#Estate Planning Solicitor

[legaljackson]

Trusted Law Firm in Adelaide | Jackson Legal

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[timoswerner]

fucking bastard buying our house has pulled out so the whole chains collapsed and we have to start from scratch, fucking fantastic

[willsandtrusts]

Why DIY Wealth Management Can Be Risky Without a Solicitor

Discover the risks of DIY wealth management without a solicitor. Learn how legal complexities, tax planning pitfalls, and estate management challenges can impact your financial security. Protect your wealth with expert advice from Wills & Trusts Wealth Management. Contact us today for personalised support.

[burbagefinancesblogs]

Estate Planning Made Easy with Burbage Finance’s Holistic Approach

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[mixedupmilly]

Forever in Good Hands: Providing for Your Disabled Childs Needs After Your Passing.

I think the one thing that worries parents of children who have disabilities, is what will happen to their child on the event of the parent’s death. There are many things you can put into place to help ensure them a more comfortable and secure future, but you need to do them sooner rather than later. Planning for the future is an essential step for any family, but it is particularly important…

[see-arcane]

I have been possessed by a stronger than average craving for tinkering with Jonathan Harker's genders (Jonders). Jonathan Harker is undeniably and forever my favorite gothic heroine. But, being that there is so much to chew on regarding his potential fluidity when it comes to gender roles within the story--the classic damsel, the willingly submissive half of the couple, the vengeful berserker, etc--it's got me thinking.

Let's take the metaphor out. What would happen to the Dracula narrative if Jonathan Harker was...

First thing's first--she almost definitely gets shouldered out of the Important Solicitor's position due to reasons of Being Girl. But she still has to get to Transylvania to be menaced by Count Bat Bastard. How?

Hawkins! Johanna is working at the firm as a secretary and personal assistant to a still very paternally mushy old Peter Hawkins. When Dracula's request comes around, he can't give up such a lucrative client over his gout and there's no one he trusts to pass it to. He has to go. And it'd only be right to treat his surrogate daughter to a paid scenic vacation have his aide along on the business trip. Especially when she hunted down Carfax Abbey herself! What a lovely outing they'll have.

...or not.

True to form, Count Dracula is very much not to be trusted around pretty young things of any kind. Considering his canon habits, things aren't about to go any easier for Miss Harker. But at least she has Hawkins watching out for her in-person! It all makes for some very tense talk when discussing anything other than the estate purchase; which Hawkins seems as keen to rush as Dracula is to dawdle over. But at least they'll be out of here soon. What's a couple of awkward nights, right?

One in particular has Johanna nervous as she goes to bed. Hawkins had taken Dracula aside with a hard smile, insisting there was a 'delicate matter' he wished to speak with the Count about. The last time a 'delicate matter' was brought up was when he nearly lobbed a typewriter at one of his ex-solicitor's heads for some distinctly unseemly behavior in her direction. She hopes there isn't a storm brewing under their host's roof. She hopes harder that tomorrow they'll be heading back to the Borgo Pass.

Instead:

Oh.

Oh no.

Between this and one requisite nightmare-week in which the joys of womanhood come and go--let's leave it unspoken whether her set of bloodstained cloths stay in her possession or not--Johanna gets put through the wringer. Per usual. But eventually..!

Yeah. No shock there. Deep calming breaths, Jack. Don't let the wonderful diary concuss you.

Part of being one of two (gasp) G I R L S in the Scooby Gang, Van Helsing and company vote Johanna and Mina out of the dirt hunt. Except. Well. Johanna is still necessary to have on the ground here. She's the only one with the location intel--and a surprise willed gift of inheritance and the firm from poor Hawkins, who the Transylvanian locals all vouch for as being 'slain by wolves,' leaving Johanna free of blame--so she's still running around for the crew.

Even so, odds are high that she initially gets sidelined with Mina. Which isn't overly awful. It is good to be side-by-side in this timeline! No needless sequestering from each other! Johanna is already planning to see Mina back to their new house before they have to sleep another night in an asylum.

And then comes the 3rd of October.

Van Helsing: "Madam Harker, is it not somewhat attention-catching to wear trousers in public? We are meant to be unremarkable while we wait on th--"

Johanna, has already smoked through two cigars, kukri in her lap, playing a game of chicken with God: "Do you think I scaled a mountain in three layers of skirts, Professor? No? Then I will not do the same if the rancid bastard tries to escape out the window."

Van Helsing, aside: "Friend John, can you speak sense to her?"

Jack, melting off the side of the bench: "I think I hauve consumption"

Anyway. She very much does get to the Dracula head chopping. And there will be much rejoicing. BUT all that grimdarkness aside, there are other, more hijinks-flavored opportunities to think of with this particular set up. If only because I genuinely believe that Lucy and Art, having two spare best friends on hand and a general vibe that radiates 'ooooh what if triple wedding???', would come up with the following master plan. Some truly Shakespearean folly kind of shit:

Thankfully, Johanna and Mina nix the idea pretty quick. Case in point:

And, last but not least, my final word on the range of Jonders that exist within my very best gothic heroine friend:

ha ha I do that

[thethirdromana]

Modern-day jobs for Dracula characters

Yes, most Dracula characters already have jobs that still exist in the modern day: solicitor, doctor, teacher etc. But being in the modern day would have them make different choices so... what would they do instead?

Mina Harker: I don't really get the sense that Mina actually enjoys being a teacher; it's just a job that's available to her as an educated woman in the 1890s. What Mina does like: planning, order, timetables, schedules. Mina would be the best project manager you've ever met.

