Tumgik
#Cheryl Penn
marcogiovenale · 1 year
Text
15-30 maggio 2023, "escribas - international exhibition of asemic writing" @ blumenau (brasile)
“ESCRIBAS – International Exhibition of Asemic Writing” First Tour | FURB | Blumenau (Brasil) The exhibition ESCRIBAS – I International Exhibition of Asemic Writing, promoted by The Virtual Museum of Visual Poetry in partnership with Instituto Imersão Latina, will be exhibited at the Universidade Regional de Blumenau – FURB. Recently exhibited at UFMG, the show brings together 26 works by…
Tumblr media
View On WordPress
0 notes
preacherman316 · 1 year
Text
Growing Pains
“Jesus took Daddy home,” Cheryl McGuinness told her 14-year-old son and 16-year-old daughter. The news that their father, Tom, had died was not only unexpected, but was tragic and publicly known world-wide. Tom McGuinness Jr. was the first officer on American Airlines Flight 11, the first plane hijacked and flown into the World Trade Center on Sept. 11, 2001. (more…) “”
Tumblr media
View On WordPress
0 notes
mickimagnum · 5 months
Text
My Top 23 Screenshots From 2023
Thank you so much @changingplumbob and @bloomingkyras for the tag!
Here are my picks, counting down from #23. 🤗🖤
#23
Tumblr media
Summer Miller getting wet 'n wild on her jet ski
#22
Tumblr media
Logan Cassidy & her mom Calico stargazing one night (Save RIP)
#21
Tumblr media
The day Marin Miller brought Suki home
#20
Tumblr media
Marin & Jeb Harris before prom
#19
Tumblr media
THE forehead kiss between Albert Robins & Devin Delaney on Devin's Dude Ranch - A Bachelorette Challenge
#18
Tumblr media
Miley loosing her mind over the bird ball | Logan Cassidy's Save (RIP)
#17
Tumblr media
The day Marin & Greta moved into their rental in Mt. Komorebi for their year abroad
#16
Tumblr media
Houston Bloom reading Devin a poem he wrote for her on Devin's Dude Ranch.
#15
Tumblr media
Bree Abernathy & Michael Bell having a friendly chat on her front porch one evening (Save RIP)
#14
Tumblr media
Photoshoot with Logan & Calico
#13
Tumblr media
A look of worry on Devin D.'s face when she thought Gale might've knocked that barrel over during training.
#12
Tumblr media
That time Devin Haywood (the original incarnation of Devin) had a duet with a fox (Save RIP)
#11
Tumblr media
Bree doing yoga (Save RIP)
#10
Tumblr media
Cheryl & Gale having a mid-day nap, because training is hard.
#9
Tumblr media
Greer, my paranoid little cinnamon roll. (Postcard Legacy -Abandoned)
#8
Tumblr media
What actually went on behind the scenes of those pretty screenshots I took of Devin H. and Bran Abernathy's wedding. (Save RIP)
#7
Tumblr media
Devin H. and her mustang, Retana on Black Fox Ranch. (Save RIP)
#6
Tumblr media
Retana having a siesta (Save RIP)
#5
Tumblr media
Milo Penn accidentally knocking Devin D. to the ground during his entrance on Devin's Dude Ranch. (I'm sorry but really makes me laugh for some reason🤣)
#4
Tumblr media
Bree levitating during her meditation (Save RIP)
#3
Tumblr media
Marin not sticking that landing while practicing her cheers and Atlas' obvious concern.
#2
Tumblr media
My favorite portrait from Devin H. and Bran's wedding (Save RIP)
#1
Tumblr media
And of course, my favorite bridal portrait, of my favorite sim. 🖤 (Save RIP)
I tag (and sorry if I tag you and you've already done it):
@helloavocadooo | @invisiblequeen | @bakersimmer | @daedriyth | @eslanes | @harmonia-sims
(If you're seeing this and want to do this, just say I tagged you too!)
15 notes · View notes
lboogie1906 · 6 days
Text
Tumblr media
Ida Olivia Keeling (née Potter, May 15, 1915 – August 25, 2021) was a centenarian track and field athlete. Trained by her daughter Cheryl (Shelley) Keeling, herself a world record holder, she set Masters records in 60-meter and 100-meter distances for women in the 95-99 and 100-plus age groups.
Her story was featured in the documentary If You’re Not in the Obit, Eat Breakfast, on aging over 90, which premiered in June 2017. She was featured on Our America with Lisa Ling on the Oprah Winfrey Network.
In 2011, she set the world record in her age group for running 60 meters at 29.86 seconds at a track meet in Manhattan and in 2012 she set the W95 American record at the USATF Eastern Regional Conference Championships at 51.85. In 2014, at the 2014 Gay Games, she set the fastest known time by a 99-year-old woman for the 100-meter dash at 59.80 seconds; at the time the relevant USA Track & Field webpage did not include a 100-meter record for US women older than the 90–94 age division.
On April 30, 2016, she became the first woman in history to complete a 100-meter run at the age of 100. Her time of 1:17.33 was witnessed by a crowd of 44,469 at the 2016 Penn Relays.
Her parents, Osborne, and Mary Potter, emigrated to the US from the island of Anegada in the British Virgin Islands. She was raised in Harlem. Her mother died when she was young and her husband died of a heart attack when she was 42. She had four children. Her elder daughter, Laura, worked as the CEO of two National Urban League affiliates. Her younger daughter, Shelley, is a lawyer and real estate investor who coached for a local high school. Shelley coached her mother and first convinced her to run in a “mini-run” at the age of 67.
In the book Can’t Nothing Bring Me Down: Chasing Myself in the Race against Time (2018), by Ida Keeling and Anita Diggs, she explained the secret to her health and fitness, stating she worked out 2-4 times a week and attended dancing classes. Her diet consisted of greens, fruit, and cod liver oil, and she would have Hennessy with her coffee once a week. #africanhistory365 #africanexcellence
3 notes · View notes
theconfusedartist · 10 months
Text
Before Penn Station- Part 1
Closer than Acquaintances, Not Quite Friends
(This is the version of the chapter here on tumblr and will be below a read-more as to not clog up people’s dashboards. Here is the link if you prefer to read on ff.net)
He sighs, feeling the heavy gaze fall onto his neck, goosebumps raising along his arms.
“It’s Alex. Again.” Altaïr grumbles uneasily. “...but he glows blue in my Eagle Vision. Painfully so.”
Sitting up at the counter, Alex Mercer’s cold blue eyes bore into him, as though he was taking in every detail under the fluorescent lights. He wore a black leather jacket as an overcoat, a grimy grayish hoodie covering his head and shadowing his face, and a wrinkled button-up well-to-do white dress shirt.
Desmond didn’t have to check if the leather coat still had the bright crimson design and two white thick strips on the sleeves. It was the only thing he’d ever seen the man wear, as Alex relentlessly followed him from each different Bad Weather bar. His co-workers had been great, helping him take shifts from the sister bars all over Manhattan and helping him find less expensive hosing where landlords didn’t question why he could only ever stay in one apartment for a week or two at a time, and yet still. Alex Mercer continued to ceaselessly pursue him across the city.
“You’d think he’d be at home sleeping after working in a lab all day. Instead of wasting his time in different bars at half-past four.” Desmond muses despondently.
“Just kill him and be done with this.” Altaïr hisses, still watching Alex as Cheryl walks behind the bar.
Her eyes flicker to Alex and to Desmond (or rather ‘Eric’) full of worry, but she keeps a neutral face pasted on, rather than outright scowling as she refills a redheaded regular’s cup with whiskey.
The place wasn’t too busy, what with it being a Sunday morning, and Desmond’s shift ended at six. The redhead, Washington, was a law student that would visit ever Sunday at 10pm to and would leave at 5am to avoid his roommate who always hosted parties on Saturday, but he’d also come in right after he took a test.
The booth closest to the door had been claimed. Her eyes flicker to Alex and to Desmond (or rather ‘Eric’) full of worry, but she keeps a neutral face pasted on, rather than outright scowling as she refills a redheaded regular’s cup with whiskey.
The place wasn’t too busy, what with it being a Sunday morning, and Desmond’s shift ended at six. The redhead, Washington, was a law student that would visit ever Sunday at 10pm to and would leave at 5am to avoid his roommate who always hosted parties on Saturday, but he’d also come in right after he took a test.
The booth closest to the door had been claimed by three women who showed up unfailingly every Friday, Saturday and Sunday evenings to early morning with heavy tomes and would whisper furtively while sipping the strongest drinks Desmond could make.
Carol, a brunette with green eyes and missing teeth, was a recovering alcoholic who would visit every early Sunday morning, buy a virgin strawberry daiquiri, and three plates of food before heading out to go fishing.
The twins, Cam and Kam, weren’t here, probably passed out from grading papers and editing videos respectively. Their booth instead was occupied by a blond by the name of Lucille, with deep circles under her eyes, nursing a hangover surprise and a breakfast platter after slamming down five tequila shot earlier.
There had been three new faces earlier, two men and one woman dressed in dark clothing while wearing long-rimmed hats that obscured their faces. All of their coats had an odd looking rectangle (the Abstergo logo, which he’d been seeing a lot more lately since moving to Manhattan) on the left breast pocket. And they all nursed one beer each while watching him work at the bar.
