#but its actually got a really creepy and well executed premise with good performances

[from-beyond]

I watched Bad Dreams (1988) just for Bruce Abbott and I was NOT expecting it to be good but actually I really enjoyed it? I think it’s kind of a horror hidden gem. And the soundtrack slaps.

[stormyoceans]

what are your impression of midnight museum?:) did you like it as a whole? who's your favourite character? what didn't you like?

OH I LOVED MIDNIGHT MUSEUM!!!!!! i mean, okay, let's be honest.. it was an absolute mess and if you asked me to explain what the hell happened in the last two episodes i probably would not be able to do it, BUT STILL!!!!!!! I LOVED IT. sometimes being able to entertain your viewers is more than enough to make a show both memorable and likeable, and i think midnight museum is the perfect example of this

the show is a mixture of fantasy, science fiction and mystery, which are three genres im personally very weak for. the first half also has an episodic nature to it that i miss in television a lot: it can be boring when there isn’t a strong horizontal narrative getting advanced in the background, but if you can make it work it’s really fun for the viewers, and in this particular case i do believe the show was at its strongest when it fully embraced this format. the ‘artifact of the week’ with the enigma of dome’s identity was really entertaining to me, and i loved how creepy and disturbing some of the storylines were. the decision to throw in an abundance of biblical symbolisms as well in the second half of the show probably wasn't a good idea for the plot as a whole, but that's something i find incredibly fascinating so i'd be lying if i said i didn't love every (confusing) second of it

the real strength of the show lies in its cast, though. i already knew that gun and nanon are incredible actors, but i wasn't familiar with tor before midnight museum and i will always be grateful to it for introducing him to me because he is phenomenal. he showed up on that set every single day and decided to give so much yearning longing pining aching worrying agony anguish guilt restraint with the twitch of his mouth alone, and i respect him so much for it. honestly there aren't many people who are able to convey so many emotions in such an effective way. the supporting cast was also pretty solid and some of the guest actors gave an outstanding performance, like fah and tu in episode 5 for example

the other strong point of the show is the relationship between khatha and dome/chan/one. it’s basically on the level of chinese censored gay romance, and even when the writing didn’t give it justice, gun and tor’s on screen chemistry still managed to make it incredibly compelling to watch (an anon once told me that gun would have insane chemistry with literally anyone he got paired with and you know what? I COULDN’T AGREE MORE). the choice of not making their relationship a romantic one does baffle me a little tbh, especially because they were trying to push the brothers agenda while also giving explicitly romantic elements and parallels, but i can easily overlook this since the ending was very satisfying to me (i also don’t think this was queerbaiting btw, but that’s another story)

as for the things i disliked, my main issue with the show is the execution. the premise was original and had a lot of potential, but it’s obvious that the writing team lacked an overall vision of the (overcomplicated) story they wanted to tell: the moment they abandoned the episodic structure to focus on the larger narrative, the events start missing a sense of unity and direction, and the characters feel aimless too. i find every member of the main gang really interesting and likeable, but with the exception of khatha (love that old man btw, he is my absolute fave) they’re all criminally underdeveloped

MDL originally had midnight museum listed as having 15 episodes, and im not sure where did that information come from, but i actually think they did need those 5 extra episodes to make the plot more coherent, give more depth to the characters and explore the relationship between them (we should have had AT LEAST another june focused episode, a couple on triphob and bam and their relationship, one on anthika and boon, and one to let dome gain a little more sense of identity). if we ever get a season 2 they better fix this and fully develop all the characters BEFORE they try to explain what the hell is going on

ANYWAY. TL;DR:

[adamwatchesmovies]

The Best of 2020

Better late, than never. I enjoy seeing other people’s top-10 lists and I said I’d do one for 2020, so here we go. I haven’t had the chance to watch EVERYTHING I wanted to, but you’ve got to pull the trigger at some point. When the Academy Awards took place on Sunday, I felt like I hadn’t seen ANYTHING nominated but I could remember dozens of times where I felt like I wasted my precious minutes with cinematic detritus. I assumed putting this list together would be easy. It wasn’t. I’ve got a lot of runner ups but for now, here are my Top 10 “Best” (by which I kind of mean my favorite) movies of 2020:

10. Never Rarely Sometimes Always

Never Rarely Sometimes Always gave me a lot to think about. On the surface, it's about a teenager who has to travel outside of her hometown to get an abortion, but it could've been any kind of procedure she's uncomfortable (or unable) asking her parents for. It's about the lengths she has to go to when her main source of support is cut off. You feel uneasy throughout, wondering what lengths the girls will have to resort through and whether something horrible is just around the corner. For this reason, I think many parents would find the film enriching.

9. Mank

I haven’t posted my review of Mank yet - just haven't had the time so consider my star rating for it "spoiled". If you don't know, it's about Herman J. Mankiewicz (Gary Oldman) and the time he wrote Citizen Kane for Orson Welles. I can’t call Citizen Kane one of my favorite films, but I do often think of it. The story, the characters, specific shots, the overall look, etc. Every time I revisit it in my memory, my appreciation for it grows and in a way, Mank helps complete my relationship with the film. For that reason, I foresee myself revisiting Mank in the future - probably as part of a double-bill. I’d love to see it enough times to memorize some of Gary Oldman’s best lines.

8. One Night in Miami

One Night in Miami addresses the present while being set in the past but something about it clicked with me more than Ma Rainey’s Black Bottom. It's essentially a series of long conversations, the kinds that force you to really examine tough questions and see these legendary figures as normal people. Unlike Mank, it isn't so much the individual lines that stand out, it's more the vibes you get from the exchanges. Out of all the movies on this list, it's probably got the best ensemble cast.

7. Sound of Metal

I'm sure you've seen that clip from Un Chien Andalou where an eye gets sliced with a razor? It gives me the willies just thinking about it because if I were blind I wouldn't be able to watch movies or draw. In Sound of Metal, we're dealing with a career cut short because of deafness but the dots are easy to connect.  I immediately connected with this movie, which made its ending feel like a punch in the gut.

6. Tenet

I keep telling myself that I won’t love a movie Christopher Nolan directs just because his name is attached to it. Hopefully, this doesn't make me a fanboy, despite my falling for pretty much everything he's released. I love how ambitious Tenet is. The plot is so complicated but then again it isn't because once you're able to grok the mechanics of its reverse-entropy technology, you'll probably figure out most of the plot's mysteries. For me, that was the fun part. It felt good to see my understanding of the story and theories confirmed. I'll be watching it again once groups can gather so my friends and I can discuss everything in detail.

5. Trial of the Chicago Seven

I know The Trial of the Chicago Seven fudges history in ways certain people would say is irredeemable but I never go into a film “based on true events” assuming liberties won’t be taken. At the end of the day, I care about being entertained. My enjoyment was also amplified by the fact that I didn't know what the verdicts would be - my American history is spotty, at best. It's got laughs, outrage, drama, and inspirational moments. Aside from romance, you've got pretty much all the bases covered.