Jack Seward: Jack should not have a people-focused job, and he should be working with vulnerable people least of all. He's great at observation, and he loves to make a difference and be told that he's a good clever boy. Oh, and he's a big fan of up-to-the-minute technology too. We only need to change his career trajectory slightly, and he would be a very happy research scientist.

Arthur Holmwood: Not many British noblemen are able to live lives of idle luxury any more, so even if his family still owned the Ring estate, he would need to do something more to keep it going. Arthur likes people, travel, music, sport and the good life. So I think, like many modern-day noblemen, he would use the estate itself to generate income: hosting weddings, concerts, conferences and team-building days.

Lucy Westenra: Honestly I think Lucy would love the idea of working with Arthur on the estate. She'd hardly be getting married at 19 in 2023, but she might be getting a BA in Hotel and Hospitality Management with that future in mind.

Quincey Morris: What job does an adventurer/cowboy do in the 21st century? I can't imagine Quincey spending his days sitting at a desk. It needs to be something intense and physical, but also representative of a moment in time that isn't going to last. Quincey works on an oil rig.

Jonathan Harker: Tricky, because Jonathan is so defined by being a solicitor. But a modern-day Jonathan would have far more options for progressing in his career. He has a way with words and a kind and generous nature. I think he'd be an excellent charity grant writer.

Abraham van Helsing: I'm afraid there is no time period or universe in which Van Helsing M. D., D. Ph., D. Lit., etc., etc. is anything other than an academic.

[immediatebreakfast]

Welp people, happy fucking day to the recently deceased Mrs. Westenra, who did this shit:

the whole estate, real and personal, was left absolutely to Arthur Holmwood. When he had told us so much he went on:— "Frankly we did our best to prevent such a testamentary disposition, and pointed out certain contingencies that might leave her daughter either penniless or not so free as she should be to act regarding a matrimonial alliance. Indeed, we pressed the matter so far that we almost came into collision, for she asked us if we were or were not prepared to carry out her wishes. 

And left Lucy technically homeless, and without a single penny to her name. I still try to wrap my head around the watsonian explanation for this move (because the doylist explanation lays on Van Helsing getting an easy access to Lucy's personal papers in a non suspicious manner while also not leaving any kind of loose plot threads) because good lord, this old woman really trapped Lucy with the suitor she chose.

Mrs. Westenra really put Lucy in the position of either marrying Arthur even if she had changed her mind, or living in the streets without anything to her name.

Thanks all the stars that Arthur is one of the best loving men in all of London because this legal situation; that was heavily discouraged by the solicitors, may as well be the perfect set up for an abusive relationship if Lucy had survived, and if this was another kind of Gothic novel.

The underlying infantilization of Lucy by her mother, and how she chose to plan the will reveals how this woman never thought of her daughter as a young lady ready for marriage, but as a child passing from one caretaker to another. If so, why not leave anything to Lucy? Mrs. Westenra may be moved more as a plot device than a character through the course of the novel, but her character is very consistent in how she treated Lucy, and how Lucy answered to her ubtil they died.

[gloomwitchwrites]

Tattoo Artist Simon "Ghost" Riley x Female Reader

Chapter Specific Warnings (per the warnings MDNI): canon-typical cursing, suggestive themes, brief mention of childbirth, kissing, domestic!Simon, brief military-based discussion

Word Count: 5k

A/N: Part Thirteen of Ink & Needle

Archie's solicitor comes for a visit. Evie goes into labor. You and Simon talk over breakfast.

Chapter Twelve // Chapter Fourteen

ao3 // taglist // main masterlist // ink & needle masterlist

“Please give me some good news, Mister Grant.”

Leaning against the edge of the kitchen counter, you cross your arms over your chest as Ewan Grant, Archie’s personal solicitor, comes to a stop just inside the entryway. Jennifer Hopkins, the estate agent for Evie and Archie’s house, sits on the couch with her assistant Mollie. The two of them talk in hushed voices, their gazes focused on the stack of paperwork and open laptop computer resting on the coffee table.

Ewan Grant sighs, more from exhaustion than annoyance, as he sets his dark brown briefcase on the counter and removes his tweed coat. The whole situation with Archie’s family has been a hassle for everyone, but Grant speaks with the family directly, and that is an entirely different beast.

“Will Lady Evelyn be joining us?” asks Mr. Grant, adjusting his rain-spattered spectacles.

Evie is upstairs resting. The two of you have been in Cambridge dealing with more house business over the last few days. She’s so close to her due date, and any burst of energy is starting to wear her down. While you’ve taken much of the mental and physical load onto yourself, it doesn’t seem nearly enough to do anything substantial. You’re floating in stasis. Directionless. Unsure of where you’ll float off to.

“Don’t let her hear you call her that,” you chastise, a smile spreading across your face.

Evie might have gained a title when she married Archie, but she rarely enjoys hearing it used. To her, she’s simply Evelyn Green from Southern Missouri, and Archie is—was—Archie. Just Archie. That is how you see them, and it how they’ve always wanted to be seen.

Those are—were—their wishes, and you’ve always respected that.

“Old habits,” he chuckles, removing his glasses and inspecting the lenses.

“You’re forgiven,” you smile. “But really, how are things?”

Mr. Grant reaches into the front pocket of his suit jacket and extracts a small cleaning cloth. “You want to know if the Williams plan on seizing everything?”