Desmond had no idea who these agents were, since they weren’t the first group to sit at a table and do their reconnaissance, but without fail they were always in a group of three or four and they only ever visited the Bad Weathers in the Upper West Side or in SoHo.
And Alex, also without fail, eventually got irritated and drunk enough (which was only ever a single drink--the man wasn’t a lightweight but he was never one to back down from a fight, or start them) that he would start a fight with them. And Desmond would have to pull the Alex off them as he punched with a maniac grin. He had no idea why Alex was persistently targeting them, but he couldn’t really complain either. Those people had a tendency to try and follow him around at the end of his shifts, and while he’d never been caught, it was unnerving to say the least.
“Speaking of,” Desmond thinks wryly as he hears Cheryl try to reluctantly engage in conversation with Alex, while he took Carol’s second plate to her table, letting himself be drawn into small talk.
“Hey Carol, here’s your egg and steak special.”
She gives Desmond a gap-toothed grin, “Thank you very much, darlin’. How’s your shift goin’?”
“Pretty good, all things considered. I can’t wait until I’m able to eat breakfast myself.” He casually grabs her plate, silverware, and cup, mentally making a note to come back with a refill and a water pitcher.
“Tha’s good ta hear! Hey, I was wonderin’, would y’all mind if I bring some fried fish for the folks on shift later? I’ve been wanting to show ‘ff my new recipe.”
Desmond laughs, “You’ll never hear us turning down free food, If you drop it off by seven, I’m sure Tristan’ll be happy to take it.”
Carol snorts, “Fer her, I’ll make a whole second batch! She looks like she needs it.”
“I’ll make sure to let her know. Give me a moment and I’ll come back with your drinks.”
By the time he’s made it back behind the bar, Cheryl’s lips are pressed into a thin line, her dark brows a mirror on her forehead, as she angrily scrubs an already-clean glass. He feels Alex’s gaze drop onto his shoulders like a weight.
“We should throw him out again.” Cheryl all but growls through gritted teeth. “Are we really going to let him back in after his fight earlier?”
Desmond shrugs, as he fills a pitcher with ice and water, then gets to work on the virgin strawberry daiquiri. “Unless you plan on fighting him or calling the cops, we can’t. Bad Weather rules--”
“I know, I know. Three hours out of the bar and if they don’t bring the cops or get sued they can come back, but can we make an exception? He’s rude, violent, vulgar, and he keeps staring at you.”
Desmond sighs, “I haven’t been able to get him to stop staring at me. I’ve kinda just let it go--”
“NO!” Altaïr and Cheryl both shout, and it’s all Desmond can do to keep himself from startling at the bar.
With a sheepish looks, he grabs the pitcher of water and virgin strawberry daiquiri before hightailing it over to Carol’s table.
“I can’t believe you would even consider--” Altaïr rants.
“Here’s your drinks!” Desmond greets Carol in an attempt to block Altaïr out. It doesn’t work, of course, after all he can only hear the man in his mind.
“--even giving into that man. He’s trying to manipulate you--”
“Thanks darlin’. Hey, I heard Cheryl shoutin’ over there, is everythin’ alright?”
“--into doing what he wants. It’s intimidation and erratic--”
“Everything’s fine, we just got into an old argument is all.”
“--behavior, then being all nice and gentle? He’s trying--”
“Is this about that Alex fellow?”
“--to lay a trap for you! He’s an obviously insidious individual.”
“You could hear that?”
“Everyone heard that!”
“It’s pretty plain to see he’s only got eyes for ya. Shifty and dangerous eyes, darlin’.”
“I’ve gotten used to it.” Is Desmond’s tired reply to the both of them.
Carol frowns and leans forward to speak quietly as possible, “Now, listen darlin’. If you need a new job, I know a few people down by the docks who’d love a dancer. Hell, if you do them fancy bottle tricks, I’m sure you could pull what you make a night here within a few hours.” Carol’s eyes shoot to Alex warily and back to Desmond, “You don’t want to get entangled with people who’re trying to wear ya down to spend time with them.”
Desmond doesn’t even have to look to feel Alex’s heavy stare on him again. Despite the fact that Carol had been whispering, it was like he could tell someone was talking about him.
Creepy.
“Well,” Desmond slides into a chair across from Carol, “do you think you know of some good hotels? Motels, even. I just need to find something I can halfway afford and keep moving.” Money had never been a problem for Desmond when it came time to take care of Elijah, Clay, or to indulge in Altaïr’s foodie requests, but he was loathe to spend it on himself when it could be better used somewhere else.
Carol matches his lower whisper, “I can get ya in with a few of my fishing buddies. They’ll let you crash free of charge an’ keep any unwanteds out.” She looks meaningfully at Alex.
Desmond blinks, feeling tears prick at his eyes and a lump in his throat, “Y-yeah. That’d be great.”
Carol lays a hand on top of Desmond’s, “It’ll be alright, Eric. Things always get better.”
The shock of hearing the name ‘Eric’ stuns him into silence. It always hit like a ton of bricks that he was lying to these good people every time he was addressed by his false name. Would they still want to help him if they knew? That he was Desmond Miles? That he was an ex-assassin?
“Behind you, Desmond.” Altaïr warns.
“Hey.” It’s Alex.
Carol flinches and rips her hand away, but all Desmond can do is sigh. This is typical Alex.
“I’m in the middle of a conversation, Alex. I’ll speak with you in a minute.”
No response. Ales just continues standing and glaring down at him expectantly. Carol shifts nervously in her seat, toying with the last of her eggs before saying, “Hey, Eric, can you get me the pancake omelet platter? I think I’m about ready for my third plate now.”
Desmond nods, pushes back his chair, stands up--
And Alex is right there in his space, glaring hard with an air of disapproval that makes Desmond’s hands break out in a cold uneasy sweat.
Doing his best to look unphased, he gently pushes Alex out of the way, swallowing hard as he follows him to the bar, close enough that he can feel the other man’s breath uncomfortably hot on his neck. Desmond retreats to the bar, slamming the low door between them, ignoring Alex’s sour look.
He turns away and swiftly walks into the kitchen, hoping to escape the burn of Alex’s gaze. The kitchen looks a mess, as it usually does when Michelle cooks by herself, and the spices are scattered all over the counters. “Carol wants the pancake-omelet platter--with sausage. Y’know how she likes it.”
“New York cheesecake pancake and sausage omelet coming coming up. I’ll shout once it’s done.”
Desmond walks out of the kitchen just as Cheryl’s voice starts to raise, “If you don’t want to buy anything, then get outta here!”
Alex sneers, “I’m not ordering from you.”
Desmond manages to step in right as Cheryl pushes up her sleeves and Alex cracks his knuckles with a grin, “Hello Alex, are you ready to order?”
Alex smirks at Cheryl before turning his full, undivided attention attention onto Desmond. “I’ve been waiting for over 25 minutes, what took you so damn long?”
Desmond could feel his eyebrow twitch ever so slightly, “Cheryl could’ve taken--”
“I didn’t come here for her. I came here for you. Now when am I gonna be serviced?”
Desmond mentally sighs as Altaïr grows tense, ‘Hopefully there hasn’t been any activity around the apartment, we’ll have to check it over after the shift.’
“Alex is the much greater threat right now, Desmond. He’s already started with the inappropriate comments.”
“What would you like to order?”
“Dark oasis, Purple Venom, a waffle and bacon, with you on the side.”
Desmond scoffs, “You couldn’t afford me.”
“Name your price.”
“Priceless.”
“Then I more than qualify.”
“You don’t even pass my basic standards.”
“I don’t have to. I always get what I want.”
“I want to kick you out of the bar, but it looks like we’ll both be disappointed.”
“I wouldn’t mind leaving, if you came with me.”
“Not happening.” Desmond scoffs, “Whatever, did you want to order anything else?”
Alex’s eyes dart down to Desmond’s throat and lingers, “I already said what it was I wanted.” He makes sure to meet Desmond’s eyes and stares him down, and licks his lips. “I’ll be waiting.”
Dammit, he can’t decide between punching him or kissing him.
“Punching! Definitely punching! Seriously, what’s with you when he comes around? It’s like you deliberately ignore every warning you see.” Altaïr demands irritably.
Once Altaïr’s words register and he realizes that he hasn’t given up on trying to stare Alex down, Desmond spins on his heel and turns away to disengage from the entire situation, still feeling Alex’s heavy gaze.
“I’m telling you, Desmond, just kill that man. Forget what Eagle Vision is telling you and murder him. Dump his body in a back alley and continue forward.” Altaïr advises.
Desmond takes a deep breath and leans against the kitchen door, safely out of Alex’s view, ‘The first rule of the creed; stay your blade from the flesh of an innocent.’
“He’s stalking you! He is not innocent.” Altaïr argues.
‘The second creed; be one with the crowd and allow them to hide you.’
“Then kill him where no one can see it. People will overlook dead bodies and leave it for another person to find.” Altaïr responds callously.
‘The third tenant; do not compromise the brotherhood. Directly or indirectly. Do you think, even for a second, that if I truly ever felt threatened, I wouldn’t take Alex out? I would’ve killed him long ago if I thought he might have any ill intent towards me or Elijah. And if I did kill him, I would actively be getting rid of the few people I’ve ever seen glow that bright blue. His is the brightest blue in all of Manhattan. Why would I get rid of someone who wants to help me?”
