#Franz Lehmann

[offpulse]

Das Ende aller Dinkelträume

Autor: Anselm Bußhoff - @offpulse Der Verkaufswagen der Oberharmersbacher Holzofenbäckerei Lehmann stand über viele Jahre hinweg jeweils dienstags, freitags und samstags auf dem Emmendinger Marktplatz. Bilder: Anselm Bußhoff Nicht nur die eigene Berufstätigkeit in Festanstellung neigt sich dem Ende entgegen, auch Strukturen, in denen ich mich viele Jahre bewegt habe, brechen zusammen. Bereits…

[imperfectfragilediary]

Franz Liszt by Henri Lehmann, 1839

[opera-ghosts]

Lotte Lehmann; "An die Musik"; (NY Farewell Recital 1951); Franz Schubert

An die Musik … Franz Schubert died in Vienna 195 years ago today.

[ijustneedtosave]

I’m really happy right now

(Well, I can’t speak Chinese at all, but we have a translator 😎)

[whovian223]

March 2023 Gaming

March 2023 Gaming @LookoutSpiele @GamesUnderdog

March was definitely a great month of gaming. I managed to play 21 games (32 plays) in 31 days! And 15 days worth of gaming is always good. Fifteen out of thirty-one? Woo! Many thanks to Boardgame Stats for the wonderful app that lets us keep track of our games. It helps that there was a convention in there, but that only accounted for 10 plays out of 32. Here’s the games played on a…

[thecorsetcollection]

dvd collection #-i

9 dir. Shane Acker 12 Monkeys dir. Terry Gilliam Aftermath Genesis dir. Nacho Cerda All That Jazz dir. Bob Fosse Altered States dir. Ken Russell Amour dir. Michael Haneke Angst dir. Gerald Kargl Annie Hall dir. Woody Allen Another Public Enemy dir. Kang Woo-Suk Antiviral dir. Brandon Cronenberg Audition dir. Takashi Miike Battle Royale dir. Kinji Fukasaku Before Sunrise dir. Richard Linklater Before Sunset dir. Richard Linklater Begotten dir. E. Elias Merhige Bill Osco's Alice in Wonderland dir. Bud Townsend Black Swan dir. Darren Aranofsky Blood and Black Lace dir. Mario Bava Blue Valentine dir. Derek Cianfrance Blue Velvet dir. David Lynch Bottle Rocket dir. Wes Anderson Bruno dir. Larry Charles Bubba Ho-Tep dir. Don Coscarelli Bully dir. Larry Clark The Burning Moon dir. Olaf Ittenbach Cabin Fever dir. Eli Roth Cache dir. Michael Haneke Calvaire dir. Fabrice du Welz Cannibal Ferox dir. Umberto Lenzi Cannibal Holocaust dir. Ruggero Deodato Casablanca dir. Michael Curtiz Castle in the Sky dir. Hayao Miyazaki Cigarette Burns dir. John Carpenter The Conjuring dir. James Wan Coraline dir. Henry Selick Corpse Bride dir. Tim Burton Crimson Peak dir. Guillermo del Toro Cure dir. Kiyoshi Kurosawa Delta Farce dir. CB Harding The Dentist dir. Brian Yuzna The Devil's Backbone dir. Guillermo del Toro Dogville dir. Lars Von Trier Double Indemnity dir. Billy Wilder The Dreamers dir. Bernardo Bertolucci Drive dir. Nicolas Winding Refn Dune dir. David Lynch Eternal Sunshine of the Spotless Mind dir. Michel Gondry The Evil Dead (1982) dir. Sam Raimi The Evil Dead (2013) dir. Fede Alvarez Experimental FIlms dir. Maya Deren Fando y Lis dir. Alejandro Jodorowsky Fantastic Mr. Fox dir. Wes Anderson Flowers dir. Phil Stevens The Fountain dir. Darren Aranofsky Freddy Got Fingered dir. Tom Green The French Dispatch dir. Wes Anderson Frontier(s) dir. Xavier Gens Funny Games (2007) dir. Michael Haneki Girl, Interrupted dir. James Mangold Goodnight Mommy dir. Veronika Franz & Severin Fiala The Grand Budapest Hotel dir. Wes Anderson The Great Muppet Caper dir. Jim Henson Guinea Pig: Flower of Flesh and Blood dir. Hideshi Hino Gummo dir. Harmony Korine Half Baked dir. Tamra Davis Happiness of the Katakuris dir. Takashi Miike Hara-Kiri dir. Takashi Miike Hard Boiled dir. John Woo Hard Candy dir. David Slade Heathers dir. Michael Lehmann Hellraiser dir. Clive Barker Henry: Portrait of a Serial Killer dir. John McNaughton Her dir. Spike Jonze A History of Violence dir. David Cronenberg The Holy Mountain dir. Alejandro Jodorowsky The Host dir. Bong Joon-Ho The Hunt dir. Thomas Vinterberg Ichi the Killer dir. Takashi Miike The Imaginarium of Doctor Parnassus dir. Terry Gilliam Imprint dir. Takashi Miike In a Glass Cage dir. Agustin Villaronga Inland Empire dir. David Lynch Inside dir. Verane Frediani & Franck Ribiere I Saw the Devil dir. Kim Jee-Woon I Spit on Your Grave dir. Meir Zarchi Isle of Dogs dir. Wes Anderson