You shrug. “That’s why you’re here, isn’t it?”

This has been an ongoing issue since Archie’s death. He wasn’t even dead a week before Evie started receiving communications from the family about “cutting off family money,” as if Archie and Evie only lived off what the family was kind enough to give them. It’s a farce. Everything given was promptly donated, and everything Archie and Evie earned on their own belongs to them.

At the end of the day, that is what needs protecting.

Mr. Grant rubs the cloth against one the lenses. “The Williams wish to contest everything. Unfortunately for them, they have little ground to stand on.”

“That’s a good thing then?” you ask hopefully, pushing off from the counter.

“Oh, yes,” nods Mr. Grant, moving the cloth to the other lens. “The family money is the only footing they have, but even that isn’t guaranteed.” He holds out his spectacles for examination. Nodding, he returns them to his face.

“Now,” he continues, opening the briefcase and removing two leather-bound folders. The topmost one he holds up in front of him. It’s thin. “This is everything they could easily lay claim to. In actual court, these assets could be transferred to the family.”

Mr. Grant sets it down on the counter. Reaching for it, you open it up, scanning through the few documents inside.

“There isn’t much here,” you muse, finding the last page blank.

“No, and it’s not anything significant. The family allowance is there but anything gifted cannot be returned. They can only shut the tap off.”

“They’ve already done that,” you mutter, closing the portfolio.

Mr. Grant presents the other portfolio. This one is larger. Thicker. “Everything in here will be much more difficult for them to seize.” He sets this one on top of the other folder. “These are all of Lord and Lady Williams’ assets. Personal investments. Property. Private income.” Mr. Grant adjusts his glasses. “Since there is also a legitimate child and heir, that will also curb much in Lady Evelyn’s favor.”

Your head snaps up. “Are they saying the baby isn’t Archie’s?”

“Goodness, no,” says Mr. Grant quickly, waving his hand in the air. “Not that I have heard. Even if they try, paternity tests are easy to acquire, and contesting the fact without proof will only put them in a bad light.”

You shut the portfolio. “But will they actually do it?”

Mr. Grant frowns. “Challenge the paternity?”

“Try to seize all of Archie’s assets,” you correct.

He nods, lips pursing slightly as he considers his next words. “You want my personal or professional opinion?”

“Both?” you ask with hesitation, wanting to know but also not.

Mr. Grant taps the edge of the counter a few times before speaking. “Professionally, they might. However, it will be an uphill battle. The Williams might be aristocracy, and their titles, land, and money seem infinite at times, but Lady Evelyn is the widow, and she is about to give birth to Lord Archibald’s child. That is far more important in the court’s eyes.”

“How so?” you ask, genuinely curious. As an American, these rules and regulations are entirely foreign to you. Yes, there is vast wealth in the States, but there are no Lords or Dukes or Baronesses.

“No child means most of his assets would revert to the family and Lady Evelyn would likely receive a comfortable settlement. But a child means the assets can move forward so to speak. That’s important to the courts. It shows a continuation. If the family tries to seize everything, it’ll place a shadow over the proceedings. The judge will want to know why when there is an heir for the inheritance.”

“And personally?”

Mr. Grant laughs. “They’re peacocking.”

You grin, covering your mouth as you stifle a snort. “So, I can start moving some of this?” You gesture behind you, indicating the house.

“The Williams Estate hasn’t officially filed anything. However, they are also immediate family, so they can contest the will. Have it picked apart for inconsistencies to make the process unbearable.” He shrugs. “Might tie up some of his assets. Make it more difficult for Lady Evelyn to use them. Assets directly tied to her should be fine.”

“Evie wants to sell the house. Can we do that?”

“The house is under Lord Archibald’s name, not the family’s estate. When I helped draw up the paperwork, I don’t recall a cosigner, but I will go through the records again to make sure.” Mr. Grant glances into the living room before his gaze returns to you. “Everything inside the home is…fair game, as you Americans put it.”

It’s a relief to hear. Evie doesn’t want to look at this place anymore. She wants it gone. If the solicitor is giving the go ahead, you can start selling, donating, or trashing items in the home before the estate agent prepares for showings.

“Thank you, Mister Grant. I’ll make sure Evie sees these and that the information is passed on.” Lifting the portfolios, you tuck them against your chest.

“How is she?” he asks, genuine concern in his tone.

Happy with a fake smile. Crying when she thinks no one is looking.

“Tired,” you answer, because it’s the truth. “She’s tired.”

Mr. Grant nods, sighing softly, his shoulders heaving. “I came here directly from the Williams estate. Usually, I don’t wait long before someone greets me but…”

“But what?” you probe.

He shifts on his feet, clearly agitated. “I don’t know if it’s even my place, but I think it should be said.” Mr. Grant glances over your shoulder at Mollie and Jennifer, the middle of his brow creasing with concern.

“Speak quietly,” you instruct, leaning in a bit.

His gaze lingers on the two women before returning to you. “When I arrived at the Williams estate this morning, I spent almost an hour waiting in the drawing room before anyone came to speak with me. That is highly unusual. Many would consider that not only improper but horrible manners. While I object to their treatment of Lady Evelyn, the family has always been traditional when it comes to hospitality.” He shakes his head. “Tis most strange.”

“Did something happen?”