4. Palm Springs

Out of all the pleasant surprises of 2020, Palm Springs was the biggest. I thought the Groundhog Day thing was played out and the 0-star-worthy Love Wedding Repeat did nothing to convince me otherwise. Then, this movie comes along and does everything you want in one of those movies, and then some. Not only did Palm Springs give me the romantic comedy I'd been craving for (feels like we haven't gotten a good one since "Crazy Rich Asians" it also examines what love and relationships mean through smartly written metaphors.

3. Possessor

No, I didn’t put this movie on the list just because it’s Canadian; Possessor is on this list because it’s the most unsettling movie of 2020. I mean that in a good way. I've already talked about how unsettling the premise is but it's also the execution. Those bizarre “dream” scenes with the different identities merging in unnatural ways is unforgettable. That mask of Tasya's face, half-melted is already creepy enough, when worn by Christopher Abbott as he re-enacts her memories is just so weird it makes you wonder if you’re actually seeing what you’re seeing, or if you’re going mad. Then, there's that shot with the fingers at the end! Makes me wince just thinking about it.

2. Soul

During the Oscars, I get a little mad at Pixar. They effortlessly churn out these masterpieces that mean no other studio has a chance of winning an Academy Award for the Best Animated Film category. It makes me wonder if the voters even bother to watch the competition but I don't think anyone could argue against Soul. It's among their best films. It’s gorgeous, profound, and modern without showcasing any issues that might flush your day down the toilet.

Runner-Ups:

Enola Holmes

I never believed Enola Holmes would end up on my "Best of the Year" list but this movie is a lot of fun. If you haven't seen it yet, you should. Just wanted to remind you.

Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) I was disappointed when audiences didn’t seem interested in Birds of Prey. Seeing Margot Robbie go all-out and given a script that actually makes good use of her character was lots of fun. I also found it refreshing to see a superhero movie (not really, but kind of) that didn’t involve a plot to destroy the world, upheaval all of civilization, or shoot a giant beam into the sky. I think this is one people will discover down the line and go “why didn’t I go see this in theaters when it was playing?”

Borat Subsequent Moviefilm I’m not 100% in love with Borat 2 but boy am I looking forward to showing it to people who have no idea what’s coming. That scene with Rudy Guliani might not have the same impact down the line as it did when I first saw this sequel, but that’s ok. It’ll still have you picking your jaw off the floor.

Nomadland It’s a great movie and I might’ve put it on my list of the best… but I just don’t see myself watching this one again anytime soon. Great movie though. It deserves every accolade you see directed towards it. Chloé Zhao is shaping up to be a major talent. While before I might’ve said “Eternals who?” Now, I’m excited.

The Vast of Night Until I saw Possessor, this was my favorite horror film of 2020. I love the way this movie does so much without showing anything. It’s all about letting your imagination do the work.

Hamilton I’m still unsure how I feel about the casting in Hamilton. Everyone does a terrific job. I understand why actors of color were chosen to portray the historical figures we meet during this story. It still doesn't sit 100% comfortable with me. Then again, who can argue with those results? I’ve seen the movie twice and the songs are still playing in my head.

1. Promising Young Woman

I only had so much before this post went up. Enough for one more movie. It was a tossup between The Father, Judas and the Black Messiah, and Promising Young Woman. As you can imagine, I’m pretty satisfied with the choice I made. Writer/director Emerald Fennell takes the rape-revenge genre and reshapes it into something that feels completely new. Like many of the other films on this list, it also feels relevant to what’s going on today. There are many reasons why I could’ve given it this slot. The writing, the performances, the way it puts your stomach in knots as you wonder what’s going to happen next, the pitch-perfect ending… but I’m going to pick a more personal reason. I try to look at films as snapshots of when they were made. There’s a part of me that winces when I look at Gone with the Wind but I’m also able to take a step back and say “but other than that…” and then just enjoy the movie. In Promising Young Woman, the past is confronted in a way that made me pause and think about two movies on my shelf: Wedding Crashers and American Pie. The Vince Vaughn/Owen Wilson comedy, in particular, has a lot of questionable bits of comedy, bits made even more eyebrow-raising by the fact that it isn't an "old" movie whose entire cast is now dead. Let’s just say that when a movie makes me go “This movie is replacing X”, makes me think this hard about things, and does everything else you want in a thriller… it’ll stick in your head for a long time. That's why I'm calling it the best/my favorite movie of the year.

[ultrahpfan5blog]

Reflecting on Agents of SHIELD

So here we are at the end of 7 years. I have had a bit of a love/hate relationship with the show. There are times when I really haven’t liked the show and there are times when I have loved the show. Unlike many fans in the fandom, I don’t think its a perfect show. It has had more than a few missteps along the way. But it deserves credit on the things it has done right.

I remember the excitement when I hopped on board for season 1. Just coming off Avengers, this was supposed to be the tv spinoff where a whole world of exciting things were supposed to happen, interlinked with the movies. Turns out, it was a huge mistake to market the show like that. Thinking about it know, the potential challenges of that working out were obvious. Movies are written far before tv episodes are so doing that type of synchronization would be extremely difficult even if there weren’t tensions between the tv and movie divisions. In any case, season 1 was a clear case of a show treading water. The first 2/3 of the season was truly dull, barring a few good ones likes F.Z.Z.T. It wasn’t till T.R.A.C.K.S that the show started to find its footing with any sort of quality. The cast also seemed to be getting a handle on things. Clark Gregg smoothly transitioned without a problem as a lead but initially Ward was too blank a slate to really connect to, Skye was really annoying, FitzSimmons were just a bickering couple, and May was just the deadpan badass stereotype. But slowly the actors started to get a handle on things. The first sign of Elizabeth’s talent could be seen in F.Z.Z.T. Ming Na and Brett Dalton started to find more tinges of humanity in their characterizations. Iain really started to open out towards the end of the season and delivered what is still one of the most powerful scenes of the show in his confession to Simmons under water. I will be honest and say that Chloe wasn’t very good initially. It was partly the character and partly that the others seemed significantly better at the dramatic beats. The big Hydra twist gave Brett Dalton a huge boost as a performer. Its as if his handcuffs were taken off and he was suddenly freed and he became the most interesting character on the show for me. The Hydra plot of season 1 may still be the best story arc the show did, rivaled only by the Framework arc. I still don’t know which I rank higher, but that arc was the height of fulfillment that we got from the premise as originally pitched to the fans where the show synchronized with the movie story very well. And it was really the last time it happened. While most of season 1 was unfortunately handicapped, the final arc ended the season on a high which left me with great anticipation for what was next.

