#Graphics Display Unit
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scanzen · 6 months ago
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IBM 2250 computer station with Paul Kutler, 1973.
via NASA/Ames Research Center / Internet Archive
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donaldtrumpnewssite · 10 months ago
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leachltd · 1 year ago
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We offer installation and innovative print solutions. POS Retail display graphics unit such as fabric graphics, windows banners, and display signage for interior & exterior applications.
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manifestobackshot · 26 days ago
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CLOSING SHIFT — LEE HEESEUNG (teaser)
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UPDATE: SHE'S POSTED HEREEEE!!!!
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Since you’ve started working at Target, you’ve always been scheduled with Heeseung as your closing shift manager. Zone, organize, stock, assist—things that were outlined in your job application and employee handbook. Now, nowhere in your job description did it lay out an affair with your manager, Heeseung.
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PAIRING: retail manager!lee heeseung x employee!afab reader
WORDCOUNT: 15k (est.) TEASER: 0.7k
TAGS: smut, (semi)-public sex, oral (male-receiving), unprotected sex, creampie, jealous heeseung, and more…
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As you rounded the corner, you passed the Women’s section, where someone had shoved what seemed like every style of jeans Target sold haphazardly throughout the display. You started sorting it properly, muscle memory at this point, when a shadow fell across the display.
“Helping out outside your zone again?”
The voice was familiar. Too familiar.
Heeseung.
You looked up too quickly and regretted it instantly. Why was the lighting in this store so flattering on him? 
“Just making sure no one dies in a Universal Thread avalanche,” You said, forcing a smile. “You know. Hero stuff.”
Heeseung crouched next to the cart and started folding jeans alongside you. “You always this dedicated to the greater good?”
“I like my job.”
“I can tell.”
There was something in his voice—not teasing exactly, but thoughtful. Like he was cataloging something. Taking note.
You cleared your throat. “Did you need something?”
Heeseung glanced up at you. “No,” he said. “Just saw you and figured I’d say hey.”
“Oh,” You said, very articulately. “Cool.”
Cool?
Fuck, Heeseung.
The moment you clocked in, you knew it was going to be one of those shifts.
The store was understaffed—as usual—and the Ready to wear department looked like a tornado had swept through it. You were halfway through untangling a pile of graphic tees when Heeseung’s voice broke the silence, calling for you, of course.
Heeseung's voice was calm, professional, but you'd worked here long enough to hear the undercurrent of something else. Something that made your fingers tighten around the hanger in your hand.
You pressed the button. "Ready to wear. Doing go backs."
A beat of static. Then: "Copy. Need you in Shoes for a zone check."
Sunoo, who was pretending to organize the jewelry counter nearby, didn't even bother hiding his smirk. "Oh wow. Shoes. How urgent," he drawled, stirring his iced coffee with exaggerated innocence. "Should I become HR Sunoo now or—"
Shoes was empty when you got there—no guests, no team members, just rows of perfectly stacked shoes and the distinct feeling you were being watched.
"Zone looks fine to me," you said to no one in particular.
"Does it?"
You turned to find Heeseung leaning against the shelving unit, arms crossed, red tee a little more disheveled since the last time you saw him. His gaze dropped to your name tag,then back up to your face. "I think you missed a spot."
You arched a brow. "Really? Where?"
He stepped closer, reaching past you to adjust some boots that didn't need adjusting. His sleeve brushed your shoulder. "Here."
The air between you thickened, the scent of his cologne—something expensive and woodsy—filling your space. His fingers lingered on the shelf's edge, knuckles grazing your hip—contact you unconsciously welcomed.
It felt dangerous, for some reason. Your body’s willingness to accept him and not resist one bit was telling. Yet still, you were speechless at the situation you found yourself in, pinned between your ETL and some shelves.
No movement, no words. A small gasp is all he got out of you, and perhaps he was expecting more. The way Heeseung had you trapped under him, staring you down as if he were going to pounce on you at any moment, made your heart race faster than you would’ve liked to admit. 
“Say,” he started, “how observant do you think I am?” 
“Sorry, what?”
“Do I make you nervous?”
And again, you were at a loss for words, zoning in on the sight in front of you—he was mere inches away from you, gaze tracing from your eyes, to your lips, and back again. Still, so attentive through his lashes and half-lidded eyes. 
In a low voice, he spoke, “I’d like to ask,” quiet so as to not stir attention, “why do I make you nervous?”
You could practically feel his voice dripping with satisfaction, a smirk playing on his lips. 
“I…Hey, this is—”
“Do you like me or something?” he prodded, bringing his arms down to again graze your side, almost resting them along your hips as he steps closer, almost pressing his hips against your—
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allieslittlewritings · 7 months ago
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Smiley Hotchner
Aaron Hotchner + toddler!daughter!reader
Summary: Toddler!reader spends a day at the BAU
Warnings: None, vague UnSub things
Word Count: 750
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‎Aaron bringing you to the bureau was a rare occasion. He had always preferred to keep you away from his work as much as humanly possible. However, when their most recent case involved a local UnSub whose victims all beared an eerie resemblance to you, he couldn't ignore the nagging voice in his head telling him you would be safer with him.
Though it leaned towards unprofessionalism, he couldn't help himself. He called your babysitter and she brought you to the bureau shortly after.
The other team members diverted their attention from the evidence board to the small footsteps sounding through the bureau.
Blissfully unaware of the real reason you were there, you immediately ran to your dad with a bright smile on your face. Aaron felt the tension in his posture ease when he saw you.
"Hi, Daddy." Your loving smile remained on your face.
"Hi, honey." The smile on his face was smaller but no less full of love and warmth. He started carrying you to his office, pointedly staring at the rest of the team so they would get back to working on their profile.
"How was your day, sweetheart?" Aaron asked, putting you down on the couch in his office.
"It was good!" You reached into your little backpack and pulled out a piece of slightly folded paper. "My teacher told us to draw something we love, so I drew you." You held the piece of paper out to your dad, expectedly waiting for him to take it.
He gratefully took it and felt his heart melt in his chest. The scribbles you had drawn would by no means be hung in a museum (unless it was owned by Aaron in which case it would be the number one display), but it was surely one his favorites pieces of art to ever be created.
A line of red as his tie, messy brown dots for his eyes, and a wonky line on his face to represent a grin.
"Do you like it?" you asked hopefully.
He bent down to be closer to you. "I love it." He gently kissed your head and handed the drawing back to you.
For the next few hours, you stayed in his office, drawing more scribbles and playing with the toys he kept in his office for you.
Most of the team went to apprehend the UnSub. Their profile indicated that the UnSub would comply relatively easy when arrested so a few of the team stayed behind.
Aaron being the Unit Chief meant he had to go along. Before he left he asked the ones staying behind to keep an eye on you.
Reaching up to open his office door, you curiously exited his office. Spencer and JJ were in the bullpen, removing things from the evidence board and putting files away, while Penelope sat on Spencer's desk and told them about the reality TV show she was currently watching.
You ran, carefully so you wouldn't trip, to where they were and waited for them to acknowledge your presence.
"Hi, Y/N!" Penelope happily greeted you, holding her arms open for a hug.
You practically crashed into her and hugged her back before doing the same to JJ, and Spencer. You opted for staying by him, holding onto one of his legs and admiring his shoes. You wondered how he kept them so clean when he wore them just about every time you saw him.
He wasn't sure whether he should politely tell you to let go of him, so he could remove a somewhat graphic photo from the board before you saw it, or let you stay there.
He looked at JJ and Penelope, visibly conflicted and in need of help.
Penelope smiled amusedly and gently poked your arm, getting you to look up at her with one eye, the other being lightly squished against Spencer's leg. "Hey, baby Hotch, why don't we go to my lair and I can show you the new game I made?"
"Ooh, okay!" You let go of Spencer and held out your hand for Penelope to take.
She grabbed your hand and started leading you to her office. You looked back at JJ and Spencer, who very quickly covered the photo he'd wanted to remove, and waved at them. Spencer wasn't thinking very well when he removed his hand from the board to wave back to you. Realization only hit him when he saw your gleeful expression morph into one of shock.
Aaron happened to walk back into the bureau at that exact moment and saw the surprise on your face. Spencer gulped nervously at the hard stare Aaron gave him.
Before he could go over to scold him for not being more careful, you tugged at his pant leg and looked up at him, gaining his attention. He leaned down, thinking you were upset. "What is it, honey?"
"Daddy, I desperately need shoes like Uncle Spencer's."
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sam-keeper · 19 days ago
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Hey Look At This Comic: Smut Peddler Presents Pitch Black
I can't remember how we got on the subject of the comics that my friends Iris Jay and Nero Villagallos O'Reilly did for an old Iron Circus april fools bit. maybe we were chatting about Megan Delyani's blank frame comic Spaces, which I wrote a whole review of last year, but it might just as easily have been talking about comic structure generally. cause we're huge nerds. being a huge nerd, I was all over the premise of the joke: a fake kickstarter for a Smut Peddler volume full of comics with all blacked out panels.
it's a great gag, a full webpage duping the Kickstarter layout, with a fun tongue in cheek explanation: comics don't leave enough up to the imagination, there aren't enough interpretive gaps for the reader, so to fix that Smut Peddler will publish a bunch of Pitch Black comics where YOU have to provide the visuals. Joke, maybe, but it lends credence to frame-focused models of comics reading: it's not the images that make something a comic, but the breakdown of page space into discrete units. So goes one theory, anyway. How do these pages fare without their images?
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Lin Visel deploys a regular grid of long, thin columns, with a kind of horizontal capital at the top. The speech bubbles drive a lot of the action here and there's a sense of simultaneous movement across the bottom, with the bubbles breaking the panel borders at the top and the sound effects flowing into each other below. So, there's an interesting division between the upper strip, which is relatively subdued, a moment of reassurance that exists almost in its own zone before the rush of the bottom. And, as we'll see with a bunch of the others, in the absence of images the style of the text, the shape of the word balloons, and the font colors all become more crucial to conveying what's happening (sex, to be clear). That's already a lot going on with a series of black panels.
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I love how Iris's comic bakes an explanation for the blacked out panels into its narrative. The apparently dominant character gloats that her streaming site won't let her actually display the brutal force-fem pegging she's giving to some shitty gamer bro. Sure enough, at the bottom of that panel there's a black and white video control interface and LIVE signal. Text alone and the design of the speech bubbles transforms the whole diegesis of that second panel, from the floating omniscient "camera" of the other panels to a webcam. Which is crazy because don't forget, there is no diegesis at all. It's all black!
There's so many great touches in this. I love the fact that the tongue in cheek panel containing the "guy's" internal monologue ("I can feel my epic skills draining away with every thrust... along with my masculinity!") is not just a second panel on the upper strip but an inset, separating out this moment of more intimate first person experience from the more remote view of implied fucking. And look at the flowers in the final orgasmic speech bubble! This is a total tangent but I feel like a lot of older attempts at structuralist comics decomposition wanted a firm line between the panel, the image, the characters, the speech bubbles, and so on. But comic elements can constantly interpenetrate, with the apparent domain of text becoming more complex graphical elements. Also, what a cute way to depict orgasming so hard you get turned into a girl. Head full of flowers. :)
It's incredible what you can achieve without breaking Tumblr's draconian terms of service at all.
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Robin Tess offers a more straightfoward humorous panel, which lets me catch my breath after Iris's hot and heavy speech bubbles. Yet, this could have been a straightfoward 2 x 3 grid, couldn't it? 6 panels? Instead, this joke about over-engineered jargon names for what could just as easily have been called a "fuckmachine" (left delightfully up to the imagination) gets its core pacing from an irregular panel format. The premise is introduced in a big splashy full-strip panel at the top, the elaboration takes up the middle row, and then the bottom, in two equal panels, displays the two part punchline. I like the subtle way the middle row panels get progressively smaller. It increases the tension as we move toward the release of the punchlines, in a way that could be easily obscured by the panel contents if the page wasn't all blacked out in this way. Like Delyani's work, it makes me want to see notable comics blacked out. It could offer a whole new perspective on the medium's language.
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Speaking of which, Nero uses a series of tall regular panels that suddenly POP into one that seems to squirt across the page, the other panels moved to allow for the white negative space to show off the irregular splash of the panel edge. This could be the silhouette of literal fluid, but I also like the idea of a frame that just has this kind of irregular energy. The comic structure itself becoming unruly and fluid to highlight a climax is a staple of many comic genres, but I'd say that I see it deployed most consistently by adult creators, who seem more willing to throw page literalism to the wind in order to achieve heightened expressivity. And once again we've got this escalation to a climactic panel. Typing this up I actually realized I don't have a specific idea of what I think the visual for these panels is or should be. Part of the excitement comes from filling in the blanks, to be sure, but that's true of any comic, which requires us to engage in closure to make sense of the transition from panel to panel. No, it's the drama of the reveal of the vibe plug one character apparently has been hiding, the invitation to intimacy, and finally the release, all achieved through dialogue physically arranged on the page. I don't think this would really make sense at all without the visuals that ARE there--the buzzing sound effect that moves across panel borders and is simultaneous to rather than sequentially arranged between lines of dialogue, and the incredibly suggestive final panel shape. Even without apparent visuals, this is visual storytelling.
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Abby Howard wraps things up with the most abstract of the pieces, one that doesn't use frames at all but implies panel contents simply through the convention of word balloon tails. The result is a disorienting dark mass. It's hard to know what exactly is happening here and actually I'm having a hard time imagining what the last visual is "supposed" to be. It sort of is what it is: groping claw marks raking a black void. It's part of the april fool's joke, but it's a creepy one, and it feeds into the final joke of the page: that all this overthinking, all this trying to make sense of black panels, has worn you out, made you vulnerable to the Dark. Well, looking at everything I typed up here, I can't deny the inevitability of this end. Time to get in the maw!
Actually I think this end uncovers the close relationship that comics and hypertext narratives or more experimentally formatted texts have to one another: the space on the page becomes, itself, a signifying element and a way to direct the flow of the story. It's a shame that this is, I think, still considered a bit gimmicky in the realm of professional publishing and criticism. We have all these tools we've barely employed for storytelling, made far more accessible than in the days of having to manually set type!
Well, maybe it'll all have its day in the sun, or I suppose night in its new moon, soon enough. With an increasingly puritanical treatment of sexuality in society and on the internet, maybe we'll ALL have to black the action out of our comics and leave the frames to imply what we socially no longer want to see.
Pitch Black: Comics Code Authority approved!
you can read more reviews in the Hey Look At This Comic tag and support me on Patreon at least until they get my ass for being an adult writing about comics for other adults.
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allbark-no-bite · 10 months ago
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call it brotherhood (not love).
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jake seresin x reader (wc: 6.2k)
summary: jake meets his match in a soldier rather than a sailor. you’re a bit more war torn than he expected, but it’s okay because maybe he is too
warnings: 18+ smut, * graphic descriptions of injuries and death ⚠️
* if you are uncomfortable with this, please don’t read
author’s note: spoiler alert, i know this isn’t the Jake fic that you’ve all been wanting but i swear that one is in the works. i’m about to go back to school and wanted to get this out there for y’all :) (ps i apologize for the lazy ending)
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"At ease, gentlemen —And woman," Admiral Simpson adds after a moment, shooting an uncharacteristically apprehensive look in Phoenix's direction. Payback snorts at his hasty correction, and Jake is surprised when the admiral doesn't fix him with a nasty look.
If the man's cursory show of inclusion perturbs the female pilot, she doesn't show it, and instead she takes a seat with all the rest of them. Jake turns back towards the front of the ready room, sinking down into his chair just a bit, toothpick clenched between his teeth as he waits for the admiral to address them.
However routine, this training meeting was a bit out of left field, especially for a Sunday afternoon. The Dagger squad typically had one weekly, but it was usually led by Maverick and much more informal. That wasn't to say that seeing Beau was surprising, but the man usually steered clear of the wayward captain and left him to his own devices when it came to training the Daggers.
Today the captain sits in the ready room beside the rest of the pilots. Jake watches as Bradley sends his godfather an inquisitive brow from across the room, to which the older man just shrugs. Interesting.
Cyclone clears his throat. "Good afternoon. I apologize for keeping you all, but I promise this will only take a minute of your time. As I'm sure you are all aware, the United States Department of Defense takes immense pride in maintaining one of the most well integrated military forces in the world. It's our job to work closely with other service members to ensure their safety and the safety of our nation." He pauses. "As experienced as you all are, your time here at Topgun has not reflected that."
Jake's brow furrows, his tongue worrying at the toothpick clenched between his teeth as he listens to the admiral go on. Javy shoots him a look but Jake stares ahead, waiting for Beau to continue.
"The permanent installment of your squad here at Miramar was to create a tightly knit group of elite fighter pilots who would be available at a moment's notice, and however successful that may have been, I cannot neglect the fact that comfort builds complacency. Later today, a squad of U.S. Army soldiers will be arriving to aide in your training for the next six weeks. The integration of mixed branch training units has been widely effective around the country, and it's about time we do the same here at Miramar."
With that, the screen positioned on the wall behind him lights up, displaying enlarged headshots of about eight soldiers. The first seven are males of varying ages, but none older than probably thirty. Jake quickly skims over their names and credentials, but when he gets to the last profile, his eyes stop.
The last solider is the only female projected on the screen, but even so she stands out as compared to all the other members of her squad. He can't quite put his finger on why though.
She's uncharacteristically pretty. And by that he means that to most, her appearance would be inherently off putting— even without the straight-mouthed scowl on her face. She's got a square, almost masculine like jawline that hardens her features considerably. Her hair is light, worn from spending too much time in the sun regardless of however dark it may have been naturally. The same goes for her skin, which is comparably bronze in contrast to the tan line on her forehead, he would assume from wearing a patrol cap out in the field.
Her eyes are wild.
And that's when it hits him.
She'd been all over the news just a few months ago. Something about a patrol gone wrong out in the Middle East, which ultimately turned into a high stakes rescue mission to extract the surviving soldiers. They went in hoping to bring back nine men and came out with one. Apparently they didn't even get to recover the bodies.
Jake can't imagine what that'll do to a person.
Before he can stare at her profile any longer, Cyclone quickly clicks off the projection and the image disappears. This time he appears almost nervous as he stares back at them. "These soldiers are recently returning from a deployment in the Middle East, so I trust that you all will do your best to make them feel welcome. If none of you have any questions, that is all. You're dismissed."
---
The following morning, the Jake receives word from Maverick that the Admiral wants to see him in his office. It's not a strange request but certainly raises Jake's attention as to why specifically he was needed.
Upon entering the room, Jake finds not only the Admiral but Maverick and another female that he's yet to have seen before. All heads turn towards him when he enters, as if he were interrupting something. Immediately, Jake snaps to attention, his heels clicking together and his fingers brushing his brow with a sharpness that would make the academy proud.
Cyclone nods in his direction, acknowledging Jake's customary greeting and dismissing him with the notion. "Lt. Seresin," he begins, gesturing to the female standing across the room. "This is Lt. (L/n). She's uh—a member of the squad that I briefed you on yesterday."
He hadn't noticed that she was wearing Army OCPs but he connects the dots as soon as the admiral mentions her name. He remembers reading it on the projector during the meeting.
Rather than introducing herself, the soldier stands rigidly across from him, her arms folded in front of her chest with a look on her face that Jake can only describe as fucking pissed. Unsure of what to do but aware from personal experience with Phoenix that he shouldn't try to cross any unknown boundaries, Jake settles for offering her a respectful nod. She glares back at him.
"You're two of our only service members with active combat experience," Cyclone continues, obviously ignoring the girl's crossed disposition. "I'm hoping that you and Lt. (L/n) can find some common ground. Perhaps it would do you both some good to—"
"Respectfully, sir, if I wanted to vent to someone about my feelings, I'd go see a shrink," the woman growls. "I recommend you do the same, Lt. Seresin." Her tone makes Jake's brow raise slightly in surprise. No one talks to an admiral like that, not even Pete Mitchell.
"Lt. (L/n)," Cyclone snaps. "That's quite enough."
This time, she rolls her eyes with a scoff. "You can't just—"
"Get out."
She clamps her jaw shut but doesn't budge from where her feet are planted in the ground.
"I said, Get. Out," Cyclone reiterates.
The eyes that had caught Jake's attention in the first place fix the admiral with a chilling stare. To Jake, there's something familiar in those eyes. Some sort of unmistakably justifiable rage that runs deeper than just being dismissed from the conversation. Jake watches, his breath stalled as she sets her jaw, unwilling to move, when it hits him. Identical jawlines and untwitching scowls mirror each other.
The illegitimate child of Admiral Beau Simpson stands before him.
He doesn't know how he didn't see it before, granted they don't share a last name, but Jake was aware that the Admiral was divorced, had been for a while. Allegedly he wasn't the marrying type. Jake isn't surprised by the statement. Beau Simpson is a hard man to deal with.