“Well,” he begins. “Someone came but it was one of the household staff. Brought me tea and some finger sandwiches. Said it would be a bit longer. So, I waited. Waited a bit more. Eventually, I decided to wonder off.” Mr. Grant’s smile is like that of a child who just pulled off a deliciously perfect prank. “The estate itself is one of those old manors. The whole ‘upstairs downstairs’ business. Found a few new hires that don’t know it’s not good to talk.” He waves his hand dismissively. “Apparently, I was kept waiting because someone from British Intelligence was there asking questions about Lord Archibald’s death.”

“He was killed in the States,” you say, even though Mr. Grant already knows this information.

“‘Looking into his death’ is what they said. Sent his body back home without a proper investigation. Lord Archibald is from an important family. Covering all possibilities, I suppose.”

“Should we expect someone?”

Mr. Grant inclines his head. “That would be my guess. Unless Lady Evelyn has already spoken to someone previously.”

You weren’t here for the week of Archie’s death. Evie was completely alone. Someone might have talked to her then.

“I’ll check with her,” you nod. “Thank you for saying something.”

“We certainly don’t need any more unpleasant surprises. Given everything that’s happened.”

You rub at your temples, a headache starting to form there. “You’re talking about Adam.”

Mr. Grant snorts. “Nasty business and a deeply unpleasant man. I’m not surprised by his behavior toward you in the slightest.”

“It’s fine,” you mutter. “It’s over.”

Adam is the last person you want to think about. That entire conversation in the restaurant is just another thing you want to forget. Simon’s fury toward the man sent Adam into a spiral. All the chest-beating silliness between the two men only made things worse. At least, potentially. But you don’t blame Simon for any of it. He was only trying to protect you.

Mr. Grant picks up his coat and begins putting it on. “If the family contacts you directly, refuse. Make sure I’m present for any future interactions.”

“Shouldn’t be a problem. I can’t see them wanting to visit us.”

Mr. Grant retrieves his briefcase and the two of you head for the front door. “Though their behavior says otherwise, I suspect they’ll want to see the child.”

“Absolutely not,” you say immediately. “After everything they’ve done?”

He shrugs as he turns the handle. “Like I said. If they make an appearance, call me.”

You watch until his car disappears down the drive. When you reenter the kitchen, Jennifer and Mollie are up and alert, their faces eager.

“Good news?” asks Jennifer, her hands clasped in front of her.

“We can start selling things.” You place one hand on your hip and gesture at the large living room. “But I’m concerned about sticking to a schedule once the baby arrives. If most of this stuff needs to go, I’m not sure how often Evie or I can be here.”

Jennifer nods. “I can bring someone in to do appraisals and estimate the value of everything in the home. Perhaps even host an estate sale to help push it out quickly? You won’t have to lift a finger.”

 “Great,” you reply, throwing up your hands. “Do it.”

Jennifer and Mollie say their goodbyes, exiting quietly, but leaving a mountain of paperwork behind. It’s just more shit piled on top of more shit. It’s a never-ending river of garbage that you’re floating on. One thing can shift, and you’ll slip right down into the swamp.

Outside the patio doors, the sky is gray, and rain falls gently from the low clouds. Autumn is in full swing, nearing Halloween if you have the date right. Once the baby arrives, everything will be different. Evie will need a different kind of support, one you’re absolutely willing to give, but aren’t entirely sure how yet.

And then there is Simon. Your wraith. The man you think about nearly every waking moment.

Stress is eating away at you like termites embedded in wood. It’s dissolving the good memories you’ve recently formed with him. It’s hard to forget what he did in the dark and how he made you feel. Difficult to ignore the sensation of his mouth and tongue between your thighs, or how his fingers slipped inside and curled so sweetly.

It is odd to you that he hasn’t tried for more. Men are pushy creatures. They’re prone to acting in selfishness. At Riot Room, you and Simon were like colliding atoms, exploding and meeting in frenzied repetition. Simon is moving slowly this time. He’s being careful. Maybe he thinks you don’t see it, but that isn’t true.

Your wraith is learning your habits and curiosities. He listens, but he also talks, sometimes pushing to the point that you want to slam your fists against his chest. Simon is gentle. Rough. Sometimes all at once. There is so much comfort in the way he treats you, the way he turns to you when you’re in the same room. It is haunting. Clinging. Occupying your mind and emotions where there is already little to spare.

Every touch and kiss are laced with possession. Every glance and gesture are a mark. A statement of ownership. Yet there is nothing about Simon that feels like a cage. He’s saying mine without barricading you from the world.

And you miss him. All the time.

The moment you’re no longer with Simon, his absence is like an open wound. It cuts deep, leaving hollow spaces behind.

“Did they all leave already?”

You turn at the sound of Evie’s voice. She rubs the sleep from her eyes, dark hair a mess from the pillow.

“Jennifer and Mollie left a bit ago. They’re going to bring in someone to appraise everything. Maybe do an estate sale. If that works for you.”

Evie wraps her cardigan around her tightly, approaching the patio door, coming to a stop beside you. “That seems like a lot of work.”

“You want do it while you’re taking care of a newborn?”

Evie smiles softly. “Not really.”

“Ewan Grant stopped by as well.”

“Archie’s solicitor?” You nod. “And you didn’t wake me?”

“You need the sleep,” you counter. “Plus, if I woke you up, it would take nearly half the day for you to roll out of bed.”

Evie snorts and rubs the top of her belly.

“He left some information about Archie’s assets. We talked about—well…” you trail off, unsure of how to broach such a sensitive topic.

