#CHILLS. ACTUAL CHILLS.

[floweroflaurelin]

So Pixlriffs’ finale is a masterpiece and I’m experiencing a lot of emotions right now ✨🌻✨

For my own reference I made a transcript of the monologue and thought I might as well share it! It's under the cut to avoid spoilers but the whole first 8ish minutes of his video are typed out. I recommend watching at least that much, if you haven’t yet, because it’s really something worth hearing.

We are not done.

Not yet.

Our stories do not begin here, and neither do they end. But before they fade into obscurity, as so many events do, there is one more story left to be told.

[It is the Story

of

the World.]

It’s important to remind ourselves that history is an account of events remembered—and there are so few left who remember, so it mingles with myth and hearsay, folklore and fireside stories. This is the account of just one man, and others may recall the tale differently. Others still may decide to change the narrative to suit their own ends. And this, it must be said, is no bad thing. So it goes.

[Sun setting

over

our Creation.]

—

In a long-lost age before records truly began, our world was built by Titans (or so it is said). The lands they created became home to people who would seek to emulate and even to surpass that act of creation, and that would eventually bring about their destruction. But destruction is simply part of a cycle. Nothing is ever truly lost.

Those who foresaw the destruction fled before it could bring the walls of their homes down around them. And many who had been downtrodden and overlooked saw it as their chance to find a new life for themselves.

Thus began a great migration, leaving behind the old nations of the world and striking out for somewhere new, a life untethered from the follies of their former state. And though the road was long and treacherous, and many fell behind in the wake of such an awful endeavour, new bonds were forged in the fires of adversity.

As time passed, and more joined the great caravan, the host became a nation of its own, a glorious congregation sharing one purpose, singing the same resolute song. Though the road was long, they were homeward bound.

And a home they found nestled in a mountainous landscape, one that might have been carved by the very bones of the gods themselves. There they planted roots, drank deep from the water, and continued to grow. The farmers sowed new fields and raised new flocks. The work of many hands turned to building a new city. And together the architects conceived a castle upon a great plateau that would stand as a monument to their past apart and their future together. To them, the castle itself would tell the Story of the World.

Stone-whisperers from Mythland and the Grimlands, well-versed in masonry of all kinds, sculpted its walls from the abundant rock of the nearby mountains quarried for the glory of their new capital. They wrought rock and iron, carved and timbered their great halls, and raised mighty towers to stand atop the grand cliff.

The mages of the Crystal Cliffs brought knowledge of magic and the beauty of gemstones, and theirs was the sanctum at the heart of the castle, ever-seated at the Ruler’s left hand: their shield and protector.

A tribute was raised to Gilded Helianthia, whose ruler was still revered in the hearts and minds of many, and in time she became their warden against the spectres of the past, carrying the twin burdens of light and shadow on her shoulders; a burden with which the people of Rivendell were all too familiar.

And below, far below, the engineers of Pixandria sought to reproduce the jewel of their empire. A mechanism that would surpass the work of the Copper King himself.

Not all who came to found the Ancient Capital remained for long. Like dandelion seeds, the people of the Overgrown were scattered on the wind, alighting on the mountaintops and valleys. The vast majority of them came to settle in the rolling meadows of Chromia, which was renowned for the richness and beauty of its dyes for lifetimes after.

In the absence of their king, the nation of Mezelea resettled in new badlands, establishing laws and ordinances of their own. Many of them had been armour stands before the king imbued them with life, and some found this a hard habit to shake.

The people of the Cod and Ocean empires, bereft of the waters that gave them life, took to diving in the rocky pools of vast caverns and their affinity for stone grew. Over many generations they adapted, becoming the green-skinned race that folk came to know as goblins—their pointed ears the only remaining vestige of the fins they had once had.

For the gnomes of the Undergrove, this was a homecoming! They had long dwelled here before their exodus through the Nether and the fairy circles of the Evermoore welcomed them with open arms.

And the villagers of the Lost Empire, hiding in plain sight amongst the caravan of peoples, sought to find a place where they would be unburdened by this facade of humanity, standing at last on their own two feet.

But the boundaries of this land were ever-changing, and the nations soon found the cataclysm they had left behind had weakened the walls between their world and others. Waters rose and fell unpredictably; incursions from other realms were possible, bringing chaos in their wake. The tide of history churned and rippled.

None now remember how the Capital fell, only that its remains have lasted: an epitaph to all they had achieved together.

And just like before, new nations would arise. The pirates of Eversea ruled the waters from their secret cove. The inventors of Cogsmeade arrived sailing in from the air on their skyships—only to find whole buildings floating in the golden kingdom of Stratos. Rumours abounded of a Sanctuary hidden in the deepest jungle for those who knew the way.

Their tales are better told by those who knew them well. Our stories do not begin here, and neither do they end. But for this tired historian, it is perhaps best to leave these things in the past and begin to look towards the future.

For whatever comes next, we who have sown the seeds can only hope for a bountiful harvest.

[havepatienceandendure]

The end of ‘let bartlet be bartlet’ is so sexy. ‘These people who showed up to lead’ ‘i want to speak’ ‘we’re gonna raise the level of public debate in this country, and let that be our legacy’ ‘i serve at the pleasure of the president of the united states’ jesus fucking christ

[chloesimaginationthings]

Michael learns about FNAF Movie Sparky...

