I made an art of my d&d character and their assorted pets & gear. This is the first digital color thing I’ve done with this level of detail and I think it turned out pretty well!
Salt (warforged artificer/wizard) by the sea (ft. Sumi3 the steel defender, trident of fish command, magic quill, intellect Ioun stone, blue dragon scalemail, robe of eyes (+sunglasses for the eyes), Ra’ee the tiny!owl familiar, pearl of power, awakened spellbook, and an enchanted shield).
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“Bail, it’s the only way. It’s the only hope you have of remaining in a position to do anyone any good. Vote for Palpatine. Vote for the Empire. Make Mon Mothma vote for him, too. Be good little Senators. Mind your manners and keep your heads down. And keep doing...all those things we can’t talk about. All those things I can’t know. Promise me, Bail”
“Padme, what you’re talking about - what we’re not talking about- it could take twenty years! Are you under suspicion? What are you going to do?”
“Don’t worry about me,” she said distantly. “I don’t know I’ll live that long.”
STAR WARS: EPISODE III - REVENGE OF THE SITH [Novelization]
by MATTHEW STOVER
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remember this? well. let's go!
both ena and an have pretty famous fathers, and it was always somewhat expected of them to be worthy of their legacy, in some way. both of them were told, "of course you're good at art - you're shinei's daughter!" and "of course you're good at singing - you're ken's daughter!" respectively.
they were always perceived via their fathers, not allowed to step outside their shadow and be seen for themselves. they couldn't be ena or an.
and, you know, for a time, they went along with it. i mean, they were good at what they were doing.
but then... all comes crashing down.
for ena, there's the obvious bullshit that's going on with shinei. completely destroying her. because she admired her father, because he was the reason she wanted to do art to begin with, and he told her to her face that she would never be good enough.
her entire world fell apart, that day.
because no matter what she says, ena wants the approval of her father more than anything else. she wants him to tell her that she's worthy of being his daughter, that all her hard work amounts to something; anything.
but then, there's the eventual revelation that she wasn't anything, actually. she wasn't special.
everyone was better than her.
before, ena was a fish in a small pond, and of course, she was among the best. but now she's been dropped in a vast ocean, and she's small, and insignificant.
devoured by all the other fish.
one of them - and admittedly, the most important of them all - being futaba. she joined after ena, but she proved herself in much less time than her. and, even succeeded where ena failed - she never gave up, even when she was harshly criticised. never regressing artistically. never running away from art.
and there's something else, somewhere deep down - a fear. a fear that nightcord will abandon her when they realise she can't keep up with them. that she's not as good as they thought she was.
what will happen of her, then? she'll be all alone. unloved.
an goes through something similar.
she meets kohane, and she decides that this person is going to be her partner. that they're going to surpass THE rad weekend together, that no one could be better for this task but her.
but when she starts that relationship, it's with the assumption that she'll always be the teacher and that kohane will always be the student.
not in a mean, or pretentious way, no, not at all. simply, an was always told there was no way she couldn't surpass rad weekend, since she was ken's daughter. in her small pond, she was also among the very best.
but then, an realises something, too.
kohane is much better at everything than she is.
very similarly to ena's situation with futaba, kohane made much more progress in barely a year than an has in years. taiga - one of the old RADers, and somewhat of an uncle for an - recognised her potential, and asked to train her. not an, but kohane.
and of course, an is happy to know that! because that's her partner and friend, and an is happy to see her grow more confident and get better every day. because she cares. because she loves her.
but there's something in her chest - something that hurts and aches. she has to face the fact that she's not as good as she thought she was, that she isn't worthy of her father's legacy. that she isn't worthy of being kohane's partner, that she might be holding her back.
that she might be abandoned. left behind to rot.
what will happen of her, then? she'll be all alone. unloved.
to me - ena and an are two kids suffering under the weight of a legacy that's too heavy for them to carry, but that they can't let go of. they're also struggling with seeing their peers succeed where they repeatedly fail. they're all about being terrified of being abandoned because they're not good enough.
they're both confronted by this fact.
and it terrorises them.
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"You have such great people skill! I am too abrasive, I'm not good at that."
Mate it doesn't exactly come naturally ok. My agoraphobic ass is, by default, spectacularly off-putting, a terrible conversationalist and account of hating having to make conversations, and really abrasive because "why are you still talking" and "so can I stop the conversation like, now?" is always on the tip of my tongue and will jump out of my mouth if I don't clamp down on it.
I think some people naturally have people skills ? But also many just LEARN them, the way you learn any skill. And you can have good people skills without enjoying interacting with people. You can have decent people skills even when conversation and people still does not make sense. You can absolutely bullshit your way into people skills because a lot of it is surface-level interactions that are virtually always the same. Lots of books, workbooks and manuals today will breakdown how to hold a conversation in various environments - and learning how to do it, even if I don't enjoy it and it still makes very little sense to me why we do things that way and it is still stressful and I would much rather NOT do any of it is a LIFESAVER.
What I am saying is, treat "people skills" like "basic cooking skills" or "cleaning skills". It doesn't matter if you don't enjoy it, if you are not interested in digging deeper, if it doesn't come off naturally, if the result is not outstanding, whatever. You just need these basics to get by in life, and it will make your life so much more easier. Getting started in the hardest part, it's intimidating, and you are super aware that you do NOT have the skills that every seems to have. Cooking skills approach: start small, start somewhere, read about it, and go from there.
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