As we started second season, the thing that immediately struck me was that the show had completely changed. What again struck me was how Iain and Brett had really become the MVP’s of the show for me. Iain was heartwrenchingly brilliant in the first half of season 2. Again, one of the scenes of the show for me is when Fitz finds Ward in the basement. Brett and especially Iain just acted the hell out of that scene. The story arc of SHIELD vs Hydra was always one of the strong points of the show. That’s where the strength of season 2 lies. They played on the toxic Ward/Skye dynamic really well in those interactions in the basement. Brett really found the perfect balance of creepiness and sincerity in those scenes. In the midst of it all, we got some new additions in Bobbi, Hunter, Mack, and Kyle Machlachlan as Skye’s father and the transformation from Skye to Daisy happened. Honestly, Kyle was the highlight of the new additions in the season. He was there throughout and was kind of the emotional heartbeat of Skye/Daisy’s story in season 2. I wasn’t a huge fan of Mack in season 2. He had this passive aggressiveness towards anyone who wasn’t Fitz. I liked his dynamic with Fitz. Definitely the FitzSimmons stuff was hard to watch with it being so heartbreaking. Little did we know how much more there was to come. Bobbi and Hunter I was largely indifferent to. Bobbi was a badass and Adrianne Palicki is gorgeous but I never got overly invested in her. Hunter was hilarious at times and sometimes annoying. I liked how he was with Fitz. I felt Iain brought out the best in everyone this season. I wasn’t a huge fan of the second half of the season. I think the whole SHIELD vs Real SHIELD arc was pretty dumb and even the Inhumans story could have been better executed. Also, they took a wrong turn with Ward by the end of season 2. They had real potential with Ward being a wild card character who could be on hero’s side or villain’s side depending what benefits him, but instead they made him pure villain by season end.

Season 3 started off ok. Again, Iain was heartwrenching in the season premiere and Elizabeth turned up in full form in her solo outing. I honestly did not care about the whole Will drama. It felt very soap operaish for them to use this to create a love triangle which actually goes nowhere. Again, I felt they didn’t do enough with Ward even though Brett Dalton gave it is all. Certainly it was the most straight up villainous version of the character. Powers Boothe came in and did a great job with all his gravitas as a Hydra leader. It was in season 3 I started feeling Chloe Bennet started stepping up to the plate. In all fairness, one of my issues with some of the initial seasons were that it was so heavily Skye/Daisy dependent and everyone else felt more interesting to follow than her. This season allowed Ming Na and Clark Gregg to show some shades of regret and anger respectively. I was annoyed when they killed Ward because of wasted potential but Brett stepped up to the plate with an excellent turn as Hive. Bobbi and Hunter’s goodbye was sad though, as I said, I never got a personal attachment to those characters. One of the big misfires unfortunately was Lincoln. I have seen Luke Mitchell be compelling in other roles but Lincoln just did not work. Not as a character independently and not as a love interest for Daisy because they shared no chemistry. In a way, his death at the end felt like the writers dumping him and just admitting they didn’t know how to make the character work. We also got introduced to Yo Yo who would last the remainder of the show. It was kind of an uneven season but overall enjoyable. Didn’t reach the heights of the best parts of season 1 and 2 but maybe more consistent overall. I was really sad to say goodbye to Brett Dalton who was my second favorite cast member after Iain at this point.

Season 4 probably stands as the overall best season in terms of quality. Splitting the season into three pods really helped with the pacing with an increased amount of story. It was also the first season since season 1 where SHIELD existed as a functioning public agency and not just a bunch of agents working in secret. Robbie Reyes was incredibly badass as Ghost Rider. His pod was probably the weakest of the season but his presence overshadowed all the regular SHIELD cast members. The villain story was kind of weak but the backstory with Robbie, his thankfully platonic dynamic with Daisy, and the story of the developing technology of AIDA was fascinating. The LMD arc was better because AIDA and Radcliffe became serious legitimate and realistic threats. The acting also was top notch. The finale of this arc, Self-Control, is one of the show’s top episodes where Chloe Bennet was amazing as was Elizabeth and Iain was genuinely frightening as the LMD in the few minutes he had. But Framework just killed it. Brett Dalton coming back was wonderful. I really wished they had found a way to bring back this version to the real world. Iain delivered a seriously terrifying performance as the Doctor. Elizabeth, Chloe, Clark, Henry, Ming Na, John Hannah, and Natalia were all great. But the season’s MVP was Mallory Jansen, who played multiple iterations of the character throughout the season. My one issue with season 4 was I felt that she was built up in the finale a lot but then got taken out too easily. But overall, great season.

Season 5 is where the show kind of lost my interest. I am genuinely not a fan of the season and don’t have much to say about it. I felt it became outlandish and silly, while simultaneously becoming overly grim and morose which just didn’t work tonally for me. The acting continued to be top notch across the board. Iain continued to be a highlight all season with his breakdown episode being one of the most painful to watch. FitzSimmons wedding was lovely and kind of a welcome relief in a very dark season. Clark Gregg, Ming Na, and Chloe Bennet were excellent towards the end when playing out Coulson’s deteriorating health. Natalia also got to have some meaty story for really the first time on the show. But the budget constraints were clearly showing with the entire season being played out in the same grey halls and honestly I just never felt invested in the story. I knew the world wouldn’t end and it just became unendingly morose. Enoch was kind of the highlight in terms of humor in the season. Deke was introduced and I felt the same way as I felt about hunter. He was fun at tmes and other times annoying. The grandson revelation was kind of cool but I feel they have never done all that much with that connection. Maybe if the entire season was half a season’s plot, it would have been more palatable.

Season 6 was a minor improvement though still not great. The villains were again the big downfall of the season. I felt the show showed an inability to let go of Clark. Sarge was really not compelling and not a character that utilized his Clark Gregg’s best traits, which is his easy every man type nature. I could care less about the Shriek and Izel. We got to see May as a badass several times, which was nice but it was the space advanture that I enjoyed more. Whether it was Daisy and Simmons getting high on space mushrooms, or Enoch and Fitz being BFF’s in space, it was the show getting back to having some humor. Certainly a shorter season helped with regards to pacing. But it was still a rather unremarkable season which ended on a promising note.

Season 7 has been the best season since season 4. I feel that the first half the season was awesome. Rediscovering the fun, natural lighting, and better character interplay. Not having Fitz around was a bummer since Iain’s my fav cast member but we got the delightful surprise of Enver joining the cast as Sousa who I absolutely loved on Agent Carter. He has helped fill the void for me. Certainly has brought more than his share of humor and heart to the show. Again, the season’s weakness has been its villains. The chronicoms were initially good physical threats and certainly what they did to Mack’s parents was horrifying, but when Nathaniel Malick took over, the season has kind of stuttered for me. He just doesn’t cut it as a villain, especially for the final season. Chronicoms also don’t really cut it beyond the physical threat. The new additions of Kora and young Garrett are too last minute for me to feel any sort of threat from them. Certainly the time loop episode was amazing and the developing relationship between Daisy and Sousa has completely taken me by surprise. Its a mixture of good writing, good acting, and natural chemistry that this pairing has been something I root for, even though I loved PeggySous. But the show inexplicably got stuck in the 80′ and I really felt they should have gone through the periods to catch up to present day. Certainly the Jiaying story helped with some character reconcilliation for Daisy but I think there could have been more interesting stories had they progressed to more modern times. In any case, that leads to the finale. Hopefully the show ends on a good note. I don’t think it will be everything I want it to be because there are too many things on my wishlist, like a Ward return, which are unlikely to happen. But I hope for that its largely emotionally satisfying. Its been a good, if uneven ride. I would say its probably my second favorite Marvel show after Daredevil, but its longevity shows that it has developed a loyal core of fans. I may not get as emotional as a lot of the core fans, but it will feel weird that there will be no more Agents of SHIELD. It is the end of an era with it being the last of its brand of Marvel shows with all future marvel shows being direct movie spinoffs. I don’t anticipate we will see these characters in this form again, but who knows? Maybe someday?

