#Deyos

[mcextras]

Claire Deyoe

[roadtrippinlilly]

The Deyo Mission, also called the First Comanche Mission, was established by Elton Cyrus Deyo in the late winter of 1883 near Cache. Deyo, a Baptist and 1893 graduate of the Colgate Theological Seminary, arrived at the Kiowa-Comanche-Apache Reservation in October 1893 with his wife, Anna. It is one of the oldest American Indian churches in the area.

Source Me laf@ilyF 😊

[liopleurodean]

Glad to know that there's already discourse because of Martian Messages, this is gonna be so much fun

[fearsmagazine]

DECADE OF THE DEAD comes to life with Film Mode Entertainment and makes Cannes World Market Premiere.

Film Mode Entertainment (FME), Flynn Forest Productions, Sight & Sound Productions and Lucky 13 Productions announce the Cannes World Market Premiere and screening of newly completed action/adventure, Decade of the Dead. The film stars Sean Patrick Thomas (Till, The Tragedy of Macbeth, Lying and Stealing), Shane Johnson (Power), Jenna Leight Green (Sabrina, Wicked), Corsica Wilson (In a World…, Dead Season) and Marissa Merrill (End, Dead Season). Decade of the Dead is directed by Adam Deyoe and Fairai Branscombe Richmond and written by Loren Semmens and Adam Deyoe. The film was produced by Loren Semmens, Bryan Spicer and Joel Michaely.

Decade of the Dead takes place ten years after the apocalypse, where a group of bounty hunters finds refuge on a tropical island only to discover it’s ruled by a deranged cult leader with plans to take over the post-apocalyptic world. Stuck between the cult and the relentless hordes of the walking dead, the survivors must fight for their lives.

Sean Patrick Thomas’ extensive body of work includes critically acclaimed features Chinonye Chukwu’s “Till”, Joel Coen’s “The Tragedy of Macbeth” with Denzel Washington, and Darren Aronofsky’s “The Fountain” with Hugh Jackman. His current role as Polarity in “Gen V,” Amazon’s The Boys spin off, has introduced him to a whole new generation of fans. As well as countless other memorable films such as the iconic “Cruel Intentions”, additional credits include the hit ensemble franchise “Barbershop”; and the fan favorite “Save The Last Dance”, which garnered him the Young Hollywood Award for Standout Performance; and two MTV Movie Awards, for Breakthrough Male Performance and Best Kiss. He is repped by Innovative Artists and Greenlight Management.

Film Mode Entertainment has acquired international sales rights for Decade of the Dead and is presenting the film and promo-reel to buyers in Cannes for the first time. The deal was negotiated by Andrew van den Houten of 79th & Broadway Entertainment on behalf of the producers with Clay Epstein of FME.

“We’re thrilled to be working with the amazingly talented Decade of the Dead team, who have successfully crafted an action-adventure film that raises the bar on one of the most popular and lucrative genres in the marketplace today,” said Epstein. “Decade of the Dead will wow audiences across the globe and leave them on the edge of their seats throughout a wild ride, to the very last shot of the movie.”

[spreeathen]

DEYO BLEIBT !!! 😍💙🤍

(Und was kocht unsere Social Media Abteilung da bitte wieder?)

[nemfrog]

"Desmodont or blood-sucking vampire." Popular history of animals for young people. 1895.

Internet Archive (from a book uploaded there by scanner-nicole-deyo)

[holofizz]

Vorta Muffin Tier list

I've included only the named Vorta, in this order: Kilana, Weyoun, Keevan, Deyos, Gelnon, Borath, Yelgrun, Luaran, Eris.