Jake watches in silence as the girl ultimately releases an irritated huff and storms out of the office, slamming the door behind her. He can hear the loud, petulant stomp of her boots as she retreats down the hall. Evidently her looks weren't the only thing that she got from her dad. She had a temper that rivaled even Bradshaw's.
The clearing of the Admiral's throat removes Jake's eyes from the door. "I hope you can forgive my daughter's behavior. Her return to the states has been...difficult."
"I'm sure difficult is the way she would describe you too sir," Maverick jokes.
Cyclone fixes him with a perturbed glare but decidedly ignores his comment in favor of addressing Jake. "Lt. (L/n)'s squadron was ambushed six months ago. Just about everything that could have gone wrong went wrong and she was the only survivor. As her father, I wanted her to accept the Purple Heart and retire." He gestures flippantly towards the door. "Obviously that's not what she did."
Jake speaks for the first time since he entered the room. "Respectfully, sir, I don't blame her. I'm taking this career to the grave. I'm sure both your daughter and Captain Mitchell can agree," he adds glancing over at his instructor.
Before Maverick can voice his agreement, the admiral cuts him off.
"As I'm sure Captain Mitchell can attest to, as her father, I'm just trying to look out for her."
With his preexisting connection to Rooster, the godson that he would risk his career to protect, Maverick has no room to disagree with the admiral. For once, the captain, who usually always has something to say, stands with his palms folded behind his back and keeps his mouth shut.
"As I was saying," Cyclone continues, taking a seat behind his desk and kicking back as if to signal that he's won the conversation. "It is my hope that given your own—" the admiral hesitates for just a moment too long for Jake's liking "—personal experience, you'll be able to get through to her."
Jake swallows and hopes that he doesn't look as uneasy as the insinuation makes him feel. He has to take a moment to reassure himself that the psych unit has repeatedly cleared him for duty and that no one's threatening to take his wings away.
The nights that he wakes up, drenched in sweat, with his fingers wrapped around imaginary joysticks hard enough to make his palms bleed are few and far in between these days. And even those he's gotten good enough at faking like they don't bother him because he hasn't failed a psych evaluation in months.
It doesn't mean he likes to talk about it or that he won't hear the fear in Rooster's voice if he does.
But he's more scared of not flying than anything, so all Jake does is nod and offer a dry, "I'll do my best, sir."
———
PTSD or modern day shell-shock is what they like to call it. You call it waiting on the other shoe to drop.
Because there is always another shoe.
The slam of a beer bottle down on the bar top lights your nerves up like nothing else. It sends your heart straight to your stomach and makes your palms sweat like when you miss a step on the stairs and for a split second, you think you're going to die. You never do of course, but your body is hard wired that way to keep you alive.
There's a flaw in your system that hasn't been right since the east.
You knew that a popular naval bar on a Friday night wasn't the best place for you these days but your nerves had been yearning for an ice cold beer and fuck all if you weren't going to get one. The alcohol would soothe your nerves anyhow.
But after thirty minutes of waiting on said beer, you were beginning to lose your patience. Normally you weren't bothered by that kind of thing. The place was obviously busy and the lone woman behind the bar was doing her best to satisfy the flock of servicemen that only seemed to accumulate with every beer that she handed out.
Just when you're about to give up and leave, a large hand covers your lower back, pressing you forwards through the crowd and toward the bar top.
"Two more on me, please, Penny."
The voice belongs to the tall man standing behind you. He's removed his firm, but respectfully placed palm from your back and is now leaning over you to accept the two dripping bottles of beer. It doesn't take you long to recognize the green of his eyes from a few days prior.
"My dad didn't put you up to this did he?" you ask, somewhat reluctantly taking the bottle that he offers you. It's finger numbing cold, just how you like it.
He kind of just slowly smiles and shakes his head.
Immediately you feel like a jerk. You sigh, dropping your shoulders and smile softly back. "Sorry. That was rude."
"No, ma'am, he didn't. Just had to find out if you smiled like that all the time."
The part of you that's a little bit of a bitch makes you clench your teeth together, tightening the smile that was once spread across your lips. "I'm not looking for that kind of thing right now," is all you say.
You want to tell him that you used to not be so mean.
At the realization that his words had the exact opposite effect of what he was going for, the guy graciously extends his hand. "Look I don't mean to bother you, I just wanted to say hi."
Despite not being keen on his advances, you aren't going to be rude so you accept his outstretched hand. You're surprised by his gentleness. It's not the rough, over-masculine shake you are expecting.
"Lieutenant (Y/n) (L/n)."
"I know your name," he admits with a light, almost embarrassed laugh. "I think everybody in here knows your name."
Your skin prickles. You stare at him stoney faced, bracing yourself for what's going to come out of his mouth. "Why's that?"
The guy—Lt. Seresin—you're remembering, shrugs. "I mean, you're quite the story back here in the states. A bit of a ghost story, I must say."
Ghost story is right. Because who survives that? How the fuck does a twenty-two year old girl survive an outnumbered ambush and not eight men with years of experience? Not someone who deserves to be called a hero, that's for sure.
You're trying your best to keep your cool with him. You know that you're in a public space and he's just being friendly. You used to be so good at this kind of thing, the flirting and small talk.
The thought occurs to you that maybe this is what you need. Maybe this will make you feel normal again. You need to feel normal again.
Maybe that is why you let him lean in closer, buy you another drink when yours runs dry, and another one after that. Maybe that is why you make an effort to laugh when he does, and you close your eyes when he reaches out to tuck a strand of hair behind your ear.
You let out the breath that's been tightening your ribcage and do your best to smile. "Thank you for the beer. You didn't have to do that." You hope the words sound as genuine as they're intended to.
He smiles back like he's supposed to, all polite and inherently forgiving of your original attitude. You catch onto the way it doesn't quite reach his eyes. You're not sure why but it makes you think maybe he's just a bit sad too.
Maybe that is why he lets you wordlessly take his hand and lead him to the back of the bar. Maybe that is why he lets you sink to your knees on the cold, sticky tiles of the men's bathroom floor, his hands already fumbling to unbuckle his belt.
It smells like beer and piss, and you don't even wait for him to get fully hard before you take him in your mouth, your nose buried into his pelvis, where it smells like sweat. It's all wrong and right at the same time, and he won't ask you to stop. He just curls his fingers into a fistful of your hair, pinpricks stinging at your scalp the same way tears sting at your eyes.
He—Jake—he'd told you a while ago, has a pretty cock. At least as pretty as cocks go. Pink and ruddy at the tip, where it mushroomed beautifully. Almost dauntingly long but not grossly so with a throbbing vein on the underside. You run your tongue along it and he muffles a whimper, his fingers wrapping harder around your hair in an effort not to buck up into your mouth. At least he's a gentleman about it.
He's heavy and twitching in your mouth. You feel heavy. He is standing above you, a harsh line of a man against the buzzing bathroom light. You remind yourself to breathe through your nose and he punches himself further, the head of his cock skimming the back of your throat.
You swallow around him, trying to hold together what little is left of your remaining sense of self. It's been a while since you've been so careless as to place yourself in someone else's hands, rolled over and showed your belly to someone who could easily take advantage of you.
Your jaw aches, uncomfortable and familiar, like something you don't want to remember. Tears well up behind your eyes, the threat of an unwanted but unknown feeling looming just out of reach. Jake's hand in your hair hold your head firmly against his pelvis, hips rocking up into your mouth. He sighs like he can finally breathe.
You can't breathe.
You try to and something rasps inside of you, choking. The feeling that had been looming threateningly sparkles through you. Panic.
You know that he tries to settle you, does his best to wipe the tears leaking from your eyes with his thumbs and murmurs softly to you. "Breathe. It's okay, breathe for me."
You can't. You can't breathe.
Your head is pounding and suddenly you aren't kneeling on the bathroom floor of the bar. You're on the ground, crying, screaming like a wounded animal and no one is coming to help. You can almost feel the dirt under your knees, taste the blood in your mouth.
"Y/N, you have to breathe."
Someone's grabbing you, hauling your useless feet across the floor. Your chest hurts like you've been punched with a bowling ball.
"C'mon, let's get some air."
How you end up outside the bathroom is beside you. All you know is one minute you're dying on your knees back in the desert and the next you're being sat down on the back steps of the bar. 
The cool air of the San Diego evening brings you back. That and the press of a cup of ice water to your lips, the condensation dripping from the glass and rolling down your throat. You swallow, letting the cool liquid soothe your burning throat.
You're aware of Jake sitting down beside you, close enough to touch if he wanted to but still keeping his distance. You can feel his eyes on you, watching carefully for a moment before he turns to stare out at the not so distance shoreline.
Your stomach feels odd, like you might be sick.
He probably thinks you're insane. You would think the same. But if he's dying to ask what the hell that was, he's doing a good job of hiding it.
How do you tell him that sometimes you think that you should have died, that sometimes the memories almost kill you?
"I hid."
He looks up from peeling off the label around the neck of his bottle. "What?"
You swallow, trying to collect yourself before your words fail you.
"I hid. A—After I was shot, I didn't get back up. I crawled under the humvee and... and I just laid there. I laid there and I closed my eyes and I prayed. I prayed that they wouldn't notice me lying under there or that they if they did, they would think I was already dead."
A mixture of sweat and dust burns your eyes. When you blink, you can feel the sandy grit trapped between them. You squeeze them shut while trying to swallow back the dryness of your throat in an attempt to alleviate the discomfort, but it doesn't do much. An unwarranted tear escapes and runs down the track of your nose.
With your rifle held closely to your chest, you let it slide down and collect on the bow of your lip. It joins the puddle of sweat that has already accumulated there. Out here, the sun cooks you alive. You swear it's a constant one thousand degrees. The twenty pounds of kevlar doesn't help.
Dirt kicks up beside you and gravel showers your helmet as a round of bullets buries themselves into the ground a mere six inches from your face. You hardly flinch.
Somebody is screaming. The sound of machine gun fire is ringing in your ears. Somebody is screaming.
"(L/N), C'MON. LET'S MOVE."
It's Cain. He's grabbing the strap of your kevlar vest and yanking you to your feet. You scramble after him, desperate not to be left behind. Bullets explode at your feet the moment the two of you emerge from the concealment of the dirt mound. Fear makes you run faster.
You spot Manny crouched behind the tire of the SUV to your right. He's firing rounds into the brush. You can tell that he's bleeding from a wound to his arm and you're about to veer off to help him when his head jerks backwards, the scattered remains of his brain plastered onto the white side of the truck.
You stop running, the words caught in your throat.
"RUN," Cain screams. He'd backtracked a few paces and grabs hold of your vest once again to drag you behind a second SUV. You stumble over him, falling haphazardly onto your rear once he lets go of you. He immediately turns to fire over the hood of the truck, and the bullets hitting the truck stop momentarily.
Clawing at the gravel on the ground, you hurry to scramble to your feet. Your head is pounding, your mouth dry and gritty. Huffing, you glance between Cain, who is fumbling to reload his magazine, and the crumpled figure of Manny a few yards away. You can only hope Ronny is still out there somewhere.
Before you can even try to locate him or any other members of the squad, movement to your left springs your muscles into action. You slam your back into the side door of the SUV just as a round of bullets pelt the spot where you were standing just moments before. Automatically, you raise your gun, returning the fire. There are a few more shots fired in retaliation, but they stop a second later.
Once you're sure they're subdued, you lower your gun, breathing hard. There's so much smoke and debris in the air that you can hardly even see Cain ten feet away. He's shuffling towards you in a low crouch.
"Let's move, (L/n). They know where we are. We've got to find different cover."
You nod, your finger still pressed tightly to the trigger of your weapon. You drop into a crouch and follow behind him as he creeps towards the back of the truck. He pauses a moment, scanning the landscape before looking back at you. His blue eyes are a startling contrast to the dirt and sweat covering his tanned face. He lifts his gun in the direction of a flipped humvee about fifty yards away. His mouth moves in a silent command.
One.
Two.
Three.
The gunfire starts up as soon as the two of you spring from behind the vehicle. You can hear the whizzing of bullets as they just barely miss your head. All you can do is pray you don't trip as you struggle to keep up with Cain. Your lungs burn and your boots feel impossibly heavy.
The terrain is barren but the ground loose, and rocks threaten to upend your footing, slipping out from beneath your feet as the two of you flee towards the vehicle.
30 yards from the humvee, Cain tumbles to the ground with a broken cry. The bullet catches him in the thigh, stopping him mid stride. He hits the ground hard.
Without even thinking, you skid to a stop. Bullets spray the ground around you. Somehow you're more afraid of leaving him than being shot.
"Go!" he yells at you, already trying to shove you away. "Go, I'm coming!"
Already, there's a lake of blood beneath him. You step in it and the ground squelches under your boot. Crimson gushes from his left thigh, effectively saturating the fabric of his pants. His face is terrifyingly pale. The bullet must have hit his femoral artery.
Fuck.
Fuck. Fuck. Fuck.
"Like hell," you snap at him, your pervious fear suddenly boiling into the purest form of anger you've ever felt. Angry for being in this situation in the first place. Angry that of all people, Cain is going to die.
It's terrifying how quickly the realization comes to you, how easily you accept it as the truth. There's already too much blood. Without a tourniquet, he'll bleed out in minutes and there's not quite time for that.
"Leaving him behind wasn't an option. It never even occurred to me that it was," you confess, as if saying it aloud will somehow explain away this title of heroism that everyone wants to pin on you. "Dead or alive, he was coming with me."
You shoulder your rifle and use both hands to grab onto the straps of his vest, hefting him backwards towards the truck.
He must clamp onto his bottom lip to stop the scream that threatens to escape because the noise that comes from his mouth is garbled.
You drag Cain about ten feet before you realize how just heavy he is. There's sweat leaking into your eyes and all you can see is the bloody lake that's left behind as you drag him through the dust. Cain's gone quiet, his head lulled to the side, eyes almost shut.
"C'mon, Cain. We're almost there."
His boot snags on a rock, and when you tug him free, he doesn't utter a word.
Something inside of you knows he's gone, was gone long before you started dragging him. You're still ten yards from the SUV.
POP. POP. POP.
You pause, your eyes fixed ahead of you. "Have you ever been shot before?"
Beside you, Jake shakes his head.
"It feels like someone has shot a bowling ball into your chest. Knocks the breath right out of you."
Pain explodes straight through your ribcage. Your vision clouds and you're vaguely aware of your knees buckling beneath you.
When you come to, all of the wind has been knocked out of you from hitting the ground so hard and your immediate reflex is to suck in a reviving breath. Instead all that comes out is a gurgle, the tell tale sign that your chest cavity is filling with blood.
You swallow, looking off at the dark shoreline of the beach, watching as the waves crash against the sand. "I knew that I wasn't dead yet—I did— I just—" Your throat constricts and when you speak again your voice is quieter. "He was already gone so maybe a part of me had already gone with him."
Jake nods slowly, as if putting together the pieces that you're laying down bit by bit. Somehow his green eyes have remained soft this entire time and maybe that's where you find the courage to continue.
Lifting your head, you crane your neck to see the damage, but the thick layer of kevlar strapped to your chest obstructs your view of the lower half of your body. Grunting in frustration, you reach blindly in the direction that the pain is radiating from. Numbly, your fingers find the gushing hole in your side. The bullet had buried itself in the exposed inch of your stomach between your belt and your vest.
There mustn't be an exit wound because there isn't a ton of blood surrounding you. If the wet cough you emit is anything to go by, it's probably pooling in your abdominal cavity instead.
You're going to die.
"I don't know how long I laid there," you admit. "I knew that the clock was ticking, had been since the moment I hit the ground. It was only a matter of time before I blacked out or bled out... I guess I was just waiting to see which one came first."
The scattered rounds hitting the ground around you become muffled background noise as the lull of unconsciousness begins to sweep over you, dulling the world as you know it. Through the haze of your fading senses, your eyes fall on Cain's motionless figure a few feet beside you.
He's lying face up, his desert tan uniform seeped a muddy crimson. You'd known he was dead a while ago. Still, you carried him. He'd have done the same for you. He was your brother, dead or alive.
Blood bubbles from your nose as you struggle to keep yourself breathing. The fact that you have to remind yourself to do that isn't a promising sign. Your body is shutting down, doing anything it can to keep your heart pumping, even if it means shutting down everything else.
Somewhere through the dullness, you hear Cain's voice. MOVE, (L/N).
You close your eyes, trying to picture his face from what had been just a few minutes ago. You remember the urgency in his blue eyes, the intensity of his fear overridden by adrenaline. How had that been only moments ago?
MOVE, (L/N).
"I—I heard his voice," you state, your tone not open for discussion. "Not the gun fire, not God, not anyone else's. I heard his voice."
So many people had tried to convince you otherwise, tried to tell you that it was because of the shock and your brain was shutting down, that you were hearing things. But you know what you heard.
"He saved my life, Jake."
You can see the gears turning in his head, the question carefully forming on his lips. "Were you two— I mean was he—"
It's the first time you have to suck back tears, your chest rattling with a longing emptiness as you fight the urge to cry. Memories of his wild blue eyes and wide smile that could only ever mean he was misbehaving flash through your mind.
You met Sergeant Anthony Cain not long after you commissioned as a Lieutenant. You were still a green officer when you were charged with your first platoon and given orders to deploy out East. You were scared as hell and Cain was your saving grace. He came in as if he'd always known you needed him and the rest was history.
There was never any question about intentions or commitment to each other. Cain was as honest as they came and you left it at that. You never imagined that's where your story would begin and end.
"I don't know, Jake. We didn't get that far."
Forcing your eyes open, you access the area around you. The sound of enemy fire has slowed but that doesn't mean movement won't trigger a return of bullets your way. Still, you know they'll be looking for survivors once the dust settles, and you don't want to be around when they do.
The humvee is only a little over ten yards away. You might would say it was crawling distance if it weren't for the fact that you were actively bleeding out. Even so, you don't really have any other option.
You take as deep of a breath as you can, your chest rasping as you do so, before lifting your right leg and using the weight of it to swing yourself over onto your stomach. Immediately, searing hot pain radiates through your chest and legs. You cry out, curling in on yourself, writhing on the ground like a wounded animal.
Sputtering, trying to breathe through the pain long enough so that you can move, you feel hot tears track down your face. They're tears of insurmountable pain and hopeless desperation.
"All I kept thinking was 'how does anyone survive this?' It was unimaginable, the pain. Looking back now, I don't know how I did it. I don't think I could do it again if I had to," you admit.
Softly, as not to scare you, you feel the gentle weight of Jake's palm on your knee. "You won't have to," he promises. "But you did it. You survived."
You stare down at his hand on your knee.
With a trembling, blood stained hand, you reach out in front of you and dig your fingers into the ground. Heaving, you draw yourself forward, your legs dragging limply through the dust. It takes an unimaginable amount of strength to pull yourself even six inches.
Sniffling back tears and out of breath, you curl your fingers into the ground and drag yourself forward again. This time, you probably only move half as far. You have to fight the urge to just lay your cheek against the ground and cry.
You do this again and again, keeping one hand pressed into the gushing wound at your side while the other drags you forward. Your lower half has become increasingly heavier with each passing minute, your legs nothing but dead weight to pull along. You don't think you could move them if you tried.
It takes you forty minutes to drag yourself to the humvee. By the time you get yourself fully under the abandoned vehicle, your fingers are torn and bleeding, the tips ripped open and embedded with bits of gravel.
Your muscles collapse the very second you give them the chance. Your forehead drops down to rest against the ground, and you finally have a moment to shudder out a sob. Your throat is dry and cracked, and dust coats the inside of your mouth. You're dimly aware that your breaths are dangerously shallow. You just know that you're miserably nauseous and each passing moment is more unbearable than the next.
You turn your own palm over, staring at the scars of your ruined finger tips, scars that tell a story of how you survived. They're ugly, and you wish you didn't have to look at the all of the time. At least your torso is mostly hidden. You've moved to a beach town and will never be able to put on a swimsuit.
Jake’s eyes follow yours and after a moment he flips his palm over, his fingers spread and inviting. His hands are large and calloused from years of flying. There are fingernail divots in his palm.
Almost shyly, his green eyes meet yours. You see a bit of that sadness you saw earlier. “I know it’s not my job to be your shrink or whatever,” he adds with a laugh and you can’t help but laugh with him. “But you’re not alone. We’re all a bit fucked up if you haven’t noticed.” He shrugs. “It comes with the job.”
You can’t help yourself. You trace a finger over the scarred palm of his hand. “My dad would disagree.”
Jake is fighting the urge to close his palm around yours, not wanting to overstep, and so he’s pleased when you intertwine your fingers with his.
“Family dinner must be interesting.”
Jake came from a military family himself and so he knows how deep the ties run. His old man was a sailor and so he knew better than to come home sporting anything other than his dress whites.
You laugh out loud because he’s not wrong at all. Jake squeezes your fingers in response. His hand feels good in yours. Safe and heavy in the way a padlock feels. Like he’s not going anywhere.
