#Bag Printing Machine
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Bag Printing Machine Manufacturers
In an era where visual branding defines customer perception, packaging has become more than just a means of containment â it's a statement. Bags, especially printed ones, have become powerful marketing tools used across industries. From retail outlets to promotional events, the demand for high-quality printed bags is growing rapidly. Behind this booming trend lies advanced machinery and innovation, and at the heart of it is Decent Print Lines â a premier Bag Printing Machine Manufacturer in India.
In this comprehensive blog, weâll explore the significance of bag printing machines, the types available, their features, and how Decent Print Lines is setting new benchmarks in the printing industry.
The Rising Demand for Bag Printing Machines
As sustainability becomes a global concern, more brands are shifting from plastic packaging to eco-friendly alternatives like paper, cloth, and jute bags. However, just producing bags isnât enough; printing on them effectively is key to brand recognition.
From logos and slogans to vibrant designs, printed bags offer a moving advertisement for businesses. This shift has accelerated the need for efficient, fast, and high-quality bag printing machines capable of printing on different bag materials.
Types of Bag Printing Machines
To serve various printing needs, Decent Print Lines offers a versatile range of machines, each tailored to meet different production requirements:
1. Flexographic Bag Printing Machines
Ideal for high-volume printing, flexographic machines are perfect for non-woven and paper bags. They use flexible relief plates and fast-drying inks, allowing high-speed production with minimal setup time.
2. Offset Bag Printing Machines
Offset machines are known for their precision and clarity. These are best suited for multi-color jobs and deliver crisp images, making them ideal for promotional or branded bags.
3. Screen Printing Machines
Screen printing offers excellent print quality, especially for bold, colorful designs on jute and cloth bags. Itâs widely used for custom or small-batch printing.
4. Rotogravure and Digital Bag Printers
While more advanced, these machines cater to premium and high-definition printing requirements, often used for luxury packaging or complex graphic work.
Features of Decent Print Lines Bag Printing Machines
What sets Decent Print Lines apart is not just the wide product range, but the consistent quality and innovation built into each machine. Here are some standout features:
High-Speed Operation: Most machines come with high-speed motors and automated feeding systems, allowing smooth and uninterrupted production.
Multi-Color Printing: Many models offer 2, 4, or even 6-color printing, enabling vibrant, eye-catching designs.
Material Versatility: Decentâs machines are capable of printing on paper, cloth, non-woven fabric, jute, and plastic, making them suitable for various industries.
Precision and Consistency: Machines are designed for accurate registration and minimal ink wastage, ensuring uniformity across every bag.
Ease of Operation: With user-friendly control panels, automatic tension controls, and quick plate change mechanisms, they simplify the printing process.
Durability: Manufactured with premium-grade materials and corrosion-resistant components, these machines are built for long-term use in industrial environments.
Industries Served by Bag Printing Machines
Bag printing machines from Decent Print Lines cater to a wide range of sectors, including:
Retail and Supermarkets: For printing brand logos and promotional messages on carry bags.
Fashion and Apparel: Cloth and paper bags printed with stylish designs enhance brand presence.
Food and Beverage: Restaurants and cafes use printed bags for takeaways and deliveries.
Events and Promotions: Customized bags are widely used in trade shows, exhibitions, and marketing campaigns.
Eco-Friendly Brands: Companies promoting sustainability opt for printed jute and non-woven bags to match their green initiatives.
Why Choose Decent Print Lines?
Decent Print Lines is not just a machine supplier; itâs a trusted partner to hundreds of businesses across India and abroad. Hereâs why:
1. Experience & Expertise
With years of industry experience, Decent Print Lines has a deep understanding of printing technologies and market trends. Their team of engineers and designers work tirelessly to innovate and improve machine capabilities.
2. Quality Assurance
All machines undergo rigorous testing and quality control to ensure they meet international standards. Precision engineering and adherence to safety protocols make their machines reliable and safe to operate.
3. Customization Options
Every business has unique needs. Decent Print Lines offers customized solutions in terms of size, capacity, number of colors, and material compatibility to suit specific client requirements.
4. Technical Support & Training
The company believes in long-term relationships. Apart from installation and setup, they provide operator training, maintenance guidance, and 24/7 technical support for hassle-free operations.
5. Cost-Effective Solutions
Despite high-end features, Decentâs machines are competitively priced, ensuring maximum return on investment for small and large businesses alike.
Sustainability Through Printing Innovation
Decent Print Lines is also contributing to environmental sustainability by promoting machines that print on biodegradable and recyclable materials. Their solutions help businesses reduce their plastic footprint while maintaining superior branding.
Their printing machines are designed to be energy-efficient, using minimal power and reducing ink wastage through precise ink metering systems.
Looking Ahead: The Future of Bag Printing
The demand for customized printed bags is only expected to grow. With trends leaning toward personalization, eco-conscious materials, and automated production, the printing industry is set for exciting developments.
Decent Print Lines is committed to staying ahead of the curve, continuously upgrading its product line with smart features, IoT integration, and greater automation. Whether itâs a small business or a multinational enterprise, the company has the tools to meet the evolving demands of the packaging world.
Conclusion
In the fast-paced world of branding and packaging, having the right printing equipment can make all the difference. Decent Print Lines, with its superior technology, industry knowledge, and customer-centric approach, stands out as a top Bag Printing Machine Manufacturer.
If you're looking to enhance your brand visibility, streamline your production, and deliver premium-quality printed bags, Decent Print Lines is the name you can trust.
For inquiries or product demos, visit [Decent Print Lines] or contact their sales team today.
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Uses and Functions of Non Woven Bag Printing Machine
Introduction
In recent years, the global movement towards sustainability and eco-consciousness has spurred a significant shift in consumer behavior and industrial practices. As businesses strive to reduce their environmental footprint, the demand for eco-friendly alternatives to traditional plastic bags has surged. Enter non-woven bags â lightweight, durable, and reusable alternatives that have gained widespread popularity. At the heart of this eco-friendly revolution lies the non-woven bag printing machine, a marvel of modern engineering that enables the mass production of customized, environmentally responsible bags. Letâs delve deeper into the efficiency and functionality of these innovative machines.
The Rise of Non-Woven Bags
Non-woven bags are crafted from synthetic or natural fibers bonded together through a mechanical, thermal, or chemical process â without the need for weaving. This manufacturing method results in bags that are strong, tear-resistant, and capable of carrying heavy loads. Moreover, non-woven bags are reusable, recyclable, and biodegradable, making them a sustainable choice for environmentally conscious consumers and businesses alike.
Advantages of Non-Woven Bag Printing Machines
Customization: Non-woven bag printing machines offer unparalleled flexibility, allowing businesses to create bespoke designs and branding solutions tailored to their unique requirements.
Speed and Efficiency: With rapid printing capabilities and automated processes, these machines enable high-volume production without compromising on quality or accuracy.
Cost-Effectiveness: By streamlining production workflows and minimizing material waste, non-woven bag printing machines help businesses optimize their operational costs and maximize profitability.
Environmental Sustainability: By facilitating the production of reusable and recyclable non-woven bags, these machines support sustainability initiatives and contribute to the reduction of plastic waste.
Non-woven bag printing machines are the unsung heroes of modern manufacturing, offering a multitude of uses and functions in various industries.
Functions of Non Woven Bag Printing Machine
Customization Made Easy
These machines empower businesses to personalize non-woven bags with logos, designs, and messages, enhancing brand visibility and communication.
Promotional Powerhouses
Ideal for creating branded merchandise, custom-printed non-woven bags serve as effective promotional tools at trade shows, events, and marketing campaigns.
Sustainable Packaging Solutions
In retail, these machines help elevate packaging by customizing non-woven bags with brand aesthetics, product showcases, and eco-friendly messaging.
Memorable Event Souvenirs
From conferences to weddings, custom-printed non-woven bags make practical and memorable giveaways, leaving a lasting impression on attendees.
Environmental Advocacy
By enabling the production of reusable and recyclable bags, these machines contribute to environmental sustainability efforts, promoting eco-conscious consumption.
In essence, non-woven bag printing machines are more than just production tools â theyâre enablers of creativity, sustainability, and brand empowerment in a rapidly evolving world.
Best Non Woven Bag Printing Machine Companies in India
If you are looking for a Best Non Woven Bag Printing Machine in India, then look no further than Decent Print Line. Decent prinline is a leading manufacturer and supplier of non woven bag printing machine in India.
For more details, please contact us!
Website â https://www.decentprintline.com/
Contact â +91â9911433180
Email â [email protected]
Address â Plot â4, Gali â1, Rao Colony, Sihi Gate, Faridabad, Ballabgarh â 121004, Haryana, India
#Non Woven Bag Printing Machine#Non Woven Bag Printing Machine manufacturer#Non Woven Bag Printing Machine supplier#Non Woven Bag Printing Machine manufacturer in India#Non Woven Bag Printing Machine supplier in India#Decent printline
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Why Manufacturers Prefer Woven Sack Bag to Bag Flexo Printing Machines Today
In todayâs fast-paced packaging industry, the demand for high-quality, durable, and visually appealing woven sacks is rapidly growing. One of the key technologies that has revolutionized this sector is the Woven Sack Bag to Bag Flexo Printing Machine. These machines are preferred by manufacturers across the globe due to their ability to deliver precision printing, high-speed output, and cost efficiency.
In this blog, we will explore why these machines are becoming the go-to choice for modern manufacturers, what benefits they offer, and why Gabbar Industries is considered the best manufacturer of Woven Sack Bag to Bag Flexo Printing Machines in India.
What is a Woven Sack Bag to Bag Flexo Printing Machine?
A Woven Sack Bag to Bag Flexo Printing Machine is a high-performance printing solution designed specifically for printing on pre-stitched or finished woven sacks. Unlike traditional roll-to-roll machines, these systems allow manufacturers to print directly on individual bags with high accuracy and clarity.
Flexographic printing uses flexible relief plates to transfer ink onto the substrate. In the case of woven sacks, this method ensures quick-drying, low-cost, and efficient printing for various applications including fertilizers, cement, food grains, sugar, chemicals, and more.
Why Are Manufacturers Switching to Flexo Printing Machines?
Here are the top reasons manufacturers are increasingly preferring Woven Sack Bag to Bag Flexo Printing Machines:
1. High-Speed Performance
Modern flexo machines are capable of printing thousands of bags per hour. With automation and efficient bag feeding systems, production speed sees a significant boostâââsaving time and increasing overall output.
2. Superior Print Quality
One of the biggest advantages of a flexo printing machine is its ability to provide sharp, consistent, and smudge-free prints. Manufacturers can rely on the machine to deliver high-resolution branding, logos, and product information that enhances the packagingâs professional look.
3. Cost Efficiency
Compared to traditional printing methods, flexographic printing is more economical in the long run. With quick setup times, minimal waste, and low ink consumption, manufacturers save significantly on operational costs.
4. Flexibility in Design and Ink Compatibility
Flexo printing supports a wide range of inks including water-based, solvent-based, and UV curable inks. This makes it easier for manufacturers to adapt to different client requirements and industries.
5. Eco-Friendly Operation
With increased focus on sustainability, manufacturers are choosing Woven Sack Bag to Bag Flexo Printing Machines that support water-based inks and low energy consumption. This helps companies meet environmental standards while maintaining product quality.
6. User-Friendly Automation and Controls
Modern flexo machines come equipped with advanced PLC controls, touch screens, and automatic tension control. These features reduce human error, minimize downtime, and ensure smooth operation for operators.
7. Customization and Versatility
Manufacturers can choose from various configurationsâââranging from 2-color to 8-color machinesâââdepending on their production needs. Flexo machines can handle different bag sizes and thicknesses, offering the flexibility needed for diverse production lines.
8. Durability and Low Maintenance
A major reason for preferring flexo printing machines is their robust construction and long service life. With proper maintenance, these machines can operate for years without major breakdowns, reducing overall downtime and maintenance costs.
Industries That Benefit from Flexo Printing on Woven Sacks
Agriculture: For packaging seeds, grains, fertilizers
Cement & Construction: Durable printing on cement bags
Chemical: Leak-proof printing on chemical packaging
Food Industry: Branded bags for sugar, flour, rice, etc.
Retail & Wholesale: Custom-printed sacks for bulk packaging
Why Choose Gabbar Industries?
When it comes to investing in a high-quality Woven Sack Bag to Bag Flexo Printing Machine, choosing the right manufacturer is crucial. This is where Gabbar Industries stands out.
 Trusted Experience
With years of experience in machinery manufacturing, Gabbar Industries is known for delivering reliable and innovative printing solutions.
 Superior Engineering
Every machine is built using high-grade materials, precision components, and tested for optimal performance.
 Customization Options
Gabbar Industries provides machines tailored to your specific production requirements, from basic to advanced models.
ď¸ After-Sales Support
From installation to maintenance, their dedicated support team ensures your machine continues to deliver peak performance.
 Get in Touch with Gabbar Industries
Interested in upgrading your production line with a high-speed, cost-effective Woven Sack Bag to Bag Flexo Printing Machine?
Conclusion
The demand for superior packaging is only increasing, and manufacturers must stay ahead by investing in the right technology. A Woven Sack Bag to Bag Flexo Printing Machine is a smart investment for anyone looking to boost production, ensure quality, and cut down operational costs.
Gabbar Industries is the name you can trust when it comes to robust, efficient, and innovative printing solutions. Donât settle for lessâââupgrade your woven sack printing capabilities today!
đ Contact: (+91) 9879039000 Â đ Website: https://gabbarindustries.com/
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Discover advanced printing solutions with shafted rotogravure printing machine, shaftless unwinding and rewinding systems, and capabilities for printing on BOPP laminated PP woven bags.
#shafted rotogravure printing machine#bopp laminated pp woven bag printing#shaftless unwinding#Koley Converting Machinery
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Food Safety Packaging and Labeling
Ensuring Excellence in Food Safety Packaging and Labeling
Introduction
In the dynamic and highly competitive hospitality industry, ensuring food safety through effective packaging and labeling is crucial. With increasing awareness about health and safety standards, both consumers and regulatory bodies demand stringent adherence to these standards. At YashTech, we understand the pivotal role that food safety packaging and labeling play in maintaining quality, preventing contamination, and complying with regulations. This blog explores the importance, best practices, and future trends in food safety packaging and labeling, offering insights into how hospitality businesses can uphold these standards effectively.
The Importance of Food Safety Packaging and Labeling
Food safety packaging and labeling are essential components of the food supply chain. They serve multiple purposes:
Protection from Contamination: Proper packaging protects food from physical, chemical, and biological contaminants. It ensures that the food remains safe and fresh from the point of production to consumption.
Compliance with Regulations: Adhering to food safety standards is not just about maintaining quality but also about compliance with local and international regulations. Proper labeling helps in meeting these regulatory requirements, avoiding legal issues and potential fines.
Consumer Information: Labels provide critical information to consumers, including ingredients, nutritional values, allergen warnings, and expiration dates. This transparency builds trust and helps consumers make informed choices.
Brand Reputation: High standards in food safety packaging and labeling contribute to a positive brand image. Customers are more likely to trust and choose brands that prioritize their health and safety.
Key Elements of Food Safety Packaging
Ensuring food safety through packaging involves several critical elements:
Material Selection: The choice of packaging material is fundamental. Materials must be food-grade, non-toxic, and capable of protecting food from external contaminants. Common materials include glass, metal, and various types of plastic.
Design and Integrity: Packaging design should ensure that the food is sealed properly to prevent contamination. It should also be tamper-evident, indicating if the package has been opened or compromised.
Temperature Control: For perishable items, packaging must support appropriate temperature control to prevent spoilage. This includes insulating materials for hot and cold foods and packaging that supports freezing or refrigeration.
Sustainability: Increasingly, consumers and regulators are demanding sustainable packaging solutions. Eco-friendly materials and designs that reduce waste and support recycling are becoming standard.
Best Practices in Food Labeling
Effective food labeling goes beyond basic compliance. It involves providing comprehensive and clear information to ensure consumer safety and satisfaction:
Clear Ingredient Lists: Ingredients should be listed clearly, including any potential allergens. This helps consumers with dietary restrictions or allergies make safe choices.
Nutritional Information: Detailed nutritional information, including calorie content, fat, sugar, and salt levels, helps consumers maintain a balanced diet.
Expiration Dates: Clearly marked expiration or "best before" dates ensure that consumers are aware of the productâs shelf life, reducing the risk of consuming spoiled food.
Storage Instructions: Proper storage instructions help consumers maintain the quality and safety of the food after purchase.
Regulatory Compliance: Labels must meet all local and international regulatory standards, including language requirements, font sizes, and specific disclosures mandated by law.
Technological Innovations in Food Safety Packaging and Labeling
Advancements in technology are continuously enhancing food safety packaging and labeling:
Smart Packaging: Incorporates technology like QR codes and RFID tags to provide additional information about the product, track its journey through the supply chain, and ensure authenticity.
Active Packaging: Contains substances that actively help preserve food, such as moisture absorbers, oxygen scavengers, and antimicrobial agents.
Blockchain Technology: Used to ensure transparency and traceability in the food supply chain, providing consumers with detailed information about the origin and handling of their food.
Biodegradable Materials: Development of new materials that are both food-safe and environmentally friendly, addressing the growing demand for sustainable packaging solutions.
Challenges and Solutions in Food Safety Packaging and Labeling
Despite advancements, the industry faces several challenges:
Cost: Implementing high-standard packaging and labeling can be expensive. However, investing in quality materials and technologies pays off by reducing the risk of contamination and legal issues.
Regulatory Changes: Keeping up with evolving regulations can be challenging. Partnering with experts in food safety and regulatory compliance, like YashTech, ensures that your business stays updated and compliant.
Sustainability: Balancing food safety with sustainability requires innovation and commitment. Adopting new, eco-friendly materials and practices can address this challenge effectively.
Consumer Education: Educating consumers about reading labels and proper food handling is crucial. Clear and informative labeling helps, but broader consumer education initiatives are also necessary.
Future Trends in Food Safety Packaging and Labeling
The future of food safety packaging and labeling is shaped by several emerging trends:
Personalization: Customized packaging and labeling that cater to specific consumer preferences and dietary needs are becoming more popular. This trend enhances customer satisfaction and loyalty.
Increased Transparency: Consumers demand more transparency about the origin and handling of their food. Technologies like blockchain and smart packaging are making this possible.
Regenerative Packaging: Moving beyond sustainability, regenerative packaging aims to restore and improve environmental health, not just maintain it.
Health Focus: With growing health consciousness, there is an increasing focus on highlighting health benefits and nutritional information prominently on labels.
Conclusion
Food safety packaging and labeling are critical to ensuring the quality, safety, and success of products in the hospitality industry. At YashTech, we are committed to providing top-notch solutions that meet the highest standards of safety, compliance, and innovation. By staying ahead of industry trends and leveraging advanced technologies, we help our clients deliver safe, high-quality food products that consumers can trust. Investing in superior packaging and labeling not only protects your customers but also enhances your brand's reputation and market success.
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Easy and ready to go, our mobile bags make for great gifts to every one old and young. These are spacious enough for a phone, cash, keys and a little something. The light weight slide sling makes it easy on the shoulders while you take a walk. The straps are broad to give enough support.
#Women's mobile sling bag#Mobile cross body bag#Walking bag#cross body bag#Machine washable#block print lining
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Irregularities
LIFE WE GREW SERIES MASTERLIST <3
summary : A federal audit brings a sharp, brilliant compliance officer face-to-face with Jack Abbot, a rule-breaking trauma doctor running a shadow supply system to keep his ER alive. What starts as a confrontation becomes an alliance and the two of them fall in love in the messiest, most human way possible.
word count : 13,529
warnings/content : 18+ MDNI !!! explicit language, medical trauma, workplace stress, injury description, mention of child patient death, grief processing, alcohol use, explicit sex, hospital politics, emotionally repressed older man, emotionally competent younger woman, mutual pining, slow-burn romance, power imbalance (non-hierarchical), injury while drunk, trauma bay realism, swearing, one (1) marriage proposal during sex
Tuesday â 8:00 AM Allegheny General Hospital â Lower Admin Wing
Hospitals donât go quiet.
Not really.
Even hereâthree floors above the trauma bay and two glass doors removed from the chaosâthereâs still the buzz of fluorescent lights, the hiss of a printer warming up, the rhythm of a city-sized machine trying to look composed. But this floor is different. It's where the noise is paperwork, and the blood is financial.
You walk like you belong here, because thatâs half the job.
Navy slacks, pressed. Ivory blouse, tucked. The black wool coat draped over your arm has been folded just so, its lapel still holding the shape of your shoulder from the bus ride over. Your shoes are silent, soft-soledâconservative enough to say Iâm not here to threaten you, but pointed enough to remind them that you could. Lanyard clipped at your sternum. A pen looped into the coil of your ledger notebook. A steel travel mug in one hand.
The other grips the strap of a leather bag, weighed down with printed ledgers and a half-dozen highlightersâcolor-coded in a way no one but you understands.
The badge clipped to your shirt flashes with every turn:
Kane & Turner LLP : Federal Compliance Division
Your name, printed clean in black sans serif.
Thatâs the only thing you say as you approach the front deskâyour name. You donât need to say why youâre here. They already know.
Youâre the audit. The walk, the clothes, the quiet. Itâs all part of the package. Youâve learned that you donât need to act intimidatingâpeople project the fear themselves.
âFinance conference roomâs down the left hallway,â says the woman behind the desk, not bothering to smile. Sheâs polite, but briskâlike sheâs been told to expect you and is already counting the minutes until youâre gone. âSecurity badge should be active âtil five. If you need extra time, check with admin operations.â
You nod. âThanks.â
They always act like audits come unannounced. But they donât. You gave them notice. Ten days. Standard protocol. The federal grant in question flagged during the quarterly compliance sweepâa mismatch between trauma unit expenditures and the itemized supply orders. Enough of a discrepancy that your firm sent someone in person.
That someone is you.
You push the door open to the designated conference room and are hit with the familiar scent of institutional lemon cleaner and cold laminate tables. One wall is floor-to-ceiling windows, facing the opposite hospital wing; the rest is sterile whiteboard and cheap drop ceiling. Someone left two water bottles and a packet of hospital-branded pens on the table. The air is too cold.
Good. You work better like that.
You slide into the seat furthest from the door and start unpacking: first the laptop, then the binder of flagged ledgers, then a manila folder marked ER SUPPLY â FY20 in your handwriting. You open it flat and smooth the corners, spreading it across the table like a map. You donât need directions. Youâre here to track footprints.
Most audits feel bloated. Fraud is rarely elegant. Itâs padded hours, made-up patients, vendors that donât exist. But this one is⌠off. Not obviously criminal. Just messy.
You sip the lukewarm coffee you poured in the break roomâburnt, stale, and still the best part of your morningâand begin.
Line by line.
February 12th: Gauze and blood bags double-logged under pediatrics.
March 3rd: 16 units of epinephrine marked as âroutine useâ with no corresponding case.
April 8th: High-volume saline usage with no corresponding trauma log.
None of it makes sense until you hit the May file.
May 17th.
Your finger stills over the page. A flagged case codeâ4413Aâa GSW patient brought in at 02:11AM, code blue on arrival. The trauma bay requisition log is blank. Completely empty. No gauze. No sutures. No chest tube. Not even surgical gloves.
Instead, the corresponding supply usage appearsâwrong date, wrong bay, under the general medicine supply closet three doors down. The only signature?
J. Abbot.
You sit back in your chair, eyes narrowing.
Itâs not the first time his name has come up. You flip through past logs, then again through the April folder. There he is again. Trauma-level supplies signed under incorrect departments. Equipment routed through pediatrics. Trauma kit requests stamped urgent but logged under outpatient codes.
Never outrageous. Never duplicated. But always⌠altered. Shifted.
And always the same name in the bottom corner.
Jack Abbot Trauma Attending.
No initials after the name. No pomp. Just that hard, slanted signatureâlike someone in too much of a hurry to care if the pen worked properly.
You lean forward again, grabbing a sticky note.
Who the hell are you, Jack Abbot?
Your phone buzzes. A reminder that your firm expects an initial report by EOD. You check your watchâ8:58 AM. Still early. Youâve got time to dig before anyone notices youâre not just sitting quietly in the background.
You open your laptop and search the internal directory.
ABBOT, JACK. Emergency Medicine, Trauma Center â Full Time Contact : [email protected] Page: 3371
You hover over the extension.
Then you close the tab.
There are two ways to handle something like this. You can go the formal routeâsubmit a flagged incident for admin review, request clarification via email, cc your firm. Or...
You can go see what the hell kind of doctor signs off on trauma supplies like theyâre water and lies to the system to get away with it.
You stand.
Your shoes are soundless against the tile.
Time to meet the man behind the margins.
Tuesday â 9:07 AM Allegheny General Hospital â Emergency Wing, Sublevel One
You donât belong here, and the walls know it.
The ER hums like a living organismâloud in the places you expect to be quiet, and disturbingly quiet in the places that should scream. No signage tells you where to go, just a worn plastic placard labeled âTRAUMA â RESTRICTED ACCESSâ and an old red arrow. You follow it anyway.
Your heels click once. Then again.
A tech throws you a sideways glance. A nurse barrels past with a tray of tubing and a strip of ECG printouts clutched in her fist. You flatten yourself against the wall. Keep moving.
This isn't the world of emails and boardrooms and fluorescent-lit compliance briefings. Here, time is blood. Everything moves too fast, too loud, too hot. It smells like antiseptic and old sweat. Somewhere nearby, a man is moaningâlow, ragged. In another room, someone shouts for a Glidescope.
