#He had to be warned his time was up

[runnerfivestillalive]

This is from the book, while Crowley is trying to talk Aziraphale into helping him stop armageddon, and does his drunken ramble about eternity. Apparently God enjoys The Sound of Music.

“You’ll enjoy it. You really will. You won’t have a choice.”

I feel like this line gets overlooked a lot. It’s an important line, for sheer horror potential.

Whatever the control mechanism is, clearly it isn’t running on every angel at all times, because if that was the case, a rebellion never would have happened. Aziraphale wouldn’t have six thousand years of doubts piling up to critical capacity. Gabriel wouldn’t have been able to escape.

But it’s also clearly very easily turned on, since they both accept that it would be used for something as petty as enjoying a movie. This lack of will can be rolled over angels at any time, for any reason.

Aziraphale clearly has some dread of this. *Crowley* knows it, and used it to convince Aziraphale to help him stop armageddon. But Aziraphale is very good at letting one part of his brain know something while another part of his brain denies it, so it’s not clear how much *Aziraphale* knows he dreads it, even as that dread shapes his character.

He’s never really broken free of Heaven. Even when he was being called a traitor, he wasn’t fallen, and so he was expecting to be called home eventually. And he’d be happy, of course. He won’t have a choice.

Aziraphale’s been trying to walk away from Heaven for at least six thousand years. He walked away from guard duty. He gave away his sword. He lied straight to God’s face about it. He lied to the archangels, and then straight up told Crowley he was ready to go to Hell. Several millennia of trouble-making and demon-fraternizing later, he stood in the middle of Heaven, declared he wasn’t going to fight in any war, then escaped via the demonic act of human possession. He is ready to GO.

And still his wings are snowy white. He’s just as angelic as when he first worried the pretty starmaker might get in trouble, and tried to protect him with a warning.

But he can’t escape. Heaven isn’t letting anyone else go. And he knows what his future holds. Eventually, no matter how many times they put it off, eventually he will be called back to Heaven.

And so, what promises can he make Crowley?

To stay with him always? Of course not. To love him? Can he even promise to love him? No. He’ll eventually be dragged back to Heaven, and he’ll be happy to go, and he won’t even miss him. *He won’t have a choice.*

And perhaps that’s the problem. He loves Crowley too much to make promises he can’t keep.

[ruporas]

asking and receiving (bonus below readmore)

[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.

The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.

Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"

More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"

In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."

A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]

[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]

[meamiiikiii]

5% of a color headcanon.... two versions since b&w emphasizes the dagger more i think but i still like the warm tones ASFSADA

i am not biased towards rainbow daggers whatsoever i promise (lie)

((also friend is streaming now and im there too!! bit more info linked here, its rated mature tho))

[dammarchy211]

Ain’t That A Kick In The Head

The funny part about it is that this Courier Six doesn’t even kill him he just threatens the fuck outta him

Bloodless alt:

Some Benny doodles too but these are a bit more old so they’re also a bit more shit

[they-didnt-last]

anyone interested in talking about the iconic 2000's middle-grade-bordering-on-ya book series gallagher girls??

[canisalbus]

I had a dream with Vasco and Machete last night, I don't remember all details, but I do remember people talking about Machete being some sort of fallen angel or something. I even saw flashes of his angelic form in between, I'll have to draw those when I get back home. It was both scary and delightful.

.

[unordinary-diary]

Blyke in Season 3.

This is my prediction. With the way Season 2 ended, I think they’ll find Blyke months later looking something like this.

Shit happens to people in prison. Terrence was murdered in his cell, Rein was worried about being killed by other inmates, hell, Blyke’s already pretty banged up in the finale and he’s been there for 2.5 seconds. Not to mention that the Authorities seem to have no problem torturing kids *COUgh* Keon.

Perhaps it’s a bit pessimistic, but the story’s been getting a lot darker lately. I doubt Blyke’s getting out of prison without a little extra trauma at least.

Latest Chapter as of Prediction: Side Story — Triple Threat (1)

[billiuspendragon]

Okay I'm kinda talking out my ass/projecting my own autism onto Saiki here but:

Though Saiki is an unreliable narrator and truly loves his friends, I think some of his resentment over hanging out with them is real, and I can understand it.