“It’s not all ‘Go Army, Beat Navy’ believe it or not. Don’t get me wrong, I was raised a Navy brat and I have a hell of a lot of respect for my old man, but at the end of the day, I had to choose myself. I couldn’t do that with him watching over my shoulder. The Army’s been both the greatest and the worst thing that could have happened to me,” you confess.
Jake hums, dare you say almost disbelievingly.
“What?”
“A few weeks here and you’ll change your mind. No one does it like the Navy does.”
It’s your turn to make a noise of disbelief.
“I guess you’ll just have to impress me, Flyboy.”
Jake squeezes your hand again. “Oh I plan to.”
526 notes · View notes
starlightshadowsworld · 2 years ago
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Heba Zagout was a talented woman.
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A Palestinian woman born and raised in the Al Burejj refugee camp in Gaza.
She worked as an art teacher, and was previously employed by the United Nations Relief and Works Agency for Palestine refugees.
She was a mother to four. children, Adam, Faisal, Mahmoud and Baraa.
Heba loved art, had done from a young age.
She studied fine art at Al-Aqsa University, trained in graphic design.
And dedicated her life to documenting Palestinian heritage and history.
Things the occupation had always tried to erase.
"I consider art a message that I deliver to the outside world through my expression of the Palestinian cause and Palestinian identity.”
Art that she would sell to support her children as the sole breadwinner.
"Heba was a one in a million talent. She encapsulated everything it meant to be Palestinian and poured her heart and soul into her art"
- Chris Whitman-Abdelkarim, a representative of German human rights group Medico International, who came across her work two years ago.
Heba was killed on October 13th 2023 when an Israeli airstrike targeted her house.
She was killed along with two of her children, Adam and Mahmoud.
It is believed that her husband, and her two other children survived.
Though that update came on the 18th and we don't know if they remain alive.
Laura Albast, a Palestinian American journalist who knew Heba described her death as a "great loss."
"This is a woman who has brought so much joy to the homes of so many people who have bought her art, who have displayed her art.
They didn't just bomb her home, her children, but they erased the traces of her creativity."
Let us keep her art and memory alive.
Her Instagram is Zagoutheba where she posted her art work.
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1K notes · View notes
ranunculussy · 21 days ago
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enigma | part 07.
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ꕥ part 01. | part 02. | part 03. | part 04. | part 05.| part 06. ꕥ pair: Spencer Reid × BAU!fem!reader ꕥ warnings/tags: canon-typical violence, kinda graphic description of the next crime, swearing, somewhat oblivious Reid and reader, age gap, moderately jealous Spencer, slow-burn, mutual pining, rivals to lovers, english isn't my first language so bear with me pls, if there are other warnings or tags i should add let me know ꕥ small author's note: hey guys, i'm back from the nine hells! i'm honestly really, really sorry that i disappeared for such a long time but i discovered that the ao3 writer's curse is, in fact, real as fuck. i've been sick for 2 months on and off, which resulted in me, ending up in the hospital and even spending my birthday there lmao. anyway, i think i lowkey reached the end of my recovery and i am back!! hope you'll enjoy this chapter and thank you so much if you're still here after so much waiting, i love you with all of my heart <3 ꕥ small author's note 2: i'll be describing a rather weird(?) crime this time that was inspired by a song (i'll attach it at the end of the chapter, i heavily recommend it - check it out on youtube too, it has a nice mv). i was very hesitant at first about whether i should write this or stick to the good old, bit more basic plots but then i was like fuck it, i have creative freedom for a reason and this series is already filled with weird crimes so why not ꕥ small author's note 3: i am also working on the sapphic knight!Emily × princess!reader, so you can expect that very soon ^-^ let me know if you're interested in it and would like to be notified when it's published ꕥ word count: ~2.6k ꕥ summary: Spencer can't quite figure you, his rival out and this annoys him more than it should [this fanfic is also available on AO3 with the same title and username]
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wednesday
“We got a case. A bad one. Like really, really bad.” The word ‘anxious’ couldn’t even describe exactly how Garcia speedwalked through the bullpen in her neon pink high heels with her rhinestoned tablet in hand. The rest of the team—except for Hotch, were all gathered around Rossi’s desk since he was showing pictures of his grandson with a puppy that he got for his birthday.
“Dare I say Florida?” you murmured audibly enough for some of them to snort at your comment, which was only half a joke. With the amount of utter bullshit that went down there and resulted in the ‘Florida man’ news nothing was surprising anymore. Let’s just say, you accidentally hit the bull’s eye.
“Brace yourselves, my sweet, sweet crimefighters, because what I’m about to show you is very gory.”
You lowered your gaze to the bright screen of your tablet, where photos of the crime scene popped up. Well… Garcia was right. It was gory.
Not even half an hour ago divers found the second dead woman on one of the beaches in Florida. It looked like she got sewn into a seal’s skin and laid down there, making it look like it was a deceased animal, swept to the land by the stronger waves. Lucky for you, since this exact thing happened a few days ago, people were more cautious and thus, the scene remained in its original, uncompromised state.
“Sarah Moore is the second victim in three days. Today, the Florida Police Force has invited us in officially.” took over the word your unit chief, shifting everyone’s glance from the tablets —and printed out files in a particular doctor’s case—towards him.
“What, they didn’t find this” Derek pointed at the device still displaying the graphic photos of the scene in front of him, “freaky at the first time!?”
“There has been a rather public scandal involving the police in Florida, which resulted in replacing almost every person at command there. I think the new chief wanted to show that he can handle things by himself, since many eyes are on him and his work.” explained the man on your right, gesticulating with his big, slender hands. As your eyes unintentionally traced the line of his fingers, you wondered if he ever played the piano. He had the hands of an artist.
“Great. I wonder how much of an asshole he will be to us. I bet he’ll try to demonstrate his superiority.” your let out a groan at the thought of having to handle a grown man who acts like a demanding child, thinking that he is better and smarter than everyone else there. You had problems with people like him. Swallowing your pride when you knew that you were right was challenging for you.
“I wouldn’t exactly use this wording, but Y/N is right. Chief Miller will do everything to make himself look good in the eye of the public, even if it means undermining us. We will have to be exceptionally careful. Wheels up in 30.”
You sat at the window in one of the lounge seating areas of the jet. Next to you was Emily, Reid sat in front of you, Derek next to him. The laptop—making it possible for Penelope to join in the briefing that took place on the plane—was set up on the table between the four of you. Hotchner, JJ and Rossi gathered around your seats with tablets and case folders in hand.
All of you were reading the detailed police reports, that seemed more like a plot of some series than an actual crime committed by actual humans. None of you have met with things like this before.
Both victims got partially skinned ante-mortem, then sewn into a seal that was cut open from its jaw to its belly. The only skin remaining on Sarah and the other poor woman, named Ruby, were on those parts of their bodies that didn’t get covered by the animal. This meant the area of their stomach, chest and face. Even their scalps got removed.
“Garcia, do we know if the seals were real or a costume?” asked the doctor after looking up from the files.
“What am I, if not the queen of supplying you with all kinds of unsettling information? I already checked, however, and couldn’t find anything on this.”
“They didn’t check?” asked Emily in a dumbfounded tone.
“Well, if they did, there are no records about it anywhere.”
“Wanna bet that Chief Whatever-the-hell-his-name-is—” you started but got interrupted by Reid, chiming in, correcting you with a slight smile on his annoying face, as usual.
“Miller.”
“Yea, that. So, wanna bet that Chief Miller wanted to wrap this case up as quickly as possible by finding a fitting culprit and putting them away, whether they’re the real killer or not? Wouldn’t surprise me if he simply forgot to check this detail.”
The briefing went on for a long time. Ideas from everyone kept popping up the more you thought about the crime, its meaning, what it tells about the UnSub, the mode of display and basically everything regarding to the case. You even debated against each other if you found some holes in the other’s logic, but everything remained civil. Even between the doctor and you. Which was rare, but not impossible. It just so happened that none of your ideas went directly against the other’s so there was no use of wasting your time with bantering.
“We are landing in 15 minutes. JJ, Prentiss and I will set up at the station. Morgan, Rossi, go to the M.E., find out what you can about the victims, C.O.D., and ask for an exam on the seal. Reid, L/N, go to the latest crime scene. We have to find out if this is a ritual or some sort of radical activist statement.”
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The warm weather and the smell and sound of the sea would’ve been calming in any other situation, just not when you were squatting next to a blood soaked, dead victim. It was impossible to tell whether the animal that looked like it’s consuming Sarah was real or not. Its size, texture and smell were very lifelike. You couldn’t see the insides, not until the M.E. cuts the poor woman out of the mammal.
“It’s obvious that the UnSub was careful with the sewing, it’s very precise. Can you see the thread from where you stand?” you looked back at the man who was standing a few steps behind you, taking in and analysing the bigger picture. He slightly furrowed his brows and narrowed his eyes, trying to spot even a tiny amount of straying yarn with little to no success. From where he stood, it looked like the human and animal were one and the same. Like they were meant to be this way. He shook his head as an answer, then walked right behind you and leaned down, so that your heads could be at the same level.
You felt the warm air leaving his nose as he breathed out near the small of your neck, causing goosebumps to run across your covered skin. Thank fucking God for the long sleeves, I’d look like a fool.
These past few weeks moments like this became a common occurrence. You were convinced he pulled these antics to make you flustered, to make you look like a fool, for his own amusement. You caught him staring, more often than not, but he never looked away, just slightly raised his eyebrows and challenged you to a silent staring contest. His comments or arguments became vague or had double meanings, trying to catch you off guard. He also became more physical, which baffled you the most. Dr Spencer ‘Germaphobe-and-Social-Distancing’ Reid, who he himself said that kissing would be more sanitary and safer than a handshake, was initiating physical contact with you. You didn’t understand this at all. Things were rough between the two of you ever since you started working at the BAU, so you were careful, so fucking careful not to touch him accidentally whenever you handed him anything, since you didn’t want to worsen anything. But now… Now he made a habit of standing closer to you than to anyone else, making his fingertips brush your skin whenever you gave each other something, and so on. These would’ve been small things with anyone else but not with him. You were silently fuming whenever he did something like this. You worked so hard trying to make him comfortable. Yes, you were arguing all the time, but that was strictly professional, you never crossed any personal lines. And now he seemed to take a 180°.
Of course, you saw this as a challenge. You weren’t kidding when you said, “Game on, doctor.” in that hotel room a few weeks ago, when you first noticed how strange he behaved. Did he want to make you less competent than him by making you look like some silly girl that blushes at every small thing a man does? Well yeah, you would never let that happen. Two can play this game, and you held yourself true to your word. You fought fire by fire, acting like he did. You’d never shy away from some teasing, especially when your honour was on the line.
You turned your head towards him. He was so close, your nose almost touched his left cheek. “What are your thoughts, doctor?”
He faced you, so his eyes could find yours. What he foolishly didn’t calculate is how awfully close you two would be. His breath hitched as his gaze flickered between your irises for a few seconds, taking in all the variations of colours that danced around your pupils, then he lowered his eyes to the tip of your nose that almost touched his, finally, he stopped at your lips, barely out of reach, before finding his way back to your eyes. All of this happened in split seconds, but you noticed it all. You would’ve been a hideous profiler if you didn’t. A victorious smirk formed on your face and your confidence was through the roof as the not so collected doctor’s cheeks took up a light shade of pink, barely visible to anyone else. You won this round.
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The team got set up at the conference room of the modern police station. A few hours after landing, everyone gathered there. Dave and Derek arrived with crucial information regarding the first and second victim and the seals, while you shared details about the latest scene.
“According to the M.E., the cause of death was exsanguination in both cases.” said Morgan, who was fidgeting with a mustard-coloured pencil.
“Isn’t surprising in cases involving being skinned alive.” Emily’s monotone tone came as a response as she read through the tox screen. “They found a high dosage of ketamine in their system, meaning that they were possibly paralysed and awake during the skinning and sewing, making our UnSub a sadist.”
“Yes, most definitely.” agreed Reid, who was standing in front of the huge screen on the wall of the spacious room. On the screen, an anatomical drawing of the human body was displayed. “And the UnSub must have some degree of medical knowledge, because they avoided all the main arteries during skinning, making the victims suffer much longer.” during his explanation, the doctor pointed at all the pressure points of the body to show where the two women weren’t cut.
“The way of stitching further proves this; it was really precise.” you added with a slight nodding.
“So, are we looking at a doctor maybe? But then what do the scenes mean? This is one hell of an M.O., and way too specific to have no deeper meaning to it.” next to Emily, JJ was swiping between all the photos from both scenes, zooming in on the gory details, hoping she can find something, anything.
“Well, we still can’t rule out radical climate change or animal rights activists, especially since the Caribbean monk seals that were once native to this region gone extinct because of humans. They were overhunted and due to overfishing, the remaining starved to death.” Reid said this as if he was reading it out of a book.
While the others shared their ideas back and forth, your mind wandered to a different direction. Ever since morning, when you first got introduced to this case, you couldn’t shake a thought and after seeing the scenes and becoming more familiar with the details, it just got solidified, but it was a bit too out of reach. That’s why you excused yourself and quickly left the conference room. You didn’t stop until the parking lot, which was empty, to your relief. You quickly dialled the only person who was able to help you out with your dilemma, the one and only Penelope Garcia.
Your conversation was quick, but you got everything you needed and were ready to head back to the team, now confident in your theory, however, as soon as you turned on your heels, you slammed into something rather… familiar. Reid.
“Ah, for fucks sake.” you murmured as you stumbled backwards. “Do you crave physical contact this much, dear doctor? Next time just ask.”
“Why, would you comply?” he raised an eyebrow, his lips formed a somewhat cocky smile, but it was tamed enough to get missed.
“Maybe. If you beg for it.”
“Oh, between the two of us, I’m more than certain that you’d be the one that begs.” he stated confidently, as if his awkward self never existed. “But feel free to try and prove me wrong.”
“I- khm…” no matter how much you fought against the red hotness crawling up on your neck towards your face and ears, you couldn’t shake feeling weird. “You’ll have to do a lot more work to make me want to prove anything to you.” your comeback, if one can call it that, came out weaker than it sounded in your head, so before things could’ve gotten even more embarrassing for you, you decided to change the topic, silently noting that you lost this battle. “Anyway, why did you come after me?”
“For one, to check on you. For two, the others are ordering lunch and wanted to know what you would like to eat.”
“As you can see, I’m perfectly well.” you nodded, trying to solidify your statement after your previous banter, partially for him, partially for yourself.
Before he could ask or say anything else, you decided to head back to the rest of the team, with Reid, sticking close to your back.
“Mmh, I can see. No erubescence at all.” he said in a playful tone as effortlessly caught up with you, thanks to his long legs. You ignored his comment as you pushed the glass doors in and shifted your attention towards the other five people.
“Is everything alright, pretty girl?”
“Yes, I just had to confirm something real quick before presenting my groundbreaking theory to you, guys. So,” you said as you sat down in front of the laptop that was connected to the huge screen, opened Google and typed in one single word to the search bar: selkie.
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thank you again for reading my work, hope you're having an awesome day! i hope it isn't a problem that this fic is getting longer, i'm just taking slow burn seriously (only thing i can do lmao) taglist: @halfbloodwriter @starrystormwritings @kspencer34 @maisyyyyyy @theseerbetweenus @throwaway-things @pleasantwitchgarden divider from @cafekitsune gif from @reidgif
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project-sekai-facts · 2 years ago
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Sanrio collab info
Collab will run from December 5th to December 19th
It was indeed just in unit order as displayed on the graphic
Here's the 2* illustrations
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Miku is Hello Kitty, Saki is Pompompurin, Airi is My Melody, Toya is Pochacco, Emu is Cinnamoroll, and Ena is Kuromi
Here are the previews of their limited 4* cards
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instead of hairstyles, these lims come with avatar accessories
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there will be a login campaign during the collab. login for some rewards, including an avatar costume, and a special story
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dustysalmon · 7 months ago
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Eye of the Storm - Chapter 1
Pairing: Silco x Reader Rating: Explicit Warnings/Tags: graphic depiction of violence; slow burn; enemies to lovers, enforcer!reader Word count: 4.5k
Summary: After a chain of unexpected events, Jinx is arrested, and you find yourself in possession of the gemstone. On top of it all, you are forced into a reluctant alliance with Silco. What else could possibly go wrong?
Takes up at the end of episode 7.
Read on ao3 ⎜ Next chapter
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It is not the first time your unit has been called to assist at the borders, although it’s been years since topside ordered a complete blockade.
The panic had been evident on the councillors faces during the meeting that preceded your affectation. They fear the escalation of violence after the bombing in the city center as well as the murder of several enforcers earlier this week. There have even been rumours of an organised rebellion rising from the undercity, ready to strike multiple strategic places in Piltover. But those are just that, rumours. You have heard other rumours. Apparently, whoever killed those enforcers also decided to drop by the safe holds of the Council and steal something. The authorities have been suspiciously secretive about the ordeal, but you have a feeling it has to do with hextech. And the Council, usually quick to shy away from firm countermeasures, has made the decision to take a stand a little too rashly for your taste. This, plus the sudden removal of Heimerdinger’s seat at the table… No, there is something else at stake here, something bigger and perhaps more preoccupying than they are letting on.
And so here you are, on the south east bridge, among dozens of other enforcers. They don’t seem too aware or concerned about the actual reason for their presence, but they certainly appear to enjoy roughing up a couple Zaunites just for the thrill of it. Within the span of two days, you have already sent eight of your officers home. Young hot shots, mostly here to see some action and prove themselves in front of their comrades. People who shouldn’t be in the force to begin with, but the enforcers’ body always has and will continue to accept just about anybody within their ranks. It was a cesspool of violent and morally lacking folks long before you arrived and will remain exactly that for years to come. 
The majority of the officers mobilised for the Council’s big display of power aren’t trained to handle riots anyway, that much is obvious, and the entire situation is bound to turn to shit eventually. Regardless, you have traded your rifle for a good old baton, and encouraged your men to do the same. The firearm is tightly secured at your back— you’re lenient, not stupid—but the rioters have been fairly docile since the first barricades were installed, armed with nothing more than cardboard signs and harmless smoke bombs. Hardly a challenge at all, not to mention, you would like to avoid needless mayhem if you can help it. Your superior, Warren, strongly disagrees. Well, superior in name only; the man barely has any field experience, hardly ever steps out of the comfort of Piltover; a textbook office rat. If you had to guess, you would say this is the first time he’s actually come face to face with Zaunites. He has never hidden his utter repulsion for the latter— he usually refers to them as trenchers— and this new assignment is a godsend. He would drown them all in the gutter if he had his way. Halas, the Sheriff’s position was swept right from under his nose by Marcus, equally hateful and ambitious at the time. The years have tamed him for sure, although you still find it hard to explain his complete one-eighty when it comes to dealing with the undercity. Once, he was determined to give them hell, back when he was just a rookie, always babbling on about how he would handle the "Zaunite problem", and offering solutions (if you can call them that) that would have met quite the success among the most monstrous tyrants. 
When his impromptu promotion was announced, you had expected him to take full advantage of his new position and act on his threats. In fact, you had expected something very much like the events unfolding before you right now: blockades, raids, random inspections, an obnoxious display of strength—the whole circus. But instead, most of the troops had retreated completely from Zaun, leaving the undercity in a situation reminiscent of when Vander was in charge. The streets had been left completely unmonitored, allowing numerous gangs to rise and breed terror in the underground. Any sense of community ceased to exist in the blink of an eye, quickly replaced with defiance, greed and violence. Funny thing, that it took one man, one figure to hold a whole city together. Take him out of the equation, and an entire city is lost. And then came Shimmer, the final step that made all hell break loose. 
You had often wondered whether a complete occupation would have made a difference. In a way, you had your answer now. It wouldn’t have changed a damn thing. The economy down there was frozen, leaving the poorest Zaunites in even worse conditions than before, if that was possible. Controlled chaos, that’s all this is. And the Council is probably looking at the current state of things and congratulating themselves on their good work. It has become routine lately, but once more you wonder what it is you’re doing here exactly.
In the cacophony you hear your name being called from the crowd and recognise a familiar face. Without a second thought, you strut towards the noisy crowd.
"I wouldn’t get too close if I were you." Warren says from behind you, eyeing the mob suspiciously. You offer him a snarky grin.
"What’s the matter, Warren, afraid of a couple sticks and stones?" You relish in the laughter that emanates from the group of enforcers surrounding him before Warren silences them with a death glare, his face red with both anger and embarrassment. When he turns back, probably to reprimand you, you’re already on the other side of the bridge. 
You walk past the last line of enforcers, the big ones, hidden behind their goggles and masks. Not necessarily the best intermediary for parlay or negotiations. You come face to face with an elder man, a fisherman’s hat screwed low on his head, just above his tired blue eyes. He hunches over the barricade towards you.