Edit: My thoughts on finale

Overall, it was.... fine. I don’t know what I was expecting. I liked how the characters ended up but the whole thing felt oddly safe and a little emotionally hollow. They should have been a little braver and genuinely killed a couple of characters. Like I said earlier, there were a lot of things on my wishlist that didn’t happen, but I had kind of reconciled to that. The action was really good, but my apathy for the villains led to me being less interested in the whole story and the whole “empathy being the savior” was a little goofy for my taste. Regardless, far from the worst finale around but also not the greatest but reasonably enjoyable. Kind of like the show in a way, which makes it fitting. 

[kihocrystal]

Winter 2018 Final Impressions

I’m a month late, as usual (whoops!), but here’s my final thoughts on the animes I watched this past season! 

The “reviews” will be in alphabetical order!

3-gatsu no Lion S2 - 9.0 / 10 (A)

This second season of 3-gatsu was great! It’s just… a really great drama show about fighting depression (& a bunch of other character storylines)!

First off... THE BULLYING ARC WAS REALLY GOOD

extremely complicated, emotionally complex… this arc brings all sorts of emotions & angles into the forefront

multiple perspectives too: Hina’s, Rei’s, the bullied girl’s, the bully’s, the teachers’, and Akari too!

The art style can pull off both thick-outlined / bright colored style and watercolor-esque style incredibly well

it really is beautiful how it can visually portray both light-hearted and emotionally intense scenes

This season continues to show how good it is at character development for characters both main & supporting!

We get to see Rei moving through the ranks as a shogi player

and also moving through the ranks of conquering his depression! He’s improved more than ever before!

We get to learn about the white-haired master player (Souya); I liked how he has his own quicks and challenges he has in his daily life

Along with the other head shogi guy (Yanagihara)! (& how he shoulders his legacy for his friends)

Even the last episode offered some perspective from the foster mom about Rei & her kids

this show is just… really good at making normally-hated characters sympathetic, hot damn

Aside from bullying arc, this season also showed Hina preparing for the transition to high school

The finale episode was nice and sweet, with Hina saying goodbye to Takahashi and even getting a haircut!

This continues to be one of the best drama anime in recent years! Not to mention SHAFT’s best show since Madoka Magica :3

Cardfight!! Vanguard G: Z - 7.5 - 8.0 / 10 (C+)

And so ends the G series of Cardfight Vanguard… this final season I’ll say though is kind of a mixed bag

The plot had interesting ideas and moments at times, but the execution and pacing left a bit to be desired

though I will say it was definitely better than last season (CFV G NEXT)

This season didn’t waste any time getting to the main plot, as Chrono has to face off against a Diffrider right away

the diffrider stuff is continued from last season, but for the most part, it’s a new plot kicking off!

The rollout of all the new Diffrider Apostles (& them showing their strength) definitely made them look like powerful foes

not to mention the Zeroth Dragons, which were also shown to be powerful and very risky to use

Also knowing that anyone in the main cast could end up being The Vessel added some intrigue as well

the reveal that Kazuma would be the vessel definitely was a well executed twist imo~

However the pacing in places felt a bit too fast for me… the Relics subplot felt like it wrapped up too quickly, for example

the final fight against Gyze also kinda felt rushed… Gyze didn’t even have any dying words after his defeat :/

As a final season specifically, I feel like it kinda pales in comparison to Stride Gate, unfortunately

The cast was also kinda hit and miss in terms of how well they were utilized in the plot

some of the apostles definitely had more screen time than others (gredora only got like… two episodes)

plus gastille (the supposed apostle leader) got beaten sooner than like 3 other ones???

some villains carry over from last season too, such as Noa (Chaos Breaker) and the red-head punk kid

I liked all the new villains this season, personality-wise! (Also Yukari Tamura in there is a plus)

also no Am and Luna this season, really…

the previously established OG cast were integrated fine, for the most part

including Aichi and Kai getting the kill against Chaos Breaker Dragon

but the final episodes kinda just shoe-horn in a bunch of cameos that just didn’t feel natural :/

it just felt like “OH SHIT, this is the last season actually! Quick, throw in a bunch of cameos!”

this also applies to G characters, which makes less utilized characters (like Am & Luna, as mentioned before) look out of place :(

Sure, I’m saying a bunch of negative stuff right now, but I REALLY LOVE THIS CAST… I JUST WANT THE BEST FOR THEM

It’s the main reason I love CFV G, after all~

This season was definitely an improvement over NEXT for sure! The plot was interesting, I just wish the conclusion was better

The final episode basically just felt like an OVA, really… aside from the last scene, it didn’t really feel like an epilogue at all

I guess it just bums me out bc the original series got a good epilogue episode, so I know they could do it here, too…

In any case, I’M GONNA MISS THIS CAST, BIG TIME ;A;

In any case, this was a decent season to end the G series with! Not the strongest, but not the weakest either.

I’m gonna look back on my time with CFV G fondly for sure, if for nothing else than the great ensemble cast :’)

It’s gonna be weird going back to the OG cast for sure… I arguably liked the G cast better than the OG one :’D

Osomatsu-san S2 - 8.0  / 10 (B)

The consensus among fans seems to be that this season wasn’t as good as the first season

As for me, I… probably agree with that (though I still enjoyed this season!)

As with most comedy anime, whether the jokes land is pretty subjective. I feel like I didn’t laugh as hard this season? IDK

There were more “seasonal/holiday”-based episodes this time around (i.e. summer, new year’s, etc.)

What stays the same though is that this show is at its best when featuring the main brothers themselves

Skits involving the side characters (like Iyami, Dayon, etc.) didn’t make me laugh much…

I will say though that I enjoyed the second half of the season more than the first half~

Enough about the negatives, let’s talk about this season’s memorable skits / episodes!

The premiere was really good, as it poked fun at the huge popularity the show unexpectedly got xD

plus a bunch of references that *aren’t* gonna get them removed from streaming sites this time!

Jyushimatsu getting an “apprentice” with a little kid was also pretty funny~

The Karamatsu taxi skit, the spooky inn, & all the characters being stuck on an island were also good skits!

Ep. 18 (Iyami, Alone in the Wind) was also a crowd favorite, since it brought the feels for a change :’)

The finale 2-parter pulled a bait-and-switch yet again!

Part 1 was actually pretty serious, but the actual finale just has them trying to break out of hell xD

OH YEAH, I still really like the live-action stuff they do during the ending sequences

the first half’s ED was my favorite (the stop-motion of the brothers riding in the car)

I don’t have much to say about comedies generally, but Osomatsu-san is still my favorite in recent years ^^

Even though this season didn’t hit as hard as S1, it still provided some fun laughs~

Pop Team Epic - 7.5 / 10 (C+)

What can I really say about this show? It kind of defies description ^^;

Ok, yeah, it’s a sketch comedy, but it’s a really… crazy and random sketch comedy

The jokes are hit and miss (and in my experience was a bit more… miss than hit)

I never really laughed out loud at this show either

but then again, the humor here is more “being confused at what’s going on, but going along with it anyway”

There’s also a lot of modern anime references, so you might not get those jokes if you don’t follow most recent anime

Each episode has a long skit in it, plus a bunch of bite-size skits

I personally preferred the short skits over the long ones

There were a couple song parodies which I enjoyed (including the Earth Wind & Fire parody)

Also, this series definitely benefits from having an English simuldub! Some skits I found funnier in English!