I am a person who can readily admit I love my friends, and I do like to socialise, but I need plenty of warning beforehand and time to recuperate afterwards, because socialising takes effort. When I'm invited to do something or hang out with friends, I almost always feel a shadow of resentment about it - even if it's a thing I want to do and with people I like. It still feels like I'm losing out on a day of doing jack-shit. Cancelling on doing jack-shit is still cancelling on plans, even if those plans were just "wake up, write fanfiction, draw pictures, etc." and it throws me off. I feel like I can't enjoy spending time with my friends unless I give myself time to get excited about it, and if it happens too suddenly I find myself shutting down or floating away a bit.

Now, if we look at Saiki, who's friendship with all these people was pretty much built on these kinds of interactions, and add those to his deep-rooted belief that he doesn't deserve friends, that resentment and anxiety must be even more strong. I think the fact that Saiki obviously grows to care for his friends really shows his deep desire for connection, even more so if we go with the interpretation that some of his negative feelings about them are real.

My point with this ramble isn't to say "Saiki really does find the others annoying and therefore doesn't like them" but rather the opposite. On some level, Saiki is "tolerating" being out of his comfort zone, but the fact that he's willing to do this for his friends shows that he really does care about them.

[hauntingjasper]

Blind as a bat

[nanierose]

Liam O'Brien characters have one mission, and it's to love their friends so much they will offer themselves up to save their friends no matter the cost to them personally. Looking forward to seeing how this particular deal will resolve itself, and what Orym has gotten himself into.

[vaguely-concerned]

sophia seeing cailan's body hanging there when they go back to ostagar, and suddenly all she can see even through the rot and the ruin is just how much he looked like alistair...... :'(

a mental image that totally will not haunt her through alistair's many years on the throne as rebellions and assassination attemps come and go. doesn't send her unhinged and unwise even a little

[throwawayasoiafaccount]

god tywin lannister deserved worse

just remembering elias death and i wanna puke and the way tywin talks about elia and what happened is so damn gross

but rip tommen and myrcella we all know what’s about to happen in the next book :/

the cycle of violence just keeps spinning and damn you tywin for beginning it

(i got a bit crazy in the tags 💀)

[setacourse4home]

Look, I think it's gonna be okay but I just want this on the record:

I am still highly salty over Captain Shaw dying in Picard S3. So if Rayner doesn't make it through Discovery S5? I am gonna be annoyed.

[thepandalion]

help I'm going insane over deltarune and Undertale stuff again

[enhanced-operatives-division]

Junicrane/Starstruck Ramble

I will not be brief, all under the cut

To clear some things right off the bat:

No corpse, no proof with Juniper. Obligatory this is set in a canon where he's alive and adjacent to the agency in some way.

Reggie & Juniper are just gay to me, but I don't mind any interpretation of their sexuality

The games are set in 1967/68 to me (based on a couple bits in game) which is before it was legal to be gay in America at least (1971), which is relevant to how I interpret canon as being somewhat grounded in reality, despite unrealistic elements.

This is just an insane amount of headcanons/elements of and AU all culminated into one post. I will talk about some headcanons like they're just facts because they are established in my head, and it saves me over explaining literally everything, however I will explain some parts a little bit for clarity.

Alright. Actual beginning of the ramble:

Juniper is a character to me who had gotten so lost in his job as an actor and a social presence that in the end his whole life revolved around that 'role'. Because of this, by the time he's put into the situation where he's around the Agency, he basically knows nothing about himself, though he doesn't realise at first. Furthermore, what little identity he had has changed in so many ways. He's no longer a beloved famous actor in the prominence of public light, he's legally dead and he tarnished his career just before he was supposed to die, with the bonus of that making him lose the majority of his estate. From that, he also has horrific facial scarring from the electrical burns from literally having his face fried. I believe a friend of mine made a post about this a while ago (I also think they were the first to think it up also), but, to me, Juniper has a permanent trimmer in his right arm (aka his dominant hand) from the electrical current and it is messing with his nervous system.

All in all, he's not doing great, but he's too proud to admit that he's not doing great, because if anything, what's left of his ego is all he has as a defense since he's deep in unfamiliar water.

Before ending up around the agency (I have multiple interpretations of this, so I'm just going to bring it up generally), he'd never actually seen Reggie, and his only impression of him is a single voicemail, which was his only reference he had to later impersonate him. Juniper probably has very little feelings other than the ones he projects onto him because of Phoenix and that, at the very least, he's physically attracted to Reggie to some degree (that's like the beginning of how everything else would tumble into place in this sort of interpretation at least).