“It’s fine.” Evie lightly squeezes your upper arm. “I can take a look.”

Sucking on your bottom lip, you recall Ewan Grant’s mentioning of the British Intelligence officer coming for a visit. Is this the right time to ask? Should you say anything?

But when will it actually be a good time?

“Evie?”

“Hm?”

“After Archie died, did anyone come visit you?”

Evie frowns. “Many people did. Even his family though I could tell they hated it. Why?”

“I don’t mean family or close friends. People outside of that sphere. Anyone you didn’t expect?”

You’re trying to say it without saying it. The whole thing was a mess. Evie was told that Archie was in the wrong place at the wrong time, but that came from the American mouth, not the British one.

Her frown only deepens. “Well, yes. I received plenty of visitors that Archie worked with or went to school with. Mostly people I didn’t know but wanted to give their condolences.”

She’s not picking up on your line of questioning which means you’ll need to be more direct.

“What about police?”

She shrugs. “When his…body came home.” Evie glances out into the rain as her eyes begin to water.

You fear pushing too much, but a surprise visit from British Intelligence sounds mighty inconvenient at the moment.

“Mister Grant brought up a few things during our conversation that I just need some clarity on.”

Evie simply nods, still staring out into the rain.

You’ll ask later. You’ll ask another time. It’s clear that this isn’t the place to do it.

Glancing down at your watch, you groan. “Oh hell. We’re running behind. We need to go, Evie.”

Bags are packed quickly, the two of you returning to London by train.

It’s late, the sun just below the horizon by the time you walk into Amelia’s house. Dinner is reheated, wine is had (only by you and Amelia), and a romantic comedy is watched with a massive bowl of buttery popcorn.

Evie is asleep twenty minutes in, and Amelia follows after thirty. You remain up, watching the rest before waking Evie and sending her off to bed. Amelia eventually finds her way as well. With the quiet, you catch up on a few work emails and finalize several things before sending them off for approval.

When your head hits your pillow, sleep hits you like a fist to the face. There are no dreams to be had, just a dark endlessness you’ll forget upon waking.

But it’s not the alarm or the morning light that wakes you.

It’s a small, warm hand on your shoulder that startles you into consciousness.

“What?” you mutter, turning over onto your back, one hand reaching out in the dark for Evie. You don’t find her, but your palm crosses over dampness. It’s not a cold wet. It’s warm like room temperature bathwater.

You blink a few times, the dark of the room still sitting heavy on your eyelids.

“Evie?” you call out, the dredges of sleep clawing at your vocal cords.

The reply is a whimper, and then a sharp inhalation.

There is fear in that breath, one that startles your senses into action. Reaching for the bedside lamp, you tug on the small chain. The lightbulb illuminates, and with it comes a brightness that makes you flinch.

“Evie?” You twist toward the rest of the room, searching for her.

She’s standing next to the bed, one hand cradling the bottom of her belly, the other resting against the edge of the mattress. Her eyes are wide and there is a dark stain down the insides of her pajama pants.

“Oh God,” you whisper. “It’s happening.”

Evie nods frantically. “It’s happening.”

The air kicks in, blowing gentle heat into the room.

Machines beep. Voices chat beyond the open door. Evie quietly rests in her hospital bed. Her eyes are closed but you’re not entirely sure if she’s sleeping or not. Using your elbow as a support, you rest your chin in your palm, staring down at the adorable little bundle in the hospital-provided bassinet.

The tiny newborn is all pink cheeks and soft coos. Lillian is a precious thing, and named after Archie’s little sister who died young. She’s wrapped up like a human burrito in a white blanket embroidered with yellow ducks. On her head is a pale pink cap.

Lillian wiggles in her wrap, her cooing becoming a disgruntled gurgle like she’s angry at the world but is too tired to voice her frustration.

A soft knock draws your attention away from Lillian and to the open door.

Amelia stands there in a yellow rain coat and black rain boots, both speckled with raindrops. In her arms is a large, flat takeout container. From this distance, you can’t see what’s inside, but you can hazard a few guesses. She’s grinning, her smile stretching toward her ears.

“Hello, Amelia,” sighs Evie, her eyes blinking slowly as she sits up to greet the woman.

“Brought you something,” giggles Amelia like she’s entirely too pleased with herself. She nearly skips over to the bed, presenting the container to Evie.

Pushing off from the ledge you’re leaning on, you go to the side of Evie’s hospital bed, extending the small tray that emerges from the side. Swinging it over Evie’s lap, you secure the safety lock to make sure it doesn’t slip away and spill whatever Amelia has brought.

Amelia sets the massive container down. It nearly dwarfs the tray it sits on. She removes the lid and sets it aside.

“You brought me sushi,” gushes Evie, immediately opening the chopsticks and lining up the packets of soy sauce.

Of everything Evie’s been craving, it’s sushi.

“Oh, yes,” replies Amelia. She glances over at you with a knowing smile, one that immediately puts you on alert. “Brought that, and a few other things.” She nods toward the door.

You immediately turn the moment a large shadow steps into view.

It’s Simon.

He looms like a dark beast in the doorway, not coming in but not leaving either. His gaze is darting everywhere like he’s checking the place out. Simon carries two backpacks. One is draped over his right shoulder and the other over his left. In his right hand, Simon grips a large, black duffle bag. In his other hand, he holds Amelia’s pink purse with white flowers on the strap.

Behind him are two nurses, their faces stricken by his sudden appearance.

Bravo is not with him.

