#Darla Rockwell

[nikkiruncks]

That 90s Show characters/ocs bdays in my verse

January

- Jared Forman (Jan 1, ‘22)

- Alex Flargunbargun (Jan 7, ‘58)

- Aria Chingkwake (Jan 12, ‘42)

- Jonah Shaland-Mitchell (Jan 12, ‘99)

-Buddy Morgan (Jan 12, ‘60)

-Gregory James (Jan 12, ‘60)

- Betsy Kelso (Jan 15, ‘79)

- Alexis Doilybug (Jan 17, ‘56)

- Paula Mitchell (Jan 17, ‘56)

- Devon Hunter (Jan 17, ‘19)

- Carolyn Rockwell (Jan 19, ‘30)

- Jordan Chingkwake (Jan 24, ‘65)

- Julio Martinez (Jan 28, ‘39)

- Kimmy Mendoza-Martinez (Jan 28, ‘39)

- Kim Raymond (Jan 30, ‘59)

- Lydia Martelli (Jan 30, ‘79)

February

- Marty Forman (Feb 1, ‘34)

- Gwen Runck (Feb 10, ‘80)

- Chris Kelso (Feb 12, ‘62)

- Jay Kelso (Feb 12, ‘80)

-Oak Kelso (Feb 12, ‘81)

- Quinn Martinez-Doilybug (Feb 12, ‘82)

- Erin Martinez-Doilybug (Feb 12, ‘82)

- Donna Pinciotti (Feb 13, ‘60)

- Celia Stearwater-Kelso (Feb 15, ‘62)

- Charlie Richardson (Feb 21, ‘60)

- Elaine Miller (Feb 29, '56)

- Eliza Kelso (Feb 30, ‘25)

March

- Marilyn Flargunbargun (March 10, 1935)

- Kristie Forman (March 10, 1979)

- Lulu Mitchell (March 11, ‘96)

- Ridge Pinciotti (March 12, 1979)

- Lisa Mitchell (March 12, 1960)

-Darnell Smith (March 12, ‘77)

- Leah Chingkwake (March 13, 1949)

- Mitch Pinciotti (March 15, 1979)

- Maddie Joy (March 17, 1981)

-Ian Harris (March 20, 1980)

- Lola Reed (March 23, ‘63)

- Lia Martelli (March 25, '64)

- Kat Hyde (March 25, ‘96)

- Reggie Hyde (March 25, ‘96)

-Joe Joy (March 25, ‘76)

-Josie Takada-Marshall (March 28, 2013)

-Suzy Simpson (March 29, ‘57)

- Sam Garcia-Velasco (March 30, ‘65)

- Jake Mitchell (March 30, ‘56)

-Emiko Takada (March 30, ‘63)

April

- Ozzie Takada (Apr 3, ‘80)

- Margie Kelso (Apr 9, ‘99)

- Lizzie Kelso (Apr 9, ‘99)

- Anne-Marie Kelso (Apr 9, ‘99)

- Tina Pinciotti (Apr 13, ‘62)

- Jacques Benoit (Apr 13, ‘79)

- Louis Jean-Paul Josephine (Apr 13, ‘79)

-Sophia Kamiśka (Apr 15, ‘79)

- William Barnett (Apr 16, ‘32)

- Nate Runck (Apr 18, ‘79)

-Samantha Marlon (Apr 27, '57)

May

- Trevor Canton (May 3, ‘78)

- Becky Rockwell (May 4, ‘50)

- Brooke Rockwell (May 4, ‘50)

- Elaina Kelso (May 11, ‘73)

- John Kelso (May 12, ‘28)

- Rose Guzman-Queimada (May 12, ‘96)

-Michael Bosko Rossi (May 12, ‘80)

- Brian Bloomberg (May 15, ‘55)

- Sherri Runck (May 15, ‘55)

- Teresa Megan (May 17, ‘79)

-Leonard Smalls (May 26, '55)

- Dale Reed (May 30, ‘62)

- Linda Chen (May 30, ‘65)

June

- Nikki Velasco (Jun 5, ‘80)

- Alex Kelso (Jun 7, ‘74)

- Jeannette Valentine (Jun 7, ‘62)

- June Miller (Jun 12, ‘39)

- Gia Mitchell (Jun 12, ‘65)

- Mitch Miller (Jun 12, ‘60)

- Bernard Mitchell (Jun 12, ‘54)

- Etienne Marshall (Jun 12, ‘80)

-Marco Contreras (Jun 12, '95)

- Zia Chingkwake (Jun 13, ‘95)

- Gina Mitchell (Jun 14, ‘35)

- Chloe Müller (Jun 15, ‘80)

-Owen Nicholas (Jun 20, ‘80)

- Rhonda Tate (Jun 26, ‘59)

- Clara Shaland (Jun 28, ‘57)

- Eva Chingkwake (Jun 30, ‘60)

July

-Joanne Stupak (Jul 2, ‘40)

- Darla Doilybug (Jul 3, ‘32)

- Paul Doilybug (Jul 3, ‘54)

- Mira Chingkwake (Jul 3, '45)

- Kate Stephford (Jul 12, ‘58)

- Tom Garcia (Jul 12, ‘65)

- Angie Barnett (Jul 12 ‘56)

- Gabby Muñoz (Jul 12, '57)

- Bob Pinciotti (Jul 14, ‘39)

- Laurie Forman (Jul 15, ‘58)

- Leia Forman (Jul 19, ‘80)

-Jess Nightly (Jul 22, ‘81)

- Leo Chingkwake (Jul 29, ‘19)

- Jordan Mitchell (Jul 30, ‘35)

August

- Fez (Aug 4, ‘59)

- Aliana Guzman-Queimada (Aug 7, ‘55)

- Mikayla Patel (Aug 12, ‘80)

- Jared Kwan (Aug 12, ‘78)

- Ryland Barnes (Aug 13, ‘78)

- Serena Marotti (Aug 15, ‘78)

-Annette Berkardt-Miller (Aug 18, ‘58)

- Michael Kelso (Aug 28, ‘59)

September

- Sharon Adams (Sep 12, ‘80)

- June Guzman-Queimada (Sep 13, ‘99)

- Jonas Hernandez (Sep 15, ‘78)

- Jackie Burkhart (Sep 24, ‘60)

- Priya Shanti (Sep 30, ‘78)

- Kelly Shaland (Sep 30, ‘78)

October

- Dana Chingkwake (Oct 12, ‘78)

- Kira Kwan (Oct 12, ‘98)

-Paula Sigurdson (Oct 13, ‘33)

- Kitty Forman (Oct 13, ‘33)

- Dave Wilde (Oct 13, ‘61)

-Darline Joy (Oct 13, '78)

- Eleanor Moore (Oct 15, ‘79)

- Amaya Callesti (Oct 23, ‘77)

- Jo Mitchell (Oct 29, ‘79)

- Steve Jordan (Oct 31, ‘78)

November

- Joe Rockwell (Nov 1, ‘28)

- Casey Kelso (Nov 10, ‘56)

- Liv Rodriguez (Nov 12, ‘55)

- Maya Rodriguez (Nov 12, ‘55)

- John Bartlow (Nov 12, ‘78)

- Alisha Callesti (Nov 12, ‘78)

- Connor II Runck (Nov 12, 2010)

- Jordan Runck (Nov 12, 2010)

- Sammy Runck (Nov 12, 2010)

- Jazzy Runck (Nov 12, 2010)

- Steven Hyde (Nov 28, ‘59)

December

- Midge Pinciotti (Dec 3, ‘30)

- Red Forman (Dec 7, ‘27)

- Marion Marotti (Dec 9, ‘58)

- Joan Marotti (Dec 9, ‘64)

- Loni Paris (Dec 12, '62)

- Layla Kelso (Dec 13, ‘78)

- Paige Hart (Dec 13, ‘61)

- Eric Forman (Dec 14, ‘59)

- Valerie Pinciotti (Dec 19, ‘57)

- Delilah Reed (Dec 19, ‘79)

- Sarah Mitchell (Dec 21, ‘80)

- Charles Timothy-Cruz (Dec 24, '44)

- Julie Kumar-Monét (Dec 25, ‘79)

- Fenton (Dec 27, '47)

-Edna Hyde (Dec 30, ‘29)

[mametupa]

“It must have been difficult living with someone so judgmental.“

[lemoncupcake]

#comedy gold

[caption: 3 stacked gifs from lucifer 5x10, of detective chloe decker sitting down on a bench with the victim’s wife, darla rockwell. darla says “i truly have no idea who could have done this.” chloe asks “is that because he had no enemies that you know of?” darla replies with “no, because he had so many.”]

[papermoonloveslucy]

ELLIS IN FREEDOMLAND

Spring 1952

Directed by Abby Berlin Produced by Roland D. Reed Written by Arthur Hoerl Music by Albert Colombo Choreography by Alex Romero

Synopsis ~ A 82 minute, technicolor promotional film for salesmen of Westinghouse appliances, featuring the voices of major Hollywood celebrities. Westinghouse claims its electric appliances "freed women from the drudgery of housework." The first half involves dream salesman Ellis at work; the second focuses on the "Spring Sales Event," called "Freedomland."

Westinghouse Electric Corporation was founded on January 8, 1886 by George Westinghouse (1846–1914). The corporation purchased CBS in 1995.

Live Cast

Robert Rockwell (Ellis Homan) is probably best remembered as biology teacher Mr. Boynton on the Desilu series “Our Miss Brooks” (1952-56). Although not the first to play Mr. Boynton, he assumed the role on radio and made the transition with the show to television. He played Viv’s handsome match in “Lucy Digs Up a Date” (TLS S1;E2) the second installment of “The Lucy Show” in 1962. He then played night school teacher Jack Scott in “The Not-So-Popular Mechanics” (HL S5;E23). He continued working until 1995 and died in 2003 at age 82.  

Robert Carson (Phil Pryor, Westinghouse Representative) was a busy Canadian-born character actor who appeared on six episodes of “The Lucy Show” and made five appearance on “Here’s Lucy.” 

Byron Foulger (Andy, Night Watchman)  played the leader of the Friends of the Friendless in “Lucy’s Last Birthday” (ILL S2;E25). He appeared on “The Lucy Show” in “My Fair Lucy” (TLS S3;E20) and “Lucy Meets the Law” (TLS S5;E19).

Ann O'Neal (Customer in Mink) appeared in more than 100 films in the 1940s including the Lucille Ball film Lover Come Back (1946).

Betty Furness (Herself, Spokeswoman for Westinghouse) was an actress and model who became the face and voice of Westinghouse in many television commercials. When “The Lucy-Desi Comedy Hour” was sponsored by Westinghouse, Furness appeared with Lucille Ball and Desi Arnaz in commercials for their products. 

The Starlighters (Vocals) was a singing group that performed mainly as backing vocalists, frequently backing Jo Stafford as well as many other artists on a number of singles. They also performed songs in cartoon and live short films and the feature films Song of Idaho (1948) and With a Song in My Heart (1952). 

Voice Cast

Lucille Ball (Lina the Laundromat) was then filming the second half of her first season of “I Love Lucy” playing Lucy Ricardo, although her voice alone was familiar to radio audiences as Liz Cooper in “My Favorite Husband.”

Edward Arnold (Speedy the Range) lends his deep baritone voice to the role. He appeared with Lucille Ball in Roman Scandals (1933) and Ziegfeld Follies (1945). He died in 1956.

James Mason (Frosty the Refrigerator) was a three time Oscar-nominee who appeared as Lucille Ball’s Angel in Forever Darling (1956).

Percy Kilbride (Drip the Dehumidifier) was best remembered as Pa Kettle in a series of films from 1947 to 1954. 

Jerry Colonna (Chop-Along Waste-Away the Garbage Disposal) was a comic sidekick of Bob Hope on radio and television. In 1966 he played Smithers, Lucille Ball’s chauffeur on “Bob Hope’s Leading Ladies”. 

Andy Devine (Lanky the Water Heater) brought his high-pitched raspy voice to the film. He was known for his many appearances in westerns on both the small and big screen. 

Marie Wilson (Dinah the Dryer) is best known for playing the title role in the film and television series “My Friend Irma”.  Later in 1952, Wilson and Lucille Ball were both part of “Stars in the Eye” celebrating the opening of CBS Television Center. Coincidentally, Gale Gordon’s mother Gloria was also in “My Friend Irma” and on “The Lucy Show” Mr. Mooney’s off-screen wife was named Irma in her honor. 

Maureen O'Sullivan (Pearly the Dishwasher) played Jane in the early Tarzan films.  Her career lasted from 1930 to 1994. In 1987, Lucille Ball and O’Sullivan were two of the many stars in “Happy 100th Birthday, Hollywood”. 

Mannequins

Jack Mulhall appeared with Lucille Ball in Broadway Bill (1934).

Alan Hale Jr. (Hunter) will forever be remembered as the Skipper on “Gilligan’s Island” but also appeared with Lucille Ball on “The Lucy Show” and “Here’s Lucy”.  

Iron Eyes Cody (Chief Running Water) made a career of playing Native American characters despite the fact that he was of Italian ancestry. He first worked with Lucy and Desi in 1940’s Too Many Girls and 1942’s Valley of the Sun both as an Indian character. He played an Eskimo in a 1959 episode of “The Lucy-Desi Comedy Hour,” but is probably best remembered as the Indian that sheds a single tear in the ‘Keep America Beautiful’ ads that ran from 1971 to the 1980s. He played a Navajo Medicine Man in “Lucy and the Indian Chief” (HL S2;E3). 

Willie Best (Chauffeur) was one of the most popular African-American actors of Hollywood's Golden Era. He starred alongside some of film's great comedians including the Marx Brothers, Bob Hope, Laurel and Hardy, and three films with Shirley Temple. He did one film with Lucille Ball: Muss ‘em Up (1936). 

Karen Sharpe appeared on the “Westinghouse Desilu Playhouse” in 1959.

Mickey Simpson appeared with Lucille Ball in the 1939 film Panama Lady. 

Anthony Sydes (Bobby, the Boy in Buster Brown Outfit) was 8 years old at the time of filming. He left the business in 1958 and died in 2015 at age 74. 

With...

Lisa Abbott, Mildred Coles,  Richard Crane, Nancy Hadley, Noreen Michaels, Crystal Reeves, Darla Ridgeway, Anne Rubin, Carol Lowe, Frances Zucco

Uncredited Cast

Ralph Brooks (Stove Demonstrator) appeared in four films with Lucille Ball, as well as “The Lucy-Desi Milton Berle Special” and “Lucy Goes to Las Vegas” (TLS S3;E17). 

Sam Harris (Showroom Guest) did a dozen films with Lucille Ball before appearing in the audience of Over the Teacups in “Ethel’s Birthday” (ILL S4;E8) and playing a subway passenger in “Lucy and the Loving Cup” (ILL S6;E12). In between, he was a wedding guest in Lucy and Desi’s film Forever Darling (1956). Along with Monty O'Grady and Murray Pollack, he was in the airport when “The Ricardos Go to Japan” in 1959.

Stuart Holmes (Showroom Guest) appeared with Lucille Ball in Lover Come Back (1946) and Critic’s Choice (1963).

Hans Moebus (Washer / Dryer Demonstrator) appeared as an uncredited background performer in hundreds of movies and TV shows, including the Lucille Ball films DuBarry Was a Lady (1943), A Woman of Distinction (1950) and The Facts of Life (1960). He was seen on the dock during the “I Love Lucy” episode “Bon Voyage” (ILL S5;E13) and part of the riverboat chorus in “Lucy Meets Arthur Godfrey” (TLS S3;E23).  

