FROM DEEP BENEATH THE HYBORIAN AGE --ENTOMBED IN THE CRYPTS OF ETERNITY.
PIC(S) INFO: Spotlight on a pre-production piece titled "The Thing in the Crypt," c. 1979, artwork by Ron Cobb for the American sword and sorcery/action movie "Conan the Barbarian" (1982), directed by John Milius.
EXTRA INFO: Other sources have this piece listed as "Tomb of the Atlantean General," with a different, darker color scheme.
Resolution at 955×1447 & 698×960.
Sources: https://x.com/unconquered_sol/status/1741514969512857851 & Reddit.
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Outfit of the day (James Earl Jones as Thulsa Doom, Conan the Barbarian, 1982)
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Conan! What is best in life? - Conan the Barbarian (1982)
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Sandahl Bergman in Conan The Barbarian (1982)
There was some deleted bits during the montage of Conan's stint as a pit fighter that revealed Valeria was another fighter and had crossed paths with Conan before, hence why Conan uses his old gladiator salute towards her pyre after her spirit saves him during the battle among the mounds. Wonder if this out fit was from those scenes.
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Arnold Schwarzenegger and Grace Jones (1984)
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Arnold Schwarzenegger on the set of Conan the Destroyer (1983)
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Conan the Barbarian movie art by Renato Casaro
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ENTER THE THEATER OF CARNAGE THAT IS THE HYBORIAN AGE.
PIC(S) INFO: Spotlight on poster art of Arnold Schwarzenegger in warpaint as the titular Conan the Barbarian, from the 1982 film of the same name, directed by John Milius. The same image was also featured on the cover of "American Film" magazine. May, 1982 issue.
Resolution at 2399x3375 & 1185x1600.
Costume design: John Bloomfield
Cinematography: Duke Callaghan
Makeup: Jose Antonio Sanchez & Paquita Nuñez
Sources: www.filmartgallery.com/a/s/products/conan-the-barbarian & www.ebay.com/itm/364104305599.
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Conan the Barbarian. Dir. John Milius. 1982.
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Conan the Barbarian (1982)
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One Dress a Day Challenge
August: Fantasy & Sci-Fi
Conan the Barbarian / James Earl Jones as Thulsa Doom
Thulsa's armor from his first appearance is ornate, symbolic, and dowright alien-looking. This definitely contributes to the feeling of a story taking place so far in the mythic past that no visual records survive. Snakes will become his motif throughout the film, of course, but the eyes on his breastplate are downright creepy.
The costume designers for this movie were Ann and John Bloomfield. They have a really eclectic portfolio of other work including a few episodes of Doctor Who, The Six Wives of Henry VIII, Robin Hood Prince of Thieves, and The Mummy!
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