This was originally a poorly thought out scribble from a page where I was brainstorming ideas for a vorta oc (I have yet to finish them) @weyounthevorta as requested :)

[continuousmonument]

The Paradise Motel Los Angeles, CA 2024 photograph by Sean Deyoe (@continuousmonument)

[judgemark45]

U.S. Navy battleship USS Iowa (BB-61) and the aircraft carrier USS Midway (CV-41) surrounded by other ships of Battle Group Alpha while underway in formation in the Indian Ocean, 1 December 1987. The following ships are identifiable:

the battleship USS Iowa (BB-61);

a Belknap-class guided missile cruiser, USS Horne (CG-30)’’

the guided missile cruiser USS Ticonderoga (CG-47);

probably USS Fox (CG-33);

the aircraft carrier USS Midway (CV-41);

the fleet oiler USS Cimarron (AO-177);

the destroyer USS Deyo (DD-989);

the Military Sealift Command fleet oiler USNS Mispillion (T-AO-105);

the Knox-class figates USS Knox (FF-1052) and USS Francis Hammond (FF-1067);

the combat stores ship USS White Plains (AFS-4);

USS Oldendorf (DD-972);

the ammunition ship USNS Kilaulea (T-AE-26);

the guided missile destroyer USS Towers (DDG-9).USN Image/PH2 Raszler

[retroscifiart]

Art by Vic Longbon for the front cover of The Cosmic Conspiracy by Stan Deyo (1978)

[gabekiddjp]

CERTIFIED SENSHUS DEYO‼️

#njpw #ddtpro

[gelmemeyeegitmisim]

Yanımda ikizim kdrama izliyo deyo meyo bişeyler diyo aq @bendeliyimhanimefendi

[dailyanarchistposts]

Author: Kevin Carson Topic: health care

Alternet has an interview with Dr. Richard Deyo, who co-authored Hope or Hype: The Obsession with Medical Advances and the High Cost of False Promises. Some excellent bits of analysis, although (like a typical goo-goo) he gets the big picture wrong.

The problem with me-too drugs is a big one. Me-too drugs are chemically very similar to other drugs already available, yet they are typically marketed as if they were important new breakthroughs, and typically with very high prices. We found in many cases that new, expensive me-too drugs are not necessarily better than older generic and less expensive drugs. Because new and heavily marketed drugs seem like they must be better, manufacturers can command higher prices. That is an important driver of drug costs.

The central factor in this process is the state’s patent policies, which drastically inflate the profitability of the newer “me, too” drugs against much cheaper competitors that do very nearly the same thing. Indeed, the patent process has a huge distorting effect on R&D, since it results in so many resources being channelled into tweaking existing drugs just enough so that they can be re-patented as “new.” Then the drug reps hit every hospital and clinic in America, drop off some free samples and pamphlets, and (most M.D.s relying on drug industry handouts for their information on the new drugs that have come out since they left med school) the “me, too” drug becomes the new standard form of treatment.

The state having created the “honey pot” with its patent system, it is quite predictable that the state-enforced drug cartels and the white-coat Mafia (medical licensing boards with their mainly pharma-influenced “standards of practice”) should drive the industry toward a model focused on these high-cost drugs, and crowd out low-cost alternatives.

Any doc who (say) recommends Co-Enzyme Q-10 as a first recourse against congestive heart failure, or attempts some other low-cost departure from the drug-‘em-and-cut-‘em model, had better remember the state licensing board has its eye on him. Even stipulating that patents themselves are legitimate (which they are not), this latter practice has the effect of outlawing one of the most important defenses against monopoly: what Schumpeter called “product-substitution.”

The fact that the authors’ proposed response to this state capitalist sewer is even more state intervention (finessing the FDA approval process, more regulation of advertising, more procedural oversight of research), rather than eliminating the forms of state intervention that create the honey-pot in the first place, is mind-boggling. It’s like looking at one of those Rube Goldberg inventions.

Speaking of inventions.... One of the best regular features on MST3K was the weekly “Inventions” segment. My favorite was a treadmill with motorized wheels on the bottom, just in case you felt like moving around outside while you were walking. But with big government liberals making proposals like these, it’s hard for the farceurs on the Satellite of Love to compete.

