#Grammy-winning

[fashionguestpost]

Cardi B - From Social Media Star to Rap Royalty

Cardi B, the name synonymous with infectious beats, bold lyrics, and an unapologetic personality, has become one of the most influential female rappers of our generation. Her journey, however, is far from ordinary. Born Belcalis Marlenis Almánzar in 1992, Cardi B grew up in the Bronx, New York City. Her path to rap stardom wasn't a straight line, but a tapestry woven with social media savvy, reality TV exposure, and an undeniable talent for captivating audiences.

From Vine to Reality TV: Building a Buzz

Cardi B's rise to fame began in the trenches of the internet. In the early 2010s, Vine, a short-form video platform, exploded in popularity. Cardi B, with her infectious humor and outspoken personality, found a niche. Her witty social media commentary garnered her a loyal following, showcasing a personality that was both relatable and raw. This online presence transitioned to Instagram, where her unflinching honesty and signature flair for fashion further solidified her image as a social media star.

In 2015, Cardi B took a leap, joining the cast of VH1's reality show "Love & Hip Hop: New York." The show served as a platform for her to showcase not only her larger-than-life personality but also her burgeoning music career. Here, viewers witnessed Cardi B's hustle and determination as she balanced reality TV with recording music. The exposure skyrocketed her fame, propelling her from social media darling to a rising star in the music industry.

Mixtapes and Mainstream Success: "Bodak Yellow" and Beyond

Cardi B didn't waste any time capitalizing on her newfound fame. In 2016, she released her first mixtape, "Gangsta Bitch Music, Vol. 1," followed by "Vol. 2" in 2017. These mixtapes, brimming with raw energy and braggadocious bars, served as a calling card, showcasing her formidable rapping skills and signature New York flow.

The turning point, however, came in 2017 with the release of her single "Bodak Yellow." The song, with its infectious trap beat and Cardi B's self-assured delivery, became a cultural phenomenon. It topped the Billboard Hot 100 chart, making Cardi B the first solo female rapper to achieve this feat since Lauryn Hill in 1998. "Bodak Yellow" catapulted Cardi B into mainstream success, earning her Grammy nominations and solidifying her place in hip-hop history.

Invasion of Privacy: A Grammy-Winning Debut

Capitalizing on the momentum of "Bodak Yellow," Cardi B released her debut studio album, "Invasion of Privacy," in 2018. The album was a commercial juggernaut, breaking streaming records and becoming the best-selling female rap album of all time. It was critically acclaimed as well, winning a Grammy Award for Best Rap Album, a significant achievement for a female artist in the often male-dominated genre.

"Invasion of Privacy" showcased Cardi B's versatility as a rapper. Songs like "Bartier Cardi" (featuring Offset) displayed her braggadocio, while tracks like "Be Careful" revealed a vulnerability that resonated with listeners. The album cemented Cardi B's status as a force to be reckoned with, not just in rap, but in the entire music industry.

Beyond the Music: Fashion, Philanthropy, and Feuds

Cardi B's influence extends far beyond music. Her flamboyant fashion sense, with its daring outfit choices and signature red-bottom shoes, has made her a fashion icon. Collaborations with major fashion brands and appearances on prestigious red carpets have further solidified her place in the fashion world.

Cardi B isn't afraid to use her platform for good either. She's a vocal advocate for political issues and has actively supported various charitable causes. From donating to hurricane relief efforts to speaking out about social justice, Cardi B demonstrates a social consciousness that resonates with her fans.

However, Cardi B's outspoken nature has also landed her in the spotlight for feuds with other celebrities. One such instance is her ongoing tiff with rapper BIA. In 2023, BIA released a diss track aimed at Cardi B, accusing her of infidelity and copying her style. Cardi B responded swiftly, calling the track "fueled by hate and lies" and showcasing her characteristic unapologetic approach to conflict.

Cardi B's Legacy: A Continuing Evolution

Cardi B's story is one of constant evolution. From viral social media star to Grammy-winning rapper, she has broken barriers and redefined what it means to be a successful female artist. Her music, a potent blend of raw lyricism and infectious beats, continues to resonate with millions

[slrmagazine]

Santana And Counting Crows Announce Oneness Tour 2024

Santana And Counting Crows Announce Oneness Tour 2024. #carlossantana @SantanaCarlos

GRAMMY-winning Rock and Roll Hall of Fame guitarist Carlos Santana alongside GRAMMY and Academy Award-nominated rock band Counting Crows have announced they will hit the road together for the Oneness Tour this summer. Santana will perform high-energy, passion-filled songs from their fifty-year career, including fan favorites from Woodstock to Supernatural, which celebrates its 25th anniversary…