OH YEAH, the voice actors (in both languages) change every episode, with female and male VAs in each episode

that enhanced the enjoyability of the sketches too, since I liked hearing favorite VAs do silly dialogue and performances!

I wouldn’t say this ranks among my favorite anime comedies, but it’s definitely unlike any other I’ve seen! ^^;

Your mileage will *definitely* vary with this one, so give it a try and see if it’s for you!

The Ancient Magus’ Bride (Mahoutsukai no Yome) - 8.5 - 9 / 10 (A-)

This was a very enjoyable fantasy drama show! Some people feel this show was overhyped, but I still thought it was really good!

I really liked the cast overall, especially Chise

She has really good character development throughout the show! She really becomes more strong and confident!

Seeing the fantastical world through her eyes was interesting as well!

Especially since those mystical elements were also responsible for her terrible childhood…

Elias was also an interesting guy… he and Chise have an interesting relationship together

Their relationship definitely has aspects that are unhealthy, but they do grow closer to each other by the end

If people can’t get past the whole premise of “him buying Chise to be his bride” though, I totally understand ^^;

They help each other learn too, which I liked to see

The supporting cast was also enjoyable! Not much to say about them individually though

The dragon keeper was nice and we got to learn about Elias’ origins through him

The dragons in general were great! Especially the old one that turned into a tree :’)

He gives Chise some good sage advice, even after death :’)

Angelica, Silky, and Stella (among others, like the other anti-hero duo) were good support characters too~

I liked Stella’s role of “normal girl who learns of the supernatural’s existence”

Cartaphilus was an… okay villain, I guess (though his methods were quite creepy indeed, which added some intrigue)

Some character designs are a bit questionable though… like who approved the vampire’s design? ^^;

Another large appeal of this was the world building of the fantastical elements!

I liked seeing all the different types of locales & supernatural creatures, both good and bad

As a low-fantasy show, this show does a Dang Good Job with the fantasy!

Chise learning more about herself and gaining confidence through these experiences were a highlight as well

I enjoyed each story arc as well, even though most of them were more explorative and introspective

This show can be dang beautiful sometimes, through both its art/animation and its stories (Thanks, Studio WIT!)

Some were better than others, but they all deliver either a heartwarming (or a dark) story

Some favorites of mine were the dragon-based ones, and the vampire loving the old man

The finale was good too! It’s unknown whether this conclusion is anime-original or not, but it was definitely a good S1 ending~

If you love low-fantasy shows, this is definitely one to check out!

Violet Evergarden - 8.5 - 9.0 / 10 (A-)

Best *new* anime (that I watched) of this past season, hands down~

Though to be fair, I still need to watch A Place Farther than the Universe… and Yuru Camp… and After the Rain…

Going into this season, this show was hyped and back and somehow… a lot of people were *disappointed* with this show?

I think it had to do with expecting a different show than what we got; as for me, I knew it’d be an episodic drama the whole time :P

But yes, this show has a (mostly) episodic plot with an overarching character arc. If that’s too slow for you, then you probably won’t like this show.

In any case, back to the positives! The first one being how good this show looks visually… as expected from KyoAni~

there’s so much detail in the backgrounds and the character elements (especially the lighting on objects like Violet’s metal hands)

this aspect is one thing *everyone* agrees on regardless, so… yeah, this show’s really pretty!

The main star (and focus) of this show was Violet herself… you can really see how she changes for the better from beginning to end

You get to see how “robot-like” she was at the start of the show, but she slowly learns about dealing with emotions of others… and herself

This character arc is definitely the “main” plot of the show, along with her coming to terms with Gilbert’s death and her war killings

The episodic plots were good in their own right, too!

Ranging from Violet’s start as a Memoir Doll to the different clients she works with, they all teach her something along the way

These sometimes focus on the side characters working at the Doll Agency too, so we get to learn more about them as well

The one that comes to mind first is Iris’ episode, where she (messily) reconnects with a former lover

Not all of them get a full episode in the spotlight, but they do get some focus scenes from time to time

Violet’s clientele episodes were the most memorable out of this lot IMO

ESPECIALLY EPISODE 10… that was the BIGGEST feels trip

I knew exactly how the episode was going to end, but I still teared up at that ending!

The finale was action packed, but also was a beautiful way to show how far Violet has come

I know some people’s issue with this show is that “it doesn’t know what show it wants to be” re: the action stuff, but I was fine with it personally

in any case, it was a pretty good book-end for Violet’s development, since she finally understands (a least a little) what “I love you” means :’)

I understand certain people’s gripes with this show, but this really is a great little drama show that *will* deliver the feels~

P.S. I also watched Fate/Extra: Last Encore this season. It hasn’t technically ended yet, so I can’t give final impressions on it right now. However, my current score for it is a 7.5/10 (C+).

[the-desolated-quill]

Time Heist - Doctor Who blog

(SPOILER WARNING: The following is an in-depth critical analysis. If you haven’t seen this episode yet, you may want to before reading this review)

Oh God, Stephen Thompson is writing this. No. Worse. Stephen Thompson and Steven Moffat are writing this! Heaven preserve us!

Well everyone can relax. Time Heist isn’t as bad as The Curse Of The Black Spot or Journey To The Centre Of The TARDIS. In fact Time Heist is actually surprisingly good. Well... it’s good up to a point, but we’ll come to that.

It’s a great premise. The Doctor and Clara are joined by augmented human Psi and shapeshifter Saibra to rob the bank of Karabraxos. The most secure bank in the galaxy. It’s a brilliant opening with some proper sci-fi in it. (I particularly like the little detail of using your breath to open code locked doors). And then there’s of course the Teller. LOVE it! It’s a great design for one thing and its powers are incredibly scary. It can sense your guilt and turn your brain into soup. Very creepy, although sadly undermined by the image of those people with their heads flattened. Ms Delphox puts them on display as a warning, but all it did was just make me snigger. Come on, you have to admit they do look just a little bit silly.

I also really like Ms Delphox, played by Keeley Hawes. While she does unfortunately get saddled with Moffat’s dominatrix dialogue and persona just like all of Moffat’s other female characters do, Hawes does such a good job in the role and really makes the part her own. She has such an authoritative presence on screen and is clearly having a lot of fun in the role. I particularly like how Delphox isn’t just evil for the sake of being evil. Due to the bank’s ultra strict security system and protocols, if Delphox fails to catch the robbers, she will be incinerated by her boss. It’s something different, which is nice.