Charles Sherlock (Television Viewer) appeared in three feature films with Lucille Ball from 1935 to 1963.

PART ONE - DON’T MEET COMPETITION, MAKE IT!

Westinghouse Rep Phil Pryer meets salesman Ellis Homan at his office on the department store showroom. Ellis tells Phil about the time he dozed off at his desk and the mannequins came to life: menswear, formal wear, beach wear, and (inexplicably) an American Indian in full regalia. Frosty the Refrigerator (James Mason) gets Ellis’ attention to demonstrate his frost-free features, as well as his unique butter tray and meat keeper. 

Ellis then has a conversation with Speedy the Electric Range (Edward Arnold) about all its features. Ellis even makes coffee and cookies for Mabel, a mannequin standing in for a ‘prospect’.  

MABEL: “Ellis, you’re cute. I wish you were a dummy.”

Ellis then has a chat with Pearly the Dishwasher (Maureen O’Sullivan) and Chop-Along Waste-Away the Garbage Disposal (Jerry Colonna), who sings during his demonstration. 

Lanky the Water Heater (Andy Devine) is upset because no one pays him much attention. Pearly draws Ellis’s attention to the drip who has shown up in the showroom lately, the Dehumidifier (Percy Kilbride) who promises to rid homes of damaging dampness.

Chiming in (literally) Lina the Laundromat (Lucille Ball) and Dinah the Dryer (Marie Wilson) sing their greeting. Known as ‘The Westinghouse Twins’, they often finish each others’ sentences and speak at the same time - all in aid of showing that they are a perfect freedom-fighting duo in a home. Ellis demonstrates a typical wash cycle. 

PART TWO - FREEDOM FAIR

Back in the present, Phil tells Ellis that Westinghouse is sponsoring radio and television coverage of the summer’s 1952 Republican and Democratic conventions, with ‘Get Out the Vote’ programs to follow. In the meantime, Phil tells Ellis about the big Spring Selling Event - Freedom Fair.  The event will be rolled out in the April 11, 1952 issue of Life Magazine and the April 16, 1952 issue of the Saturday Evening Post. On television, it will be announced by Betty Furness on “Studio One”.  

After Phil leaves, the scene changes to a typical suburban couple’s bedroom where the morning alarm has just gone off. The bedraggled housewife dances through the home trying to get ready for the day ahead - despite the fact that she does not have any time-saving Westinghouse electric appliances. As the harried husband downs a quick cup of coffee and dashes off to work, the song begins (with offscreen vocals by the Starlighters) and the frustrated housewife realizes just how much work she has ahead of her to clean her home. Just then an ethereal voice sings the name “Westinghouse! Westinghouse!” and there is suddenly a handsome young salesman ringing her doorbell. He sings:

“They say that Lincoln freed the slaves, With that I disagree. Women have been slaves for years Till Westinghouse set them free!”

He whisks her away to ‘Westinghousewives’ Heaven’ where all the products we previously saw demonstrated are extolled in joyous song, some even have angel wings! The housewife (still in her curlers and pajamas) ducks behind a cloud and is suddenly revealed in a diaphanous white gown complete with apron!  Amid a large group of ballet dancers, the Westinghousewife and Salesman dance in blissful happiness.

At the last moment the Starlighters appear and sing to us about Westinghouse, while the dancers swirl merrily around the May Pole!

Stereotypes

This film is obviously aimed at a male sales force. All the ‘prospects’ are assumed to be female and referred to in such terms as “the little lady”. The female mannequins are only interested in Ellis as romantic partners. Clearly, housewives were the main target of male salesmen. 

The film also presents a stereotypical black chauffeur, the only person of color in the cast. The actor is asked to pull comical faces that make him appear silly - the source of humor

“Mmmm. There’s gonna be a watermelon missin’, ‘round here.” 

Needless to say, that an American Indian chasing a scantily clad Caucasian woman around the store plays on stereotypical images of predatory Native Americans. The actor playing the Chief is Iron Eyes Cody, who, despite his name, was born Espera Oscar de Corti, an Italian-American. When trying to communicate all he says is “Ugg!”

Homosexuals don’t escape either. A man with an effeminate manner and lisping voice wearing a coonskin cap swishes in to say “Hello, Fellas” with a toss of the raccoon tail he swans off. The two men in suits look uncomfortable and deny knowing him.

Voice casting reflects gender stereotypes of the time. Cooling and heating appliances are voiced by men while washing appliances are voiced by women.

Trivia

Lucille Ball’s participation in this film may have influenced or been influenced by the fact that for the first season of “I Love Lucy” Lucy Ricardo had a 1951 Westinghouse Frost-Free refrigerator in her kitchen - very similar to “Frosty” - the model shown here in the film. It was widely promoted in print publications and on TV during 1951. Previously, the freezer cabinet had to be thawed manually when frost and ice built up in and around it.  

LUCY: “Didn’t you watch the conventions on television?”

Phil tells Ellis that Westinghouse will take out extensive advertising on radio and TV during the Conventions. In July 1952 both the Republican and Democratic National Conventions were televised live from Chicago. Although the conventions were also televised in 1948, few Americans owned a TV set to watch them. This time, an estimated 70 million voters watched the broadcasts, which ended with the nominations of Adlai Stevenson II and Dwight D. Eisenhower. There is a popular myth that Stevenson lost the election because of backlash from interrupting airings of “I Love Lucy” with hour-long campaign ads. Perhaps from Westinghouse?  The conventions were mentioned on “I Love Lucy” (appropriately) in “The Club Election” (ILL S2;E19) which aired in February 1953. However, it was filmed in September 1952, when the reference would have been much more timely.  By the time it eventually aired, Eisenhower had been inaugurated and the conventions were a distant memory. 

Distribution: Who Saw It - The film series reached 25,000 dealers in 75 cities in a single week. Released in Technicolor and in 16mm. Longest of four dealer promotion films in a two-hour series produced to promote Westinghouse home appliances.

The wall calendar above Ellis’s desk matches the calendar for January 1952, which was likely the filming date. The calendar depicts a loaf of bread with the brand name redacted for filming. On the table close to the bottom of the frame are copies of Life Magazine. Later on, Ellis makes instant coffee from a jar labeled Maxwell House Coffee, although the dish washing detergent and the food in the fridge are obviously props with no brand identification.  The laundry soap, however, is clearly labelled ‘All’ but is not in their usual bright colored packaging. 

Blooper Alerts! 

Dates! Phil tells Ellis that Freedom Fair will be announced in the April 11 issue of Life. However, the issue is actually dated April 7, 1952, not April 11. Interestingly, copies of Life Magazine are used as set decoration in Ellis’s office. Similarly, the April 16 edition of the Saturday Evening Post is really dated April 12.  

Weather Forecast! The put-upon housewife at the end of the film realizes her wash is still on the line when there is a sudden cloudburst (she does not own an electric dryer). The next moment, she answers the door to the Westinghouse Salesman and it is a clear day. Not really a blooper, just an indication that Westinghouse makes a rainy day into a sunny one - at least in the movies!

Fast Forward!

“Westinghouse Desilu Playhouse” was a television anthology series produced by Desilu Productions. The show ran on CBS between 1958 and 1960. Two of its 48 episodes served as pilots for the 1950s television series “The Twilight Zone” and “The Untouchables.” It also presented 11 of the 13 episodes of “The Lucy-Desi Comedy Hour” after its initial sponsorship by Ford.  

In joining forces with Desilu, Westinghouse canceled their other anthology series “Studio One” which ran on CBS from 1948 to 1958. 

To kick off the partnership between Desilu and Westinghouse, a similar film (informally titled “Lucy Buys Westinghouse”) was produced which depicted Lucy and Desi giving a Westinghouse Executive a tour of their studio, formerly RKO. All through the tour, much to the dismay of Desi, Lucy is trying to order appliances for her dressing room from the executive!  At the end, Lucy appears inside a Westinghouse dryer - hiding from Desi!  Like Ellis in Freedomland, this film was only shown to Westinghouse employees. Unlike Ellis, it was filmed in black and white - only later colorized for home video. Throughout the film, Desi mispronounces the company’s name as “Westin-Gouse” and its spokesperson as Betty “Furnace”.  

During that time, the cast often did long-form commercials for Westinghouse. Here, Betty Furness and Vivian Vance join Lucille Ball to talk about the 1959 Westinghouse washing machine, the same type of appliance Ball voiced in this film seven years earlier. 

Naturally, during this period Lucy Ricardo had the most up-to-date Westinghouse appliances in her Westport home. Like this two-toned refrigerator and freezer.

Back in New York City, the Ricardos owned a Westinghouse Clock Radio! 

The Handy Dandy vacuum cleaner was actually a Westinghouse model! 

In 1954, Lucy made breakfast with her Westinghouse "Grill-n-Waffler" Waffle Iron - if only she can remember to pay the electricity bill, that is! 

Lucy squeezes oranges for juice with her Westinghouse Model #FM-511 Food Crafter with juicer attachment (sold separately). 

Lucy owned two different models of the Westinghouse Commander Super-Corox Range. This 1950 model was used during season one...

...and this 1954 Model on a later season. It looks similar to the 1950 model, but the controls have a different layout.

In 1953, ownership of a washing machine was a point of contention between the Ricardos and Mertzes. The appliance used in the episode is labeled Epernay (a fictional brand). In actuality, it is probably a Launderall Horton 500 with gas stove handles affixed to the sides to help move it back and forth on the narrow porch.

Lucy uses the washing machine (a lot!) in Yours, Mine and Ours (1968). It is impossible to see what brand it is. 

Coincidentally, in April 1952, “I Love Lucy” did an episode titled “The Freezer” (ILL S1;E29) where Lucy and Ethel want to buy a home freezer to economize, but end up buying a walk-in model instead. In Jess Oppenheimer’s book, he states that newspapers and magazines were full of ads for home freezers at the time. Once they came up with the idea of Lucy getting trapped in the freezer, they had to abandon the home freezer idea for a larger, walk-in model.  

In 1966, a TV musical titled “Evening Primrose” with music by Stephen Sondheim and a book by George Furth, also explored the idea of department store mannequins coming to life. Anthony Perkins starred. 

The idea of anthropomorphized laundry room appliances was also explored in the 2004 Broadway musical Caroline, or Change, in which actors played embodiment of the Washing Machine and the Dryer.  A revival of the musical was on track for Broadway but interrupted by the Corona Virus pandemic. 

In 1987, the film Mannequin starring Andrew McCarthy and Kim Cattrall also explored the idea of department store mannequin coming to life. It was partly based on the 1948 film One Touch of Venus, although in that film, the mannequin was a statue. 

[gazemoil]

RECENSIONE: Lana Del Rey - Norman Fucking Rockwell! (Polydor / Interscope)

di Viviana Bonura

Sin dal primo momento l’ascesa alla fama di Lana Del Rey è sembrata una specie di miraggio in un panorama musicale che ci offriva ormai da troppo tempo lo stesso modello di stella del pop. Nel 2013 due eventi fortunati - un posto nella colonna sonora di uno dei film di Hollywood più attesi dell’anno e un remix di una sua canzone che diventa il cavallo di battaglia dell’estate - fanno in modo che il suo primo disco Born To Die, contenente già un paio dei brani più virali su internet di quell’anno, riceva tantissime attenzioni fino a confermare la misteriosa e delicata Lana nuova promessa del pop alternativo. Il fascino del suo suono pomposo fuori dal tempo, distinto da storie noir ambientate in una California sognante e popolata da giovani donne tristi e cattivi ragazzi, malinconia e glamour, continua nel secondo disco Ultraviolence, in cui ripropone la stessa formula compresa di difetti, quali un generale senso di artificiosità nell’estetica che a momenti appare forzata e statica e l’aver incarnato una fantasia che promuove la dinamica in cui la donna debole rincorre l’uomo ricco, bello e manipolatore che finisce per incasinarla ancora di più. Il tempo passa e la fama non manca, ma Lana diventa sempre meno interessante. Nel terzo disco Honeymoon il suo personaggio continua a non evolversi e stavolta neanche la parte sonora sembra aver nulla di nuovo da dire. Per tutta risposta Lust For Life tenta di rifilare modernizzazioni hip-hop con la mera presenza di alcuni feature e di proporre una protagonista meno tragica e più stabile, ma invece di far ricredere i più scettici finisce per ledere ad una credibilità artistica che già nel tempo aveva mostrato segni di cedimento e di darla a bere solo ai fedelissimi fan. 

Proprio quando la speranza sembrava perduta il quinto attesissimo album, Norman Fucking Rockwell!, si rivela una sorpresa collettiva, la svolta che avrebbe dovuto prendere la sua musica tempo fa e l’evoluzione artistica di un personaggio che il nostro tempo - giustamente - richiede. NFR! è composto da quattordici tracce per ben un’ora di durata, forse un pò tirato per le lunghe e non sempre al massimo della forma, ma con qualche innegabile perla musicale che si posiziona direttamente in cima nella discografia dell’artista. Ad iniziare dai primi due singoli le promesse sembrano più che buone, non solo in quanto a produzione dove la vediamo co-produttrice insieme all’ormai quasi infallibile Jack Antonoff, ma anche sotto il punto di vista del testo che ci svela finalmente una Lana psicologicamente meno dipendente da una figura maschile, pronta a fare forza non solo a sè stessa, ma anche al partner che lotta contro le stesse difficoltà che lei ha dovuto affrontare in passato. “You lose your way, just take my hand / You're lost at sea, then I'll command your boat to me again / Don't look too far, right where you are, that's where I am / I'm your man” dice nel ritornello di Mariners Apartment Complex invocando l’immagine di una donna guida, autoritaria e dolce allo stesso tempo. La traccia è piena di bellissime frasi poetiche cantate con fascinosa e calda fermezza che non lasciano spazio a dubbi: questa è una Lana Del Rey come non l’abbiamo mai sentita. “You took my sadness out of context / At the Mariners Apartment Complex / I ain't no candle in the wind / I'm the board, the lightning, the thunder / Kind of girl who's gonna make you wonder / Who you are and who you've been”. Anche la strumentale è un grande punto a favore e presenta gli elementi chiave della sua musica come viole e violini che però non sono esagerati e rendono la giusta idea di maestosità che un testo del genere suggerisce, un pianoforte e una chitarra acustica che reggono in piedi la parte melodica, qualche strascico di synth crepuscolari e una bellissima chiusura elettrica da crooner. 