You donât flinch. Youâve sat across from CEOs getting indicted. But stillâthis is not your battlefield.
You square your shoulders anyway and head for the nurseâs station, guided by the pulsing anxiety of your purpose. The folder tucked against your ribs is thick with numbers. Itemized trauma inventory. Improper codes. Unexplained cross-departmental requisitions. And one nameâover and over again.
J. Abbot.
You stop at the cluttered, overrun desk where five nurses and two interns are trying to share a single charting terminal. Dana Evans, Charge Nurse, gives you a look like sheâs been warned someone like you might show up.
âYou lost?â she asks, not unkind, but sharp around the edges.
âIâm here for Dr. Abbot. Iâm conducting an internal auditâgrant oversight tied to the ER trauma budget.â
Dana lets out a soft, near-silent laugh through her nose. âOh. You.â
âExcuse me?â
âNo offense, but weâve been placing bets on how long youâd last down here. My money was on ten minutes. The med student said eight.â
âIâve been here twelve.â
She cocks a brow. âWell. You just made someone ten bucks. Heâs at the back bay, not supposed to be here this morningâdouble-covered someoneâs shift. Lucky you.â
That last part catches your attention.
âWhy is he covering?â
Dana shrugs, but her expression flickersâtight, guarded. âHeâs not supposed to be. Got a call about a kid he used to mentorâresident from one of his old programs. Car wreck on Sunday. Jackâs been pacing ever since. Showed up before sunrise. Said he couldnât sleep.â
You blink.
âYouâre telling me heââ
âHasnât slept, probably hasnât eaten, definitely hasnât had a civil conversation since Saturday? Yeah. Thatâs about right.â
You process it. Nod once. âThank you.â
She grins. âYouâre brave. Not smart. But brave.â
You leave her laughing behind you.
The trauma wing proper is a maze of curtained bays and rushed movement. You keep scanning every ID badge, every profile, looking for somethingâuntil you see him.
Back turned. Clipboard under his elbow, talking to someone too quietly for you to hear. Heâs taller than youâd imaginedâbroad in the shoulders, but tired in the way his weight shifts unevenly from one leg to the other. One knee flexes, absorbs. The other does not.
You recognize it now.
You walk up and stop a respectful foot behind.
âDr. Abbot?â
He doesnât turn at first. Just adjusts the pen behind his ear, flicks a switch on the vitals monitor. Then:
âYeah.â
He looks over his shoulder, sees you, and stills.
His face is older than his file photo. Harder. Faint stubble across his jaw, a constellation of stress lines under his eyes that no amount of sleep could erase. His black scrub top is creased at the collar, short sleeves revealing tan forearms mapped with faded scars and the pale ghost of a long-healed burn.
You catch your breathânot because heâs handsome, though he is. But because heâs real. Grounded. And already deciding what box to put you in.
You lift your badge. âIâm with Kane & Turner. Iâm conducting a trauma budget audit for the grant youâre listed under. Iâd like to go over some of your logs.â
He stares at you.
Long enough to make it feel intentional.
âNow?â
âI was told you were available.â
He huffs out a laugh, if you can call it thatâdry and crooked, more breath than sound. âJesus Christ. Yeah. Iâm sure thatâs what Dana said.â
âShe said you came in before sunrise.â
Jack doesnât look at you. Just scratches once at his jaw, where the stubbleâs gone patchy, then drops his hand again like the gesture annoyed him. âDidnât plan to be here. Wasnât on the board.â
A beat. Then: âGot a call Sunday night. One of my old residentsâkid from back in Boston. Wrapped his car around a guardrail. I donât know if he fell asleep or if he meant to do it. Doesnât matter, I guess. He died on impact.â
His voice doesnât shift. Not even a flicker. Just calm, like heâs reading it off a report. But his fingers twitch once at his side, and heâs standing too still, like if he moves the wrong way, he might break something in himself.
âIâve been up since,â he adds, almost like an afterthought. âFigured Iâd do something useful.â
You hesitate. âIâm sorry.â
He finally looks at you, and the hollow behind his eyes is like a door left open too long in winter. âDonât be. Heâs the one who didnât walk away.â
A beat of silence.
âI wonât take much of your time,â you say. âBut there are significant inconsistencies in your logs. Some dating back six months. Most from May. Includingââ
âLet me guess,â he interrupts. âMay 17th. GSW. Bay One unavailable. Used the peds closet. Logged under the wrong department. Didnât have time to clear it before I scrubbed in. End of story.â
You blink. âThatâs not exactlyââ
âYou want a confession? Fine. I logged shit wrong. I do it all the time. I make it fit the bill codes that get supplies restocked fastest, not the ones that make sense to people sitting upstairs.â
Your mouth opens. Closes.
Jack turns to face you fully now, arms crossed. âYou ever had a mother screaming in your face because her kidâs pressure dropped and youâre still waiting for a sterile suction kit to come up from Central?â
You shake your head.
âDidnât think so.â
âI understand itâs difficult, but that doesnât make it rightââ
âIâm not here to be right,â he says flatly. âIâm here to make sure people donât die waiting for tape and tubing.â
He steps closer, voice quieter now.
âYou think the systemâs built for this place? Itâs not. Itâs built for billing departments and insurance adjusters. Iâm just bending it so the next teenager doesnât bleed out on a gurney because the ER spent two hours requesting sterile gauze through the proper channel.â
Youâre trying to hold your ground, but something in you wavers. Just slightly.
âThis isnât about money,â you say, though your voice softens. âItâs about transparency. The federal grant is under review. If they pull it, itâs not just your suppliesâitâs salaries. Nurses. Fellowships. You could cost this hospital everything.â
Jack exhales hard through his nose. Looks at you like he wants to say a hundred things and doesnât have the energy for one.
âYou ever been in a position,â he murmurs, âwhere the right thing and the possible thing werenât the same thing?â
You say nothing.
Because youâve built a life doing the former.
And heâs built one surviving the latter.
âIâll be in the charting room in twenty,â he says, already turning away. âIf you want to see what this looks like up close, youâre welcome to follow.â
Before you can answer, someone shouts his nameâloud, urgent.
He bolts toward the trauma bay before the syllables finish echoing.
And youâre left standing there, folder pressed to your chest, heart hammering in a way that has nothing to do with ethics and everything to do with him.
Jack Abbot.
A man who rewrites the rules not because he doesnât careâ
But because he cares too much to follow them.
Tuesday â 9:24 AM Allegheny General â Trauma Bay 2
You were not trained for this.
No part of your CPA license, your MBA electives, or your federal compliance onboarding prepared you for what it means to step inside a trauma bay mid-resuscitation.
But you do it anyway.
He told you to follow, and you did. Not because youâre scared of himâbut because something in his voice made you want to understand him. Dissect the logic beneath the defiance. And because you're not the kind of woman who lets someone walk away thinking theyâve won a conversation just because they can bark louder.
So now here you are, standing just past the curtain, audit folder pressed against your chest like armor, trying not to breathe too shallow in case it looks like youâre afraid.
Itâs loud. Then silent. Then louder.
A man lies on the table, unconscious. Twenty-five, maybe thirty. Jeans cut open, a ragged wound in his left thigh leaking bright arterial blood. A nurse swears under her breath. The EKG monitor screams. A resident drops a tray of gauze on the floor.
You donât step back.
Jack Abbot is already at the manâs side.
His hands move like theyâre ahead of his thoughts. No hesitation. No consulting a textbook. He pulls a sterile clamp from a drawer, presses it to the wound, and shouts for suction before the blood can pool down the table leg. The team forms around him like satellites to a planet. He doesn't yell. He commands. Low-voiced. Urgent. Controlled.
âClamp there,â Jack says, to a stunned-looking intern. âNo, firmer. This isnât a prom date.â
You stifle a snortâbarely. No one else even reacts.
The nurse closest to him says, âBPâs crashing.â
âPressure bagâs up?â
âIn use.â
âGive me a second one, now. And call blood bankâweâre skipping crossmatch. Type O, two units.â
You shift your weight quietly, moving two inches left so youâre out of the path of the incoming trauma cart. It bumps your hip. You donât flinch.
He glances up. Sees you still standing there.
âYou sure you want to be here?â he asks, not pausing. âItâs not exactly OSHA compliant.â
You meet his eyes evenly.
âYou invited me, remember?â
He blinks once, but says nothing.
The monitor screams again. Jack lowers his head, muttering something you donât catch. Then, to the nurse: âWeâre not getting return. I need to open.â
âYou want to crack here?â she asks. âWeâre two minutes from OR threeââ
âWe donât have two minutes.â
The tray arrives. Jack snaps on a new pair of gloves. You glance down and catch the gleam of something inside himâa steel that wasnât there in the hallway.
This man is exhausted. Unshaven. Probably hasn't eaten in twelve hours. And yet every move he makes now is poetry. Violent, beautiful poetry. Heâs not a man anymoreâheâs a scalpel. A weapon for something bigger than him.
And still, you stay.
You even speak.
âIf youâre going to override a standard OR protocol in front of a compliance officer,â you say calmly, âyou might want to narrate it for the notes.â
The entire room freezes for half a second.
Jack looks up at youâtruly looksâand his mouth twitches. Not a smile. Something older. A flicker of amusement under pressure.
âYouâre a piece of work,â he mutters, turning back to the table. âSternotomy tray. Now.â
You watch.
He cuts.
The man survives.
And youâre left trying to hold onto the version of him you built in your head when you walked through those double doorsâthe reckless trauma doctor who flouts policy and falsifies entries like heâs above the rules.
But heâs not above them.
Heâs beneath them. Holding them up from below.
Twenty-three minutes later, heâs stripping off his gloves and washing his hands at a sink just past the trauma bays. The blood spirals down the drain in rust-colored ribbons. His jaw is clenched. His shoulders sag.
You step closer. No fear. No folder to hide behind nowâjust your voice.
âI donât know what you think Iâm doing here,â you say quietly, âbut Iâm not your enemy.â
Jack doesnât look up.
âYouâre wearing a suit,â he says. âYou carry a clipboard. You track numbers like they tell the whole story.â
âI track truth,â you correct. âWhich is a lot harder to pin down when you hide things in pediatric line items.â
He turns. That gets his attention.
âIs that what you think Iâm doing? Hiding things?â
âI think youâre manipulating a fragile system to serve your own triage priorities. I think youâre smart enough to know how to avoid audit flags. And I think youâre exhausted enough not to care if it lands you in disciplinary review.â
His laugh is dry and joyless.
âYou know what lands me in disciplinary review? Not spending thirty bucks of saline because a man didnât bleed on the right fucking floor.â
âI know,â you say. âI watched you save someone who wasnât supposed to make it past intake.â
Jack pauses.
And for the first time, you see it: a beat of surprise. Not in your observation, but in your acknowledgment.
âThen why are you still pushing?â
âBecause I canât fix what I donât understand. And right now? Youâre not giving me a goddamn thing to work with.â
A long silence stretches.
The sink drips.
You fold your arms. âIf you want me to report accurately, show me whatâs behind the curtain. The real system. Your system.â
Jack watches you carefully. His brow furrows. You wonder if anyoneâs ever said that to him beforeâLet me see the whole thing. I wonât flinch.
âFollow me,â he says at last.
And then he walks. Not fast. Not trying to shake you. Just steady steps down the hallway. Past curtain 6. Past the empty crash cart. To a supply room you didnât even know existed.
You follow.
Because thatâs the deal now. He shows you what heâs built in the margins, and you decide whether to burn it down.
Or defend it.
Tuesday â 10:02 AM Allegheny General â Sublevel 1, Unmapped Storage Room
The hallway leading there isnât on the public map. Itâs narrower than it should be, dimmer too, the kind of corridor that exists between structural beams and budget approvals. You follow him past the trauma bay, past the marked charting alcove, past a metal door you wouldnât have noticed if he hadnât stopped.
Jack pulls a key from the lanyard tucked in his back pocket. Not a swipe badgeâa key. Real, metal, old. He unlocks the door with a twist and a grunt.
Inside, fluorescent light hums awake overhead. The bulb stutters once, then holds.
And you freeze.
Itâs a supply closetâbut only in name. Itâs his war room.
The room is narrow but deep, lined wall-to-wall with shelves of restocked trauma kits, expired saline bags labeled âSTILL USABLEâ in black Sharpie, drawers of unlabeled syringes, taped-up binders, folders with handwritten tabs. No digital interface. No hospital barcodes. No asset tags.
Thereâs a folding chair in the corner. A coffee mug half-full of pens. A cracked whiteboard with a grid system that only he could understand. The air smells like latex, ink, and whatever disinfectant they stopped ordering five fiscal quarters ago.
You take a breath. Step in. Close the door behind you.
He watches you like he expects you to flinch.
You donât.
Jack leans a shoulder against the far wall, arms crossed, one leg bent to rest his boot against the floorboard behind him. The right leg. The prosthesis. You clock the adjustment without reacting. He notices that you noticeâand doesnât look away.
âThis is off-grid,â he says finally. âNo admin approval. No inventory code. No audit trail.â
You walk deeper into the room. Run your fingers along the edge of a file labeled: ALT REORDER ROUTES â Q2 / MANUAL ONLY / DO NOT SCAN
âYouâve built a shadow system,â you say.
âI built a system that works,â he corrects.
You turn. âThis is fraud.â
He snorts. âItâs survival.â
âIâm serious, Abbot. This is full-blown liability. Youâre rerouting federal grant stock using pediatric codes. Youâre bypassing restock thresholds. Youâre personally signing off on requisitions under miscategorized departmentsââ
âAnd youâre here with a folder and a badge acting like your spreadsheet saves more lives than a clamp and a peds line that actually shows up.â
Silence.
But itâs not silence. Not really.
Thereâs a hum between you now. Not quite anger. Not admiration either. Something in between. Something volatile.
You raise your chin. âIâm not here to be impressed.â
âGood. Iâm not trying to impress you.â
âThen why show me this?â
âBecause you kept your eyes open in the trauma bay,â he says. âYou didnât faint. You didnât cry. You watched me crack a manâs chest open in real time, and instead of hiding behind a chart, you asked me to narrate the procedure.â
You blink. Once. âSo that was a test?â
âThat was a Tuesday.â
You glance around the room again.
There are labels that donât match any official inventory records youâve seen. Bin codes that donât belong to any department. You pull a clipboard from the wall and flip through itâone page, then another. All hand-tracked inventory numbers. Dated. Annotated. Jackâs handwriting is messy but consistent. Heâs been doing this for years.
Years.
And no oneâs stopped him.
Or helped.
âDo they know?â you ask. âAdmin. Robinavitch. Evans. Anyone?â
Jack leans his head back against the wall. âThey know somethingâs off. But as long as the board meetings stay quiet and the trauma bay doesnât run dry, no one goes looking. And if someone does, wellâŚâ He gestures to the room. âThey find nothing.â
âYou hide it this well?â
âIâm not stupid.â
You pause. âThen why let me see it?â
Jack looks at you.
Not quickly. Not dramatically. Just slowly. Like heâs finally weighing you honestly.
âBecause youâre not like the others theyâve sent before. The last one tried to threaten me with a suspension. You walked into a trauma bay in heels and told me to log my chaos in real-time.â
You smirk. âIt is hard to argue with a woman holding a clipboard and a minor God complex.â
He chuckles. âYou should see me with a chest tube and a caffeine withdrawal.â
You flip another page.
âYouâve been routing orders through departments that donât even realize theyâre losing inventory.â
âBecause I return what I borrow before they notice. I run double restocks through the night shift when the scannerâs offline. I update storage rooms myself. No oneâs ever missed a needle they werenât expecting.â
You shake your head. âThis is a house of cards.â
Jack shrugs. âAnd yet it holds.â
âBut for how long?â
Now youâre the one who steps forward. You plant yourself in front of the table and open your binder. Click your pen.
âI canât pretend this doesnât exist. If I report this exactly as it is, the grantâs pulled. Youâre fired. This hospital goes under federal review for misappropriation of trauma funds.â
He doesnât blink. âThen do it.â
You stare at him. âWhat?â
He steps off the wall now, closes the space between you like itâs nothing.
âIâve survived worse,â he says. âYou think this job is about safety? Itâs not. Itâs about how long you can keep other people alive before the system kills you too.â
You inhale, hard. âGod, youâre dramatic.â
He smirks. âAnd youâre stubborn.â
âBecause I donât want to bury you in a report. I want to fix the goddamn machine before someone else gets chewed up in it.â
Jack stares at you.
The flicker of something new in his expression.
Respect.
âThen help me,â you say. âLet me draft a compliance framework that mirrors what youâve built. A real one. If we can prove this routing saved lives, reduced downtime, and didnât drain pediatric inventory, we can pitch it as an emergency operations protocol, not fraud.â
His brows lift, skeptical. âYou think theyâll buy that?â
âNo,â you say. âBut Iâm not giving them the choice. Iâm giving them math.â
That gets him.
He grins. Barely. But itâs real.
âGod,â he mutters. âYouâre a menace.â
âYouâre welcome.â
He turns away to hide the grin, but not before you catch the edge of it.
And thenâquietlyâhe reaches for a file at the back of the shelf. Itâs older. Faded. Taped up the side. He places it in your hands.
âWhatâs this?â you ask.
âThe first reroute I ever filed. Back in 2017. Kid named Miguel. We were out of blood bags. I had a connection with the OR nurse who owed me a favor. Rerouted it through post-op. Saved the kidâs life. Never logged it.â
You glance down at the file. âYou kept it?â
âI keep all of them.â
He meets your eyes again.
âYouâre not here to bury me. Fine. But if youâre going to save me, do it right.â
You nod.
âI always do.â
Tuesday â 12:23 PM Allegheny General â Third Floor Charting Alcove
Thereâs no door to the alcove. Just a half-wall and a partition, like someone once tried to offer privacy and gave up halfway through. Thereâs a long desk, a broken rolling chair, two non-matching stools, and a stack of patient folders leaning so far left you half expect them to fall. The overhead light buzzes faintly, casting everything in pale hospital yellow.
You sit at the desk anyway.
Jacket folded over the back of the stool, sleeves pushed to your elbows, fingers already flying across the keyboard of your laptop. Youâre building fast but clean. Sharp lines. Conditional formatting. A crisis-routing framework that looks like it was written by a task force, not two people who met five hours ago in a trauma hallway soaked in blood.
Jack stands across from you.
Leaning, not lounging. One arm crossed, the other flexed slightly as he rubs a knot in his shoulder. His scrub top is wrinkled and dark at the collar. There's a faint stain down his side youâre trying not to identify. He hasn't touched his phone in forty minutes. Hasnât once asked when this ends.
Heâs watching you.
Not like youâre entertainment. Like heâs waiting to see if youâll slip.
You donât.
âYou ever sleep?â he asks, finally breaking the silence.
You donât look up. âIâve heard of it.â
He makes a soundâhalf laugh, half breath. âWhatâs your background, anyway? You donât have the eyes of someone who studied finance for fun.â
âApplied mathematical economics,â you say, still typing. âMinor in gender studies. First job was forensic audits for nonprofits. Moved to healthcare compliance after a board member got indicted.â
That gets his attention. âJesus.â
You glance at him. âIâm not here because I care about sterile supply chains, Dr. Abbot. Iâm here because I know what happens when people stop paying attention to the margins.â
He leans in. âAnd what happens?â
You meet his eyes.
âThey bleed.â
Something in his face tightens. Not defensiveness. Recognition.
You go back to typing.
On your screen, the Crisis Routing Framework takes shape line by line. A column for shelf code. A subcolumn for department reroute. A notes field for justification. A time-stamp formula.
You highlight the headers and format them in hospital blue.
Jack watches your hands. âYou make it look real.â
âIt is real. Iâm just reverse-engineering the lie.â
âYou ever consider med school?â
You snort. âNo offense, but I prefer a job where the people I save donât flatline halfway through.â
He grins. It's tired. But it's real.
You type another line, then say, âIâm flagging pediatric code 412 as overused. If they run a query, we need to show it tapered off this month. Start routing through P-580. Float department. Similar stock, slower pull rate.â
He nods slowly. âYouâre scary.â
âGood. Youâll need someone scary.â
He rubs his thumb along his jaw. âYou always this relentless?â
You pause. Then look at him.
âI grew up in a house where if you didnât solve the problem, no one else was coming. So yeah. Iâm relentless.â
Jack doesnât smile this time. He just nods. Like he gets it.
You shift gears. âTalk me through supply flow. Whereâs your weakest point?â
He thinks. âICU hoards ventilator tubing. Pediatrics short-changes trauma bay stock twice a year during audit season. Central Supply won't prioritize ER if the orders come in after 5PM. And once a month, someone from anesthesia pulls from our cart without logging it.â
You blink. âThatâs practically sabotage.â
You finish a formula. âOkay. Iâm structuring this like a mirrored requisition chain. Any reroute needs a justification and a fallback, plus one sign-off from a second attending. If weâre going to pitch this as protocol, we canât make you look like the sole cowboy.â
Jack quirks a brow. âEven though I am?â
âEspecially because you are.â
He laughs again, and itâs deeper this time. Not performative. Just⌠easy.
He moves closer. Pulls a stool up beside you. Watches the screen over your shoulder.
âAlright. Letâs build it.â
You glance at him sideways. âNow you want in?â
âI donât like systems I didnât help design.â
You smirk. âTypical.â
âAlso,â he adds, âIâm the one whoâs gonna have to sell this to Robby. If it sounds too academic, heâll assume I lost a bet and had to let someone from Harvard try to fix the ER.â
âI went to Ohio State.â
âEven worse.â
You roll your eyes. âWeâre naming it CRFâCrisis Routing Framework.â
âThatâs terrible.â
âItâs bureaucratically unassailable.â
âStill sounds like a printer manual.â
âYouâre welcome.â
He chuckles again, and it hits you for the first time how rare that sound probably is from him. Jack Abbot doesnât laugh in meetings. He doesnât charm the board. He doesnât play. He works. Bleeds. Fixes.
And here he is, giving you his time.
You scroll to the bottom of the spreadsheet and create a new tab. LIVE REROUTE LOG â PHASE ONE PILOT
You look at him. âYouâre gonna log everything from here on out. Time, item, reroute, reason, outcome.â
Jack raises a brow. âOutcome?â
âIâm not defending chaos. Iâm documenting impact. Thatâs how we scale this.â
He nods. âAlright.â
âYouâre going to train one resident to do this after you.â
âI already know who.â
âAnd youâre going to let me present this to the admin team before you barge in and call someone a corporate parasite.â
Jack presses a hand to his chest, mock-offended. âI never said that out loud.â
You glance at him.
He exhales. âFine. Deal.â
You close the laptop.
The spreadsheet is done. The framework is real. The logs are ready to go live. All thatâs left now is convincing the hospital that what youâve built together isnât just a workaroundâitâs the blueprint for saving whatâs left.
Heâs quiet for a minute.
Then: âYou know this doesnât fix everything, right?â
You nod. âItâs not supposed to. It just keeps the people who do fix things from getting fired.â
Jack tilts his head. âYou really believe that?â
You meet his eyes. âI wouldnât be here if I didnât.â
He studies you like heâs trying to find the catch.
Then he leans forward, forearms resting on his knees. âYou know, when they said someone from Kane & Turner was coming in, I pictured a thirty-year-old with a spreadsheet addiction and no clue what a trauma bay looked like.â
âI pictured a man who didnât know what a compliance code was and thought ethics were optional.â
He grins. âTouchĂŠ.â
You smile back, tired and full of adrenaline and something else you donât have a name for yet.
Then you stand. Sling your laptop under your arm.
âIâll send you the first draft of the protocol by morning,â you say. âReview it. Sign off. Try not to add any sarcastic margin notes unless theyâre grammatically correct.â
Jack stands too. Nods.
And thenâquietly, like it costs him somethingâhe says, âThank you.â
You pause.
âYouâre welcome.â
He doesnât say more. Doesnât have to. You walk out of the alcove without looking back. Youâve already given him your trust. The rest is up to him.
Behind you, Jack pulls the chair closer. Opens the laptop.
And starts logging.
Saturday â 12:16 AM Three Weeks Later Downtown Pittsburgh â The Forge, Liberty Ave
The bar pulses.
Brick walls sweat condensation. Shot glasses clink. The DJ is on his third remix of the same Doja Cat song, and the bass is loud enough to rearrange your internal organs. Somewhere behind you, someoneâs yelling about their ex. Your drink is pink and glowing and entirely too strong.
Youâre wearing a bachelorette sash. It isnât your party. You barely know half the girls here. One of themâs already crying in the bathroom. Another lost a nail trying to mount the mechanical bull.
And you?
Youâre on top of a booth table with a stolen tiara jammed into your hair and exactly three working brain cells rattling around your skull.
Someone hands you another tequila shot.
You take it.
Youâre drunkânot hospital gala drunk, not tipsy-at-a-networking-reception drunk.
Youâre downtown-Pittsburgh, six-tequila-shots-deep, screaming-a-Fergie-remix drunk.
Because itâs been a month of high-functioning, hyper-competent, trauma-defending, budget-balancing brilliance. And tonight?
You want to be dumb. Messy. Loud. A girl in a too-short dress with glitter dusted across her clavicle and no memory of the phrase âcompliance code.â
You tip your head back. The bar lights blur.
Thatâs when you try the spin.
A full, arms-above-your-head, dramatic-ass spin.
Your heel lands wrong.
And the table snaps.