Time Heist has a really good pace, Everything zips along very nicely and I was glued to the screen for the most part. I also really liked the characterisation. Top of the class is of course Peter Capaldi. He’s absolutely brilliant in this episode, capturing the Doctor at his very essence. Despite the fact Psi and Saibra know absolutely nothing about him and have no reason to trust him or take orders from him, the Doctor is able to take charge using the sheer force of his intellect and personality. Peter Capaldi is the Doctor. I also loved the scene where he rebukes Psi for accusing him of being cold and emotionless about Saibra’s ‘death.’ The Doctor has always been one to prioritise the job at hand over mourning the loss of someone, but this Doctor really doesn’t wish to be bogged down in sentimentality. Nine and Ten often express their grief with a brief sorry before moving on, whereas Twelve seems to prefer to keep it all to himself and just get on with things. He may seem uncaring, but his face when he’s walking away from Psi speaks volumes. He does care very deeply. He just doesn’t want to express it. The other characters are good as well. Out of the two I think I like Psi more. Johnathan Bailey does a really good job in the role and I like his motive for breaking into the bank. Wanting to reclaim the lost memories of his friends and family. And the scene where he sacrifices himself to save Clara was very effective. Saibra was good too and Pippa Bennett-Warner gives a good performance, but her motivation is a bit weak. Okay, I get the whole thing about shapeshifting every time she touches someone, but what’s the deal with this line:

“How could you trust someone who looked back at you out of your own eyes?”

Wha... What does that mean exactly? It sounds like typical pretentious Moffat bullshit to me.

Also Clara is pointless. Seriously, why is she even here? What role does she play? The Doctor is clearly the leader (and secretly the Architect). Psi is the hacker. Saibra is the shapeshifter. What’s Clara’s role? She’s not even the Doctor’s moral compass like in Into The Dalek. She’s basically just tagging along for the ride. If there was ever an episode that perfectly demonstrated how utterly useless and one dimensional Clara really is, it’s this one.

Yeah, I suppose I can’t put this off any longer. While there are large portions of Time Heist I did enjoy, a lot of the episode is sadly hampered by Moffat and Thompson’s usual sloppiness. Since we’ve just been talking about the characters, let’s talk about the ‘exit strategy.’ Presumably a way for the characters to painlessly kill themselves should the Teller discover them. A very dark idea, but also a completely ineffectual one thanks to its execution. If you’ve seen any sci-fi ever, you’ll know what a teleport looks like, and the fact that the effect we see when Saibra and Psi use the shredders look suspiciously like teleports does negatively impact the tragedy of their ‘death’ scenes because, in the back of your head, you’re wondering where they’ve gone off too and when they’ll be coming back. But even if you didn’t pick up on that, it still doesn’t work because their surprise return effectively undermines their sad and touching deaths in order for Moffat to pull a ‘gotcha’ moment.

Then there’s the Architect. Who here honestly thought he wasn’t the Doctor? It’s such a painfully obvious twist. He’s a time traveller, like the Doctor. He has access to memory worms, like the Doctor. They even chuck in a massive clunker of a clue by having the Doctor outright state he hates the Architect. Since when has the Doctor ever said that about anyone? He can’t even admit he hates the Daleks for fuck sake. The only possible person he could be referring to is himself, at which point you soon realise that this episode isn’t about a bank heist at all. It’s yet another episode that’s all about the Doctor, this time about his self loathing and manipulative tendencies. And it actually reduces the stories of Psi, Saibra and the Teller because you realise that the only purpose they serve is to shine a light on the Doctor. Loneliness bad, companionship good. This is the fifth story in a row that has focused exclusively on the Doctor. Anymore and the show is seriously at risk of disappearing up its own vortex. Why can’t the episode have just been about the Doctor breaking into a bank and saving Mr and Mrs Teller? I like that idea. It’s something different and it’s a very Doctorly motivation for breaking into a bank. Why does everything have to be so inwardly focused nowadays? I don’t mind the odd episode that explores the Doctor’s character (provided it’s done well), but this is taking the piss.

And then there’s all the plot contrivances. For the most secure bank in the galaxy, its security is unbelievably shit. Putting aside the almost comically oversized vents that anyone can comfortably crawl through, how come the guards seem to be searching for the intruders everywhere but near the fucking Vault where the valuables are kept? You’d think Delphox would post a couple at the door or something just in case. And what about the scene where the Doctor and Clara are captured? Before Delphox set the Teller on a random person that was just guilty for a crime he was about to commit. But with the Doctor and Clara, Delphox decides to take the Teller away for a little nap and let the guards deal with them instead. Why? But what really spoils Time Heist completely are the two gaping plot holes at the centre of the narrative. 

The first is the solar storm. This is the only time the bank is vulnerable, but it’s also the only time the TARDIS can’t land. Well... why don’t you just land the TARDIS at a time when there isn’t a solar storm? The Doctor said it himself at the beginning. Robbing a bank is easy if you’ve got a TARDIS. In fact I’m assuming that was how he planted all the briefcases. If he could do that, why not just materialise the TARDIS right inside the Private Vault, grab Mr and Mrs Teller and go? You wouldn’t even need to bother with the memory worms. The second plot hole is Madame Karabraxos (also played by Keeley Hawes). So what sets all of this in motion is a dying Karabraxos from the future phoning the Doctor and begging him to save the Tellers. The entire plot hinges on the Doctor giving her his phone number and then just hoping she’ll miraculously grow a conscience and realise what a horrible, selfish bitch she was when she has no reason to. (yes i know there’s the whole self loathing thing with the clones, but that’s really not good enough. It also doesn’t make any sense. if you hate yourself so much, why would you create clones of yourself in the first place?) It’s also completely reliant on Karabraxos not losing the phone number, except why in God’s name would she keep it? At this moment in time, she has no reason to take the Doctor seriously yet and clearly has no interest in redemption just yet, so why hang on to the phone number? It’s absolute nonsense.

Like I said, there are a few things about Time Heist I liked and I did enjoy it to a point, but what ultimately holds it back from greatness is Thompson’s usual ineptness when it comes to basic storytelling as well as Moffat once again putting more effort into trying to outsmart the audience and prove how clever he is rather than writing something that’s actually satisfying and worthwhile. Overall, good idea, but sloppy execution.

[theconservativebrief]

Like all ghastly failures, The Happytime Murders is not “so bad it’s good.” It’s just bad: a boring flop, an unfunny comedy where nothing’s at stake. The plot is shot through with inexplicable inconsistencies, and the jokes and quips are so leaden that they thud like flamed-out turds.

If you’re feeling too optimistic about the world, then it’s the film to see.

Certainly “puppets, but dirty” has been done before, but never this stupidly. The movie’s sole virtue is its short runtime — it barely reaches an hour and a half — but it outstays its welcome long before it reaches the end. There’s some notable comedic talent onscreen, particularly Melissa McCarthy, Elizabeth Banks, and Maya Rudolph, but they’re wasted on a halfhearted premise, sluggish pacing, and slapdash execution.

Let me put it this way: If the demons in the Bad Place made movies, they’d make this one, and then probably brag about how bad the reviews were to sell some more tickets, and the whole point would be to torture you and me.

The range of faces made during watching this film. STX Entertainment

When Jim Henson came up with Muppets, he was trying to make TV puppets that could have a wide array of emotions. What he came up with was a cloth-covered foam rubber puppet that seemed to be talking and emoting in ways that were familiar to humans, but not so human-like that they were creepy.