Il testimone passa a Venice Bitch che probabilmente diventa la più grande impresa della Del Rey coi suoi nove minuti complessivi. Esegue bene il compito e tra numerosi riferimenti popolari ci accompagna in un viaggio americano estremamente nostalgico fatto di frammenti felicemente tristi trascorsi in compagnia del suo uomo, momenti che piano piano scivolano via così come l’estate, ma che ricorda con affetto. Se prima si presenta come una traccia acustica col solito pathos orchestrale a corde, presto monta una batteria sommessa che va ingrandendosi piano ed una chitarra elettrica dal sapore psichedelico con elementi soft-rock, alla quale Lana favorisce spazio minimizzando il testo e giocando con gli elementi strutturali in modo da dare respiro agli strumenti e al lungo assolo, decorato da synth magnetici ed inebrianti. Il dialogo tra questi strumenti, su cui Lana interagisce tutto sommato poco, continua fino alla fine in maniera piuttosto tranquilla e rilassante, il che potrebbe muovere il primo appunto alla sezione strumentale non sfruttata al meglio per dare profondità ad un brano che tuttavia si può sempre apprezzare per l’ambizione. Fuck it i love you vede sicuramente ritornare la Del Rey su terreni già battuti e se non fosse per il testo più consapevole rispetto al passato in cui ripercorre il trasferimento in California per inseguire il sogno di fare musica, i problemi di dipendenze e una relazione finita male a causa della sua instabilità emotiva a lungo discussa, sarebbe la solita traccia poco interessante in cui finisce per impastare le medesime frasi mormorate. Di simile natura, ma dalla riuscita differente è la ballata romantica Love song che con una struttura semplicissima in cui prevale il pianoforte riprende ancora le tematiche principali della sua musica - l’essere famosi, la bellezza, il sentirsi innamorati ed i simbolismi visivi delle auto su cui si viaggia per posti magici - ma la genuinità della voce che perfettamente esprime quel senso di bisogno disperato di avere accanto quella persona di cui si è innamorati e della composizione strumentale la rendono vincente, anche se già sentita. L’ammiccante cover dei Sublime Doin’ Time, adattata all’estetica della Del Rey e modernizzata con una sezione ritmica sintetica, è un altro highlight. Cinnamon girl giustappone ancora la dolcezza dell’amore con l’amarezza di cose più cupe come le droghe e il dolore aggiungendo una svolta elettronica alla fine, mentre How to disappear vede appunto il “dissolvimento” di quel rapporto romantico che semplicemente si esaurisce, lasciando spazio alla guarigione e per quanto possa essere strumentalmente mite è liricamente apprezzabile.

Durante il disco vediamo una Lana che si ricorda veramente speranzosa e coinvolta nei confronti di questa relazione, ma d’altra parte diventa consapevole di non essere stata psicologicamente stabile e piuttosto disfunzionale, a volte anche emotivamente aggressiva, e soprattutto sa che il partner era altrettanto problematico. D’esempio è la frase d’esordio della title-track: “Goddamn, man-child / You fucked me so good that I almost said "I love you"”. California è un’altra dimostrazione dell’evoluzione emotiva dell’artista, espressa in un testo ben scritto dove dopo aver messo distanza tra sé e l’altra persona, riflette sulla loro relazione ripercorrendo i ricordi che le provocano nostalgia e un senso di pentimento per non essere stata capace di supportare quella persona come doveva, cosa che adesso sarebbe capace di fare. “You don't ever have to be stronger than you really are / When you're lying in my arms, and, honey / You don't ever have to act cooler than you think you should / You're brighter than the brightest stars”. 

Da questo momento in poi si susseguono un paio delle tracce qualitativamente più deboli del disco come The Next Best American Record, nel cassetto da un paio di anni ed originariamente destinata Lust For Life, dove sarebbe stata più consona dato l’imbarazzo della strumentale e la performance vocale che non si dimostra matura come lo è stata fino ad ora. Evitabili anche le successive tre tracce che non aggiungono granché al disco, mentre fortunatamente la chiusura hope is a dangerous thing for a woman like me to have - but i have it ne risolleva l’intensità. E’ una traccia spontanea, imperfetta, minimale ed emotiva che parla delle difficoltà nel raggiungere la felicità, ma anche del ritrovarsi in un devastante stato di sofferenza in cui si compiono decisioni irrazionali, tutto perde d’importanza e fidarsi degli sconosciuti diventa difficile, ma apre anche uno spiraglio di speranza attraverso il quale si intravede un miglioramento, una speranza pericolosa, nel senso che se non soddisfatta potrebbe provocare una discesa ancora più brusca nel senso di abbandono, ma comunque posseduta.“There's a new revolution, a loud evolution that I saw / Born of confusion and quiet collusion of which mostly I've known / A modern day woman with a weak constitution, 'cause I've got / Monsters still under my bed that I could never fight off / A gatekeeper carelessly dropping the keys on my nights off”. La traccia riesce a catturare molti dei tratti distintivi - soprattutto dei difetti - di Lana e del suo testamento artistico.

TRACCE MIGLIORI: Mariners Apartment Complex; Venice Bitch; hope is a dangerous thing for a woman like me to have - but i have it

TRACCE PEGGIORI: The Next Best American Record

CLICCA QUI PER LA VALUTAZIONE FINALE

[outofficial]

It's finally here—the day we've all been waiting for ever since the “Moonlight”/ “La La Land” Best Picture fiasco: the Oscar noms have been announced. It's been a tight race, in which “Three Billboards” appears to have established itself as the frontrunner for Best Actress, Best Supporting Actor, and maybe even Best Picture, while “The Shape of Water” has proven a nomination favorite this awards season but not necessarily the most likely to win. It leads this year's Oscars with 13 nominations.

In more exciting news, “Get Out” scored noms for Jordan Peele for Best Directing, Picture, and Writing, making him only the third director ever to receive all three noms on a debut feature. Daniel Kaluuya also scored a Best Actor nomination for the film.

Greta Gerwig, too, did well for herself, earning noms for Best Directing and Writing, and “Lady Bird” also has been nominated for Best Picture, though since Gerwig isn't a producer on the film she can't technically claim the same record as Peele.

“Call Me By Your Name” was nominated for Best Picture, Best Adapted Screenplay, and Best Actor for Timothée Chalamet. Also notable is that “A Fantastic Woman,” the Chilean film starring trans actress Daniela Vega, was nominated for Best Foreign Film.

The Oscars are hosted this year by Jimmy Kimmel and take place March 4 on ABC. Take a look at the full list below:

BEST PICTURE

CALL ME BY YOUR NAME Peter Spears, Luca Guadagnino, Emilie Georges and Marco Morabito, Producers

DARKEST HOUR Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten and Douglas Urbanski, Producers

DUNKIRK Emma Thomas and Christopher Nolan, Producers

GET OUT Sean McKittrick, Jason Blum, Edward H. Hamm Jr. and Jordan Peele, Producers

LADY BIRD Scott Rudin, Eli Bush and Evelyn O’Neill, Producers

PHANTOM THREAD JoAnne Sellar, Paul Thomas Anderson, Megan Ellison and Daniel Lupi, Producers

THE POST Amy Pascal, Steven Spielberg and Kristie Macosko Krieger, Producers

THE SHAPE OF WATER Guillermo del Toro and J. Miles Dale, Producers

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Graham Broadbent, Pete Czernin and Martin McDonagh, Producers

ACTOR IN A LEADING ROLE

TIMOTHÉE CHALAMET Call Me by Your Name

DANIEL DAY-LEWIS Phantom Thread

DANIEL KALUUYA Get Out

GARY OLDMAN Darkest Hour

DENZEL WASHINGTON Roman J. Israel, Esq.

ACTOR IN A SUPPORTING ROLE

WILLEM DAFOE The Florida Project

WOODY HARRELSON Three Billboards outside Ebbing, Missouri

RICHARD JENKINS The Shape of Water

CHRISTOPHER PLUMMER All the Money in the World

SAM ROCKWELL Three Billboards outside Ebbing, Missouri

ACTRESS IN A LEADING ROLE

SALLY HAWKINS The Shape of Water

FRANCES MCDORMAND Three Billboards outside Ebbing, Missouri

MARGOT ROBBIE I, Tonya

SAOIRSE RONAN Lady Bird

MERYL STREEP The Post

ACTRESS IN A SUPPORTING ROLE

MARY J. BLIGE Mudbound

ALLISON JANNEY I, Tonya

LESLEY MANVILLE Phantom Thread

LAURIE METCALF Lady Bird

OCTAVIA SPENCER The Shape of Water

ANIMATED FEATURE FILM

THE BOSS BABY Tom McGrath and Ramsey Naito

THE BREADWINNER Nora Twomey and Anthony Leo

COCO Lee Unkrich and Darla K. Anderson

FERDINAND Carlos Saldanha

LOVING VINCENT Dorota Kobiela, Hugh Welchman and Ivan Mactaggart

CINEMATOGRAPHY

BLADE RUNNER 2049 Roger A. Deakins

DARKEST HOUR Bruno Delbonnel

DUNKIRK Hoyte van Hoytema

MUDBOUND Rachel Morrison

THE SHAPE OF WATER Dan Laustsen

COSTUME DESIGN

BEAUTY AND THE BEAST Jacqueline Durran

DARKEST HOUR Jacqueline Durran

PHANTOM THREAD Mark Bridges

THE SHAPE OF WATER Luis Sequeira

VICTORIA & ABDUL Consolata Boyle

DIRECTING

DUNKIRK Christopher Nolan

GET OUT Jordan Peele

LADY BIRD Greta Gerwig

PHANTOM THREAD Paul Thomas Anderson

THE SHAPE OF WATER Guillermo del Toro

DOCUMENTARY (FEATURE)

ABACUS: SMALL ENOUGH TO JAIL Steve James, Mark Mitten and Julie Goldman

FACES PLACES Agnès Varda, JR and Rosalie Varda

ICARUS Bryan Fogel and Dan Cogan

LAST MEN IN ALEPPO Feras Fayyad, Kareem Abeed and Søren Steen Jespersen

STRONG ISLAND Yance Ford and Joslyn Barnes

DOCUMENTARY (SHORT SUBJECT)

EDITH+EDDIE Laura Checkoway and Thomas Lee Wright

HEAVEN IS A TRAFFIC JAM ON THE 405 Frank Stiefel

HEROIN(E) Elaine McMillion Sheldon and Kerrin Sheldon

KNIFE SKILLS Thomas Lennon

TRAFFIC STOP Kate Davis and David Heilbroner

FILM EDITING

BABY DRIVER Paul Machliss and Jonathan Amos

DUNKIRK Lee Smith

I, TONYA Tatiana S. Riegel

THE SHAPE OF WATER Sidney Wolinsky

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Jon Gregory

FOREIGN LANGUAGE FILM

A FANTASTIC WOMAN Chile

THE INSULT Lebanon

LOVELESS Russia

ON BODY AND SOUL Hungary

THE SQUARE Sweden

MAKEUP AND HAIRSTYLING

DARKEST HOUR Kazuhiro Tsuji, David Malinowski and Lucy Sibbick

VICTORIA & ABDUL Daniel Phillips and Lou Sheppard

WONDER Arjen Tuiten

MUSIC (ORIGINAL SCORE)

DUNKIRK Hans Zimmer

PHANTOM THREAD Jonny Greenwood

THE SHAPE OF WATER Alexandre Desplat

STAR WARS: THE LAST JEDI John Williams

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Carter Burwell

MUSIC (ORIGINAL SONG)

MIGHTY RIVER from Mudbound; Music and Lyric by Mary J. Blige, Raphael Saadiq and Taura Stinson

MYSTERY OF LOVE from Call Me by Your Name; Music and Lyric by Sufjan Stevens

REMEMBER ME from Coco; Music and Lyric by Kristen Anderson-Lopez and Robert Lopez

STAND UP FOR SOMETHING from Marshall; Music by Diane Warren; Lyric by Lonnie R. Lynn and Diane Warren

THIS IS ME from The Greatest Showman; Music and Lyric by Benj Pasek and Justin Paul

PRODUCTION DESIGN

BEAUTY AND THE BEAST Production Design: Sarah Greenwood; Set Decoration: Katie Spencer

BLADE RUNNER 2049 Production Design: Dennis Gassner; Set Decoration: Alessandra Querzola

DARKEST HOUR Production Design: Sarah Greenwood; Set Decoration: Katie Spencer

DUNKIRK Production Design: Nathan Crowley; Set Decoration: Gary Fettis

THE SHAPE OF WATER Production Design: Paul Denham Austerberry; Set Decoration: Shane Vieau and Jeff Melvin

SHORT FILM (ANIMATED)

DEAR BASKETBALL Glen Keane and Kobe Bryant

GARDEN PARTY Victor Caire and Gabriel Grapperon

LOU Dave Mullins and Dana Murray

NEGATIVE SPACE Max Porter and Ru Kuwahata

REVOLTING RHYMES Jakob Schuh and Jan Lachauer

SHORT FILM (LIVE ACTION)

DEKALB ELEMENTARY Reed Van Dyk

THE ELEVEN O’CLOCK Derin Seale and Josh Lawson

MY NEPHEW EMMETT Kevin Wilson, Jr.

THE SILENT CHILD Chris Overton and Rachel Shenton

WATU WOTE/ALL OF US Katja Benrath and Tobias Rosen

SOUND EDITING

BABY DRIVER Julian Slater

BLADE RUNNER 2049 Mark Mangini and Theo Green

DUNKIRK Richard King and Alex Gibson

THE SHAPE OF WATER Nathan Robitaille and Nelson Ferreira

STAR WARS: THE LAST JEDI Matthew Wood and Ren Klyce

SOUND MIXING

BABY DRIVER Julian Slater, Tim Cavagin and Mary H. Ellis

BLADE RUNNER 2049 Ron Bartlett, Doug Hemphill and Mac Ruth

DUNKIRK Mark Weingarten, Gregg Landaker and Gary A. Rizzo

THE SHAPE OF WATER Christian Cooke, Brad Zoern and Glen Gauthier

STAR WARS: THE LAST JEDI David Parker, Michael Semanick, Ren Klyce and Stuart Wilson

VISUAL EFFECTS

BLADE RUNNER 2049 John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover

GUARDIANS OF THE GALAXY VOL. 2 Christopher Townsend, Guy Williams, Jonathan Fawkner and Dan Sudick

KONG: SKULL ISLAND Stephen Rosenbaum, Jeff White, Scott Benza and Mike Meinardus

STAR WARS: THE LAST JEDI Ben Morris, Mike Mulholland, Neal Scanlan and Chris Corbould

WAR FOR THE PLANET OF THE APES Joe Letteri, Daniel Barrett, Dan Lemmon and Joel Whist

WRITING (ADAPTED SCREENPLAY)

CALL ME BY YOUR NAME Screenplay by James Ivory

THE DISASTER ARTIST Screenplay by Scott Neustadter & Michael H. Weber

LOGAN Screenplay by Scott Frank & James Mangold and Michael Green; Story by James Mangold

MOLLY’S GAME Written for the screen by Aaron Sorkin

MUDBOUND Screenplay by Virgil Williams and Dee Rees

WRITING (ORIGINAL SCREENPLAY)

THE BIG SICK Written by Emily V. Gordon & Kumail Nanjiani

GET OUT Written by Jordan Peele

LADY BIRD Written by Greta Gerwig

THE SHAPE OF WATER Screenplay by Guillermo del Toro & Vanessa Taylor; Story by Guillermo del Toro

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Written by Martin McDonagh

[thearabkhaleesi]

Oscars 2018 Winners

Here’s the full list of Oscar nominations for this year’s Academy Awards, which will air on March 4th!

Best Picture

WINNER: “The Shape of Water”

“Call Me by Your Name”

“Darkest Hour”

“Dunkirk”

“Get Out”

“Lady Bird”

“Phantom Thread”

“The Post”

“Three Billboards Outside Ebbing, Missouri”

Lead Actor

Timothée Chalamet, “Call Me by Your Name”

Daniel Day-Lewis, “Phantom Thread”

Daniel Kaluuya, “Get Out”

WINNER: Gary Oldman, “Darkest Hour”

Denzel Washington, “Roman J. Israel, Esq.”