Amelia shrugs. “Needed an escort.”

“In a hospital?” asks Evie, amused.

“It’s like having a scary dog with you,” jokes Amelia, gesturing over her shoulder at Simon. “No one stopped us.”

“Oh my god,” you mutter, pinching the bridge of your nose.

Evie cackles as she tears open a soy sauce packet with her teeth.

Simon enters the room slowly, placing all the bags on the ledge under the window. He pauses there like a phantom, surveying the three of you before heading in your direction. Lillian coos and Simon freezes.

His balaclava-covered head turns to the bassinet. Simon shifts, leaning to the side, staring down at the small bundle. You can’t read his expression. The only thing you can gauge is his gaze. It’s intense, focused, but impassive.

“You should go home and rest, dear.” Amelia’s gentle voice tugs you away from your wraith. You turn back to them just as Evie shoves a piece of sushi into her mouth.

“I’m fine,” you reply, but even you hear the exhaustion. You’ve been at the hospital for nearly a full day, and the time between going to bed and the time that Evie woke you up was only a couple of hours.

You haven’t slept at all.

Amelia tuts. “I knew you’d say that,” she says. “It’s why I brought Simon.” She nods in his direction, but you don’t have to seek him out.

Simon is already beside you, one large hand resting on your lower back. Instinct triggers, and you lean into his touch like it’s the most natural thing in the world. Warmth floods in from where his hand makes contact, invading your system like a virus.

“That’s thoughtful, Amelia.” You lift your hand to gesture toward Evie. “But—”

“Shut up and go,” interrupts Evie as she talks around the sushi in her mouth. “We can manage.”

You open your mouth, another protest forming on your tongue, but Evie is having none of it.

“Go,” she repeats, shaking her head, eyebrows rising toward her hairline as she picks up more food.

You’re not about to argue with a woman who just gave birth.

“Okay,” you agree. “Fine. But call me if anything happens.”

Simon’s hand remains at your back while you retrieve your coat and purse. The two of you take public transit back to Clapton. It is then that the exhaustion truly sets in. The gentle lull of public transit causes you to drift off a few times, but Simon wakes you when it’s time to depart.

He does not take you to his flat. Instead, he takes you to Amelia’s. On the stairs, your feet are lead. They drag, and it’s a wonder how you even make it into the bedroom. Simon does not disturb you, giving you privacy as you shower and change into comfortable clothing.

You never make it back downstairs.

Collapsing face first into the bed, sleep comes suddenly. It is the dipping of the bed beneath you that rouses you briefly from sleep. Reaching out, you find Simon. Your arms wrap around something large and hard. It’s not his arm. Likely his thigh.

It doesn’t matter.

What matters is that he’s warm and perfect and so goddamn close. You snuggle up to him and return to that blissfully dreamless state.

When you wake again, it is with the sun’s rays on your face.

Simon is not in the bed.

Pushing up, you glance around the room. There is no sign of Evie or that anyone has stopped by to grab anything. Stretching your arms over your head, you ease out of bed, surrendering the warm covers for the chilled air in the room.

Downstairs, you find Simon.

He’s in Amelia’s kitchen. There is breakfast on the table and the morning news is on. It plays from the little, boxy television on the counter. It’s muted but closed captioning is on.

“Morning.”

Simon glances over his shoulder. The balaclava is pushed up to his nose, the rim of a tea mug hanging before his mouth.

“Morning,” replies Simon, setting the tea on the counter and striding toward you.

He always does this. The moment he can be near you, Simon takes it, seizing it like he would a prize.

There isn’t a chance to ask a question or reply to Simon’s greeting. His arm snakes around your waist, hauling you against his muscled chest, mouth meeting yours for a kiss that sucks the air from your lungs.

It is fire. It is light. It is a beating heart. Lifeblood.

Simon’s hand cups your cheek, and the possessive, nearly primal way he kisses you softens to a delicateness that sends a tingling sensation down to your toes. His thumb traces over your chin, and then presses against your bottom lip when Simon pulls away.

“Hungry?” he asks, and your stomach answers for you.

There are waffles, scrambled eggs, fresh fruit, several types of juice, buttered toast with two kinds of jam, and fried sausage.

“We feeding an army?” you ask, unsure of where to begin.

Simon shrugs. “Idleness makes me nervous.”

“So you made everything in Amelia’s kitchen?” The soft song of the dryer decides to go off immediately following your question. “Are you doing laundry?”

“That a problem?”

You pause. “No.”

Simon smirks behind his mug and takes a sip of tea. Placing the cup back on the table, Simon piles his plate high with extra sausage and eggs.

Leaning forward in your chair, you decide to poke.

“Did you take the trash out?” Simon glances up, the same smirk still plastered on his face. “Vacuum?”

He remains silent.

“Clean the bathrooms?”

“Mop the floors?”

“Remove the weeds from Amelia’s garden?”

“Are you done?” replies Simon blandly, his gaze unwavering.

You shove some toast in your mouth as answer.

Simon leans back in his chair, all casual sensualness. “You’re much better like this,” he says, voice dropping slightly.

“Much better how?” you ask, taking another bite of your toast.

“With your mouth full,” he purrs.

You nearly choke on the bread, cheeks flaming. Simon’s chuckle is soft but victorious. He got you back, and he’s enjoying it.

You cough, dislodging a bit of toast. “Has anyone called?”

Simon nods. “Amelia did. Said she’s being released today.”

“When was this?”

“An hour ago.”