[rodspurethoughts]

"Sheryl Crow's Tuesday Night Music Club: 30th Anniversary Dolby Atmos Upgrade"

In honor of the 30th anniversary of Sheryl Crow’s iconic debut album, Tuesday Night Music Club, A&M/UMe has released a special Dolby Atmos mix. Originally released in August 1993, the album features the Grammy-winning hit single “All I Wanna Do” and has been certified 7x platinum in the United States, making it Crow’s best-selling album to date. The new Dolby Atmos mix, crafted by Mills Logan,…

[hairmetal666]

Eddie thought inviting Steve to the Grammys would be fine, cool, no big deal. And it should be, but Steve is walking out of the suite's bedroom wearing a burgundy tuxedo that fits him like a fucking glove. His shirt is unbuttoned just enough to let chest hair peak out, and Eddie thinks he might faint.

He's always been attracted to Steve, of course, but never let it go further than that. Like, sure, Steve was hot as fuck, and sure he was the best guy Eddie had ever met, and sometimes, yeah, he did have to force away thoughts of Steve when he jerked off, and in other circumstances he'd totally be head over heels. Just, Steve is straight, the straightest, a fucking arrow.

Eddie tears his eyes from Steve's body. "You look great, man." He slaps Steve's back. Keeping it cool; keeping it so cool.

"Psh," Steve says. "Have you looked in a mirror? Oh my god." His eyes are saucer wide as they travel down Eddie's body.

"Is it too much?" Eddie crosses his arms over his bare chest.

"Are you kidding? You're--fuck, man. You look good as hell."

He's wearing a silky burgundy shirt, open to show off the necklaces around his throat, his tattoos, the silver in his nipples. His pants are leather, tight, sitting low on his hips and putting the cut of his pelvic bone on full display. They have a lace-up closure that comes dangerously close to showing pube.

Heat rushes to his face at the compliment. "It's--you know. Hazard of the job."

"Yeah, hazard, sure. Guess it's a hard life having hot dudes literally throwing themselves at you."

Eddie barks out a laugh. "That's a vast exaggeration."

"Is it?"

He blushes harder. "You're my date tonight, Steve."

"My point exactly."

His manager and publicist usher them out the door before he can ask what the hell that meant.

---

The ride is giddy and playful, Steve popping champagne to celebrate Eddie's nomination for Song of the Year, even though there's no chance in hell he wins.

Steve is happy. His face is bright with joy, eyes shining, laugh loud and infectious. He's gorgeous, knows it, will be an absolute menace on the red carpet. He's been with Eddie to parties and stuff before, doesn't have any anxiety in front of the camera and isn't obsessed with musicians like Eddie is, unafraid to meet them.

Or so Eddie thought.

Because now they're standing at the edge of the red carpet, Steve very nearly trembling next to him.

"Harrington?"

"That's--That's Madonna." Steve points to her. "We're not even ten feet away from Madonna." He gulps. "Eddie. Madonna."

Steve has met famous people before with Eddie. Ozzy, briefly, Janet Jackson, Dave Grohl, James Hetfield, and he'd always been fine. Barely batted an eye. But get him within reaching distance of Madonna and he falls apart.

Eddie doesn't think about it, grabs Steve's hand, twines their fingers together. "Okay?"

The smile Steve throws him, grateful and a little embarrassed, stabs straight through his heart. He calms as they make it up the carpet, but he doesn't drop Eddie's hand, even when they pause for pictures. In fact, he leans into it, drapes his arm around Eddie's shoulders, or around his waist, seeming to thrive the closer they are. Eddie feels this dangerous pull to indulge in it, to let himself believe it means something, and he doesn't quite have it in him to turn it off.

By the time they reach their seats, Steve is relaxed back to his normal charming and handsome self, doesn't bat an eye as Eddie introduces him around.

The show passes quickly with all the performances and Steve whispering jokes in his ear. It's the best time he's ever had at an award show, like he should have been bringing Steve along this whole time. He's so distracted that he's not really ready when Paula Abdul comes out to announce Song of the Year.

His name is read off as a nominee and Steve grabs his hand, squeezes tight. Eddie's heart flips in his chest. He's not paying attention when Paula opens the envelope, too focused on Steve's strong hand holding his. He hears her say, "And the Grammy goes to--" and everything goes fuzzy.

Steve is saying, "oh my god, oh my god, Eddie. Get up, get up."