Lead Actress

Sally Hawkins, “The Shape of Water”

WINNER: Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

Margot Robbie, “I, Tonya”

Saoirse Ronan, “Lady Bird”

Meryl Streep, “The Post”

Supporting Actor

Willem Dafoe, “The Florida Project”

Woody Harrelson, “Three Billboards Outside Ebbing, Missouri”

Richard Jenkins, “The Shape of Water”

Christopher Plummer, “All the Money in the World”

WINNER: Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

Supporting Actress

Mary J. Blige, “Mudbound”

WINNER: Allison Janney, “I, Tonya”

Lesley Manville, “Phantom Thread”

Laurie Metcalf, “Lady Bird”

Octavia Spencer, “The Shape of Water”

Director

“Dunkirk,” Christopher Nolan

“Get Out,” Jordan Peele

“Lady Bird,” Greta Gerwig

“Phantom Thread,” Paul Thomas Anderson

WINNER: “The Shape of Water,” Guillermo del Toro

Animated Feature

“The Boss Baby,” Tom McGrath, Ramsey Ann Naito

“The Breadwinner,” Nora Twomey, Anthony Leo

WINNER: “Coco,” Lee Unkrich, Darla K. Anderson

“Ferdinand,” Carlos Saldanha

“Loving Vincent,” Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman

Animated Short

WINNER: “Dear Basketball,” Glen Keane, Kobe Bryant

“Garden Party,” Victor Caire, Gabriel Grapperon

“Lou,” Dave Mullins, Dana Murray

“Negative Space,” Max Porter, Ru Kuwahata

“Revolting Rhymes,” Jakob Schuh, Jan Lachauer

Adapted Screenplay

WINNER: “Call Me by Your Name,” James Ivory

“The Disaster Artist,” Scott Neustadter & Michael H. Weber

“Logan,” Scott Frank & James Mangold and Michael Green

“Molly’s Game,” Aaron Sorkin

“Mudbound,” Virgil Williams and Dee Rees

Original Screenplay

“The Big Sick,” Emily V. Gordon & Kumail Nanjiani

WINNER: “Get Out,” Jordan Peele

“Lady Bird,” Greta Gerwig

“The Shape of Water,” Guillermo del Toro, Vanessa Taylor

“Three Billboards Outside Ebbing, Missouri,” Martin McDonagh

Cinematography

WINNER: “Blade Runner 2049,” Roger Deakins

“Darkest Hour,” Bruno Delbonnel

“Dunkirk,” Hoyte van Hoytema

“Mudbound,” Rachel Morrison

“The Shape of Water,” Dan Laustsen

Original Score

“Dunkirk,” Hans Zimmer

“Phantom Thread,” Jonny Greenwood

WINNER: “The Shape of Water,” Alexandre Desplat

“Star Wars: The Last Jedi,” John Williams

“Three Billboards Outside Ebbing, Missouri,” Carter Burwell

Original Song

“Mighty River” from “Mudbound,” Mary J. Blige

“Mystery of Love” from “Call Me by Your Name,” Sufjan Stevens

WINNER: “Remember Me” from “Coco,” Kristen Anderson-Lopez, Robert Lopez

“Stand Up for Something” from “Marshall,” Diane Warren, Common

“This Is Me” from “The Greatest Showman,” Benj Pasek, Justin Paul

Best Documentary Feature

“Abacus: Small Enough to Jail,” Steve James, Mark Mitten, Julie Goldman

“Faces Places,” JR, Agnès Varda, Rosalie Varda

WINNER: “Icarus,” Bryan Fogel, Dan Cogan

“Last Men in Aleppo,” Feras Fayyad, Kareem Abeed, Soren Steen Jepersen

“Strong Island,” Yance Ford, Joslyn Barnes

Best Documentary Short Subject

“Edith+Eddie,” Laura Checkoway, Thomas Lee Wright

WINNER: “Heaven is a Traffic Jam on the 405,” Frank Stiefel

“Heroin(e),” Elaine McMillion Sheldon, Kerrin Sheldon

“Knife Skills,” Thomas Lennon

“Traffic Stop,” Kate Davis, David Heilbroner

Best Live Action Short Film

“DeKalb Elementary,” Reed Van Dyk

“The Eleven O’Clock,” Derin Seale, Josh Lawson

“My Nephew Emmett,” Kevin Wilson, Jr.

WINNER: “The Silent Child,” Chris Overton, Rachel Shenton

“Watu Wote/All of Us,” Katja Benrath, Tobias Rosen

Best Foreign Language Film

“A Fantastic Woman” (Chile)

WINNER: “The Insult” (Lebanon)

“Loveless” (Russia)

“On Body and Soul (Hungary)

“The Square” (Sweden)

Film Editing

“Baby Driver,” Jonathan Amos, Paul Machliss

WINNER: “Dunkirk,” Lee Smith

“I, Tonya,” Tatiana S. Riegel

“The Shape of Water,” Sidney Wolinsky

“Three Billboards Outside Ebbing, Missouri,” Jon Gregory

Sound Editing

“Baby Driver,” Julian Slater

“Blade Runner 2049,” Mark Mangini, Theo Green

WINNER: “Dunkirk,” Alex Gibson, Richard King

“The Shape of Water,” Nathan Robitaille, Nelson Ferreira

“Star Wars: The Last Jedi,” Ren Klyce, Matthew Wood

Sound Mixing

“Baby Driver,” Mary H. Ellis, Julian Slater, Tim Cavagin

“Blade Runner 2049,” Mac Ruth, Ron Bartlett, Doug Hephill

WINNER: “Dunkirk,” Mark Weingarten, Gregg Landaker, Gary A. Rizzo

“The Shape of Water,” Glen Gauthier, Christian Cooke, Brad Zoern

“Star Wars: The Last Jedi,” Stuart Wilson, Ren Klyce, David Parker, Michael Semanick

Production Design

“Beauty and the Beast,” Sarah Greenwood; Katie Spencer

“Blade Runner 2049,” Dennis Gassner, Alessandra Querzola

“Darkest Hour,” Sarah Greenwood, Katie Spencer

“Dunkirk,” Nathan Crowley, Gary Fettis

WINNER: “The Shape of Water,” Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau

Makeup and Hair

WINNER: “Darkest Hour,” Kazuhiro Tsuji, David Malinowski, Lucy Sibbick

“Victoria and Abdul,” Daniel Phillips and Lou Sheppard

“Wonder,” Arjen Tuiten

Costume Design

“Beauty and the Beast,” Jacqueline Durran

“Darkest Hour,” Jacqueline Durran

WINNER: “Phantom Thread,” Mark Bridges

“The Shape of Water,” Luis Sequeira

“Victoria and Abdul,” Consolata Boyle

Visual Effects

WINNER:“Blade Runner 2049,” John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer

“Guardians of the Galaxy Vol. 2,” Christopher Townsend, Guy Williams, Jonathan Fawkner, Dan Sudick

“Kong: Skull Island,” Stephen Rosenbaum, Jeff White, Scott Benza, Mike Meinardus

“Star Wars: The Last Jedi,”  Ben Morris, Mike Mulholland, Chris Corbould, Neal Scanlan

“War for the Planet of the Apes,” Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

[themovieworldaccordingtotps]

Oscars 2018 Winners

Here are your winners, so far…

Best Supporting Actor: Sam Rockwell – Three Billboards Outside Ebbing, Missouri

Best Supporting Actress: Allison Janney – I, Tonya

Best Original Screenplay: Get Out – Jordan Peele

Best Adapted Screenplay: Call Me by Your Name – James Ivory

Best Animated Feature Film: Coco – Lee Unkrich and Darla K. Anderson

Best Foreign Language Film: A Fantastic Woman – Sebastián Lelio

Best Original Score: The Shape of Water – Alexandre Desplat

Best Original Song: "Remember Me" from Coco – Kristen Anderson-Lopez and Robert Lopez

Best Makeup and Hairstyling: Darkest Hour – Kazuhiro Tsuji, David Malinowski and Lucy Sibbick

Best Costume Design: Phantom Thread – Mark Bridges

[theplaylistfilm]

‘Shape of Water’ And ‘Three Billboards’ Lead 2018 BAFTA Awards Nominations 

BEST FILM “Call Me By Your Name,” Emilie Georges, Luca Guadagnino, Marco Morabito, Peter Spears “Darkest Hour,” Tim Bevan, Lisa Bruce, Eric Fellner, Anthony McCarten, Douglas Urbanski “Dunkirk,” Christopher Nolan, Emma Thomas “The Shape of Water,” Guillermo del Toro, J. Miles Dale “Three Billboards Outside Ebbing, Missouri” Graham Broadbent, Pete Czernin, Martin McDonagh

OUTSTANDING BRITISH FILM “Darkest Hour,” Joe Wright, Tim Bevan, Lisa Bruce, Eric Fellner, Anthony McCarten, Douglas Urbanski “The Death of Stalin,” Armando Iannucci, Kevin Loader, Laurent Zeitoun, Yann Zenou, Ian Martin, David Schneider “God’s Own Country,” Francis Lee, Manon Ardisson, Jack Tarling “Lady Macbeth,” William Oldroyd, Fodhla Cronin O’Reilly, Alice Birch “Paddington 2,” Paul King, David Heyman, Simon Farnaby “Three Billboards Outside Ebbing, Missouri,” Martin McDonagh, Graham Broadbent, Pete Czernin

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER “The Ghoul,” Gareth Tunley (Writer/Director/Producer), Jack Healy Guttman & Tom Meeten (Producers) “I Am Not A Witch,”  Rungano Nyoni (Writer/Director), Emily Morgan (Producer) “Jawbone,” Johnny Harris (Writer/Producer), Thomas Napper (Director) “Kingdom of Us,” Lucy Cohen (Director) “Lady Macbeth,” Alice Birch (Writer), William Oldroyd (Director), Fodhla Cronin O’Reilly (Producer)

FILM NOT IN THE ENGLISH LANGUAGE “Elle,”  Paul Verhoeven, Saïd Ben Saïd “First They Killed My Father,” Angelina Jolie, Rithy Panh “The Handmaiden,” Park Chan-wook, Syd Lim “Loveless,” Andrey Zvyagintsev, Alexander Rodnyansky “The Salesman,” Asghar Farhadi, Alexandre Mallet-Guy

DOCUMENTARY “City of Ghosts,” Matthew Heineman “I Am Not Your Negro,” Raoul Peck “Icarus,” Bryan Fogel, Dan Cogan “An Inconvenient Sequel,” Bonni Cohen, Jon Shenk “Jane,” Brett Morgen

ANIMATED FILM “Coco,” Lee Unkrich, Darla K. Anderson “Loving Vincent,” Dorota Kobiela, Hugh Welchman, Ivan Mactaggart “My Life As A Courgette,” Claude Barras, Max Karli

DIRECTOR “Blade Runner 2049,” Denis Villeneuve “Call Me By Your Name,” Luca Guadagnino “Dunkirk,” Christopher Nolan “The Shape of Water,” Guillermo del Toro “Three Billboards Outside Ebbing, Missouri,” Martin McDonagh

ORIGINAL SCREENPLAY “Get Out,” Jordan Peele “I, Tonya,” Steven Rogers “Lady Bird,” Greta Gerwig “The Shape of Water,” Guillermo del Toro, Vanessa Taylor “Three Billboards Outside Ebbing, Missouri,” Martin McDonagh

ADAPTED SCREENPLAY “Call Me By Your Name,” James Ivory “The Death of Stalin,” Armando Iannucci, Ian Martin, David Schneider “Film Stars Don’t Die In Liverpool,” Matt Greenhalgh “Molly’s Game,” Aaron Sorkin “Paddington 2,” Simon Farnaby, Paul King

LEADING ACTRESS Annette Bening, “Film Stars Don’t Die in Liverpool” Frances McDormand,  “Three Billboards Outside Ebbing, Missouri” Margot Robbie, “I, Tonya” Sally Hawkins, “The Shape of Water” Saoirse Ronan, “Lady Bird”

LEADING ACTOR Daniel Day-Lewis, “Phantom Thread” Daniel Kaluuya, “Get Out” Gary Oldman, “Darkest Hour” Jamie Bell, “Film Stars Don’t Die in Liverpool” Timothée Chalamet, “Call Me by Your Name”

SUPPORTING ACTRESS Allison Janey,  “I, Tonya” Kristen Scott Thomas, “Darkest Hour” Laurie Metcalf, “Lady Bird” Lesley Manville, “Phantom Thread” Octavia Spencer, “The Shape of Water”

SUPPORTING ACTOR Christopher Plummer, “All the Money in the World” Hugh Grant, “Paddington 2” Sam Rockwell, “Three Billboards Outside Ebbing, Missouri” Willem Dafoe, “The Florida Project” Woody Harrelson, “Three Billboards Outside Ebbing, Missouri”

ORIGINAL MUSIC “Blade Runner 2049,” Benjamin Wallfisch, Hans Zimmer “Darkest Hour,” Dario Marianelli “Dunkirk” Hans Zimmer “Phantom Thread,” Jonny Greenwood “The Shape of Water,” Alexandre Desplat

CINEMATOGRAPHY “Blade Runner 2049,” Roger Deakins “Darkest Hour,” Bruno Delbonnel “Dunkirk,” Hoyte van Hoytema “The Shape of Water,” Dan Laustsen “Three Billboards Outside Ebbing, Missouri,” Ben Davis

EDITING “Baby Driver,” Jonathan Amos, Paul Machliss “Blade Runner 2049,” Joe Walker “Dunkirk,” Lee Smith “The Shape of Water,” Sidney Wolinsky “Three Billboards Outside Ebbing, Missouri,” Jon Gregory

PRODUCTION DESIGN “Beauty and the Beast,” Sarah Greenwood, Katie Spencer “Blade Runner 2049,” Dennis Gassner, Alessandra Querzola “Darkest Hour,” Sarah Greenwood, Katie Spencer “Dunkirk,” Nathan Crowley, Gary Fettis “The Shape of Water,” Paul Austerberry, Jeff Melvin, Shane Vieau

COSTUME DESIGN “Beauty and the Beast,” Jacqueline Durran “Darkest Hour,” Jacqueline Durran “I, Tonya,” Jennifer Johnson “Phantom Thread,” Mark Bridges “The Shape of Water,” Luis Sequeira

MAKE UP & HAIR “Blade Runner 2049,” Donald Mowat, Kerry Warn “Darkest Hour,” David Malinowski, Ivana Primorac, Lucy Sibbick, Kazuhiro Tsuji “I, Tonya,” Deborah La Mia Denaver, Adruitha Lee “Victoria & Abdul,” Daniel Phillips “Wonder,” Naomi Bakstad, Robert A. Pandini, Arjen Tuiten

SOUND “Baby Driver,” Tim Cavagin, Mary H. Ellis, Julian Slater “Blade Runner 2049,” Ron Bartlett, Doug Hemphill, Mark Mangini, Mac Ruth “Dunkirk,” Richard King, Gregg Landaker, Gary A. Rizzo, Mark Weingarten “The Shape of Water,” Christian Cooke, Glen Gauthier, Nathan Robitaille, Brad Zoern “Star Wars: The Last Jedi,” Ren Klyce, David Parker, Michael Semanick, Stuart Wilson, Matthew Wood

SPECIAL VISUAL EFFECTS “Blade Runner 2049” Gerd Nefzer, John Nelson “Dunkirk,” Scott Fisher, Andrew Jackson “The Shape of Water,” Dennis Berardi, Trey Harrell, Kevin Scott “Star Wars: The Last Jedi,” Nominees tbc “War for the Planet of the Apes,” Nominees tbc

BRITISH SHORT ANIMATION “Have Heart,” Will Anderson “Mamoon,” Ben Steer “Poles Apart,” Paloma Baeza, Ser En Low

BRITISH SHORT FILM “Aamir,” Vika Evdokimenko, Emma Stone, Oliver Shuster “Cowboy Dave,”  Colin O’Toole, Jonas Mortensen “A Drowning Man,” Mahdi Fleifel, Signe Byrge Sørensen, Patrick Campbell “Work,” Aneil Karia, Scott O’Donnell “Wren Boys,” Harry Lighton, Sorcha Bacon, John Fitzpatrick

EE RISING STAR AWARD (voted for by the public) Daniel Kaluuya Florence Pugh Josh O’Connor Tessa Thompson Timothée Chalamet

Congratulations to all the nominees!

