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#Dramatic soprano
opera-ghosts · 19 days
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A performance of Gounod Opera „Faust“ at The Metropolitan Opera 1893.
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bobdobalina · 7 months
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[Leonie Rysanek] possessed a gleaming, refulgent soprano voice with an especially powerful top and a rich middle range, ideal for roles like Wagner's Sieglinde and Senta, Strauss's Chrysothemis, and Beethoven's Leonora.… Ms. Rysanek credited her longevity to careful pacing; even at the height of her career, she never sang more than 45 or so performances a year. But, in an interview with The Times on the occasion of her Met farewell, she also cited her ability to say no to the most taxing roles. And, in a way, she explained, the presence of her colleague Birgit Nilsson as the reigning dramatic soprano of her day, fortified her own resolve.
''Yes, I was asked to sing Brünnhilde,'' she said. ''But there was always Birgit, wonderful Birgit, next to me. She was my Brünnhilde, my Elektra. She was so wonderful in these parts. . . . Even Birgit asked, 'Why don't you sing Turandot?' I said, 'Because of you.' Maybe's it's Birgit who saved my voice.''
— from Anthony Tommasini’s obituary for Leonie Rysanek, New York Times, March 9, 1998
Thinking about the sisterly relationship between a Sieglinde and her Brünnhilde, a Chrysothemis and her Elektra, a Kaiserin and her Färberin… and how the same singers might find themselves in that relationship over and over in different operas 😭
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[top L: Leonie Rysanek (Chrysothemis) and Birgit Nilsson (Elektra) in Strauss's Elektra, Metropolitan Opera 1966. top R: Anne Schwanewilms (Kaiserin) and Christine Goerke (Färberin) in Strauss's Die Frau ohne Schatten, Metropolitan Opera 2013.]
[top L: Nina Stemme (Brünnhilde) and Lise Davidsen (Sieglinde) in Wagner's Die Walküre, Deutsche Oper Berlin 2020. bottom R: Lise Davidsen (Chrysothemis) and Nina Stemme (Elektra) in Strauss's Elektra, Metropolitan Opera 2022.]
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tropiyas · 2 years
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people weren’t kidding. sopranos is a good show
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joansutherlandfan · 8 months
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Remembering the greatest of the tenors and Joan's close friend - Luciano Pavarotti (12 October 1935 - 6 September 2007).
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[…] "Going to Australia with Joan, first of all, I've learned to be a very serious professional singer and from her particularly, I learn to breath, who is the most important thing, but the most difficult. More than anything, I think the technique is perfect, I think it's probably the most incredible technique of all the time I would say." […]
Excerpt taken from the documentary "Pavarotti - 2019" by Ron Howard.
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The Sopranos - David Chase
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widevibratobitch · 7 months
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13 years today... rip queen. who could ever do it like you.
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essaytime · 8 months
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I swear in every Polish church there is that one (1), usually elderly, lady who believes she is Maria Callas and this is a concert instead of a mass
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falled-over · 11 months
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watching the sopranos rn (first time eva) and im 3 episodes into s4 which my dad told me is where it starts to really pick up. hey its a different show, like this is a different programme altogether
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i would've done the fach system so much better actually (<- has never seriously studied classical/operatic voice)
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opera-ghosts · 24 days
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Today a performance of Meyerbeers Grand Opera „Les Huguenots“ 1891. This performance was the Debut from Lillian Nordica at The Metropolitan Opera. 
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1871 Handel's Messiah CHRISTINA NILSSON Program Handel and Haydn Society Boston.
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kecobe · 1 year
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The Voice of Eileen Farrell
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twistedtreeau · 2 years
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warrior cats is. a drama right? like fantasy xenofiction but its a drama
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joansutherlandfan · 9 months
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“When one is singing high and loud it’s as though one is in light air, high upon a mountain. I feel a lightness and dizziness. Exhilaration too. I’ve never smoked marijuana, but I fancy it might be the same sort of feeling.”
Joan Sutherland
Portrait as Lucia di Lammermoor. Feb 1959.
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Lise Davidsen (born 8 February 1987, Stokke Norway) is an opera singer, lyric dramatic soprano.
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