And his fucking song is playing and everyone is cheering, a couple people slap his back, and oh shit, oh shit, he fucking won. He stands, Steve with him. He thinks they're going to hug, that's what you do in these situations, but Steve is kissing him. Not on the cheek and not a quick peck, but lip-to-lip, soft and sweet.

Steve just kissed him and he has to get on stage and give a speech. He has no idea what he says because Steve just kissed him. On the lips. On purpose. His ears are ringing and words tumble out of his mouth, thinks he says, "couldn't have done it without you, Stevie," before tripping over his feet to get backstage.

Interviews, photographs, congratulations all help him settle. He's still buzzing with the win, but aware enough now to think the kiss had to be an accident. They've been friends for nearly a decade and Steve never seemed interested in men generally or Eddie specifically.

It takes a while to finish up the backstage business, but when he makes it to his seat, Steve just beams at him. He doesn't mention the kiss, which makes Eddie think he's overreacting. It wasn't a big deal. Sure, he could still feel Steve's lips, warm and soft, against his own, but it didn't mean anything. He's just too in his big gay feelings to be objective.

They don't get a chance to really talk until they're back in the limo and on their way to the after-party.

"You won," Steve says.

"I won." Eddie smiles. "Crazy."

"You deserved it."

He shrugs. "I don't know about that."

"Doesn't matter. You did." Steve fidgets with the cuff of his jacket. "About earlier, um. The kiss. I--"

Eddie feels his face heating, heart kicking up. It was nothing, he knows, and Steve shouldn't have to-- "It was an accident. It's okay. I know you don't--it was the heat of the moment and--I know you're not--you don't--"

Steve blinks a lot, emotions flashing across his face faster than Eddie can categorize.

"What if I do?" Steve asks. His voice is too soft, eyes locked on the cuff link he's fiddling with.

"You--what?"

"What if I did mean it?"

"You're straight."

Steve goes pink. "I'm really not."

"Steve?" He shrieks. "Since when?"

"Um. Since you invited me to this?"

"What the fuck?" Eddie shoves him. "What the fuck, man?"

"I know, I know!" Steve pulls his hand through his hair. "You invited me and I freaked out and I didn't know why, and Robin made the saddest little face at me. Said, 'oh, dingus, you didn't know?' How the fuck was I supposed to know!"

"I think you wanting to fuck me should've been a pretty good indication!"

"I thought that happened to everyone!"

"It doesn't!"

"That's what Robin said!"

They're both yelling.

"Jesus christ. Jesus christ," Eddie keeps repeating.

"Look, I get it if you don't want me too, dude. I know that's not how it works, but I've been pretty crazy about you without realizing it for a while now, so--"

He doesn't mean to, he really doesn't, but he laughs. Like, super loud. Like a donkey bray.

"Okay, can the driver let me out? Like, can I go? I can't--"

"Wait, wait, sweetheart." Steve's gotten up, like he's about to knock on the partition, but Eddie grabs his wrist. "Of course I want you back, you idiot, oh my god."

"Oh." Steve's ears are pink. "Oh. Well. That's good."

Eddie huffs. "Just good? I won a Grammy and the guy I've been pining over for years wants me back. I'm having the night of my life."

"Shut-up." Steve's smile is so big, his eyes so bright.

He raises an eyebrow. "Make me," he says in his lowest register, but he's truly not prepared for it when Steve clambers over to him and lowers himself to straddle Eddie's hips.

"Holy shit," Eddie whispers. "Holy shit, Steve."

He give a wry little smile, eyes locked on Eddie's mouth. "Baby, can I kiss you?"

"Yes." Eddie clears his throat. "Yes, please, do that. Yeah."

Only, he doesn't. He's straddling Eddie, they're so close their breath mingles, and Steve's eyes flicker between Eddie's mouth and his eyes, lips so close to touching but not.

"C'mon, asshole," Eddie says.

"I knew you'd be a brat." He whispers. He wraps his hands into Eddie's hair. "Been dying to do this."

And then they're kissing. They're kissing and it steals all of Eddie's breath and his thoughts, and it's new but it's also like they've been kissing forever, like their lips and tongue know each other, like coming home.

He whines, high-pitched and breathy, and Steve laughs, kisses him deeper, moves closer, and Eddie feels how hard Steve is, the persistent pulse of him. And shit Eddie's close, on the brink just from this, from nothing, oh my god.

Steve's hands drift down Eddie's torso, mapping his chest and his stomach, coming to rest at the laces of his pants. "These have been driving me insane," Steve breaks the kiss to say. "Been thinking about undoing them all night."