[gogmstuff]

1843 Dresses:

Top:  1843 Leonilla, Princess of Sayn-Wittgenstein-Sayn by Franz Xaver Winterhalter (J. Paul Getty Museum - Los Angele, California, USA). From their Web site 2933X1957 @99 2Mj.

Second row:  1840s (early) Marie Duplessis as la dame aux Camélias by Jean-Charles Olivier (auctioned by Sotheby's), From their Web site 1384X1903 @72 3.7Mp.

Third row left:  1843 Marie Friederike von Preußen by Joseph Karl Stieler (Schönheitengalerie). From Wikimedia 1919X2384 @72 1.3Mj.

Third row right:  1843 Friederike von Gumppenberg by Joseph Karl Stieler (Schønheitengalerie). From Wikimedia; enlarged to fit screen 1122X1400 @300 411kj.

Fourth row:  1843 Princess Caroline von Öttingen-Wallerstein by Joseph Karl Stieler (Schönheitengallerie Schloß Nymphenburg - München, Bayern, Germany). From stringfixer.com/nl/Gallery_of_Beauties 1280X1549 @72 432kj.

Fifth row:  1843 Marie d’Agoult by Henri Lehmann (Musee de la Vie Romantique - Paris, Frabce). From medium.com-@rgreenbergmusic-music-history-monday-one-tough-lady-f342fbfb3d7; removed spots & flaws w Pshop 2489X3226 @150 3Mj.

Sixth row:  1843 Sophia Wilhelmina van Heeckeren by Johann Heinrich Schramm (location ?). From Wikimedia 646X795 @72 168kj.

Bottom:  1843 Harriet Parker, Countess of Morley by Richard Buckner (Saltram - Plympton, Plymouth, Devon, UK). From Wikimedia; removed cracks with Photoshop 990X1200 @72 267kj.

[korrektheiten]

Warnung vor Katja Mast und “Queer” Sven Lehmann – linksextremer Kulturkampf

ScienceFiles:»Früher war es nicht nur Usus, es war Erwartung, dass man sich als Politiker mit den Positionen seiner Gegner auseinander gesetzt hat. Die Clashes, die sich Franz-Josef Strauss und Helmut Schmidt geliefert haben, in etwas abgeschwächter Version auch Schmidt und Helmut Kohl, sind denen, die sie erlebt haben, sicher in Erinnerung geblieben. Früher waren sich […] http://dlvr.it/SndVh7 «

[kumoxoravic]

Buren rolff handbuch schulentwicklung markus

  BUREN ROLFF HANDBUCH SCHULENTWICKLUNG MARKUS >> DOWNLOAD LINK vk.cc/c7jKeU

  BUREN ROLFF HANDBUCH SCHULENTWICKLUNG MARKUS >> READ ONLINE bit.do/fSmfG

           5.5.2 Jurystimmen von Hannes Bär und Markus Roos. zentral gesteuertes Verständnis von Schulentwicklung. Das geplante Projekt sollte deshalb einen Mitwirkung an einer nachhaltigen Schulentwicklung (1977) und Rolffs (1993). Markus Weissensteiner (Hrsg.), Schulsozialarbeit in Österreich. Sabine K. Lehmann-Grube, Andreas Hartinger und Markus Dresel Fives & M. G. Gill International Handbook of Research on Teachers' Beliefs 1, 37–54. Bildungsmanagement.net/TABS. •. Externe Evaluation und Schulentwicklung – Ein EU-LLL-Projekt mit acht Ländern Dr. Hans-Günter Rolff, Grindat, Markus. Tanja Kurtz, Rainer Watermann, Franz Klingebiel und Markus Szczesny . In H. G. Holtappels & K. Höhmann (Hrsg.), Schulentwicklung und Schul-.

https://xohowaxojumu.tumblr.com/post/691889714863669248/bosch-pxx675dc1e-bedienungsanleitung-deutsch, https://xohowaxojumu.tumblr.com/post/691889838345076736/buderus-g124l-bedienungsanleitung-gigaset, https://xohowaxojumu.tumblr.com/post/691889775904473088/roadstar-tra-2350p-bedienungsanleitung-panasonic, https://xohowaxojumu.tumblr.com/post/691889714863669248/bosch-pxx675dc1e-bedienungsanleitung-deutsch, https://badijitufe.tumblr.com/post/691889195146477568/bosch-dwm-40-l-bedienungsanleitung-galaxy.