[culturizando]

Estos son los nominados a la edición número 90 de los premios Oscar

La Academia de Cine de Hollywood ya anunció los nominados a la edición número 90 de los premios Oscar 2018, cuya gala se celebrará el próximo 4 de marzo. ‘La forma del agua’, de Guillermo del Toro, favorita con 13 nominaciones. ‘Dunkerque’, con ocho candidaturas y ‘Tres anuncios en las afueras’, con siete, son las principales rivales.

Esta es la lista de nominados:

MEJOR PELÍCULA

Call Me By Your Name El instante más oscuro Dunkerque Déjame salir Lady Bird El hilo invisible Los archivos del Pentágono La forma del agua Tres anuncios a las afueras

MEJOR DIRECCIÓN Christopher Nolan, por Dunkerque Jordan Peele, por Déjame salir Greta Gerwig, por Lady Bird Paul Thomas Anderson, por El hilo invisible Guillermo del Toro, por La forma del agua

MEJOR ACTRIZ Sally Hawkins, por La forma del agua Frances McDormand, por Tres anuncios a las afueras Margot Robbie, por Yo, Tonya Saoirse Ronan, por Lady Bird Meryl Streep, por Los archivos del Pentágono

MEJOR ACTOR Timothée Chalamet, por Call Me By Your Name Daniel Day-Lewis, por El hilo invisible Daniel Kaluuya, por Déjame salir Gary Oldman, por El instante más oscuro Denzel Washington, por Roman J. Israel, Esq

MEJOR ACTOR SECUNDARIO Willem Dafoe, por The Florida Project Woody Harrelson, por Tres anuncios a las afueras Richard Jenkins, por La forma del agua Sam Rockwell, por Tres anuncios a las afueras Christopher Plummer, por Todo el dinero del mundo

MEJOR ACTRIZ SECUNDARIA Mary J. Blige, por Mudbound Allison Janney, por Yo, Tonya Lesley Manville, por El hilo invisible Laurie Metcalf, por Lady Bird Octavia Spencer, por La forma del agua

MEJOR GUION ADAPTADO Call Me By Your Name, de James Ivory The Disaster Artist, de Scott Neustadter e Michael H. Weber Molly’s Game, de Aaron Sorkin Logan, de Scott Frank, James Mangold e Michael Green Mudbound, de Virgil Williams and Dee Rees

MEJOR GUION ORIGINAL La enfermedad del amor (The Big Sick), de Emily V. Gordon e Kumail Nanjiani Déjame salir, de Jordan Peele La forma del agua, de Guilermo Del Toro Lady Bird, de Greta Gerwig Tres anuncios a las afueras, de Martin McDonagh

MEJOR PELÍCULA EXTRANJERA Una mujer fantástica (Chile) El insulto (Líbano) Sin amor (Rusia) En cuerpo y alma (Hungría) The Square (Suecia)

MEJOR PELÍCULA ANIMADA Bebe jefazo, de Tom McGrath, Ramsey Ann Naito Coco, de Lee Unkrich, Darla K. Anderson Ferdinand, de Carlos Saldanha Loving Vincent, de Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman The Breadwinner, de Nora Twomey, Anthony Leo

MEJOR FOTOGRAFÍA Blade Runner 2049, de Roger Deakins El instante más oscuro, de Bruno Delbonnel Dunkerque, de Hoyte van Hoytema Mudbound, de Rachel Morrison La forma del agua, de Dan Laustsen

MEJOR DISEÑO DE PRODUCCIÓN La Bella y la Bestia, de Sarah Greenwood; Katie Spencer Blade Runner 2049, de Dennis Gassner, Alessandra Querzola El instante más oscuro, de Sarah Greenwood, Katie Spencer Dunkerque, de Nathan Crowley, Gary Fettis La forma del agua, de Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau

MEJOR VESTUARIO La Bella y la Bestia, de Jacqueline Durran El instante más oscuro, de Jacqueline Durran La forma del agua, de Luis Sequeira La reina Victoria y Abdul, de Consolata Boyle El hilo invisible, de Mark Bridges

MEJOR MONTAJE Baby Driver, de Jonathan Amos, Paul Machliss La forma del agua, de Sidney Wolinsky Yo, Tonya, de Tatiana S. Riegel Tres anuncios a las afueras, de Jon Gregory

MEJORES EFECTOS ESPECIALES Blade Runner 2049, de John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer Guardianes de la galaxia Vol. 2, de Christopher Townsend, Guy Williams, Jonathan Fawkner, Dan Sudick Kong: La isla calavera, de Stephen Rosenbaum, Jeff White, Scott Benza, Mike Meinardus Star Wars: Los últimos Jedi, de Ben Morris, Mike Mulholland, Chris Corbould, Neal Scanlon La guerra del planeta de los simios, de Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

MEJOR MAQUILLAJE Y PELUQUERÍA El instante más oscuro, de Kazuhiro Tsuji, David Malinowski, Lucy Sibbick La reina Victoria y Abdul, de Daniel Phillips and Lou Sheppard Wonder, de Arjen Tuiten

MEJOR MONTAJE DE SONIDO Baby Driver, de Julian Slater Blade Runner 2049, de Mark Mangini, Theo Green Dunkerque, de Alex Gibson, Richard King La forma del agua, de Nathan Robitaille, Nelson Ferreira Star Wars: Los últimos Jedi, de Ren Klyce, Matthew Wood

MEJOR MEZCLA DE SONIDO Baby Driver, de Mary H. Ellis, Julian Slater, Tim Cavagin Blade Runner 2049, de Mac Ruth, Ron Bartlett, Doug Hephill Dunkerque, de Mark Weingarten, Gregg Landaker, Gary A. Rizzo La forma del agua, de Glen Gauthier, Christian Cooke, Brad Zoern Star Wars: Los últimos Jedi, de Stuart Wilson, Ren Klyce, David Parker, Michael Semanick

MEJOR BANDA SONORA Dunkerque, de Hans Zimmer La forma del agua, de Alexandre Desplat Star Wars: Los últimos Jedi, de John Williams El hilo invisible, de Jonny Greenwood Tres anuncios a las afueras, de Carter Burwell

MEJOR CANCIÓN Mighty River, en Mudbound, de Mary J. Blige Stand up for something, en Marshall, de Diane Warren, Common This is me, en El gran showman, de Benj Pasek, Justin Paul Remember Me, en Coco, de Kristen Anderson-Lopez, Robert Lopez

MEJOR DOCUMENTAL Abacus: Small Enough to Jail, de Steve James, Mark Mitten, Julie Goldman Faces Places, de JR, Agnès Varda, Rosalie Varda Icarus, de Bryan Fogel, Dan Cogan Last Men in Aleppo, de Feras Fayyad, Kareem Abeed, Soren Steen Jepersen Strong Island, de Yance Ford, Joslyn Barnes

MEJOR CORTOMETRAJE DOCUMENTAL Edith+Eddie, de Laura Checkoway, Thomas Lee Wright Heaven is a Traffic Jam on the 405, de Frank Stiefel Heroin(e), de Elaine McMillion Sheldon, Kerrin Sheldon Knife Skills, de Thomas Lennon Traffic Stop, de Kate Davis, David Heilbroner

MEJOR CORTOMETRAJE DE FICCIÓN DeKalb Elementary, de Reed Van Dyk

The Silent Child, de Chris Overton, Rachel Shenton

The Eleven o’clock, de Derin Seale, Josh Lawson

Wate Wote/All of US, de Katja Benrath, Tobias Rosen

My nephew Emmett, de Kevin Wilson, Jr.

MEJOR CORTOMETRAJE ANIMADO Dear Basketball, de Glen Keane, Kobe Bryant Garden Party, de Victor Caire, Gabriel Grapperon Lou, Dave Mullins, de Dana Murray Negative Space, de Max Porter, Ru Kuwahata Revolting Rhymes, de Jakob Schuh, Jan Lachauer

La entrada Estos son los nominados a la edición número 90 de los premios Oscar aparece primero en culturizando.com | Alimenta tu Mente.

[veszkijarat]

Tippjeim (Nem mindenhol egyenlő azzal, amit szeretnék. De mire reggel felkelek, nagyon remélem, hogy James Ivory Oscar-díjas lesz):

Best Picture: The Shape of Water, Guillermo del Toro and J. Miles Dale Best Animated Feature Film: Coco, Darla K. Anderson and Lee Unkrich Best Foreign Language Film: A Fantastic Woman (Chile) Best Directing: Guillermo del Toro, The Shape of Water Best Actor in a Leading Role: Gary Oldman, Darkest Hour Best Actress in a Leading Role: Frances McDormand, Three Billboards Outside Ebbing, Missouri Best Actor in a Supporting Role: Sam Rockwell, Three Billboards Outside Ebbing, Missouri Best Actress in a Supporting Role: Allison Janney, I, Tonya Best Adapted Screenplay: James Ivory, Call Me by Your Name Best Original Screenplay: Jordan Peele, Get Out Best Original Song: "Remember Me," Kristen Anderson-Lopez and Robert Lopez, Coco Best Documentary Feature: Icarus, Dan Cogan and Bryan Fogel Best Documentary Short Subject: Heroin(e), Elaine McMillion Sheldon and Kerrin Sheldon Best Cinematography: Blade Runner 2049, Roger A. Deakins Best Production Design: The Shape of Water, Paul Denham Austerberry, Jeff Melvin and Shane Vieau Best Animated Short Film: Dear Basketball, Kobe Bryant and Glen Keane Best Costume Design: Phantom Thread, Mark Bridges Best Film Editing: Lee Smith, Dunkirk Best Sound Mixing: Dunkirk, Gregg Landaker, Gary A. Rizzo and Mark Weingarten Best Visual Effects: War for the Planet of the Apes, Daniel Barrett, Dan Lemmon, Joe Letteri and Joel Whist Best Makeup and Hairstyling: David Malinowski, Lucy Sibbick and Kazuhiro Tsuji, Darkest Hour Best Original Score: Alexandre Desplat, The Shape of Water Best Live Action Short Film: DeKalb Elementary, Reed Van Dyk Best Sound Editing: Dunkirk, Alex Gibson and Richard King

[locke-writes]

what are your thoughts on the oscar nominations?

We’re doing this as a category by category breakdown and I’m prefacing this by saying this is just my opinion as a viewer and filmmaker.

Best Picture:

“Call Me by Your Name”“Darkest Hour”“Dunkirk”“Get Out”“Lady Bird”“Phantom Thread”“The Post”“The Shape of Water”“Three Billboards Outside Ebbing, Missouri”

This is probably one of the toughest Best Picture categories I’ve seen in years. All in all such strong films. I am worried about what will happen should Get Out lose because I have a feeling it will. While it may be a strong film with a good centralized message it doesn’t stand in the same league as films like Call Me By Your Name, Lady Bird, or The Shape of the Water. It doesn’t have many high profile names attached and it’s not so much an art film like the rest could be perceived as. If it doesn’t win I anticipate backlash against the Academy for racism and if it does win I anticipate backlash against the Academy for not choosing a film that would typically win. That being said I don’t think it will win but I could be wrong. All the film on this list have incredible stories and are beautifully shot films with strong performances by their actors. There’s a few that I want to win but I’d be happy with most of them taking home the Oscar.

Lead Actor:

Timothée Chalamet, “Call Me by Your Name”Daniel Day-Lewis, “Phantom Thread”Daniel Kaluuya, “Get Out”Gary Oldman, “Darkest Hour”Denzel Washington, “Roman J. Israel, Esq.”

I was surprised to see Denzel nominated not because it was a bad performance but because so few saw the film. I think the top contenders are Daniel Day-Lewis and Gary Oldman as both their performances were incredible and they encapsulated their characters in every way possible. Timothée most likely will not win although his portrayal of Elio could be matched by no other actor in my opinion. However he’s currently filming (or maybe it’s in post) a movie that if it is done properly most likely will bring him back to the Oscars. Kaluuya seems like the odd man out although his performance was great. He might win it but again with heavyweights in this category I can only see it going to either of them. I’d be pleasantly surprised though.

Lead Actress:

Sally Hawkins, “The Shape of Water”Frances McDormand, “Three Billboards Outside Ebbing, Missouri”Margot Robbie, “I, Tonya”Saoirse Ronan, “Lady Bird”Meryl Streep, “The Post”

Again these are practically all heavyweight actors. Great performances all around but I’m not sure about Margot or Saoirse winning. They played equally excellent roles but with the pattern of wins in this category it seems more than likely that Frances will get it. Personally would like to see Sally Hawkins get the Oscar because she played a mute woman which is a difficult performance for an actor. Pulling all emotion into facial expression and in this case also ASL hand movements. I’d be happy with any outcome here though.

Supporting Actor:

Willem Dafoe, “The Florida Project”Woody Harrelson, “Three Billboards Outside Ebbing, Missouri”Richard Jenkins, “The Shape of Water”Christopher Plummer, “All the Money in the World”Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

A little disappointed that Armie Hammer didn’t get a nom for Call Me By Your Name but it’s a good list nonetheless. Dafoe would be my pick but I’m cautiously doubtful and predict it going to either Rockwell or Harrelson. All in all the supporting cast for each of these films was excellent and tied everything together so I really think there’s some strong contenders even if some did happen to get snubbed in my opinion.

Supporting Actress:

Mary J. Blige, “Mudbound”Allison Janney, “I, Tonya”Lesley Manville, “Phantom Thread”Laurie Metcalf, “Lady Bird”Octavia Spencer, “The Shape of Water”

If Mudbound wins it’ll be a win for Netflix. The film industry hates streaming. Doubtful that Blige will win though what with who all is nominated. I’d love to see Spencer or Metcalf take it home but Manville might just beat them out based on her performance. Janney could take it based on the praise surrounding her performance it wouldn’t be surprising. Strong performances and some beautiful films chosen

Director:

“Dunkirk,” Christopher Nolan“Get Out,” Jordan Peele“Lady Bird,” Greta Gerwig“Phantom Thread,” Paul Thomas Anderson“The Shape of Water,” Guillermo del Toro

It’s del Toro or Nolan. Gerwig is the fifth female director to be nominated in this category but I’d be very shocked if the Oscar went to her. Lady Bird was great and it clearly was done but an excellent director but when you’re in a category with del Toro and Nolan and with del Toro winning most of the Best Director awards I feel like she won’t win it. It’s about time another female director has been nominated though. Personally I’d like to see it go to del Toro, Shape of the Water was one of my favorite films of the year and the message that it brought with it is a poignant one. It was just wonderfully crafted and crafted with love clearly. PTA and Phantom Thread made for an intricate work of art as well and would not be surprised if he took it home. I’d be disappointed but not surprised.

Animated Feature:

“The Boss Baby,” Tom McGrath, Ramsey Ann Naito“The Breadwinner,” Nora Twomey, Anthony Leo“Coco,” Lee Unkrich, Darla K. Anderson“Ferdinand,” Carlos Saldanha“Loving Vincent,” Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman

I have a feeling it’s going to go Coco because of Pixar. Pixar always tends to win Best Animated Feature but I would like to see Loving Vincent take it. The concept and execution were so unique and different from any animated film out there that I’d like to see the team rewarded for it.

Animated Short:

“Dear Basketball,” Glen Keane, Kobe Bryant“Garden Party,” Victor Caire, Gabriel Grapperon“Lou,” Dave Mullins, Dana Murray“Negative Space,” Max Porter, Ru Kuwahata“Revolting Rhymes,” Jakob Schuh, Jan Lachauer

Unfortunately animated shorts are hard to come by when they run the festival circuit alone so I didn’t get to see any of these. Revolting Rhymes and Negative Space have great titles though and when I see the little preview at the Oscars I’ll be hunting down a way to watch them all.