"Fuck, sweetheart, you can't say shit like that," Eddie groans.

"Why not?"

"Because--because," Eddie sputters but then Steve's lips are on his neck and he's rolling his hips for friction.

Steve's fingers find the laces again, trace against them. Eddie's legs fall open, arching into the touch. "We're going to be so late," he murmurs as Steve's fingers get to work.

[googlfeed]

"Billy Porter's 'Black Mona Lisa' Tour Comes to Dallas: A Musical Celebration of Black Renaissance History"

Tony and Emmy-winning actor Billy Porter has announced a new concert tour, “The Black Mona Lisa,” which will kick off on May 7, 2022, in Washington, D.C. and includes a stop in Dallas on May 10, 2022, at the Winspear Opera House. The tour will feature songs from Porter’s upcoming album of the same name, which is set to be released on April 29, 2022. The album, produced by Grammy-winning producer…

[theereina]

Victoria Monet ✨

Grammy Awards (Feb. 5, 2024)

[copias-juicebox]

welp. 🥹🥹

[mycherrycola]

bro was so right for showing up 15 minutes late to his own category and losing he knew he was only there to pad out the Grammys' metal nominations anyway

[m-aremagnum]

Florence Welch at the opening night of Gatsby: An American Myth at the American Repertory Theater (05/06/24)

[infamous-if]

There's been some discussion recently about MC that caught my attention because I agree. MC feels like a loser when you think about all of the other characters. When I play an MC who did nothing wrong to Seven it just feels like Seven is angry for no reason. Seven is allowed to act like a child while MC has to take it? Doesn't seem fair.

Everyone has something going for them and what about MC? No one likes them and everyone hates their guts. Aren't they supposed to be the main character? Why does everyone hate them? Why aren't they considered more talented? It just feels like MC is a doormat while Seven and the other ROs are these talented superstars.

I don't want this to come off any way but I feel like the story would be stronger if you made MC a bit meaner or at least made people acknowledge MC as a better singer.

I don't want to sound rude but I'm very much exhausted by this topic. I've probably explained this 5+ times but I'll try to break it down one last time just so people can understand what I'm trying to do.

First, to get it out of the way, we are only on Chapter 2. I just want to reiterate that. The story just started.

It just feels like MC is a doormat while Seven and the other ROs are these talented superstars.

Secondly, MC is a character I try to give as much customization to, both personality and appearance wise. There's a variety of ways you can approach everything, or I at least try to in a way that doesn't sacrifice what I want to write for the plot, but I think people are under the impression MC is 100% a blank slate character when it's not true.

MC is still dependent on the plot and I always strived for MC to have their own narrative arc. The same way the ROs have their own character arcs, MC will have their own, because they are a character in their own right and going through some that fundamentally changes their life. That means the MC from Chapter 1 will not be the MC at Chapter 20. They will be different. That's what a character arc is. Character development is expected. How can you expect a slew of ROs to grow and change and MC remaining stagnant? Doesn't make sense narratively and it seems unfair to MC.

The MC is not a completely blank slate, and that's where people are getting it confused. In the beginning, MC is going through such a change with BOTB, without their family, and on the heels of a band breakup that's still impacting them today. MC is a little down, maybe even depressed if that's how you read it, and they're getting pushed to be leader by their manager. They are not really okay right now. They have to be professional and put on a brave face for the sake of their band, who, if you paid attention to what Rowan said in Chapter 2, are all depending on this. This is what they worked for since high school. MC is not going to flip a damn table on Day 1 just because you want them to. MC can fight, if you choose, against UWB. That's not supposed to be a smart choice, but emotions get the best of all of us.

They are only just navigating a worldwide globally famous show with a cheating allegation hanging over their heads, and a manager who wants them to be leader when, up until now, they haven't been. They've just been friends making music and miraculously having a fanbase. Now they're really in it. They have been thrust head first into the industry in a way that is so big that MC has to go from singer playing with their friends to a leader of a band who may just become globally famous in a few months if they play their cards right.

A lot of their actions are influenced by the fact that their band almost broke up and it's a thing that hangs over their head. Their past influences them. That's...how people work.

Now, if we're at Chapter 20 and MC is still acting like a scared bunny who doesn't know what they're doing, then be my guest. Scream in my inbox, I'd understand. That would be terrible writing, but we're not. The tour just started.

I play an MC who did nothing wrong to Seven it just feels like Seven is angry for no reason. Seven is allowed to act like a child while MC has to take it? Doesn't seem fair.

