#Harold Finch x John Reese

[aheroinasuit]

Stories written for @rinchfest 2023

A Promise to Commitment [G]

Summary:

Harold couldn't understand why John had taken this road to keep them warm. He wasn't complaining, but he didn't understand. Until he did.

Prompts used:

Huddling for Warmth • Belly • Nesting The Oh of Realization • Hurt/Comfort

Surviving and Found [G]

Summary:

After John's death, Harold found himself among people and in places he loved. Real or not, he kept searching for whom he had lost, until he found him.

Prompts used:

Family • Flowers • Food/Drinks/Cooking Time Travel/Loop • “Always”

Mending Broken Hearts [G]

Summary:

Neither could tell what it was they felt, and it was annoying and painful and left them alone, giving affection from afar. Until they finally, finally, find themselves at the same page.

Prompts used:

Mutual Pining • “Five+1”

Putting Down Walls [G]

Summary:

Everything started when Harold refected about how John respected his boundaries. More than anyone else, while he was determined to break every little one down. That reflection led to today... and today was the start of a new life. And a trip to Prague. To begin with.

Prompts used:

 Boundaries •  Wedding/Marriage

Creature Comforts [G]

He had led a life without indulging in anything other people loved. The exceptions of the things he loved to do were known only to him. Or so he thought. Harold would make certain John had everything he desired. And by everything, he meant everything. Everyone as well.

Chapter 1

Prompts used:

Pets/Animals • Music

Chapter 2 (written for catch up day)

Dancing • Bookshop • Declaration of Love • Retirement

Chapter 2 was partly inspired by @ununpredictableme's Flight of Fancy (The bookshop part)

[saudrag]

boys desperately kissing somewhere in naples

[tenrose]

I told you to move your arsenal.

I was going to.

When? After the whole place has blown up?

[thaern]

My God, just fuck already

[thedragonhermit]

First of all, surprise! More Person of Interest! Wow!

Second, my brain would not let go of trying to form a PoI x Fallout AU, and for a while I didn't think I could make it work (ie: how do you get a franchise dependent on stuff like the internet and phone booths to work in one with neither), until I had an actual shower thought about it being specifically a Fallout 4 AU!

Basically it's just Fallout-y versions of the PoI main cast, with Fallout-y versions of their backstories, and following a Fallout-y version of the show's plot, but the plot of Fallout 4 is also happening at the same time with John filling the role of the Sole Survivor (except Harold got him out of Vault 111 instead of Father, and John isn't Shaun's dad lol). Oh and the Institute's surveillance of the Commonwealth is provided by the Machine, and yet Finch has ensured they don't have full access so he can use it the way he wants to: to help improve the lives of the people of the Wasteland!

[lemonpepperworld]

Person of Interest is my favorite show even this many years after it concluded

And the fans online have made the BEST EDITS

Here is one that I am obsessed with? The way that the scenes are spliced together with the song lyrics and the lines from the show?? Specifically Root on the building ledge almost falling right after a clip of Shaw saying “you know that thing that made you flinch?” Follows up with “I don’t get that”

ITS SO GOOD I CANT EVEN

I am just obsessed with the number of clips they had to splice together to make it so fluid—WHAT MAGIC GOD DID THEY HAVE TO SACRIFICE TO??

[sos-gonetolake]

The one true ship in person of interest MUST be finch x reese. The way Finch LIGHTS up when Reese shows up to save him, how sad he’s looking now Reese tried to quit and how happy he got when Reese said they could go buy a suit and fly back home together… the dog.

[saspas-library-of-craziness]

Headcanon: John knows how to salsa dance, but he learned it from a childhood friend, and he never needed it for CIA use, so Harold is unaware until a number draws them to a fiesta in which dancing is the only way to protect her sufficiently.

Harold becomes increasingly concerned that John will flub this up, because he refused to go to the beginner salsa dance class the night before.

And then at the fiesta, the dance begins and Harold's at the edge of his seat out of nerves, but John makes eye contact through the camera he knows Finch is watching through, winks, and just absolutely lets loose.

I'm talking:

I should prolly write this fic 😅

[bookwormandsci-fifanatic]

How team Machine met one another. I couldn't find a good picture for Bear or Carter

[i-used-to-be-a-spy]

[worstwolverinesbf]

what is it with guys dying on rooftops as their short bestie who they’re kinda shipped with watches?