No response from Altaïr because the answer was obvious to both of them. Alex acted mostly docile for Desmond because he wanted him, most likely for sex or some sort of experimentation, since he didn’t seem like the type of guy to accept rejection. Honestly, the only thing that really concerned him about Alex was his whole ‘I want to take you apart piece by piece’ thing, which was...weird. Besides, he was able to deal with Alex pretty easily by letting him get himself blackout drunk and escorting him back to his apartment or leaving his shift early after Alex ate and was slow. But, it didn’t change the fact that Alex had been hounding him for three months.
Following him from Bad Weather establishments to his apartment, suddenly ‘running into him’ in dark alleyways late at night when he would be coming down from the roof of a building, staring him down for hours at his job and being so unpleasant to be around, Desmond was the only one who he’d allow to serve him.
Dealing with Alex at work, drunk or sober, was exhausting to say the least.
“Eric, are you alright?”
Desmond looks up at his fake name being called, meeting Michelle’s concerned eyes. “Yeah, I’m fine. Just had to take Alex’s order, y’know how it is.”
Her eyes clouded over with guilty sympathy, “Yeah, I do. He...didn’t order a steak did he? Because it was freaky as hell when he ordered it ‘extremely rare’ and wanted some ‘blood red’ wine.”
“Sometimes I wonder if he’s a vampire, with his fixation on necks! But no, he just ordered a waffle and bacon. Better make it two waffles, because I don’t want to deal with him making a second order.” Desmond also thinks to himself, hoping Altaïr won’t hear and comment on it, ‘And because I know he hasn’t been eating like he should be.’
“Can do, Eric.” Michelle pauses, “D’ya wanna wait here for a bit? It’ll give you some time before you have to see him again.”
“You should leave early and let Cheryl handle it. If you’ve left, she can beat his ass without any other bartenders as witness, and she’s been looking for a reason to get into a fight with him.” Altaïr suggests.
‘Alex is vicious during fights.’
“And Cheryl likes to wear steel knuckles, she only needs two solid punches to give him permanent brain damage.” Altaïr counters.
‘Just a reminder, how fast did Alex manage to throw someone on the ground and bash their head in? Last I checked, it only took him two seconds.’
“Cheryl could possibly land a fatal blow before he gets the chance to knock her out.”
‘I really don’t think she’d win the fight Altaïr. And what was the group that shows up with ambulance trucks?’
“Hey, Eric.” Michelle calls out to him, drawing him out of his conversation with Altaïr, looking a bit weary at dealing with him looking like he was having a conversation with someone in his head. “Carol’s plate is ready. Bring it to her for me, will ya?”
Desmond nods, running a hand through his shorn black hair, “Yeah. Yeah, sure thing, ‘Chel.”
A plate in hand, Desmond steps back behind the bar with a mild customer service smile welded onto his face so tightly that he doesn’t even blink when Alex’s eyes zero on him. The man has his fists clenched and his shoulders are tense, if he was standing he’d probably have his dukes up, which has historically been the telltale sign that Alex is at best seconds away from starting another fight that he’ll have to break up.
With the patience of a hardened veteran, he walks right past Alex over to Carol’s table, with her food and a pitcher of water in hand. “Apologies for the wait, but here’s your food! Can I get you anything else?”
Carol’s eyes flicker over to Alex for a half-second before she replies, “Normally, I’d love to indulge in your wonderful conversation, but I’m feeling pretty peckish. Mind if I trouble you for a refill?”
“Of course, coming right up. Lemme just grab your cup...” As he grabs her cup, she touches his wrist and pushes a small slip of paper into his sleeve, under the cufflink with nimble fingers. “I’ll be right back.”
He doesn’t even get a chance to properly put her glass in the sink before Alex was snarling at him, “How long before I get my order? At the very least you could’ve served me my drinks before flirting with Carol.”
Desmond clenches his fists, set aside his own desire to start a fight, and begins to clean off Carol’s cup. “First of all, I was relaying your order to the chef, which is why I didn’t make your drink yet. Second, your food will be served momentarily by Cheryl--”
“If she brings it out, I’m not eating it. I don’t want her hands on my food.”
“And finally,” Desmond stresses through his teeth as she starts making Carol’s virgin strawberry daiquiri. “We aren’t, probably never will be, dating. Get that through your thick fucking skull, Alex.”
Alex smirks maliciously from under his hood, his blue eyes eerily bright, “Whether you want to date me or not doesn’t matter. It will happen because I’ve decided it will happen. Watching you struggle against it is simply amusing.”
“Grab the spade you use to dig out the grime from the bar and tear out his tongue. As he screams, go for the eyes.” Altaïr hisses.
‘Tempting. I want to, but no one needs to know my capacity for incredible violence.” Desmond responds to Altaïr, mentally calculating all the places he could dump Alex’s body nearby if it really came down to it.
“At least you only have 25 more minutes on the clock before your shift ends.” Altaïr tries to be enthusiastic, but Desmond can feel the underlying adrenaline and bloodlust.
‘Only 25 minutes left?’ Desmond asks.
“Only 25 minutes left.” Altaïr grimly affirms.
With quick steps, Desmond walks over to Carol’s table and delivers her virgin strawberry daiquiri, then heads back over to the bar. He doesn’t even have to look with Eagle Vision to know Alex’s color had shifted from his normal painfully bright overwhelming blue to a deep royal purple. After all, Alex had never hurt him but he was more than willing tohurt the people around him, and he didn’t hide the fact that he was trying to get Desmond isolated from other people.
Desmond left the Farm specifically because the Assassin Order and his parents wanted to limit him--from his thought, his actions, where he could go, what he could learn--and his Father had wanted an easy to manipulate tool. He’d be damned if he left behind the machinations of one man to fall into the grasp of anothers’.
Either way, Alex needed to be dealt with and either he was going to set some hard boundaries between them or he was going to end up killing him, which is something that he’d rather avoid at all costs. For his own sake, he needed to take a more diplomatic approach.
First, he prepares two long double shot glasses but washing it in front of Alex with Ajax soap and a red sponge, scrubbing it exactly 250 times. Next, he took out the bottles he was going to be using; Viniq, White Rum, Sweet Revenge, and laid them beside a carton of blackberries, blueberries, and strawberries.
With sharp hand movements, he pours one ounce of purple Viniq in a silver tumbler and twirls it around his writst as he exchanges the Viniq for White Rum and Purple Venom, holding the two large glass bottles in his right hand as the left steadied the tumbler. A long classy pour of the two alcohols, and a flick of the wrist to deliver the first napkin in front of Alex, sliding the now-full glass on the top.
“Your Purple Venom.”
Making sure to put away all the bottles for Purple Venom and replacing it with a dark red dry wine, orange liquer, a dark brandy, and a can of lime-lemon soda, along with a naval orange.
Making the Dark Oasis had less flare, but no less love put into it’s creation, as Desmond poured the dark red wind as a base then slowly layers the orange liquer and brandy together in long pours. Once the cup was half-full, Desmond slipped in a few ice cubes before topping it off with the lime-lemon soda, gently placing the individual slices of strawberries, blackberries, and blueberries into the drink, sliding a slice of the orange onto the rim of the glass.
With the second slick of the wrist, Desmond places the drink in front of Alex, “And your Dark Oasis. I’ll be out with your food in a bit.”
Without giving Alex a second glance, he spins on his heel and walks into the kitchen with a spring in his step.
“You’re smiling.” Altaïr points out.
Desmond blinks, then lightly slaps his cheeks, ignoring Michelle’s confused look. ‘I was just enjoying mixing the drinks is all.’ He defends weakly.
Altaïr doesn’t say anything for a few seconds, then, “You always seem to calm down when you get to pamper him with food or casually touch him.” Altaïr’s annoyance and exasperation seeps through their bond, “You do realize that if you didn’t keep lowering your guard and allowing Alex to get close, you could’ve shaken him off when you first found out that he was stalking you.”
‘You don’t have to keep talking to me about this.’
“Apparently I do.” Desmond rubs his neck sheepishly, gearing up to deal with another of Altaïr’s lectures, as Michelle watches him for all intents and purposes look like he’s having a silent conversation with absolutely no one else. “The reason Alex has been able to stalk you and follow like this is becuase you don’t do enough to stop him. While you do move, change where you work, and even travel by rooftop to avoid being seen, you continue to allow him in your presence.”
‘He’s not always acting like an asshole.’
“To you. And even by your own definitions that’s a stretch. Multiple times--”
‘Ah, here we go.’ Desmond thinks.
“Yes! I’m saying it again! Because you refuse to listen! He’s possessive, controlling, domineering--”
‘The domineering part isn’t always bad.’
“--fine, overly domineering, and it’s clear whatever affections he has for you stems from some kind of unhealthy obsession.”
And really, what defense can he give to that? Altaïr’s absolutely correct and this isn’t the first time that they’d had this particular conversation either. The argument is logical, doesn’t cut any corner, and hits on all the issues he has with Alex. However...
‘...I’m tired of being lonely, Altaïr. I can’t even live with Elijah anymore since the assassins and templars have been getting closer after Florida, and Clay hasn’t been responding to any of my calls or texts since he started his final months of assassin training, and every other connection I have is either tied up in their own problems or won’t take calls from payphones.’ He takes a deep breath while shaking out his sweaty hands, ‘For all his many flaws, Ales has never been red in my Eagle Vision and he’s never pinged as a threat towards Elijah in it either. Not to mention, any group that’s tracking me he just. Deals with. I didn’t even have to ask him to do that.’