"How long is this gonna last? They just suspended all exportation of goods. We’re suffocating down here." He shouts, hands gesticulating in the air, but you can barely hear him over the racket.
"I know that, but my hands are tied here, Lou." You say apologetically. 
The economies of the upper and undercity are very much interdependent, even if that is mostly true one way more than the other, of course. Numerous Zaunites work on the other side of the stream, some fortunate and gifted kids have the opportunity to study in the University district. And while it is true that Piltovians prefer to rely on their own supplies and food, they import daily from the undercity, whether it be fish, brews, or local foodstuffs. 
Contrary to popular belief, it is not rare for topsiders to stoop to undercity level, although it is usually for more illicit activities. Shimmer consumption, human trafficking, money laundering, you name it. Needless to say that the blockade doesn’t impact topside nearly as much as it does Zaun. It makes no difference to Piltovians if it lasts for weeks, months, or possibly even years. But the undercity’s days would soon become numbered if the situation doesn’t evolve. 
A huge detonation is heard on the far side of the bridge and leaves your ears whistling for a few seconds. When you come to, there is a thick cloud of smoke rising from the same spot, but you can still make out the enforcers’ silhouettes as they charge into the protesters. Idiots. You barely have the time to turn back to Lou when another loud boom erupts. Then another. It’s really on now. You grab at the old man’s shoulder, a grave look on your face. 
"Go home, Lou. Now!" He doesn’t need to be told twice, still, you follow him with your eyes until he disappears from view. You realise only too late the tear gas canisters that have been thrown all around you. You reach for your mask but the gas is already stinging your nose and  assaulting your senses, it feels like your entire face is burning. Tears start to fall down your cheeks as you struggle to pull out your goggles. The gas has settled in your eyes now, and the  eyewear obviously won’t change that, but you can’t think clearly at the moment and put them on regardless as you start to pull back to your squad. In the distance, you can hear Warren shouting hysterically, asking for more gas, more pressure on the line, always more. He calls to you once you are back in the safe perimeter.
"Sticks and stones, huh?" He taunts you, and you can clearly imagine his stupid face mocking you behind the mask. 
"All of this for a bit of smoke?!" You refrain from calling him a dumbass in front of everyone else, although just barely, but you don’t even try to hide the anger and exasperation in your voice. He can launch disciplinary actions if he likes, this whole operation is already a complete disaster, and he will suffer the consequences too. You throw a quick look at the mess happening all around you. Utter panic among the protesters, untrained enforcers, and an incompetent chief. And people will wonder what could possibly have gone wrong. You sigh. On second thought, let Warren drag you in front of the Council if he wishes, you will have a lot of things to say.
You blink the last of the gas from your eyes and gather your thoughts. So the protests have gone up a notch after all, that much is true. But you remain convinced that the blockade is bad news for everyone. You grab the megaphone and clear your irritated throat as best as you can while your colleagues prepare to launch another charge. This will not be a quiet night after all.
Two hours, that’s all the time you get before you are unexpectedly called back for duty. You gulp down a can of hot soup, hop into a fresh blue uniform, and you’re out the door. For the first time, you are stationed on the main bridge, where you’ve heard things tend to be more heated. It is a last minute change, and very little information is given to you about your purpose here tonight, but it must be important if the Sheriff’s presence is any indication. Typically, back-up is hardly ever needed at night fall, most of the protesters leave at around 7 p.m. and come back at midday. So it is without surprise that you find the bridge perfectly calm and silent, with a large group of enforcers standing by. They seem to be waiting for something, or someone. You rapidly go over some procedures with your squad and dispatch them at key locations around the area before finding Marcus. 
"So, what’s this all about, Sheriff?" You truly loathe to call him that, but the man likes having his ego stroked every now and then. Might as well play the good cop card in order to squeeze what you can out of him. You’re met with a suspicious and frankly condescending look. Whatever information it is you’re asking for, it would seem it is above your pay grade.
"We’re meeting someone. Your team is here to make sure it all goes smoothly."
Not much to go with, but the gears are already spinning in your head. Could it be that the person responsible for the attacks and the break-in in Piltover had requested a face to face in order to calm things down; seeing as the situation had escalated today. A request for parlay, perhaps, or a negotiation. You lower your tone as your address Marcus again.
"This whole thing," you gesture at the barricades on the bridge, "it’s about Hextech, isn’t it.?" His eyes grow wide, and the way he freezes all but confirms your suspicions. For all his ability to play the Council like a fiddle, the man had always had always been terrible at concealing his emotions. 
"How’d you figure that out?" He asks seriously. You snort.
"A raid in the Council’s stronghold? Let’s just say I seriously doubt that whoever broke in came for Heimerdinger’s book collection." You say sarcastically.
Suddenly, the spotlights come to life, and a masked enforcer joins the two of you.
"They’re here, sir." Marcus nods and turns to you.
"Get behind the second line, and stay there unless ordered otherwise." You are about to protest but he is already moving forward with a small squad. The audacity, to call you here during your off-hours only to have you hang back and away from the main event. Regardless, you start to back up slowly, keeping attentive eyes fixed before you. In the distance, two figures emerge from the evening mist, progressing towards the roadblock. The enforcers take aim and start walking too, meeting them in the middle with Marcus flanking them. His hands are clasped behind his back, and he seems awfully relaxed despite the nagging tension in the air. 
You end up much further away than you would like, but orders are orders. You squint painfully in order to catch whatever you can from the exchange. The two silhouettes are clearer now, thanks to the powerful lights; a young boy and a woman, unarmed and without backup, at least none that you can see from your position. Your eyes focus on the boy, on his outfit more specifically, and it takes you about a second to connect the dots. The mask dangling from his hip, the bandana tied around his neck, the big flying board strapped to his back. A Firelight. And not just any member of the controversial gang, this one is none other than the leader, Ekko. And next to him is— no, that makes no sense—Kiramman? You blink a few times. Surely your sleep-depraved mind is playing tricks on you. But it is her, Caitlyn Kiramman, daughter of senior councillor Cassandra Kiramman, and a very promising enforcer who suddenly went rogue not even a week ago, or so the Sheriff insisted. 
An enforcer and a Firelight, quite the odd pairing indeed, especially since the latter have recently been designated as the prime suspects of the recent attacks that shook Piltover at the core. Even though as far as you are concerned, the accusation makes no sense. You have yet to see the so-called irrefutable evidence that has been found against them, evidence which has never been officially presented, but led to the blockade of the entire city regardless. 
It had always been your belief that the Enforcement body put too much effort in fighting the Firelights. The only trouble they cause is against the Eye of Zaun’s production of Shimmer, which topside should be grateful for; if anything, the Firelights are doing most of the work for them. True, they had attacked a shipment over the city not that long ago, but it was clear that Piltover was not their target. It is something you have been thinking about for a while now, this obsession with the Firelights, when crime and Shimmer are the true plagues and spreading like never before.
From the distance you see Marcus ordering his men to stand back as he moves forward to meet with Kiramman and Ekko. No matter how many times you turn the problem over in your head, you can’t make head or tail out of this alliance. Although you have a feeling this little night encounter will clarify a few points. The young boy pulls some sort of protective cylinder from behind him, although he seems reluctant to show what hides inside. He opens it eventually, leading Marcus to inch closer in order to inspect the goods. There’s a pause, the party gauges each other out in apparent uncomfortable silence. Whatever the Firelight boy revealed has definitely caught the Sheriff’s interest, although not enough to conclude a bargain it would seem. Marcus just stands there motionless, as if weighing his options. Kiramman is talking to him now, you can only assume she is pushing for some sort of deal, an exchange perhaps, intel for intel. Money? Surely Marcus wouldn’t… You suddenly stop all speculation and watch in complete shock as he pulls out his pistol and fires a single shot, square in the boy’s stomach. The latter collapses, forcefully projected backwards with the power of the point blank shot. 
Silence reigns on the bridge, save for a few crows cawing and flying away, the rest suspended in time, waiting. What the hell. 
Marcus is now aiming at a discomfited Caitlyn, a rare sight, and his men have started to move forward, getting in formation around the woman. They exchange words, but Marcus does most of the talking as Caitlyn looks too petrified to speak. Orders be damned, you leave the line of enforcers who are currently staring incredulously at each other, as shocked as you are. There’s a figure running towards the meeting point, it appears to be a woman, but you can barely make her out through the fog. What you can clearly see, however, is the swarm of small green lights flying at a rapid pace alongside her. Firelights. Hundreds of them, merging to the same location as if they had been summoned there. Then, the cloud of insects lingers above Marcus, Caitlyn and the group of enforcers before descending upon them. A small number reach past the center of the bridge, to you, and you reflexively bat them away. You’ve never liked insects, not from this close anyway, and certainly not in great numbers. Some enforcers hold out their gloved hands to allow the firelights to land, seemingly amused by the situation. Admittedly, it’s quite a pleasant distraction from what usually happens up there— or doesn’t happen. 
A tiny clicking sound emanates from all the bugs at once, like a detonation, and next thing you know, you are violently projected against the bridge’s bannister.
For the next minute or two, the only sound you hear is a numbing and constant whistling in your eardrum. You feel a hot liquid running slowly down the side of your temple, and your head is pounding like a jackhammer. Around you, bodies of enforcers lie limp on the ground in puddles of thick blood. You have seen your share of gruesome and violence, but can’t help the nausea that overtakes you as you scrawl through a sea of freshly detached limbs, the smell of copper filling your lungs. You reach an enforcer, one of the few still conscious. He is moaning in pain, mumbling incoherently as he holds up his arms, both severed at the wrist and forearm. Moans turn to screams as the realisation sinks in, you wonder if he knows his right leg is missing too.
As your hearing gradually comes back, you realise there is something going on at the centre of the bridge, where the explosions did the most damage. Gathering your strength and balance, you rise to your feet and progress towards it. More fighting it would seem. A shot rings in the air and lodges itself in a stone pillar just a couple feet away from you. You march on, unphased, a trembling hand hovering above your holster. You recognise the Firelight leader, who seems to have been untouched by the explosions, and facing him… Those long blue braids, that slender figure. Jinx. And the bombs all make sense now. There’s only one person in this city who would be capable of manufacturing such a weapon, and nobody makes anything go boom like Jinx does, all Enforcers learn that the hard way.
The two teens throw themselves at each other with a speed that makes the fight difficult to follow. Ekko quickly takes the upper hand, pinning the girl down with all his might. One, two, three hard punches square in the face, most people would have been knocked out cold by now, but Jinx struggles as best she can, until her body has nothing left to give. Ekko hovers over her, fist in the air, ready to strike one final blow to her blood-smeared face. But his hand hangs in the air, suspended in time, petrified. 
Your heart sinks at the disturbing spectacle unfolding before you. What leads two children to fight to the death and show such a level of animosity? You don’t have time to answer that question as another large detonation erupts at the exact place where Ekko and Jinx were fighting. 
The boy is the first to emerge, and it appears that the weapon got him good this time. He limps towards you and collapses in your arms. But the second he acknowledges your uniform, he starts struggling weakly against you, moaning in pain against your shoulder. The cries, however, have nothing to do with the physical pain. The stir from utter distress and despair. You don’t insist, and let him go gently, supporting him all the way. 
"You should go." You say as you hear the cavalry starting to make progress from the other side of the bridge. Took them long enough. Ekko, although his head is still pounding, manages a frown.
"Why?" 
"Your work is far from done, kid. Now get going." Your tone is firm enough to get the message across, but warm enough to convey that you care at least a little bit, and Ekko simply nods, peers at you one last time in mild confusion, before limping away through the fog.
A couple feet away, Jinx lies unmoving on the ground, and you pray that she isn’t dead as you approach and crouch beside her. Who knows what King of the underground would do if his protégé was to be taken away from him. The question is what would be obliterated first, Zaun or Piltover. Either way, there would be only ashes left on both sides. You let a sigh of relief escape as you feel a light pulse against the girl’s wrist. However, she needs medical attention, sooner rather than later. Her injuries look severe even to your untrained eyes and she has lost a lot of blood. As you let her arm down, her fingers relax, and a glowing round object rolls from her grasp. You do a double-take as you gape at it. It can’t be. The gemstone. The source of so many turmoils this past month just inches away from you, so shiny and out of place among the debris, as if daring you to take it. 
"Are you alright? Where’s the Sheriff?" You were so taken by the object that you completely missed the hurried footsteps behind you. As quickly and discreetly as possible, you shove the gemstone inside a compartment of your utility belt and turn to face the small group of enforcers gathered at the scene, Warren among them. A sigh of relief escapes you as there’s no trace of the Firelight leader. He had slipped away just in time.
"He did not make it." You say, rising to your feet. The men in uniform exchange incredulous looks. "Help me with the body." They must have missed the urgency in your tone because they remain unmoving, their eyes still taking in the bloodbath. "Come on, Teebo, put those big arms of yours to use." 
"She’s right, boys," Warren jumps in, a smile tugging at the corner of his mouth. "We’ve been after her for weeks, and now we finally got somethin’ to show for. The Council will be pleased." He stands proudly, hands on his hips as two enforcers work to lift Jinx’s inert body of the ground. "Let’s see how the son of a bitch can manage without his prized pupil—" the sentence dies in his throat and he freezes, shoulders stiffening. He might as well have seen a ghost. "Speaking of the devil."
You've never actually met the Eye of Zaun. You've seen the murals of course, heard the stories, and encountered his goons more times than you can count. But most of all, you've witnessed the damage and destruction he’s caused in the undercity over the past few years— shimmer, gang violence, oppression of the chembarons, child labour. Now, he may not be directly responsible for that last one, but the man has hardly done anything to stop it. It's rampant. Spreading like a disease with no cure in sight. You are all too familiar with it.
As you stand a couple paces away from Silco himself, you finally understand the fear and dread he inspires in both zaunites and pilties alike. His entrance feels almost theatrical and dramatic in the mist. It is just him and two large henchmen…against dozens of armed enforcers. There's no chance, no world in which a fight would go his way. And yet, there isn’t a trace of doubt in his one good eye. He's ready to pounce, to fight to the death like a raging animal to retrieve the girl with blue hair. No one has ever looked at you this way before—with such pure, unfiltered hatred. And you’ve just met the guy.
You take one tentative step forward, but that’s as far as you. Silco’s gaze freezes you in place, and whatever you were about to say gets stuck in your throat.
"Let’s grab him too" Warren urges right from behind you, restless. 
"Those aren’t our orders," you say absently, your attention fixed on the one-eyed man.
"Are you kidding me? We could hit two big fucking birds with one stone. Right here! This could be huge for us."
"Don’t push your luck, Warren. We’ve got the girl. That’s the best bargaining chip we could hope for." That seems to get the point across, and Warren backs down.
"Get her back to the truck. This is a good day, gentlemen, a very good day!" He triumphs as he retreats with the rest of the squad. 
Silco takes a step forward, fists clenched at his side. One of his men grips Jinx’s makeshift mini-gun, finger on the trigger, odds be damned. You advance as well, hanging your rifle on your shoulder, hoping so erase any sign of hostility. If a gunfight was to break out now, Zaun would have to find itself a new leader, and the blue-haired girl would no doubt be caught in the crossfire. Silco, despite his anger and desire to kill everyone in sight to get to Jinx, seems to understand that. His shoulders relax, slowly lowering, and he motions for his men to step back. He remains firmly planted there, challenging you with a look—silent, but deadly. Your heart pounds so hard in your chest that you can hear it in your head. As you watch Silco disappear into the fog, just as he had emerged, you can’t help but wonder if you’ve just signed your own death warrant.
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Thank you so much for reading, hope you enjoyed this chapter <3
Chapter 1 ⎜ Chapter 2 ⎜ Chapter 3 ⎜ Chapter 4 ⎜ Chapter 5
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yoonguurt · 1 year ago
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Summary: Just Yoongi making sure you know his feelings
Pairing: idol!Yoongi x afab!reader
Genre: smut, angst, fluff
Word count: 1.2K
A/N: this has been plaguing me for days and I just needed to get it out. This is probably the fastest I have ever written anything, but it feels good to have it out. As always @kwanisms did my graphics and my smut warnings are under the cut. @anyamaris this won't be considered one of your attacks so just enjoy this one.
Smut warnings: nipple play, fingering (f receiving), oral (f receiving), dick goes in but there's no actual fucking.
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“Aren’t you supposed to be asleep?” A quick glance to the clock at the top of the screen of your phone shows that it’s 3am. Your eyes flicker from your phone to the figure standing in your doorway. “Aren’t you supposed to be in Korea?” The sass is evident in your voice, which is exactly what you mean to happen. You hear your boyfriend heave a tired sigh as you watch his figure get closer to your bed. The bed dips as Yoongi sits down beside you, his hand reaching out to your knee. You pull away, turning on your side. Are you being a little mean? Yes. Do you think that he deserves it? Also yes.
One week, 6 hours, 10 minutes and 13 seconds. Exactly how long it’s been since you talked to him. No video calls, no regular calls, no texts. Nothing. Maybe you’re a little clingy, but you did warn Yoongi when he asked you to be his. You had always known that a long distance would be difficult, and it is. You’re pretty good at dealing with the distance, but when he goes no contact for more than a day, it messes with your mind. Does he even miss you? Does he still want this? Does he still want you?
In his defense, this is the first time it has happened. But your emotions have gotten the better of you. “Baby, talk to me.” Yoongi’s voice is tired, and your heart pangs a little at how haggard he sounds. He reaches toward you again, and you don’t pull away this time. He links his fingers with yours, rubbing his thumb across the back of your hand. “I tried, Yoongi. I tried to talk to you, and you wouldn’t respond.” The light from the display of the air conditioning unit in your window is just enough to illuminate his beautiful face. He looks tired. “Are you tired of me, Yoongi? If you are, I need you to tell me right now.”
Yoongi’s expression twists from tired, to anger, to hurt. It happens so quickly that you can barely register the different emotions. He squeezes your hand and he leans forward to touch his forehead to yours, his voice in a whisper. “How can you ask me that?” He moves his face slowly, pressing a kiss to your nose. His lips press against each of your cheeks before they pause at your lips, waiting for a sign that it’s ok for him to move forward. A breathy whisper of his name is all he needs to press his lips to yours.
“How can you ask me that when I would bow at your feet if you asked?” His lips travel down your neck, living light kisses across your skin. Your body thrums with desire. The two of you have been intimate, but it always stopped at teasing touches and makeouts. He continues his descent down your body, his lips stopping just above your breast. He brings his eyes to focus on yours, another silent plea for your permission. You brush your fingers through his hair, which he’s kept long at your request, and give him a small nod.
He slowly strips you of your shirt, leaning back to admire your bare skin. Yoongi’s hands gently cup your breasts, giving a tender squeeze. He brings his face down, pressing another kiss to your lips. “How can you ask me that when I worship the ground you walk on?” His lips find your perked nipple. You arch into him with a gasp, bringing your hand to the back of his head. He groans into you when you give his hair a tender pull. His tongue flicks over your nipple slowly, obviously taking his time with you.
The mixture of his sweet words and the adoring touch has your panties sticking to your wet folds. It’s no secret that Yoongi is more of an actions over words man. Over the last 6 months, this is the only time you have doubted his feelings for you. When he’s with you, he’s with you. He’s present. There haven’t been any declarations of intense feelings, even his asking to be more than friends wasn’t overly romantic, but his actions let you know that he does really care for you.
Yoongi’s kisses have made their way down your body to your belly button. You look down to see his gaze is already on you, while his hands are at the top of your panties, just waiting for your consent. “Please.” Your voice is barely audible, but it’s loud enough for your boyfriend to hear. His fingers wrap around the hem of the only article of clothing you have left on your body, barely moving as he slides them down your legs. You lift your hips to help him get you completely nude, watching as he tosses your underwear to the side. His body slides down the bed to rest between your spread legs, face directly in front of your dripping cunt.
“How can you ask me that when I fucking love you?” His tongue is on you before you can really process what he’s just said to you. Your hands are fisted into your bedsheets, trying to ground yourself. The swirls of his tongue on your clit are making your head fuzzy. Your thoughts are clouded by the sheer amount of pleasure such small actions are giving you. The introduction of a finger at your entrance has you letting out an audible moan. You can feel your boyfriend smirk against your folds and he thrusts his finger slowly.
It doesn’t take long for a second finger to make its presence known, sliding in to join its neighbor. The stretch is delicious and the curl of his fingers hits exactly where you need it to. Yoongi picks up his pace. His tongue swirls over your bud faster, only stopping for him to suck your clit into his mouth. Every thrust of his fingers has you gushing and each time you clench on his fingers, Yoongi moans. It’s a deadly combination of actions that has you hurling toward the edge. You can feel the muscles tightening, getting ready to snap at any second. Yoongi pulls his mouth away from you and you whine. He gives you a small chuckle. “Come for me, my love.” And you do.