You hear it before you feel itâan ugly wood crack, a rush of cold air, your body collapsing sideways. Something twists in your ankle. Your elbow hits the edge of a stool. You end up flat on your back on the floor, breath gone, ears ringing.
The bar goes silent.
Someone gasps.
Someone laughs.
And above youâthrough the haze of artificial light and bass staticâyou hear a voice.
Familiar.
Dry. Sharp. Unbelievably fucking real.
âJesus Christ.â
Jack Abbot has been here twelve minutes.
Long enough for Robby to buy him a beer and mutter something about needing ânoise therapyâ after a shift that involved two DOAs, one psych hold, and an attempted overdose in the staff restroom.
Jack hadnât wanted to come. He still smells like the trauma bay. His back hurts. Thereâs blood on his undershirt. But Robby insisted.
So here he is, in a bar full of neon and glitter, trying not to judge anyone for being loud and alive.
And then you fell through a table.
He doesnât recognize you at first. Not in this light. Not in that dress. Not barefoot on the floor with your hair falling out of its updo and your mouth half-open in shock.
But then he sees the way you try to sit up.
And you groan: âOh my God.â
Jackâs already moving.
Robby shouts behind him, âIs thatâoh shit, thatâs herââ
Jack ignores him. Shoves through the crowd. Kneels at your side. Youâre clutching your ankle. There's glitter on your neck. You're laughing and crying and trying to brush off your friends.
And then you see him.
Your eyes go wide.
You blink. â...Jack?â
His jaw tightens. âYeah. Itâs me.â
You try to sit up straighter. Fail. âAm I dreaming?â
âNope.â
âAre you real?â
âUnfortunately.â
You drop your head back against the floor. âOh God. This is the most humiliating night of my life.â
âWorse than the procurement meeting?â
You peek up at him, hair in your eyes. âWorse. Way worse. I was trying to prove I could still do a backbend.â
Jack sighs. âOf course you were.â
You wince. âI think I broke my foot.â
He presses two fingers to your pulse, checks your ankle gently. âYou mightâve. Itâs swelling. Youâre lucky.â
âI donât feel lucky.â
âYou are,â he says. âIf youâd twisted further inward, youâd be looking at a spiral fracture.â
You stare at him. âDid you really just trauma-evaluate my foot in a bar?â
Jack looks up. âWould you prefer someone else?â
âNo,â you admit.
âThen shut up and let me finish.â
Your friends hover, but none of them move closer. Jackâs presence is... commanding. Like the bar suddenly remembered heâs the person you call when someone stops breathing.
You watch him.
The sleeves of his black zip-up are rolled to the elbow. His hands are clean now, but his cuticles are stained. His ID badge is gone, but he still wears the same exhaustion. The same steady focus.
He touches your foot again. You flinch.
Jack winces, just slightly.
âIâve got you,â he says.
Jack slips one arm under your legs and the other behind your back and lifts.
âHoly shit,â you squeak. âWhat are you doing?!â
âGetting you off the floor before someone livestreams this.â
You bury your face in his collarbone. âI hate you.â
He chuckles. âNo, you donât.â
âYouâre smug.â
âIâm right.â
âYou smell like trauma bay and cheap beer.â
âDonât change the subject.â
He carries you past the bouncer, past the flash of phone cameras, past Robby cackling at the bar.
Outside, the air hits you like truth. Cold. Sharp. Clear.
Jack sets you down on the hood of his truck and kneels again.
âYouâre taking me to the ER?â you ask, quieter now.
âNo,â he says. âYouâre coming to my apartment. Weâll ice it, wrap it, and if it still looks bad in the morning, Iâll take you in.â
You squint. âI thought you werenât off until Monday.â
Jack stands. âIâm not, but youâre coming with me. Someoneâs gotta keep you from dancing on furniture.â
You blink. âYouâre serious.â
âI always am.â
You look at him.
Three weeks ago, you rewrote a system together. Built a lifeline in the margins. Saved a hospital with data, caffeine, and stubborn brilliance.
And now heâs here, brushing glitter off your shoulder, holding your sprained foot like itâs the most obvious thing in the world.
âI thought you hated me,â you murmur.
Jack looks at you, something unreadable flickering behind his eyes.
âI didnât hate you,â he says.
He leans in.
âI just didnât know how much I needed you until you stayed.â
Saturday â 12:57 AM Jack's Apartment â South Side Flats
You donât remember the elevator ride.
Just the press of warm hands. The cold knot of pain winding tighter in your foot. The way Jack didnât flinch when you leaned into him like gravity wasnât working the way it should.
Heâd carried you like heâd done it before.
Like your weight wasnât an inconvenience.
Like there wasnât something fragile in the way your hands gripped the edge of his jacket, or the way your voice slurred slightly when you whispered, âPlease donât drop me.â
âIâve got you,â heâd said.
Not a performance. Not pity.
Just fact.
Now youâre here. In his apartment. And everythingâs still.
The door clicks shut behind you. The locks slide into place. You blink in the quiet.
Jackâs apartment is...surprising.
Not messy. Not sterile. Lived in.
A row of mugs lined up by the sinkâsome hospital-branded, one chipped, one that says âWorldâs Okayest Doctorâ in faded red font. A half-built bookshelf in the corner with a hammer sitting beside it, a box of unopened paperbacks on the floor. A stack of trauma logs on the kitchen counter, marked with highlighters. Thereâs a hoodie tossed over the back of a chair. A photo frame turned face-down.
He doesnât explain the place. Just moves toward the couch.
âFeet up,â he says gently. âCushions under your back. Iâll get the ice.â
You let him settle youâankle elevated, pillow beneath your knees, spine curving against the soft give of the cushion. His hands are firm but careful. His touch steady. No wasted movement.
The moment he turns toward the kitchen, you finally exhale.
Your foot throbs, yes. But itâs not just the injury. Itâs the shift. The collapse. The way your brain is catching up to your body, fast and unforgiving.
He returns with a towel-wrapped bag of crushed ice. Kneels beside the couch. Presses it gently to your swollen ankle.
You wince.
He watches you. âStill bad?â
âIâve had worse.â
He cocks his head. âLet me guessâtax season?â
You smile, tired. âTry federal oversight for a trauma unit that runs on scraps.â
His mouth twitches. âFair.â
He adjusts the ice. Shifts slightly to sit on the floor beside you, back against the edge of the couch.
âThanks for not taking me to the hospital,â you murmur after a beat.
He snorts. âYou were drunk, barefoot, and covered in glitter. I figured they didnât need that energy tonight.â
You laugh softly. âIâm usually very composed, you know.â
âSure.â
âI am.â
âYouâre also the only person Iâve ever seen terrify a board meeting into extending a $1.4 million grant with nothing but a color-coded spreadsheet and a raised eyebrow.â
You grin, despite the ache. âIt worked.â
He looks at you then.
Really looks.
âYeah,â he says quietly. âIt did.â
Silence stretches, but itâs not awkward.
The hum of his fridge clicks on. The distant wail of a siren threads through the cracked kitchen window. The ice burns through the towel, numbing your foot.
You turn your head toward him. âYou donât talk much when youâre off shift.â
He shrugs. âI talk all day. Sometimes itâs nice to let the quiet say something for me.â
You pause. Then: âYouâve changed.â
Jackâs eyes flick up. âSince what?â
âSince the first day. You wereââ you search for the word, ââhostile.â
âI was exhausted.â
âYouâre still exhausted.â
âMaybe.â He rubs a hand over his face. âBut back then, I didnât think anyone gave a shit about the mess we were drowning in. Then you showed up in heels and threatened to file an ethics report in real-time during a trauma code.â
You grin. âYou never let me live that down.â
He chuckles. âIt was hot.â
You blink. âWhat?â
His eyes widen slightly. He looks away. âShit. Sorry. That wasââ
âSay it again,â you say, heartbeat ticking up.
He hesitates.
Then, quieter: âIt was hot.â
The room stills.
Your throat goes dry.
Jack clears his throat and stands. âIâll get you some water.â
You catch his wrist.
He stops. Looks down.
You donât let go. Not yet.
âI think Iâm sobering up,â you whisper.
Jack doesnât speak. But his expression softens. Like heâs afraid youâll take it back if he breathes too loud.
âAnd I still want you here,â you add.
That breaks something in his posture.
Not lust. Not intention.
Just clarity.
Jack lowers himself back down. Closer this time. He leans forward, arms on his knees, forearms bare, veins visible under dim kitchen-light glow. Youâre aware of the space between you. The hush. The hum.
âIâve been trying to stay out of your way,â he admits. âLet the protocol speak for itself. Let the work be enough.â
âIt is.â
âBut itâs not all.â
You nod. âI know.â
He meets your eyes. âI meant what I said. I didnât know how much I needed you until you stayed.â
Your chest tightens.
âYou make it easier to breathe in that place,â he adds. âAnd I havenât breathed easy in years.â
You lean back against the couch, exhale slowly.
âI think weâre more alike than I thought,â you murmur. âWe both like being the one people rely on.â
Jack nods. âAnd we both fall apart quietly.â
Another silence. Another shift.
âI donât want to fall apart tonight,â you whisper.
He looks at you.
âYou wonât,â he says. âNot while Iâm here.â
And then he reaches for your hand. Doesnât take it. Just lets his fingers rest close enough that the warmth passes between you.
Thatâs all it is.
Not a kiss.
Not a confession.
Just one long moment of quiet, where neither of you has to hold the weight of anyone elseâs world.
Just each otherâs.
Sunday â 8:19 AM Jack's Apartment â South Side Flats
You wake to soft light.
Filtered through half-closed blinds, the kind that turns gray into gold and casts long lines across the carpet. The apartment is quiet, still warm from the night before, but thereâs no sound except the faint hum of the fridge and the scrape of the city waking up somewhere six floors down.
Your foot throbsâbut less than last night.
The pain is dulled. Managed.
You shift slowly, eyes adjusting. Youâre on the couch, still in your dress, a blanket draped over you. Your leg is elevated on a pillow, and your ankle is wrapped in clean white gauzeâprofessionally, precisely. You didnât do that.
Jack.
Thereâs a glass of water on the coffee table. Full. No condensation. A bottle of ibuprofen beside it, label turned outward. A banana and a paper napkin.
The care is unmistakable.
You blink once, twice, then sit up slowly.
The apartment smells like coffee.
You limp toward the kitchen on your good foot, using the back of a chair for balance. The ice pack is gone. So is Jack.
But on the counterâneatly arranged like he planned every inchâis a folded gray hoodie, your left heel (broken but cleaned), a fresh cup of black coffee in a white ceramic mug, and something that stops you cold:
The new CRF logbook.
Printed. Binded. Tabbed in color-coded dividers. The first page filled out in his slanted, all-caps writing.
At the top: CRF â ALLEGHENY GENERAL EMERGENCY PILOT â 3-WEEK AUDIT REVIEW. In the corner, under âLead Coordinator,â your name is written in ink.
Thereâs a sticky note beside it. Yellow. Curling at the edge.
âIt works because of you.â Jâ
You stare at it for a long time.
Not because itâs dramatic. Because itâs not.
Because itâs simple. True.
You pick up the binder, flip to the first log. Itâs already halfway filledâdates, codes, outcomes. Jack has been tracking everything. By hand. Every reroute. Every save. Every corner heâs bent back into shape.
And heâs signing your name on every one of them.
You run your fingers over the paper.
Then reach for the mug.
Itâs warm. Not freshâbut not cold either. Like he poured it minutes before leaving.
You sip.
And for the first time in weeksâmaybe longerâyou donât feel like you're catching up to your own life. You feel placed. Like someone made room for you before you asked.
You limp toward the window, slow and careful, and watch the street below wake up.
The city is still gray. Still loud. But itâs yours now. His, too. Not perfect. Not quiet. But itâs working.
You lean against the frame.
Your chest aches in that unfamiliar, not-quite-painful way that only comes when something shifts inside youâsomething big and slow and inevitable.
You donât know what this is yet.
But you know where it started.
On a trauma shift.
In a supply closet.
With a man who saw your strength before you ever raised your voice.
And stayed.
One Month Later â Saturday, 6:41 PM Pittsburgh â Shadyside, near Ellsworth Ave
The skyâs already lilac by the time you get out of the Uber.
The street glows with soft storefront lightingâjewelers locking up, the floristâs shutters halfway drawn, the sidewalk sprinkled with pale pink petals from whatever tree is blooming overhead. The restaurant is tucked between a jazz bar and a wine shop, easy to miss if youâre not looking for it.
But Jack is already there.
Leaning against the doorframe, hands in his pockets, like he doesnât want to go in without you. Heâs in a navy button-down, sleeves pushed up to the elbow, top button undone. Heâs not hiding in trauma armor tonight. He looks clean. Rested. Still a little unsure.
You see him before he sees you.
And when he doesâwhen his head lifts and his eyes find youâhe stills.
The kind of still that feels like reverence, even if heâd never call it that.
He says your name. Just once. And then:
âYou came.â
You smile. âOf course I came.â
âI wasnât sure.â
You tilt your head. âWhy?â
He looks down, breathes out through his nose. âBecause sometimes when things matter, I assume they wonât last.â
You step closer.
âThey havenât even started yet,â you murmur. âLetâs go in.â
The bistro is warm. Brick walls. Low ceilings. Candles on every table, their flames soft and steady in small hurricane glass cylinders. Thereâs a record player spinning something old in the cornerâChet Baker or maybe Nina Simoneâand everything smells like rosemary, lemon, and the faintest hint of woodsmoke.
They seat you at a two-top near the back, under a copper wall sconce. Jack pulls out your chair.
You settle in, napkin across your lap, and when you look upâheâs still watching you.
You say, half-laughing, âWhat?â
He shakes his head. âNothing.â
You arch a brow.
Jack clears his throat, quiet. âJust⌠didnât think Iâd ever sit across from you like this.â
You tilt your head. âWhat did you think?â
âThat youâd disappear when the work was done. That Iâd keep building alone.â
You soften. âYou donât have to anymore.â
He looks away like heâs holding back too much. âI know.â
The first half of the date is easier than expected.
You talk like people who already know the shape of each otherâs silences. He tells you about a med student who called him âsirâ and then fainted in a trauma room. You tell him about a client who tried to expense a yacht as âemergency morale restoration.â You laugh. You eat. He lets you try his meal before you ask.
But somewhere between the second glass of wine and dessert, the air starts to shift.
Not tense. Just heavier. Like both of you know youâve reached the part where you either step closer⌠or let it stay what itâs always been.
Jack leans back, arm resting on the back of the chair beside him.
He watches you carefully. âCan I ask something?â
You nod.
âWhyâd you keep answering when I texted?â
You blink. âWhat do you mean?â
âI meanâyouâre good. Smart. Whole. You didnât need me.â
You smile. âYouâre wrong.â
Jack doesnât say anything. Just waits. You fold your hands in your lap. âI didnât need a fixer,â you say slowly. âBut I needed someone who saw the same broken thing I did. And didnât flinch.â
His jaw flexes. His fingers tap the edge of the table. âI flinched,â he says. âAt first.â
âBut you stayed.â
Jack looks down. Then up again. âIâve never been afraid of blood,â he says. âOr death. Or screaming. But Iâve always been afraid of this. Of getting used to something that could disappear.â
You exhale. âThen donât disappear.â Itâs not flirty. Itâs not dramatic. Itâs a promise.
His hand finds the table. Palm open.
Yours moves toward it.
You hesitate. For half a second.
Then place your hand in his.
He closes his fingers around yours like heâs done it a hundred timesâbut still canât believe youâre letting him. His voice is low. âI like you.â
âI know.â
âI donât do this. I donâtââ
âJack.â You squeeze his hand. He stops talking. âI like you too.â
No rush. No smirk. Just this slow-burning, backlit certainty that maybeâfor onceâyouâre allowed to be wanted in a way that doesnât burn through you.
Jack lifts your hand. Presses his lips to the back of itâonce, then again. Slower the second time.
When he lets go, itâs with a softness that feels deliberate. Like heâs giving it back to you, not letting it go.
You reach for your phone, half on autopilot. âI should call an Uberââ
âDonât,â Jack says, low.
You pause.
Heâs already pulling out his keys. âIâll drive you home.â
You smile, small and warm.
âI figured you might.â
Saturday â 9:42 PM Your Apartment â East End, Pittsburgh
The hallway feels quieter than usual.
Maybe itâs the way the night sits heavy on your skinâthick with everything left unsaid in the car ride over. Maybe itâs the way Jack keeps glancing over at you, not nervous, not unsure, but like heâs memorizing each second for safekeeping.
You unlock the door and push it open with your shoulder.
Warm light spills out into the hallwayâthe glow from the lamp you left on, the one by the bookshelf. Itâs yellow-gold, soft around the edges, the kind of light that doesnât ask for anything.
Jack pauses at the threshold.
You watch him watch the room.
He notices the details: the stack of books by the bed. The houseplant youâre not sure is alive. The smell of bergamot and something citrus curling faintly from the kitchen. He doesnât say anything about it. He just steps inside slowly, like he doesnât want to ruin anything.
You toe off your shoes by the door. He closes it behind you, quiet as ever. You catch him glancing at your coat hook, at the little ceramic tray full of loose change and paper clips and hair ties.
âYou live like someone who doesnât leave in a rush,â he says softly.
You tilt your head. âWhat does that mean?â
Jack shrugs. âIt means itâs warm in here.â
You donât know what to do with that. So you smile. And thenâlike gravity resetsâyouâre both standing in your living room, closer than you meant to be, without shoes or coats or any buffer at all.
Jack shifts first. Hands in his pockets. He looks down, then up again. Thereâs something almost boyish in it. Almost shy. âI keep thinking,â he murmurs, âabout the moment I almost asked you out and didnât.â
You swallow. âWhen was that?â
He steps closer. His voice stays low. âAfter we wrote the first draft of the protocol. You were sitting in that awful rolling chair. Hair up. Eyes on the screen like the world depended on your next keystroke.â
You laugh, soft.
âI looked at you,â he says, âand I thought, âIf I ask her out now, Iâll never stop wanting her.ââ
Your breath catches.
âAnd that scared the hell out of me.â
You donât speak. You donât need to. Because youâre already reaching for him. And he meets you halfway. Not in a rush. Not in a pull. Just a quiet, inevitable lean.
The kiss is slow. Not hesitantâintentional. His hand finds your waist first, the other grazing your cheek. Your fingers curl into the front of his shirt, anchoring yourself.
You part your lips first. He deepens it. And itâs the kind of kiss that says: I waited. I wanted. Iâm here now.
His thumb traces the side of your face like heâs still getting used to the shape of you. His mouth moves like heâs learned your rhythm already, like heâs wanted to do this since the first time you told him he was wrong and made him like it.
He breaks the kiss only to breathe. But his forehead stays pressed to yours. His voice is hoarse.
âIâm trying not to fall too fast.â
You whisper, âWhy?â
Jack exhales. âBecause I think I already did.â
You press your lips to his againâsofter this time. Then pull back enough to look at him. His expression is unguarded. More than tired. Relieved. Like the thing heâs been carrying for years just finally set itself down. You brush your thumb across the line of his jaw.
âThen stay,â you say.
His eyes meet yours. No hesitation.
âI will.â
He follows you to the couch without asking. You curl into the corner, legs tucked beneath you. He sits beside you, arm behind your shoulders, body warm and still faintly smelling of cologne.
You rest your head on his chest.
His hand moves slowlyâfingertips tracing light shapes against your spine. You think maybe heâs drawing the floor plan of a life he didnât think heâd ever get.
Neither of you speak. And for once, Jack doesnât need words.
Because here, in your living room, under soft lighting and quiet, and the hum of a city that never quite sleepsâyouâre both still.
And neither of you is leaving.
Sunday â 6:58 AM Your Apartment â East End, Pittsburgh
Itâs still early when the light begins to stretch.
Not sharp. Not the kind that yells the day awake. Just a slow, honey-soft glow bleeding in through the blindsâbrushed gold along the floorboards, the edge of the nightstand, the collar of the shirt tangled around your frame.
It smells like sleep in here. Like warmth and cotton and skin. Youâre not alone. You feel it before your eyes open: the quiet sound of someone else breathing. The weight of a hand resting loosely over your hip. The warmth of a body curved behind yours, chest to spine, legs tucked close like he was worried youâd get cold sometime in the night.
Jack.
Your heart gives a small, guilty flutterânot from regret. From how unreal it still feels. His arm shifts slightly. He inhales. Not quite awake, but moving toward it. You keep your eyes closed and let yourself be held.
Not because you need protection. Because being knownâthis fully, this gentlyâis rarer than safety.
The bedsheets are half-kicked off. Your shared body heat turned the room muggy around 3 a.m., but now the chill has crept back in. His nose is tucked against the crook of your neck. His stubble has left faint irritation on your skin. You could point out the way his foot rests over yours, how he mustâve hooked it there subconsciously, anchoring you in place. You could point out the weight of his hand splayed across your ribcage, not possessiveâjust there.
But thereâs nothing to say. Thereâs just this. The shape of it. The way your body fits his. You shift slightly beneath his arm and feel him breathe in deeper.
ThenââYouâre awake,â he murmurs, his voice sleep-rough and warm against your skin.
You nod, barely. âSo are you.â
He lets out a quiet hum. The kind people make when they donât want the moment to change. You turn in his arms slowly. He doesnât fight it. His hand slips to your lower back as you roll, fingers still curved to hold. And then youâre facing himâcheek to pillow, inches apart.
Jack Abbot is never this soft.
He blinks the sleep out of his eyes, messy hair pushed back on one side, face creased faintly where it met the pillow. His mouth is slightly open. Thereâs a dent at the base of his throat where his pulse beats slow and steady, and you watch it without shame.
His eyes search yours. âI didnât know if youâd want me here in the morning,â he says.
You reach up, touch a lock of hair near his temple. âI think I wanted you here more than Iâve wanted anything in weeks.â
That gets him. Not a smile. Something quieter. Something grateful. âI almost left at five,â he admits. âBut then you turned over and said my name.â
You blink. âI donât remember that.â
âYou said it like you were still dreaming. Like you thought I might disappear if you stopped saying it.â
Your throat catches. Jack reaches up, runs a thumb under your cheekbone. âIâm not going anywhere,â he says.
You rest your forehead against his. âI know.â
Neither of you move for a while.
Eventually, he shifts slightly and kisses your jaw. Your temple. Your nose. When his lips brush yours, itâs not a kiss. Not yet. Itâs just a touch. A greeting. A promise that heâll wait for you to move first.
You do.
He kisses you slowlyâlike heâs checking if he can keep doing this, if itâs still allowed. You kiss him back like heâs already yours. And when it ends, itâs not because you pulled away.
Itâs because he smiled against your mouth.
You shift again, stretching your limbs gently. âWhat time is it?â
Jack rolls slightly to glance at the clock. âAlmost seven.â
You hum. âToo early for decisions.â
âWhat decisions?â
âLike whether I should make breakfast. Or pretend weâre too comfortable to move.â
Jack tugs you a little closer. âI vote for the second one.â
You laugh against his chest. His hand strokes up and down your spine in lazy, slow passes. Nothing rushed. Just skin and warmth and quiet.
Itâs a long time before either of you try to get up. When you do, itâs because Jack insists on coffee.
You sit on the bed, cross-legged, blanket pooled around your waist while he pads around the kitchen in boxers, hair a mess, your fridge open with a squint like heâs trying to understand your milk choices.
âI have creamer,â you call.
âI saw. Why is it in a mason jar?â
âBecause I dropped the original bottle and couldnât get the lid back on.â
Jack just laughs and pours two mugsâone full, one halfway. He brings yours first. âTwo sugars?â
You blink. âHow did you know?â
âYou stirred your coffee five times the other day. I watched the way your face changed after the second packet.â
You squint. âYou remember that?â
Jack shrugs, eyes soft. âI remember you.â
You take the cup. Your fingers brush. He leans in and kisses the top of your head. The apartment smells like coffee and him. He stays all morning. You donât notice the time pass.
But when he kisses you goodbyeâlong, lingering, forehead pressed to yoursâyou donât ask when youâll see him next.
Because you already know.
Friday â 12:13 AM Your Apartment â East End, Pittsburgh
Youâre awake, but just barely.
Your laptop is dimmed to preserve battery, the spreadsheet on screen more muscle memory than thought. Youâd told yourself you'd finish reconciling the quarterly vendor ledger before bed, but your formulas have started to blur into one long row of black-and-white static.
Thereâs half a glass of Pinot on your coffee table. Youâre in an old sweatshirt and socks, glasses slipping down the bridge of your nose. The only light in the apartment comes from the kitchenâlow, golden, humming.
Itâs late, but the kind of late youâre used to. And thenâthree knocks at the door. Not buzzed. Not texted. Not expected.
Three solid, decisive knocks.
You sit up straight. Laptop closed. Glass down. Your feet find the floor with a soft thud as you cross the room. The locks click one by one. You look through the peephole and your heart stumbles.
Jack.
Black scrubs. Blood dried along his collar. One hand braced against your doorframe, as if he needed the structure to hold himself up.
You donât hesitate. You open the door. He looks at you like heâs not sure he shouldâve come. You step aside anyway.
âCome in.â
Jack crosses the threshold slowly, like someone walking into a church they havenât set foot in since the funeral. He doesnât speak. Doesnât kiss you. Doesnât offer a greeting. His movements are mechanical. His bodyâs tight.
He stands in the middle of your living room, beneath the soft spill of light from the kitchen, and doesnât say a word.
You shut the door. Turn toward him.