“Your Eagle Vision isn’t always correct, Desmond.” Altaïr reminds gently. “What about thattime you slept with Daniel in Vermont? Only to later find out that he was a Templar, planning to turn you in?”
Desmond shrugs and it’s at this point that Michelle wonders if he should be on medication for what’s clearly (to her) schizophrenia or DID. “Hey,” Michelle calls out warily, “Alex’s meal is ready, were you gonna take it to him?”
Desmond blinks as Altaïr huffs at the interruption in their conversation, “Right, sorry Michelle. I’m taking it now.”
She nods as he grabs the food and leaves out the door, Desmond can’t even be bothered to put a fake smile on.
Alex perks up once Desmond comes out of the kitchen with his plate of warm food, halfway done with his Dark Oasis, and the cup of Purple Venom is completely empty. His eyes don’t spare a glance towards the food but locks onto Desmond’s face instead, “It’s only been five minutes but you managed to come back looking like roadkill.”
‘What, does smiling change my face that drastically?” Desmond thinks.
“Yes, entirely. Also, you were desynching with me, and that takes out a lot of energy too.” Altaïr responds.
Desmond runs a hand through his dark shorn curls, “It’s been a long shift is all. I’m just excited to be getting off.”
Alex blinks, not saying anything but still conveying he thought that excuse was full of shit. After an awkward moment, Alex barks, “Grab a second plate.”
Desmond is far too used to Alex’s demands to be fazed and simply grabs the second plate, not bothering to fight Alex when he tugs on his sleeve, grabbing a second set of cutlery without a second thought. Carol’s already left, Cheryl clears her table only stopping to give Alex a fierce glare and ‘Eric’ a pitying look as she goes back to cleaning up the table.
“Desmond.” Altaïr starts only to sigh, “You remember the creed don’t you?”
He cuts off an irritated groan as Desmond slips into the booth across from Alex’s. It’s close to Carol’s usual table and Alex has hisback to the door, but keeps himself at the edge of the bench, as if preparing the for the need to use the chairs as a possible bludgeoning weapon. Desmond sits close to the center of his seat, making sure he has the front entry, side entry, and kitchen in a position he can see them with the swift turn of his neck.
“Come now, Desmond.Recite them back to me.” Altaïr coaxes.
Arguing with Altaïr gives him a headachem he feels almost dizzy and nauseous when they’re out of sync, whenever they get into a bad fight, it’s almost like he has trouble staying conscious. Alex just stares at him, blue eyes damn-near unblinking, as he just watches.
‘Rule one; stay your blade from the flesh of the innocent.’ Desmond recites dutifully.
“While Alex isn’t an assassin or a templar, he can be dangerous which gives you leave to defend yourself.”
Desmond doesn’t argue, he’s far too tired to do so. Growing up, he and Altaïr had debated the creed over and over again, and while they don’t do so as often as before, they both sitll had differing opinions about how it should be interpreted.
‘Rule two; be discreet. Allow the crowd to hide you as you move and strike.’
Even though Desmond wasn’t speaking aloudm Ales still kept his eyes trained on him as he tore his waffle to pieces.
“Alex routinely gets into fights and causes high-profile disturbances. When he walks down the street people around him cry out in distress from his lack of tact, and if those agents with the Abstergo logo were to attack you while you traveled with Alex, there would be little chance of escaping with him in a crowd.”
‘He’s not wrong.’ Desmond thinks to himself. ‘Alex shoves pople out of his way like he’s having fun doing it.’
Alex takes a sip of his Dark Oasis, watching in fascination as his mutilated eggs and waffles lay splayed out on the plate.
‘Rule three; not directly or indirectly bring harm to the brotherhood.’
“Elijah...Desmond, these people from Abstergo have been showing up routinely these past three months and Alex has fought them off nearly every single time we’ve encountered them in a public setting. This might be a long-term trap he’s setting for you, and as we both suspect, if he has any affiliations with them he could lead them to Elijah. We can’t take that chance.”
‘Normally, I’d trust your gut on this Altaïr, but Alex has been pretty brutal to ‘em. Does it really make sense for Alex to be working with a group that he’s routinely sending back goons with brain damage? Those people definitely didn’t survive his fists once they left the bar. And he’s done this repeatedly, even. It just doesn’t add up.’
A few seconds of silence, “I’ll admit, the theory does have some holes in it, but if it’s true then your association with Alex puts both you and Elijah at risk. Directly or indirectly.”
‘But what if you’re wrong? If Alex has nothing to do with these Abstergo people, then we have no reason to believe he’d bring harm to either of us. He could be a fierce ally.”
Altaïr hesitates, “...Alex is a vicious fighter in battle,’ he conceded begrudgingly. “But he also has a short temper, bad attitude, and is incredibly short sighted. His actions could indirectly bring harm later on.”
‘So what it all boils down to is this: Alex could be a great ally if he wasn’t a loose canon that brings a lot of negative attention and if we knew where he stands in relation to any affiliation to Abstergo, the assassins, and the Templars. Did I get that right?” Desmond gives Altaïr a second to reply before following it up with, ‘Because the flip side is that Alex is a strong and vicious fighter, and potential ally, that lacks discretion but any threats he might bring by association he would also be able to deal with using ruthless efficiency.’
“Don’t try to pretend like you haven’t been looking out for him in the past as well. That entire situation in Vermont might have been avoided if you hadn’t assassinated every single operative that had Alex on their kill-list.” Altaïr snaps.
‘Whether that’s true or not doesn’t matter!’ Desmond bites back. ‘I wasn’t just going to stand by and do nothing, and I stand by that decision too, no matter how much you disagree with what I did in Vermont.’
A sigh, “It seems like we can’t reach an agreement about this yet.”
‘Not entirely true. I don’t think that Alex needs to meet Elijah yet, until I know for sure what his intentions are.’
Desmond feels a rush of approval and relief, when all he could feel before were waves of anxiety and dread coming from Altaïr. “Absolutely. They never need to meet each other.”
“You done thinking?” Alex asks, drawing Desmond away from his conversation with Altaïr.
“What makes you say that?”
“Whenever you get deep in thought, to the point where you don’t hear anything else,” Alex threads his fingers in through Desmond’s right hand, “the knuckles on this hand starts glowing. So do your eyes around the temples.”
Sweat pools in Desmond’s palms, “Does it do that every time?”
“Only when you’re looking already about to collapse.”
“Oh, is that all?” Desmond drawls. “Lucky me.”
Alex doesn’t bother with silverware, instead picking up his thoroughly shredded waffle bit to tear into. “So, what conclusion did you come to?”
“I didn’t. I was trying to decide if I still wanted to hang around you.” Desmond replies bluntly.
Alex gives him a satisfied grin as he eats another piece of waffle, “Looks like you chose to stay with me another day.”
Desmond opens his mouth to refute him but then looks at the booth their sitting in. “Yeah, I guess so.”
“I knew you would,” Alex says with an air of smugness. “After all, who wouldn’t want to be around me?”
“Ah, is that why you have all those people lining up to talk to you?” Desmond asks wryly. “Because the only time I see you around a bunch of people is either right before you start a fight or when you’ve left a group of people unconscious.”
“They don’t have the mental capacity to hold a conversation with me.” Alex sniffs. “I only mingle with the brightest minds...and you, of course.”
“Lucky me.” Desmond repeats drolly. “So, what was the real reason you pulled me aside?”
Alex fixes him with a sharp look, as if he’s trying to take in every minute detail of his face, “I already knew you were going to try and run so you could meet up with your ‘contact’.” His lips twitch in amusement as Desmond shifts uncomfortably in his seat.
‘Altaïr, he doesn’t know about Elijah, does he?” Desmond asks warily.
“He shouldn’t...” Altaïr replies.
“So, I figured I should talk to you before you try to run again.”
Desmond quirks an eyebrow, “‘Try’ to run?”
“Anywhere you run, I’ll chase you. Anywhere you hide, I’ll find you. You can not escape me.”
Alex doesn’t say it with the same air of smugness as before, the smile left his face for his more intense stare and pressed lips, and Desmond’s hand tenses up in Alex’s.
Alex didn’t say it like it was a threat or something he wanted, he stated it with simple unrelenting force--the words resolute and full of promise. He said it with the same inevitable force of an earthquake--one that Desmond was trapped in the center of as cracks deepened under his feet.
He wasn’t sure whether to be creeped out by this, or to give into his own curiousity, and see how long this willpower of Alex’s would last.
“And what will you do, if you manage to catch me?” Desmond asks around the rock in his throat.
“Hm. When I catch you...” Alex tightens his hand around Desmond’s fingers, refucing to allow him to escape his grasp. “First, I’ll tie you down. I want to make sure I note and catalogue all the desperate faces and noises you make.” Alex squeezes at Desmond’s knuckles as he tries to escape once more. “After that, I’d take my time cutting you out of your clothes. I’d go slow too, so you can feel my hands on every inch of your skin and know there’d be nothing you could do or say to convince me to let you go.”
Alex tightens his grip on Desmond’s knuckles, squeezing hard enough to bruise, as his thumb gently strokes the back of his palm. “And after that, I’d introduce you to all types of external stimuli o see how you react.” His eyes focus on Desmond’s adam’s apple, it’s almost a leer but three shades to the left and more predatory. Far more possessive. “Although, whether I’d start with your neck or chest is up in the air, since both are so sensitive.”