His fingers work you through your orgasim, gradually slowing down as you ride out your high. When he pulls out of you, he brings his fingers to his mouth to clean them of the taste of you. He brings his face back to yours, kissing you deeply. Your hands immediately fly to the band of the sweats he’s wearing, trying to get them down his legs. His laugh makes you smile into the kiss. He pulls back, positioning himself between your legs again. “Are you sure?” All you can do is nod enthusiastically. He places his cock at your entrance, looking up at you when you speak. “I love you, Yoongi.”
He gives you his signature gummy smile. “I know. I love you, too.” His words are punctuated by him sliding himself into you. The first time saying those three little words may not have been how people would normally imagine it, but to you, it’s perfect. If it’s Yoongi, how can you not think it’s perfect?
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adafruit · 7 months ago
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🎄💾🗓️ Day 9: Retrocomputing Advent Calendar - The Apple Lisa 🎄💾🗓️
The Apple Lisa, introduced on January 19, 1983, was a pioneering personal computer notable for its graphical user interface (GUI) and mouse input, a big departure from text-based command-line interfaces. Featured a Motorola 68000 CPU running at 5 MHz, 1 MB of RAM (expandable to 2 MB), and a 12-inch monochrome display with a resolution of 720×364 pixels. The system initially included dual 5.25-inch "Twiggy" floppy drives, later replaced by a single 3.5-inch Sony floppy drive in the Lisa 2 model. An optional 5 or 10 MB external ProFile hard drive provided more storage.
The Lisa's price of $9,995 (equivalent to approximately $30,600 in 2023) and performance issues held back its commercial success; sales were estimated at about 10,000 units.
It introduced advanced concepts such as memory protection and a document-oriented workflow, which influenced future Apple products and personal computing.
The Lisa's legacy had a huge impact on Apple computers, specifically the Macintosh line, which adopted and refined many of its features. While the Lisa was not exactly a commercial success, its contributions to the evolution of user-friendly computing interfaces are widely recognized in computing history.
These screen pictures come from Adafruit fan Philip " It still boots up from the Twiggy hard drive and runs. It also has a complete Pascal Development System." …"mine is a Lisa 2 with the 3.5” floppy and the 5 MB hard disk. In addition all of the unsold Lisa machines reached an ignominious end."
What end was that? From the Verge -
In September 1989, according to a news article, Apple buried about 2,700 unsold Lisa computers in Logan, Utah at a very closely guarded garbage dump. The Lisa was released in 1983, and it was Apple’s first stab at a truly modern, graphically driven computer: it had a mouse, windows, icons, menus, and other things we’ve all come to expect from “user-friendly” desktops. It had those features a full year before the release of the Macintosh.
Article, and video…
youtube
Check out the Apple Lisa page on Wikipedia
, the Computer History's article -
and the National Museum of American History – Behring center -
Have first computer memories? Post’em up in the comments, or post yours on socialz’ and tag them #firstcomputer #retrocomputing – See you back here tomorrow!
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crowttore · 5 months ago
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Snezhnaya's most controversial scientific article
Notes: Hear me out... Actually no, I have no good explanation for this. We don't have enough research papers in the Genshin fandom. I'm here to change that. Warnings: nsft in the way a national geographic article is, near non-con, segment incest (which is just complicated masturbation), non-graphic violence, reader is not Dottore's partner, crack treated very seriously
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"The Jester requested that I make public some of my research to dismiss concerns among the populace - a ridiculous demand."
"But, Doctor, we can't just.. Do we even have anything that wouldn't be dangerous?"
What was The Jester thinking? To make such a demand during an already busy period.
Dottore waved a dismissive hand, clearly having to restrain himself from letting further venom into his words, "We do not. Which is why you are relieved of your duties for the next week. Figure something out. I don't care about the contents, make it harmless and get it published."
You blinked at him, well aware that you must look like a fish struggling to breathe. With a tight jaw, you lowered your head in acceptance, already mourning all the extra hours you'd have to put in to catch up next week.
Well. If he doesn't care, why not make it interesting? As The Regrator said; sex sells.
Courtship and mating behaviours observed in Duplicare Dottorensis
Note that full taxonomic classification remains unclear as the class this species belongs to remains a heated topic for debate. The scientific community is in agreeance that the species belongs to one of the classes within the phylum 'chordata'.
Though asexual reproduction is speculated to occur most frequently - the exact process has yet to be observed, but bears some resemblance to that of some single celled organisms - fully matured individuals have been seen partaking in behaviour interpreted as courtship.
As this species is rumored to exhibit an unrivalled level of variety in the strategies they employ to secure a mate, this study aimed to monitor a population and document every observed strategy. By doing so, the authors hope to quell the countless rumors currently circulating and causing unrest.
By employing a variety of techniques including, but not limited to; usage of subdetection units, combing through historical records, eye-witness accounts, and catching and marking select individuals, this document attempts to provide a detailed account of behavior associated with sexual reproduction.
Pacify with food
A younger segment, around the age at which The Doctor was still a student (~20), was watched closely for three days after exhibiting a strange shift in behavior. During feeding time, he would sneak off to the kitchens and, while staff was unaware, pocket scraps and spares of various foods. Strangely enough, he seemed to gravitate towards dishes that wouldn't require utensils, but instead take a bit of time to prepare and eat (various fruits that would have to first be peeled seemed to be a preference, although desserts also held his interest).
On the third day, he spent nearly two hours trying to wrap the bounty up neatly, cursing the entire time. Once satisfied with the - in our opinion rather crude - wrapping, he singled out Prime's partner going about their routine and approached carefully. Once he was within range and had their attention, he placed down the 'gift' and gave it a little kick before backing off. While they were opening it, he continued to hover around them, preferring to stay behind while continuously checking how far with unwrapping they were.
When he finally gained the courage to shorten the distance, the gift was fully unwrapped and inspected, yet they made no move to start eating. This seemed to cause the young individual a great amount of discomfort as he promptly turned and fled the room. (1)
Non-violent display of physical prowess
Another, slightly older (~25), segment exhibits drastically increased confidence compared to the younger version. By employing bribery and coercion, this version (believed to have been created to emulate the mindset of The Doctor shortly after attaining his title) recruited several other segments, all younger than himself, and spent about a week putting them through rigorous training.
This took place in a secluded room, often during the late evening or at night, and would go on for about two hours per session. We were lucky enough to have already installed a surveillance device in this room, meaning we had access to large amounts of video material (send an inquiry to The Doctor if you wish to gain access).
The segment of interest would instruct the younger ones to accompany him in an elaborate routine with his weapon, seemingly having them act as 'backing' to further highlight his superiority. The youngest of the group would be seated atop a table and simply observe, possibly standing in for the role of a prospective mate. (2)
Rough displays of physical prowess
As it quickly turned out, the above display is only utilised by a minority of the segments at that age. By far, the most frequently observed behaviour among segments of The Doctor's early days as a harbinger would be attempting to establish dominance.
While segments frequently engage in discussions and even loud arguments, these had a tendency to derail - sometimes to the point of violence - in the presence of Prime's partner.
During our period of monitoring, a total of 27 heated arguments took place in the presence of Prime's partner with all of them devolving to personal insults, 15 to minor acts of violence, and two of them escalating to the point of both segments being deactivated temporarily to undergo repairs. (3)
Occasionally, older segments were prone to display this behavior as well, but preferred to argue with Prime instead of fellow segments. This made for an interesting discovery, as younger segments would use these periods of distraction to attempt sneakily approaching Prime's partner. By keeping an eye on the argument taking place, the younger segments could time their attempted courtship and escape before neither Prime nor the older segment could discover what was happening. (4)
The impersonal approach
While only a single segment was observed to display this behaviour, it was still deemed essential to include due to the objective of this paper as well as the particular segment's relative importance.
The Omega segment, recognised as the most arrogant segment (and seeing himself as superior to the rest, the bastard) took a much more subdued approach to courting Prime's partner. During the daytime, Omega let himself into Prime's quarters - the author managed to sneak in behind him - and searched around for a brief moment.
Once he'd located a drawer of interest, Omega proceeded to rid himself of the lower half of his outfit, revealing (to the author's surprise) what appeared to be a fully functioning reproductive organ. Even more surprising were the subsequent actions, as Omega then detached this part, gave it a quick rinse, and placed it in the drawer.
Looking awfully satisfied with himself, the segment left Prime's quarters. The content of the drawer were confirmed to be a selection of toys. (5)
The unapologetic approach
Interestingly, segments older than Omega displayed the same levels of detachment from the copulation itself, but adopted a more direct approach to guarantee their succes.
This culminated in a confrontation when a segment assessed as middle-aged brought Prime's partner into the vivisection room. The segment in question had been observed tinkering with a vial of milky fluid and a device for automated injection, likely its own design.
Upon leading Prime's partner inside, the usually mild-tempered segment proceeded to forcefully restrain the other, strapping them down on the table. (At this point, the author was following events closely and alerted Prime).
The segment stripped Prime's partner and proceeded to carefully disinfect their abdomen while seemingly debating if a sedative was necessary. Upon picking up the delivery for injection and letting the sharp tip rest against their skin, the segment was interrupted by Prime breaking open the door.
Though no harm came to his partner, the segment received a rough scolding and was promptly sent to Liyue to check on a minor operation there. (6)
Minimal risk approach
The most baffling display was, by far, the strategy employed by some of the older segments. At first, their behaviour was written off as irrelevant to this study, but a chance discovery unveiled their cunning scheme.
During or after the fights between younger segments, described earlier, these segments would single out ones that looked interested in joining the fight but hadn't, or approach the loser afterwards. Under a false guise of kindness, they would then offer to teach the younger segment how to approach Prime's partner, claiming that they themselves "weren't interested, but sees no reason to not help".
This would in nearly all instances end in some form of sexual activity during which the older segment would discreetly tinker with the other segment's leyline connection. To figure out the purpose of this, one of the older segments were approached and questioned on the topic.
Apparently, the process finetunes the connection between the two segments, allowing for a period of time where they can - if they've discovered how to access it - feel on their own body what happens to the other. This usually lasts around a week, and the older segment will then sit back and simply wait. If the younger segment manages to engage in mating with Prime's partner, the older segment will be able to feel every part of the pleasure, while risking none of the repercussions of being discovered by Prime. (7)
Long term investment
Though initially outside the scope of this study, it was impossible to avoid observing Prime himself interacting with his partner. As such, it was decided that his behaviour would serve as an interesting reference, as he is the sum over time of the segments.
Prime is, perhaps unsurprisingly, much more relaxed about courting his partner, likely because he does not feel threatened by the segments. Still, it was noted that Prime would at times discard his work to enter his private workspace. Upon leaving, he would head straight for their shared quarters before returning to his scheduled work again.
When questioned, his partner immediately realised what I was referring to and invited me into their quarters (stating that they found it humorous to include Prime in this). Upon entry, they began showing off various gadgets, drawings, and trinkets, some of them elaborate and others of a simpler nature, stating that they could hardly mention any contraption that would make their life easier without Prime returning with it a few days later.
They also showed decorative pieces made by Prime as well as a few pieces of jewellery, explaining that his hands were always busy with something, and that often resulted in little gifts. Interestingly, the vast majority of these gifts wouldn't be announced by him, but simply placed where his partner would notice, and when questioned, he usually just shrugs. (8)
Conclusion
Though many different strategies for courting were observed, it still remains unclear if they are constrained to different ages. Setting up such experiments would be the next logical step.
If this is representative of how Prime courted at different stages of his life, then the author would love to know how on Teyvat he managed to land a partner???
Declaration of conflict of interest
The author of this paper is employed by The Doctor but ensures he had no influence on data collection, analysis, or writing. Furthermore, the author is aware of their bias regarding segment Omega (take the credit for my findings one more time, and I'll break that artificial dick of yours).
Appendix
(1) In many species of arachnids, the male risks being cannibalised when approaching a female to mate. For this reason, he brings a nupital gift, most often consisting of food in hopes of distracting the female while he mounts her. Some males will stuff their woven packages with not only food, but inedible scraps as well, to increase the size. There are examples (Latrodectus hasselti) where the male will willingly wriggle in front of the female to tempt her into eating him. This supposedly increases his paternity compared to males that don't sacrifice themselves. (2) The blue manakin (Chiroxiphia caudata) performs a courtship dance for the female. The male is backed by several younger males (they jump over each other on branches while moving sideways) and does various movements to display his health. The dance ends with the male swooping over to the female where he waits for her decision. The birds spend a good amount of time on practice, and will have a young male stand in for a female during these trial runs. It's incredibly fun to watch videos of. (3) Members of the Cervidae (deer) family have bucks going through ruts, during which they become increasingly aggressive. While fighting over females, the bucks will occasionally get their antlers stuck - either in its surroundings or tangled with another buck's antlers - in cases where the buck is unable to free themselves, they may starve. (4) Mirounga spp. (elephant seals) employ 'sneaky' behaviour during breeding seasons. An alpha male will establish a territory to protect and lure females in to establish a harem. Smaller beta males will often wander around along the edges of these territories and observe the alpha. A beta male might attempt to fight the alpha for the rights to the territory, and during this time, younger males might sneak past the two fighting to mate. The beta male will also sometimes wait for the alpha to be busy copulating and then try his luck in the other end of the territory. (5) Argonauta spp. (paper nautili, a genus of octupuses) has a funky way of mating. Males are around a tenth of the size of a female and only capable of mating once in their life. They approach the female, inserting a specialised arm (hectocotylus) into the female (the pallial cavity) and then proceeds to detach the arm from his own body. Fun facts; when the hectocotylus was originally observed in females, it was assumed to be a parasitic worm. Live males have yet to be observed in the wild. (6) Some beetles, such as the Hydrophilidae family (water scavenger beetles) will mount a female and pierce her abdomen with his reproductive organ. In this particular family of beetles, the female must consent and lower herself, but that is not the case for all beetles. (7) Drakaea glyptodon, along with many other orchids, have developed a distinct leaf known as the 'labellum' (commonly called the 'lip') to better attract pollinators. This labellum is specifically modified to resemble females of the orchid's selected pollinator (in this case a species of thynid wasp). Most orchids have few or just a single pollinator (there's a cool example of an orchid whose pollinator is extinct and we only know it from the shape of the labellum, the plant is Ophrys apifera has since developed self-pollination but retains the labellum). Once an insect has been lured to attempt mating with the labellum and thus lands on the orchid, some pollen will be slapped onto it and it then carries that pollen along to the next orchid that tricks it into landing. (8) Members of the family Ptilonorhynchidae (bowerbirds) construct elaborate structures to impress a female. These bowers will also be decorated using a plethora of items, all of them carefully selected based on colour preference of the individual species. Items typically include fruits, stones, shells, flowers, and feathers. Some species have also been observed to place these items in a way that essentially creates an optical illusion, making the male and his crafted bower appear larger and more impressive.
Dottore Masterlist
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theetherealbloom · 2 years ago
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WHERE DO WE GO NOW? - CH. 1 | 14th Doctor
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Chapter One: After All Of The Time, And Give An Actual Try
Summary: An enigmatic old face makes a reappearance, heralding unforeseen events. A mysterious spaceship plummets to Earth, bringing chaos and prompting the Doctor's intervention. Amidst the unfolding narrative, a cute and endearing creature seeks assistance, weaving together elements of mystery, adventure, and companionship.
Pairing: 14th Doctor x Fem!Reader
Warnings: Hurt-to-Comfort, Angst, Fluff, Possible Plot Holes, Vague Background, Aliens, Mild Horror, Violence, Past Trauma, Depression, Anxiety, Timey-Wimey Stuff, Star-Crossed Lovers, Second Chance 
Word Count: 12.2k
A/N: Surprise! I love Doctor Who too. I’m a huge nerd, I know tehe. I hope you enjoy this mini-series I have planned for the 14th Doctor! As we know, he is played by the beloved David Tennant who is one of my favorite Doctors ever.
Song: Where do we go now? By Gracie Abrams
→ Next Chapter | Series Masterlist | Main Masterlist
Dividers by @/saradika-graphics
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MILLSON WAGNER STEELWORKS, NORTH LONDON – EVENING, DECEMBER 2023
A UNIT team was promptly dispatched as the spaceship breached Earth's atmosphere, making its way North of London. Both serving as scientific advisors, you and Shirley were on-site where the ship had landed.
While some military personnel were busy extinguishing the flames from the spacecraft and securing the perimeter, preventing you from delving further into the investigation, you found yourself engrossed in studying the ship's scans displayed on the monitor in your hands, attempting to unravel the mystery.
"Miss them, do you?" A voice called out from behind.
You averted your gaze from the tablet, turning to find Shirley maneuvering her wheelchair next to you. Curious, you asked, "What? Who?"
The redhead sported a cheeky smile. "The Doctor, of course."
It was widely known that you had journeyed alongside the Doctor and his myriad companions. Images of their faces flashed in your mind as you reminisced about those exciting adventures. Rose, Donna, the Ponds, Clara... you longed for them. There was a noticeable absence of the Doctor that left a gaping black hole in your chest.
You shook your head, muttering to yourself, "Can't let the Doctor catch a glimpse of me again; the entire universe might just fold in on itself once more. Already me being here is a problem since there’s a possibility he could pop out at any moment. I’m only on duty since I owe Kate a favor."
Shirley hums and responds, "I've read the files, you know. You two were quite the team. Everything that had happened… was in the wrong place at the right time. Still, it could happen, the two of you… together."
You raise your eyebrows at her and offer a small smile while shaking your head, scoffing, "The Doctor was unaware before, and I won't be the catalyst for another cosmic meltdown due to my selfish reasons. Besides... the Doctor doesn’t know I’m still alive and UNIT is already on my arse for even existing on this timeline.”
The redhead emits a sympathetic murmur and pats the side of your thigh, "Wasn't your fault, love. A colossal tear in time and space that dragged you in here... sounds like fate, or destiny even. If anything, maybe it was supposed to happen... like you and—"
The tablet beeps, abruptly halting Shirley's train of thought. You glance at the monitor, furrowing your brow, then hand over the device to her, saying, "You need to see this. I believe there's more to this than we initially thought."
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“Now I think we’re making a fundamental mistake. ‘Cause maybe that spaceship was a collision course to start with, but look.” Shirley says while the UNIT soldier looks at the tablet, “At the last minute, it pulls up, then settles. What I’m sayin’ is, that ship didn’t crash. It parked.”
As Shirley presents her observations to the UNIT soldier, you can't help but notice the intensity in her gaze, the lines of concentration etched across her forehead. The soldier queries, "No signs of life?" You step forward, interjecting, "Not yet. But we don't know what kind of life we're looking for."
Suddenly, an unexplained shiver races up your spine, goosebumps breaking out on your skin. A palpable sense of familiarity and the eerie feeling of being observed by someone you know too well. Your expression shifts into a frown, and Shirley catches on, concern knitting her brows. "What? What's wrong?" she asks.
You open your mouth but hesitate, exchanging glances with Shirley and the UNIT soldier. Shirley, sensing the urgency, instructs the soldier to step aside. Both of you retreat to a secluded corner, where she probes, "What happened? You look like you've seen a ghost, dear."
You exhale shakily, "I... I think he's here. He's back."
Shirley blinks, seeking clarification, "You mean..."
"The Doctor. The Doctor, he’s here."
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"Shirley, I need to leave, immediately," you declare, attempting to stride away with urgency.
"Wait, hang on a second," Shirley interjects, gripping your wrist and compelling you to halt. "He's already seen you, yeah? Looks like nothing bad has happened and—"
"Nothing bad has happened yet, Shirley. The stars could go out; millions of galactic species could die if we so much as breathe in each other's direction. I can't risk it. I won't."
Tears well up, and Shirley guides you to a stop near one of the staircases, settling herself in her wheelchair. As you take a seat, you rub both hands over your face, wiping away the tears. "I should have died that day."
Shirley remains silent, allowing you to continue as you shakily sob, "I should have died. But I didn't, and I'm still here."
"I lied to him, Shirley. I lied. He... he might never forgive me for it," you confess brokenly. Shirley shrugs, offering, "You won't know unless you talk. And it seems to me that whatever was keepin’ you apart before… is tellin’ you two maybe now is the right place at the right time."
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Deep in contemplation of your choices, someone suddenly seizes your wrist, muffling your voice as they pull you close, your body pressed against a comforting warmth.
"Hey, it's me. It's the Doctor," he reassures, and you instinctively push away, allowing some distance between you two. Both of you stand there panting, but he breaks the silence first, shouting, "I thought you were dead!"
Throwing the words back at him, you retort, "I was supposed to be dead!"
"Why aren't you dead?" he demands, and frustration laces your high-pitched response, "Are you bloody serious in asking me that?”
 “No. Yes! Argh, I don't know!"
Shaking your head and taking a step back, you declare, "I need to leave."
The Doctor firmly grabs your wrist, halting your escape. "No. Not again."
With determination, you wrench your wrist from his strong hold, shouting, "The universe could collapse! Again! We weren't ever supposed to meet. It was a mistake."