[spreeathen]

Deyo geht Ende der Saison 😔

[blogparanormalexpresso2stuff]

Stan Deyo in conversation with Bob Lazar on Element 115, flying saucer technology and Edward Teller

[my-chaos-radio]

Release: August 4, 2002

Lyrics:

Children grow and women produce and

Men go working, some go stealing

Everyone's got to make a living

L-O-X, yeah (Southside Bronx)

J Lo, yeah (Southside Bronx)

Yo, yo

We off the block this year

Went from a little to a lot this year

Everybody mad at the rocks that I wear

I know where I'm goin' and I know where I'm from

You hear LOX in your ear

Yeah, we at the airport out

D-Block, from the block where everybody Air Forced out

With a new white tee, you fresh

Nothin' phony with us

Make the money, get the mansion, bring the homies with us (Southside Bronx)

Don't be fooled by the rocks that I got

I'm still, I'm still Jenny from the block

Used to have a little, now I have a lot

No matter where I go, I know where I came from (from the Bronx)

Don't be fooled by the rocks that I got

I'm still, I'm still Jenny from the block

Used to have a little, now I have a lot

No matter where I go, I know where I came from (from the Bronx)

From In Living Color to movie scripts

To On the 6 to J.Lo to this, headline clips

I stayed grounded as the amounts roll in

I'm real, I thought I told you (I'm real)

I'm really been on Oprah (I'm real)

That's just me

Nothing phony, don't hate on me

What you get is what you see

Don't be fooled by the rocks that I got (Southside Bronx)

I'm still, I'm still Jenny from the block

Used to have a little, now I have a lot

No matter where I go, I know where I came from (from the Bronx)

Don't be fooled by the rocks that I got

I'm still, I'm still Jenny from the block

Used to have a little, now I have a lot

No matter where I go, I know where I came from (from the Bronx)

I'm down to earth like this

Rockin' this business

I've grown up so much

I'm in control and loving it

Rumors got me laughing, kid

I love my life and my public

Put God first and can't forget to stay real (real)

To me it's like breathing (Southside Bronx)

Don't be fooled by the rocks that I got

I'm still, I'm still Jenny from the block

Used to have a little, now I have a lot

No matter where I go, I know where I came from (from the Bronx)

Don't be fooled by the rocks that I got

I'm still, I'm still Jenny from the block

Used to have a little, now I have a lot

No matter where I go, I know where I came from

It take hard work to cash checks

So don't be fooled by the rocks that I got, they're assets

You get back what you put out

Even if you take the good route

Can't count the hood out

After a while, you'll know who to blend with

Just keep it real with the ones you came in with

Best thing to do is stay low, LOX and J.Lo (Everyone's got to make a living)

They act like they don't but they know

Don't be fooled by the rocks that I got

I'm still, I'm still Jenny from the block

Used to have a little, now I have a lot

No matter where I go, I know where I came from (from the Bronx)

Don't be fooled by the rocks that I got

I'm still, I'm still Jenny from the block

Used to have a little, now I have a lot (Southside Bronx)

No matter where I go, I know where I came from (from the Bronx)

Don't be fooled by the rocks that I got

I'm still, I'm still Jenny from the block

Used to have a little, now I have a lot (Southside Bronx)

No matter where I go, I know where I came from (from the Bronx)

Songwriter:

Don't be fooled by the rocks that I got

I'm still, I'm still Jenny from the block

Used to have a little, now I have a lot (Southside Bronx)

No matter where I go, I know where I came from (from the Bronx)

David Styles / Jason Phillips / Jean Claude Olivier / Jennifer Lopez / Jose Fernando Arbex Miro / Lawrence Parker / Michael Oliver / Mr. Deyo / Samuel Barnes / Scott Sterling / Troy Oliver

SongFacts:

👉📖

Homepage:

Jennifer Lopez