[chubs-deuce]

Alastor may dislike new age tech but that doesn't mean he doesn't have his sources lol

[snowheartsz]

THE WAY I SCREAMED????

[egophiliac]

finally got some time to finish these guys up! which is sort of ironic considering I started these because I wanted to draw Malleus with a Dragapult, and then I just didn't for a million years!

Malleus has the aforementioned Dragapult, except it's a super special non-canon color Dragapult (like an anime-only form that you could get in-game exclusively through some limited-time event where you have to show up in-person at a specific location in Japan) (it has some wacky overpowered exclusive move/form and the OT is listed as Malleus) (so like that kind of ridiculous specialness) (Leona is extremely salty about this). also hoards and hoards of Dreepy. Dreepy LOVE Malleus. they take naps on his horns inbetween begging him to throw them across the island at mach speeds.

Lilia has a Drampa and a bunch of Woobat that he hasn't actually caught, they just follow him around in swarms because they sense a kinship with him. (also breaking my own rule again to say that he had a Mawile in the past, because...I just really wanted to give him a Mawile...)

Sebek has Sandile for obvious reasons, and also a Pikachu that bullies him relentlessly. :(

Silver has a shiny Corvisquire; I really went back-and-forth on also giving him an Aegislash, but...hm. those pokedex entries though. he can stick with just one for now.

(I hadn't planned on the shiny for him, but after I'd decided on the Corvisquire line and was looking it up for reference, I realized that shiny Rookidee is gold and then turns silver when it evolves and I lost my entire goddamn mind)

[choccy-milky]

MC doing what we all wished we could do (aka napping on the floor with ominis )😴💕

[sockich]

You think you can take me down twice?

BLUE EYE SAMURAI (2023)

[ofswordsandpens]

actually I also wanna talk about the part where Percy convinces Bob to kill Hyperion because even though Percy never says anything outright sinister, the way he handles the entire situation with such cool ease, playing on Bob’s emotions... its so insane???

Because Annabeth’s reaction to the three of them encountering Hyperion reforming is: “oh this is bad we need to get out of here” She knows if Bob remembers himself, that it's not going to play out well for Percy and her. She also thinks about how they're being pursued and don't have a lot of time. Her solution to the problem, seemingly, is to leave.

But Percy's solution is to work the situation to his advantage. He re-affirms Bob's loyalty to him:

Percy then re-establishes Bob's moral code: "Some monsters are good. Some are bad. This Titan is bad. He tried to kill me and a lot of people. He's not good like you are."

And it ends with Percy leaving the choice of whatever to do with Hyperion to Bob but of course, is it really what Bob chose to do? Bob decides to kill Hyperion. It's not what he may have done, if Percy hadn't intervened. But it's exactly what Percy was oh-so-sweetly leading Bob to do.

And listen, I'm not claiming that it was exactly morally bankrupt of Percy to take advantage of a once-evil titan who could get him and his girlfriend through hell in one piece. Percy, Annabeth, they manipulate monsters and enemies all the time. Annabeth ended the previous book with manipulating Arachne into weaving her own web. So it's not exactly like she's against using manipulative tactics, in theory.

But Bob, at this point, is not just some monster. He is so painfully sincere in his belief in Percy and their friendship, so yes, it does feel a bit sinister whenever Percy uses Bob... and he really uses Bob.

And I think what makes the scene so unsettling, it isn't just that Percy manipulated Bob, its how well Percy manipulated him. He manipulates Bob so well that Percy doesn't even have to kill Hyperion... because Bob does it for him. He manipulates Bob so well, that Annabeth couldn't tell if Percy was purposefully trying to manipulate the situation. (Newsflash, he most definitely was). Like holy shit.

[bl0w-m3]

[triona-tribblescore]

*cough* ...uhh, wanna go grab some seafood or smthin?

(Yo-Ho-Ho) A Ninjas Life For Me

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[sonknuxadow]

its kinda funny that the chaotix are like the only characters who mention having to pay rent or buy food or whatever and theyll take any job that pays because theyre desperate for money but none of the other characters are struggling in this department at all even though most of them dont seem to have jobs. its like the concept of needing money to live exists for no one in the sonic universe EXCEPT for vector espio and charmy

[chloesimaginationthings]

Michael Afton has a surprise for the FNAF movie duo,,

[woah-uhuh-uhuh-uhuh]

"haptic nerve blocking"

I always thought the squip would have to block more than just Jeremy's vision to actually remove something from his perception. And the problem with blocking sensory input at the level of the sensory nerves (rather than inside the brain where the input is processed) is that... now there's just a lack of input in that area?

When you have a blind spot in your eye, your brain's actually pretty good at filling in the hole with surroundings so you don't notice. I'm not sure if the same is true of tactile nerves --- but I thought maybe the squip would just selectively mute those nerves whenever Michael touches him. So here's a comic where Jeremy notices that numbness and puts 2 and 2 together :P

Also, please stare at this panel for at least three hours for me it's my favorite one and the first one I drew. thank you djsklfjdsf

[beatriceportinari]

Toad origami, one square sheet of paper

[ionomycin]

At the moongate, I set you free