“Are you done? Because I certainly am.” Desmond responds frostily, forcefully prying his hand out of Alex’s.
“And here I thought you’d last a bit longer.” Alex taunts.
“Shit like this is why I keep wondering why I still hang around you.” Desmond gripes. “I’m leaving now. If you follow me, you can expect to get your ass kicked.”
Alex frowns, “You didn’t even eat.”
“I don’t want your cold waffle chunks.”
“Then order something else.” Alex counters. “But we both know that’s not what I was talking about.”
Desmond’s empty plate and silverware sit on the table, innocently, as his stomach growls. Those blue orbs (adamantium, his brain helpfully supplies before going silent) that Altaïr collects would always make him feel like he’d eaten a well balanced meal, but in the meantime he still needed to eat. Substitutes like glass, metal, plastic, and most plants were optimal but he also still needed to eat some kind of normal food so his body would have energy as well. Desmond...didn’t really understand why it was like that, (but how could he? the brain thinks to itself. after all, he’s not connected yet) but it had been that way as long as he could remember.
At some point, Desmond didn’t know when it happened, Alex had witnessed Desmond ‘cleaning the table’ and leaving nothing behind. ‘Another reason why I’m attached to this asshole,’ Desmond idly thinks as he picks up the fork while checking to make sure no one else was watching (save for Alex, who never really took his eyes off him). ‘he saw me eating metal and didn’t run away screaming.’
“That’s a low bar to pass as far as companions go.” Altaïr jabs.
‘And yet, save for Clay, Elijah, my grandparents, and Alex, most other people don’t ever get over it.’ Desmond replies despondently.
With the coast clear, Desmond bites into the fork, his eyes closing in relief as he eats the entire thing within a single bite--the other cutlery eagerly pushed into his hands by Alex.
The fork, spoon, knife--gone. Devoured in a literal second, the plate taking slightly longer but goes down with a loud ‘cronch’ sound. Alex watches the whole display with a dreamy smile, chin held up by his fist.
The smile on his face falls, Desmond only has a half-second to break out of his food-stupor, to see Alex all but throw his plate to the ground. It was thankfully empty, but Cheryl already had her fists clenched.
“How many times do we have to do this, asshole?!” Cheryl shouts, “I’m not dealing with any more of your bullshit! Either get the hell out or put up your fists!”
Recognizing why Alex destroyed his plate, Desmond stads with his hands open, pleading with Cheryl. “It’s alright, I’ll clean it up. Don’t worry about it.”
“No, Eric!” Cheryl doesn’t notice the very small flinch Desmond makes as she calls him by his false name, “This asshole has had it coming for a long time!” She widens her stance as Alex puts his own dukes up, “Let’s finish this!”
Alex grins bouncing on his feet, fists up and ready to fight, as the other patrons in the pub either ignore the scene or move their food and drinks away from the oncoming violence. “If it’s a fight you want--”
“ENOUGH!” The entire restaurant snaps to attention at Desmond’s voice, Michelle sheepishly peeking out from the kitchen as well, “Alex, go outside. I’ll handle your tab and deal with you in a bit. Cheryl, please go to the kitchen. It’s already half-past six and the morning rush will be starting soon.”
Cheryl clearly still wants to fight, but goes back to the kitchen as ordered, even if she does so reluctantly. Alex frowns in disappointment but also does what Desmond demands and walks out the front door. The tension slowly bleeds out of the building as the two separate, and Desmond kneels onto the ground to pick up the shards of glass with his bare hands, making sure to grab on of the larger shards hard enough that it breaks skin.
Glass in hand, he walks back behind the bar and dumps it in the trash before going into the kitchen to greet Michelle and Cheryl, heading straight to the oft used first-aid kit. Cheryl’s anger seems to drain out of her when she sees blood on his hands, taking the gauze from him gently to apply it herself. “You didn’t have to pick up the glass with your bare hands, Eric. I would’ve waited for you to come back after you grabbed the broom.”
Desmond shrugs. “I was worried you’d go outside and fight Alex if I took too long.”
“You should’ve let Cheryl beat his ass, man.” Michelle pipes up, “Alex has had it coming for the last month or so now.”
“Look, I have confidence in your abilities, Cheryl, but I’ve also seen Alex fight 18 guys on his own--” Well, that was a bit of a stretch. During the incident in question, a group of 37 or so wannabe WWE fighters has come into the bar in West Harlem after getting rejected and picked a fight with 5 of those Abstergo agents that had been lingering around the bar like a bad smell, and after getting humiliated in public by his little sister who’d left earlier, Alex decided to join in on the carnage. Alex did indeed manage to knock out 18 different people, that part wasn’t exaggerated, because apparently he’d wanted to put his old wrestling skills to the test, and everyone that had seen the event remembered the sight. Which was great because Desmond had been backhanding people into a painful unconsciousness and it would’ve been quite hard to be known as the ‘really chill guy who makes ordering a drink into a flashy spectacle’ if they also knew that he has the capacity to take down two dozen people in literal minutes.
“--and I just don’t want you to get hurt.” At the very least, this wasn’t an exaggeration or falsehood.
Cheryl shifts uncomfortably at the reminder of the ‘Bad Weather Beatout’ (as the incident had been called). “I...probably could’ve won.”
“I mean, if Alex was really able to beat 18 people on his own, the only thing you’d have won was lifetime brain damage.”
Cheryl whirls on Michelle, her voice raw, “Whose side are you on?!”
“The side that keeps you from getting any lasting injuries and Alex in the hospital on permanent bedrest.” Michelle answers.
Desmond holds himself still, but twitches as Cheryl agrees with an, “Amen to that!”
Unable to hold himself back, Desmond defends, “Alex isn’t that bad you guys. Sure, he can be rude and he does get into fights, but I don’t think it’s bad enough for you to be wishing harm on him.”
“You’re only saying that because you like taking his side.” Michelle rebuffs.
“I’m on the side,” Desmond rebuts, “where no one gets hurt.”
“Why do you always look out for Alex?” Michelle asks wearily with a frown as Cheryl finishes wrapping up Desmond’s hand, “Of all people, you should be the one to hate him the most, especially since he never stops staring at you.”
Desmond chooses his words carefully, speaking slower than normal, “Alex is...certainly a troublemaker, to be sure. But he’s never tried to push me to do anything I don’t want, his staring effectively warns off all the other creeps that leer at me, and whenever either of us get blackout drunk--well, we look out for each other in those situations. And I’ve never had to worry about getting home safely since he started coming, so I just return the favor.”
Michelle looks at him pityingly while Cheryl gives him a look of almost disgust, and says, “So what you’re saying is you’re so down bad for this man that you’re ignoring all the red flags he’s waving like it’s a damn national parade.”
“That’s not--”
“You overlook his bullshit,” Cheryl snaps, “because he shows you the absolute minimum bare respect you should give to a human being, while also making cow eyes at you. What is it going to take before you realize that Alex is a terrible person?”
“It’s not like that at all!”
“That’s what it sounds like.” Michelle interjects.
“Look, my shift is over, so I’m gonna clock out and deal with Alex--”
“Of course you are.” Cheryl sighs.
Desmond glares at her, then finishes off with, “I’ll see you on the Tuesday shift.”
“Have fun making out with your boyfriend, I guess.” Cheryl replies with a huff.
Cheryl and Michelle watch him check out and walk away. “Why is he gravitating towards an asshole like that?” Michelle asks.
“He’s probably used to being around people like that.” Cheryl answers dispassionately, her eyes looking somewhere other than the kitchen counters, “It’s probably what was normal for him and he’s doesn’t know how to break a bad habit.”
Desmond pointedly ignores them, wishing he didn’t hear them from the kitchen to the front door, and steps out into the open city as people start to file into Bad Weather. Like he’d thought, the Sunday morning rush is beginning to trickle in, and he makes sure not to meet anyone's eyes as he walks out, keeping his head ducked and low.
Altaïr is silent but he can feel him in the back of his mind, can still feel the disapproval, as he meets up with Alex.
Alex is waiting, looking almost anxious as he whips his head back and forth, quietly fidgeting in place. Seeing Desmond eases some of the tension in his shoulders, but not by much. “So, did you have fun?”
Desmond rolls his eyes, “They already think I’m a bit crazy for hanging out with you--”
“Which I agree with!” Altaïr adds.
“--but otherwise, nothing new. Have fun waiting?”
Alex grunts, “I bet they’re watching me, even now, so this’ll have to be short.”
Alex had mentioned on multiple occasions that he was under serveillance, which only made it more ironic that he had no qualms about stalking Desmond in earnest, and hated being in open spaces too long. Every person on the sidewalks also hated when Alex was out too long as well, as he had a habit of straight up clotheslining people that got too close. And by too close, that meant anyone that managed to get in Aelx’s shoving range, which was nearly every person that had the misfortune to be walking on the same sidewalk as him, as Alex loathed being touched by strangers.
“Look, I just wanted to thank you for earlier. I...happen to like working at Bad Weather.” Desmond says.
Alex snorts, “I like causing random destruction, so it worked out well for both of us. I’ll see you later.”
“Yeah, I’ll be working at Bad Weather later on this week.” Desmond offers.
“I’ll see you before then.”
“No you won’t, Alex.”