âJack.â
His eyes lift to yours. He looks wrecked. Not bleeding. Not broken. Just⌠done. And yet still trying to hold it all together. You take one step forward.
âI lost a kid,â he says, voice gravel-thick. âTonight.â
You go still.
âShe came in from a hit-and-run. Eleven. Trauma-coded on arrival. We got her to the OR. Her BP was gone before the second unit of blood even cleared.â
You donât interrupt.
âShe had these barrettes in her hair. Bright pink. I donât know why I keep thinking about them. Maybe because they were the only clean thing in the whole room. Or maybe becauseââ he breaks off, jaw clenched.
You reach for his wrist. He lets you.
âI didnât want to stop. Even after I knew it was gone. Her momââ his voice cracksââshe was screaming.â
Your fingers tighten gently around his. He finally looks at you. âI shouldnât be here.â
âWhy?â
âI didnât want to bring this to you. The blood. The mess. You work in numbers and deadlines. Spreadsheets and order. This isnât your world.â
âYou are.â
That stops him. Jack looks down.
âI didnât know where else to go.â
You step into him fully now, arms sliding around his back. His hands hover for a moment, unsure.
Then he folds. All at once. His chin drops to your shoulder. One arm tightens around your waist, the other wraps up your back like heâs afraid you might vanish too. You feel it in his bodyâthe way he lets go slowly, like muscle by muscle, his grief loosens its grip on his spine.
You don't rush him. You donât ask more questions.
You just hold.
It takes him a long time to speak again.
When he does, itâs from the couch, twenty minutes later. Heâs sitting with his elbows on his knees, your throw blanket around his shoulders.
You made tea without asking. Youâre curled at the other end, knees drawn up, watching him with quiet presence.
âI donât know how to be this person,â he says. âThe one who canât hold it all.â
You sip from your mug. âYou donât have to hold it alone.â
Jack lets out a sound thatâs not quite a laugh. âYou say that like itâs easy.â
You set the mug down. Shift closer.
âYou patch up people who never say thank you. You hold their trauma in your hands. You drive home alone with someone elseâs blood on your shirt. And then you pretend none of it touches you.â
He looks over at you.
âIt touches you, Jack. Of course it does.â
He doesnât respond. You reach for his hand. Laced fingers. âI donât need you to be okay right now.â
His shoulders drop slightly. You lean into him, resting your head on his arm.
âYou can fall apart here,â you say, voice low. âI know how to hold weight.â
Jack breathes in like that sentence pulled something loose in his chest. âYou were working,â he says after a beat. âI shouldnât have come.â
You look up. âI audit grants for a living. Iâll survive a late ledger.â
He smiles, barely. You move your hand to his jaw, thumb brushing the stubble there.
âIâm glad you came here.â
He leans forward, presses his forehead to yours. âMe too.â
He kisses you onceâslow, still tasting like exhaustionâand when he pulls back, it feels like the world has shifted a half-inch left.
You donât say anything else. You just get up, take his hand, and lead him down the hallway.
You fall asleep wrapped around each other.
Jackâs head pressed between your shoulder and collarbone. Your legs tangled. Your arm around his middle. And for the first time in hours, his breathing evens out. He doesnât flinch when the siren howls down the block. He doesnât wake from the sound of your radiator clanking.
He stays still.
Safe.
And when you wake hours later to the soft grey of morning just beginning to yawn over the windowsillâJack is already looking at you. Eyes soft. Brow relaxed.
âYou okay?â you whisper.
He nods. âI will be.â
Jack watches you like heâs learning something new. And for onceâhe doesnât try to fix a single thing.
Two weeks after the hard night â Thursday, 9:26 PM Your Apartment â East End, Pittsburgh
The second episode of the sitcom has just started when you realize Jack isnât watching anymore. Youâre curled into the corner of the couch, fleece blanket over your legs, half a container of pad thai balanced precariously on your thigh. Jackâs sitting at the other end, your feet in his lap, chopsticks abandoned, one hand absently rubbing slow circles over your ankle.
His gaze is fixedânot on the TV, not on his food. On you.
You pause mid-bite. âWhat?â
Jack shakes his head slightly. âNothing.â
You raise an eyebrow. He smiles. âYouâre just⌠really good at this.â
You blink. âAt what? Being horizontal?â
He shrugs. âThat. Letting me in. Making room for me in your life. Turning leftovers into dinner without apologizing. Letting me keep my toothbrush here.â
You snort. âJack, you have a drawer.â
He grins, but it fades slowly. Not goneâjust quieter. âI keep waiting to feel like I donât belong in this. And I havenât.â
You watch him for a long beat. Then: âIs that what youâre afraid of?â
He looks down. Then back up. âI think I was afraid youâd get bored of me. That youâd realize Iâm too much and not enough at the same time.â
Your heart tightens. âJack.â
But he lifts a handâlike he needs to say it now or he wonât. âAnd then I came here the other weekâfalling apart in your doorwayâand you didnât flinch. You didnât ask me to explain it or shape it or make it easier to hold. You just⌠held me.â
You set the container down. Jack shifts closer. Takes your foot in both hands now. Thumb moving over your arch, slower than before.
âIâve spent years patching things. Working nights. Giving the best parts of me to strangers who forget my name. And youââ he exhalesââyou made space without asking me to perform.â
You donât speak. You just listen. And then he says it. Not softly. Not theatrically. Just right.
âI love you.â
You blink. Not because youâre shockedâbut because of how easy it lands. How certain it feels.
Jack waits. Your mouth opensâand for a moment, nothing comes out. Then: âYou know what I was thinking before you said that?â
He quirks a brow.
âI was thinking I could do this every night. Sit on this couch, eat cold noodles, watch something dumb. As long as you were here.â
Jackâs eyes flicker. You move closer. Take his face in both hands. âI love you too.â You donât say it like a question. You say it like itâs always been true.
Jack leans in, kisses you onceâsweet, grounding, slow. When he pulls back, heâs smiling, but itâs not smug. Itâs soft. Like relief. Like home.
âOkay,â he says quietly.
You nod. âOkay.â
Four Months Later â Sunday, 6:21 PM Regent Square â Their First House
There are twenty-seven unopened boxes between the two of you.
You counted.
Because youâre an accountant, and thatâs how your brain makes sense of chaos: it gives it a ledger, a timeline, a to-do list. Even nowâsitting on the floor of a house that still smells like primer and wood polishâyour eyes keep drifting toward the boxes like they owe you something.
But then Jack walks in from the porch, and the air shifts. Heâs barefoot, hoodie sleeves pushed up, a bottle of sparkling water dangling from one hand. His hairâs slightly damp from the post-move-in rinse you bullied him into. And thereâs something different in his face nowâlighter, maybe. Looser.
âYouâre staring,â he says.
âIâm mentally organizing.â
Jack drops beside you on the floor, leans his shoulder into yours. âYouâre stress-auditing the spice rack.â
âItâs not an audit,â you murmur. âItâs a preliminary layout strategy.â
He grins. âDo I need to leave you alone with the cinnamon?â
You elbow him.
The room around you is full of light. Big windows. A scratched-up floor you kind of already love. The couch is still wrapped in plastic. Youâre sitting on the rug you just unrolledâyour knees pressed to his thigh, your coffee mug still warm in your hands. Thereâs a half-built bookcase in the corner. Your duffel bagâs still open in the hall.
None of itâs finished. But Jack is here. And that makes the rest feel possible. He glances around the room. âYou know what we should do?â
You look at him, wary. âIf you say âunpack the garage,â Iâm calling a truce and ordering Thai.â
âNo.â He turns toward you, one arm braced across his knee. âI meant we should ruin a room.â
You blink. Then stare. Jack watches your expression shift. You set your mug down slowly. âRuin?â
âYeah,â he says casually, totally unaware. âPick one. Go full chaos. Pretend we can set it up tonight. Pretend we didnât already work full days and haul furniture and fail to assemble a bedframe because someone threw out the extra screwsââ
âI did notââ
He holds up a hand, grinning. âNot important. Point is: letâs ruin one. Let it be a disaster. First night tradition.â
You pause.
Thenâtentatively: âYou want to⌠have sex in a room full of boxes?â
Jack freezes. You raise an eyebrow. âOh my God,â he mutters.
You start laughing. Jack covers his face with both hands. âThatâs not what I meant.â
âYou said ruin a room.â
âI meant emotionally. Functionally.â
Youâre still laughingâhalf from exhaustion, half from how red his ears just went.
âJesus,â he mutters into his hands. âYouâre the one with a mortgage spreadsheet color-coded by quarter and you thought I wanted to christen the house with a full-home porno?â
You bite your lip. âWell, now youâre just making it sound like a challenge.â
Jack groans and collapses backward onto the rug. You follow him. Lay down beside him, shoulder to shoulder. The ceiling above is bare. No light fixture yet. Just exposed beams and white primer. You stare at it for a long beat, side by side. He turns his head. Looks at you.
âYou really thought I meant sex in every room?â
You shrug. âYou said ruin. I was tired. My brain filled in the blanks.â
Jack snorts. Then rolls toward you, props himself on one elbow. âWould it be that bad if I had meant that?â
You glance at him. Heâs flushed. Amused. Slightly wild-haired. You reach up and thread your fingers through the edge of his hoodie.
âI think,â you say slowly, âthat it would make for a very effective unpacking incentive.â
Jack grins. âWeâre negotiating with sex now?â
You shrug. âDepends.â
He kisses you onceâsoft and full of quiet mischief. You blink up at him. The room is suddenly still. Warm. Dimming. Gentle. Jackâs smile fades a little. Not goneâjust quieter. Real.
âI know itâs just walls,â he says softly, âbut it already feels like you live here more than me.â
You frown. âItâs our house.â
He nods. âYeah. But you make it feel like home.â
Your breath catches. He doesnât say anything else. Just leans down and kisses you againâthis time longer. Slower. His hand curls against your waist. Your body moves with his instinctively. The kiss lingers.
And when he finally pulls back, forehead resting against yours, he whispers, âOkay. Letâs ruin the bedroom first.â
You smile. He stands, offers you a hand. And you follow. Not because you owe him. But because youâve already decided:
This is the man youâll build every room around.
One Year Later â Saturday, 11:46 PM The House â Bedroom. Dim Lamp. One Window Open. You and Him.
Jack Abbot is looking at you like he wants to burn through you.
Youâre straddling his lap, bare thighs across his hips, tank top riding high, no underwear. His sweatpants are halfway down. Your bodies are flushed, panting, teeth-marks already ghosting along your collarbone. His hands are firm on your waistânot rough. Just present. Like heâs still making sure youâre real.
The windowâs cracked. Night breeze slipping in against sweat-slicked skin.
The sheets are kicked to the floor.
Youâd barely made it to the bedroomâhalf a bottle of wine, two soft laughs, one look across the kitchen, and heâd muttered something about being obsessed with you in this shirt, and that was it. His mouth was on your neck before you hit the hallway wall.
Now you're here.
Rocking slow on his cock, bodies tangled, your hand braced on his chest, the other wrapped around the back of his neck.
âFuck,â Jack groans, barely audible. âYou feelâŚâ
âYeah,â you whisper, forehead pressed to his. âI know.â
Youâd always known.
But tonight?
Tonight, it clicks in a way that guts you both.
Heâs not thrusting. Heâs holding you thereâdeep and stillâlike if he moves too fast, the moment will shatter.
He kisses you like a vow.
You can feel how wrecked he isâhis hands trembling a little now, his mouth hot and slow on your shoulder, his body not performing but unraveling.
And then he exhalesâsharp, shakyâand says:
âI need you to marry me.â
You freeze.
Still seated on him, still connected, your breath caught mid-moan.
âJack,â you say.
But he doesnât stop.
Doesnât even blink.
âI mean it.â His voice is low. Hoarse. âI was gonna wait. Make it a thing. But Iâm tired of pretending like this is just⌠day by day.â
You open your mouth.
He lifts one handâfumbles behind the nightstand, like he already knew he was going to crack eventually.
And pulls out a ring box.
You blink, heart pounding. âYouâre kidding.â
âIâm not.â
He flips it open.
The ring is huge.
No frills. No side stones. Just a bold, clean-cut diamondâflawless, high clarity, set on a platinum band. Sleek. A little loud. But elegant as hell. The kind of thing that says, I know what I want. Iâm not afraid of weight.
You blink down at it, still perched on top of him, still pulsing around him.
Jackâs voice dropsâtired, exposed. âI know we wonât get married yet. I know weâre both fucking alcoholics. I know we argue over the thermostat and forget groceries and ruin bedsheets we donât replace.â
Your throat goes tight.
âI know I leave shit everywhere and you color-code spreadsheets because itâs the only way to feel okay. I know youâre steadier than me. Smarter. Better. But I need you to be mine. Fully. Officially. Before I ruin it by waiting too long.â
You look at himâreally look.
His eyes are glassy. His hair damp. His lips parted. He looks like he just survived a war and crawled out of it with the only thing that mattered.
You whisper, âYouâre not ruining anything.â
He doesnât flinch.
âSay yes.â
âJack.â
âIâll wait. Years, if I have to. I donât care when. But I need the word. I need the promise.â
You lean forward.
Kiss him slow.
Then lift the ring from the box.
Slide it on yourself, right there, while heâs still inside you. It fits perfectly.
His breath stutters.
You roll your hipsâjust once.
âIs that a yes?â he asks.
You drag your mouth across his jaw, bite down gently, then whisper: âItâs a fuck yes.â
Jack flips youâmoves so fast you gasp, but his hands never leave your skin. He spreads you beneath him like a prayer.
âYou gonna come with it on?â he asks, voice wrecked, forehead to yours.
âObviously.â
âFucking marry me.â
âI just said yes, idiotââ
âI need to hear it again.â
âIâm gonna marry you, Jack,â you whisper.
His hips drive in deeper, and you sob against his neck. Jack curses under his breath.
You come first. Soaking. Gasping. Shaking under him. He follows seconds laterâmoaning your name like itâs the only language he speaks.
When he collapses on top of you, still sheathed inside, heâs breathless. Raw.
He lifts your hand. Looks at the ring.
âItâs too big.â
âItâs perfect.â
âYouâre gonna hit people with it accidentally.â
âI hope so.â
Jack presses a kiss to your palm, right at the base of the band.
Then, out of nowhereâ
âYouâre the best thing Iâve ever done.â
You smile, blinking hard.
âYouâre the best thing I ever let happen to me.â You hold up your left hand, wiggling your fingers. The diamond flashes dramatically in the low light. âI canât wait to do our shared taxes with this ring on. Really dominate the IRS.â
Jack groans into your shoulder. âJesus Christ.â
You laugh softly, kiss the crown of his head.
And somewhere between his chest rising against yours and the breeze cooling the sweat on your skin, you realize:
Youâre not scared anymore.
Youâre home.
#jack abbot#jack abbot x reader#shawn hatosy#dr abbot#the pitt fanfiction#the pitt#the pitt x reader#jack abbot fanfiction#dr abbot x you#dr abbot x reader#the life we grew#fanfiction#fluff#the pitt hbo
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Cafe Restoran ĂrĂźnleri Nedir?
Promosyon cafe restoran ĂźrĂźnleri, iĹletmelerin marka bilinirliÄini artÄąrmak, mĂźĹteri sadakatini gßçlendirmek ve yeni mĂźĹteriler çekmek için tasarladÄąÄÄą ve logolarÄąnÄą, marka adlarÄąnÄą veya diÄer iĹletme bilgilerini içeren Ăśzel ĂźrĂźnlerdir.
Bu tĂźr ĂźrĂźnler, bir restoran veya kafenin menĂźsĂźnde yer alan ĂźrĂźnlerin yanÄą sÄąra, iĹletme tarafÄąndan sunulan hizmetlerin de bir parçasÄą olabilir. ĂrneÄin, Ăśzel olarak tasarlanmĹŠbir kahve fincanÄą veya restoran logolu bir t-shirt, promosyon ĂźrĂźnleri arasÄąnda yer alabilir.
Promosyon ĂźrĂźnleri Ăśzel gĂźnler, kutlamalar veya mĂźĹteri sadakat programlarÄą çerçevesinde mĂźĹterilere sunulur. AyrÄąca, restoran ve cafeler sÄąklÄąkla bu tĂźr ĂźrĂźnleri sosyal medya yarÄąĹmalarÄąnda ĂśdĂźl olarak da kullanabilir.
Cafe Restoran ĂrĂźnleri MĂźĹteri GĂśzĂźnde Etkisi Nedir?
Promosyon ĂźrĂźnlerinin mĂźĹteriler Ăźzerinde Ăśnemli bir etkisi vardÄąr. Bu etki birkaç farklÄą biçimde ortaya çĹkabilir:
Marka BilinirliÄinin ArtÄąrÄąlmasÄą: Promosyon ĂźrĂźnleri, markanÄąn adÄąnÄą, logosunu ve diÄer iĹletme bilgilerini geniĹ bir kitleye ulaĹtÄąrma fÄąrsatÄą sunar. Bu, marka bilinirliÄinin artmasÄąna ve dolayÄąsÄąyla daha geniĹ bir mĂźĹteri kitlesi çekmeye yardÄąmcÄą olabilir.
MĂźĹteri Sadakatinin Gßçlendirilmesi: Promosyon ĂźrĂźnlerini alan mĂźĹteriler, iĹletmeye daha baÄlÄą hisseder. Bu ĂźrĂźnler, mĂźĹterilerin iĹletmeyi olumlu bir Ĺekilde anÄąmsamasÄąna yardÄąmcÄą olabilir ve bĂśylece mĂźĹteri sadakatini artÄąrabilir.
Yeni MĂźĹterilerin KazanÄąlmasÄą: Ăzellikle sosyal medya platformlarÄąnda gerçekleĹtirilen promosyonlar, geniĹ kitlelere ulaĹabilir. BĂśylelikle yeni mĂźĹterilerin dikkatini çekebilir ve iĹletmeye yeni mĂźĹteriler kazandÄąrabilir.
Cafe Restoran ĂrĂźnleri BaskÄą FiyatlarÄą
Promosyon ĂźrĂźnlerinin baskÄą fiyatlarÄą, seçilen ĂźrĂźnĂźn tĂźrĂźne, ĂźrĂźnĂźn kalitesine, baskÄąnÄąn karmaĹÄąklÄąÄÄąna ve sipariĹin miktarÄąna baÄlÄą olarak deÄiĹir. Basit bir logo veya marka adÄą baskÄąsÄą daha uygun maliyetlidir, ancak daha karmaĹÄąk veya renkli baskÄąlar maliyeti artÄąrabilir.
Birçok promosyon ĂźrĂźn saÄlayÄącÄąsÄą, sipariĹin miktarÄąna gĂśre indirim sunar. Yani, daha bĂźyĂźk bir sipariĹ birim baĹÄąna daha dĂźĹĂźk bir maliyet anlamÄąna gelir. Bu nedenle, baskÄą fiyatlarÄą hakkÄąnda daha kesin bir bilgi almak için, belirli bir sipariĹin detaylarÄą ile promosyon ĂźrĂźn saÄlayÄącÄąsÄąna baĹvurmak en iyisi olacaktÄąr.
Sonuç olarak, promosyon cafe restoran ĂźrĂźnleri, bir iĹletmenin marka bilinirliÄini artÄąrmak, mĂźĹteri sadakatini gßçlendirmek ve yeni mĂźĹteriler kazanmak için etkili bir yol olabilir. Bu ĂźrĂźnler, hem iĹletmeyi hem de mĂźĹterileri memnun etmek için kullanÄąlabilecek geniĹ bir yelpazede mevcuttur. DolayÄąsÄąyla, promosyon ĂźrĂźnlerini stratejik bir Ĺekilde kullanmak, bir restoran veya kafenin baĹarÄąsÄąnda Ăśnemli bir rol oynayabilir.
Cafe Restoran ĂrĂźnleri BaskÄą ĂeĹitleri Nelerdir?
Promosyon ĂźrĂźnleri birçok farklÄą biçimde ve baskÄą tĂźrĂźyle Ăźretilebilir. Bu baskÄą çeĹitlerinin seçimi, ĂźrĂźnĂźn tĂźrĂźne, kullanÄąm amacÄąna ve bĂźtçeye baÄlÄądÄąr. İĹte promosyon cafe restoran ĂźrĂźnleri için yaygÄąn olarak kullanÄąlan baskÄą çeĹitleri:
Dijital BaskÄą: Dijital baskÄą, karmaĹÄąk tasarÄąmlar ve renkli gĂśrseller için kullanÄąlÄąr. Bu baskÄą tĂźrĂź, yĂźksek çÜzĂźnĂźrlĂźklĂź detaylÄą gĂśrseller için idealdir.
Serigrafi BaskÄą: Serigrafi, tekstil ĂźrĂźnlerine (ĂśrneÄin, T-shirtler, Ĺapkalar) uygulanÄąr. Bu yĂśntem, bir baskÄą ekranÄą kullanarak mĂźrekkebin doÄrudan ĂźrĂźne geçirilmesini içerir.
Pad BaskÄą: Kßçßk ve dĂźz olmayan nesneler Ăźzerine baskÄą yapmak için kullanÄąlÄąr. ĂrneÄin, kalem, anahtarlÄąk gibi ĂźrĂźnlerde sÄąklÄąkla tercih edilir.
Lazer GravĂźr: ĂoÄunlukla metal ve ahĹap ĂźrĂźnler için kullanÄąlÄąr. Bu yĂśntem, ĂźrĂźnĂźn yĂźzeyine lazer ile iĹaretleme yapar ve kalÄącÄą, aĹÄąnmaya dayanÄąklÄą bir sonuç verir.
Tampon baskÄą:Â Plastik ĂźrĂźnler Ăźzerine uygulanan bu baskÄą tĂźrĂź, hÄązlÄą ve etkilidir.
Cafe MenĂźlerin TasarÄąmlarÄąnda Neler OlmalÄądÄąr?
Cafe restoranlar için promosyon menĂźler Ăśzel gĂźnlerde veya belirli bir sĂźre boyunca sunulan, çeĹitli yiyecek ve içecek seçeneklerini içerir. Promosyon menĂźlerin oluĹturulmasÄąnda dikkate alÄąnmasÄą gereken noktalar ĹunlardÄąr:
MĂźĹteri Tercihleri: MenĂź, mĂźĹterilerin tercihlerini yansÄątmalÄą ve geniĹ bir yelpazede seçenekler sunmalÄądÄąr. Bunlar arasÄąnda farklÄą diyet gereksinimlerine uygun seçenekler de olabilir (ĂśrneÄin, vegan veya glĂźtensiz seçenekler).
SezonsallÄąk: Mevsimsel ĂźrĂźnlerin kullanÄąlmasÄą, hem tazelik ve kalite açĹsÄąndan hem de mĂźĹterilerin ilgisini çekebilmek açĹsÄąndan Ăśnemlidir.
FiyatlandÄąrma: Promosyon menĂźler mĂźĹterilere bir deÄer teklifi sunar. Bu nedenle, fiyatlandÄąrma stratejisi dikkatlice belirlenmelidir.
Ăzel Teklifler: Promosyon menĂźlerde bir veya daha fazla Ăśzel teklif bulunur. Bu, bir â2 al 1 Ăśdeâ teklifi olabilir, veya belirli bir yiyecek veya içecek sipariĹi ile birlikte indirimli bir ĂźrĂźn olabilir.
MenĂź TasarÄąmlarÄą Yaparken Nelere Dikkat Edilmelidir?
Promosyon menĂź baskÄą tasarÄąmÄą, iĹletmenin imajÄąnÄą ve kalitesini yansÄątmalÄądÄąr. İĹte promosyon menĂź tasarÄąmlarÄą yaparken dikkate alÄąnmasÄą gereken bazÄą noktalar:
Marka Uyumu: TasarÄąm, iĹletmenin genel marka kimliÄi ve renk paleti ile uyumlu olmalÄądÄąr. Bu, iĹletmenin tanÄąnabilirliÄini artÄąrÄąr ve marka bilinirliÄini gßçlendirir.
Okunabilirlik: MenĂźnĂźn okunmasÄą kolay olmalÄądÄąr. Font seçimi, renkler ve metin yerleĹimi, mĂźĹterinin menĂźyĂź rahatça okuyabilmesini saÄlamalÄądÄąr.
GĂśrsel Ăekicilik: MenĂź tasarÄąmÄąnÄąn gĂśrsel olarak çekici olmasÄą gerekir. Kaliteli fotoÄraflar ve çekici grafikler, mĂźĹterilerin dikkatini çekebilir ve onlarÄąn sipariĹ verme olasÄąlÄąÄÄąnÄą artÄąrabilir.
MĂźĹteri YolculuÄu: MenĂź, mĂźĹteriyi en çok kar saÄlayacak ĂźrĂźnlere yĂśnlendirecek Ĺekilde dĂźzenlenmelidir. ĂrneÄin, en karlÄą ĂźrĂźnler menĂźnĂźn ĂźstĂźnde veya ortasÄąnda yer alÄąr.
Promosyon cafe restoran ĂźrĂźnleri ve menĂźler, iĹletmenin marka bilinirliÄini artÄąrabilir, mĂźĹteri sadakatini gßçlendirebilir ve yeni mĂźĹterileri çekebilir. Bu nedenle, bu araçlarÄą stratejik ve etkili bir Ĺekilde kullanmak, iĹletmenin baĹarÄąsÄąnÄą artÄąrabilir.