Wide-eyed, the Doctor gazes at you and replies in a breathy tone, "Is that really what you think?"
Paused, unable to respond, you hear his voice in your head, a telepathic whisper so familiar. "You and I both know, that it wasn't a mistake."
Glaring at him, you muster as much resistance as possible, but those big dark brown eyes make it challenging. "That's not fair. Get out of my head," you retort with furrowed brows.
The Doctor whispers your name, barely audible, causing you to flinch and look away. Instead of acknowledging his presence, you pivot to a question, "You regenerated… But why this face? Why are you back?"
"Why do you ask? You don't like this one?" he retorts.
Crossing your arms, you roll your eyes, "With you, there's always a reason for everything."
The Doctor admits, "Must be why the TARDIS brought me to you and Donna."
You regard him with a concerned gaze and tone, "What? You saw Donna, did she recognize or remember you?"
"The fail-safe worked; she just commented about my clothes. She has a daughter named Rose," the Doctor hums, kicking a small piece of gravel on the floor. You nod, "Yeah, I keep tabs on 'em. Making sure they're alright. Even though Donna gave all that money away to charity."
"Do you know why she did it?" The Doctor asks.
"I don't. But I have a couple of guesses," you reply with a close-lipped smile and a shrug. The Doctor brings his gaze to you, and you can already feel the question before he says it.
"I thought you were dead, for fifteen years."
You scoff, "Oh, that's nothing for you, Time Lord and all."
The Doctor throws his hands up in frustration, "Oh, don't do that."
"Do what?" you demand.
"Pretend that it was nothing for me! You were everything to me," the Doctor says, taking another step closer, and you take a step back this time. You look at him with narrowed eyes, and in a low tone, you say, "You and I both know that's not true."
"What happened? Where did you go?"
"You and I both know what happened after Arcadia. I was ready to die. I thought I had served my purpose, what I was made for. I got shot midway through the regeneration process, and I felt it. I felt myself slipping away... I could only see the two suns, and then when I closed my eyes, there was this surge of energy... I couldn't explain it back then, and I can't now. But it was like someone had given me their regeneration energy... but when I looked around, no one was there, and I was no longer on Gallifrey."
The Doctor finishes the sentence for you, "You were brought to Earth."
You nod, "I still have no idea who did it. But now, I can't leave. And all those years, my memories were locked away in that old pocket watch until I met you... and then the stars started to go out once more, and I knew I had no choice… I couldn't stay with you."
"All those years... you were alone, just like me," the Doctor says, and you look away before sitting atop one of the crates by the pillar, sighing, "I need to leave again... planets could disappear and galaxies could collapse at any second, and we'd be back where we started."
The Doctor remains silent as you close your eyes, resting your head on one of the stacked crates behind you. You yearn for him. Every atom in your being longs for his presence, yet every angle you examine seems to present an unsolvable puzzle. Thus, you convince yourself that distancing is the best course for everyone involved. How does one repay a sacrifice of such magnitude?
Then, you detect his approaching footsteps, and he settles comfortably beside you, shoulders brushing as he leans in. "Or... we could finally figure out a way to solve the paradox."
Opening your eyes, you shoot him a pointed look. "Doctor, we're in the middle of yet another crisis. A spaceship just landed, and we have no bloody clue who the hell we're dealing with right now. And you want to solve the impossible with our situation?"
"Who says I can't multitask?" he retorts, wiggling his eyebrows playfully. You lightly smack him on the arm, feeling warmth flood your cheeks. Memories of the carefree early days flash through your mind, recalling lingering gazes and soft touches exchanged. Licking your lips nervously, you release a heavy breath, "One problem at a time. We have another alien on the loose."
The Doctor takes that as a win, a calculated risk, with the universe as a potential consequence. He's never demanded anything, and for the first time, he yearns for something for himself. He envisions it — hope — the prospect of finally rewriting the ending you both desperately desire.
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The sonic clicks and buzzes as the Doctor conjures a holographic screen, displaying the schematics of the spacecraft that recently landed nearby. He retrieves his glasses from his coat pocket, donning them as he peruses the screen. Pressing a few buttons, he zooms in on the bottom part of the ship before highlighting the drive.
Frowning, your eyes narrow as an unsettling weight settles at the pit of your stomach while reading what's on the screen.
"Too good for us now?" Shirley remarks as she rolls up in her wheelchair. The Doctor briefly glances at her, nodding, and casually greets, "Evening."
Shirley smiles knowingly as she looks between the two of you. "Doctor. I see you and my colleague have talked. Has galaxies and universes collapsed yet?"
The Doctor hums, "Mmmm, not yet. Soon maybe, if I could get her to kiss me."
You smack him on the shoulder a little harder this time, and he yelps out, "Ow!" Making a face at him, you retort, "Oh, sod off!"
The Doctor gives you a cheeky smile while Shirley chuckles next to you. She then looks at the holographic screen on display, and the Doctor brings his focus back to the problem at hand, saying, "That’s a double-bladed dagger drive, damaged by laser fire which means we’ve got two sets of visitors at war with each other."
He glances at Shirley politely, "Nice to meet you. Did you get the heat readings on deceleration?" Shirley chuckles and clicks her tongue, "Oh, I got everything." She unfolds her tablet to give to the Doctor, who presses a button on his sonic screwdriver to close the holographic screen. Taking the tablet, he begins to analyze the readings as your colleague introduces herself, "Shirley Anne Bingham, UNIT Scientific Advisor number 56."
The Doctor sounds delighted, saying, "Oh! I was Scientific Advisor number one."
Shirley smiles, "No, I know. I’ve read the files. I’m gonna get a bonus just for meeting you."
The Doctor makes a face, not used to humble praise. "Oh."
Shirley then asks, "But why are you hiding away? We’re on the same side and it can’t be ‘cause of her now." She looks at you, and you also turn your attention to the Doctor.
He slightly groans and inhales sharply before replying, "It’s all a bit mad, Shirley. I don’t know who I am anymore."
Shirley crosses her legs in the wheelchair and says matter-of-factly, "Well, you look like the Doctor to me."
The Doctor shrugs, "Well, exactly. The one in the skinny suit. After that, I wear a bow tie. After that, I’m a Scotsman. After that, I’m a woman."
Shirley frowns, "But that’s your future. You can’t know that. It’s forbidden."
The Doctor replies, "I regenerated. And she became me."
Both of Shirley’s eyebrows rise, and her eyes widen as she says, "You got your old face back?"
The Doctor replies with a resounding pop, "Yep."
"But why?" Shirley asks, and the Doctor sighs, "Well, that’s what I’m worried about."
He then inhales deeply before continuing, “Because, besides this lovely stubborn woman right next to me,” you pinch the bridge of your nose briefly as he continues, “I've got this friend called Donna Noble. She was my best friend in the whole wide universe. I absolutely love her as much as I love this one right here.” The Doctor pulls a face and pouts, puffing out a breath as his thick eyebrows furrow, he says, “Oh. Hmm. Do I say things like that now?”
Shirley smiles at him while commenting, “Sounds like a good thing to say.”
You mumble, “I’m not used to this.”
“But Donna took the mind of a Time Lord into her head. I had to wipe her memory to save her life. If she ever remembers me she will die. So what happens next?” The Doctor said with emphasis and leaned closer to you and Shirley, “I get this face back, and the TARDIS lands right next to her. I turn around, there’s her husband. A spaceship crashes in front of her. That led me here to my other best friend in the whole wide universe, my Time Lady who I thought was dead for many years. It’s like she’s drawing us in.” The Doctor finishes, and you and Shirley give each other a look, processing everything he has just said. Especially you, who was processing the fact he called you his. You and Shirley blinked a few times before Shirley said, “What? She’s making it happen?”
The Doctor shakes his head, “No, she’s got no idea. She’s so ordinary. She’s brilliant. She’s got this beautiful daughter. She’s happy. Is she? Hmm.” He pauses before saying in a lower tone, “But the universe is turning around the two people I love the most again. I don’t believe in destiny, but if destiny exists, then it's heading straight for Donna Noble and quite possibly the love of my life right next to me.”
You blink in surprise, opening your mouth to try and say something, maybe correct him, but nothing comes out, so you sit there, mouth gaping next to him like a fish while Shirley has a toothy grin as you say to the Doctor, “Okay, I’m still not used to whatever this is… and I don’t think I ever will be. You’re kind of freaking me out a little, dear.”
The Doctor grins, “Ooh, are we doing pet names now darling?”
You rub your right eye, feeling a migraine beginning to form, “I… What the hell is happening? You sure you’re alright? Last time you regenerated into this form you had a high fever and you were… completely out of it.”
The Doctor scrunches his nose and sniffs, “I feel great. Fantastic even!”
You purse your lips, observing the Doctor from head to toe, and then focus on his eyes—those warm, inviting brown eyes. Softly, you remark, “You've grown.”
The Doctor returns your gaze, his lips forming a quirked-up smile that reveals a dimple. "Just a little bit, yeah."
Shirley interjects, steering the conversation back on course, “You said it was also heading for Donna. What for?”
The Doctor responds with a swift, “I don’t know.” Shirley replies with an, “Oh.” The Doctor continues, with deep emphasis, “But she can’t remember. I won’t be the one who kills her.”
Shirley nods, and the tablet in the Doctor’s hands beeps. He looks at it, saying, “Right. There’s no sign of a pilot, but that’s not an automatic drive, so you should look for–”
“Ma’am,” a soldier interrupts, cutting off the Doctor. He slinks back into the shadows, and you and Shirley listen to what the soldier has to say. “We found the escape pod. No sign of life, but we’re moving out to secure the site.”
Shirley quickly replies, “Good work, soldier. Go get it.” Dismissing the soldier and watching her walk away, the Doctor moves to stand, removing his glasses and putting them away, ready to follow the soldier. But Shirley raises her hand and says to him, “Uh, yeah, yeah. Not you two, mate. I’ve got this. Off you pop. Bye-bye.”
Shirley begins to roll her wheelchair away, leaving the Doctor and you confused. The Doctor then calls out to her, “Waited your whole life?”
To which Shirley throws a look over her shoulder as she responds with a smirk, “You wish.”
The Doctor looks at you, and you look up at him. He turns his hand, palm up, waiting for you to take it with your hand. You glance at his hand and back to his eyes; he sees the uncertainty swirling through your gaze.
The Doctor speaks gently, “I know you aren’t ready and you’re scared… but I know you’re brave. And the universe listens to the brave. C’mon, it’s time to be brave again.”
You release a shaky exhale, swallowing the lump in your throat and dismissing the rational urge to walk away from him. Taking his hand, he tugs you along, pushing his legs into a run with you, hand-in-hand.
He thrusts the exit door open, utilizing his sonic screwdriver with his other hand on the back of the UNIT truck, the chains rattling as the trunk hatch pops open, pulling you with him to settle at the back of the truck.
As the UNIT truck pulls away, you see Shirley waving you off, and the Doctor gives her a small salute while you offer her a faint smile.
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CHISWICK, LONDON – EVENING, 2023
You constantly poked your head out to see the stars, in case anything had changed. The Doctor held your hand, squeezing it every time you did, quietly reassuring you that whatever you faced, you'd do it together.
Arriving in the residential area, a long street lined with cars and now multiple UNIT trucks and soldiers running around, you could hear Donna shouting, “Oh, what the hell is it doing in my shed? Get out of my garden!”
The Doctor ran towards the sound of her voice, and you followed him. Reaching Donna's home, the Doctor pounded on the door, “Let us in! Let us in!”
Sylvia glared at the Doctor as she briskly walked towards him, but he exclaimed happily, “Sylvia! Oh, Sylvia! So nice to see you again. Could you let us in?”
Sylvia angrily whispered, “You said that if she sees you again, she will die. Well, no. If – if she remembers me. That’s slightly different.”
You heard and saw Donna through the stained glass yelling from down the hall, “No such thing as spaceships? We’ve got a bloody Martian in the shed!”
Sylvia angrily said, “Just get out of here, now.” But the Doctor knelt down to peek through the mail slot to see all the commotion, finding a small white fluffy creature with big eyes. “Oh, wow. He’s so cute,” the Doctor mumbled. With no other choice, he used his sonic to unlock the door as Sylvia told Donna, “Don’t look! Don’t look. It doesn’t exist.”
As the Doctor walked down the hall, with you trailing behind him, Sylvia whirled around to slap the Doctor. He grunted and groaned, “Here we go again.”
“It’s that man!” You recognized Rose say as Donna pointed at the Doctor, “Oh, it’s the skinny man!”
Sylvia continued to try and gaslight Donna, outstretching both her arms to block both of you, “He’s not there! You can’t see him. And there’s no monster. Oh, for the love of God, none of this is real!”
You and the Doctor ducked down and crawled to the creature to help assist them. In the middle of all the shouting and noise, you saw Shaun Temple appear, saying, “Hey, hey. Dad’s home.”
Everyone stood at a standstill, wide-eyed and unsure of what to do next. After a pause, Shaun commented with a small smile, “Something smells nice.” Sylvia smiled, “Tuna madras.”
“Meep, meep.”
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As you and the Doctor sat on the floor, he carefully wrapped Meep’s injury in his hands with medical tape, while you quickly assessed if the Meep had any more injuries. Sylvia spoke to Donna, “We should think about infection. I mean, I think this man should deal with this beast, and we can leave him alone and go back to mine.”
Donna pulled her arm away from Sylvia and gestured around the Meep, “Never mind. Never mind about the ferret from Mars.” She gave you and the Doctor a pointed look as she growled out, “Who the hell are you two?”
You looked to the Doctor for help, and he stumbled over his words, “I– um. What was it?” He looked to Shaun who replied, “A friend from Nerys.” To which the Doctor promptly agreed, “That’s it.”
Donna scrunches her nose and says, “Nerys. Well, now it all makes sense. That viper in the nest.” She continues and points to the Meep, “I’m not going anywhere. We could sell mad Paddington for a million quid.”
Everyone reacted, giving Donna a pointed look and a noise of disagreement, “Woah!” Donna tried to justify her comment by saying, “You fill the fridge!”
The Doctor’s expressive eyebrows furrowed, and he asked Donna, “What did happen to all your money?” Donna got defensive and threw back, “Why are you so interested in us? Everywhere you go, there you are. Now you got this woman with you,” She gestured to you, “are you sure you’re safe with him, darling? Is he forcing you to be with him? Did he kidnap you?!”
You blinked wildly at Donna, “Uh, no– I’m good. He’s my partner.”
The Doctor smirked at you, “Ooh, I’m your partner?” To which you narrowed your eyes at him, “Quiet, you.” He pouted but continued to finish wrapping the injury of the Meep, then the Doctor said, “There is one person missing. I used to know your grandad, Wilf.”
Donna shook her head, “He’s not with us anymore.”
The Doctor had a somber expression as he nodded, “Right. Course. He wasn’t young; he was—” His lower lip trembled as he admitted, “I loved that man. I’m so sorry for your loss.”
Donna shook her head, emphasizing, “He’s not dead.” Sylvia shot the Doctor a sharp look, “You idiot.”
The Doctor gaped at them, and Donna continued to share, “He’s in sheltered accommodation. He’s 94. He can’t manage the stairs.” Shaun took over, saying, “We were lucky. We couldn’t afford it, but this offer came along.”
Rose smiled, painting a vivid picture, “It’s amazing. He’s got this room, like a cottage and a garden, and it’s almost free.”
“Run by that lot in the middle of town? UNIT? This woman in charge, Kate, she says he’s an old soldier, she’ll look after him.” Shaun said, and the Doctor's face lit up, “Right. I know her. She’s looking after Wilf. Brilliant. Brilliant.”
Shaun tilted his head as he looked at you, “You look very familiar… Weren’t you with Kate as you were helping with the accommodations for Wilf?”
Your lips pinched together as you nodded, “Yeah, I work with UNIT. I check on him regularly; he’s wonderful.”
“Meep, meep.”
You and the Doctor turned to the fluffy white creature in front of you, and the Doctor’s eyebrows raised as he inhaled sharply, “Yes! The Meep. I promise I can help him get home. Then you’ll never have to see me, or well, the both of us ever again.”
Rose looked at the Doctor and gave him a questioning look, “You’re assuming he as a pronoun? Hmm.”
The Doctor took it in stride and nodded, “True. Yes. Sorry. Good point.” He quickly turned to the creature and asked, “Are you he, or she, or they?”
The high-pitched voice of the Meep responded, “My chosen pronoun is the definite article. I am always the Meep.”
The Doctor’s expression shifted to one of understanding as his thick eyebrows raised and he nodded, “Oh. I do that. But you were shot down. Who wants you dead?”
You tilt your head, captivated by the Meep's explanation, “The Wrath Warriors. They cultivate Meepkind for our beautiful fur. But then the galaxy said, ‘No more fur. It’s wrong. So the Wrath Warriors slaughtered their livestock.”
The Doctor crosses his arms, a thoughtful expression on his face, and leisurely leans back on the couch, letting his back rest against it, “You’re a fashion victim.”
A collective groan escapes from all the humans in the room, “No.”
The Doctor quickly mumbles an apology, and the Meep continues, “Now, they will hunt me down till there are no Meeps left.” The Meep sniffs, “It breaks both my hearts.”
You and the Doctor exchange surprised glances, both of your eyebrows raised. The Doctor shares with the Meep as he gestures to both of you, “You got two hearts? So do we.”
Donna quickly catches onto the Doctor's revelation and frowns, “You’ve got what?”
Sylvia tries to downplay what the Doctor just exposed, stammering as she speaks to Donna, “No. He means it like a metaphor. Like two minds. Do you?” You and the Doctor shake your heads, but suddenly there’s a pounding at the door.
“Open up!”
“Well, what the hell is it now?” Donna exclaims, her frustration evident as she wonders why all these strange anomalies keep happening. The Doctor pushes himself up, and you assist him with his navy blue coat as he puts it on. He continues addressing everyone in the room, “Ah, good. The soldiers! They can give us a lift.”
As he goes to answer the door, leaving you with the Meep and Donna’s family, Rose can't help but ask, “Are you two…”
Your cheeks feel flush, the tips of your ears turning warm, “Yep.”
Just as Donna is about to make a cheeky comment, you hear the Doctor slam the front door shut, loudly informing you all, “I think we need to run. Woah!”
Suddenly, an explosion rocks the backdoor, causing everyone to hit the ground with a collective yelp. You and the Doctor peek to look at the new visitor; arthropods, with a tough chitinous exoskeleton. With their external skeleton acting as a skelo-shield they had formidable strength. Their eyes were like large red lights. Seeing the Wrath Warriors enter while saying, “Wrath, attack formation! Surrender the Meep!”
UNIT soldiers burst in from the main entrance, their voices echoing down the hallway as they shout instructions to each other. The distant hum of gunfire and the vivid flashes of lasers light up the space, creating a chaotic symphony that fills your senses.
Donna, caught in the middle of the sudden onslaught, shouts in confusion and frustration, “What the hell is going on?”
The Doctor deftly manipulates his sonic screwdriver, adjusting its settings. He turns to Shaun and inquires, “Where’s your car?”
Shaun, bewildered but cooperative, responds, “Uh, five- five doors down.”
“Excellent.” The Doctor nods. He pivots, activating the sonic screwdriver to generate large, rectangular force fields. The blue glow emanating from the force fields reveals a recent upgrade, and you can't help but smile, commenting, “Nice upgrade, love.”
“Thanks, dearest. Help me move this, won’t you?” The Doctor passes the sonic to Donna, who handles it with familiarity. You and the Doctor work together to slide the force field into the first section of the hallway, dodging blaster shots as you go. Once in the living room again, you take the sonic from Donna, creating your force field with the Doctor’s scientific instrument. The Doctor observes you with admiration, and together, you slide the final force field into place, sealing off the area where the Wrath Warriors were firing from.
Immediately, the Doctor issues a commanding directive to the Noble-Temple family and the Meep, “Upstairs! Up, up, up, up, up, up, up, up, up!” They follow the urgent order, shrieking as they ascend the stairs, sandwiched between the force fields that shield them from the relentless onslaught of gunshots and laser fire.
“Come on, Meep!” The Doctor encourages, executing an energetic dance of hopping and flailing arms. The Meep responds with a whimper, “No.” Undeterred, you and the Doctor persist, the Doctor continuing his lively hopping routine, insisting, “Come on! That’s it.”
You guide the Meep up the stairs, the Doctor closely behind. A reassuring hand rests on your back as the trio ascends. When you're halfway across the corridor, a deafening explosion erupts from behind. The Noble-Temple family screams in fear, and you're thrown to the ground. However, the Doctor reacts swiftly, his strong arms wrapping around your waist to break your fall. In a protective move, he cushions the impact with his body, leaving you on top of him.
You swiftly roll off him, your palms hitting the floor as you propel yourself upward. Grasping the Doctor's hand, you haul him to his feet, both of you swiftly turning around to confront the aftermath—a colossal, gaping hole now occupying the space where a window once stood. Donna's cry of agony echoes through the room, "My house!"