Alex gives Desmond a mania-filled grin, “It doesn’t matter where you run or hide--I will find you.” And with that unnerving declaration, Alex shoves his way into the packed streets of Manhattan.
As he fade out of view, Altaïr grimly says, “He’s a problem we wouldn’t have to worry about if you just killed him.”
Desmond sighs, ducking into an alleyway while enjoying the morning sun, even with the unbearable sting of the cold that cuts into his fingers as he scales the wall. ‘I’m not killing him, Altaïr.’
“If you can’t do it, then let me take over you body so I can do it for you!” Altaïr demands.
‘No!’ Desmond scowls, his own mental outburst keeping him from properly anchoring his grapple hook on a rooftop ledge. He yanks it back, twirling it ‘round and ‘round, until he catches enough momentum to get it to solidly connect on the rooftop edge. Quickly rappelling up the side of the building, Desmond tersely replies, ‘So long as he’s blue, I have no reason to attack him. I’m too far and few in between allies to start stabbing the few that I do have.’
Altaïr huffs, “Is that the tired excuse you’re using again?”
‘Not an excuse if it’s true.’
“Nothing is true. Everything is permitted.” Altaïr retorts, and to be fair, Desmond did walk right into that one. “Don’t try to pretend like you aren’t staying your blade because you have a bias towards him, it’s obvious.”
Desmond doesn’t reply. He doesn’t have to. This is his life, dammit. The same way he’s there watching, helping, and living alongside Altaïr in his life, but didn’t have control over him, Altaïr would simply have to deal with what he considered bad decisions as ones Desmond was choosing to make.
--
That’s the chapter! Lemme know in the comments or reblogs if you like it, or just leave a like if you don’t have the time. I appreciate you all reading this and taking the time to even look at it, so thank you!
13 notes · View notes
mtaartsdesign · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Diana Al-Hadid’s new #MTAarts permanent artwork, “The Time Telling,” is now on view at NYC Transit 34 St-Penn Station. Inspired by Alfred Eisenstadt’s iconic photograph of the famed clock that hung at the entrance of the original Pennsylvania Station, Al-Hadid captures its prominence through her expressive gestural mark making. Installed within the new ADA-accessible street level station entrance at 33 St and 7 Av, the glass mosaic stands at an impressive 14’-9” high by 14’-1” wide.
The large-scale work features a scene viewed from above. Light pours through the windows, forming a veil of mist or fog. Below commuters rush across the station floor. The rising architecture draws in the viewer, but it is the clock at the center that looms large. Its power is clear even though the precise moment is obscured. The artwork connects the past and present of this important station and offers a space for today’s riders and those of an earlier era to briefly meet in passing.
“The Time Telling” joins two other #MTAarts mosaics by Al-Hadid installed in 2019 in the control area of the 1,2,3 trains at 34 St-Penn Station, directly below the new artwork. All fabricated by Mayer of Munich, the trio are rendered in a palette of shimmering aquas, metallics, and iridescence. Each one captures Diana’s gestural linework, signature drips, and speckled fogs – marks designed to relate to the concept of time.
Photos:
MTA Arts & Design/ Alejandra Hernandez
MTA Construction & Development/ Matthew Zettwoch
MTA Arts & Design/ Cheryl Hageman
MTA/ Marc A. Hermann
26 notes · View notes
fundieshaderoom · 9 months
Text
Fundie Families and Adjacents I Follow: Burnett
Tumblr media
John Haskell Burnett II "Johnny"- July 3, 1958
Cheryl Desnise Clay- July 28, 1959
The couple married on May 2, 1981. They share 8 children, 8 children-in-law, and 21 grandchildren.
John-Clay Byford- August 14, 1986
Hannah Joy- May 10, 1988
Caleb Andrew- August 30, 1990
Abbie Grace- April 16, 1992
Charity Faith- April 13, 1994
Maggie Ruth- August 2, 1996
Carinna Elizabeth- August 2, 1996
Benjamin Josiah- January 30, 2000
Tumblr media
John-Clay married Sarah Faith Ferraro (May 2, 1991) on August 22, 2015. They share 4 sons.
Eric Steadfast- June 19, 2016
Samuel John- September 26, 2017
Joseph Byford- October 15, 2019
Nathaniel Wilberforce- July 14, 2022
Tumblr media
Hannah married Dustin Gene Dornink (June 20, 1989). They share 5 children.
Evan Trust- June 19, 2014
Ransom James- January 2016
Harrison John- 2017
Brielle- 2019
Boy- 2021
Girl- 2023
Tumblr media
Caleb married Kasey Noel Goodwin (October 4, 1995) on July 7, 2018. They share 3 children.
Erin- June 2019
Timothy- 2021
Girl- March/April 2023
Tumblr media
Abbie married John-David Duggar (January 12, 1990) on November 3, 2018. She was 26 and he was 28. They now share two children.
Grace Annette "Gracie"- January 7, 2020
Charlie- September 2022
Tumblr media
Charity married Samuel Wearden (December 17, 1990) on June 10, 2017. They share 2 children.
Brendan- August 9, 2018
Girl- 2021
Boy- 2023
Tumblr media
Maggie married David Andres Becerra Nino on March 11, 2021
Tumblr media
Carinna married Daniel S Penn (October 18, 1996) on February 1, 2020. They share 2 daughters.
Girl- November 2020
Girl- October 2022
Tumblr media
Ben married Bethany Meckle (September 10, 1999) on November 20, 2021. They share 1 son.
Josiah Thomas- May 23, 2023
8 notes · View notes
didanawisgi · 2 months
Text
2 notes · View notes
Text
Tumblr media
Recent photo of the Burnetts (Mid December). Children are listed in age order in the below passage.
L-R: John-David and Abbie Duggar with their children Grace and Charlie; John-Clay and Sarah Burnett with their children Eric, Samuel, Joseph and Nathaniel; Charity (Burnett) (possibly pregnant) and Samuel Wearden with their children Brendan and a daughter; Maggie (Burnett) and David Nino; John-Clay and Cheryl Burnett sat on the chairs; Hannah (Burnett) and Dustin Dornink with their children Evan, Ransom, Harrison, Kelly and 1 year old boy; Bethany and Benjamin Burnett; Daniel and Carinna (Burnett) Penn with their daughters Alaythia and Destiny.
Caleb and Kasey Burnett were not present for the event, or just asked not to be in the public photo.
20 notes · View notes
viragfold · 1 year
Text
“ESCRIBAS – 1st International Exhibition of Asémic Writing”
Tumblr media
Tumblr media
The exhibition “ESCRIBAS – 1st International Exhibition of Asemic Writing” is part of the program of the V National Festival of Contemporary Art Beagá Psiu Poético. In a production by the Instituto Imersão Latina in partnership with The Virtual Museum of Visual Poetry, the exhibition will present 26 works by artists from 18 countries, constituting the first international group exhibition of its kind held in Brazil.
            Curated by Tchello d’Barros, the exhibition opens on March 14 at 9 am and at 2 pm there will be a lecture by the curator at the exhibition venue, the UFMG Cultural Center. Visitation takes place until 21.Mar.2023, with free admission.
Participating Artistas:  
ADRIAN DORADO (ARGENTINA) | AYIS KELPEKIS (GREECE) | CHEN LI (CHINA /ITALIA) | CHERYL PENN (SOUTH AFRICA) | DAVE READ (CANADA) | DENIS SMITH (AUSTRALIA) |  DONA MAYOORA (INDIA / USA) |  ENZO PATTI (ITALIA) |  FELICIANO DE MIRA (PORTUGAL) | FERRAN DESTEMPLE (ESPAÑA) | JAIME RGUEZ (ESPAÑA) | JOHN R. MCCONNOCHIE (AUSTRALIA) | KEIGO HARA (JAPAN) | MARCO GIOVENALE (ITALIA) | MIRIAM MIDLEY (ARGENTINA) | MUHAMMAD SHEHZAD MAJEED (PAKISTAN) | NICO VASSILAKIS (USA) | PÉTER ABAJKOVICS (HUNGARY) | ROSAIRE APPEL (USA) | SAMI LIUHTO (FINLAND) | SATU KAIKKONEN (FINLAND) | SERSE LUIGETTI (ITALIA) | STEPHEN NELSON (SCOTLAND) | SVEN STAELENS (BELGIUM)  | TCHELLO D'BARROS (BRASIL) | VOLODYMYR BILYK (UKRAINE)
........................................................................................................................
Curatorial Text:
CALIGRAPHIC POETICS OF ASÉMIC WRITING
                                                         por Tchello d’Barros*
                                           “Asemic writing seems to be a gigantic, unexplored territory.”
                                                                                                                                                    Tim Gaze
The exhibition “ESCRIBAS – 1st International Exhibition of Asémic Writing” presents a collection of works in images with abstract spellings, in the language that is becoming known as Asémic Writing. The set, made up of creations from different parts of the planet, also reveals the plurality of techniques and resources for the realization of these works, transiting between calligraphy, abstraction, engraving and even Visual Poetry.
This show promoted by Instituto Imersão Latina in partnership with The Virtual Museum of Visual Poetry, features 26 works by artists from 18 countries in the V Beagá Psiu Poético program, setting up the first international collective exhibition of this modality held in Brazil.
Spontaneously arising in different cultures throughout history, consolidated as an artistic language at the end of the 20th century, the Asémic Writing still very rare, has been gaining visibility, whether with exhibitions, publications, epistemological studies or placement on the Internet. This hybrid art, which transits between word and image, survived the typographic tsunami of the digital age, privileging handwriting (mainly), albeit abstract, as an expressive manifestation.