Adapted Screenplay:

“Call Me by Your Name,” James Ivory“The Disaster Artist,” Scott Neustadter & Michael H. Weber“Logan,” Scott Frank & James Mangold and Michael Green“Molly’s Game,” Aaron Sorkin“Mudbound,” Virgil Williams and Dee Rees

For pue shock value I’d like Logan to take it. Highly highly doubtful because you’ve got Aaron Sorkin in the category but it is Screenplay and the Screenplay category doesn’t necessarily go to some of the higher valued films. Comic book films and random action films have been known to win based on the script alone so this category really is a toss up and I’d be very intrigued if Logan or even The Disaster Artist won.

Original Screenplay:

“The Big Sick,” Emily V. Gordon & Kumail Nanjiani“Get Out,” Jordan Peele“Lady Bird,” Greta Gerwig“The Shape of Water,” Guillermo del Toro, Vanessa Taylor“Three Billboards Outside Ebbing, Missouri,” Martin McDonagh

This might actually be the one category Get Out wins because of the interesting concept and it’s screenplay. The Shape of the Water or Three Billboards most likely will as they’re considered larger Oscar type art films (they’re not technically art films but they're more of the Oscar kinda films if you get what I’m trying to say). This category is again very up for grabs based on writing alone and it could go any which way. 

Cinematography:

“Blade Runner 2049,” Roger Deakins“Darkest Hour,” Bruno Delbonnel“Dunkirk,” Hoyte van Hoytema“Mudbound,” Rachel Morrison“The Shape of Water,” Dan Laustsen

Although I don’t think she’ll win the Oscar can we first talk about how amazing it is that Rachel Morrison is even nominated. Cinematography is a male dominated field with a low percentage amount of female cinematographers so first for any film this year to have a female cinematographer is sorta a big deal. The bigger deal is her nomination because she's the first female cinematographer nominated ever at the Oscars. That’s 90 years and not one female cinematographer. Really pretty damn cool. Having said that just going purely off the aesthetic of each film because cinematography is the aesthetic category (the angles and lighting and way the film was shot), Blade Runner 2049 or The Shape of Water might take it. Dunkirk and Darkest Hour are also very plausible.

Best Documentary Feature:

“Abacus: Small Enough to Jail,” Steve James, Mark Mitten, Julie Goldman“Faces Places,” JR, Agnès Varda, Rosalie Varda“Icarus,” Bryan Fogel, Dan Cogan“Last Men in Aleppo,” Feras Fayyad, Kareem Abeed, Soren Steen Jepersen“Strong Island,” Yance Ford, Joslyn Barnes

I haven’t seen any of these so I really can’t say much about any. 

Best Documentary Short Subject:

“Edith+Eddie,” Laura Checkoway, Thomas Lee Wright“Heaven is a Traffic Jam on the 405,” Frank Stiefel“Heroin(e),” Elaine McMillion Sheldon, Kerrin Sheldon“Knife Skills,” Thomas Lennon“Traffic Stop,” Kate Davis, David Heilbroner

I legit don’t know what Heaven is a Traffic Jam on the 405 is truly about but fuck the 405 and I’m intrigued. I only saw the preview for Edith+Eddie because it’s only on a festival circuit right now but it seems like a heart-wrenching documentary. Don’t have any preference on these so I’d be pleased with any result.

Best Live Action Short Film:

“DeKalb Elementary,” Reed Van Dyk“The Eleven O’Clock,” Derin Seale, Josh Lawson“My Nephew Emmett,” Kevin Wilson, Jr.“The Silent Child,” Chris Overton, Rachel Shenton“Watu Wote/All of Us,” Katja Benrath, Tobias Rosen

Again I haven’t seen any of these nor do I know any of the filmmakers so I can’t speak much on this category.

Best Foreign Language Film:

“A Fantastic Woman” (Chile)“The Insult” (Lebanon)“Loveless” (Russia)“On Body and Soul (Hungary)“The Square” (Sweden)

A Fantastic Woman was a wonderful film and if that won I’d be pleased. Not only for the fact that it is a beautiful film but they cast a trans woman as the lead which shouldn’t be surprising but too many trans characters are played by cis actors. Other than that I’ve not seen the rest and can’t say anything for their merit. Have heard The Square is a great film though.

Film Editing:

“Baby Driver,” Jonathan Amos, Paul Machliss“Dunkirk,” Lee Smith“I, Tonya,” Tatiana S. Riegel“The Shape of Water,” Sidney Wolinsky“Three Billboards Outside Ebbing, Missouri,” Jon Gregory

I just. All of the editing was fantastic for each of these films. The Shape of Water and Dunkirk are the two top contenders but I’d like to see Baby Driver win it. Any editor will know that editing to music is easy but editing on beat is very incredibly difficult. And for a movie that’s wall to wall sound with a precisely cultivated soundtrack it makes it even more impressive.

Sound Editing:

“Baby Driver,” Julian Slater“Blade Runner 2049,” Mark Mangini, Theo Green“Dunkirk,” Alex Gibson, Richard King“The Shape of Water,” Nathan Robitaille, Nelson Ferreira“Star Wars: The Last Jedi,” Ren Klyce, Matthew Wood

Dunkirk or The Shape of Water might get it. Would be surprised to have Star Wars win the category even though the sound editing was phenomenal. Baby Driver had some insane sound work which might make it also a top contender but either way no one cares about this category but me. I’ll be fine with either Baby Driver or The Shape of Water winning. Either way this goes the sound for all of these films was gorgeously crafted.

Sound Mixing:

“Baby Driver,” Mary H. Ellis, Julian Slater, Tim Cavagin“Blade Runner 2049,” Mac Ruth, Ron Bartlett, Doug Hephill“Dunkirk,” Mark Weingarten, Gregg Landaker, Gary A. Rizzo“The Shape of Water,” Glen Gauthier, Christian Cooke, Brad Zoern“Star Wars: The Last Jedi,” Stuart Wilson, Ren Klyce, David Parker, Michael Semanick

Again no one cares about this category but me. I’d like to see Baby Driver win this due to the carefully crafter sound wall they built. I mean sound is such an integral part of film which often goes taken for granted. The one rule of sound is if the audience didn’t notice it then you did your job right. Which basically means if you don't get recognition then you did something right because if they noticed you fucked up. All in all gorgeous sound mixing for each so I’d be pleased all the way around.

Production Design:

“Beauty and the Beast,” Sarah Greenwood; Katie Spencer“Blade Runner 2049,” Dennis Gassner, Alessandra Querzola“Darkest Hour,” Sarah Greenwood, Katie Spencer“Dunkirk,” Nathan Crowley, Gary Fettis“The Shape of Water,” Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau

Difficult category. The sets for every film were so well put together and the entire design for each film was magnificent. I have a hard time picking and whoever wins certainly deserves the award.

Original Score:

“Dunkirk,” Hans Zimmer“Phantom Thread,” Jonny Greenwood“The Shape of Water,” Alexandre Desplat“Star Wars: The Last Jedi,” John Williams“Three Billboards Outside Ebbing, Missouri,” Carter Burwell

I’m not a composer but I can appreciate music. Scores were beautiful all around. Would like to see Desplat take it because his score was very central to the film as a whole what with there being such a dialogue gap in scenes because Eliza can’t speak. Again, this category is very well chosen and I have no qualms with whoever wins.

Original Song:

“Mighty River” from “Mudbound,” Mary J. Blige“Mystery of Love” from “Call Me by Your Name,” Sufjan Stevens“Remember Me” from “Coco,” Kristen Anderson-Lopez, Robert Lopez“Stand Up for Something” from “Marshall,” Diane Warren, Common“This Is Me” from “The Greatest Showman,” Benj Pasek, Justin Paul

First of I’m just surprised the Mystery of Love got put on here. Personally I would have gone with Visions of Gideon instead but either way I love all the songs on this list and I just really wanna see the This Is Me performance so uh I really don’t care who wins I love them all.

Makeup and Hair:

“Darkest Hour,” Kazuhiro Tsuji, David Malinowski, Lucy Sibbick“Victoria and Abdul,” Daniel Phillips and Lou Sheppard“Wonder,” Arjen Tuiten

Give it to the Darkest Hour please. Like you knew it was Gary Oldman but there was no resemblance at all which is hard to do. The makeup and hair was fantastic for all three so either way it’s a good win.

Costume Design:

“Beauty and the Beast,” Jacqueline Durran“Darkest Hour,” Jacqueline Durran“Phantom Thread,” Mark Bridges“The Shape of Water,” Luis Sequeira“Victoria and Abdul,” Consolata Boyle

I’d be surprised if Phantom Thread doesn't win because it’s about a fashion designer so that's what you have to work with as a costume designer. However the costumes for all fit their characters perfectly so any which way this goes they all had fantastic costume designers.

Visual Effects:

“Blade Runner 2049,” John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer“Guardians of the Galaxy Vol. 2,” Christopher Townsend, Guy Williams, Jonathan Fawkner, Dan Sudick“Kong: Skull Island,” Stephen Rosenbaum, Jeff White, Scott Benza, Mike Meinardus“Star Wars: The Last Jedi,”  Ben Morris, Mike Mulholland, Chris Corbould, Neal Scanlan“War for the Planet of the Apes,” Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

The visual effects intensity for each is immense. I know how much time and effort goes into visual effects work on films such as this so personally all of the visual effects artists deserve Oscars. I have no real choice because all these films were made by the visual effects. The performances were needed but lacking that perfect amount of visual effects each would have fallen flat. I feel like perhaps Blade Runner 2049 might take it but so could War for the Planet of the Apes or GOTG 2.

[dweemeister]

My alternative 90th Academy Awards

So here’s another annual tradition... my alternative Oscars ceremony. This is what this Sunday’s Oscars would look like if I – and I alone – stuffed the ballots and decided on all of the nominations and winners. Non-English language films are accompanied by their nation of origin (in FIFA three-letter code).

90th Academy Awards – March 4, 2018 Dolby Theatre – Hollywood, Los Angeles, California Host: Jimmy Kimmel Broadcaster: ABC

Best Picture: LADY BIRD

The Breadwinner, Anthony Leo, Tomm Moore, Andrew Rosen, and Paul Young (Cartoon Saloon/GKIDS)

Call Me by Your Name, Peter Spears, Luca Guadagnino, Emilie Georges, Rodrigo Teixeira, Marco Morabito, James Ivory, and Howard Rosenman (Sony Pictures Classics)

Coco, Darla K. Anderson (Pixar/Walt Disney)

Dunkirk, Emma Thomas and Christopher Nolan (Warner Bros.)

Faces Places (FRA), Rosalie Varda (Le Pacte/Cohen Media Group)

The Florida Project, Sean Baker, Chris Bergoch, Kevin Chinoy, Andrew Duncan, Alex Saks, Francesca Silvestri, and Shih-Ching Tsou (A24)

Lady Bird, Scott Rudin, Eli Bush, and Evelyn O’Neil (A24)

Phantom Thread, Paul Thomas Anderson, Megan Ellison, JoAnne Sellar, and Daniel Lupi, (Focus/Universal)

The Post, Steven Spielberg, Kristie Macosko Krieger, and Amy Pascal (20th Century Fox)

The Shape of Water, Guillermo del Toro and J. Miles Dale (Fox Searchlight Pictures)

Out of the running in real life are Darkest Hour, Three Billboards, and Get Out. And taking the maximum of ten spots, in their place enter The Breadwinner, Coco, Faces Places, The Florida Project. That’s two animated movies, a documentary, and a neglected critical darling... come at me? I was lukewarm over Darkest Hour, pissed off over Three Billboards, and I honestly don’t think Get Out is as effective a horror movie or a commentary on racial relations that it wants to be.

Lady Bird would be my winner, with Phantom Thread your runner-up and either Faces Places or The Shape of Water as your third spot. For Lady Bird, it would be harder to find a movie with as much empathy as it this calendar year. Maybe not the most technically gifted filmmaking of the nominees, but it accomplishes its conceit with an open ear and an open heart. Bravo.

I noticed that I don’t have time to write on all the Best Picture nominees anymore, like in years past. I only got to Dunkirk and The Post  – both of which are on the outside looking in.

Best Director

Guillermo del Toro, The Shape of Water

Greta Gerwig, Lady Bird

Christopher Nolan, Dunkirk

Dee Rees, Mudbound

Agnès Varda and JR, Faces Places

CONTROVERSY. Dee Rees nominated in Director, but Mudbound isn’t nominated for Picture! In all honesty, I couldn’t find the excuse to nudge Mudbound out for any of the nominees I placed above. But to focus on the positive, del Toro is going to make it three Mexican Best Director winners in the last four years... that is exhilarating. Nolan is my close second choice here, and falters a bit because I didn’t personally enjoy the structure of Dunkirk all that much.

Best Actor

Timothée Chalamet, Call Me by Your Name

Daniel Day-Lewis, Phantom Thread

Daniel Kaluuya, Get Out

Gary Oldman, Darkest Hour

Andy Serkis, War for the Planet of the Apes                               

No CMBYN fans, there will not be any justice for you on my blog either. Because the best performance of the year by an actor of a leading role was done in motion capture... it was Andy Serkis as Caesar in War for the Planet of the Apes. It’s been high time to honor Serkis in what is his best work – aside from his performances as Gollum – to date.

Best Actress

Ahn Seo-hyun, Okja

Sally Hawkins, The Shape of Water

Frances McDormand, Three Billboards Outside Ebbing, Missouri

Saoirse Ronan, Lady Bird

Meryl Streep, The Post

The quieter performances aren’t going to win at this year’s Oscars. McDormand’s flashier performance in Three Billboards will overshadow Hawkins’ nuanced, silent performance in SoW. That’s wrong to me, as I think Hawkins does so much physically that is so taxing for any actor that would dare take a role like that. South Korean child actress Ahn Seo-hyun just sneaks in for Okja.

Best Supporting Actor

Willem Dafoe, The Florida Project

Woody Harrelson, Three Billboards Outside Ebbing, Missouri

Richard Jenkins, The Shape of Water

Bob Odenkirk, The Post

Christopher Plummer, All the Money in the World

My least favorite acting category this year. So I’ll toss it to Dafoe for The Florida Project... who, on Sunday, is probably going to lose to a flashier performance in Sam Rockwell for Three Billboards (who shouldn’t have been nominated). Plummer and Odenkirk are in a close battle for second.

Best Supporting Actress

Mary J. Blige, Mudbound

Tiffany Haddish, Girls Trip

Allison Janney, I, Tonya

Lesley Manville, Phantom Thread

Laurie Metcalf, Lady Bird

This is Manville v. Metcalf for me. And for playing the deeply layered, deeply conflicted, tough-love mother in Lady Bird, this has to be Metcalf for me. It is ta transcendent supporting actress performance. And yes, I snuck Tiffany Haddish in here... because why not?

Best Adapted Screenplay

James Ivory, Call Me by Your Name

Scott Neustadter and Michael H. Weber, The Disaster Artist

Scott Frank, James Mangold, and Michael Green, Logan

Dee Rees and Virgil Williams, Mudbound

Aaron Sorkin, Molly’s Game

If I ran the Oscars, the 89-year-old James Ivory wouldn’t have won an Oscar by now either. I hate to type that, but timing is a funny thing! Fate and time are funny things, aren’t they? This category isn’t close. Dee Rees makes history as the first nominated black woman in this category!