#print#printing#printing company#printing house#printing money#printing paper box#printing industry#printing machine for paper bag#printing paper package#printing press#baskicimiz.com#baskÄą#menĂź baskÄą
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White Horse - Chapter 32: September 2024 - Part 3
Pairing: Max Verstappen x Isabelle Leclerc (Original Character)
Summary:
Max Verstappen is a World Champion. Isabelle Leclerc is invisible.
She watched her family give up everything for Charlesâ careerâArthurâs karting, their fatherâs savings, even her childhood horse. She understood. She never asked for more.
But Max does. He notices the things no one else does, listens when no one else will, and puts her first in ways she never imagined. With him, she isnât an afterthoughtâsheâs a choice. And for the first time, she realizes she doesnât have to be invisible.
Warnings and Notes:Â
we have now moved on from Charles bashing to bashing his whole family, Discussions of toxic past relationships, talk about loosing a childhood pet, toxic families, mention of the loss of a parent.
As always big thanks to @llirawolf , who listens to me ramble

Text Messages: Emilie Abadie & Victoria Verstappen
Emilie: So Iâve decided iâm planning Belleâs baby shower. You in?
Victoria: YES god yes i thought youâd never ask
Emilie: i knew you were my people
Emilie: we are going to destroy her with love
Victoria: as it should be
Emilie:Belle said the nursery will be jungle-themed But like classy jungle. not neon animal prints. think: baby Tarzan but with better lighting
Victoria:So tasteful jungle. Earth tones? Greens? Wood accents?
Emilie: YES. I was thinking âwoodland safariâ vibes like if Paddington Bear took a gap year in Tanzania
Victoria:I know exactly what you mean
Emilie:We do green and gold
maybe some dried eucalyptus and babyâs breath??
wooden signs?? one that says âA little wild one is on the wayâ and makes me cry in public???
Victoria: Thatâs actually adorable. Okay: green, gold, maybe ivory or beige accents. Nothing with leopard print unless itâs ironic.
Emilie:Sent
 also we are getting little elephant sugar cookies
and a cake topper thatâs a baby lion wearing a crown
and weâre doing a âwrite a wish for babyâ station or i riot
Victoria: You know Belleâs going to sob, right?
Emilie: thatâs the GOAL she deserves the most beloved jungle baby shower in history
Victoria:No jungle noises sound machine. I draw the line at simulated monkey shrieks.
Emilie: coward.
Victoria: Okay, next item: guest list. How big are we going?
Emilie: Small enough to keep it personal. Big enough to make Belle cry at the sheer volume of love.
Victoria: So like⌠emotionally intimate but logistically bold.
Emilie: Exactly. Also: I vote no gender rules. Men are absolutely allowed. Max is not escaping this with a handshake and a gift bag.
Victoria: Agreed. If she carried the baby, he can carry a platter of mini quiches.
Emilie: Yes. Itâs 2025. Equal opportunity baby shower sobbing.
Guest List: First of all, Belle and Max. Obviously.Â
Victoria: Obviously. Me, you.
Emilie: Oscarâs Lily? She will cry and also judge the dessert table with me.
Victoria: Oscar too.Â
Emilie: oh definitely he and Belle have a weird soft sibling vibe. Also heâll bring snacks and quiet competence. Iâm counting on him to make Lando behave.
Victoria: Speaking of: Lando?
Emilie: I donât care if he pretends to be cool and unfazed. Heâs coming and heâs writing a wish for the baby. But he must be emotionally supervised.
Victoria: GP + wife?
Emilie:Â
He brings emotional calm. And probably good wine. But he has to promise not to bring team merch as a gift. This is not a Red Bull onboarding event.
Victoria: So⌠the Leclercs?
Emilie:
đŹ
Emilie:
Iâll message Alexandra and Charlotte and say theyâre absolutely welcomeâif they can keep their boyfriends leashed and emotionally housebroken for the duration of the event.Â
Arthur is easy. Heâs scared of me.Â
Victoria: Reasonable.
Emilie: If Charles tries to do a grand gesture apology in the middle of Belle unwrapping a swaddle set, I will throw him into the dessert table.
Next name on the landmine list: Pascale.
Victoria:Â
Easy. Iâll just have my mom deal with her. Sheâll smile, say something cutting, and suddenly Pascale will be quietly eating a macaron in the corner reflecting on her parenting choices.
Alternatively:Â And weâll simply seat my dad near her.
Jos wonât say much. Heâll just⌠exist.
Stoic. Imposing.Â
Any Leclerc who tries to stir up drama will get one look and remember their mortality.
Emilie: Jos Verstappen as emotional bouncer. I want that printed on a T-shirt.
Victoria: Exactly. You want passive-aggressive guilt spirals? Not with Jos around. He has no time for emotional mess unless it involves lap times or tire degradation.
Emilie: Heâll stand there like a wall of paternal disapproval and every problematic relative will instinctively behave.
Victoria: Perfect. Now back to the important question: Do we get little wooden animals as name cards or is that too cute?
Emilie: Iâm literally crying. Sheâs going to feel so loved.
Victoria: Thatâs the point. This is her village. And itâs feral, organized, and absolutely ready.
Victoria: Iâll draft the invites. Do we want them printed or digital?
Emilie: Printed. On seeded paper. That turns into wildflowers. Because Iâm an emotional menace and Belle will cry.
Victoria: Youâre unwell and I love it. Okay, Iâll message the stationery girl I used for a friendâs baby shower. Prepare to be impressed.
***
Text Messages: Emilie Abadie, Alexandra Saint Mleux & Charlotte Di Pietro
Emilie:
Ladies đ
so: Iâm planning belleâs baby shower
Youâre both invited
But
If you want to bring your boyfriends, please keep them on emotional leashes
Charlotte: Oh my god
Alexandra: Understood short leash or retractable?
Emilie:
I donât want belle opening tiny socks while Lorenzo gazes into the distance like he just read a tragic poem, Charles makes it all about himself and if Arthur even thinks about giving an unsolicited speech, i swearâ
Charlotte:
weâll drug arthur with complimentary cupcakes
Alexandra:
Iâll sit next to him and kick him under the table if he starts twitching
Emilie:
Thank you. youâre doing the lordâs work.
Charlotte:
Where is the shower, btw?
Emilie:
Scouting locations
But probably⌠the restaurant where she and max had their first date
And also had their wedding receptionÂ
Charlotte:
NO
Alexandra:
wait
ACTUALLY?
Emilie:
Iconic, right??
She wonât expect it
Itâs sentimental, itâs beautiful, and Max wonât get lost trying to park
Charlotte:
Youâre such a menace
I love it
Emilie:
Thank you
Now go warn your men.
This is not the time for family therapy. this is the time for jungle plushies and emotional overwhelm.
Alexandra:
Copy that.
Iâll handle charles.
May god help us all.
Charlotte:
Iâll handle Lorenzo.Â
Arthur will be given a cupcake and a babysitter.
Iâve got this.
Emilie:
You two are the real MVPs
***
Text Messages: Emilie Abadie & Lily Zneimer
Emilie:
tell your boyfriend heâs babysitting Lando at Belleâs baby shower
Lily:
Excuse me???
Babysit Lando yourself.
Heâs your boyfriend, Emilie.
Emilie:
Heâs not my boyfriend.Â
Iâm on belle-duty
Full emotional concierge service. I donât have time to stop Lando from stealing baby cookies or making jungle noises
Lily:
Honestly fair
But Oscarâs not a zookeeper
Emilie:
Heâs calm. Heâs emotionally balanced. Heâs got that soothing energy that makes toddlers and unstable drivers relax
Lily:
You make my boyfriend sound like a sentient weighted blanket
Emilie:
am i wrong?
Lily:
No. Which is the annoying part.
Fine. Iâll let him know heâs on Lando-watch.
Heâs going to ask if that includes snacks
Emilie:
it absolutely includes snacks.
preferably ones he can throw at Lando if needed
Lily:
God help us all
Let me know if you need any help. I am surprisingly good at calligraphy.Â
***
Text Messages: Oscar Piastri & Emilie Abadie
Oscar:
So.
Apparently Iâm your boyfriendâs designated babysitter at the baby shower?
Emilie:
Not my boyfriend. But yes. You are Landoâs designated babysitter.Â
Level 3 supervision.
You may use snacks and Max glares as reinforcement tools.
Oscar:
Why me
Emilie:
Because he listens to you.
And youâre calm.
And I trust you not to join him if he tries to tape a âfuture world championâ sign to Belleâs bump.
Oscar:
Youâre assuming I wonât be too busy hiding behind a fern.
Emilie:
You have won two Grand Prixs. You can handle one emotional jungle-themed social gathering.
Oscar:
Lando has already texted me a design for baby-sized racing boots. They have wings on them, Emilie
Emilie:
Do NOT let him give those to Max. Max will use them
Oscar:
He also wants to âcasually mentionâ naming the baby after Senna. I told him to stop texting and go hydrate
Emilie:Â
You see? This is why youâre perfect for this job
Oscar:
I hate how right you are
Emilie:
You love it. You love being the responsible one. you love keeping all of us feral little gremlins alive
Oscar:
I tolerate it.
Because I love Belle.
And because if Lando breaks something during a baby shower I will never emotionally recover
Emilie:
This entire event is going to be a mascara massacre and we are going to LOVE it.
Oscar:
Iâll bring tissues. And a tranquilizer dart. For Lando, not Belle.
Emilie:
Iâm putting you on the spreadsheet as âhandler: Norris, L.â
Oscar:
Add hazard pay.
Oscar:
Also, you should maybe tell Lando that he isnât your âboyfriendâ because he sure acts like you are his girlfriend.Â
***
The Singapore humidity clung to everything like a second skin. Belle had given up on pretending her hair wasnât frizzing and was now sitting with her feet up on a second chair, aggressively sipping her iced bubble tea and watching Lando Norris spiral.
âI swear to god,â she muttered, âif he sighs one more time like the ghost of heartbreak past, Iâm going to throw this at him.â She held up the tapioca pearls at the bottom of her cup as evidence.
Lily looking far too put-together for how disgustingly warm it was, raised a single brow and followed Belleâs gaze.
âOh. Heâs doing the walk again.â
It was the third time Lando had passed the hospitality tent in the last twenty minutes. No pit stop. No purpose. Just dragging his feet like a heartbroken protagonist in an indie film. Sunglasses on.Â
Hoodie in this weather. Hands in pockets. Pout firmly in place.
Belle deadpanned, âThis is the emotional equivalent of when he lost that podium.â
âHeâs not even trying to hide it,â Lily added, stirring her drink. âOscar told me heâs been playing Emilieâs old voice notes like heâs crafting a scrapbook of despair.â
Belle just sighed. âHeâs been like this since after Baku. He asked Max yesterday if emotional scurvy is a real thing.â
âIâwhat?â
âApparently he thinks heâs developing âseparation-related vitamin deficiencies.ââ Belle mimed air quotes, then rolled her eyes. âMax offered him a banana. He said it wasnât the same.â
Lily cackled. âThatâs so dramatic.â
âHe stared out at the water this morning like he expected Emilie to emerge from the mist on a gondola,â Belle muttered. âI canât keep doing this. Max is getting secondhand annoyed.â
âShould we⌠check on him?â
âNo,â Belle said flatly, pulling out her phone. âWeâre escalating.â
***
Text Messages: Belle Verstappen & Emilie Abadie
Belle: Iâm saying this with love. But your boyfriend is wilting.
Emilie: ??? What are you on about
Belle: Lando. Heâs stomping around the paddock like someone took away his favourite toy. Or like he hasnât been hugged in a week. Which, coincidentally, tracks.
Emilie: Itâs been 8 days, actually. Not that Iâm counting.
Belle: Well he is. By sulking in the motorhome and making Oscar fetch him snacks like a Victorian child in mourning.
Emilie: Iâmâ đđđ Not the Victorian child
Belle: He told Oscar he had a phantom pain in his chest when he saw a girl with blonde hair at breakfast.
Emilie: NO
Belle: Yes. Oscar nearly choked on his toast. Then offered to print you out and tape you to the door of Landoâs driver room.
Emilie: I hate this paddock so much đ
Belle: Anyway. Come to Singapore. Save us from the sadness. And I want bubble tea.
Emilie: This feels manipulative.
Belle: It is manipulative. I learned from the best. Also Iâm hormonal and pregnant and will cry if you say no.
Emilie: You weaponized your unborn child. Wow. I knew youâd be dramatic.
Belle: I prefer theatrical. You in?
Emilie: ...Send me your hotel info. Iâll book the flight.
***
Belle knew exactly what she was doing.
She sipped her mocktail with the air of someone completely innocent, despite the look Max kept shooting her over the rim of his glass. It wasnât her fault Emilieâs flight had landed early. It also wasnât her fault that Lando had spent the last week moping around the paddock like a Victorian poet with a tragic case of unrequited love. Honestly, Belle was doing the world a favour.
Max leaned a little closer, voice low and teasing. âYouâre very pleased with yourself.â
She smiled, eyes following the familiar silhouette weaving through the crowd just outside the McLaren hospitality. âMaybe.â
Max chuckled. âShould I be worried youâre this good at scheming?â
âYou should have been worried ages ago,â she said sweetly.
From across the terrace, Lando appeared â animated, arms waving in some exaggerated retelling of his qualifying lap to Oscar and a few mechanics. His curls were damp with sweat, his cap backwards, his smile wide. But Belle noticed the way it didnât quite reach his eyes. Not like it used to.
Max caught the shift too, the smile slipping into something softer. âHe misses her.â
âI know,â Belle murmured. âSo I fixed it.â
Max huffed a laugh. âYou really are dangerous.â
âOnly when I care.â
Then, like clockwork, the front entrance of the hospitality tent shifted open â and there she was.
Emilie.
Hair pulled back into a low bun, sunglasses perched on her head, wearing a linen jumpsuit that somehow made airport fatigue look chic. She scanned the terrace quickly â eyes darting past engineers and drivers and sponsors â and then landed on them.
Belle gave her the worldâs smallest nod.
And Emilie moved.
Belle barely contained her grin as Lando caught the movement out of the corner of his eye, turnedâ
And froze.
His whole body stiffened. Like seeing a ghost. Or a miracle.
âHolyââ Lando started, voice strangled.
Emilie reached him in a few strides and before he could say anything else, she threw her arms around him.
Belle watched as his whole frame seemed to melt. As if someone had taken the tension and twisted it loose. His arms went around her, one hand cradling the back of her head like he didnât quite believe she was real.
âHey, idiot,â Emilie murmured. âYou didnât think I was missing night race dumplings, did you?â
Lando made a sound that could only be described as emotionally overwhelmed baby giraffe. Belle saw Oscar smirk in the background, muttering something to a nearby PR rep that made them both laugh.
Max looked down at Belle, his voice warm. âThat was very kind of you.â
Belle rested a hand on her bump, heart full. âThey needed a win.â
âAnd what about you?â he asked, gently nudging her side.
She tilted her head up at him. âIâve already got mine.â
Maxâs smile softened, eyes flicking to her belly, then back. âYouâre going to be a terrifying mother.â
Belle grinned. âI can only hope.â
Across the terrace, Lando and Emilie stood wrapped in each other, oblivious to the world. And Belle allowed herself a rare, smug moment of satisfaction.
Mission: Get Lando to Stop Sulking â complete.
***
It was the kind of heat that stuck to your skin like honey. The kind that lingered long after the engines had gone quiet and the fireworks had faded.
Singapore at night always felt like a fever dream. And tonight â with Lando Norris standing on the top step the podium for the third time this season, champagne-soaked and shining under the floodlights â it felt almost mythic.
Belle watched from the edge of the paddock chaos, tucked just behind the barriers near Parc FermĂŠ, her hand resting on the curve of her belly. Max had pulled off a brilliant second place â not a win, not what he always wanted, but tonight it hadnât mattered. Because Lando had driven like a man possessed. Like a man who had something â or maybe someone â to fight for.
And Belle had seen it happen in real time.
The checkered flag. The scream over the radio. The disbelieving, almost frantic way Lando had leapt from the car and paced like he didnât know what to do with the adrenaline. Then â like gravity had found him again â he turned.
Emilie was already there.
Sheâd made her way down with the mechanics, badge flashing, heart in her throat. Belle didnât know if someone had told her to go or if sheâd just known. But the second Lando spotted her, the world shrunk.
No PR officials. No cameras. No team principals. Just her.
He didnât hesitate. Not for a second.
One stride. Two. And then he was in front of her, grabbing her face like a man starved of touch, of home, of her. And kissed her.
Right there. In Parc FermĂŠ. Helmet off, fireproofs half-zipped, shaking with emotion â he kissed her like she was the trophy. Like the whole damn weekend had led to this.
The crowd exploded. Screaming, cheering, wolf-whistling. Someone from McLaren hooted so loud Belle actually jumped.
And Belle?
Belle smiled.
Because Max had just pulled himself out of the RB20, sweat-slick and grinning like a man with no regrets. He walked toward her slowly, soaking it all in â the cheers, the chaos, the way Lando and Emilie were still wrapped around each other like teenagers in a romcom.
He reached her, pulled his cap off, and kissed her forehead.
He slid his hand over hers, resting it gently on the swell of her belly. âThink he felt that?â
âThe baby?â Belle asked. âI think he just learned about true love and strategic PR in one go.â
Max chuckled. âGood. Heâs ahead of schedule.â
Lando was still laughing, still breathless as he lifted Emilie off her feet and spun her once, like he didnât care who was watching. And maybe for the first time all year, Belle thought he didnât.
Because this wasnât just a win.
It was his win.
And maybe â just maybe â it was the beginning of something more.
Belle looked at Max, his face glowing in the floodlights, proud and unbothered, hand still holding hers like heâd never let go.
Yeah. She thought, not for the first time that season, this is a good life.
***
Meanwhile on Twitter:Â
@/F1TeaDaily đ¨ BREAKING: Lando Norris WINS the Singapore Grand Prix!!! đ§Ą Also Lando Norris KISSES A WOMAN IN PARC FERMĂ AND ITâS NOT HIS MUM OR HIS DOG?! More at 11.
@/gridgossipgirl lando norris just kissed someone in parc fermĂŠ. I repeat. HE KISSED HER. ON THE MOUTH. this is not a drill.
@/dannyricssmile lando norris kissing someone in parc fermĂŠ with the confidence of a man who has been Wifed⢠someone check if sheâs wearing a ring Iâm begging
@/padockcryptid donât get me wrong Iâm happy he won but WHO THE HELL IS THAT GIRL AND HOW DO I BECOME HER
@/emiliesarchive hi yes the girl lando kissed is named emilie and sheâs been seen around the paddock Spain, and she hangs out with Lily and Belle and once max verstappen handed her a juice box while glaring at lando. I knew something was up.
@/mrsoscarpiastri lando: wins a race lando: immediately turns into a fanfic boyfriend honestly itâs disgusting. iâm obsessed.
@/alexdoesmemes lando norris kissing his gf like theyâre at the climax of a 2000s romcom while max just chills in p2 like a supportive older brother who knew the whole time cinema
@/BelleLeclercUpdates the way belle verstappen SMILED when she saw them kiss đ mother knows mother approves
@/sunshinef1girl i donât want a boyfriend. i want a lando norris singapore gp 2024 parc fermĂŠ kiss.
@/quadrantclown lando: âI donât talk about my private lifeâ also lando: plants a cinematic kiss in front of three thousand cameras and god himself đ§ââď¸
@/F1FictionReal so youâre telling me:
he wins
he kisses the girl
she wore a sundress
belle verstappen plotted this
max just smirked like he knew all along this isnât a race. itâs the finale of season 3 of a netflix romance.
@/F1Girlie999 Lando Norris winning Singapore and then KISSING HIS GIRL like he's in a damn romance movie? Yes. Inject that into my veins.
đĽđĽđĽđĽđĽ
@/padDOCKwives every time i think f1 can't get more cinematic... lando wins. the lights. the heat. the sweat. the kiss. and in parc fermĂŠ?? someone call netflix.
@/F1StatManiac i donât know whatâs more impressive â Landoâs racecraft under pressure â or the grip he had on his girlfriendâs waist post-race đđđ
@/bitchyforboveralls that was not a kiss that was a statement that was a thesis that was a roman empire
@/mclarenmediaarchive i will be studying the footage of that kiss like it's the zapruder film frame by frame. hand placement analysis. full body language breakdown.
@/f1fanatic89 lando. norris. won. and then kissed a girl like heâs the lead in a wattpad fic. is this growth???
@/gridgossip THE WAY HE JUSTâ HE JUSTâ DROPPED THE HELMET AND WALKED STRAIGHT TO HER THIS IS A ROM-COM I AM NOT OKAY
@/softverstappen someone said he kissed her like a man unburdened by poor strategy and I havenât stopped laughing
@/wheelsemotions lando norris. won a race. kissed the girl. looked like a movie. and you want me to act normal about it????
@/gridwivesanonymous is this the lando norris arc where he finally gets the girl and the trophy?? oscar and max fewtrell better be flower girl and ring bearer
@mclarencultleader I just know Max looked at Lando and said âabout damn timeâ and Belle clapped like it was the season finale someone confirm pls
***
The city outside still buzzed with post-race energy â horns in the distance, neon lights flickering against the windows. But inside their room, it was quiet.
Belle sat on the bed, one hand resting on her belly, her other tracing the condensation down a glass of water. Max was sitting at the edge, still in a t-shirt, hair damp from the shower, staring at nothing in particular.
âThey said it on the broadcast,â Belle said softly. âThat this might really be it for Daniel.â
Max didnât respond at first.
He just nodded, slowly.
Then: âYeah.â
Silence stretched again.
Belle watched him, her thumb brushing slow circles on the curve of her stomach. âAre you okay?â
Max exhaled through his nose. âHe was my favourite teammate.â
There wasnât any hesitation in the way he said it.
Not the kind of fondness people say in hindsight. But the honest kind â the kind with real warmth, buried under everything else that had changed since 2018.
Belle tilted her head. âWhy?â
Maxâs lips curved slightly, a quiet little thing. âBecause he made the team feel lighter. Like⌠we could actually have fun. Even when the car was bad. Even when the pressure was worse.â
He paused. âHe used to laugh in the briefing room just to make the engineers smile.â
Belle smiled too, just a little. âThat sounds like him.â
âHe was fast,â Max added, almost defensively. âLike really fast. People forget that. But he made it look easy because he was always joking. Like it wasnât costing him anything.â
âAnd was it?â Belle asked.
Max hesitated. âYeah. I think it was. But he never let it show.â
The baby shifted under Belleâs hand â a tiny kick, gentle but certain.
âDo you think heâll be okay?â she asked.
Max looked over at her. âI think heâll be loved. And I think thatâs better.â
He reached across the space between them, hand warm over hers, where their son stirred.
âHe made F1 better,â Max said quietly. âFor all of us. And I donât think people say that enough.â
Belle leaned her head against his shoulder. âMaybe itâs your turn to be that person now.â
Max snorted softly. âI donât think Iâm the new Ricciardo.â
âNo,â she said. âBut youâre someone elseâs favourite now.â
He looked down at her â at her hand over his, the baby beneath â and let the silence settle again.
âYeah,â he said. âI guess I am.â
***
Text Messages: Belle Verstappen & Daniel Ricciardo
Belle: Hey. I just wanted to say â thank you.
For everything.
For being kind to Max when he was 19 and furious at the world. For making him laugh when no one else could. For being a teammate, but also a real friend â the kind that sticks.
I donât know if you realise how much of an impact you had on him. But I see it every day.
(Also: thanks for not killing him when he was an arrogant teenager with a death wish. I know it was close sometimes.)
Heâs really going to miss you. We both are.
Belle: Also. Donât disappear off the face of the earth. Youâre not allowed.
You still owe this baby hundreds of Max Verstappen stories that will one day horrify him. Preferably with impressions and questionable accents.
The baby needs to know the full lore of 2017 Max, and I feel like only you can deliver it properly.
Belle: Youâre family. You always have a place with us.
Daniel: đđđ Mate youâre actually gonna make me cry right now. I love you guys. So much. Tell Max Iâm not gone. Just⌠onto the next corner.
And tell the little Verstappen Iâll bring the snacks and the stories. Even the embarrassing ones. Especially the embarrassing ones. đ
***
#max verstappen fanfiction#formula 1#max verstappen#max verstappen smau#max verstappen fic#f1 fanfiction#formula 1 fanfiction#max verstappen fluff#mv1 fanfiction#max verstappen imagine#max verstappen fake instagram#f1 smau#max verstappen social media au#max verstappen x reader#mv1 x reader#f1 x reader#formula 1 x reader#mv1 fic#max verstappen x you#f1 grid x reader#f1 grid fanfiction
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Non Woven Bag Printing Machine ManufacturerÂ
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How to Select the Best Woven Sack Bag to Bag Flexo Printing Machine for Your Industry
In todayâs competitive packaging industry, the demand for fast, precise, and efficient printing on woven sack bags has grown significantly. Whether youâre in the food industry, fertilizer production, cement packaging, or agriculture, using a high-quality Woven Sack Bag to Bag Flexo Printing Machine can make a substantial difference in your production quality and speed.
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Radio Silence | Chapter Thirty-Six
Lando Norris x Amelia Brown (OFC)
Series Masterlist
Summary â Order is everything. Her habits arenât quirks, theyâre survival techniques. And only three people in the world have permission to touch her: Mom, Dad, Fernando.
Then Lando Norris happens.
One moment. One line crossed. No going back.
Warnings â Autistic!OFC, pregnancy, emetophobia warning, domestic fluff, birthdays + Christmas, some emotional instabillity.
Notes â I hope you guys love this one. It's so full of sweetness. A bit of frustration too, but mostly sweetness.