And on Crane's side? His feelings towards Juniper are probably very intense and muddled. On the one hand, he adores musical theatre, and that's his now ex-favourite actor. The thought of just casually being around him blows the bit of fanboy in him away at first because THAT'S the GUY, plus the inklings of a celebrity crush which still poke at him. And then there's the rational side of him, which knows Juniper has committed absolute atrocities on the side of Zoraxis, and hates him for that. Then there's how much Juniper comes off as an asshole at first because he refuses to cooperate with anything the Agency tried to put in place. He finds Juniper endlessly frustrating, and yet he's stuck working with him since, afterall, he's the one who knows the Agency's history with Juniper the best. I imagine him acting a lot like how he does IEYTD 1 around Juniper.

At this point, I'm just describing the pitch for a romcom.

I think the start of their relationship with one another largely started with Juniper trying to wind Crane up. It was a way of getting his attention, and I don't think Juniper knows why he's so dead set on that at first, because I don't think he realises he has a crush on 'this grump' at first. (I think that's actually the fun part about these two, because it's almost like a role reversal of the celebrity crush dynamic. This ex-big name actor has a TERRIBLE crush on an average joe and it is KILLING HIM.) But of course the Agency keeps them together because Juniper is at least conversing with Crane, so it's a start.

Through one way or another, they actually get talking casually, at least mildly at first. It takes Juniper a long time to fully deconstruct the wall he's built, and the thing is, Crane isn't the one trying to deconstruct it, at least at first, because yeah, Juniper realises if he wants Reggie to actually like him in any way, he can't keep winding him up. So they talk. Small talk at first, something rhythmic and almost easy to keep to a script. And over time that turns into actual conversations. Genuine ones in which Reggie rips out the occasional one of his jokes which Juniper is endlessly endeared about. The way he smiles just before he makes them, like he wants to chuckle at what he's about to say before he says it. That's probably when Juniper realised that he does have some vague crush on him, and that it wasn't going away.

This is what kickstarts John I can't-buy-you-things-to-impress-you-so-acts-of-service-it-is Juniper to do little things for him. It mostly starts off as him trying to make Reggie his tea how he likes it. However, the nerve damage in his arm makes that hard, as the weight of the kettle and trying to pour is hard all of a sudden. And he refuses to accept that, so he tries for a very long while. Long enough that Crane would go to investigate what was going on. And when he does see Juniper leaning over a cup with the kettle as he uneasily tries to pour it, and when Crane asks Juniper responds so matter-of-fact that his intention is nothing but genuine. And it catches Reggie off guard because Juniper hadn't done anything like that up to that point, and his very apparent vulnerability is so clearly on show.

It shifts something between them.

From that point on, conversations are longer, more familiar. Both of their attitudes soften, and Reggie makes more jokes. Juniper learns how to better use his left hand while strengthening his right back to a point where it could be used again. Slowly, they're both spending time with one another not because they have to, but just because they can. Little bits at first, not too far outside what they already were doing, but those little bits turned into long bits to a point where the other person's company was genuinely desirable.

As time passes, Juniper probably realises that he doesn't genuinely know much about himself or what hobbies he's into, because he never really had the time when he got big, and his home life in his youth wasn't bad, but it wasn't picturesque. I think Reggie would pick up on it, and absolutely try to introduce him to some things he's into. Some things stick, other things don't (corn husking very much stays Reggie's passion, and John will go with him sometimes because it's him, but it's not something he strongly cares for). Crane introduces him to a lot of music, and it's something that becomes a staple between them, with tracks they listen to more than others (tragically, I know relatively little about 60s music so I couldn't really say what). Occasionally they dance, never anything intense, think slow dancing, but the closeness is nice.

Through all of it, Juniper is battling the worst crush of his life, and he can't stand it, because I think he struggles to read people since he doesn't have anything like a script or a director to refer back to, so he has no idea if Reggie likes him back or if he's just desperate for that to be true. I think because of that any sort of confession between them would be incredibly raw, not only because of the time they live in making it hard for them to be truthful about how they love, but because it's a complete show of Juniper who's worked to be this better person. I don't exactly know how that would go, mainly because I don't have one set version of their dynamic, this post is just a generalisation of main consistent points.

Reggie does like him back, because he's gotten used to Juniper being just this guy, not a figure in the public eye, not a Zoraxis lackey, and not any sort of Agency operative (despite being under their care to some degree). He's someone he genuinely cares for, because they've given one another the time of day to learn one another, and I think because Reggie was a field agent, he was a lot better at reading Juniper than Juniper was at reading him. Eventually Juniper's company becomes something he could see around him for the rest of his life, and I think he accepts that he likes Juniper a lot more gracefully.