Despite the devastation, there's no time for dwelling. The Doctor urgently directs everyone, gesticulating emphatically, "Upstairs. Upstairs, upstairs!"
Observing the Wrath Warriors soaring menacingly through the breached window, and amidst the symphony of gunfire and laser blasts echoing from the stairs, you and the Doctor deftly ascend to the third floor. With a swift motion, he lowers the ladder leading to the attic, urgently urging everyone, "Up we go! Fast as you can."
The entire group efficiently ascends to the attic. Positioned beside a robust brick wall connecting attics along the street, you and the Doctor huddle close. The Doctor showcases the device in his hand, proclaiming, "This is a sonic screwdriver. And if it's good at one thing, it's resonating concrete." He flips it in one hand before activating it, causing vibrations to ripple through the mortar.
Shaun interjects, "That's not concrete. That's mortar." Donna, in her familiarly exasperated tone, sighs and quips, "Thank you, Bob the Builder."
With a determined push, you and the Doctor dislodge the bricks, prompting them to cascade down. Donna crouches beside the Doctor, complimenting, "Skinny minnie, you're not bad."
The Doctor grins at Donna, "You think?"
However, Sylvia intervenes, frowning as she guides Donna aside, firmly asserting, "No, she doesn't. Now move."
"Come on. Five houses down," the Doctor grunts, effortlessly moving aside a box brimming with Christmas decorations. He takes the lead, guiding the family through the interconnected attics.
Traversing through these loft spaces, you witness the chaotic scene unfolding outside, with laser beams and gunshots punctuating the air. Explosions resonate in the distance as you navigate the makeshift route, carefully descending a staircase. Along the way, you stealthily pass by someone deeply immersed in sleep on a couch, oblivious to the turmoil around them.
Upon reaching a door, the Doctor jostles it open, revealing a view of the black cab parked a few meters away. Amidst the cacophony of gunfire and distant shouts, the Doctor extends his hand and requests, "Can I have the keys?" Shaun promptly hands them over.
As the Wrath Warriors advance with their menacing backs turned, the Doctor swiftly swings the door open, directing the family and the Meep into the sanctuary of the black cab. Positioned in the passenger seat, you observe the Doctor deftly using his fingers to check the pulse of a fallen UNIT soldier. Abruptly, a Wrath Warrior pivots, growling, "Meep located. Stop the Meep!"
Evading blaster fire with nimble agility, the Doctor slips into the driver's seat, swiftly igniting the engine and propelling the cab into motion. The Meep whimpers, "Help! Save the Meep!"
As the Doctor skillfully navigates away, Donna exclaims, "Oh my God!" Shaun pivots within the cab, jubilantly stating, "You did it!" Meanwhile, Rose chimes in, "We're alive," and Sylvia expresses gratitude, "Thank you."
"Meep, meep."
While the Doctor keeps a vigilant eye on the side mirrors during the escape, there's a discernible shift in his tone, "Either we've escaped, or we've got things very, very wrong."
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UNDERGROUND PARKING GARAGE, LONDON – EVENING, 2023
The Doctor skillfully maneuvers the cab, smoothly parking it in an underground garage. A contemplative furrow graces his forehead as he steps out of the vehicle. With an attentive courtesy, he opens the passenger door, gesturing for you to alight from the cab. Simultaneously, he opens the back passenger door, facilitating the exit of the Meep.
The Doctor deftly extracts a barrister's wig from the depths of his coat, perching it atop his head with an air of theatrical flair. Meanwhile, the Meep positions itself purposefully in front of the cab. In a tone of authoritative declaration, the Doctor announces, "This court is now in session."
With a swift motion, he retrieves his trusty sonic screwdriver, and it emits a distinctive whiz as he proclaims, "Intercept teleport!"
The Meep emits a piercing shriek, swiftly retreating a few meters behind you and the Doctor. Donna, emerging from the cab, questions, "What the hell are you doing?" The Doctor, with an authoritative air, responds, "Silence in the court."
In the blink of an eye, two Wrath Warriors materialize just across from you and the Doctor. You stand there, massaging your face with your hand, as he adopts a menacing tone and declares, "I’m invoking Shadow Proclamation protocols 15, P, and 6. Under my jurisdiction, there will be no violence until such time I deem it fit and proper. Is that understood?"
The Wrath Warriors nod in compliance, dutifully stowing away their weapons to their sides. The Doctor, brandishing his sonic, gestures towards the taxi, asserting, “Now, exhibit A. The taxi. No scorch marks. Donna, can you confirm?” Donna swivels around, inspecting the taxi behind her, and nods, “Um. Yes, no, nothing.”
You arch your eyebrows, interjecting, “We were hit by plasma bolts, but there isn’t a mark.” The Doctor affectionately kisses your forehead, remarking, “Clever girl.” You duck your head, feeling a slight warmth in your chest and cheeks. He proceeds, “And that soldier in the street. He was unconscious, not dead.” Pointing at the Wrath Warriors' guns with his sonic screwdriver, he continues, “Exhibit B. Those guns are stun guns. Is that correct?”
The right Wrath Warrior nods, “The guns apply a mild and harmless neural anesthetic. For the record, my name is Sergeant Zogroth.” The left Wrath Warrior adds on and says, “And I am Constable Zreeg.”
The Meep interjects from behind you, its large ears folding to the side, “But the evil Wrath Warriors want to kill the Meep.”
“The only ones out to kill were the soldiers with the swirling eyes,” the Doctor asserts, gesturing in a circular motion with his sonic, his eyes widening to emphasize his point. “Were they coming to hurt you, the Meep? Or save you?” The Doctor eyes the furry creature suspiciously.
“If I may speak,” Sergeant Zogroth says, and the Doctor promptly replies, “Address the court.”
“The story of the Meep is a tragic tale. Their planet basked in the light of a living sun. Until one terrible day, the sun went mad,” Sergeant Zogroth began, his voice laden with the weight of the narrative. Constable Zreeg chimed in, “A psychedelic sun.”
Sergeant Zogroth continued, “Its radiation mutated all of Meepkind into cruel beasts who live for conquest.”
The Doctor's face lights up with realization, "The eyes. That's solar psychedelia." Sergeant Zogroth adds, “It renders them as maniacs.”
“The Meep army captured the Galactic Council, beheaded them, and ate them,” Constable Zreeg revealed, sending shivers down your spine. You and the Doctor exchange a grimace at the horrifying revelation. “The Wrath Warriors were summoned. And we fought across the stars, a long and awful battle,” Sergeant Zogroth continued with a somber tone.
“Meepkind died rather than surrender. And now, only this one survives. Their leader, the most cruel and despicable of all,” he added, pointing to the Meep, who responded with a plaintive, “Meep, meep.”
The Doctor, adopting a composed stance, interjects, “Now. Let’s be fair. It’s your turn, the Meep. Witness for the defense. So, what do you say?” The Doctor crosses his arms, and you observe as the Meep's innocent visage transforms into something more sinister and monstrous.
The Meep's sharp teeth are bared as it growls defiantly, "Oh, to hell with this!" With a swift motion, it brandishes a weapon, declaring, "Exhibit C!" The Meep takes aim and fires, bringing down the two Wrath Warriors, their bodies collapsing to the ground. You, the Doctor, and Donna quickly rush to the fallen foes. The Doctor, during the action, removes his barrister wig. The Meep, in a sinister tone, adds, "No stun guns for me! Just die!"
Shaun leaps out of the cab, urgently shouting, "Donna! Donna, don't!" Despite his plea, Donna remains fixated on the fallen warriors, her concern evident. You find yourself beside the Doctor on the ground as the Meep triumphantly declares, "And here they come! My soldiers of the psychedelic sun!"
Suddenly, a convoy of UNIT vehicles arrives, accompanied by soldiers with their distinctive headgear, forming a protective perimeter around all of you. Their authoritative voices ring out, "Obey the Meep!"
Donna, her maternal instincts flaring, turns to Shaun and passionately commands, "Get out! Get Rose out!"
Shaun swiftly maneuvers to the driver’s seat while Rose and Sylvia settle back in the taxi. However, the UNIT soldiers, now under the control of the Meep, have you all surrounded with no clear escape.
“I don’t need to pretend, for I am the Beep of all the Meeps,” the Meep declares, grinning menacingly with its sharp teeth.
Sergeant Zogroth emits a final groan, his parting words being, “Sergeant Zogroth regrets retirement from active duty.” His eyes dim, and his body goes limp. Donna, disgusted, confronts the Meep, saying, “I was right. You are a monster.”
The Meep revels in Donna’s anger, taunting, “And you believed every word I said. You stupid woman! With your weird child!”
Donna, ready to confront the Meep for insulting her daughter, stands defiantly, retorting, “Oh, don’t you dare!”
The Meep, relishing the confrontation, points its weapon at Donna, threatening, “Oh, I dare!”
You quickly rise, positioning yourself in front of Donna, raising your hands in a protective stance. Simultaneously, the Doctor moves across the floor on his knees, hands raised, pleading, “No, no, no, no, no, no, no, no! But— Last-minute evidence! Me.”
He emphatically points to himself and exclaims, “Why are there two more two-hearted species on this planet? Unless we are part of a strategy by the Wrath Warriors to outfox you? If you kill me and her and fail to take this family hostage, you’ll never find out, will you?”
The Meep hums, then commands the soldiers, “Bring them!”
The Doctor stands animatedly, “Good! Now, look, I can suggest a much better way off this planet than a double-bladed dagger drive. ‘Cause that thing is gonna—”
His sentence remains unfinished as he is abruptly knocked out by a UNIT soldier. The Meep cackles triumphantly as the rest of you are ushered into the back of a truck, alongside the unconscious Doctor.
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On the truck's floor, the Doctor lay with his head resting on your lap, his unconscious form a testament to the challenges you faced. Your fingers moved soothingly through his untamed, spikey hair, offering a quiet comfort amid the tension.
Donna observed the scene, her curiosity getting the better of her. "How long have you two been together?" she inquired, attempting to place where she might have encountered you before.
"A good number of years," you replied, choosing to keep the more intricate details to yourself, considering the Doctor's timeless nature.
Rose, equally intrigued, posed another question, "Are you two married?"
A snort escaped you. "Nope. I don't think he wants that with me if I'm being honest."
“Why?” Rose pressed on.
Your gaze drifted, and you sniffed softly. "I’m all sorts of wrong for him. And sometimes, it scares me. The emptiness I see in my eyes,” you admitted, vulnerability seeping into your words. Your eyes lingered on the Doctor as you continued, “The Doctor is brilliant. He is truly brilliant. After all he’s been through... he deserves everything good and more… more than me.”
As your confession lingered in the air, the Doctor began to stir awake, bringing a momentary hush to the truck. His eyes fluttered open, and a low groan escaped him as he gradually sat up, settling next to you.
Donna eyed the Doctor with suspicion, her narrowed gaze fixed on him. "Who are you?" she questioned, her tone demanding answers.
The Doctor, still feeling the effects of his earlier unconsciousness, touched the back of his head with a wince. "I’m just passing by," he nervously replied, attempting to deflect her inquiries.
Undeterred, Donna redirected her attention to her mother, Sylvia, and pressed on, "Do you know him?" Sylvia, in an attempt to conceal any familiarity, shook her head, responding, "No."
Donna, frustrated and puzzled, continued, "You act like you know him. Ever since he arrived, it’s like—" She heaved a heavy sigh, abruptly halting her train of thought. "I’m so stupid!" she declared, voicing her self-reproach.
Shaun quickly reassured his wife, "No. No, you’re not."
Donna shook her head, lost in contemplation. "We could be living somewhere far away from here. Monte Carlo. Switzerland." She then turned to her daughter Rose, who sat beside her. "And you— And you’d be safe, Rose." Donna pulled Rose into a comforting side hug. "It’s all my fault. Gave away that lottery money."
The Doctor, unable to resist his curiosity, interjected, "Why?"
Donna shot him a glare. "Because. There are places out there where people are in danger. And in pain. And fear. And I could help. Just felt the sort of thing he would do." Her words hung in the air, revealing a sense of duty and compassion that drove her actions.
Abruptly, the truck jolts to a stop, resulting in the Doctor colliding with one of the crates, eliciting a pained groan. You swiftly move to assist him. The truck door swings open, and a stern voice commands, "Out!"
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MILLSON WAGNER STEELWORKS 
NORTH LONDON, – EVENING, DECEMBER 2023
The UNIT soldiers briskly led you towards the heart of the steelworks, where the Meep's spaceship had strategically landed.
"It didn't choose the steelworks by accident. It came here to be mended," the Doctor remarked as the group neared the spacecraft. The Meep made a grand entrance, seated on a makeshift throne of steel carried by a procession of UNIT soldiers. With its menacing teeth and booming voice, it declared, "Hail to the Meep!"
A hypnotic chant echoed through the steelworks as multiple officers joined in unison, "Hail to the Meep. Hail to the Most High. Hail to the Meep. Hail to the Most High."
"Human scum, behold my vessel to the stars! Far beyond your tiny, grasping minds," Beep the Meep declares with an air of arrogance. You respond with an eye roll of annoyance, and the Doctor shakes his head while humorously interjecting, "I name this ship the Delusions of Grandeur."
Beep the Meep growls in protest, "Meep."
"You can't fire those engines. Not from here. A dagger drive gets its energy by stabbing down. It would extract, ooh, five square miles? The whole of London town burnt as fuel," the Doctor explains, his tone serious and concerned.
Rose, wearing a frown, adds, "But that's nine million people."
"A great day for Meepkind. And the start of a new reign of terror as the Meep return to the stars for revenge. And feasting. Now, activate the initializers," the Meep commands, its voice dripping with malevolence.
A disciplined UNIT soldier swiftly responds, "Initializers activated."
The low hum of the spaceship's engines reverberates through the steelworks as the Meep grins with an evil glint in its eyes, proclaiming, "Brandish the gravity stanchions."
"Gravity stanchions brandished," announces a focused UNIT soldier as the prongs of the spacecraft forcefully dig into the ground.
"Calibrate the flight deck," the Meep commands with a sense of authority, intensifying the tension in the air.
A disciplined UNIT member announces, "Flight deck calibrated."
The Meep, perched on its steel throne, commands, "Take the prisoners on board! Then I’ll decide which one to eat first. Hail to Meep!"
The rhythmic chant of the hypnotized UNIT soldiers fills the air, "Hail to the Most High! Hail to the Meep!" while the Meep indulges in a sinister cackle, reveling in its delusions of grandeur.
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The liftgate slams shut, transporting you to a different floor. Thoughts of subduing the UNIT guards swirl in your mind as the lift grinds to a halt. As the gate creaks open, Shirley appears, wearing a mischievous grin. "Evening, boys."
With swift precision, she activates a concealed device beneath her wheelchair, firing two darts at each soldier. The tranquilizers swiftly take effect, rendering the guards unconscious.
"You've got weapons in your wheelchair," the Doctor exclaims, eyeing Shirley with a mixture of surprise and admiration. She glances back at him, a knowing look in her eyes, and responds, "We all have. You've got your girl to thank for that. Come on." With a nod, she leads the way, wheeling herself confidently through the complex.
"Right. You lot, the family, you can get out through that door," Shirley says, gesturing towards the exit on the right. She then turns her attention to you and the Doctor, her tone more serious, "You need to get to the engine control. But the port side’s guarded, and there's no way around it."
A quick exchange of glances between you and the Doctor precedes his question to Shirley, "So what do we do?"
With a confident smirk, Shirley retorts, "I don’t just fire darts, mate." She spins her wheelchair around, revealing hidden capabilities. With the push of a button, two missiles activate and blast through the wall, creating a makeshift path forward. The unexpected firepower leaves you and the Doctor momentarily impressed.
Shirley swiftly directs the family, "You lot run. I’ll fight them off at the lift."
The Doctor tightens his grip on your hand, leading you through the large breach in the wall. The chaotic, metallic environment of the spaceship's bridge unfolds before you. With his trusty sonic screwdriver, the Doctor deftly manipulates the controls, unlocking the gate to the engine control room. As the door creaks open, the two of you step inside, ready to stop the ship from taking off.
The Doctor removes his coat and hangs it on one of the pillars as the ship's system voice declares, “Dagger drive systems initializing.”
In a sudden burst of energy, Donna enters the control room panting, "That's enough… running. Blimey."
The system voice abruptly announces, “Chamber deadlocked.” Panic sets in as the only exit seals shut, leaving the Doctor frustrated. He slams his hands on the door, exclaiming, “No, no, no, no! I told you to go—just don’t!”
Frantically, he moves about the room, urging, “No time. I’ve got this. We’ve got it. We’ve got it. You stay there. Don’t move, Donna!”
The Doctor and you scramble around, pressing buttons and flicking switches, racing against time as the system voice declares, “Star launch in five minutes.”
Climbing up one of the pillars, the Doctor instructs you while you squat on the other side to manipulate hidden switches. Suddenly, the system announces, “Deadlock sealed.” A flicker of discomfort courses through both of you as the ship's mechanisms react.
“It’s been deadlocked,” you groan, and Donna questions, “What’s that mean?” 
The Doctor replies swiftly, “It means, we can do it by hand.”
You move to the far end of the ship, and the system voice chimes in again, “Maxifold bisecting.” A glass pane wall starts dividing the room, separating you from the Doctor and Donna. “You can stay on that side Doctor, I—” But then the Doctor rolls under the glass just before it seals, protesting, “Oh. No, no, no, no!”
“Double dagger drive installed and initiated.”
You can feel your eye twitch as you look at the Doctor standing next to you. “Okay, okay. Okay, we can do it with half the room. That’s fine.” The Doctor tries to reassure himself and you look at him wondering why he had to end up on your side of the room.
“Let me help.” Donna insists and the Doctor is quick to disagree, “No! You can’t get involved.”
Donna looks at the Doctor with a glare, challenging him and the Doctor tries to steady his resolve, “You can’t!”
It's then your turn to shoot him a pointed look. The Doctor groans and pants in frustration before finally surrendering. He instructs Donna, "Switches, the top ones, the blue ones, flick them all down."
Donna diligently follows his directions, swiftly flicking the switches down, while you navigate to a different section of your side of the room to spin a dial a few times. Despite your efforts, it proves futile, and you slump down in disappointment. The Doctor, leaning defeatedly on a pillar, somberly admits, "We've run out of time."
“Ignition in 230.”
The Doctor sighs with a heavy burden on his shoulders as he confides in Donna, "If there was anything else I could do, but there's one thing left."
"Well— Well, then do it," Donna urges, her tone laced with desperation. The Doctor, however, looks down in shame, prompting Donna to insist, "Hurry up and do it! What are you waiting for?"
Pushing himself off the pillar, the Doctor strides over to the glass partition separating Donna from the two of you. "I think… all that coincidence was heading here to save London from burning. 'Cause the three of us can stop this ship. Together."
Donna gasps in realization, "Oh."
As you rise and move towards the glass, locking eyes with Donna, you declare, "But it will kill you."
Donna sharply inhales, and responds easily, “Okay.”
The Doctor’s voice cracks as he says, “You’ll die.”
Donna's lower lip trembles, her eyes reflecting the imminent crisis, as she says, "My daughter is down there."
"Ignition in 180."
Tears well up in Donna's eyes, and her voice stammers with fear, "And it's not just Rose. It's nine million people. Who cares about me?"
The Doctor responds swiftly, his urgency palpable, "I do. We both do."
Donna takes a deep breath, mustering courage, and asks, "But why?" She pauses, gathering her thoughts, and continues, "I'm just no one."
The Doctor's expression shifts to one of anger, his eyebrows furrowing as he yells, "No, you are not!"
He takes a few steps back, the weight of the situation evident in his sob and scream, "Why does it have to be this?"
"Entering the final sequence."
The Doctor looks at Donna with a somber gaze, defeated, as he utters the words that trigger Donna's memories, "Westerly. Pelican. Dreams."
Donna is desperate as she says, "I don't— Look, I don't care what it is. All right. Just— just go on and do it, will you?"
"Ignition in 150."
"Tornado. Clifftops. Andante," the Doctor says.
"Get on with it!" Donna shouts.
The Doctor continues, "Grief. Fingerprint. Susurration."
Donna's eyes light up as she begins to remember her adventures, "Oh."
The Doctor and Donna utter the last few words in unison, "Sparrow. Dance. Mexico. Binary. Binary. Binary."
A golden glow emanates from Donna, the metacrisis shimmering through as she regains her memories once more. You and the Doctor press your palms against the glass, witnessing her transformative moment.
"Ignition in 100."
As the glow dissipates, the Doctor anxiously asks, "Are you alright?"
"Ignition in 90."
Donna pants, sighs, and sweeps her bangs away from her eyes as she glares at the Doctor. Inhaling deeply, she says, "I gave away my money."
