a lovely swan song and errr that’s all. (i relate to it too much)

7 Navigating

the chorus. (IMNAVIGATING IMNAVIGATING MY HEAD) is need it playing in my head on repeat like a radio when i’ve died. it’s soo damn good. otherwise not a lot to come back to compared to the others.

6 Vignette

the occasional bird crying out adds to the charm of this song (flesh…coveredinbites) (WHERE DO I GO FROM HEREEeeEEE).

such a vibe. similar to what i say about Midwest Indigo later.

5 Next Semester

when this dropped as a single, i was almost as obsessed with it as i was Overcompensate. also HONESTLY i REALLY NEED TO FIND THE HIDDEN CAMERA TYLER USED TO SPY WHIKE HE WROTE THIS SONG cuz!😭😭😭😭😭😭😭this really hits home for me like no other song has ever (aside from some songs from mcr but yk).

oh and the uke at the end. it sounds good.

4 Midwest Indigo

‘did you. pull up. yet - NOTYET!’

‘what’s ur eta- TWOMINUTES!’

the HOOK on this song is crazy. i’m not sure about the terms exactly but the way tyler drags out certain words at the end of verses and the spoken word parts are addictive and just fun to listen to?

and i love what this song is about. even when i don’t relate to it tyler’s songwriting makes that cease to matter lol

3 Overcompensate

this is the first single that released and listening to it for the first time has become a core memory cuz my obsession interest in the band really receded when SAI released but I WAS DRIVEN INSANE WITH THIS SONG I NEED IT FLOWING THROUGH MY BLOODSTREAM.

2 Backslide

now This is the One (barring #1). when it released as a single, i spent a 3 hours drive just listening to this. it's also been particularly relevant in my life right now so it's not only a banger but an enormous comfort honestly lol

1 Routines in the Night

it was close but

BANGERBVANGERBANGERBANGERBAMGER!!!!!!!!!!!!! WOW UGHHHHHHHH IT'S SOOOO GOOOOOOODDDDDDDDDDD (my most intelligent review). i need the chorus directly injected into my brain and it would fix me i believe.

deeply relatable for someone with insomnia, deeply beautiful. hell even the music video is a captivating piece of art.

(walk the layout :))

[feelslikehomeunderthesurface]

im holding out a lot of hope for clancy. begging for something harder from this band. go apeshit!!! and whatever backslide is doing- i like it.

[moved-to-the-hype-on-tv]

look, I've never been to a tøp show before (or pretty much any actual band show for that matter) but i imagine backslide will be a banger to sing along to

tyler would probably scream at "you should let GOOO" i think

[dustedmagazine]

Sarah Shook and the Disarmers — Revelations (Abeyance/Thirty Tigers)

Photo by Brett Villena

“I built my life on the edge of a knife when nobody believed that I could,” rasps River Shook, the tough but tender leader of this kicking cowpunk band. The song is “You Don’t Get to Tell Me How to Feel,” a boot-stomping statement of purpose, as the guitars flare,  the drums bolt upright like a scared horse, and Shook makes the case for constructing their own narrative in no uncertain terms. 

Shook came of age in Bible belt America, forbidden as a child from any contact with secular music.  Still these things have a way of back-ending.  The artist learned the piano, then the guitar, then formed a series of bands under their birthname Sarah Shook; they switched to River a few years ago as a personal identifier but continue to record under the old name.  Their music, however, remains sharp and unsentimental, punk in energy, country in its twang and sway.  Move over Beyoncé, you’re not the only one pushing out the boundaries of what Americana can represent. 

And so, Shook delivers gender inclusive busted romances in old-school juke joint style. Pedal steel flies through the jangling twang of “Backsliders” while an in-the-pocket country band keeps two-stepping time.  There’s a cheating partner and a wounded one, just like in all the old songs, but the trick is neither one is a dude.  “I’m a real piece of shit and you’re a vixen in a dress/I thought we was moving on/I was wrong I guess,” Shook cracks, out of the corner of their mouth, like Johnny Cash but different. 

The very real pleasure of this collection of songs comes in how the love of tradition collides with raucous rule-breaking energy.  You’ve got your outlaw country, sure, but did any of those guys write a song called “Motherfucker” and carry it off?  Shook does.   

Not every song stomps.  Some are plaintive and yearning, like the lovely “Jane Doe,” others full of anthemic slow-rocking swirl like “Nightingale.”  But all insist on direct emotional engagement and brutal honesty and acceptance of a very specific point of view.  River Shook is definitely not your grandma’s idea of a country powerhouse, but they are one all the same.   

Jennifer Kelly