December 2023
The lights in the MTC's build bay always felt too bright. Amelia squinted up at them in annoyance, then turned her gaze back to the car.
Her car.
Not hers in any legal or possessive way â it belonged to the team, to the season, to the wind tunnel and CFD modellers.
But the final profile of the MCL38-AN was a shape that had lived in her brain before it ever existed in carbon fibre form. It had existed exclusively within spreadsheets and flow charts and headaches. Whiteboard scrawls at two in the morning. Phone calls to her dad. Arguments with aero. Hours of simulations. Hours of starting over.
And now it was real. Sitting right in front of her.
Orange and black, sleek and hungry, its chassis caught the overhead lights and glowing.
Amelia didn't move. She needed minute. She just stood beside the rear wing, arms crossed tight over her chest, soaking in the project that had consumed every spare hour of the past two years of her life.
She had half a muffin in her bag from breakfast four hours ago. She'd forgotten to eat it.
The name on the spec sheet was just technical: MCL38-AN. The suffix had started as a quiet claim â her way of signing something no one could take from her. Years ago, her father had passed off one of her ideas as his own. "AN" for Amelia Norris, scribbled on a draft after too much coffee, felt like insurance. But the department kept using it. Zak hadn't stopped them. And now it was printed on the official build list, black ink and daring her to believe it was really hers.
Her name. On a car.
"Staring at it won't make it disappear," came a voice from the other end of the garage.
Amelia didn't look over. "I'm aware," she replied flatly.
Anthony, one of the build engineers, chuckled and walked closer, wiping grease off his hands with a rag. "Just never seen you stand still this long before. Thought maybe you'd short-circuited."
"Internally," she replied. "I'm experiencing the Blue Screen of Emotion."
He laughed again. "Hell of a machine you designed."
She didn't correct him.
Instead, she stepped forward and laid one hand on the side-pod. The material was cold and smooth under her fingers. She could feel the vibration of the building, the faint hum of tools and voices and fluorescent life, echoing back through the structure.
"This was all in my head once," she murmured, more to herself than anyone else. "And now it's... this."
Anthony, thankfully, didn't say anything saccharine. Just gave a nod and let her stand there.
Amelia walked slowly around to the front of the car, fingers trailing against the bodywork. Her brain was already scanning for imperfections â minor details to flag, alignment to double-check, tolerances to run again. But beneath that, buried under years of ruthless professional calibration, was something quieter.
Pride.
Not loud or dramatic or showy. Just a quiet click of recognition.
This was good work. And it was hers.
"Can we run power systems later today?" She asked.
Anthony nodded. "Soon as Oscar finishes his lunch."
"Tell him I said no mayo on the telemetry."
"I don't even know what that means."
Amelia didn't clarify. She just smiled faintly to herself and stepped back, surveying the car one more time.
MCL38-AN.
Not bad for a girl who used to line up her Hot Wheels in exact weight-to-downforce order as a kid and got sent home from school for correcting her teacher's physics formulas.
She pulled out her phone, snapped a picture of the car, just for herself, then typed out a message to Lando.
iMessage â 14:33pm
Amelia (Wifey 4 lifey)
Almost ready for testing. I'm so proud it's making me nauseous.
A second later, another text.
Amelia (Wifey 4 lifey)
Or maybe that's just the pregnancy.
â
Amelia sat cross-legged across from Lando, hoodie sleeves pulled over her hands despite the lingering warmth in the air. Lando was barefoot, legs stretched out, half a grin on his face as he finished the last bite of cake she'd awkwardly cut with a plastic knife.
They were on Max's boat, rocking gently in the Monaco harbour. They'd stolen it for the day.
"Bit late," he teased, licking frosting off his thumb. "Birthday was like... three weeks ago."
"You were busy," she said simply. "So was I. And also I needed time."
"Time?"
"To figure out what to give you." She said. Then she reached into her bag and pulled out a small, square box; plain brown kraft paper, tied neatly with black ribbon. No card. Of course there was no card. She hated cards â never knew what to write in them.
Lando raised an eyebrow as he took it. "Not socks?"
"No."
He peeled the ribbon open and lifted the lid.
Inside was a tiny frame. Minimalist. Neutral. Inside it, a single page torn from a notebook â lined paper, slightly smudged pencil. On it: a series of racing lines drawn from memory. His best qualifying lap from Silverstone. Annotated in her handwriting with tiny notes. Brake here. Open throttle earlier. Turn-in felt cleaner than expected.
He stared at it for a long moment before speaking. "This is..."
"You told me you wanted to frame that lap. I had the data sheet, but I wanted to draw it from memory," she said, eyes on the water instead of him. "That way it's both yours and mine. More special."
Lando didn't speak. Not right away. Just set the frame down carefully and crawled across the cushions to kiss her â soft, deliberate. One hand cupped her jaw; the other rested over her heart like it was helping him breathe. When he pulled back, his eyes were suspiciously glassy. "I think that might be one of the best birthday presents I've ever received," he said. "And I love it."
She gave a tiny shrug. "Good. You're really hard to shop for. You buy everything you want as soon as you decide that you want it."
He laughed, pulling her into his chest.
The boat rocked gently, and the sun sank lower, and for once there was nothing they needed to do, nowhere they needed to be. Just a belated birthday, and a perfect lap, and the girl who knew every corner of it better than anyone ever would.
â
The ultrasound room was dim, lit mostly by the soft blue glow of the monitor and the faint flicker of winter sun bleeding through the frosted windowpanes. The air smelled faintly sterile, like clean cotton and antiseptic.
Amelia lay back on the table, her t-shirt folded up over her stomach, the thin paper drape rustling every time she shifted. One hand was clenched tightly in Lando's â not out of nerves, exactly, but out of that taut, quiet focus she always wore when she didn't have full control of a situation.
She eyed the plastic bottle in the technician's hand with thinly veiled suspicion.
"What is that?" She asked flatly.
"Just ultrasound gel," the technician said, chipper and entirely unprepared.
Amelia narrowed her eyes. "What are the ingredients?"
The woman faltered, eyes darting to Lando and then back to Amelia. "Um..."
Lando looked at his wife.
Amelia didn't look at him. "I just feel like if we're going to lather something all over my body, I should know whether it contains...you know, petrochemicals or carcinogens or hormone disruptors."
The technician blinked. "It's... mostly water-based," she said finally. "And glycerin. No dyes. No perfumes."
Amelia stared a second longer, then gave a short, diplomatic nod. "Fine."
Lando leaned over and whispered, "You sure?"
"Yes," she muttered.
The technician, clearly deciding she'd earned the right to proceed, gently pressed the probe to Amelia's stomach. She flinched, not from pain, but from the cold smear of the gel, and made a disgruntled little noise in the back of her throat.
Lando squeezed her hand once, smiling.
And then the screen flickered. A faint, grainy image bloomed into view, shadow and static and light, and the whole room seemed to still.
"Ah, a very easy one. There we are," the technician said softly, her voice shifting into something gentle. "One very small someone."
Amelia blinked at the monitor. "That blob is a baby?"
The tech chuckled. "That blob is your baby."
Lando's breath caught in his throat. He shifted closer to her side, eyes locked on the flickering movement onscreen â a heartbeat, tiny and fast and impossibly loud once the audio kicked in. It sounded like wings. Like something about to take off.
Amelia didn't speak for a long time. Just stared. Her mouth parted, eyes wide. She looked stunned, like her body had already figured it out, but her brain hadn't quite caught up.
"Is that..." she finally whispered. "That flicker, is that... the heartbeat?"
The technician nodded.
Amelia's mouth wobbled. Her fingers clenched tighter around Lando's. "It's going so... fast."
"Perfectly normal at this stage."
Lando, who had been quiet until now, suddenly straightened and leaned in closer, eyes glued to the screen. "Waitâhow fast? Like, beats per minute?"
The technician glanced at the monitor, tapping a few keys. "Right now, it's about 170. A bit faster than an adult's, but that's exactly what we expect this early on."
Lando's eyes widened. "One seventy? That's incredible. Is thatâlikeânormal?"
"Yeah, perfectly normal. It usually starts slower around five weeks and then speeds up."
Amelia's voice was quiet, but steady. "How many weeks are we exactly?"
"About seven weeks from the last menstrual period," the technician replied, smiling gently.
Lando glanced at Amelia, then back to the screen. "So... when's the due date? When can we expect... I mean, whenâ?"
The technician switched the screen to a small calendar. "Based on measurements, your due date should fall somewhere around August 14th."
Amelia exhaled slowly, eyes still on the grainy image of that tiny flickering heartbeat. "August 14th," she repeated. "Between Spa and Zandvoort, then."
Lando grinned and squeezed her hand. "That's... just over six months away. Feels proper real now."
Amelia's lips twitched in a tired smile. "Yeah, it's a bit overwhelming."
Lando's voice softened. "Overwhelming in a good way?"
She nodded. "Yeah. I think so."
He looked at her with such tenderness that it made her throat tighten.
She leaned her head against his shoulder.
"Maybe," Lando said softly, "instead of letting this make us feel out of control, we need to learn how to trust that our little person is just... doing its own thing."
Amelia closed her eyes briefly. When she opened them again, the flickering heartbeat was still there â small but unmistakably alive. "Okay," she said quietly, "yeah. Okay."
The technician smiled again, dimming the monitor as she packed up. "You're doing wonderfully. We'll schedule your next scan in three to four weeks time, but for now, just try to enjoy this moment."
Lando squeezed Amelia's hand.
â
The Norris house was full of noise â crumpled wrapping paper on every surface, half-eaten mince pies on plates, Christmas music playing softly in the background, and the fire crackling with the kind of persistent warmth only a real log burner could offer.
Amelia sat on the arm of the couch, a mug of peppermint hot chocolate in her hands (the only thing that didn't make her nauseous that week), watching Lando and his siblings messily construct some kind of Christmas LEGO set on the floor.
It was chaos. The good kind. Lando was wearing a Santa hat and trying to boss everyone around. Cisca was curled up in the other armchair watching them fondly, and even Adam was getting involved, despite pretending he was "too old for LEGO" about twenty minutes earlier.
Amelia felt warm. Not just from the fire, or the hot chocolate. But that kind of rooted, grounded warmth she hadn't felt since childhood.
Lando glanced up at her from the rug. His cheeks were flushed, curls a little wild, still in pyjamas. He grinned that stupidly wide grin of his; the one she could never not return.
"Okay," he said suddenly, clapping his hands together. "We've got one last gift."
His siblings groaned dramatically. "You're just trying to win Christmas," Flo said, already suspicious.
"No," Lando said, glancing up at Amelia. "This one's from both of us."
He got up and walked to the tree, pulling out a small box, about the size of a mug, wrapped in deep green paper and a lopsided gold bow. He handed it to Flo, gesturing for her to open it.
She peeled it back, frowned... and then blinked.
Inside was a tiny McLaren onesie, size newborn, folded neatly next to a photo printout of the ultrasound. On the front of the onesie was a little stitched helmet â and underneath it, "Team Norris. Arriving August 2024."
There was a beat of silence.
Flo stared.
"Shut. Up."
Adam whipped around, eyes wide. "Oh my god."
"No way," Flo said, already scrambling up from the floor.
Cisca covered her mouth, eyes wide and glassy. "Are youâ? Are you serious?"
Amelia nodded, quietly overwhelmed by the whole thing, but smiling anyway, caught in the centre of a hug from Lando's siblings as they collapsed into her, cheering and yelling and somehow knocking her mug over (Lando caught it just in time).
Flo kept staring at the ultrasound photo like it was a sacred relic. "I am going to be the best auntie."
Adam walked over to Lando and gave him a tight hug, a forehead kiss, and a pat on the back.
Cisca hugged Amelia gently, brushing her hair back. "I had a feeling," she whispered. "You've had that glow."
Amelia laughed. "The glow is just sweat from the constant nausea. But thanks."
Lando wrapped his arms around her waist from behind, chin on her shoulder, warm and soft and safe."Merry Christmas," he murmured.
She leaned her head back against his. "Merry Christmas."
â
January 2024
The new apartment smelled like fresh paint.
It was bigger, with big windows and tiled floors and way more space than their old place. But in that exact moment, it mostly looked like a war zone. A mess of cardboard, bubble wrap, and various limbs sticking out from behind furniture.
"Why does your wife own so many pairs of shoes?" Max asked, squinting as he pulled box after box labelled Amelia: Shoes from the back of the moving van.
"She likes having options, Max," Lando replied from inside the apartment. "You wouldn't get it."
"I've already seen three pairs of the same sneaker!"
"Sometimes she wants them to look newer, sometimes she wants them to look worn!"
Amelia stood frozen in the middle of the living room, arms wrapped tightly around a single lamp. Not because it was heavy, it was from IKEA, but because she'd very quickly reached her max input for the day.
People talking, laughing, doors slamming, someone (probably Charles) putting a Spotify playlist on the TV at full volume, Celeste asking where the boxes marked kitchen - fragile had gone (answer: behind the miscellaneous - Lando's gamer shit), and her mom trying to organise snacks that everyone had insisted they didn't need but everyone was happily eating.
It was chaos. Warm, well-meaning chaos. But chaos all the same.
"Breathe, baby," came Lando's voice, suddenly right behind her. His hand gently closed over hers, guiding the lamp to the floor. "Let go."
"I'm fine," she said quickly.
"You're vibrating."
"I'm self-regulating."
"You're about to pop like a champagne bottle on the podium."
She blinked at him. "Lando."
"It's fine," he whispered, kissing her cheek. "Go sit. I'll turn down Charles' shit music."
She nodded once and retreated to the kitchen, or, well, what would be the kitchen, once all the boxes weren't stacked like a cardboard skyline.
Her dad followed her a moment later, holding a garbage bag full of what looked like packing peanuts. "Need anything, sweetheart?"
Amelia, dazed, looked up at her dad. "A new brain."
"I meant, like, a juice box."
"Oh. Do we have any?"
"I'll ask your mom." He laughed and kissed the top of her head before disappearing to the balcony.
Celeste popped in with a stack of throw pillows and collapsed beside her. "Remind me never offer to help anyone move again."
Charles, sliding by with a box labeled guest bathroom, raised his hand. "You're all weak."
"You hired movers," Max called from the hallway.
"Because I am smart," Charles countered.
Eventually, they made enough of a dent in the chaos to pause; boxes stacked in corners, the couch unwrapped, the kitchen sort of navigable. Everyone collapsed onto furniture, floor cushions, or each other.
Lando dropped next to Amelia with a thud. "Jesus," he said. "I'm never standing up again."
Tracey passed around bottles of water.
And then, without thinking, because she was tired, overwhelmed, and slightly frantic, Amelia looked at the empty room across the hall and said aloud. "Oh, cool. I'll be able to start putting the nursery together."
The silence was instant.
Zak froze mid-sip. Tracey turned so fast she almost knocked over Celeste. Charles blinked once, then again. Celeste slowly tilted her head like a confused golden retriever.
Only Max continued scrolling on his phone. Lando looked suspiciously casual, but his eyes had gone wide.
"Sorry," Charles said slowly. "Did she just say nursery?"
"She did," said Tracey, standing like she was ready to break into dance or faint, unclear which.
Amelia, blank as ever, looked up. "Oh. Yeah. Sorry."
"You're pregnant?" Celeste screeched, immediately launching across the couch.
"About eight weeks," Amelia said matter-of-factly.
"Oh my goshâ"
Lando, grinning now, tugged Amelia into his side. "We were gonna wait a while. But she's obviously forgotten the whole secrecy part."
"Not forgot," Amelia said. "Just... didn't filter."
Tracey shrieked. Charles stood and clapped. Celeste immediately demanded to know every detail. Her dad was just staring at them, his jaw slightly ajar.
Max looked at Lando and deadpanned, "Told you she'd blurt it eventually."
"You knew?" Tracey barked.
"Of course I did." Max said.
Celeste swatted him. "I can't believe you didn't tell me!"
Amelia rolled her eyes, but she was smiling, buried in a couch cushion, legs tucked under her, chaos all around her, but warm. Safe.
Loved.
"I'm going to have to help you build nursery furniture, aren't I?" Charles asked.
"Yes," said Lando.
â
Amelia sat on one of the bar stools at the kitchen counter, wearing her comfort pyjamas and cupping a warm mug in both hands. Her mom was rifling through a drawer looking for teaspoons and her dad was standing far too close for someone who'd said "I'm not gonna hover."
"You're hovering," Amelia said without looking up.
"I'm not," Zak replied, absolutely hovering.
Tracey gave him a look as she passed. "Sit down, Zak."
Amelia smirked faintly.
Zak pulled a stool out beside her but didn't sit. He just sort of... rested one hand on the counter and stared at her in that way dads do. "You keeping anything down?" He asked.
"I'm eating a lot of toast," Amelia said. "And drinking ginger tea."
He looked vaguely panicked. "Should we be calling someone? We have dietitian's, orâ?"
"Dad."
"What?"
"I'm pregnant. Nausea is normal."
Zak muttered something about "precautionary measures" and "just checking" and "your iron levels, you never know," and finally Tracey grabbed his sleeve and tugged him to the other side of the kitchen.
"Let her breathe," she said, soft but firm.
He sighed but relented, pouring himself a cup of tea and stealing a look at Amelia like he still couldn't believe it. Like some part of him was seeing her as a baby again in his arms; not a woman, not a race engineer, not someone capable of growing a human. Just his daughter.
"I'm going to be a granddad," he said eventually, more to himself than anyone else. He blinked a few times, then smiled like he'd just realised it wasn't a prank.
Amelia raised her eyebrows, lips twitching. "Has he only just realised that?"
Tracey chuckled. "Oh no, honey. He's already ordered some books on newborn safety."
Zak tried to look insulted. "One of us has to be prepared."
Tracey ignored him and turned her attention back to Amelia, warm eyes softening. "You know," she said gently, "that first night at dinner, when you got all worked up about Lando... I just knew."
"Knew what?"
"That this was going to be something magic," she said. "You had that look on your face. Not the 'I'm in love' one, not yet. But that one you get when you've found something you'd fight for. And I thought, ah. There it is."
Amelia blinked, caught off guard. Her mouth opened, then closed again, unsure how to respond.
Tracey smiled knowingly. "You've always been complicated. Precise. A little special in a systemised way. But with him? You were safe. Not smaller, not quieter; just... steadier."
Zak, finally sitting, looked from his wife to his daughter, then back again.
Tracey walked over and touched Amelia's hair, smoothing it back without thinking. The kind of motherly gesture that was muscle memory. "We're very proud of you," she said softly. "Not just for the baby. For the life you're building. For letting yourself build it."
Amelia didn't answer right away. Just looked down into her tea and let that sit in her chest like a warm ache. "Thanks," she said finally, quiet.
Tracey smiled. "Now come sit with us in the living room and let your dad lecture you about your fiber intake."
"Oh no."
"I made a PowerPoint," Zak added helpfully.
Amelia stared at him. "IâI eat enough fibre. I swear. I promise. Don't make me sit through one of your terribly constructed PowerPoints."
â
Five hours later, the apartment was finally quiet.
The kind of quiet that only came after the storm; post-laughter, post-chaos, post-Max dropping a full pizza box face-down on the kitchen floor and Charles chasing Celeste with bubble wrap around his head like a helmet.
Everyone was gone now.
Some boxes still weren't unpacked, the dining table was holding an array of loose screws and takeout containers, and there was one singular sock hanging off the new lighting fixture that neither of them remembered installing.
But it was quiet. And theirs.
Lando lay stretched across the couch in sweats and a hoodie, one leg propped up on a box labeled BED LINENS???. Amelia was curled on top of him like a blanket folded in half, her cheek resting against his chest, arms wrapped around his middle.
She was half-asleep, her body finally relaxing after hours of overstimulation and problem-solving and people asking where things were that she did not know. "Is it weird I don't feel like this is real yet?" She murmured.
Lando looked down at her. "The apartment?"
"All of it. The space. The nursery. The fact I told everyone because I accidentally emotionally short-circuited. I mean, who announces a pregnancy like that?"
"You," he said, brushing his fingers through her hair.
She huffed a breath that was half-laugh, half-groan. "My brain was tired. My mouth just... decided."
"Hey." He tugged gently on a loose strand of her hair until she looked up at him. "It was perfect. So you. I mean, Tracey looked like she was about to cry and throw you a baby shower in the same breath."
Amelia groaned and buried her face back into his hoodie. "She's going to buy so many pastel things. I'm not emotionally equipped for pastel."
Lando laughed. "We'll make a blacklist. No tulle. No gingham. No text that says 'Born to race' or anything cringe like that."
Amelia was quiet for a moment. "Do you think it's okay we're doing this now?"
He didn't ask what this meant. He knew.
The baby. The life. The shift. The permanence of it all.
"I think it's us," he said simply. "And I think whatever that ends up looking like is okay."
She let out a breath. "I don't know how to do any of it. Not even the parts people think I'm supposed to be good at. I couldn't find the dish towels today."
"That's what the box labels are for."
"And you?"
"I'm just here to kiss you when your brain melts and tell you you're brilliant anyway."
She finally looked up at him again. Her eyes were tired â not with sadness, just the fatigue of too much change all at once. But they were also soft. "You're annoying," she said.
"What, being emotionally intelligent and devastatingly handsome is annoying now?" He teased.
"You're a good human weighted blanket, so I won't argue with that."
He smiled and kissed her forehead. "It's a privilege, honestly."
They lay there for a while, the hum of Monaco outside their windows, the buzz of city life just distant enough to feel like background music. Inside, it was soft. Warm. Familiar.
Eventually, Amelia whispered, "We really live here now."
Lando tightened his arms around her. "Yeah, we do."
"And we're gonna have a baby here."
"Mmhm."
"I have to start nesting. Like... soon."
"Tell me what you want built. I'll blackmail Charles and make him do it."
She laughed quietly against his chest, a sound full of exhaustion and affection.
Then, softer, almost to herself, "I think I'm happy."
Lando didn't say anything right away. He just turned his head and kissed her temple again, slow and sure, before whispering into her skin, "I know."
â
The morning had not been kind.
Amelia had thrown up twice before she even made it out of bed, once more in the sink when the smell of coffee drifted through the apartment. Her stomach had settled into that weird, hovering nausea, not quite sick, but never okay, and everything around her felt a little too much.
Too bright.
Too loud.
Too far from stillness.
The apartment was still full of half-unpacked boxes. One of them had exploded into a mess of packing peanuts by the bookshelf because Lando had tripped over it while trying to carry a lamp. That had made her laugh, for a moment. But now even that memory felt distant and staticky.
She hadn't eaten anything. Her body felt too heavy and too floaty at the same time.
So she wandered into the room off the living room and stood in the doorway, barefoot and still in one of Lando's shirts, staring at the swing.
The sensory swing hung from a reinforced hook in the ceiling, an enclosed hammock-style cocoon of soft dark grey fabric.
She hadn't used it yet.
But now... now she needed to be held by something.
Amelia walked over slowly, pulled the soft stretch of the fabric down, and climbed inside like she was folding herself into a shell. It wrapped around her shoulders, her hips, her knees. A full-body compression hug.
She let herself swing gently, letting the quiet motion do what words and plans and spreadsheets couldn't. The light filtered through the gauzy curtain. The outside world muffled. The only sound was her breathing.
Her eyes fluttered shut.
Her muscles finally, finally relaxed.
And then, maybe because the relief was so sharp in contrast to how awful she'd felt all morning, or maybe because everything just hit all at once, Amelia cried.
Just soft tears slipping down the sides of her face into the swing's fabric as her body unclenched. She didn't even try to stop them. Didn't need to understand them. Her hands cradled the soft swell of her lower belly as she rocked gently in the cocoon, the comfort so complete it almost hurt.
The motion, the weightlessness, the compression; it was like someone had pressed a reset button on her nervous system.
"I love you very much," she whispered, hand on her stomach, words falling into the soft dark of the swing. "Even if you are already making me throw up five times a day." She gave a little wet laugh. Then sniffled. Then rocked some more.
Eventually, Lando peeked his head around the doorframe.
He didn't say anything. He saw her there, bundled up like a sleepy moth, puffy-eyed and peaceful, and his whole expression softened.
"You good, baby?" He asked gently.
She nodded, still sniffling, half-smiling. "It works."
He smiled back. "Good" He walked over and pressed a kiss to the fabric where her shoulder must've been, still swaying. "Want toast when you come out?"
"Only if it's with the nice jam. The apricot one we got from the market last weekend."
"Anything you want. We're celebrating the swings debut, after all."
"Dramatic." She said.
"I know," he grinned.
And then he left her to swing, warm, wrapped up, and for the first time all day â completely okay.
February 2024
Amelia woke to the smell of espresso and something sweet (cinnamon, maybe) and the distinct sound of someone failing, very quietly, not to clatter around in the kitchen.
She blinked, groggy, and rolled over to find Lando's side of the bed empty. A sliver of warm morning light streamed in through the curtains. The apartment smelled like flowers and coffee and... possibly burning toast.
By the time she made it out of bed, hair a mess, t-shirt halfway sliding off one shoulder, she found him standing in front of the kitchen island, proudly staring at a tray of slightly overdone croissants, a half-burnt omelet, and a mug that said engineers do it with precision.
He turned the second he heard her. "Don't say anything," he warned, waving a spatula at her. "This is a labour of love."
"I can see that," she said, amused. "How's the toast?"
"Charcoal adjacent."
She padded over and leaned into his side, arms looping gently around his middle. "Morning."
