Film Form No. 1 (1970), dir. Stan Vanderbeek
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See I honestly do find the prequels-era Jedi an interesting (and at times painfully recognizable) portrait of institutional violence in that...they aren't cackling villains. They're mostly sympathetic well-intentioned individuals who via a combo of traditionalist inertia, ideological blinders, proximity to power, a dash of plain old arrogance and a liberal seasoning of end-justifies-the-means compromise end up being at best indifferent to and at worst deeply complicit in some pretty heinous injustice. I don't even think this is a completely against-the-grain reading on my part. At the end of the day it's a pretty mild critique, but it's hard to argue that the PT is entirely uncritical of the Jedi imo.
Unfortunately the narrative is never interested in really sinking its teeth into that. And even more unfortunately, a chunk of the fandom will clutch its pearls in horrified outrage if anybody else is interested in sinking their teeth into that
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I have an angsty/humorous dream about Koichi having nightmares that instead of marrying Noriko, Godzilla married her off instead because of the G-Cells she possessed.
And Koichi has a mental breakdown for the entire life while his friends, his daughter Akiko, and Noriko (she has G-Cells on her neck so she covered it with scarf) trying to calm his ass down.
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Film Form No. 1 (1970), dir. Stan Vanderbeek
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there’s so many writing choices in this film that i could gripe about but i can’t deny the way the end scenes have me chewing dry wall. we’ve just spent the entire film seeing alex paint himself as the victim in all of this, a hapless bystander swept into the insanity of nigel’s world and having to pay the price for it. there’s little hints here and there that maybe there’s more to the story - e.g. nigel’s comment about alex and susan (to which alex offers immediate refutation) - but there’s never any real and clear indication. until the end. until we get that 9 month time skip and we see sally pulling up to the cemetery. until we learn that susan’s grave has been dug up and the skull stolen. and then the train scene my god, the reality sets in that alex has been playing them this entire time, that he’s become the very thing nigel always wanted him to be. the ending to this film is both the end of alex’s story and the beginning of jack’s.
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