MC doesn't have to take it lol. I've always given an option to be rude to Seven/try to put them in their place.

People think I favor Seven when that's not true. (Seven isn't even my favorite RO)(That title goes to August lol). Seven acts the way they act because they are not in a healthy headspace. Their actions are not meant to be understood, because they are not entirely justified. Seven has a lot of growing up to do, but I have never sat here and advertised Seven's emotions as correct. Everyone knows Seven is childish, everyone knows Seven is handling everything terribly. People in the story have mentioned it. Their abandonment issues GREATLY influence their characterization and actions. MC has abandonment issues as well, of course, but MC is not as emotionally unstable as Seven. That's canon. It is what it is. Seven has a whole subplot about it.

As do other ROs. The only difference is that they're not so open about their struggles. Seven just doesn't care. Their emotions guide them. They can't control it. That's who they are. I have also said that many times.

I don't know why you think Seven can get away with everything when 1) it's only been 2 chapters and 2) no one knows how anyone feels about Sev because it's in MC's POV. Seven goes through their own trial by fire. As every RO does......thats a narrative arc.

Seven was always going to be a plot point, whether they were an RO or not. They were always going to be MC's former best friend.

Everyone has something going for them and what about MC? No one likes them and everyone hates their guts. Aren't they supposed to be the main character? Why does everyone hate them? Why aren't they considered more talented? It just feels like MC is a doormat while Seven and the other ROs are these talented superstars.

This one bothers me the most, mostly because I don't know where this came from. "No one likes them" Jenna and The Jewels does. Slow Crawl does. Their fans do. We haven't even properly met the other bands. Of course there will be bands who don't like MC: they're competitors. They're not friends. They don't know MC, why would they be biased towards them? Because they're the main character? They don't care about that?? It's how fiction works.

Maya is following the band around because of how much she admires MC.

Orion quit his job because MC's singing inspired him that much.

G listened to MC and saw something in them. Literally calls them the 'Chosen One'

Fans of the old band preferred MC over Seven. They liked the songs where MC sang solo. MC was better for their future over Seven. Hence why it was Seven getting demoted, not MC. I've said this. It's in the story.

I don't see how being the lead singer of a band on a global show at 26 makes anyone an actual loser but I digress.

Literally in Part 2 MC is acknowledged so maybe it'd be better if we waited? Say a good few chapters...?

If you wanted a story where MC is Queen level famous right out the gate and the #1 draft pick for BOTB and has no problems and better than everyone, then I'd advise you to look elsewhere. I don't like that. I like giving MC obstacles because conflict creates story. I like MC having to fight for their spot. It's more realistic, and this has never been a story of fame. It's been a story of their journey to fame.

That's their narrative arc. They grow into it.

You are allowed to hate/dislike Seven. I encourage it. I have given MC the option to hate Seven, because I'm aware that what Seven is doing is unfair. I am not punishing you for hating Seven. And this goes for all the ROs. It does not bother me if you dislike my characters. It means I haven't made them squeaky clean and have made them realistic enough to have people both dislike and like them, much like real life. I get it.

I've always advertised Infamous as a messy, angsty and dramatic story. I've used the term 'melodrama' for it often. I've always said the ROs--especially Seven--are flawed. Some more than others. I've said, verbatim, they are not wholly good people. I don't know why people act so shocked when they act some type of way. Like...I've always stayed true to what the story is. Half the dynamics aren't healthy right now...but that's the 'growing up part' of the story we haven't even gotten to yet?

If that doesn't interest you, then that's perfectly okay! If you don't like the narrative arc I have planned for MC, that's fine too! It just becomes a bit disheartening when people ignore the narrative.

I will try harder to write in a way that specifies my intentions. I always believe that if more than a handful of readers have the same complaint, then it's on the writer to fix it.

I hope my tone didn't come off rude, I'm just really really tired of this. I've had to deal with this since even before the demo dropped :) but your critiques are valid and everyone is always free to express themselves however they want. <3

[stressghoul]

2 weeks til the grammys

2 week til we see tobias again

I am manifesting long slicked back hair, with an outfit that will foreshadow papa v and a second grammy in his hand

[animatedjen]

Merrin | Jedi Survivor

[thereigning-lorelai]

second season where the boys have already come back to life and take bobby/trevor to court for intellectual property theft.

[mrschwartz]

Arctic Monkeys nominations in the 2024 Grammys!

[x-phonehome-x]

the grammys are bullshit but also i need paramore to be the first girl fronted band to win best rock album. and also the third ever woman to win best rock album ever

[theereina]

Victoria Monet✨