Lando pressed a kiss to the top of her head. "Happy birthday, baby."
He guided her over to the table, where a small stack of wrapped gifts sat beside her laptop â one of them unmistakably from Oscar if the cartoon scribble on the tag was anything to go by. Another looked suspiciously like it had been wrapped by Max's girlfriend Celeste, given the glittery ribbon and note that just said DO NOT OPEN NEAR ZAK.
"Did you do all this this morning?" Amelia asked, eyeing the slightly lopsided croissants.
"Well," he said, handing her the mug, "I tried to sneak out of bed early. But then you curled up in the blankets and made that sleepy sound you make and I lost, like, twenty minutes just watching you sleep."
Amelia sipped the coffee. Ugh. Decaf. "Weirdo."
"Your weirdo."
They sat together, eating what they could salvage of the breakfast. Lando gave her a small, leather-bound notebook for scribbling car notes (with custom embossing:Â A. Norris, Race Strategist / Best Mummy Ever). She rolled her eyes, but she didn't stop smiling.
Later, while she was cleaning up plates, he appeared behind her with one last gift, this one small and velvet. Her breath hitched when he opened it. A pendant: a tiny silver disk with a barely-there engraving.
A heartbeat. The one they'd seen on the ultrasound.
"I wanted you to have something that was just... for you," he said quietly.
She touched the charm gently, thumb brushing the engraving. "I love it," she said, voice slightly wobbly.
He kissed her temple again, arms wrapping around her. "I love you."
The rest of the day was full of small joys; visits from friends, a video call with her mom, cupcakes delivered from a cafÊ Oscar insisted was life-changing. Max and Celeste swung by with a gift bag full of baby-safe skincare and a framed photo of the four of them.
At one point, her dad had messaged her.
Happy birthday, kiddo. Love you so much. See you soon.
To which Amelia replied.
Love you too.
That night, after the guests had left and the candles had flickered low, Amelia found herself curled up in her sensory swing by the window, legs folded up under her, pendant resting in the middle of her collarbones. Lando lay on the sofa nearby, watching her with quiet contentment.
"I think this was one of my best birthdays," she said softly.
He smiled. "Even with the burnt toast?"
She nodded. "Especially with the burnt toast." And then, after a pause, "Next year, we'll have someone else around to help us celebrate."
Lando's eyes softened. "Next year," he echoed.
â
WhatsApp Groupchat â 2024 F1 Grid
George R.
Welcome to the 2024 rookies!
Oh wait.
LOL.
Nevermind
Lando N.
Someone get this man a rookie asap
Charles L.
Bro we are all still here đ
Alex A.
Just the same 20 people trying not to crash into each other
Esteban O.
Consistency is key đ
Oscar P.
George is out here welcoming imaginary friends
Carlos S.
Rookie of the year is the Ferrari catering team
Lewis H.
I vote my physio as rookie of the year tbh
Yuki T.
I still feel like a rookie emotionally đŽâđ¨
Fernando A.
I feel younger every season đ
George R.
Ok ok I made one mistake
I was being polite
What if someone snuck in overnight. Like a stealth rookie
Pierre G.
Bro this isn't among us
Max V.
Let him live he tried â
Lando N.
He tried and failed. Spectacularly
George R.
Blocked. All of you. I'm blocking all of you.
â
The main presentation hall at the MTC was cold, the hush of anticipation a physical thing. Staff, engineers, drivers, media teams, and execs milled around in soft clumps, all eyes drawn to the shrouded figure on the platform. Silver satin draped across carbon fibre; sleek, taut, and humming with promise.
Amelia stood off to one side, arms crossed over her chest, one foot tucked behind the other like she was bracing herself against something invisible.
It was familiar, this room. She'd stood in it a dozen times. But this time was different.
This was her car.
She heard footsteps and didn't have to look to know it was Lando. He came to stand beside her, hands shoved into the pockets of his trousers, gaze fixed on the covered car like it might move if he blinked.
"It looks like a spaceship," he murmured.
"It's as complex as one," she said simply.
He grinned. "I'm gonna drive a spaceship."
"You're going to win in it."
Her dad walked out onto the stage, some carefully crafted speech on hand, but Amelia barely registered it. Her ears rang with something heavier; a low, surging pressure that sat in her chest and refused to settle.
She heard her name, heard Zak referencing her as lead technical design engineer on the project, and the soft ripple of polite applause. She didn't move. Didn't blink.
When the cover was pulled back and the MCL38-AN was finally exposed under the lights. Lean, mean, shimmering with graphite and papaya â the room went reverently silent.
It was beautiful. Sharp and elegant and mean in all the right places.
And hers.
Her hands trembled slightly where they were folded. Lando noticed. He reached down, laced his fingers through hers without saying anything. She didn't look at him, but she held on.
Oscar appeared at her other side, chewing a protein bar. "It looks fast," he said through his mouthful.
"It is fast," Amelia replied, deadpan.
He nodded. "Good. I hate slow cars. Bad for my numbers."
Lando snorted. "Your numbers are fine."
"I want more numbers."
Amelia ignored them both. Her eyes were fixed on the low spoiler, the curve of the side-pod, the subtle detailing near the rear suspension she'd fought tooth and nail to implement â backed up by three sleepless weeks of CFD simulations and one argument with the floor design team that she'd very nearly won with sheer stubbornness alone.
"Do you want to go look at it up close?" Lando asked, gentle.
Amelia shook her head. "Not yet."
He didn't press. Just stayed beside her as people filtered forward. Cameras clicked. Flashbulbs strobed. Somewhere, someone asked Oscar to smile more. Zak was already doing a walk-around with Sky Sports.
But Amelia stayed back, hand in Lando's, watching as her car, her beautiful, terrifying, finely-tuned monster, greeted the world for the first time.
Finally, Lando leaned in, voice low against her ear. "I'm so proud of you."
Her mouth twitched, just a little. "I know," she said.
Then, after a beat, "I'm proud of me too."
â
There were two weeks until they were due to fly out to Bahrain for testing.
The smell of carbon composite and metal dust still clung to the air. Most of the lights had been dimmed in the engineering wing of the McLaren Technology Centre, but not in Bay 2. Bay 2 was lit up like a crime scene â bright, clinical, unrelenting.
And Amelia was pacing.
"You changed the front wing flow guide without flagging it to me." Her voice was flat, but her tone cut sharp enough to peel paint. "It's not a minor tweak. It alters the pressure delta across the entire front third of the car."
Across the table, three senior aero engineers; experienced, respected, and visibly nervous, stood their ground, albeit quietly. One of them, Benji, cleared his throat.
"We didn't go behind your back," he said carefully. "It was discussed at the Friday meetingâ"
"I wasn't at the Friday meeting," she snapped. "I was with Oscar for simulator calibration. You knew that."
"We had to lock a version in for pre-season aero scanning," said another engineer, trying to be the reasonable one. "You were behind schedule finalising the nose cone parametersâ"
"I was behind schedule," Amelia repeated, eyebrows arching dangerously, "because I was rewriting your cooling duct schema so it wouldn't explode in Bahrain."
Silence.
Lando stood quietly just inside the doorway, arms crossed, watching. He wasn't saying anything â yet. But his eyes never left Amelia.
"You've added drag," she said after a beat. "I ran the updated airflow map through CFD myself after I saw the render. It introduces wake turbulence at high yaw, and we already struggle with straight-line pace. You've made us slower on the straights to gain â what? Four points of front downforce?"
"Four points could help balance in the high-speed corners," Benji offered.
"At the expense of the entire overtaking window!" Amelia barked. "You want Lando and Oscar to defend for twenty laps in DRS zones with a car that drags like a parachute because you like the numbers it spits out on paper?"
Someone muttered something; too low to catch. Amelia's head snapped around like a hawk.
"Say it louder," she said. "You clearly thought it was clever enough the first time."
The engineer paled slightly. "I just said... maybe you're too attached to this design."
Lando stepped in before Amelia could respond.
"No, see, here's the thing," he said, tone deceptively easy. "You don't get to say that. Because her attachment? That's why this car is visibly better than last year's. She is the reason why we had the third-fastest chassis on average post-Zandvoort last year. Because she gives a shit. And if Amelia says it's wrong? Then it's wrong."
The room froze. One of the engineers swallowed hard.
Amelia, though, didn't say anything for a full five seconds. She just stood there, arms folded, staring down the table like she was willing the numbers to change.
Then, calmly, "You're reverting to the previous design."
"We can't. Not untilâ"
"I'll update the approval file myself," she continued. "I want the renders sent back through me. If you're going to make changes to a car with my name on it, you'll run it by me first. Not the group chat. Not Zak. Not the test team. Me."
Stillness.
Eventually, Benji nodded, his jaw tight. "Alright."
She left the bay without another word, her footfalls even, deliberate. Lando followed a few paces behind, catching up only once they hit the corridor.
"You didn't have to jump in," she muttered.
"I know," he said. "But I wanted to."
They reached the elevator. Amelia punched the call button too hard.
"They're not wrong," she said quietly, not looking at him. "I am too attached."
Lando nodded. "Yeah. And that's why you're the only one I trust with it."
â
The hum of the wind tunnel was a low, constant growl behind the soundproof glass. Screens lined the wall of the operations room, flooded with live data â airflow vectors, pressure maps, drag coefficients, temperatures.
Amelia sat perfectly still in the front row, staring at the monitor.
The numbers were wrong.
Not wildly, not catastrophically. Just... wrong enough.
Behind her, the aero lead, one of the few who hadn't been at the shouting match in the engineering bay days before, was going over test notes in a too-cheerful voice. "And that's run twelve with the revised front-wing guide and standard rear beam. A bit of turbulence in the crosswind scenario, but nothing unmanageable."
Amelia's fingers twitched against the armrest of her chair.
Zak stepped in beside her. "They've already locked the transport containers for Bahrain," he said in a low voice. "The old spec wouldn't make it through the scans in time."
"I know," Amelia said without looking at him.
"We'll revert before Melbourne," Zak added. "That's the plan."
"I know."
She said it again, like repetition might dull the edge.
Zak hesitated. "I get it. I do. But it's one race."
"It's the first race," Amelia said quietly. "It sets the baseline. The whole development curve starts from that data. Every upgrade, every refinement â it's all going to skew unless we compensate."
Zak didn't argue. He didn't need to. They both knew she was right.
But it didn't matter.
Because the parts were packed, the plane was leaving in 48 hours, and the wrong spec was going to touch asphalt in Bahrain.
She stood abruptly. The chair creaked as it slid back.
"Amelia," Zak said. "I know this is hard for you."
She turned, her voice clipped but steady. "It's not hard. It's inefficient."
And she left the room.
â
The lights were low. Her desk lamp cast a soft amber glow across a table full of design sheets and scribbled notes, crossed-out margins, red-circled flaws, annotations that no one else in the department could read but her.
Her iPad was open to the Bahrain track layout. She wasn't crying â not even close. But her jaw was clenched hard enough to ache. Her hands flexed, restless, unable to do anything.
She hated that feeling.
A soft knock came at the door.
"Go away," she said without looking.
It opened anyway.
Lando leaned in, holding two takeaway drinks. "I come bearing peace offering. Decaf vanilla chai for my beautiful, smart wife."
She didn't move.
"I know," he said gently. "It sucks."
"I'm not angry anymore," she said.
He gave her a look. "Don't lie to me, baby."
She finally looked up, and he crossed the room to set the drink beside her keyboard.
"I spent a year making it perfect," she murmured.
Lando touched her shoulder. "And it still will be."
Amelia looked back at her notes. "I hate being forced to let something go when I know I'm right," she said. "Just because I'm one person versus an entire team â and I know that it's not fair to expect them to just blindly trust everything I say, but it makes me so mad.'
"Okay," he whispered. "Time to go home, I think."
â
"Do you need six pairs of sunglasses?" Amelia asked, holding Lando's McLaren duffel open.
Lando didn't even look up from where he was rolling socks. "Yes."
"You only have two eyes."
"It's called fashion, baby."
She rolled her eyes and shoved the sunglasses back in, making sure the soft case separated the orange-tinted pair from the purple ones, because God forbid they get scratched.
Their bedroom looked like a tornado had touched down; open suitcases, half-folded clothes, a stack of electronics chargers that Amelia had labeled with colour-coded cable ties two seasons ago and still didn't trust Lando to keep organised.
Her own packing was... slower. More deliberate. She sat cross-legged on the floor in front of her own suitcase, a checklist open on her iPad and a faint, lingering wave of nausea rising every few minutes like a passive-aggressive tide.
"Are you sure you're okay to fly?" Lando asked for the third time that afternoon.
Amelia clicked her Apple Pencil against her teeth. "I'm pregnant, not ill."
"Still."
"I have packed ginger chews and compression socks."
He looked up. "You hate ginger chews."
"I also hate throwing up at 30,000 feet. Sometimes compromise is necessary."
He grinned. "That's very mature of you."
Amelia waved vaguely in the direction of the ensuite. "Can you grab the skincare bag? Not the one with my regular stuff â the one with the unscented moisturiser that doesn't make me gag."
"Yes, your highness."
She threw a sock at his head.
The packing process stalled every few minutes for various reasons: Amelia needed a snack; Lando forgot where he'd put his phone; Amelia remembered she hadn't downloaded the Bahrain telemetry files onto her personal iPad; Lando insisted on reorganising his racing gloves by colour.
Eventually, Amelia sat back with a soft groan, rubbing a hand over her belly. Not that there was much to feel yet, no bump, just the persistent hum of her body shifting quietly into something new.
She felt... heavy. But not in a bad way. Just full of lists, of responsibilities, of life. Literally.
"Hey," Lando said gently, crouching in front of her. "You okay?"
She nodded, slow. "Yeah. Just... tired. Everything feels like it takes twenty-percent more effort."
"You want to skip testing?"
Amelia narrowed her eyes. "Lando."
"I'm just sayingâ"
"No. Don't even suggest that. I need to be there for Oscar and I want to be there for the cars first proper run. I have to see how it holds up."
He smiled softly. "Just checking. That's my job now, remember? Worrying about you."
Amelia's expression softened. "I'm fine. I'm just slower than usual. I'll sit. I'll drink plenty of water."
Lando stood and offered her a hand, helping her up off the floor with the ease of long practice. They zipped the last suitcase together, and she stared at the organised chaos around them with a long, contemplative sigh.
"Think this baby is gonna like Bahrain?" She murmured.
He shrugged. "Hot. Loud. Feels like it's already genetically predisposed that baby is not going to have a good time."
She laughed, quietly, the sound curling in her throat.
They were flying out in the morning. Testing started two days after that. And in a few more weeks, the 2024 season would roar to life; full throttle, no mercy, no brakes.
But for now, there were just bags and chargers and familiar, cluttered rhythms. And them.
Just them.
For now.
#radio silence#f1 fic#formula one x reader#f1 x reader#f1 imagine#f1 x female reader#f1 x ofc#lando fanfic#lando x reader#lando imagine#lando#lando norris#landoscar#lando x you#op81#lando norris fluff#ln4 mcl#ln4 smut#ln4 imagine#ln4 fic#ln4#lando norris smut#lando norris fanfic#lando norris x reader#oscar piastri#mclaren#formula one#f1 grid#f1 fanfic#f1 rpf
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There's always the filthiest, unholiest, shit-wreakiest smut about Simon, John, Kyle and/or Jonny. Especially with poly!141
So what if they have the filthiest, unholiest, shity- wreakĂŹest sex, maybe even a punishment, but reader is overwhelmed and uses the safe word or move.
Are the boys immediately stoppung or are they so cock and pussy drunk that reader needs to say it twice?
How are they treating reader? After care?
I just need a little comfort because the last few days were shitty as fuck đ
Hi nony! So in my head, despite how pussy-drunk the guys (đghoapđ) are, they will listen to their partner. They may be big tough war machines, but they are still marshmallows for their beloved. Hope this makes the shitty days a little better.
cw: oral (m! and f! receiving), mutual masturbation, light bondage, mild dom/sub dynamics, overstimulation, poorly executed accents an: active consent is sexy, define your limits before engaging in sexual activity
You have no idea what the current count is. Somewhere after four mind-blowing orgasms, one from each of your lovers in quick succession, your brain short-circuited. You didn't black out, but the moments, the minutes that tick by as you float, are fuzzy. Clothes are shucked off, limbs manipulated into position, supplies gathered.
You're aware of the rough scrape of beard between your thighs, John feasting on you like a buffet to a starving man. The smooth chest propping you up is Kyle's, as are the hands keeping your knees open for his Captain's pleasure. There are wet smacking sounds behind you, and from the rumble rippling through him, Kyle's receiving a different kind of mouth-to-mouth. That's three of your four lovers accounted for, but what happens next depends on missing member of your polycule.
If it's Johnny unaccounted for, he's probably going for more toys, for John to use on you or for him to use on one of the others. If it's Simon not in the room - Simon whose sole focus is always on how much pleasure he can push on his partners before they break - if Simon's the one not here, then you may very well be in the best kind of danger.
As if summoned, Simon is in the doorway with a plain brown bag in hand. "Found us somethin' new," he says quietly, "if yer up fer it." The kissing behind you stops, and John pulls back from your pussy, slick coating the coarse hair of his beard.
"Wha' da' ye got, lt?" Johnny asks breathlessly.
Simon pulls out several pair of fuzzy handcuffs: black, pink, leopard print. His gaze darts between you and the bed's headboard and footboard. You all immediately know what he's suggesting. You've played with bondage before. For his last birthday, all John wanted was to wrap you in ribbon, shibari style, for them all to unwrap and enjoy later. The memory of it, being on display and played with, unable to respond with anything more than your voice, makes you wet. The handcuffs in Simon's hand promise just as much pleasure.
Simon and John look at you, and behind you, Kyle whispers, "Color, love?"
You glance over your shoulder to his dark eyes, Johnny just behind him practically salivating. You meet Simon's eyes and whisper, huskily, "Green."
"Good girl," Simon purrs. He cocks his head and the bed shifts behind you. You're lowered onto your back, and John helps push you up the bed. You can't watch them all, so you settle for watching John and Kyle each gently grab an ankle and click a set of handcuff on. Simon passes each man a tea towel, "Fer around the post so's we don't nick the wood." A pair of rough hands carefully takes yours and slides the fuzzy material around them.
When you're all trussed up between the bedposts, your lovers loom over you. John looks ready to worship at the altar of your body. Johnny grips his cock, red tip peeking over the top of his fist. Kyle has hearts in his eyes. And Simon. Simon's gaze is dark and dangerous. It sends heat racing through you. He smirks at you. "Simon says look at me, love," and you comply without question. "Yer gonna lie back and let us take our pleasure, yeah?"
You nod quickly, mind already in the hazy space where you know they'll take care of you.
"Ya know we need words, sweet girl," John reminds you.
"Yes!" you practically shout, the word erupting from you. Kyle's smile grows wider, predatory, and Johnny lets out a bark of laughter. "Yes, please, take your pleasure," you continue.
"Good fuckin' girl," Simon says. And like a switch is flipped, all four descend on you. John is right back between your thighs, mouthing your clit. Kyle's down there with him, both men's broad shoulders fitting easily between where you're splayed against the bed. You feel a probing finger at your ass; Kyle's long digit lubed up and working its way in as you fall apart on John's tongue. You can't twist away thanks to the handcuffs.
Meanwhile Johnny has propped a pillow under your head as he brackets your head with his knees, leaning over to feed his dick into your mouth. The angle allows you to take him deep, and you suck with the same speed and desperation John's using on you. With your field of view blocked by Johnny's balls, you can't see Simon until you feel teeth graze your side, right where you're ticklish.
"Och! Watch it, lt! Dinnae want 'er to take a bite 'a mah cock jus' cuz ye teased 'er," Johnny scolds, panting. You tell yourself you wouldn't, but when Simon's teeth graze the same spot, you see stars and aren't sure Johnny's wrong.
Simon chuckles darkly, telling them, "Fine. 'll find somethin' else ta do wit' my mouth." Lips skim over your side and upper belly before kissing their way up between the valley of your breasts. A hand lands heavily on your right breast, tugging on the nipple, as the left is enveloped in wet heat.
Suddenly you're coming again. You shout, and the sound is lost around Johnny's cock. "Beautiful," Kyle whispers, two fingers deep in your ass as John's mouth keeps working. Your spasms bow your back and take Johnny deeper, burying your nose in the curls at Johnny's base. You watch as his balls pull up before he's coming too, cum hot, salty, and thick on your tongue. Through it all, Simon keeps sucking on your nipples.
The handcuffs don't give you any room to move away, to stop the unceasing stimulation. You can't move your hand to tap Johnny and can't say anything with his dick still down your throat.
John's moved his face away, and you think for a moment the stimulation that now borders on painful will stop. Until you feel several fingers swipe through your folds before they bury themselves in your cunt. Kyle still has his fingers in your ass, and fingers are in your pussy, and Simon's mouth is still on you, and some of Johnny's cum leaks out the side of your mouth around his dick.
Tears start to gather at the corner of your eyes. It's all too much.
Johnny finally pulls back, and as his softening cock slips past your lips, you shout "Red light!", so overwhelmed you do it three more times despite once being more than enough for them to all stop their movements and pull back to check on you. You feel bereft without their hands on you, but this is what you asked for.
Simon's the first to break the silence, calling your name. "What do you need?"
You can't stop the tears as they slip down the side of your face. Kyle moves before checking himself. You know he wants to wipe the tears away, but he won't put his hands on you - none of them will - until you say it's okay for them do to so.
"I- It's...too much," you stutter. "It was all too much." Your breath hitches, but you don't start crying. Your body doesn't know which signals to listen to, but you're holding off the tears for now. Though you know it isn't necessary, and in fact will be ignored, you apologize.
"Dinnae be sorry, lass," Johnny says. "We didnae, Aye didnae, give ye the chance to stop before it got to be too much." As he talks, the others undo the cuffs from around the bed, leaving them attached to you until you give them permission to touch you again.
"It's okay, Johnny," you say, voice wobbling. "It was perfect until it wasn't, and you stopped the moment I asked." You give them all a watery smile. "Can you please take the cuffs off?" and four pairs of hands divest you of the restraints in record time.
You pull your limbs back to you, curling in on yourself a little. "I'm okay now," you reassure them, but no one makes a move towards you. "Really," you insist, "I'm okay." To prove it, you reach out and put a hand on Simon's wrist. "Really," you say as you tug gently on him. "I don't want to be here alone." Your smile is their absolution, and soon all four are back in bed with you, running their hands over your hair and down your arms, soothing you with their touch.
You murmur words of love and receive them in return as you slowly drift to sleep.
main masterlist
#nerdygirl answers#cod#poly!141#poly!141 x reader#tf 141#tf 141 x reader#kyle garrick#johnny mactavish#john price#simon riley#nerdygirl says
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⼠â maramaxxing:
.đĽ Ý Ë becoming prissier and sexier đ¨đđââŹË ࣪
â¤ď¸ ŕžŕ˝˛Ëđ˘ my personal pinkprint to aligning with my princess agendaâstyle, mindset, and routines to embody my future self. as I pivot in life, this will be one of my final blog posts like this. iâm transitioning it off blogging and will now document everything in my video diary⌠đ



đ self prioritization, boundaries, and independence - i come before anyone else. i have no children and my only commitment is to make myself happy.
đ¨ shadow work - to reveal what has made me how i am (strengths, traumas, interests, fears), iâve done so much reflecting on my triggers and responses to specific stimuli. it feels good to know that iâm getting to know myself. that says growth to me.
đ studying my birth chart - finding out how my placements, and which houses theyâre in has really made my day to day interactions and experiences very insightful and fun to dissect.

đ so fab so glam lately - my vibe lately has been just g-l-a-m, glamorous. just oozing sex appeal and hyper femininity with a sophisticated twist. i canât wait to document this on youtube.
đ¨ bougie and sexy - black and satin have been a common theme for me. my aesthetic is naturally going in a very sultry direction along with animal prints, lace and diamantĂŠ detailing.
đ body mods - back dermal piercings, more ear piercings and super pretty tattoos, nothing too much just small and pretty embellishmentz!
đ¨ fab color palette - brown, cream, soft pink, metallic accents (champagne gold, white gold), and leopard print. my everything.
đ gold n pink jewelry - this combo is so pretty on everything else so why wouldnât be just as pretty on my personal adornments? ordered three gold and pink belly rings and i canât want to mix the metals once my piercings heal.
đ¨keeping a physical lookbook in my fashion diary - this year iâm not holding back. the looks are coming. the photos are coming. i want to document my fav looks, accessories, and details in real time. almost like personal portfolio.
đ sexy and grownifying my closet - investing in a luxurious, cohesive closet that says grown. gonna be using high heels and casual glamour to achieve this. the fabrics and cuts are extremely crucial too.
đ¨ staple designer bags - if you know me you know i love designer purses. especially if theyâre neutral colored and essential. i definitely plan on expanding my repertoire of bags.
đ customizing my wardrobe - iâm getting a sewing machine and iâm learning how to hotfix rhinestones to personalize and bedazzle anything i want to. iâm so so excited!
đ¨ making my own jewelry - iâm so excited to talk about this! iâm making a kit of chains and threads along with beads and charms all in my color palette and iâm going to start popping out with so much custom made shit! body chains, waist beads, charm bracelets, just so exclusive + #prissy.
đ new makeup styles - been loving smoky eyes and black waterlines, overlining with a muted brown, lash clusters, rhinestones, and more sultry details.