[aheroinasuit]

Harold was cold, and lost, and didn’t know what to do. He felt like floating in water and being pulled down by a heavy anchor in the dark waters simultaneously.  Maybe there was an iceberg he had hit on. He shivered in the cold and loneliness when he felt a body behind him, strange, but also familiar. Strangely familiar.  “Mr. Reese?” Because who else could it be? “Yes, Harold?" John’s voice was strange, thicker than usual, raspier eveen, if that was possible.

Read more at A Promise to Commitment [G] in AO3

Written for @rinchfest Day 1

Huddling for Warmth • Belly • Nesting The Oh of Realization • Hurt/Comfort

[onceandfuturemoron]

John Reese and Arthur Pendragon: *pushing Harold and Merlin out of the way first thing upon facing danger (mostly behind themselves, shielding them)

John and Arthur: hurt me all you want but touch him and I'll burn you

Merlin and Harold that are basically criminals and very dangerous when they want to be: my boyfriend will destroy you bitch

[primaryasset1]

Do you ever wonder if Reese just stares at Finch sometimes when they're in the library together? Reese just siting quietly, eagerly taking in every detail about Finch and filing them away as Finch reads or types or something.

And it's not like Finch doesn't know, but he lets Reese do it -doesn't look up because if he does he knows Reese will quickly glance away as if he'd been caught doing something wrong- and he knows that watching him somehow soothes Reese, so he lets him stare. Encourages that moment of blissful peace as they sit quietly together because if anyone deserved something good -to feel safe, happy and loved- it was John Reese.

Who is soft and kind and unapologetically bright despite the fact that he's had life try to smother that light. Who will go out of his way to make sure Finch is comfortable even if he has to bend over backwards to do it. Who brings his favorite tea and pastries from the shop he likes. Reese, who would die for him without Finch asking, but instead lives for him because that’s what Finch needs. So if he could give Reese this one thing, he would, every single time.

[willowmosby]

Listen I told my self that I wasn't going to get invested enough in Person of Interest to talk about here but here I am anyway. It was chugging along being a good background show with Some really fun, if a little trope-y, cop characters and watching Harold Finch and John Reese act kinda gay and stop crime. I'm a big Amy Acker fan ( that's actually why I even started the show) so I wasn't upset about the shift in focus towards Root and Shaw a little bit as I entered season 3.

The problem I have actually run into is fucking season 3 episode 9: The Crossing. It just made me angry at a show's choices in a way I haven't felt in a while - please note I haven't watched past that episode as of writing this but I will eventually do so.

An the assumption that she really is dead( that looked pretty fucking fatal) I will miss Joss Carter a lot but that's not necessarily what made me angry. It seemed to me that the writers knew that the actor wanted out of the show from the start of the season as the whole season 3 arc was a seemingly slow moving suicide. It wasn't poorly written but it was obvious that this was a different type of Joss Carter than season 1 & 2.

No my problem wasn't necessarily her death. It's the "romantic" declarations of the episode. Now before you look back at the start of this and post and think I'm just mad because it wasn't my very unlikely to ever be a cannon ship that got confirmed, well you're only partially right.

Yes I'm a Rinch shipper( if follow my blog at all you've probably put together that I often root if the queer ships) but I genuinely would have been fine resigning myself to fanfiction while they get hopelessly paired up with some unsuspecting women. I understand that's how crime drama TV operates. And you know I actually like John and Zoe as a ship, if they were developed a bit more I think they could've been a lot of fun.

My problem is not that the whole you "saved me from commiting suicide" speech John gives Carter is equally, if not more, applicable to his relationship with Finch. Well, okay my problem is not only that. My problem is where was any of the romantic build up between Carter and John, like literally anything? They work great as narrative foils when Carter was still on the "the law is the only law" train. And they work great as friends as Carter steps more into the "some minor crime for the greater good is okay" camp. But not once did I think " oh these two are about to fall in love". Not even when Shaw asked about it earlier in season 3 did I think the show was going to actually pair them up like this. Now I hear you when you say that there are examples of characters with less chemistry have become couples. It's just, I'm not sure what the narrative gain is here. They had to know they were killing off Carter that same episode and this "revelation" doesn't add anything to the character. If anything it doesn't make sense with the revenge for Cal Becher (Beacher? Beecher?- You know who I'm talking about) angle that the writers have been using all season. And if it's about furthering John's character that's just dumb. I wouldn't consider it fridgeing as I'm pretty sure this is an actor who wants an out of contract situation(feel free to correct me if I'm wrong), but that doesn't excuse it as a narrative choice. John unequivocally cares about Carter and would be upset about her death regardless or romantic inclinations, as would Lionel and Finch. They already have an in on the revenge story line (which is where I assume they are going with this). Why bother with the romance especially when John already has the lost love story in his background. Like what Jessica isn't enough of a dead romance they needed to shoe in Joss as well.