You sigh. “I’m not sure how it is here, but it might be a while yet before they come home.” Simon makes a sound in his throat but says nothing.

The window above the sink is cracked, and from it comes the sounds of traffic and songbirds. Resting an elbow on the table, the last two days come flooding back, infiltrating your head. Ewan Grant’s conversation whispers in your ear, insisting.

British Intelligence.

That’s what he said, and you have no idea if they’ll come to Amelia’s door. But Simon is former military, and he might know something.

“Can I ask you something?”

Simon glances up from his plate. “If it’s to ask about what else I’ve cleaned I don’t want to hear it.”

“No,” you laugh. “No. I—” You pause. “I want to ask about your military service.”

The gentle playfulness melts away replaced by a neutral expression. It’s not unnerving but it does make you cautious about how you’ll approach the subject.

“Is it something specific?” asks Simon.

You shake your head. “Not exactly.”

Simon sets his fork down on his plate. Leaning back in his chair, Simon’s gaze becomes pointed. “You’re worried about something.”

“Is it that obvious?” you mutter.

“What’s wrong? Is it that prick from the pub?”

“No, Simon,” you say quickly, the stress of the last few days coming back like a hammer to the finger.

“Talk to me.” Simon’s voice is so soft, so full of concern that you blurt out the question without second guessing the decision.

“Did you ever work with British Intelligence?”

You glance up and find a blank expression on Simon’s face. He’s no longer leaning in his chair but sitting up, completely stiff and alert.

“I worked with a lot of different agencies. Why?”

You look away, staring at the clock on the wall. “So, you weren’t part of it?”

“No,” replies Simon automatically. “I was part of Special Air Service. Some of my missions happened because of intelligence information but I never directly worked with them.”

It’s helpful, but not. If they come knocking, you don’t know what to expect.

“Why are you asking me this, love? What’s on your mind?”

Sighing, you decide to spit out. You have no reason to hide anything from Simon.

“Archie’s solicitor came by. He mentioned that someone from British Intelligence was at the Williams’ estate. Following up about Archie’s death.”

“Did they come here? To Amelia’s?”

You shake your head. “No, but they might.”

Simon is tense. Not only can you sense it, but you see the tightness in the way he holds himself.

Your voice cracks. “Should I be worried?”

Simon’s shoulders heave as he inhales.

“No,” he says after a long moment. “It’s probably nothing.

“Probably,” you repeat softly, pushing the cold eggs around on your plate.

Probably, as if saying so will somehow make it true.

taglist:

@glassgulls @km-ffluv @glitterypirateduck @tiredmetalenthusiast @childofyuggoth @lialacleaf @theshrikeandcanary @coffeecaketornado @wren5650 @aykxz98 @kayden666 @36namey @creamwhxre @pearljamislife @miss-mistinguett @keiva1000 @cherryofdeath @pertinentpostmortem @enfppuff @cinnabeanz @berarenado @rogerrhqpsody @c0pernicus @josephquinnschesthair @corvusmorte @saoirse06 @therealbloom @ninman82 @no-oneelsebutnsu @marispunk @thewulf @knight4xmas @jupiternighties @darling006 @hayleybarnesx @lxblm @ferns-fics @ooldcardigan @carma-fanficaddict @beebeechaos @enarien @xxkay15xx @sw33tsnow @kessi-21 @makayla-666 @lifes-project @burn1ngw00d @mudisgranapat @heeheehoohoohahahihi @i-feel-violated

[labuenosairesfrancaise]

Halton House

Hace un instante

Hi guys!!

I'm sharing Halton House. This is the 15th building for my English Collection and the second Rothchild house I recreated.

I decorated some interiors for reference, but I could not find the real distribution of the house, so I just worked with pictures I found.

You might be familiar to the central hall and stairs, as they are the ones used for Bridgerton House in the series.

I chose to build the version with the conservatory, as I think this was a glory lost to time.

History of the house: Halton House is a country house in the Chiltern Hills above the village of Halton in Buckinghamshire, England. It was built for Alfred Freiherr de Rothschild between 1880 and 1883. It is used as the main officers' mess for RAF Halton and is listed Grade II* on the National Heritage List for England.

There has been a manor house at Halton since the Norman Conquest, when it belonged to the Archbishop of Canterbury. Thomas Cranmer sold the manor to Henry Bradshaw, Solicitor-General in the mid-16th century. After remaining in the Bradshaw family for some considerable time, it was sold to Sir Francis Dashwood in 1720 and was then held in the Dashwood family for almost 150 years.

The site of the old Halton House, or Manor, was west of the church in Halton village. It had a large park, which was later bisected by the Grand Union Canal. In June 1849 Sir George Dashwood auctioned the contents and, in 1853, the estate was sold to Lionel Freiherr de Rothschild.

Lionel then left the estate to his son Alfred Freiherr de Rothschild in 1879. At this time the estate covered an approximately 1,500-acre (610-hectare) triangle between Wendover, Aston Clinton, and Weston Turville.

It is thought the architect was William R. Rodriguez (also known as Rogers), who worked in the design team of William Cubitt and Company, the firm commissioned to build and oversee the project in 1880. Just three years later the house was finished.

The house was widely criticised by members of the establishment. The architect Eustace Balfour, a nephew of the Marquess of Salisbury, described it as a "combination of French Chateau and gambling house", and one of Gladstone's private secretaries called it an "exaggerated nightmare".