"Ignition in 75."
The Doctor looks at her, puzzled, "Right, but—"
Donna, expressing a mix of frustration and anger, interrupts, "I gave away all my money. And do you know why, Doctor? I gave it away to be like you. So I could be kind. So I could be nice. So I could be helpful— I—"
Donna releases a frustrated growl as the system voice continues, "Ignition in one minute."
Moving her face closer to the glass panel, Donna continues, "I had a subconscious, infracutaneous, retrofold memory loop making me act as soft as you and give away 166 million pounds!"
"Ignition in 50."
The Doctor, wide-eyed, nods in agreement but attempts to refocus on the urgent matter, "Yes, Donna, but— Destruction of London?"
"Oh, I'll show you destruction, mate," Donna declares, intertwining her fingers before flexing them to crack her knuckles.
"Ignition in 40."
You and the Doctor observe in awe as Donna moves around the control panel with ease. "I'll triple-drive the particle manifesto, overstep the umbilical feed, vindicate the cyberline, and roast the hyperfeeds! Like this!" Donna exclaims, spinning the dial on the lower left of her.
The Doctor navigates about half of the room, deftly flicking switches while instructing, "Maximise the stressfold links!"
"Channel up the booster drive!" Donna commands, pressing a few buttons.
"Inculcate the plexidrones!" You chime in, flicking a few more switches.
"And shatterfry the positrons! Oh yes!" Donna exclaims.
"Twenty, nineteen..."
Donna interrupts, asking, "How long have I got to live?" as she switches off a few controls.
"...sixteen, fifteen..."
All three of you simultaneously answer, "Fifty-five seconds."
"Thirteen, twelve, eleven..."
"The best fifty-five seconds of my life!" Donna exclaims.
"Seven, six, five, four..."
"Because I get to do this!" Donna proudly announces, turning around and simultaneously flicking off several switches.
"Three, two— Ignition halted."
You three watch as the panel flies off the wall; the countdown has stopped, and Donna proudly states, "Donna Noble is descending."
"Ignition reverse. Ignition reverse."
"It’s working!" The Doctor's voice resonates with exhilaration as the tangible effects of the reversed dagger drive unfold before your eyes.
However, your joy is cut short when you notice Donna beginning to falter. Panic sets in, and you urgently cry out, "No. No, no, no, no, no, no, no!"
Swiftly, both you and the Doctor move in unison to catch Donna as she descends, cradling her fragile form in your arms. Donna sighs, her expression reflecting a mix of exhaustion and relief. The Doctor reassures her, "We did it. She’s fine. She’s safe. You saved her."
Donna smiles weakly, and you add, "You saved them all."
In a moment of introspection, Donna questions, "Why did this face come back?" She turns her gaze towards the Doctor, who responds with a sigh, "I don’t know."
"To say goodbye," Donna asserts with a soft smile. She then shifts her attention to you, saying, "Oh, the Stargazer. I’ve missed you."
"I’ve missed you too, Donna, every day," you confess, and the Doctor emits a thoughtful hum.
"Good fun, though," Donna remarks, her chuckles mingling with yours and the Doctor's. The lighthearted moment takes an abrupt turn as Donna's eyes flutter closed, her entire being going limp in the arms of her two closest companions.
A collective sob escapes from you and the Doctor as you sit there, cradling your best friend, a bittersweet mixture of victory and loss filling the air.
Abruptly, the door to the engine control room opens, revealing a cadre of UNIT soldiers with swirling, hypnotized eyes. The air tightens with tension as one of them declares, "We have orders to kill you."
Undeterred, the Doctor retorts defiantly, "Do what you want. This ship isn't going anywhere. You were beaten. By the DoctorDonna." The soldiers, rifles at the ready, cast ominous shadows in the confined space. You resign yourself to the impending threat, feeling the Doctor's protective instinct as he positions himself to shield you.
In a surprising turn, the psychedelic light emitted from the soldiers' eyes screeches and hisses, dissipating into nothingness. Bewilderment echoes through the room, and you join the Doctor in uttering a perplexed, "What?"
Even one of the soldiers can't help but question, "What?"
Donna, roused from her unconscious state, adds her own disoriented, "What?"
The Doctor, his voice tinged with disbelief, softly utters, "You're not dead."
A collective sense of confusion lingers, and Donna, now fully awake, queries, "But how?" as she steadies herself.
After a brief pause, Rose's voice resonates through the intercom, "Can you hear me? Mum? Doctor? Star? I think it's safe for you to come down now."
Donna responds, perplexed, "Rose?"
The Doctor's eyes widen with a sudden epiphany, "Too much power for one person, but you had a child, and the metacrisis passed down. A shared inheritance."
Donna grins, “It was always there. Shining out of her.”
“And she chose her own name,” the Doctor adds.
“Oh, the shed! The shed was her memory of the TARDIS. The toys! Every creature we met, she remembered as a toy,” Donna says with a glint in her eye.
You gape, suddenly realizing, “We are binary.”
“She’s not. Because the Doctor’s—”
The Doctor interjects, “Male.”
“And female,” Donna finishes.
"And neither. And more," Rose says, her voice carrying a warm smile through the intercom.
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Donna rushes down the stairs, her steps echoing in the cavernous steelworks. Rose meets her halfway, and they share an emotional hug, Shaun joining in the embrace.
You and the Doctor follow suit, descending rapidly to the ground floor. Sylvia awaits, and as you approach, the Doctor wraps her in a jubilant hug. He inquires, “Happy now?”
Sylvia responds with a radiant smile, "My father would be impressed. I have no higher compliment." Laughter of triumph fills the air as you and the Doctor proceed to the nearby control center.
Shirley deftly maneuvers her wheelchair towards you and the Doctor, offering her unique perspective. She addresses the Doctor with a sly grin, “There’s a word for you, Doctor. And that word is jammy.”
The Doctor responds with infectious enthusiasm, “Jam on toast.” He decisively slams a button, activating the intercom. With authority, he speaks into the microphone, “Calling the Meep.”
The Meep's defiant voice crackles through the speakers, “You forget I still have my ship. And if I have to explode the engines and rupture this world and damn us all to hell, then I will!” A shared glance between you and the Doctor follows, and he graciously hands you the task of flicking the crucial switch.
With a resounding click, the Meep’s cockpit is ejected into the sky, accompanied by the unmistakable sound of the Meep's distressed shrieks. You and the Doctor gaze upward, drawn into the spectacle unfolding against the canvas of the vast night sky.
“There you go.” The Doctor points with a wry smile, observing the Meep’s cockpit deploying a parachute against the cosmic backdrop.
You feel the Doctor's reassuring grip on your waist as he pulls you into his side. Together, you look up, transfixed by the celestial display. The stars twinkle above, and in that moment, you choose to hope and believe that nothing universe-ending has transpired yet.
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As the sun ascends on the horizon, casting a warm glow over the scene, the Wrath Warriors stand sternly with the imprisoned Meep, forming an uneasy tableau. You step forward, addressing them with a heavy heart, "Sergeant Zogroth and Constable Zreeg gave their lives, alongside many Earth soldiers."
The Wrath Warrior, resolute in the face of the aftermath, declares, "Their names will be included in the litany of crimes as the Meep atones in prison for 10,000 years." The Meep, defiant in defeat, mutters, "Oh, I will escape and have my revenge. So you beware, Doctor and Stargazer, because there’s one more thing."
With a determined stride, the Doctor moves closer, inquiring, "Which is?"
“A creature with two hearts is such a rare thing. And to have two of your kind here… Just wait till I tell the boss,” the Meep retorts, an ominous promise lingering in the air. The Wrath Warriors and the Meep vanish in a teleportation, leaving a sobering aftermath beneath the morning sun.
The Doctor, caught in contemplation, mumbles under his breath, "Cryptic. I hate that." He takes a deep breath, turning his attention to Donna and Rose with a sense of urgency, "But… we’ve still gotta fix you two. ‘Cause the metacrisis might have slowed down, but that thing is wrapped around your cortex."
Donna, with an eye roll and a knowing nod, quips, “Yes, we know.”
Rose adds confidently, “We know everything, thanks.”
Donna, in her typical nonchalant manner, shrugs, “And you know nothing. It’s a shame you’re not a woman anymore. ‘Cause she’d have understood.”
Rose, crossing her arms, asserts with confidence, “You’ve got all that power, but there is a way to get rid of it. Something a male-presenting Time Lord will never understand.”
Donna, ever pragmatic, advises, “Just let it go.”
The unity between mother and daughter becomes evident as Rose takes Donna’s hand, and together, they release the accumulated metacrisis energy. Shaun interjects with a grin, “Like I said, mate, how lucky am I?”
Rose, with a joyous laugh, concludes, “After all these years, I’m… finally me.”
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CAMDEN MARKET, LONDON — MORNING, 2023
Shaun skillfully navigates the vehicle, bringing the group back to Camden Market in London. Earlier, you had informed Shirley about the intention to bid farewell to the Doctor and Donna before returning to headquarters. Shirley responded with a nonchalant, "Sure..." accompanied by a discerning look, rolling away from you in her wheelchair.
The Doctor maintains his characteristic chattiness as he informs Donna, "And UNIT has a splendid insurance policy for damage caused during an alien war. While they sort that out..." Approaching the iconic tall blue police box, the TARDIS, the Doctor gestures towards it, saying, "One last trip?"
"Uh, don’t you dare," Sylvie interjects with a pointed look. Donna, casting puppy eyes at both you and the Doctor, laments, “Do you know, I would love to.” She then takes a sharp inhale, sighs, and adds, “But… I have got adventures of my own, bringing up this one.” Donna points her thumb towards Rose.
“Can I see inside?” Rose asks the Doctor curiously, taking a step toward the TARDIS. Donna, however, swiftly moves her away, cautioning, “No. No! No. No.”
Rose sighs, and Donna playfully waves her finger, “No. Because summat will go wrong, and you’ll end up on Mars with Chaucer and a robot shark. And that’s actually happened, hasn’t it.”
The Doctor gives a sheepish, “Oh, yeah.”
“But I was thinking, we could go and see Wilf?” The Doctor suggests to you and Donna.
Donna then says, “Now that is cheating.”
The Doctor pouts, “Just a suggestion.”
“I mean it, don’t you dare.” Sylvie says, and Donna sighs, “But imagine his face, Mum. Oh, he would be so happy. All those secrets Grandad kept for years. He— He thought I’d never remember. And to see the Doctor. One last time.”
The Doctor and Donna make a puppy face to you and Sylvie, urging you to join them. Sylvie relents and gives in, “Oh, all right. But one trip. That’s all. Just one.”
The Doctor turns to unlock the door with his key while Donna laughs with glee, “One tiny, little trip. That is a promise.”
Donna turns to you and the Doctor and gasps in excitement, “It’s like the old days. Just me, the Doctor, and the Stargazer. Together.” She then turns to her family, “Is that all right?”
“Yeah, of course it is,” Shaun says confidently with a huge smile.
“Well, a lot of husbands would worry. You know, me, in a box, with another man.” Donna jokes, and Shaun shrugs and shakes his head, “Yeah. But not him.”
The Doctor looks somewhat offended, but then Donna shoos him to go inside, “Come on, space man.”
In the quiet aftermath, with Donna entering the TARDIS, the Doctor notices the unsure expression on your face. He whispers to Donna to go ahead, and she complies, leaving the two of you alone, behind the TARDIS, sheltered from prying eyes.
With a gentle gesture, he wraps an arm around your waist, pulling you closer. He cups your face with both hands, his smile revealing dimples that carry the weight of countless adventures. “The stars haven’t gone out.”
Your raised brows betray a hint of skepticism, “Yet…”
The Doctor locks eyes with you, his deep dark brown orbs conveying understanding. As tears well up in your eyes, you break the silence, your voice a fragile whisper, “You have no idea how bad it gets. How scared I am that all of this is temporary and I lose you… and I can’t have you.”
“Hey. Hey, hey. None of that,” he reassures, his gaze unwavering. “So far, everything has been leading me back to you. And when the time comes to face it… we’ll fix it… together. I can’t lose you again. Not ever again.”
His words linger in the air, a vow shaped by the quiet resilience of a Time Lord who has navigated countless challenges across time and space. You respond with a nod, sealing the unspoken pact, and tenderly kiss his wrists. In return, he draws you closer, planting a gentle kiss on the top of your head.
“When this is all over,” he declares, “we’re getting married.”
“What?” you screech, caught off guard by the unexpected revelation.
“We've waited this long. I’m not spending the rest of my how many years without you,” the Doctor insists, his eyes earnest.
“Is this a proposal?” you inquire, a mixture of surprise and delight in your voice.
“If you want,” he smirks, playfully nonchalant.
On tiptoe, you reach up to kiss the tip of his nose, a tender acknowledgment, “We'll see.” The promise of an unwritten future hangs in the air, held by the shared understanding that time and space will unfold their stories together.
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THE TARDIS
The Doctor guides you inside the TARDIS and closes the door behind him and both of you are in awe of the major changes of the entire TARDIS. Huge curved white walls with round circles that glow with lights and many ramps that lead to different corridors.
The Doctor hangs his coat on one of the railings as he grins and laughs, “Whoa!” He begins to run around all the ramps with the energy of a little kid as he shouts, “This is amazing!”
“It changed! Oh, you clever thing! Look at that!” The Doctor laughs as he finishes his lap around the new interior of the TARDIS. He runs over to the console and smiles, “It’s got this!”
He pushes a lever forward, and the lights within the TARDIS shift to a vibrant orange, casting a warm glow. Your gaze is drawn upward in awe as the ambient hum of the time machine resonates around you. Running your fingers along the railings, you can feel the TARDIS responding, and you affectionately murmur, “Hello, sweet thing. I missed you too.”
Amid the luminous atmosphere, the Doctor darts around the console, engaging with switches and buttons on the refurbished device. Donna, observing the transformation, remarks, “It’s still a bit nippy.”
The Doctor protests, “Oh, come on!”
Undeterred, Donna concedes with a grin, “All right…” Her expression changes as she admires the surroundings, “It’s gorgeous!” Laughter bubbles up from both Donna and the Doctor, who joins in the jubilation, bouncing excitedly.
“It’s cleaner. And it’s grown,” Donna observes, her laughter echoing through the TARDIS.
Making your way to the console, you overhear Donna questioning the Doctor, “But I— I still don’t get it. I mean, the TARDIS can change all right. But what about your face? Why did it come back?”
“Does there have to be a reason?” the Doctor muses, and Donna, with a snort, retorts, “In your life? Yes!”
With a nonchalant shrug, the Doctor remarks, “Well, I’m stuck with it now.” He continues exploring the console, fidgeting with excitement, and comments, “Oh, this thing is brilliant. It’s even got a coffee machine!” Glancing at you and Donna, he inquires, “You want one?”
You shake your head, “No, thank you, darling.”
“You’re kidding,” Donna says with wide eyes.
“With cold milk, yeah?” The Doctor deftly presses a few buttons, and Donna, smiling, says, “Well remembered.” To your delight, a white cup materializes with coffee and cold milk.
He carefully hands the cup of coffee to Donna who says, “Thank you very much. Careful. It’s how I lost my job. Dropped a coffee in the computer.”
To which the Doctor just hums and moves to flick a few more switches around the console as you lean on a railing, to listen to him say, “I really do remember, though. Every second with you. I’m so glad you’re back ‘cause it killed me, Donna.” The Doctor clicks another switch as he continues on, “It killed me, it killed me, it killed me.”
"We can have more days, can’t we?" Donna inquires, her tone laced with a mix of hope and curiosity. Her eyes reflect a desire for a future filled with shared moments. Continuing with optimism, she suggests, "I mean, why is it such a big goodbye with you? Why is it one last trip? ‘Cause you could visit. With my family."
The Doctor, absorbed in examining a screw, listens attentively as Donna paints a vivid picture of ordinary yet precious moments. "We could do outrageous things, like have tea, dinner, and a laugh! And Rose’s school play. Well, maybe not that. She can’t act. She’s terrible. I don’t know how to tell her. But the point is, you’ve been given a second chance. You can do things differently this time."
Encouraging him to embrace change, Donna suggests, "So why don’t you do something completely new and have some friends?"
The Doctor contemplates the idea, responding with a hesitant "Maybe. Yeah." Donna chuckles, savoring the simplicity of their current moment. "Mmm. Like now," she remarks, lifting her cup as if to toast. "Here we are. Having a coffee."
Before the Doctor can respond, Donna's accidental spillage disrupts the calm, eliciting a gasp from her. "What’s gonna go wrong—" Her sentence is abruptly cut off as the spilled coffee interacts with the TARDIS console, resulting in sparks and flames.
With urgency, Donna questions, "What’s happening?" The Doctor, swift in his actions, ushers both you and Donna away from the unfolding chaos. The TARDIS groans and whines as its engines protest, and the cloister bell rings ominously in the background.
"We could end up anywhere in time and space," the Doctor confesses, a tinge of uncertainty in his voice. As the atmosphere fills with anticipation, you brace yourself, thinking, "Here we go again."
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justaragdollysblog · 2 months ago
Note
The whole tadc cast having a sleepover in kingers fort, complete with comfy pajamas thanks to Caine :3
Circus Sleepover!
HI GUYS!! we’re almost at 100 followers so I wanted to go ahead and post some requests!! i’m so sorry about the lack of content lately!!
——————————————————————
The circus was hardly a place of community or relaxation.
The bright colors that left your (and everyone’s various eye/eyes) aching, the ringmaster’s effervescent persona blaring at all times of day…
The hustle and bustle of it all wore on every single member of its unwilling (and in Zooble’s case, un-participating) troupe more weary and disoriented than the last day.
But, the cast of wacky and zany characters found themselves united under one common goal: A sleepover in the coziest member’s pillow fort.
Ragatha, Jax, Pomni, Gangle, Zooble, and the titular Kinger sat in his oversized ‘impenetrable fortress’, each adorned in a different cozy and aptly assigned nightwear.
Ragatha, who was curled up happily on the eastern corner of the fort, wore her powder blue frilly nightgown with pride. It flowed down her plush frame with pale yellow ribbons to accent it.
Pomni was free from the trials and tribulations of her pesky jester hat, now sporting a red and blue striped silk shirt and plain pajama pants.
Jax snickered to himself as he grabbed Zooble’s arm part to scratch his back. After he had attempted (read as: tried to beg) Caine to let him go shirtless, he was stuck with a breathable shirt and sweatpants.
“Ugh! Give that back, dip[BINK!]!” Zooble hissed as they snatched the removable limb back. Zooble had on a graphic tee and shorts, while Gangle messed with her frilly pajamas.
Jax’s ears twitched as he watched Zooble pop their arm back into place. “Okay, okay. Are we getting this show on the road or what?”
“Oh, yes!” Kinger happily answered, only wearing a nightcap atop his chess head. He pulled out a small projector machine he had asked Caine for long ago.
As he flipped the switch to the ON setting, the pillow fort lit up with a starry display.
Galaxies, universes, planets..they all dotted the homey fort as the cast members gasped in awe. Purples and yellows danced across the plushy walls, comets swirled by Pomni’s head…
everyone was absolutely entranced. “Oh…it’s beautiful…” Gangle mused through her tragedy mask. She reached out a ribbony hand and stardust dotted the red paper.
Pomni nodded in agreement, her pinwheel eyes as wide as her sclera. “It’s..amazing, Kinger. It’s almost like..we’re really there.”
“…Really where?” Kinger murmured.
Pomni shook her head fondly, leaning it on Ragatha’s shoulder as the two watched with visible awe and wonder.
Gangle wrapped her ribbons around Zooble, also cozying in for the night. Zooble chuckled affectionately. “Do you plan to use me as a bed all night?”
Gangle smiled sleepily through her ever present tears. “You shouldn’t be…so comfy if I wasn’t supposed to…”
Slowly, one by one by one…the cast’s eyelids (or lack thereof) began to droop and close. Soft snoring filled the small igloo of pillows as sleep took over.
—-
The next morning, Caine appeared just as usual for his performers. He had a doozy of an adventure cooked today!
NPCS? Check. Daring and dangerous puzzles? Check. Existential dread? Double check!
Devoted and dedicated performers? Che-
Wait. Where were all of his delightfully dedicated donuts?!
He buzzed around with a frenetic energy. “Oh no! I need to find them! To have a show without a cast is unfathomable!”
He checked all around, searching every nook and even cranny to find his beloved billowy bulldozers. Until, finally, his heterochromatic eyes landed on the fort.
He adjusted his suit and tie, fixed his hat, and floated over. He gently pushed open the ‘door’ to the fort, peering inside.
His cast was soundly asleep. Everyone seemed to be cuddled (was that the right word? He wasn’t sure.) on top of each other.
He chuckled softly and warmly to himself.
“Sleep tight, superstars.”
_______________________________________
WE ARE BACK WOOO
i hope this didn’t take too long!!
reblogs are appreciated!! see you guys next time!!
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