Anyway I also wish this was like a mid season finale not episode like 9. Like bro why are you putting away one of your biggest villains so far and this is only a third of the way in the season.

And I wish that Lionel wasn't just suddenly back in the plot, like I know you have a bigger cast now and I m glad he's here but build the guy up a little bit better please.

I also think the Root in a cage thing is a little weird like I know all of these people are chugging the " the ends justify the means" juice but it still seems like there are other options Finch would choose. ( that being said Root and Finch's conversation about the machine somehow come off like " I had sex with your daughter, and I don't care if you know” which was hilarious to me)

Anyway sorry for the rant thanks for listening and I do hope the show gets back into a groove.

[thedragonhermit]

More Person of Interest x Fallout AU!

I said in my previous art post that if I kept thinking about this AU I would post more about it, and guess what, I've been thinking about it :)))) So here's a summary of what I've currently got for it (I say "summary" but this ended up really long oops)

John Reese

His backstory is practically the same as PoI canon except it all happened in the pre-War Fallout universe, with the CIA National Clandestine Service: Special Activities Division under the control of the pre-War Enclave. Him, Staton, and Snow still had their final mission in China, but their infiltration was more high stakes as it was during the Sino-American War.

After surviving the missile strike, Reese manages to return to the States and works to track down Jessica just like in canon, only his search leads him to the community of Sanctuary Hills near Boston. By the time Reese gets there, she's already dead.

He learns her husband Peter abused her/disguised her cause of death as a car accident, and avenges her the night of October 22, 2077 by disposing of Peter. The following morning, Reese, still wallowing in his despair and rage over not being there for Jessica, is still in their house when a representative from Vault-Tec shows up at the door. He ends up answering and is signed up for Vault 111 under Peter Arndt's name.

Just like in Fallout 4, the representative's timing couldn't be more perfect as the bombs start falling not long after. Although Reese is in a state where he wouldn't mind going out with nuclear fire, he's whisked off to Vault 111 with the other residents who've applied, enters just as Boston is hit, is provided a vault suit to change into, and is directed into a "decontamination" pod-- aka a cryopod meant for testing the affects of long term stasis.

Reese doesn't wake up until 210 years later when the Vault's life support systems are beginning to crash, and exits to find a bespectacled man claiming to have just saved his life and somehow knows his name is John Reese; not Peter Arndt as Vault-Tec's records claim. He also manages to convince Reese not to kill him over knowing all this and to instead join the cause he woke him up for.

Harold Finch

A researcher for the Advanced Systems division of the Institute, though oddly not everyone can agree whether he was brought into their fold from the outside, or if he's always been there. Despite being in Advanced Systems, his work is primarily for the Synth Retention Bureau as the sophisticated Machine he built and maintains provides them their mass surveillance of the Commonwealth, while also predicting potential threats and locating runaway synths with incredible accuracy.

Finch is also seemingly the only one in the Institute who has a modicum of sympathy for the "uncouth, unclean, and uneducated" masses above ground, considering he's secretly using his Machine to try and help the people of the Commonwealth-- even if those efforts conflict with the Institute's plans.

He's a very mysterious and private man; the more you learn about him, the less you seem to really know him. Finch will talk about places and factions outside the Commonwealth as if he's seen them with his own eyes/interacted with them himself, and yet will deny having done so. He'll even talk that way about pre-War events, unnerving Reese with implications that Finch is from his time.

The Truth: he was born around 2234 and raised Harold Wren in the Enclave alongside his best friend, Nathan Ingram, with the two building the Machine together at Raven Rock. When their creation (mostly Harold's creation as Nathan would admit) neared it's official completion in 2276, Nathan confided in Harold that he'd overheard the Enclave higher ups' true intent for it-- to merge it's surveillance and predictive capabilities into President Eden; effectively erasing the Machine's emerging identity and just making it a part of the pre-War ZAX unit.

Harold was seemingly unbothered, having suspected this was going to happen and already accepted it, but Nathan was less accepting. Vowing to save the "life" Harold had inadvertently created, he downloaded the Machine's code from Raven Rock's servers and split it between two portable devices -- a modified Pip-Boy and an eyebot -- so he could run away from the Enclave with it. Harold learned of this plan when Nathan gave him one last chance to join him, only for Harold to try and talk him out of it. His friend's mind was stubbornly made up, however.

Harold didn't let Nathan get too far from Raven Rock before finally going after him, unable to abandon (or be abandoned) by his childhood best friend. Nathan was so pleased, he immediately handed over the Pip-Boy, claiming Harold technically held more custody over the Machine, then took a few unfortunate steps right into a hidden landmine.