Best Original Screenplay

Paul Thomas Anderson, Phantom Thread

Sean Baker and Chris Bergoch, The Florida Project

Greta Gerwig, Lady Bird

Liz Hannah and Josh Singer, The Post

Jordan Peele, Get Out

I’ve already commented how much I think Get Out is more flawed a movie than most believe. This comes down to Anderson and Gerwig for me... and my Best Picture winner, I think, is blessed with the screenplay of the year for capturing a time, a place, and its characters at a certain point in their lives so wonderfully.

Best Animated Feature

The Breadwinner (Cartoon Saloon/GKIDS)

Coco (Pixar/Walt Disney)

The Girl Without Hands, France (Shellac/GKIDS)

Loving Vincent (Next Film/Good Deed Entertainment)

Mary and the Witch’s Flower, Japan (Studio Ponoc/GKIDS)

SHOCKER. For me, I was considering a tie in this category (which has happened six times in Academy Awards history... so I guess I have to save it for once every fifteen ceremonies or something) between Breadwinner (write-up) and Coco (write-up). This would be Cartoon Saloon’s first win in my alternate universe... in that same alternative universe for 2009, The Secret of Kells would’ve lost to Up; for 2014, Song of the Sea would’ve lost to eventual Best Picture winner The Tale of the Princess Kaguya.

Coco fans, don’t despair though. Keep reading... because your movie isn’t going home empty-handed.

I totally disrespected Ferdinand and Boss Baby didn’t I?

Best Documentary Feature

Abacus: Small Enough to Jail (Kartemquin Films/Public Broadcasting Service)

Faces Places, France (Le Pacte/Cohen Media Group)

Jane (National Geographic)

LA92 (National Geographic)

Last Men in Aleppo (Aleppo Media Center/Larm Film/Grasshopper Film)

I don’t think this would be Agnès Varda’s first Oscar in my alternative universe? I’ll get to doing the 1960s someday. :P

Best Foreign Language Film

Faces Places, France

The Insult, Lebanon

Loveless, Russia

Mary and the Witch’s Flower, Japan

The Square, Sweden

Best Cinematography

Roger Deakins, Blade Runner 2049

Janusz Kaminski, The Post

Rachel Morrison, Mudbound

Jonathan Ricquebourg, The Death of Louis XIV (FRA)

Hoyte Van Hoytema, Dunkirk

Morrison makes history by being the first female nominee in this category and as its first winner. Sorry Roger Deakins! You probably would’ve won earlier in my alternative universe anyways.

Best Film Editing

Michael Kahn, The Post

Paul Machliss and Jonathan Amos, Baby Driver

Gregory Plotkin, Get Out

Lee Smith, Dunkirk

Sidney Wolinsky, The Shape of Water

Best Original Musical*

M.M. Keeravani, Baahubali 2: The Conclusion

Robert Lopez and Kristen Anderson-Lopez, Coco

Benj Pasek and Justin Paul, The Greatest Showman

*NOTE: Best Original Musical – known previously as several other names – exists in the Academy’s rulebooks, but requires activation from the music branch given that there are enough eligible films. To qualify, a film must have no fewer than five original songs. This category was last activated when Prince won for Purple Rain (1984).

You know, this might change some day if I sit down and watch Baahubali 2. I’ve listened to the soundtrack, but I haven’t seen the songs in context. Sorry Indian cinema fans! Coco fans must be getting mighty mad at me for now... but Coco’s musical score – outside of two original songs (“Remember Me” and “Proud Corazón”) and one non-original song (“La Llorana”) – isn’t the best out of context. The Greatest Showman – I think Pasek and Paul are far better lyricists than they are composers (and yes, that’s a problem) – has songs that do very well in and out of context, and takes the win in this category.

Best Original Score

Alexandre Desplat, The Shape of Water

Alexandre Desplat, Valerian and the City of a Thousand Planets

Michael Giacchino, War for the Planet of the Apes

John Williams, The Post

John Williams, Star Wars: The Last Jedi

It really comes down to Valerian, Apes, and Jedi. And in this titanic battle over science fiction and space opera, it is Desplat for the much-maligned Valerian taking the Oscar home. The score combines seamlessly enormous orchestral and electronic elements to a degree that I haven’t heard from Desplat yet. It barely edges Williams for The Last Jedi... which benefits from some of Williams’ best action scoring in years and a repackaging of older themes in ways showing off the dexterity of the maestro. Giacchino is third, with Desplat for SoW in fourth, and The Post in fifth. Jonny Greenwood for Phantom Thread is the first man out.

Best Original Song

“Mighty River”, music by Raphael Saadiq; lyrics by Mary J. Blige, Saadiq, and Taura Stinson, Mudbound

“A Million Dreams”, music and lyrics by Benj Pasek and Justin Paul, The Greatest Showman

“Mystery of Love”, music and lyrics by Sufjan Stevens, Call Me by Your Name

“Remember Me (Recuérdame)”, music and lyrics by Kristen Anderson-Lopez and Robert Lopez, Coco

“This Is Me”, music and lyrics by Benj Pasek and Justin Paul, The Greatest Showman

Also proudly the winner of the 2017 Movie Odyssey Award for Best Original Song (some of you know what that means), “Remember Me (Recuérdame)” has everything you want – interesting musicality (even though I still think that descending line, which begins with “For ever if I’m far away / I hold you in my heart” sounds far more like something Randy Newman would compose than something distinctly Mexican) meaningful lyrics, layers of meaning within the movie it comes from, and a life of its own when separated from that movie.

Showstopper “This Is Me” comes a distant second, with the others in a scrum for crumbs. I really like “A Million Dreams”, though. My sister will take me to task over how much I enjoyed The Greatest Showman’s soundtrack (which I enjoyed despite finding it musically uninteresting).

Best Costume Design

Jacqueline Durran, Beauty and the Beast

Jen Wasson, The Beguiled

Nina Avramovic, The Death of Louis XIV

Mark Bridges, Phantom Thread

Luis Sequeira, The Shape of Water

Best Makeup & Hairstyling

Kazuhiro Tsuji, David Malinowski, and Lucy Sibbick, Darkest Hour

John Blake and Camille Friend, Guardians of the Galaxy Vol. 2

Neal Scanlan and Peter King, Star Wars: The Last Jedi

Thi Thanh Tu Nguyen and Félix Puget, Valerian and the City of a Thousand Planets

Arjen Tuiten, Wonder

Best Production Design

Dennis Gassner and Alessandra Querzola, Blade Runner 2049

Jim Clay and Rebecca Alleway, Murder on the Orient Express

Paul Denham Austerberry, Shane Vieau, and Jeff Melvin, The Shape of Water

Hugues Tissandier, Valerian and the City of a Thousand Planets

Aline Bonetto and Dominic Hyman, Wonder Woman

Best Sound Editing

Mark Mangini and Theo Green, Blade Runner 2049

Richard King and Alex Gibson, Dunkirk

Al Nelson and Steve Slanec, Kong: Skull Island

Matthew Wood and Ren Klyce, Star Wars: The Last Jedi

James Mather, Wonder Woman

Best Sound Mixing

Julian Slater, Tim Cavagin, and Mary H. Ellis, Baby Driver

Ron Bartlett, Doug Hemphill, and Mac Ruth, Blade Runner 2049

Mark Weingarten, Gregg Landaker, and Gary A. Rizzo, Dunkirk

Christian Cooke, Brad Zoern, and Glen Gauthier, The Shape of Water

David Parker, Michael Semanick, Ren Klyce, and Stuart Wilson, Star Wars: The Last Jedi

Best Visual Effects

John Nelson, Gerd Nefzer, Paul Lambert, and Richard R. Hoover, Blade Runner 2049

Scott Fisher and Andrew Jackson, Dunkirk

Ben Morris, Mike Mulholland, Neal Scanlan, and Chris Corbould, Star Wars: The Last Jedi

Scott Stokdyk and Jérome Lionard, Valerian and the City of a Thousand Planets

Joe Letteri, Daniel Barrett, Dan Lemmon, and Joel Whist, War for the Planet of the Apes

Best Documentary Short

Edith+Eddie (Kartemquin Films)

Heaven Is a Traffic Jam on the 405 (Frank Stiefel)

Heroine(e) (Requisite Media/Netflix)

Knife Skills (Thomas Lennon Films)

Traffic Stop (Q-Ball Productions/HBO Films)

My omnibus review of this year’s nominees can be read here.

Best Live Action Short

DeKalb Elementary (Reed Van Dyk)

The Eleven O’Clock (FINCH)

My Nephew Emmett (Kevin Wilson, Jr.)

The Silent Child (Slick Films)

Watu Wote: All of Us, Germany/Kenya (Ginger Ink Films/Hamburg Media School)

My omnibus review of this year’s nominees can be read here.

Best Animated Short

Dear Basketball (Glen Keane Productions)

In a Heartbeat (Ringling College of Art and Design)

Lou (Pixar/Walt Disney)

Revolting Rhymes (Magic Light Pictures/Triggerfish Animation Studios/BBC)

World of Tomorrow Episode Two: The Burden of Other People’s Thoughts (Bitter Films)

My omnibus review of this year’s nominees can be read here. I took out Negative Space and Garden Party for my winner In a Heartbeat and World of Tomorrow Episode Two. If you haven’t seen In a Heartbeat yet... first, where the hell have you been? Under a rock? Here’s the link.

Academy Honorary Awards: Agnès Varda, Charles Burnett, Donald Sutherland, and Owen Roizman

Special Achievement Academy Award: Alejandro González Iñárritu, Flesh and Sand

MULTIPLE NOMINEES (22) Nine: The Shape of Water Seven: Dunkirk; The Post Six: Phantom Thread Five: Blade Runner 2049; Lady Bird; Mudbound; Star Wars: The Last Jedi Four: Call Me by Your Name; Coco; Faces Places; Valerian and the City of a Thousand Planets Three: The Florida Project; Get Out; The Greatest Showman; War for the Planet of the Apes Two: Baby Driver; The Breadwinner; Darkest Hour; The Death of Louis XIV; Mary and the Witch’s Flower; Three Billboards Outside Ebbing, Missouri; Wonder Woman

WINNERS 4 wins: The Shape of Water 3 wins: Lady Bird 2 wins: Dunkirk; Faces Places; Valerian and the City of a Thousand Planets; War for the Planet of the Apes 1 win: The Breadwinner; Call Me by Your Name; Coco; DeKalb Elementary; The Florida Project; The Greatest Showman; In a Heartbeat; Knife Skills; Mudbound; Phantom Thread

16 winners from 25 categories. 45 feature-length films and 15 short films were represented.

Questions? Comments? Personal attacks? Fire away!

[filmspun]

Here is the list of 2018 Oscar nominations:

Best Picture:

“Call Me by Your Name” “Darkest Hour” “Dunkirk” “Get Out” “Lady Bird” “Phantom Thread” “The Post” “The Shape of Water” “Three Billboards Outside Ebbing, Missouri”

Lead Actor:

Timothée Chalamet, “Call Me by Your Name” Daniel Day-Lewis, “Phantom Thread” Daniel Kaluuya, “Get Out” Gary Oldman, “Darkest Hour” Denzel Washington, “Roman J. Israel, Esq.”

Lead Actress:

Sally Hawkins, “The Shape of Water” Frances McDormand, “Three Billboards Outside Ebbing, Missouri” Margot Robbie, “I, Tonya” Saoirse Ronan, “Lady Bird” Meryl Streep, “The Post”

Supporting Actor:

Willem Dafoe, “The Florida Project” Woody Harrelson, “Three Billboards Outside Ebbing, Missouri” Richard Jenkins, “The Shape of Water” Christopher Plummer, “All the Money in the World” Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

Supporting Actress:

Mary J. Blige, “Mudbound” Allison Janney, “I, Tonya” Lesley Manville, “Phantom Thread” Laurie Metcalf, “Lady Bird” Octavia Spencer, “The Shape of Water”

Director:

“Dunkirk,” Christopher Nolan “Get Out,” Jordan Peele “Lady Bird,” Greta Gerwig “Phantom Thread,” Paul Thomas Anderson “The Shape of Water,” Guillermo del Toro

Animated Feature:

“The Boss Baby,” Tom McGrath, Ramsey Ann Naito “The Breadwinner,” Nora Twomey, Anthony Leo “Coco,” Lee Unkrich, Darla K. Anderson “Ferdinand,” Carlos Saldanha “Loving Vincent,” Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman

Animated Short:

“Dear Basketball,” Glen Keane, Kobe Bryant “Garden Party,” Victor Caire, Gabriel Grapperon “Lou,” Dave Mullins, Dana Murray “Negative Space,” Max Porter, Ru Kuwahata “Revolting Rhymes,” Jakob Schuh, Jan Lachauer

Adapted Screenplay:

“Call Me by Your Name,” James Ivory “The Disaster Artist,” Scott Neustadter & Michael H. Weber “Logan,” Scott Frank & James Mangold and Michael Green “Molly’s Game,” Aaron Sorkin “Mudbound,” Virgil Williams and Dee Rees

Original Screenplay:

“The Big Sick,” Emily V. Gordon & Kumail Nanjiani “Get Out,” Jordan Peele “Lady Bird,” Greta Gerwig “The Shape of Water,” Guillermo del Toro, Vanessa Taylor “Three Billboards Outside Ebbing, Missouri,” Martin McDonagh

Cinematography:

“Blade Runner 2049,” Roger Deakins “Darkest Hour,” Bruno Delbonnel “Dunkirk,” Hoyte van Hoytema “Mudbound,” Rachel Morrison “The Shape of Water,” Dan Laustsen

Best Documentary Feature:

“Abacus: Small Enough to Jail,” Steve James, Mark Mitten, Julie Goldman “Faces Places,” JR, Agnès Varda, Rosalie Varda “Icarus,” Bryan Fogel, Dan Cogan “Last Men in Aleppo,” Feras Fayyad, Kareem Abeed, Soren Steen Jepersen “Strong Island,” Yance Ford, Joslyn Barnes

[ethenell]

2018 Oscar Predictions!

WILL WIN and SHOULD WIN

Best Picture:

“Call Me by Your Name” “Darkest Hour” “Dunkirk” “Get Out” “Lady Bird” “Phantom Thread” “The Post” “The Shape of Water” “Three Billboards Outside Ebbing, Missouri”

Should’ve Been Here: “The Florida Project”

Lead Actor: Timothée Chalamet, “Call Me by Your Name” Daniel Day-Lewis, “Phantom Thread” Daniel Kaluuya, “Get Out” Gary Oldman, “Darkest Hour” Denzel Washington, “Roman J. Israel, Esq.”