The works are made up of often invented letters, words that keep calligraphic remnants, sentence fragments that form thought-provoking abstract figures, configuring every movement that has thickened its network of supporters on all continents. It is an art free of academic labels, institutional immobilization and shallow public cultural policies for the promotion, collection and dissemination of experimental languages. Drawing, painting, infogravure, collages, digital art, interventions and photographs are just some of the resources present in this type of creations, presented here from a perspective of diversity of styles.
It is said of the works of Asémic Writing, which are purposely emptied of meaning – because they are absent of enunciation or message – which does not prevent them from making sense, from the perception of those who observe, since there is a silent dialogue between such contents and the entire lexical and imagery framework of those who immerse themselves in viewing these images.
Theorists of Art in Expanded Field or Expanded Poetry, usually place Asémic Writing in the broad scope of Experimental Poetry. So, provoking reflections on the poetic phenomenon in aspects that strain the limits of language, questioning aesthetic aspects of the hybridity characteristic of contemporary art and provoke the debate about where the compass of poetic making points in our time, are some of the premises that guided the curatorial process for this show.         
*Tchello d’Barros is writer, visual artist and curador.
Master’s student and researcher about Expanded Art on University UFRJ                                                                                           Rio de Janeiro (RJ), Brasil – March 2023
........................................................................................................................
Service:
Opening: 09h - 14.Mar.2023
Lecture with curator and production team: 14h
Visits: Terça à sexta-feira: 9h às 20h e
                   sáb. e dom. das 9h às 17h - Até dia 21.Mar.2023
Place: Centro Cultural da UFMG
           Av. Santos Dumont, 174. Centro, Belo Horizonte – Brazil
Coordenation: Grupo Transa Poética | Psiu Poético Beagá
Production and Setup: Instituto Imersão Latina - IMEL
Realization: The Virtual Museum of Visual Poetry
Curator: Tchello d'Barros
Free Admission
Links:
Exhibition “Escribas” at Facebook
Instituto Cultural Imersão Latina
Centro Cultural da UFMG
The Virtual Museum of Visual Poetry
E S C R I B A S I Mostra Internacional de Escrita Assêmica 1st International Exhibition of Asémic Writing
1 note · View note
marcogiovenale · 2 years
Text
"womb: opere dall'archivio utsanga": @ fasano (br) dal 2 al 13 giugno
“womb: opere dall’archivio utsanga”: @ fasano (br) dal 2 al 13 giugno
“Womb. Opere dall’Archivio Utsanga” | Mostra promossa e curata da Clotilde Palasciano Museo della casa alla fasanese | via Fogazzaro 4, Fasano (BR) dal 2 al 13 giugno 2022 In mostra opere di Mariangela Guatteri, Fabio Lapiana, Giovanni Fontana, David Felix, Tim Gaze, Lucinda Sherlock, Cristiano Caggiula, Francesco Aprile, Egidio Marullo, Marco Giovenale, Giuseppe Calandriello, Ásgrimur Kuldaboli…
Tumblr media
View On WordPress
0 notes
leanstooneside · 1 month
Text
Seeing things clearly
1. SCOTT DISICK'S SUPPLE SHOULDER
2. ASHLEY BENSON'S SWEET NECK
3. SONJA MORGAN'S TOAST FOREHEAD
4. ANNA KENDRICK'S DENSE BUTTOCKS
5. DIANNA AGRON'S GRIPPY LEG
6. SCOTT SPEEDMAN'S LEATHERY BOTTOM
7. HARRISON FORD'S ANGULAR ARM
8. CHRIS PINE'S REFINED LEG
9. KENNY CHESNEY'S ROUGH HAND
10. BALTHAZAR GETTY'S INTELLECTUALLY SATISFYING CHEEK
11. SHAKIRA'S TAR LOWER LEG
12. CHERYL COLE'S MINERALLY ANKLE
13. JENNIFER LAWRENCE'S EXPRESSIVE ARM
14. JOHN MAYER'S ROUND FIST
15. TAYLOR ARMSTRONG'S STRUCTURED FOOT
16. ASHLEY OLSEN'S LASER-LIKE THUMB
17. KEVIN HART'S CREAMY CHIN
18. CHRIS HEMSWORTH'S DRY CHEEK
19. ANDREW GARFIELD'S GRASSY ELBOW
20. DIDDY'S TIGHT NECK
21. TAMRON HALL'S CHOCOLATY BREAST
22. CRYSTAL HARRIS'S CONCENTRATED NECK
23. GABRIELLE UNION'S BIG CHEEK
24. STACY KEIBLER'S SUPPLE KNEE
25. DENISE RICHARDS'S SOFT UPPER ARM
26. ELLEN PAGE'S OAKED EYEBROW
27. SEAN LENNON'S DRY EYEBROW
28. WHITNEY PORT'S FLAT EYELASH
29. KELLY ROWLAND'S TOAST UPPER ARM
30. LISA EDELSTEIN'S TART BACK
31. MAKSIM CHMERKOVSKIY'S ANGULAR THUMB
32. BARRY ZITO'S FLAMBOYANT ANKLE
33. ROBIN WRIGHT PENN'S POWERFUL FIST
34. JANET JACKSON'S PETROLLY LIP
35. GINNIFER GOODWIN'S AUSTERE SHOULDER
36. JOSH BROLIN'S SMOKEY TOOTH
37. KELSEY GRAMMER'S OXIDIZED HEAD
38. ANDERSON COOPER'S VANILLIN CHIN
39. MAX GREENFIELD'S BITTER FOOT
40. GIULIANA RANCIC'S FLAT TOE
41. MILA KUNIS'S SUPPLE HAND
42. SARAH JESSICA PARKER'S OAKY EAR
43. FRANK OCEAN'S ROUND LEG
0 notes
myeonendlessblue · 1 month
Text
The Secret Life of Walter Mitty (2013)
SPOILERS AHEAD!
Tumblr media Tumblr media Tumblr media Tumblr media
"To see the world, things dangerous to come to, to see behind walls, draw closer, to find each other, and to feel. That is the purpose of life"
Walter Mitty (Ben Stiller) is just your average daydreamer, feeling like his life is mundane until a crucial photo negative is mysteriously not included in the mail. So, like, turns out the negative film captures the essence of Life magazine, and they're all like, "This is it, the heart and soul of our mag!" They decide it's gotta be on the cover of the last-ever print issue before they go all digital. That's when he decides to track it down by retracing the steps of the photographer (Sean Penn), setting off on a globetrotting adventure that's not just about the places he visits but also about discovering himself along the way.
Ben Stiller's portrayal of Walter Mitty is a delightful blend of awkward charm and endearing quirkiness, making him a protagonist you can't help but root for. It's almost as if you can feel his clumsiness and insecurities.
The movie starts off slow, grey and monotonous, depicting Walter's state of mind. His daydreams are frequent, but as he embarks on an adventure that puts him in a situation where he is out of his comfort zone, they frequent lesser and lesser.
The gradual shift from a grey beginnings to a vibrant journey symbolizes his evolution from a passive dreamer to an active participant of his own life. imo this signifies his growth and willingness to confront challenges firsthand, discovering the thrill of living in the moment which he has been missing out on for so many years.
"I pictured you as this little gray piece of paper, but now I see you and it's like Indiana Jones decided to become the lead singer of The Strokes or something."
Tumblr media
One of my favourite daydream sequences has to be the bit where he imagined his love interest, Cheryl Melhoff (Kristen Wiig) singing Space Oddity. This song choice adds layers of symbolism to the scene. The timing of the sequence, from Walter's initial hesitation to his spontaneous leap into the helicopter as it takes off (a moment he had previously refused to board), chefs kiss (do they though?). I like to interpret the lyrics of "Space Oddity," with its themes of isolation, exploration, and the unknown, mirroring Walter's feelings of disconnection from the world and his longing to escape his mundane existence. Despite his lingering caution and fear, evident in his discomfort when the pilot checks on him, Cheryl's rendition of the song in Walter's daydream captures his yearning for a deeper connection and a sense of wonder that transcends the ordinary. Furthermore, Cheryl's portrayal as a singer in Walter's daydream highlights her role as a source of inspiration and motivation for him. Or maybe I'm just overanalyzing things because I always have a soft spot for Bowie lol.
Tumblr media Tumblr media
On the topic of film tracks, I absolutely adore the song tracks in this movie. They even threw in "Far Away" from Red Dead Redemption for that epic longboard scene, lol. And can we talk about Junip? They're seriously underrated. Their sound is like mixing Simon and Garfunkel vibes with a sprinkle of Fleet Foxes and Nick Drake.
Imho, some parts are kinda predictable. Boo, a pessimistic snob, I know. Like, how Walter couldn't find Sean in Greenland, but magically locates him when he visits his mom and Sean conveniently stopped by (Bro, what's that about? Nature photographer meeting a magazine guy's mom?). Then, Walter gets the boot from his job and finally gets to expose the jerk asset manager. Next thing you know, he's off on another wild adventure, this time in Afghanistan, risking his life climbing the Himalayas, only to reunite with Sean at the most dramatic moment. And, even though I usually can't stand feel-good movies, "The Secret Life of Walter Mitty" had me totally hooked. And the ending is all worth it <3
Walter was able to submit the missing negative without ever looking at what it was. It was only then revealed in the ending of the movie, where the "quintessence" of Life magazine is just a picture of Walter sitting outside of the Life building, examining a contact sheet. It's like the whole journey was about finding himself, and in the end, he's the heart and soul of it all.