Harold woke up, head pounding and the back of his neck bleeding, with the eyebot beeping frantically over him. When he sat up, he saw that Nathan was dead and that the Machine was somehow still functioning despite the haphazard way it's code had been cut in half, warning him of imminent danger on the Pip-Boy's screen. The Enclave was already coming after them.

Though it was extremely hard to leave his best friend, let alone how painful it was to move, Harold got to his feet with the eyebot's help and limped to the closest settlement to get quickly patched up before leaving the Capital Wasteland altogether.

He spent the next few years wandering the greater Wasteland with the Machine as his only companion; getting the Enclave off their trail with a convincing dead body double, trying not to attract the attention of the Brotherhood of Steel or more deadly factions like Caesar's Legion, all the while coming to better understand the very thing he'd built.

When Harold learned of the Institute in the Commonwealth, he convinced their Director into letting him join, then uploaded most of the Machine into their servers to hide it from Enclave and BoS searching-- though he kept the most vital code on the eyebot and a back door in his Pip-Boy to shield it from the Institute themselves (all parts of the Machine communicate remotely via an encrypted radio station).

Having seen the greater Wasteland for what it was, Harold gained a sympathy he hadn't been raised with while in the Enclave; a sympathy he could see the Institute also lacked. So he elected to take matters into his own hands and improve it with the Machine. But they couldn't do it alone.

Thankfully, he had happened to read an old, pre-War Enclave record when he was younger about an exceptional agent named John Reese who'd allegedly ended up in Boston despite being pronounced dead on mission in China...

The Machine

Considered a "miracle" as it's the first AI of it's scale to be successfully created post-War.

It's eyebot hides in plain sight among the eyebots that patrol Diamond City when it's not with Finch.

In PoI canon, the Machine provides it's "irrelevant" numbers by listing letters that match up to authors on books in Finch's library, with the dewey decimal system becoming the target's social security number. That system is flipped in this AU; the Machine gives numbers that match up with books in the Boston Public Library (Finch and Reese's hideout, tho I can't decide if they left the super mutants in it to help with their cover lol) that spell out their target's name.

Okay great, they have a name, now how do they track them down without the internet? Well, the Institute with all its surveillance of the Commonwealth has a large database of "persons of interest" that Finch just so happens to be able to access (I think in F4 it's just lists their secret synth agents?? But I feel like they also listed off people they felt may cause issues... idk, if that's not canon, it is canon for this AU!)

There are names they receive that don't appear in that database however, meaning the boys have to track them down the old fashion way-- asking around until someone who knows the target tells them where they are. The Machine will help sometimes by providing a time and place where the target is most likely to appear next.

Obvs the names of every Fallout 4 companion comes up, either their own name or someone related to them. They also get all the names related to F4's main and side quests (as well as some PoI characters like Shaw).

Technically there already is a threat predicting AI in Fallout 4 (Predictive Analytic Machine aka P.A.M.) which the Railroad can gain access to. It's purpose pre-War was to predict when the bombs were going to fall, but it's more like a complex algorithm that requires human input to operate-- whereas the Machine is a proper thinking AI that takes in it's own input via surveillance in order to make it's decisions.

I like the idea of Finch becoming aware of P.A.M.'s existence when the Railroad is suddenly out predicting the Machine, and though the Machine is ultimately capable of out thinking P.A.M., Finch ends up "crippling" the Machine in such a way that it can only out predict P.A.M. so much to allow the Railroad to continue evading the Institute.

Bear/Dogmeat

Instead of finding him at the Red Rocket gas station between Sanctuary and Concord, he's been confined to the life of a Gunners dog. When Reese sees him, he can tell he doesn't like his "owners" considering he's acting stressed and is kept on a leash unlike this gang of Gunners' other dogs. Reese also finds the name "Dogmeat" mean (like how he didn't like canon Bear's former name, Butcher) and that's why he renames him when he frees him from the Gunners.

Bear answers to both Bear and Dogmeat, but Reese is convinced he's happier when called by his new name.

Root

A Wastelander originally from the Texas area named Samantha Groves. When she was very young, her and her mom were picked up by Caesar's Legion and were stuck with them for a time, until a moment for escape opened up. Her mom urged her to run west towards NCR territory, which Root did and allowed her to be rescued by the Followers of the Apocalypse.

Under their care and tutelage, she proved herself naturally talented when it came to computers and started coming into her own as an impressive hacker. She befriended an older girl named Hanna who was also under the FoA's care, but sadly she was abducted and killed by an NCR officer, with Root the only witness.