đ¨ interior lingerie - the goal is to have a boudoir that is just a sexy and alluring as my lingerie closet! sweet n sexy kitten! â¤ď¸ď¸

đ currently healing my gut - psyllium husk supplements, fiber, kombucha/prebiotic soda, chia seeds and an adequate amount of water have all become a part of my routine over the last month or so and i definitely feel different.
đ¨ #prettiedup - bleach my hair, signature makeup routines, regular nail appointments (found a tech that i can rely on đ), korean skincare + african black soap, and anything else to boost my beauty.
đ got a personal trainer to maintain my âskinny bblâ look - iâm a tall girl with long legs and that with a tiny waist and round butt is so my look. currently training for it and iâm pretty happy so far. at this rate, by the end of march iâll be at my goals.
đ¨ building my vitamin and supplement routine - collagen, probiotics + prebiotics, maca, berberine, + some hum essentials.
đ my love of teas - cannot live without tea. itâs my favorite form of caffeine. and herbal teas always help me feel as if iâve boosted my health. my favorite teas right now are green tea, matcha, and double spice chai. also love black, spearmint, and raspberry teas.
đ¨ weekly digital detox - one day a week i go out of my way to avoid my phone. i simply rely on other things for entertainment, radio for music and try to interact with those around me.
đ hair extension wardrobe - tape ins in natural black and honey blonde, vixen sew ins with 30â bundles (iâm a tall girl so long hair to me is at least 26â)
đ¨ cycle syncing - iâve changed the way i eat depending on where i am in my menstrual cycle. i find my gut responds to the things i eat better. even with the time of day, being intentional with the way i live my life is so important to me now.
đ new personalized diet - high protein and low artificial sugar is pretty much what iâve been following. what i typically eat in a day is berries, rice, oranges, lots of water, almond and peanut butter, etc. my fav sources of protein are grilled chicken, sushi, steak, salmon and eggs. of course i still like sweets theyâre for sure few and far between.

đ trust in my intuition - itâs taken a while but iâm finally learning to trust myself. if my body is telling me to do something i do it, i donât try to force what isnât there, and i respect my mind by honoring the discerning abilities i was blessed with.
đ¨ gratitude and thought reframing - so many things in my life changed for the better when i learned to flip my thoughts. in a glass half full fashion. itâs literally the law of assumption. iâm forever grateful for everyone and everything i have. and miss universe has only blessed me with more because iâm now so much more receptive.
đ no bull shit + not easily impressed - i literally have the shortest tolerance. i expect a certain standard of behavior from those that wish to be in my presence and this is because i give a certain level of care, consideration, authenticity and respect.
đ¨ manifestation journal - my literal best friend. everything i write in my LOA journal comes true. iâm not exaggerating. i read it in the morning and tend to write in it before bed. i keep it right next to my bed along with some stickers and gel pens.

đ semipermanent beauty treatments - making appointments for lash lifts and brow microblading as we speak. also super interested in finding a great medspa in my area.
đ¨ youtube #vloggingbabeđ - i finally made my long awaited comeback and iâll actually be recording some of the things in this post on video. i love recording and editing. it feels like the best form of self expression to me right now! subscribe!
đ glam squad (esthetics, hair, nails) - iâm so anal about things being seamless and easy to remember. i like to go the same place for particular services and iâm determined to find a reliable hairstylist and esthetician that i can stay loyal to (i already have a bomb ass nail tech)
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MILE HIGH CLUB
Pairing: Joel Miller x Female!Reader - No Outbreak
Rating: 18+ | W/C:Â 3.3k
Summary: Joel has to fly out of state for the first time in his life and his nerves are frayed. Luckily, he finds a good distraction. You.
Tags: m!receiving oral, deep throating, public indecency, mention of drug use, blowjob on a plane basically, alcohol consumption, nervous old man joelÂ
A/N: maybe iâm just into exhibitionism atp MASTERLIST
Like every other man, Joel Miller had his kryptonite.Â
It wasnât the idea of never finding someone to settle with, despite countless attemptsâhe had his fair share of awkward dates and mind-fucking-numbingly repetitive conversations about what his favourite colour was.Â
And sure, it could have been having to deal with empty nest syndrome after Sarah moved out of state for college. The loneliness came as a cold wash, but he kept busy enough to avoid spiraling down the rabbit hole of a quiet home. Babysitting for Tommy or tending to work troubles was a rickety solution at best.Â
But no, that wasnât enough to rattle the man.Â
It was the very fact that he was hours away from having to sit in a âflying death machineâ as he eloquently phrased it, just so he could visit his daughter.Â
Joel had successfully gone forty one years of his life dodging air travel. The thought of sitting in a metal contraption, being flung through the skies made his stomach churn. He couldnât care less about how safe it chalked up to be. A car? He could control. Walking? Reliable.Â
A plane? Definitely not. A paper airplane for grown-ups, thatâs all it was.Â
The glaring fluorescent lights, nauseating sound of suitcases and tearful goodbyes wasnât doing him any favours. Least of all the sleaze bag at the counter, who hadnât even spared more than a couple seconds. Being seven hours early was overkill, but heâd figured it was better to be safe than sorry.
âCanât let ya in yet. Come back in a few hours.â
A litany of curses left unsaid under his breath about âdumb rulesâ and âwhatâs the point of gettinâ here early if yer just gonna make me wait?âÂ
He shuffles out of the line with the creaky luggage he had with him, finding himself a seat by the waiting lounge next to a girl reading from those gizmos heâd seen Sarah use last Thanksgiving. A scowl crept up his face.
Did they have to invent some gadget for reading, too? Wasnât that free?
He reaches into his back pocket, pulling out a small black leather bound book. It was worn, the edges were scuffed and the pages slightly dog-earedâa testament to itsâ use.
Licking the pad of his thumb, he flips through the pages. There in black ink, lay a list of instructions he prepared prior to coming here. Misspellings here and thereâchicken scratch, really.Â
1) checkin nâ give bags to airportÂ
âAlready screwed that one up,â he mutters out loud, rubbing the back of his neck to ease the growing aches.Â
2) go to gate no. on tikket
Joel peels out the airline pass tucked into his passport and squints at the printed words. âChrist.â He clicks his pen and painstakingly copies the details into his notebook in block letters big enough to read from across the room. âTiny ass fuckinâ...printinâ...â
âDonât travel much?â
Your voice breaks through the haze of uncertainty that had been plaguing him. Joel doesnât offer more than a quick glance at first, his grip tightening slightly around the pen in his hand.
When he does look at you. Youâd made him do a double take.Â
Despite the sorry state of his dating lifeâor maybe because of itâJoel wasnât immune to the kind of attention a pretty thing like you could command. Even if it was just your attempt to be polite. His gaze then falls in disdain to your kindle laying abandoned in your lap.
âNot really, darlinâ,â he says, his voice low and rough, with just enough warmth to take the edge off his typical gruffness.
Joel wasnât big on small-talk, so when silence settled between you both, he didnât feel the need to fill it. He wasnât entirely sure why your presence had eased his nerves, even just a fraction, but it had.
And then you spoke up again, your tone uncertain but laced with quiet hope.
âThereâs a lounge in the back with a bar,â you begin, tipping your head towards it. âMight be more your speed.â
Joel follows the motion with his eyes, then huffs a breath that sounds almost like a laugh. âMan after my own heart,â he tucks his notebook back into his pocket.
Maybe it wasnât all too bad that your dad dropped you off at the airport hours too early.
When youâd first seen Joel, youâd nearly dropped your kindle. The heavy thud of his boots on the polished floor caught your attention. You slowly pulled your gaze upwardâfrom the worn blue jeans to the faded grey t-shirt that did nothing to hide his strong forearms. His dark brown curls looked like theyâd been through more than their fair share of rough mornings, but god did you want to run your fingers through them.
And then there was his scruffy beardâuneven in an endearing way that somehow made him even more pleasing to the eyes. You blinked, forcing yourself to look back at your screen, but the words blurred into nothingness. The way he sat stiffly on the chairs he made seem so small, down to what seemed to be a checklist for his flight.
âIâm pretty sure more people have died on construction sites than flights, Joel.âÂ
Joel.Â
Introductions came easy the second the whiskey infiltrated his system, and damn if he didnât he love the way his name rolled off your tongue.Â
He drags a palm down his jaw, a dry scoff slipping past his lips. âThis your idea of makinâ me feel better âbout all this?â he counters, half-regretting that heâd let slip what he did for a living.Â
You werenât wrong, of courseâheâd faced far more dangerous situations on the ground than heâd ever likely encounter in the air.
Still, it didnât help.
âI ainât sayinâ mâgonna piss my goddamn pants,â he muttered, shifting in his seat. âJust makes me feel queasy, sâall.â
Joel sighs into the crystal glass, thumb idly tracing the rim as if the whiskey mightâve given him some courage. When he glanced your way again, you were watching him with that lookâthe one that made him feel exposed and oddly at ease all at once.
He shot you a faint glare, more bark than bite, and nodded toward your drink.
âDrink your goddamn kiddy juice,â he grumbled.
Your lips curled up into a slight scowl, cupping your glass of bellini defensively. Despite your show of annoyance, you did feel a tinge of empathy for him. For crying out loud, he was hunched over the goddamn bar seat, looking at his empty glass like a kicked puppy like he was about to go for a neutering or something.
Gesturing towards the bartender for a refill of his glass, you dragged your bar stool closer to him.
âLook. If youâre up for it. Iâve got a little pick-me-up I take to settle my nerves before a long flight,â you said, fishing a small pill container from your bag. âWorks like a charm.â
Joelâs eyes narrowed, his interest piqued despite his better judgement. But the second you popped open the lid, his reaction was instant.
âHard pass.â
âYou donât even know what itââ
âI ainât about to get drugged up,â he cut in, folding his arms. Your eyes shamelessly trace over the way the sleeves tightened around his biceps. âAnd besides, I hardly know ya.â
Your lips pressed into a thin line and without missing a beat, you tipped one of the white pills into your palm and dry swallowed it like a pro. Joelâs brow furrowed deeper, his disapproval practically radiating off him. Though that notion had him adjust his jeans discreetly.
âWell, itâs your funeral,â you said with a shrug. Then realizing how that mightâve come across, you raised your hands in mock surrender. âFiguratively speaking! Not literallyââ
âGimmie that damn thing,â Joel huffed, snatching the container from you. He popped the pill into his mouth and chased it with a gulp of whiskey, muttering something under his breath about regrettinâ this already.
You leaned back in your seat, a sly grin tugging at your lips. âYou didnât even ask what it does.â
Joel fixed you with a hard glare, the kind that could silence most people. But you werenât most people.
âIt also gives you a raging erectiââ
âSweetheart.â Joelâs warning tone cut you off, his glare piercing.
You couldnât help itâyou laughed anyway, the sound earning a reluctant lop-sided smirk from him as he shook his head.
In all his years of living, Joel never thought heâd succumb to relying on drugs.
The idea was irresponsible at best. Heâd pride himself on staying clear-headed, the occasional joint in his teenage years being the closest heâd come to experimentation. But that was a lifetime ago, a glimpse of a boy who didnât have responsibilities or a family to think about. His body was a temple now, for at least a semi-respectable contractor.
Yet here he was, in the fluorescent purgatory of a transit hall, deciding that a four hour stint in a âmetal coffinâ justified drastic measures.
Your vague explanation on what that little white pill of yours was didnât help either. You both agreed you were in this together now. He had to admit that it was ironic where life took him. Misery loved company, and you, his current âdrug buddy,â were far easier on the eyes than his high school crowd had ever been.
And, well, it worked.
Joel could feel the change, his mind easing from the coiled tension it had been gripping since he set foot in the airport. His inhibitions, usually locked tighter than the pentagon, were suddenly looser. Not reckless, but freer.
If youâd thought Joel wasnât the clingy type before, that illusion was thoroughly shattered now. He shadowed your every move, from hauling your luggage onto the conveyor belt without you even asking to tapping his card at the terminal before you could pay for yourself.
And thenâŚthere were his hands.
At first, they lingered tentativelyâa brush of his palm at the small of your back, a quick touch to your arm as he gestured to something in the duty-free window. Testing boundaries. Waiting for a sign.
When you looped your arm through his without hesitation, Joel took it as his green light.
After that point on, his touches became a constant presence. Steady, warm & grounding. A hand resting lightly on your hip as you wandered through the departure hall, fingers curling against your wrist as he guided you through the crowds of travellers.
Joel fully blamed the pill for his current lapse of judgment.Â
He spit into his palms, smearing the wetness onto the length of his cock. His other hand gripped firmly onto the granite counter. The dull slaps of him fucking his fist filled the small space. Along with his strained grunts.Â
âCâmon, câmonâŚâ
Trying damned hard to focusâhe thinks of you. How your body felt under the weight of his hands. The way youâd wet your lips before giving your own witty remark to his rants about shit he found ridiculous about Delta.Â
And he jolts, instinctively tightening his grip around his cock when the announcement rings in the speaker aboveâsome bullshit safety reminder.Â
âShitââŚshit shit.â He mutters. Willing himself to come so heâd put himself out of his self made torture.Â
Joel was rock fucking hard the second he seated himself by the back of the plane. Thoughts of the way youâd smiled up at him & rubbing his arm before heading to your seat up front was enough ammo for him to daydream about you for the next hour.Â
He did think you were joking earlier. But this could very well be the side effect of whatever youâd given him.Â
Nevertheless, it was pointless. The sterile bathroom was doing nothing but turning him off.Â
With an annoyed sigh. Heâd shucked his half limp cock back into his jeans. Thoroughly scrubbing his hands clean before he heads back to his seat.
He stops short, brows quirked at the intruder.Â
âHowdy. How ya holding up.â
You grinned. Lowering the latest issue of Baseball Digest that Joel was occupied with from where it covered your face.Â
âIâmââŚwhat are youâŚdoinâ back here.â He manages. Cursing himself for sounding way off.Â
âFlightâs pretty empty, soâŚDonna did me a solid.âÂ
Joel briefly glances up at the flight attendant that you did a little finger wave to before looking back, nudging his head to the vacant seat next to you. âScoot over.âÂ
âJesus. Thought youâd be happy to see me.â
Yeah. I was. And I tried to jerk off to you too, not that it worked out.Â
âSo that I can be tormented for the next three hours?â
You frowned at his words. Flipping through the magazine loudly. âSomeoneâs panties are in a bunch.â
He exhales as he sinks into his rightful seat. Thankfully, the shock of seeing your face again did a number to deflate Junior Miller.Â
The combination of turbulence and drinking two glasses of whiskey earlier was a nasty concoction. He thumbs eases the crease between his brows before finally deciding to speak, ignoring your earlier comment.Â
âBoutâ the side effect you mentionedâŚâ
That causes you to tip your head towards him. You were silent, briefly.Â
âWhat about it?â
ââŚHow long does itâŚlast.â
You looked to the side. âJust for a bit.â Though you sounded unsure of yourself. âWhy?â
âNothinâ. Suppose Iâm gettinâ one of those weird reactions to it.â
âWeird how.â You pressed. Though Joel looked less than pleased about your probing. âDonât gotta explain it to ya. Sâjust weird, darlinâ.âÂ
You get the memo regardless.Â
âWell did you try toââ
âI did.â
âAnd you didnâtââ
âNo.â
âYou sure you were doing it correctly?â
Joel drags his hand down his face, letting out a muffled, yet pained scoff before he looks at you. He doesnât speak yet for a couple of seconds.Â
âYes, sweetheart. I know how to fuckinâ jerk off.â
Your lips pressed into a taut line. His words stirred something deep in you, fuck if it didnât make you want to do something stupid right now.Â
âObviously you donât. Wouldnât be sitting here all wound up if you had.â
Joelâs lips part to shoot something snarky your way.Â
Itâs quickly floored when he feels your fingertips trace past the sides of his thighs.Â
You look at him. Offering him an opportunity to pull away.Â
He adjusts his hips to shift lower. A firm tug on your wrist ground your palm directly onto the bulge of his jeans.Â
A shaky exhale leaves his lips when you knead against his hard on. Tipping his head back onto the headrest. He lets out a soft grunt escaping his lips as you continued your ministrations.Â
âFeelsâŚreal good.â He manages. Barely being able to look at you.Â
Fuck. You were so warm and you smelled so good. He couldnât remember the last time he had something that he wanted real bad.
âTold ya, not doing it right.â You leaned in close enough for your cheeks to rest against his bicep. Watching how his grip around your wrists began to falter.Â
Joelâs breathing became a little more ragged as he started to become more and more pent up with each rub.
With a conspicuous sniffle, you dragged the zipper of his jeans down, earning a jolt from him. He whips his head to look at you as you maneuver his stiffened cock out of his boxers.Â
Locking your gaze with his, you provide a calming kiss to the edge of his shoulder before you lower yourself.Â
âChrist. Are you crazy?â
Joel lifts his gaze to scan the surroundings. Considering it was an evening flight, the dimmed overhead lighting provided a more intimate and gentle glow.Â
The absence of attendants who were likely resting up front, and the emptiness of the last five rows does provide him assurance, even when it shouldnât have.Â
He lets out a hiss at a wet glob of saliva trickle down his shaft, stealing his focus once more. Followed by the softness of a smaller pair of hands pumping the wetness up and down.Â
You feel a strong hand gather your hair up loosely, before the fingertips entangles firmly through to hold your head in place.Â
He tugs you to meet his gaze momentarily. Eyeing your soft features being reflected with the amber mood lighting.Â
âCan I?âÂ
You bit the insides of your cheeks. Realising what heâd meant. You nod slowly, kissing the tip of his weeping cock.Â
âTap me twice if itâs tâmuch.â
He mutters with a gentleness that had you rubbing your thighs together, the slick wetness growing in your cunt.Â
You take him into his mouth fully this time. Feeling his hips jump up involuntarily. The tug on your head encourages you to continue.Â
âAh..fuck. Fuck.â
Joel grinds his jaw at a painful intensity. The warmth and wetness of your mouth hollowing around his cockhead was intoxicating. He had to physically control himself from thrusting into your mouth too quickly.Â
The noises that rumbled from his throat spurs you on. You alternate between deep sucks through your hollowed mouth and stroking his cock. Though the hand holding your head became more of a weak hold than a guide.
You caught the hesitance in his actions. Treating you so damn gently as though you would break. It frustrated you, so you abruptly lowered yourself until you practically swallowed him whole. Nose grinding against the denim.Â
It catches the both of you off guard.Â
Joel, nearly lets out a fucking groan at the warmth of your throat convulse around his cock. And you, with your thumb digging into your fists to control your gag reflex.Â
That was enough for Joel to snap.Â
His grip around your hair goes taut. âTap me.â He reminds, before he properly fucks his cock into your throat at an almost brutal pace.Â
You choked for a couple of seconds, the warm tears pricking your eyes as you gripped tightly over his thighâessentially using your mouth as his personal fleshlight.Â
Letting out strained grunts as he quickened his pace, you taste the salty mixture of your tears and saliva. Joel doesnât let himself go just yet, keeping the rational part of him awake in case you couldnât take it, which in fairnessâmost women couldnât.Â
But you? You took it like a fuckinâ champ.Â
You pulled away from his cock with a pop, letting a string of saliva follow as you dragged your lips down to his balls, giving one of them a sloppy suck as much as your mouth could fit before taking his cock into your throat.Â
Joel shudders at the sensation, It doesnât take long before his hips stutter, spurting his hot, thick come into your throat.Â
He pulls you off him with a gentle tug, catching sight of your tear stricken face, lips pouty and reddened.Â
Joel groans at how pretty you looked like this.Â
He glances towards the bathroom behind them and back at the serenity of the moonlight illuminating inside the plane as he hastily tucks himself back in.Â
With a firm hold, he hoists you up underneath your arms to guide you into the cramped stall with him.Â
âYou okay, honey?â He practically whispers. Thumb swiping the strands of your hair that stuck to your sweaty cheeks, tucking them behind your ears.Â
âYâŚeah.â You managed. Voice coming out raspy. His dark brown gaze held nothing but concern for you.Â
A lazy smile graces your features. You stabilise yourself with Joelâs arms. He doesnât hesitate as he leans in to lock his lips with yours.Â
âWe can go back. Or continue. Whatever you want.â The gentle curve of nose comes to rub against your cheeks, though you could tell by the twitch of his cock that he was far from done.Â
You bit down on your lips. Hands travelling lower to let the sharp sound of Joelâs buckle give you the answer he needed.Â
As you flip over to lean against the counter with your palms flat on the graniteâyour cheeks presses against your shoulder to gaze up at him through your lashes.Â
âBy the wayâŚthat pill I gave you? Just Vitamin C.â
#pedro pascal#joel miller#joel miller smut#joel miller x reader#joel miller fanfiction#joel miller x y/n#joel the last of us#joel x reader#pedro pascal smut#tlou smut#the last of us smut
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AI canât do your job

I'm on a 20+ city book tour for my new novel PICKS AND SHOVELS. Catch me in SAN DIEGO at MYSTERIOUS GALAXY on Mar 24, and in CHICAGO with PETER SAGAL on Apr 2. More tour dates here.
AI can't do your job, but an AI salesman (Elon Musk) can convince your boss (the USA) to fire you and replace you (a federal worker) with a chatbot that can't do your job:
https://www.pcmag.com/news/amid-job-cuts-doge-accelerates-rollout-of-ai-tool-to-automate-government
If you pay attention to the hype, you'd think that all the action on "AI" (an incoherent grab-bag of only marginally related technologies) was in generating text and images. Man, is that ever wrong. The AI hype machine could put every commercial illustrator alive on the breadline and the savings wouldn't pay the kombucha budget for the million-dollar-a-year techies who oversaw Dall-E's training run. The commercial market for automated email summaries is likewise infinitesimal.
The fact that CEOs overestimate the size of this market is easy to understand, since "CEO" is the most laptop job of all laptop jobs. Having a chatbot summarize the boss's email is the 2025 equivalent of the 2000s gag about the boss whose secretary printed out the boss's email and put it in his in-tray so he could go over it with a red pen and then dictate his reply.
The smart AI money is long on "decision support," whereby a statistical inference engine suggests to a human being what decision they should make. There's bots that are supposed to diagnose tumors, bots that are supposed to make neutral bail and parole decisions, bots that are supposed to evaluate student essays, resumes and loan applications.
The narrative around these bots is that they are there to help humans. In this story, the hospital buys a radiology bot that offers a second opinion to the human radiologist. If they disagree, the human radiologist takes another look. In this tale, AI is a way for hospitals to make fewer mistakes by spending more money. An AI assisted radiologist is less productive (because they re-run some x-rays to resolve disagreements with the bot) but more accurate.
In automation theory jargon, this radiologist is a "centaur" â a human head grafted onto the tireless, ever-vigilant body of a robot
Of course, no one who invests in an AI company expects this to happen. Instead, they want reverse-centaurs: a human who acts as an assistant to a robot. The real pitch to hospital is, "Fire all but one of your radiologists and then put that poor bastard to work reviewing the judgments our robot makes at machine scale."
No one seriously thinks that the reverse-centaur radiologist will be able to maintain perfect vigilance over long shifts of supervising automated process that rarely go wrong, but when they do, the error must be caught:
https://pluralistic.net/2024/04/01/human-in-the-loop/#monkey-in-the-middle
The role of this "human in the loop" isn't to prevent errors. That human's is there to be blamed for errors:
https://pluralistic.net/2024/10/30/a-neck-in-a-noose/#is-also-a-human-in-the-loop
The human is there to be a "moral crumple zone":
https://estsjournal.org/index.php/ests/article/view/260
The human is there to be an "accountability sink":
https://profilebooks.com/work/the-unaccountability-machine/
But they're not there to be radiologists.
This is bad enough when we're talking about radiology, but it's even worse in government contexts, where the bots are deciding who gets Medicare, who gets food stamps, who gets VA benefits, who gets a visa, who gets indicted, who gets bail, and who gets parole.
That's because statistical inference is intrinsically conservative: an AI predicts the future by looking at its data about the past, and when that prediction is also an automated decision, fed to a Chaplinesque reverse-centaur trying to keep pace with a torrent of machine judgments, the prediction becomes a directive, and thus a self-fulfilling prophecy:
https://pluralistic.net/2023/03/09/autocomplete-worshippers/#the-real-ai-was-the-corporations-that-we-fought-along-the-way
AIs want the future to be like the past, and AIs make the future like the past. If the training data is full of human bias, then the predictions will also be full of human bias, and then the outcomes will be full of human bias, and when those outcomes are copraphagically fed back into the training data, you get new, highly concentrated human/machine bias:
https://pluralistic.net/2024/03/14/inhuman-centipede/#enshittibottification
By firing skilled human workers and replacing them with spicy autocomplete, Musk is assuming his final form as both the kind of boss who can be conned into replacing you with a defective chatbot and as the fast-talking sales rep who cons your boss. Musk is transforming key government functions into high-speed error-generating machines whose human minders are only the payroll to take the fall for the coming tsunami of robot fuckups.
This is the equivalent to filling the American government's walls with asbestos, turning agencies into hazmat zones that we can't touch without causing thousands to sicken and die:
https://pluralistic.net/2021/08/19/failure-cascades/#dirty-data
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2025/03/18/asbestos-in-the-walls/#government-by-spicy-autocomplete
Image: Krd (modified) https://commons.wikimedia.org/wiki/File:DASA_01.jpg
CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/deed.en
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Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg
CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en
#pluralistic#reverse centaurs#automation#decision support systems#automation blindness#humans in the loop#doge#ai#elon musk#asbestos in the walls#gsai#moral crumple zones#accountability sinks
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