The result has always been pretty funny, and occasionally touching too. Puppets and people living alongside one another, without anyone really acknowledging how strange it is that these puppets move around freely, makes everyone laugh. Henson’s creations entertain everybody, in both innocently wholesome ways (as on Sesame Street) and slightly more grown-up but still generally PG-rated ways (as on The Muppet Show).

The idea of dirty Muppets is funny partly because so many of us spent our childhoods with squeaky-clean Muppets on Sesame Street teaching us the alphabet and basic Spanish and the rules of kindness and sharing. Transgressive Muppets and Muppet-like puppets that are mean and misanthropic and sexual and otherwise deviant are a shocking inversion of that. We’re inclined to laugh because the juxtaposition is weird and aberrant and a little shocking. That’s worked for movies like Meet the Feebles and musicals like Avenue Q.

But “puppets, only dirty” isn’t enough to hang a movie on, any more than “female protagonists, only dirty” is a surefire home run. The Happytime Murders is (purportedly) a movie, so it needs things like setup, characters, plot, dialogue, and narrative payoff. Maybe try to throw in some funny situations here and there that will surprise the audience and make them chuckle. You know. Make a movie.

The rabbit and the P.I. in a puppet porn shop. STX Entertainment

I don’t know what happened with The Happytime Murders — especially since the screenplay was reportedly in development for a decade — but everyone involved seems to have forgotten what a movie is.

Directed by Brian Henson, son of Jim — who has directed a few features before, including The Muppet Christmas Carol and Muppet Treasure Island, and a lot of Muppet-driven TV — and drawn from a story and script by Todd Berger, The Happytime Murders sets itself up as a riff on detective noir. But the attempt never goes beyond the most surface-level homage, resulting in something herky-jerky and listless, incapable of doing anything interesting with its eye-catching premise.

The story concerns an LA private investigator named Phil Philips (voiced by Bill Barretta), the first puppet on the LAPD before he was booted from the force after being accused of purposely failing to shoot a puppet perp. Now working from his own practice on the edge of Chinatown with a non-puppet secretary named Bubbles (Maya Rudolph), he finds himself caught up in a case in which the stars of a children’s TV show led by a woman named Jenny (Elizabeth Banks) from decades earlier start to turn up dead, one by one, blown to fluff by a mysterious assassin. At the same time, he’s hired to solve a case of blackmail for a (puppet) femme fatale, who’s also a raging nymphomaniac.

In an unhappy fluke, Philips becomes a consultant to the LAPD on the case, and is paired with his former partner, Detective Connie Edwards (Melissa McCarthy, whose appearance in this film just makes me sad), to solve it before even more puppets are killed. It is not, shall we say, a happy time.

Actually, “not a happy time” is too gentle — this movie is a drag.

As The Happytime Murders unwinds its plot, it makes less and less sense. That’s not because, in the manner of classic sunshine noir, it turns out that things are more complicated than they seem; it’s because as Philips and Edwards solve the mystery, some glaring plot holes turn up that seem due more to shoddy writing and editing than forethought and philosophical investigation.

But look, it’s puppets. Obviously not everything needs to make sense.

The puppet and the former TV star (Elizabeth Banks) in The Happytime Murders. STX Entertainment

This is, however, supposed to be a comedy, which means it needs some kind of humor to stay afloat. Sadly, this is not the kind of comedy that seeks to deliver clever jokes or quippy one-liners; this is the sort of movie that sets a very long scene in a porn/sex shop for puppets (involving graphic depictions of several different fetishes) and leaves the “joke” at that. It’s not just annoying, it’s also interminable.

In fact, most of the scenes involving sexual humor — like one in which silly string is a stand-in for an enormous quantity of a certain ejaculatory bodily fluid — seem to have been edited with the knowledge that this situation is way less funny than it should be, and therefore the scene has to be extended as long as possible to bludgeon us into finally laughing. (We also get several pantyless crotch shots of a female puppet, lots of drug use, and … well, I guess what I am saying is please, please do not bring your children.)

Melissa McCarthy is technically a co-star in this movie, and though her steady output has been uneven at times, she’s one of the most talented and bankable performers in the business and a reliably funny comedic actor, particularly in female-driven raunchy comedies.

So why, then, does the movie treat her as second fiddle? There are occasional sparks of cleverness — one scene in which she and Maya Rudolph get to play off each other for a bit while breaking into an apartment has the feel of a buddy comedy we’d actually want to watch — but she’s a definite accessory to her not-at-all-funny puppet partner Philips, and the movie feels off-kilter as a result, like it got edited wrong.

The screenplay feels strangely distracted, too. In its early scenes, the movie seems to want — in the manner of the similarly soul-draining Bright — to use different species (elves, orcs, fairies, puppets) and their relationships with humankind to say something about race and policing. In this case, the puppets are maligned and mistreated by humans; the entire film seems set up as a comment on misconceptions about puppet-on-puppet violence.

The PI and the dame. STX Entertainment

This is already, at best, a very unsteady plot device (issues around race and policing are still about humans, for one thing). But at least Bright has the decency to keep up the theme through its entire runtime. The Happytime Murders introduces it for the first act, then more or less dumps it entirely, apparently to make room for more extended sex jokes that go nowhere.

The Happytime Murders will doubtless garner comparisons to Sausage Party, the 2016 raunchy animated hit about horny groceries. Like or hate that film, it had both an idea in its head (about religion and pluralism) and a lot of hilariously crude originality.

But The Happytime Murders seems to have recycled ideas from other raunchy puppet movies, filtered them through layers of garbage and dreck, slapped on the least imaginative noir trappings possible, and then lifelessly insisted we had better laugh, because here is another puppet making a penis joke. You know what kind of time you’ll have.

The Happytime Murders slinks into theaters on August 24.

Original Source -> The Happytime Murders turns raunchy puppet comedy into inexplicably boring dreck

via The Conservative Brief

[tricialucido-blog]

Kaufman and Kristoff’s “The Illuminae Files” pt. I

Hi there! This is my first attempt at blogging about books I’ve read for leisure. I was inspired greatly by the bookstagram and booktube communities in Instagram and YouTube, respectively, and while I enjoy seeing content from both platforms, I feel like there’s something else I want to see from book bloggers that’s currently not present in the content trend today. I’ve seen a few bloggers here and there whose content I really liked (a personal favorite is booktuber @LilyCReads), but I guess it’s high time I shared my personal sentiments and commentaries myself. I still don’t know where I want to take this, but starting somewhere is better than nothing amirite. Anyway, here goes.