[artthatgivesmefeelings]

Henri Lehmann [French. 1814 - 1882] Portrait of Franz Liszt. 1839

[gu3rrillag0th]

Portrait of Franz Liszt by Henri Lehmann, 1839

[bishopsbox]

source: bishopsbox

Franz Liszt, 1839 by Henri Lehmann (1814-1882)

Thanks to: oldpaintings (Tumblr)

[monkeypressde]

Fotos: FRAU LEHMANN

FRAU LEHMANN – Leipzig, Noch Besser Leben (01.10.2021)

Der Beitrag Fotos: FRAU LEHMANN erschien zuerst auf Monkeypress.de.

[swanlake1998]

matthew lehmann and dayana hardy rehearsing as franz and swanilda for coppelia by juan carlos osma / yebo photography

[opera-ghosts]

The flamboyant soprano Maria Jeritza, born in Moravia, made her early career primarily in Vienna, where her exceptional beauty, silvery spinto-weight voice and flair for dramatic (not to say sensational) stage action made her a star of the first magnitude. Baptized Mimi Jedlitzková and later calling herself Marie Jedlitzka, she sang a wide repertory and participated in the premieres of several important operas. Her glamorous presence was as welcome at the Metropolitan Opera as it was in Europe and she became a leading artist there in the 1920s.Surprising though it may seem, given her later theatrics, Jeritza was a very shy child. Beginning her studies at the age of 12, she entered the Brünn Musikschule. At 14, she undertook private lessons from Professor Auspitzer, with whom she remained for several years. Although urged by Auspitzer to audition for a position with a number of regional opera houses, Jeritza refused, too terrified to sing before an audience of any size. Her teacher, therefore, devised a ruse, asking her one day simply to sing through some arias. When she finished, the director of the Olmütz Opera appeared from behind some draperies and informed the startled young soprano that he wished to engage her.Jeritza's Olmütz debut as Elsa in Lohengrin saw the start of a rapid rise in confidence and dramatic savvy. Less than half a year later, she traveled to Vienna to audition for the Volksoper. Singing but a few measures, she was informed that she would be hired. Two seasons at the Volksoper led to guest engagements elsewhere and an appointment to Vienna's Court Opera, especially at the request of Emperor Franz Joseph. Meanwhile, she had created the title role in Stuttgart of Richard Strauss' Ariadne auf Naxos, thus beginning her long-term relationship with the composer who would give her yet another spectacular role, that of the Empress in Die Frau ohne Schatten in its 1919 premiere in Vienna. In both Frau and in the 1916 premiere of the revised Ariadne in Vienna, Jeritza was paired with soprano Lotte Lehmann. Jeritza also created the role of Janácek's Jenufa for Vienna, as she was later to do for New York.Another highly publicized Jeritza creation was the role of Marietta in Erich Korngold's Die Tote Stadt, premiered in Hamburg in 1920 and repeated in New York the following year. This role, in fact, provided the vehicle for Jeritza's Metropolitan debut. During this time, the soprano also achieved renown for her interpretations of Puccini heroines. Her imperious Turandot was hailed as a major accomplishment and her not-quite vulnerable Tosca became exceedingly famous, not least for her singing "Vissi d'arte" from a prone position. Tenor Aureliano Pertile, celebrated in his native Italy as the best of the dramatic tenors, had the misfortune to make his debut opposite Jeritza's first Metropolitan Tosca. Jeritza received what, according to Met manager Giulio Gatti-Casazza's recollection, was the greatest response he had ever witnessed in a theatre. Pertile was all but ignored.Jeritza's successes embraced a wide range of roles, all of them interesting, if sometimes misconceived. Her Octavian in Rosenkavalier was both stunningly handsome and handsomely sung. Her Minnie, Thaïs, Salome, Fedora, and Ägyptische Helena (which she premiered at the Met) were creatures of unending fascination. Although Jeritza left the Met during the Depression years when pay cuts were mandated, she continued to enthrall audiences in Europe throughout the 1930s.

[museenkuss]

Oscar Wilde: Dorian has hair of gold (like my Bosie), Lily-soft skin (like my Bosie), eyes the colour of sparkling sapphires (like my Bosie) and a mouth of rose-petals (like my Bosie). He looks like the sweetest, most tender Angel, so no one would suspect that at the core, he is spoiled and rotten (like my Bosie).

Publishing houses: interesting. we should put Henri Lehmann’s portrait of Franz Liszt on the cover.