At Halton all were entertained by Alfred Freiherr de Rothschild. However, Halton's glittering life lasted less than thirty years, with the last party being in 1914 at the outbreak of World War I. Devastated by the carnage of the war, Freiherr de Rothschild's health began to fail and he died in 1918. Alfred had no legitimate children, so the house was bequeathed to his nephew Lionel Nathan de Rothschild. He detested the place and sold the contents at auction in 1918. The house and by now diminished estate were purchased for the Royal Air Force by the Air Ministry for what was even then a low price of £115,000 (equivalent to £7.08 million in 2023 pounds).

Architecture

For the style of the house Alfred was probably influenced by that of plans for the nearly completed Waddesdon Manor, the home of Baron Ferdinand de Rothschild, his brother-in law. While not so large there is a resemblance, but other continental influences appear to have crept in: classical pediments jut from mansard roofs, spires and gables jostle for attention, and the whole is surmounted by a cupola. The front of the house features a porte-cochère. A Rothschild cousin described it as: "looking like a giant wedding cake".

If the outside was extravagant, the interior was no anti-climax. The central hall (not unlike the galleried two-storey hall at Mentmore Towers) was furnished as the "grand salon". Two further drawing rooms (the east and west) continued the luxurious theme. The dining and billiards rooms too were furnished with 18th-century panelling and boiseries. The theme continued up the grand, plaster panelled staircase to the bedrooms. The whole was furnished in what became known as "Le Style Rothschild", that is, 18th-century French furniture, boulle, ebony, and ormolu, complemented by Old Masters and fine porcelain.

A huge domed conservatory known as the winter garden was attached to the house.

For more info: https://en.wikipedia.org/wiki/Halton_House

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This house fits a 64x64  lot (You can fit the main building to the 50x50 or 50x40 lot if you lose the garden and conservatory)

I furnished just the principal rooms, so you get an idea. The rest is unfurnished so you create the interiors to your taste!

Hope you like it.

You will need the usual CC I use:

all Felixandre cc

all The Jim

SYB

Anachrosims

Regal Sims

King Falcon railing

The Golden Sanctuary

Cliffou

Dndr recolors

Harrie cc

Tuds

Lili's palace cc

Please enjoy, comment if you like it and share pictures with me if you use my creations!

Early access: 08/18/2024

DOWNLOAD: https://www.patreon.com/user?u=75230453

[firespirited]

We were all so justifiably pissed off at October the 3rds update for Renfield and Mina’s attacks that the scale of the heist they pulled off doesn’t really register.

Dracula is undone because every backup plan he had was uncovered and destroyed by Jonathan’s solicitor-detective skills, Van Helsing’s superstition knowledge and a solid crew of 5 working during the time he is in human form out stalking prey.

Mina and Jonathan’s investigation found 50 boxes of drac-safe dirt imported to Whitby where he first snacked on Lucy. Lucy’s tomb would have been a place safe for Dracula but they’ve sterilized that. He’s been buying houses under aliases to disperse his dirt.

So in one day they sterilize 49 boxes in 4 different houses. The chapel in Carfax held 29 boxes, they break into Piccadilly which is very public by bribing a locksmith and it’s supposed to have the 9 leftover boxes but only has 8. 6 are at Bermondsey and 6 at Mile End: destroyed by Arthur and Quincey who got the addresses from Jon and the keys from the Piccadilly house. Mina sends a telegram when she sees him storm out of Carfax so they’re somewhat prepared for him - he fights all 5 guys and escapes anyway, I’m guessing they’re going to need a weapons upgrade or a way to weaken him.

This leaves Drac with one box and his money. He had 6 backup plans and they destroyed 5 because he snacked on the wrong woman with friends in Whitby and let his real estate lawyer escape.

[willsandtrusts]

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[dramaticpandabear]

Last Dracula rambling before I stop for the day: I love how Bram Stoker incorporates comedy to distract the reader from some very important details.

Notice how this is set up:

“Was this a customary incident in the life of a solicitor’s clerk sent out to explain the purchase of a London estate to a foreigner? Solicitor’s clerk! Mina would not like that. Solicitor — for just before leaving London I got word that my examination was successful; and I am now a full-blown solicitor!”

Johnathan putting aside his fear of the horrors around him so quickly to make this realization is hilarious and awesome comedic timing. But it also distracts the reader from the most crucial part of the story and how the horror follows him home: the reason why Johnathan is there in the first place! The very reason that allows Dracula to take over London to begin with!

Stoker sets up Dracula’s plan from the very beginning, but we don’t piece it together right away because something happens immediately after to distract the reader until the plan finally goes into effect.

The plot is presented right in front of us, but because of the comedic timing and the other events happening, we quickly ignore it. Genius move on Stoker’s part!

[believerindaydreams]

I would like to propound a semi serious theory that Jonathan is still alive because of the mirror throwing incident.

Say you're Dracula, and you've hatched a plan for conquest that will involve talking to strangers, buying real estate, and wearing terrible sun hats. Only it has been several hundred years since you interacted with a guy as a guy and not as Predator Vampire Supreme.

So you invite a solicitor, make chicken, reacquaint yourself with the art of conversation, and then whoops, a little bit of blood and you just threw a shaving mirror out the window.

It's not, like, normal.

But how not normal is it? It would be helpful to have some kind of metric for how weird you can get before the solicitor cracks and asks you what is with you, then you'll have a baseline for how weird you can be in London.

Time to start crawling the walls lizard fashion!