Note: This is a spoiler-free review. Part II, which I will link here as soon as I’ve posted it, will most likely be full of spoilers because I will talk about the key themes and important quotes from the books. Beware and proceed with caution! :-) 

Title: The Illuminae Files (trilogy); Illuminae (Book 1), Gemina (Book 2), and Obsidio (Book 3)

Authors: Amie Kaufman and Jay Kristoff

Genre: science fiction, military space opera, epistolary

Rating: 5/5 stars

Story Time!  ✨

Before I dive right into the books, let me tell you guys a bit of a backstory. I’ve always enjoyed science fiction, especially space opera (a close contender is steampunk). Mind you, though, I wasn’t really part of the Star Wars crowd (I was more of a Harry Potter pre-teen) as I was growing up, so I can’t really point to the franchise as the origin of my interest. No, I’d say I started getting interested in the science part before I discovered that it could be fused with fiction. I loved encyclopedias and the annual almanacs when I was a kid, and up to this day it still baffles me a bit that I was that kind of kid before books and (eventually) the humanities dragged me into their fold. I was deeply fascinated by the heavenly bodies, and up until I realized I had acrophobia (fear of heights), I even wanted to be an astronaut. My venture into science fiction and its subgenres was a little less scholarly. I’m not ashamed to share that I fell in love with space opera through fan fiction, specifically an old X-Men fan fiction. That masterpiece really changed my reading experience.

It was my youngest sister, a bonafide bookstagram lurker, who introduced the Illuminae Files trilogy to me. All she said was, “It’s an epistolary. I think you’d like it,” and I was already purchasing the second book (she already bought the first one). This is where it gets kinda funny, because originally, I read Book 2 (Gemina) first before I picked up Book 1 again this summer. I read the words “...breaking up with her boyfriend” in the synopsis and I instantly got turned off haha! I easily dismissed Illuminae because I thought it was just another typical YA love story packaged differently (but ultimately still the same formula), and I was just so exhausted with the same old variations. For the record, I was wrong, okay. But anyway, my sister assured me that I wouldn’t miss much if I start withGemina (which, totally false) and that the spoilers were negligible (only because when I got “spoiled” in Gemina, I didn’t realize at the time the significance of what I found out ahead, and when I picked up Illuminae, I already forgot most of what happened in Gemina). [Story Time: End]

Now that story time is over, I just wanna point out that after typing this whole chunk of word vomit, I realized that I’m already so chatty and I haven’t even started on the books themselves! I swear, I’m only letting this run as long as this because it’s the first one, and I have a lot of behind-the-scenes anecdotes that I really want to share. I hope I don’t drive y’all away hahaha, so let’s just jump into the “review” part. 

The Gist  ✨

The year is 2575, half a millenium ahead of what constitutes as “today”. Human civilization has moved past the uncertainty of space explorations, of the search for the “second” Earth. Distant corners of the universe? Not so distant anymore. Space travel that spans light years? Now simply one “jump” away. For all the fancy technological advancements that humankind has achieved, they still aren’t beyond mass murder for the sake of money and resources. At least that’s what I gathered when megacorporation BeiTech Industries brutally massacred the citizens of a small far-flung colony called Kerenza IV, where there was a ongoing illegal mining of hermium, a precious resource in this universe. The trilogy revolves around the protagonists, victims and survivors of BeiTech’s brutal invasion, and their search for justice while fighting for their lives in the yawning emptiness of space. There are all sorts of characters within each book, including a Skynet AI, and all sorts of trouble as well.

Reactions   💖

Stylistics. As I’ve mentioned above, all three books are hashed out through a collection of files, chat logs, and video transcriptions to name a few. And duuuuuuude. Kaufman and Kristoff really did an incredible job with the lay-out of Illuminae Files--hats off to their entire team, there is no denying the genius behind their concept of what an epistolary is. It was exciting to dig into the books to examine every detail and every Easter egg that they left in each well-planned page. Although, I’ll be honest here, there were a few times that I really got confused and lost in the story--not in the sense that I was intensely absorbed with what was happening but rather, because there were a lot of details and clues to take in. It was easy to be overwhelmed by everything that was happening. Add the fact that there were events happening simultaneously, and were described in completely different media (this will make much more sense once you pick up the first book). I don’t consider it an entirely negative thing because the confusion really helped in blindsiding me from most of the major plot twists; in fact, I’d say I enjoyed the story more when my theories were debunked by the more awesome plot twists.

World-building and plot. Speaking of plot twists: the plot had some really well-placed surprises and shocks. I love that the romantic scenes were not distastefully added. In fact, instead of stealing the limelight from the major conflict as well as the science-and-technology “vibe” of the story, the romance further heightened the stakes that the protagonists were risking with every decision and plan they concoct. 

The authors did not give us 600-pages of long-winding narratives (per book) and chunks of justified text divided into chapters--no. They gave their readers a feast of visual exercise and yet, using less words (than a standard 300-page novel) and hardly a clear-cut linear plot progression, they raised a lot of important questions that we could use some time to ponder on (more about these in Part II--beware of spoilers, though!). What I always look for in science fiction (and fantasy as well, for that matter) is a well-executed world-building. It doesn’t matter if the premise is unique if the author did not manage to back the novelty of their idea; sometimes, if the world-building is particularly lacking, it really puts me off from the plot itself. In the trilogy, it wasn’t a problem at all, which helped to make me more absorbed with all the adrenaline-infused twists upon twists in the story. 

I also have to commend how well the authors incited reactions from their readers--at least in my reading experience. One particular conflict in Illuminae really gave me goosebumps and sent a chill down my spine (won’t elaborate haha you’ll know if you’ve read it!!). Ugh, remembering it as I type this has me shivering involuntarily again. Those were some real creepy scenes, I tell you.

Characters. Most of the protagonists (but not all) paired up in different points of the story, so it’s easy to view them as such: couples. I don’t think I hated any off the them, even with my initial avoidance in reading Illuminae because of Kady and Ezra’s established relationship; in fact, the romance between all of them turned out to be not overbearing at all. Having said that, I think it’s a great disservice to each character, especially the couples, to view them only within the confines of their relationship dynamics. Amie Kaufman and Jay Kristoff both did a great job in adding layers upon layers of character development of the protagonists; furthermore, they were not stingy in adding characters and giving them actual personalities, and even though at certain times the sheer amount of characters got really confusing, in the end I consider it a plus on their genius and detail-oriented world-building. These two did not hold back in conceptualizing and planning. They were good at deliberately leaving out certain information, that’s true, and they got me to believe that nothing was amiss--only to exclaim “oh shit…” when things finally fall into place. 

On the other side of the spectrum, BeiTech’s foot soldiers were ruthless and machine-like, and performed well as villains; however, what I loved about Illuminae Files are the details that the authors added--seemingly inconsequential details that will make you pause for a bit and remember that these brutal murderers are just as human as the protagonists, that while it’s easy to view them as merely “BeiTech”, there are still individuals behind the uniforms and high-calibre assault weapons. These details will lead you to the thought that both villains and heroes experience the same spectrum of human emotions, and it is jarring and terrifying to be reminded that only a thin line divides the two “sides”.

Anyway, this is where I’ll end Part I.

Watch out for Part II soon, which I will link below as soon as I’ve posted it.

Wow. So that was a pretty intense word vomit. Apologies for being so chatty, and if you managed to read this until the very end, thank you so much! I’d love to know what your thoughts are, if you’ve read the trilogy or if you’re planning to), etc. Let me know if you liked this type of in-depth (read: intense and overboard) review or if you hated it haha! Leave a comment or hit my ask box and I’ll be happy to reply! Part II will be up soon. See you! <3

Photo credits:

Book covers | bumblebeerosee on Redbubble

Space | Jeremy Thomas on Unsplash

Space (2) | Max McKinnon on Unsplash