No one believed her when she said what had happened to Hanna, leading to her taking matters into her own hands and luring a gang of Fiends into killing her friend's murderer before leaving.

For some time after, Root traversed the Wasteland, earning caps mostly by being a shadowy assassin who made use of hacking computers whenever they were available. The further east she traveled, the more she heard rumours about the Institute, peaking her curiosity and leading her to the Commonwealth. Where she eventually learns of the most incredible thing she's ever heard of: a miracle of a god-like Machine watching over everyone in the area...

S2-16 aka Shaw

An elite SRB Courser who was personally trained by Conrad Kellogg (for those who don't know Fallout 4, he's basically Hersh and provided the special combat training used by the Courser synths of the Institute. If Hersh were in this AU, he'd just replace Kellogg, but I've decided to keep Kellogg instead).

Like I said in my art post, her partner M4-39 becomes a bit too infatuated with the Railroad (whom they're supposed to be enemies with) and goes so far as to give himself the name Michael before trying to defect to them. He tries to convince S2-16 to go with him -- who he had started calling Shaw instead of her designation -- but he's ambushed and gunned down by X6-88. Shaw is considered also compromised just by having been his partner, even though she wasn't into the idea of joining the Railroad, but X6-88 doesn't believe her.

Just like in season 2 episode 16 (see where I got her designation from haha), while Reese and Finch are trying to help her out, Shaw gets captured by Root who's wanting more information on the Machine-- though in this AU she's wanting a way into the Institute so she can get at it directly. But the only known way in is via teleportation. Each Courser has a relay chip in their brain that allows them to be teleported back, which Root threatens to cut out of Shaw if she doesn't give her another way in. Shaw's freed before that can happen, but later agrees to Finch's proposition that she have her chip removed (in a safe manner) to prevent the SRB from tracking her down.

The job of a Courser, for those unaware, is to hunt down and bring back escaped synths. In order to ensure they follow through with their orders, they are installed with emotional dampening programming to prevent them from sympathizing with their targets. Although Dr. Amari is able to remove her relay chip, she's unable to remove this programming, leaving Shaw just like she is in canon: mostly devoid of emotion (besides rage).

Free of the Institute, she officially starts going by Shaw in honour of Michael and turns to focusing on tracking down Root (in a toxic yuri way).

Joss Carter and Lionel Fusco

Both were members of Diamond City Security until Carter's display of detective work during one case impressed the Great Green Jewel's only detective, Nick Valentine, so much that he offered her a job as his partner. Ever since, she's worked as a part of the Valentine Detective Agency alongside the old synth sleuth and his assistant, Ellie Perkins.

She's drawn into working with Reese and Finch after Valentine's name is given by the Machine when he's locked up by Skinny Malone in Vault 114.

Although Reese becomes known as "the Man in the Vault Suit," he also becomes a suspect in Valentine's ongoing Mysterious Stranger case, leaving Carter to try and keep him off Reese's trail.

Meanwhile, just like in canon, Fusco is stuck on the opposite side of things as he's a part of this AU's version of HR; a collection of corrupt DCS officers (which is most of them) who work back door deals with Gunners and Raiders for chems and caps, while pulling all sorts of strings in Mayor McDonough's favour.

He's dragged into Reese and Finch's operations when the Machine gives them Piper Wright's name, as HR is obvs not a fan of Diamond City's famous nosey reporter. With Fusco under Reese's thumb, he manages to get HR off her case as best as he can, but it's tricky work with Piper not being one to give up a story that easily, danger be dammed.

A Few PoI Baddies

Speaking of HR, Alonzo Quinn is still it's secret leader, being both an Upper Stands resident and Mayor McDonough's advisor. HR is ultimately in McDonough's pocket and takes a fair amount of commands from him, so long as Quinn agrees to them as well.

Patrick Simmons, HR's second in command, is the head of Diamond City Security instead of just being an officer.

Elias operates out of Goodneighbor and gradually takes control of most of it's gangs, including the Triggermen. He has a deal with Mayor Hancock that allows him to operate on the promise he won't pose a threat to Hancock's rule, though who knows how long that will last. I kinda want to make him a ghoul just for fun... that and/or go really wild and make him the son of Eddie Winters...... idk

Control would be the head of the SRB, potentially having replaced Zimmer after he went off to the Capital Wasteland.

Samaritan would be an Enclave creation, likely built from pieces of the Machine's own code that may have lingered after Nathan and Harold escaped.

Annnnnnnd that's basically the framework of what I've got!