Overall rating : ♡♡♡♡♡
1 note · View note
scorpioreaderlife · 5 months
Text
Dauphin County 4-H Fair Pt 1
On Friday morning I went to the Dauphin County 4-H fair. The event takes place at the Farm Show Complex, a hub of agriculture and about every other type of event that you can think of. There are 3 model horse shows that are put on in it. I’m lucky that it’s a max 15 minutes away from my house.  It’s been years since I visited the Fair, but Cheryl, a fellow team mate of the Penn State Equestrian…
Tumblr media
View On WordPress
0 notes
valleyledger · 7 months
Text
GOLD CREDIT UNION AND UNITED FEDERAL CREDIT UNION ANNOUNCE PLANS TO UNITE IN SPRING 2024
  GOLD CREDIT UNION AND UNITED FEDERAL CREDIT UNION ANNOUNCE PLANS TO UNITE IN SPRING 2024 ALLENTOWN, Penn. – Allentown-based GOLD Credit Union (GOLD) and St. Joseph, Michigan- based United Federal Credit Union (United) announced today their plans to unite through a merger, according to GOLD CEO Cheryl Bartholomew. “Since 2009, when I became CEO at GOLD, my priority and focus has been for every…
Tumblr media
View On WordPress
0 notes
rlawlgns0275 · 2 years
Text
무료 라노벨 텍본 사이트 모음 pdf
무료 라노벨 텍본 사이트 모음 pdf 가능합니다.
일본 한국 라노벨 공유 사이트 <<
가장 쉬운 라노벨 무료로 보는법 입니다. 메가 mega 라노벨 텍본 다운 블로그 추천 했습니다. 아키하바라 도서관 새주소 대피소 후속 사이트로써 자리매김 했습니다.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
브루클린 보로장 Antonio Reynoso는 지난 주 영어, 스페인어, 아이티 크리올어로 25만 달러 규모의 포괄적인 산모 건강 캠페인을 시작했습니다. 여기에는 인쇄 및 온라인 리소스, 버스 및 지하철 광��, 위험에 처한 흑인, 갈색, 카리브해 및 라틴계 엄마들. 그러나 Reynoso는 2023 회계연도 자본 예산 4,500만 달러를 추가하고 너무 자주 생사가 걸린 브루클린의 흑인과 갈색 어머니의 가능성을 개선하기 위한 대담하고 역사적인 시도를 함으로써 새로운 건강 프로그램을 극적으로 강화하고 있습니다. 자치구장이 단일 법인에 전체 회계연도 자금을 지출한 것은 시 역사상 처음입니다.
브루클린 보로장 Reynoso의 새로운 산모 건강 계획에는 자치구에서 위험에 처한 산모를 대상으로 한 아웃리치 노력의 일환인 아이티 크리올어 버스 정류장 광고(위)가 포함됩니다. Reynoso의 4,500만 달러 지출은 Kings County 병원 센터의 신생아 중환자실 개조, 진통실 및 분만실 정비, Coney Island 병원의 산후 회복실, Woodhull 병원에 최첨단 분만 센터를 짓고 다른 특정 산모 건강 관리를 개선했습니다. Bedford-Stuyvesant, Brownsville, Bushwick, Canarsie, Crown Heights, East Flatbush, East New York, Flatbush 및 Williamsburg를 포함하여 "가장 높은 산모 사망률 및 이환율이 보고된" 흑인, 갈색, 카리브해 및 라틴계 커뮤니티 - 건강 이니셔티브의 대상 영역입니다. "4년 안에 브루클린이 아기를 낳기에 가장 안전한 곳이 되기를 바라고 있습니다. 그렇게 하기는 어려울 것입니다. 하지만 그것이 제 목표입니다." Stuyvesant, 지난 수요일 발표 직전.
역사적인 산모 건강 계획이 2022년 11월 16일 수요일에 Bedford-Stuyvesant에서 브루클린 자치구 대표 Antonio Reynoso(오른쪽), 시 보건 및 병원 공사의 Dr. Wendy Wilcox 및 기타 사람들에 의해 공개되었습니다. 모성 이니셔티브를 강화하기로 한 결정은 7월에 이루어졌습니다. 보로장은 4월에 베테랑 건강 및 정책 전문가로 구성된 산모 건강 태스크포스를 구성하여 프로젝트를 만들고 실행했습니다. 회원 중에는 자메이카 출신의 전 시의원 Una Clarke와 40세의 카리브해 여성 건강 협회의 전무이사인 Cheryl Hall이 있습니다.
Reynoso와 태스크포스 공동 의장이자 HHC의 최고 여성 건강 서비스 책임자인 Dr. Wendy Wilcox는 병원에서의 신체적 개선 외에도 산모, 의료 전문가 및 기타 사람들의 사고 방식이 산모 건강의 진전을 달성하기 위해 바뀌어야 한다고 동의했습니다. 키찬트 세웰 NYPD 커미셔너와 소식통은 토요일 펜 스테이션에서 두 남자가 체포됨으로써 뉴욕시의 유대인 커뮤니티에 대한 "점증하는 위협"을 피할 수 있었다고 밝혔습니다. Christopher Brown, 22세, Riverhead, L.I. 맨해튼의 22세 매튜 마러(Matthew Mahrer)는 금요일 밤 늦게 환승 허브에서 체포됐다고 경찰 소식통이 말했습니다. 체포 당시 만자 완장을 차고 있던 브라운은 테러 위협, 괴롭힘, 무기 소지 혐의로 기소됐다고 소식통은 전했다. Brown이 체포되었을 때 완장을 착용했는지 여부는 소식통에 불분명했습니다. 소식통은 Penn Station에서 남자들에게서 발견된 무기는 대형 사냥용 칼이라고 말했습니다.
Riverhead, L.I.의 Christopher Brown(사진) 그리고 Upper West Side의 Matthew Mahrer는 금요일 밤 늦게 Penn Station에서 체포되었습니다. 총기는 Mahrer가 그의 부모와 함께 살고 있는 어퍼 웨스트 사이드 아파트에서 회수되었다고 경찰이 말했습니다. Mahrer의 어머니는 "협조적"이라고 경찰 소식통은 말했습니다. Brown과 Mahrer는 "예리한 눈을 가진 MTA 경찰관"에 의해 체포되었다고 Sewell의 성명서는 말했습니다. 칼과 총 외에도 두 사람은 "30발 탄창과 기타 여러 품목"을 소지하고 있었다고 국장은 말했습니다. 두 사람의 위협은 금요일 주 및 연방 법 집행 기관에 의해 밝혀졌다고 Sewell은 말했습니다.
뉴욕시의 유대인 공동체에 대한 "점점 증가하는 위협"은 토요일 이른 토요일 Penn Station에서 두 명의 무장한 남자를 체포함으로써 피했습니다. 당국은 “신속하게 정보를 수집하고, 배후를 식별하고, 해를 끼칠 수 있는 능력을 작전상 무력화하기 위해 움직였습니다.”라고 Sewell의 성명서는 말했습니다. Brown과 Mahrer가 그들의 무기로 무엇을 하려고 했는지는 성명서에서 명확하게 밝혀지지 않았습니다. 그러나 경찰 소식통은 토요일 늦게 소셜 미디어를 통해 게시된 위협이 회당에서 총격을 가할 계획과 관련된 것으로 보인다고 말했습니다. Sewell은 경찰 지휘관들이 "뉴욕시 전역의 민감한 위치에 전략적으로 자산을 배치하고 있다"고 말했습니다. 시의원 Ari Kagan(D-Brooklyn)이 금요일에 발행하고 토요일에 Twitter에 게시한 경찰 게시판은 Brown을 용의자로 지목했으며 그가 정신 질환의 병력이 있다고 밝혔습니다. 브라운은 뉴욕 지역의 회당을 위협했다고 게시판은 밝혔다. 경찰은 토요일 저녁 Mahrer가 그의 부모와 함께 살고 있는 Upper West Side 건물에 있었습니다. 어느 시점에서 15명의 경찰이 건물 직원이 "불안"한 장면에서 건물을 에워쌌습니다. "그는 좋은 아이야." 그 사람이 Mahrer에 대해 말했다.
익명을 요구한 이 건물에 사는 한 여성은 “이것은 매우 안타깝고 안타까운 소식”이라고 말했다. “나는 이 건물에 나치가 있는 것에 대해 안전하다고 느끼지 않습니다. 당신은 무슨 일이 일어날지 결코 알 수 없습니다.”라고 그 여자는 말했습니다. 애덤스 시장은 토요일 늦게 트윗을 통해 "이 편협한 사람들"을 체포한 NYPD를 칭찬하고 반유대주의를 비난했습니다. “메시지는 분명합니다. 반유대주의는 뉴욕시에 집이 없습니다. 증오 폭력 행위를 저지르기 위해 이곳에 온다면 세계에서 가장 훌륭한 경찰력에 의해 제지될 것입니다.”라고 Adams는 적었습니다. "이 편협한 사람들을 정의로 이끄는 데 빠른 작업을 수행한 NYPD에 감사합니다."
1 note · View note