I think any affection directed at Juniper would at first be met with him feeling a little muddled. Reggie was a very physically affectionate person when he could be, and sure the initial flirting with one another came with the occasional little touches, but everything now was so deeply intentional. I also don't think Juniper would almost ever get over the novelty of being able to kiss him, or many other gestures, because it made the fact that they were together so very real, and it was great. I do think it comes easier to Reggie, and it's a big way of showing how much he cares, so it's important for Juniper to try and show it back because he knows how much it means to the other.

I like the idea of them eventually living with one another, too. I think Juniper would have always had a quiet little daydream of sorts where he does just live a domestic quiet life, and he can with Reggie (well, as close as they can get between the Agency and Zoraxis always being at odds), and he loves that, and he loves him, and it's immense.

I think they cook for one another a lot, it helps Juniper work on his dexterity in a controlled environment, which means a lot because it's a huge point of insecurity (that and his scars). He does improve, and Crane is proud of that and shows it and it's great. I also think they'd probably cook together too, because they can deal with being in the kitchen together and they work well with one another. It's probably a good way for them to unwind because over time they can do it in relative silence.

As I said before, I also think music is a staple in their household, and that Reggie listens to things on vinyl almost all of the time because he likes the background noise. Sometimes Juniper will catch him chuntering along to the music which he finds endlessly endearing. I wouldn't put it past his dramatic ass to also join in to fluster Reggie, but I also don't think Reggie would mind that terribly because Juniper has listened to the music enough to know the lyrics, and that's huge to him.

I don't think they are without rough patches, no relationship is, but I think the good part about them is that they're willing to talk about it (... eventually). They're used to long conversations, and while they're often less fun conversations, they're needed and they know that, and it works out.

Alright. I think I'm done for now. I haven't mentioned everything, but this definitely got the worst of it out of my system. If you ever want to hear any specific thoughts my ask box is open but other than that, behold my general dynamic for these two which has been festering in my head for years. I think they're great

[gh-0-stcup]

The Great Laws: Explained

Still seeing some confusion about the Paris coven and its laws, so I think an in depth explanation might be helpful to those unfamiliar with the books.

The Great Laws are an invention of the Children of Satan. The Children of Satan was a medieval cult of vampires. It was a way of reconciling their nature with their Christian faith. The philosophy is essentially this - God created all things and has power over all things so Satan is a part of God's order, vampires serve God through serving Satan.

The Children of Satan would renounce luxuries and comfort, avoid mingling with humans, and were not to look upon religious imagery because they were not worthy of doing so. They would also not kill humans who wore crosses because they were protected by God.

Members of the Children of Satan would kill (or attempt to kill) vampires who did not agree with their way of thinking. Or they'd just kidnap and torture vampires until they were agreed to join.

It was a religious extremist cult that terrorized vampires who were just out there trying to live their lives. They didn't represent the beliefs of most vampires nor are they meant to be a realistic example of "vampire society". They were unhinged religious weirdos who brainwashed a bunch of people.

And the past tense here is very important. The Children of Satan is a relic. As far as I can tell, by the time Lestat is turned the coven in Paris is the last one standing. And even that one is in decline. As theology and philosophy evolved over the centuries, their beliefs made less sense to even its own members.

Then Lestat comes along and provides the justification the cult needs to abandon its practices. He gives them a speech about how stupid they're all being and it works because they were thinking it anyway. He also provides them an alternative that allows them to keep a sense of community without the religious shit. Form a theatre company, make some money, meet some new people and have fun!

Unfortunately, Armand was one of those vamps who got kidnapped and brainwashed. He's spent the last several hundred years as the leader of a cult. He was never deprogrammed, he's never lived independently away from the cult, and he was never given much practical long term guidance. The only way he knows to keep control over a group of vampires is through the methods he used as a cult leader.

So the coven we see in the show is essentially just the Children of Satan without the asceticism and religious beliefs. Nobody else is doing this shit because the Children of Satan dissolved over 150 years before Louis and Claudia ever set foot in Europe.

Lestat didn't warn/educate Louis and Claudia about the Great Laws because they are rules of a cult Lestat was never a part of. A cult Lestat actively tried to put an end to. A cult that does not technically exist anymore, that Lestat might not even realize is still following this still.

Lestat did give them real, genuine, practical advice. Do not run off looking for other vampires. Though he says it in anger, his words are very true - other vampires present a serious danger to Louis and Claudia. Not because the trio broke some universal vampire code of conduct, but because vampires are vicious and often don't appreciate being disturbed by rando fledglings.