Should’ve Been Here: Andy Serkis, “War for the Planet of the Apes”

Lead Actress: Sally Hawkins, “The Shape of Water” Frances McDormand, “Three Billboards Outside Ebbing, Missouri” Margot Robbie, “I, Tonya” Saoirse Ronan, “Lady Bird” Meryl Streep, “The Post”

Should’ve Been Here: Vicky Krieps, “Phantom Thread”

Supporting Actor: Willem Dafoe, “The Florida Project” Woody Harrelson, “Three Billboards Outside Ebbing, Missouri” Richard Jenkins, “The Shape of Water” Christopher Plummer, “All the Money in the World” Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

Should’ve Been Here: Michael Stuhlbarg, “Call Me By Your Name”

Supporting Actress: Mary J. Blige, “Mudbound” Allison Janney, “I, Tonya” Lesley Manville, “Phantom Thread” Laurie Metcalf, “Lady Bird” Octavia Spencer, “The Shape of Water”

Should’ve Been Here: Kirsten Dunst, “The Beguiled”

Director: “Dunkirk,” Christopher Nolan “Get Out,” Jordan Peele “Lady Bird,” Greta Gerwig “Phantom Thread,” Paul Thomas Anderson “The Shape of Water,” Guillermo del Toro

Should’ve Been Here: Luca Guadagigno [?], “Call Me By Your Name”

Animated Feature: “The Boss Baby,” Tom McGrath, Ramsey Ann Naito “The Breadwinner,” Nora Twomey, Anthony Leo “Coco,” Lee Unkrich, Darla K. Anderson “Ferdinand,” Carlos Saldanha “Loving Vincent,” Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman

Animated Short: “Dear Basketball,” Glen Keane, Kobe Bryant “Garden Party,” Victor Caire, Gabriel Grapperon “Lou,” Dave Mullins, Dana Murray “Negative Space,” Max Porter, Ru Kuwahata “Revolting Rhymes,” Jakob Schuh, Jan Lachauer

Adapted Screenplay: “Call Me by Your Name,” James Ivory “The Disaster Artist,” Scott Neustadter & Michael H. Weber “Logan,” Scott Frank & James Mangold and Michael Green “Molly’s Game,” Aaron Sorkin “Mudbound,” Virgil Williams and Dee Rees

Should’ve Been Here:

Original Screenplay: “The Big Sick,” Emily V. Gordon & Kumail Nanjiani “Get Out,” Jordan Peele “Lady Bird,” Greta Gerwig “The Shape of Water,” Guillermo del Toro, Vanessa Taylor “Three Billboards Outside Ebbing, Missouri,” Martin McDonagh

Should’ve Been Here: “Phantom Thread,” Paul Thomas Anderson

Cinematography: “Blade Runner 2049,” Roger Deakins “Darkest Hour,” Bruno Delbonnel “Dunkirk,” Hoyte van Hoytema “Mudbound,” Rachel Morrison “The Shape of Water,” Dan Laustsen Should’ve Been Here:

Best Documentary Feature: “Abacus: Small Enough to Jail,” Steve James, Mark Mitten, Julie Goldman “Faces Places,” JR, Agnès Varda, Rosalie Varda “Icarus,” Bryan Fogel, Dan Cogan “Last Men in Aleppo,” Feras Fayyad, Kareem Abeed, Soren Steen Jepersen “Strong Island,” Yance Ford, Joslyn Barnes

Should’ve Been Here: “City of Ghosts”

Best Documentary Short Subject: “Edith+Eddie,” Laura Checkoway, Thomas Lee Wright “Heaven is a Traffic Jam on the 405,” Frank Stiefel “Heroin(e),” Elaine McMillion Sheldon, Kerrin Sheldon “Knife Skills,” Thomas Lennon “Traffic Stop,” Kate Davis, David Heilbroner

Best Live Action Short Film: “DeKalb Elementary,” Reed Van Dyk “The Eleven O’Clock,” Derin Seale, Josh Lawson “My Nephew Emmett,” Kevin Wilson, Jr. “The Silent Child,” Chris Overton, Rachel Shenton “Watu Wote/All of Us,” Katja Benrath, Tobias Rosen

Best Foreign Language Film: “A Fantastic Woman” (Chile) “The Insult” (Lebanon) “Loveless” (Russia) “On Body and Soul (Hungary) “The Square” (Sweden)

Film Editing: “Baby Driver,” Jonathan Amos, Paul Machliss “Dunkirk,” Lee Smith “I, Tonya,” Tatiana S. Riegel “The Shape of Water,” Sidney Wolinsky “Three Billboards Outside Ebbing, Missouri,” Jon Gregory

Sound Editing: “Baby Driver,” Julian Slater “Blade Runner 2049,” Mark Mangini, Theo Green “Dunkirk,” Alex Gibson, Richard King “The Shape of Water,” Nathan Robitaille, Nelson Ferreira “Star Wars: The Last Jedi,” Ren Klyce, Matthew Wood

Sound Mixing: “Baby Driver,” Mary H. Ellis, Julian Slater, Tim Cavagin “Blade Runner 2049,” Mac Ruth, Ron Bartlett, Doug Hephill “Dunkirk,” Mark Weingarten, Gregg Landaker, Gary A. Rizzo “The Shape of Water,” Glen Gauthier, Christian Cooke, Brad Zoern “Star Wars: The Last Jedi,” Stuart Wilson, Ren Klyce, David Parker, Michael Semanick

Production Design: “Beauty and the Beast,” Sarah Greenwood; Katie Spencer “Blade Runner 2049,” Dennis Gassner, Alessandra Querzola “Darkest Hour,” Sarah Greenwood, Katie Spencer “Dunkirk,” Nathan Crowley, Gary Fettis “The Shape of Water,” Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau

Should’ve Been Here: “Phantom Thread”

Original Score: “Dunkirk,” Hans Zimmer “Phantom Thread,” Jonny Greenwood “The Shape of Water,” Alexandre Desplat “Star Wars: The Last Jedi,” John Williams “Three Billboards Outside Ebbing, Missouri,” Carter Burwell

Original Song: “Mighty River” from “Mudbound,” Mary J. Blige “Mystery of Love” from “Call Me by Your Name,” Sufjan Stevens “Remember Me” from “Coco,” Kristen Anderson-Lopez, Robert Lopez “Stand Up for Something” from “Marshall,” Diane Warren, Common “This Is Me” from “The Greatest Showman,” Benj Pasek, Justin Paul

Should’ve Been Here: “Visions of Gideon” from “Call Me by Your Name,” Sufjan Stevens

Makeup and Hair: “Darkest Hour,” Kazuhiro Tsuji, David Malinowski, Lucy Sibbick “Victoria and Abdul,” Daniel Phillips and Lou Sheppard “Wonder,” Arjen Tuiten

Costume Design: “Beauty and the Beast,” Jacqueline Durran “Darkest Hour,” Jacqueline Durran “Phantom Thread,” Mark Bridges “The Shape of Water,” Luis Sequeira “Victoria and Abdul,” Consolata Boyle

Visual Effects: “Blade Runner 2049,” John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer “Guardians of the Galaxy Vol. 2,” Christopher Townsend, Guy Williams, Jonathan Fawkner, Dan Sudick “Kong: Skull Island,” Stephen Rosenbaum, Jeff White, Scott Benza, Mike Meinardus “Star Wars: The Last Jedi,”  Ben Morris, Mike Mulholland, Chris Corbould, Neal Scanlan “War for the Planet of the Apes,” Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

[bisexualraplines]

my oscar picks lol

BEST FILM: “Call Me by Your Name” “Darkest Hour” “Dunkirk” “Get Out” (balances comedy and psychological thriller sequences AMAZINGLY and the performances were INCREDIBLE and jordan peele is a genius and please god let him have this??) “Lady Bird” (WEEPS!!! FOREVER!!!) “Phantom Thread” “The Post” “The Shape of Water” (LIFE CHANGING. THE MOST BEAUTIFUL FILME I HAVE EVER SEEN AND MY EYES HAVE BEEN BLESSED WITH) “Three Billboards Outside Ebbing, Missouri”

Lead Actor: (maybe the daniel’s will combine their powers and take out gary?)

Timothée Chalamet, “Call Me by Your Name” Daniel Day-Lewis, “Phantom Thread” (let my poor man have this. HE QUIT ACTING. HE DIDN’T DIE FOR THIS) Daniel Kaluuya, “Get Out” (an outstanding performance. let him finally win please??) Gary Oldman, “Darkest Hour” Denzel Washington, “Roman J. Israel, Esq.”

Lead Actress:

Sally Hawkins, “The Shape of Water” Frances McDormand, “Three Billboards Outside Ebbing, Missouri” Margot Robbie, “I, Tonya” Saoirse Ronan, “Lady Bird” (sher-shaw is excellent but saying she had a better performance than sally or margot is just silly) Meryl Streep, “The Post”

Supporting Actor:

Willem Dafoe, “The Florida Project” (this movie gave me the FEELS) Woody Harrelson, “Three Billboards Outside Ebbing, Missouri” Richard Jenkins, “The Shape of Water” Christopher Plummer, “All the Money in the World” Sam Rockwell, “Three Billboards Outside Ebbing, Missouri” (see normally i’d be rooting for my man sam but i just can’t if he’s in that…. Filme…)

Supporting Actress:

Mary J. Blige, “Mudbound” Allison Janney, “I, Tonya” (this actress annoys me lol) Lesley Manville, “Phantom Thread” (i haven’t seen it yet oops) Laurie Metcalf, “Lady Bird” Octavia Spencer, “The Shape of Water”

Director: (SPLIT THE OSCAR INTO FOUR PIECES!!!!! do it COWARDS)

“Dunkirk,” Christopher Nolan (see i love nolan but dunkirk was so mediocre i’m sorry) “Get Out,” Jordan Peele “Lady Bird,” Greta Gerwig “Phantom Thread,” Paul Thomas Anderson “The Shape of Water,” Guillermo del Toro

Animated Feature: (it haunts me that i will have to hear the following words: oscar nominated filme….. boss baby)

“The Boss Baby,” Tom McGrath, Ramsey Ann Naito “The Breadwinner,” Nora Twomey, Anthony Leo “Coco,” Lee Unkrich, Darla K. Anderson “Ferdinand,” Carlos Saldanha “Loving Vincent,” Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman

Animated Short:

“Dear Basketball,” Glen Keane, Kobe Bryant “Garden Party,” Victor Caire, Gabriel Grapperon “Lou,” Dave Mullins, Dana Murray “Negative Space,” Max Porter, Ru Kuwahata “Revolting Rhymes,” Jakob Schuh, Jan Lachauer

Adapted Screenplay: (lol i’m biased)

“Call Me by Your Name,” James Ivory “The Disaster Artist,” Scott Neustadter & Michael H. Weber “Logan,” Scott Frank & James Mangold and Michael Green (x kids that are also mexican immigrants gang up to kill a man named donald?? dad logan and his killer daughter whom i love and cherish??? xavier’s entire performance in this filme is award worthy on its own??? yes please) “Molly’s Game,” Aaron Sorkin “Mudbound,” Virgil Williams and Dee Rees (should’ve replaced dunkirk for best picture to be honest)

Original Screenplay:

“The Big Sick,” Emily V. Gordon & Kumail Nanjiani “Get Out,” Jordan Peele “Lady Bird,” Greta Gerwig “The Shape of Water,” Guillermo del Toro, Vanessa Taylor “Three Billboards Outside Ebbing, Missouri,” Martin McDonagh (lol)

Cinematography:

“Blade Runner 2049,” Roger Deakins (IT’S WHAT HE DESERVES!!!!!) “Darkest Hour,” Bruno Delbonnel “Dunkirk,” Hoyte van Hoytema “Mudbound,” Rachel Morrison “The Shape of Water,” Dan Laustsen

Best Documentary Feature: (I HAVEN’T SEEN ANY OF THESE AOFKO)

“Abacus: Small Enough to Jail,” Steve James, Mark Mitten, Julie Goldman “Faces Places,” JR, Agnès Varda, Rosalie Varda “Icarus,” Bryan Fogel, Dan Cogan “Last Men in Aleppo,” Feras Fayyad, Kareem Abeed, Soren Steen Jepersen “Strong Island,” Yance Ford, Joslyn Barnes

Best Documentary Short Subject: (OR THESE…)

“Edith+Eddie,” Laura Checkoway, Thomas Lee Wright “Heaven is a Traffic Jam on the 405,” Frank Stiefel “Heroin(e),” Elaine McMillion Sheldon, Kerrin Sheldon “Knife Skills,” Thomas Lennon “Traffic Stop,” Kate Davis, David Heilbroner

Best Live Action Short Film: (OR THESE……….)

“DeKalb Elementary,” Reed Van Dyk “The Eleven O’Clock,” Derin Seale, Josh Lawson “My Nephew Emmett,” Kevin Wilson, Jr. “The Silent Child,” Chris Overton, Rachel Shenton “Watu Wote/All of Us,” Katja Benrath, Tobias Rosen

Best Foreign Language Film: (…….. or these…)

“A Fantastic Woman” (Chile) “The Insult” (Lebanon) “Loveless” (Russia) “On Body and Soul (Hungary) “The Square” (Sweden)

Film Editing:

“Baby Driver,” Jonathan Amos, Paul Machliss “Dunkirk,” Lee Smith (ok admittedly the editing in this filme was top notch, so) “I, Tonya,” Tatiana S. Riegel (hey look its my name) “The Shape of Water,” Sidney Wolinsky (i’m rooting for this filme regardless of the category lol) “Three Billboards Outside Ebbing, Missouri,” Jon Gregory

Sound Editing:

“Baby Driver,” Julian Slater (purely bc of the song beat being synchronized with the gunshots/action scenes cos.. what the Fuck) “Blade Runner 2049,” Mark Mangini, Theo Green “Dunkirk,” Alex Gibson, Richard King “The Shape of Water,” Nathan Robitaille, Nelson Ferreira “Star Wars: The Last Jedi,” Ren Klyce, Matthew Wood

Sound Mixing:

“Baby Driver,” Mary H. Ellis, Julian Slater, Tim Cavagin (same as above lol) “Blade Runner 2049,” Mac Ruth, Ron Bartlett, Doug Hephill “Dunkirk,” Mark Weingarten, Gregg Landaker, Gary A. Rizzo “The Shape of Water,” Glen Gauthier, Christian Cooke, Brad Zoern “Star Wars: The Last Jedi,” Stuart Wilson, Ren Klyce, David Parker, Michael Semanick

Production Design:

“Beauty and the Beast,” Sarah Greenwood; Katie Spencer “Blade Runner 2049,” Dennis Gassner, Alessandra Querzola “Darkest Hour,” Sarah Greenwood, Katie Spencer “Dunkirk,” Nathan Crowley, Gary Fettis “The Shape of Water,” Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau

Original Score:

“Dunkirk,” Hans Zimmer (TICKTICKTICKETICKETIKCIRTKI) “Phantom Thread,” Jonny Greenwood (LOL ISN’T HE FROM RADIOHEAD??? anyways i haven’t seen this yet but i’m rooting for you anyway?) “The Shape of Water,” Alexandre Desplat (alexandre desplat is my MANS) “Star Wars: The Last Jedi,” John Williams (lol as if) “Three Billboards Outside Ebbing, Missouri,” Carter Burwell

Original Song:

“Mighty River” from “Mudbound,” Mary J. Blige “Mystery of Love” from “Call Me by Your Name,” Sufjan Stevens (i love u sadjam and i;m sorry) “Remember Me” from “Coco,” Kristen Anderson-Lopez, Robert Lopez (COCO!!!!!!!!!!!) “Stand Up for Something” from “Marshall,” Diane Warren, Common “This Is Me” from “The Greatest Showman,” Benj Pasek, Justin Paul

Costume Design:

“Beauty and the Beast,” Jacqueline Durran “Darkest Hour,” Jacqueline Durran “Phantom Thread,” Mark Bridges (going with this for my man ddl and pta and cause i don’t really care about the others too much) “The Shape of Water,” Luis Sequeira “Victoria and Abdul,” Consolata Boyle

Visual Effects:

“Blade Runner 2049,” John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer “Guardians of the Galaxy Vol. 2,” Christopher Townsend, Guy Williams, Jonathan Fawkner, Dan Sudick (ok this was nominated but not ragnarok?? racism!) “Kong: Skull Island,” Stephen Rosenbaum, Jeff White, Scott Benza, Mike Meinardus “Star Wars: The Last Jedi,”  Ben Morris, Mike Mulholland, Chris Corbould, Neal Scanlan “War for the Planet of the Apes,” Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist