#I MANAGED TO GROW UP BUT YOU PEOPLE ARE STILL DOING THIS TOXIC SEXIST ASS DANCE

[shokveyv]

shut up

[hey-its-cammy]

This is No Mistake

Teaser 

Title: This is No Mistake (Teaser)

Pairing: Dean x Reader (Eventually) 

Word count: 3019

Summary: Y/N always felt out of place. Like she didn’t belong in this life. In this universe. She felt like she belonged and had a purpose somewhere else. Of course she never knew where until something bad happened and led her to her destiny. To her purpose in life.  

Chapter trigger warnings: Mentions of suicide, shitty parents, mentions of depression, mentions of low self-esteem, blood, minor character death

A/N: So I just recently thought about this and it has been on my mind recently. Maybe I can turn it into a series maybe not. This is actually one of my longest things I've ever written, positive feedback is always welcome and constructive criticism is nice as long as you are, I am always trying to improve ;) Let me know what ya think!

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Your home life wasn’t all what you had hoped it would be, it wasn’t bad but you suppose it wasn’t good either. After years of being bossed around by your mother and all the verbal abuse from your family members, it seemed that life wasn’t turning out like you had hoped. You felt like the walls around you were your cage. How? You have always been told and kept reminding yourself that people had it worse than you, that you had it made. Your mother and father fought constantly while you grew up and still do. You remembered a time when you were younger and hoped they would make amends and it would be better, it never happened. The fighting only got worse as you grew and started to become more aware of the arguments. Pretty soon you couldn’t escape them, they always seemed to happen while you were around. You wondered if they were fighting about you, of course they were. What else would they be fighting about? It has always been you or money, past things that your mother brought up that didn’t matter now. 

Both of your parents were quite complex yet strangely simple. Your father was a toxic masculine man, tall and with dark features. He was loud when he got angry, you were constantly afraid of him hitting you but he never laid a finger on you somehow. He was simple. He liked cars, you would help him with them when you were little. He was a mechanic. Honestly they were some of your fondest memories. Even if he was constantly fighting with your mother or really verbal with the abuse he laid into you, he managed to be surprised when you seemed to magically have self-esteem issues. Honestly, heavens no. Not his child. 

He was an asshole but there were moments that he wasn’t, you held onto those for your dear life. Like the moments when you were little? The nice memories of the past. They tend to sadden you now that you are older, wishing you could return into that carefree state of mind. Growing up sucked. Bad. Even when you were younger you saw what it turned into. Both of your parents were unhappy with life. It never changed. Even if you liked your father more than your mother, you still always felt uncomfortable around him. You two rarely spoke and when you did it was a question or small talk.  

Now your mother? Ha, she was something different than your father who was actually quite laid back. No, your mother was an uptight bitch who constantly rode your ass like a pack mule. Throwing more emotional and mental issues on your back like a load, expecting you to just accept it and move on. With her it was always her way or the highway or so the saying goes, something like that. Even with small things like folding laundry, if you didn't do it her way then she would get pissed off and blame things on you that have no correlation what-so-ever. It was just sad.

You never felt like you deserved any of it. It never sat right with you. Well everything thinks their parents are shit but why you? Isn’t that what everyone thinks? 

You held onto the moments where things seemed to be so normal, family outings to the fair every year or walking around the mall. Sure there were still some bickering and banter between the two of them but nothing like the usual. It was nice, you didn’t feel like running away and hiding. Something you often did when you were at home, being in your room all day everyday until your only best friend invited you out with her. She was a nice getaway, a break from your family. Hell, when you were in your teens you’d spend weeks at a time at her house. Her parents were divorced but her mom was cool, she let you drink sometimes. You two still are best of friends, peas in a pod, creme and cookie of the oreo. 

Now Anna, your best friend since freshman year of highschool, she was a character. She was your twin flame, or so she called it. Frankly you never heard of the term before she used it and explained it to you one night, you two were at her step-dad’s house in the kitchen. You remembered it vividly. 

The blonde haired, blue eyed female was to your right while you stood at the end of the kitchen island, looking at the marbled surface. Y/E/C eyes casted down on the surface under your fingers. 

“That’s what i'm saying, we lived virtually the same lives but yet we are different in most aspects.” She said softly but with enthusiasm. 

“Hmm?” You zoned out for a moment while she went on a tangent, thinking about a place that isn’t here. You did it more often than you’d like to admit honestly. You rather be hunting with Sam and Dean. 

“Y/N, are you listening? Twin flames.” She waved a hand in front of your face to grab your attention. 

Your glossy gaze lifted and became clear to focus on your bff. “Huh?” You said again. Sad you didn’t get to finish your thoughts about your hunt in this other world. It all felt so vivid and real until you came falling back into reality. Shit blows. 

“Twin flames. That's what we are.” She repeated herself. Maybe she picked up on the blank stare you gave her but when it clicked, she explained. “It's like your twin but not.”

“Helpful.” You nodded sarcastically. 

“Y/N i'm serious! Think of tinkerbell and her sister.”

“Periwinkle.” You said before your mind even registered that you knew it, must have been the millions of times you have seen the movies. 

“Yes, they don't really look anything alike at all,” She motioned with her hands between the two of you. “They are completely different but work so well with each other like they were made for one another.”

“Like a soulmate?” 

“No, well sorta but no.” 

“Ya lost me.” You tilted your head and sent her a half smile. 

“Ugh nevermind. But you’re my twin flame.” 

Those were the good days, when you were around each other constantly. You were fluid and around each other so much that when you were out, people thought you were dating. Of course the two of you would laugh it off and give that person a run for their money on that bet or assumption. That's just how you two were. You were a tomboy and she was a lipstick, it fit. She wasn’t a lesbian, she was bisexual and so scared what you would think when she came out to you. Honestly you just laughed and said you liked boobs too, who doesn’t? They are squishy! 

She was great but you always felt like she was just using you for emotional stability sometimes. Of course that’s not a bad thing but like...constantly. You were the less emotional one and when you were, you struggled with showing them. You only cried when you were alone, it took you five years of close friendship with Anna for her to actually see you cry. Of course that just had to be when she needed you to be strong for the both of you. At least in your mind that's how it was supposed to be. She was talking about committing suicide that night and it stuck with you ever since. She grounded you when you were feeling numb. Made the dark days sunny again. She was all you had.

Weakness was never something you took kindly to at all. Probably what you got from your father, you never saw him cry. You were always told to shut up and stop being a baby when you cried, people mocked you constantly. When you were younger you were very emotional but you couldn't help it. You were young. So now that you were older, you never showed it to anyone.

Now here you were, alone in your room, sobbing. One of your patients had died on your table today, he was a nine year old mastiff and his heart was too weak to take a simple knee replacement surgery. You loved big dogs so it only made your heart heavier. You were a veterinary surgeon at a local animal hospital about two miles from your apartment complex. You had many jobs when you were younger; a waitress, bartender, maid, secretary for a human hospital and you of course volunteered at the career center to teach kids about cars when you were available. 

Teenage boys were exhausting and sometimes very sexist, thinking it was cool and would get brownie points with any girl to hit home base. That was only until Dakota showed up in your class. She was a whirlwind of hellfire and a demon in lipstick. She basically ran the small shop that you taught in and ran the boys right into the ground. 

With a flip of her apple scented hair, they would be on their knees kissing the ground she walked on. Quite empowering even for you to say the least. She looked up to you though, it was nice. You always had that motherly charm about you, always taking care for others and never yourself. It was slowly going to kill you, at least that was what Anna said. You still looked out for others though, even her so frankly how can you?

The dog though, that was hard. Having to tell the family for them to just blow up in your face and blame you for his death. That hurt worse. Low blow to yourself and sadly as these things happen, you spiral. You spiral so much until you are numb, empty and don't care about anything. 

You were broken from your thoughts when your phone rang, vibrating on the wooden table. Jesus what time was it? You knew it was late. When you picked up the phone the small clock read 2:34 AM. Who was calling you this late? None other than your bestie had the balls to call you when you should be sleeping. 

You wiped your eyes and cleared your voice, answering the call.

“Hey! Knew you'd be awake.” She said cheerfully on the other side of the line. 

You smiled, even though she couldn’t see it. “Hey,” it came out as a raspy whisper, you cleared your throat and tried again. “Hi. Well you know, never sleep much anyway.” Insomnia is a bitch. You thought and placed the phone between your ear and shoulder as you shifted. You took the phone and moved it to your other ear. 

“Well don’t get comfy, i'm on my way to pick you up, mom misses you and so do I.”

You sighed. “Does anyone in your house sleep?”

“You’re awake too.” She said in a matter-of-fact tone. 

“Right. Okay well give me some tim-”

“No need, I'm at your door.” 

You heard keys in your lock and sighed, hanging up the phone with a click. Anna walked in just as you walked out of your room in a plain grey shirt that went down to your mid thigh and boyshort underwear. 

“Sup bitch.” She greeted and you smiled, walking towards her. She hugged you and the two of you sat down on your couch in the living room. You talked about the usual ‘how's work, what have you been up to’ the same old same old small talk. It was nice to see her after a few weeks. 

She made herself comfortable on your couch while you got dressed. Going for your usual jeans, band tee and boots. Anna always thought you looked like a total badass and on some days, you felt like it. Tonight wasn't the night though. 

You threw your hair up into a messy ponytail to keep it out of your face and grabbed your things, heading out with your friend. 

“Mom is excited to see you.” She beamed. 

“I'm sure she is, haven't seen you two in a while. Not like I used to. Work has been busy.” You didn’t look at her, afraid she’d see through you.

“I don't believe that, i think you've just been busying yourself with work and using it as an excuse to not get out and socialize.” 

Of course without fail, she did. “I'm not.” You said sternly. 

“Yeah i'm sure. Y/N you need to get over him. It’s been five months.”

You held your tongue. Easy for you to say, you bat an eye at a man and they fall to your feet. You thought. People avoid me like the plague. 

“He cheated on you, you don't need to stress yourself over a man like him.”

“That is three years of my life down the drain Anna.” 

“I know it is, i just-” 

You cut her off. “You don't know. Your relationships never last longer than a few months at most.”

“Ouch.” Her face fell and she trained her eyes on the road. You turned your head to look at her and you could see tears prick her eyes. 

“Sorry. I just- people don't chase after me like they do you. I'm not that girl. I’ve never been that girl. I'm not as pre-” 

“I'd chase after you if I were a man. Hell, Y/N/N I’ve been gay for you for years!” You smiled now, the thick tension in the air fading. 

“Yeah well we both said that when we turn fifty and we aren't married, we are marrying each other.” You two always said this even after a year of being friends, it was hard for you to trust. 

Anna gave you a knowing look and smiled. “Still a promise, sexy bitch.”

You both laughed out loud and you turned up the music she was playing, a comfortability between the two of you. 

You dated Chace for three years, friends for four years before that. You couldn’t believe it when you caught him with your ex friend Maddie in your bed together. Well maybe you could, he did say once before when he was drunk that he liked her. You shrugged it off, trying to not let it get to you. Such an idiot for that. Either way it hurt, bad. Anna was there when you reached out to her, just to stay with her until you got back on your feet. Now you live in an apartment down the road from her and you couldn't feel more free. It was safe to say two were really close. You had never been so close with someone that they knew what you were thinking by your face. It was odd. You hid everything from your parents but with her? She saw right through you like you were made of clear glass. It was thick but you could still look in. One time she compared you to lion glass. It was the only thing keeping the lion away from ripping the people into shreds. Metaphor for your emotions.

Of course after spending time with Anna and her mother, you felt better. She had a habit of doing that, cheering you up. She was happy with her new boyfriend, you were happy for her. Better than her being so lonely all the time. 

Little did you know this would be the last time you got to see your best friend again. 

You woke up alongside her, your head pounding from the night of drinking. You two always shared a bed, a habit you picked up while you were young. 

You got up, your feet hitting the softness of the carpet until it felt warm and damp. Groaning you thought you just stepped in dog pee and stepped around it only to feel it again and again. “What the hell?” 

You flicked on the light only to be in horror of what was in front of you. Your eyes burned and you immediately felt sick to your stomach, running to the bathroom to throw up the contents. Your mind was just playing tricks on you, this can't be happening. What the actual hell. There were no such things as monsters or ghosts. Freaking Scooby-Doo taught you that the real monsters were people! This is like something out of the show Supernatural you thought to yourself. Gathering yourself up off the bathroom floor, taking a deep breath, a man kicked the door down. You screamed and everything faded to black. 

Supernatural. A show you were in love with. It held all the things you were so interested in, angels, demons, Heaven and Hell. All of it. Two very attractive men playing the lead roles of the characters. Sadly you never got to meet them after the show's ending, probably never will. You watched panels and things while you were at home. Wishing you were there to see them in person. Never once did you have the money to just leave to the state or country they were visiting and having a panel in. When they did come to your state, you were out of the country on a school trip. Life is just that way. 

So here you were, waking up in a dark musty room. The lamp on the bedside table seems to be your only light source right now, besides the light coming from under the door. Where the hell were you? It felt oddly familiar but you have never been here before. At least not to your waking knowledge. A light knock on the door made you jolt up, your head pounding as you sat up. Your hand came to hold it as a certain tall, long haired man entered. 

“Sorry about that, I didn't mean to make you fall, you hit your head on the floor pretty hard. You might have a concussion so take it slow.”

He was right, light hurt. Everything was hazy and slow. You rubbed your eyes and blinked a few times. The male started to come into view. “Jared?”

He looked at you puzzled.

“Sam?” 

[ryanmeft]

My Top Performances of 2019, Part 2

Here is the second half of the list of my favorite film performances of 2019. I tried to be as objective as possible, but it’s also a result of personal preferences. As before, the order is unimportant. Part 1 is here:  https://ryanmeft.tumblr.com/post/190668845597/my-top-performances-of-2019-part-1?fbclid=IwAR3_d80vj0FbIVXqWaTV1heUlIDJJmL-JB_ZksaadO_oNRztnhBMICxzTd8

Zhao Tao in Ash is Purest White

She’s got everything you could want in a rusting former industrial town: a good boyfriend who has influence in the area’s small underworld, which gives her power, love and money all at once. In a blink it is all gone, and she finds herself adrift in the world, dealing with the resentments of people with no patience for what she has gone through. Tao is the key component of this crime drama, which is more drama than crime. She does not take the world in blazing force as a crime figure in a Scorsese film might do, but quietly and slowly accepts that the days of her power are past---and unlike the men around her, tries to adapt to, rather than battle, the inevitable.

Ana De Armas in Knives Out

Knives Out is in the grand, disappearing tradition of the character actor, albeit with the parts mostly played by superstars. Yet among a roster that includes Captain America as an irresponsible playboy and Michael Shannon as a professorial-looking semi-Nazi, De Armas’s humble heroine Marta stands out. Maybe it’s because Marta is humble but not naive or entirely innocent, and De Armas manages to capture both her cunning and her honesty without turning her into a doe-eyed victim. She’s the kind of character you want to become a Nancy Drew-esque mystery hero for adults, so you can revisit her later adventures.

Joaquin Phoenix in Joker

Some hated the movie, some loved it, but one thing it seems everyone could agree on is Phoenix’s performance. He’s credited as Arthur Fleck, not as Joker, and his handling of the character couldn’t be more different than any previous portrayal. Arthur is sad and lonely, not at all an enigma---his private life is laid out for us in great detail---and Phoenix portrays him as just sort of being blown through the world, bereft of any real agency. You can debate all day whether the character deserves to be portrayed in a sympathetic way, but you can’t say Phoenix doesn’t pull it off, making us root for this maladjusted, societally-forgotten misfit almost up ‘till the end. 

Sienna Miller in American Woman

In a just world, Miller, hardly a household name, would have her face up on the stage Sunday night for playing this role, a drunken, hard-partying too-young mother and grandmother whose life begins to change when her daughter disappears. I say begins to, because this is not one of those magical stories of miraculous redemption. Debra does not become a good parent to her grandchild right away, and never becomes a great one. Instead, the film follows her throughout years of her life, during which, naturally, she must go on living as she mourns. Miller embodies each stage of this perfectly, never once allowing drama tropes to disturb her unflinching portrayal of an ordinary life.

Jeff Goldblum in The Mountain

What does the word “monster” conjure for you? Whatever traits it brings to mind, they are all present in Dr. Wallace Fiennes. He’s an egotistical, self-interested, callous man who performs lobotomies on mental patients in the 1950’s American heartland, the kind of person for whom his gruesome practice is not an outmoded method to be improved on by advancement, but an art form in itself, and his patients merely the canvas. This isn’t handled like a horror movie: Goldblum is not a mad scientist cackling away in a lab, but an urbane, cultured, engaging professional---which makes him all the more frightening.

Gugu Mbatha-Raw in Fast Color

Wonder Woman and Captain Marvel were, to a large extent, a marketing department’s ideal female superheroes: always flawless, gorgeous even when kicking ass, unable to make any very serious mistakes. Ruth is very much not that. She’s living wherever she can, dealing with the effects of past addictions, running from the government, scared of her own powers. She’s not just unlike any other woman in tights (without the tights), she’s unlike any mainstream superhero ever has, can or will be. Mbatha-Raw is one of our most underrated actresses, and she portrays Ruth in a way that allows us to both sympathize with her plight and support her as she grows stronger. The movie’s not getting a sequel, because the Hollywood franchise machine isn’t ready for imperfect superheroes yet, but it is getting a series, so at least we’re getting more of Ruth in some medium.

Renee Zellweger in Judy

I won’t pretend I knew much about Judy Garland going in, and frankly I’m not sure I understand her after seeing the movie---it was, in most respects, a fairly typical music biopic. Where it broke the mode is in Zellweger’s performance. I think it’s fair to say the once-household name has been largely forgotten by Hollywood in recent years; she never had the perfect starlet looks or the ideal girl-next-door adorableness that is the main standard on which women are judged. But she had the acting chops, and here she finally gets to prove it. Her Garland is twisted and gnarled inside and out by years of sexist treatment and the resulting substance abuse, but still a loving mother to her children and a great singer---and justifiably angry at the industry that used her up and spit her out.

Paul Walter Hauser in Richard Jewell There was never a single chance of seeing the camera pan to Hauser during Sunday’s roll call of acting nominees---both he and the person he plays are about the polar opposite of Hollywood’s image of itself. And it must be said that while Jewell should not be forgotten, Eastwood’s movie, with its ginned-up anti-press narrative, maybe should be. But none of that is on Hauser, whose performance firmly proves that fat guys can be more than bumbling comedic relief or ineffective sidekicks in the movies. It matters that someone who looks like Jewell is portraying him, and that he does it so well that we can almost overlook the film’s other faults.

  Honor Swinton Byrne in The Souvenir

This one was little-seen, and though it generated awards buzz initially, it’s already been largely forgotten. That’s too bad. Byrne’s Julie is a woman torn between her own ambitions and her love for a man who is---abusive? How to judge him? It’s a toxic relationship fueled by addiction on his part, but the movie is more about how you cope with a partner who is committed but not capable of commitment. Perhaps the most resonant aspect of Julie’s character is the way she holds out hope even when everyone tells her not to, even when she herself knows deep down that it is hopeless. You may find this weak, but I’ve never known a human being who wasn’t in some measure susceptible to it.

Jonathan Pryce and Anthony Hopkins in The Two Popes Everyone has strong feelings about the Catholic Church---it’s not a thing you go half-measures on. And every Catholic has strong feelings about the last two Popes---again, they aren’t the kind of personalities that inspire milquetoast reactions. What Pryce and Hopkins do in portraying Francis and Benedict, respectfully, is remind us that no matter how much they claim to be the chosen of God, these are after all two men---two men with flaws and opinions, whose own lives have shaped them every bit as much as the Bible or the church. When they are on screen together, you can imagine them in an odd couple buddy comedy, two aging road trippers tending to the flock. Lots of performances didn’t make my arbitrary 20-point cutoff. To be dead honest with you, it’s entirely possible that if you ask me in a year, I’ll have re-considered who is on the main list and who is in the honorable mentions; the idea that what I say now, when all these movies are fresh in my mind and affected by immediate emotional reaction, has to be my inviolate opinion for all time is silly. That said, here are some excellent and noteworthy performances that didn’t quite make the cut.

Leonardo DiCaprio and Brad Pitt in Once Upon a Time in Hollywood

Kelvin Harrison, Jr. in Waves

Zack Gottsagen in The Peanut Butter Falcon

Isabela Moner in Dora and the Lost City of Gold

Alessandro Nivola in The Art of Self-Defense

Cate Blanchett in Where’d You Go, Bernadette?

More or less everyone in Little Women (I couldn’t decide, and thought more of the acting than the overall film)

Jodie Turner-Smith in Queen and Slim

Cynthia Erivo in Harriet

Kaitlyn Dever in Booksmart

Edward Norton in Motherless Brooklyn

[carriagelamp]

February 2020 Book Review

The Last Wish / Sword Of Destiny

Let’s start with the books that currently have me in a stranglehold. I apologize to everyone that actually follows me and watched me descend into fandom pits but whatcha gonna do. So, I was aware of the video game when it came out, but not being a prolific gamer I was intrigued but never bothered getting into it. Then the Netflix series came out, and I was again intrigued... but I suck at sitting down and watching shows. So what the heck I decided, it’s probably mediocre hypermasculine high fantasy but let’s try a book to see what the fuss is all about.

Good god. Guys. It’s real good. And so fucking different from the show. Geralt is actually a really emotional, well-meaning guy who’s starved for positive social interactions and is just trying to do his best. And the books’ consistent themes of colonialism, environmental destruction, forced extinction, and changing eras is... chilling and fascinating and honestly a little too relatable at times. These books have made me laugh and shout and frankly sob. Still a little sexist, cause 90s fantasy, but Geralt is so not the gruff, heartless, manly man character I thought he would be. I am so deeply into these and have just cracked the spine of the next book in the series. If you like high fantasy, I can’t recommend these enough.

The Silver Eyes

I just learnt that there were Five Nights At Freddy’s books, and honestly picked this up from the library as a joke for my brother. We’d played the games back when they first came out, and were into the lore, but lbr they’re more of a meme at this point. Anyway, we ended up reading this out loud to each other, a chapter a night, and I enjoyed it a lot more than I thought I would. Probably wouldn’t have liked it as much on my own, but the main character was complicated and messy, and the book’s way or portraying trauma was neat. It was nominally horror, and did have the occasional chilling moment, or times it was fun to speculate, it over all it was pretty run of the mill middle grade fiction.

FRNK

Probably the best graphic novel I’ve read this month. 

I was howling with laughter while I read it. Good quality Belgium comics, always a treat. This story is about a modern day boy, Frank, who is accidentally thrown back into prehistoric times, where he’s stuck with a bunch of cavemen who haven’t invented the concept of vowels yet. Admittedly my French isn’t great, so it made trying to decipher words with half the letters missing a challenge to say the least, but plenty worth it. I really want to get my hands on book two. I believe there’s an English translation, and I’d recommend giving it a try.

Best Friends

A neat little graphic novel that addresses common growing up issues, about what it means to be friends, stay friends, how to cope with people changing and when it’s time to walk away. Anxiety, being yourself, fitting in, all that sort of stuff. It’s a quick read, very pleasant, and has nice art.

Karen’s Witch

Another cute graphic novel with charming art. I read this at the store while I was waiting for a prescription to be filled. It’s about this five year old (or thereabouts) who is absolutely determined that her neighbour is a witch and by god she is going to prove it or at least scare herself and her friend silly in the process. A fun little read!

Endling: The First

The second book in the Endling series, and all my praise for the first book apply here as well. A super unique high fantasy that gives extinct and threatened species a voice. The book explore themes of war, environmental destruction, sacrifice and loss. You really get to see how much Byx has grown and how much she needs to continue to grow. This book has me so excited for the third, I haven’t read such an emotionally rewarding quest novel in a long time.

Bleach

I found out my library has a billion books of this series and decided to jump into it again for the first time in over a decade. Honestly it’s even better than I remembered? The art is absolutely stunning, Ichigo is such a power fantasy hero, and it’s one of those series with a lot of really loveable characters and a lot of heart. Ichigo is a good guy who you actually feel good liking, which can’t be said for all shonen protags by any means. This is just such a classic and it holds up man. And if you like manga and have never read it? Jump in and enjoy a normal human getting supernatural powers and kicking absolutely enormous monsters’ asses.

Dinotopia: Sabertooth Mountain

This was my favourite Dinotopia book as a kid, and it was still fun to reread. The world of Dinotopia is one separate from the rest of the world, where humanity lives in perfect harmony with many prehistoric creatures that have managed to survive and evolve on the island of Dinotopia. This story is about a crisis brewing, as the sabertooths are cut off from their food supply and are in danger of not only starving but of bringing death to the rest of the mountain as well. While surveying the situation with his older sister, the main character finds himself falling from the airship in the middle of a storm, directly into the valley of starving sabertooths.

I read a bunch of this author’s graphic novels, and they are such feel-good queer lit. This was probably my favourite of the lot, but I also read Tea Dragon Society, Aquicorn Cove, and Princess Princess Ever After. Taking place in a picturesque mountain community, it’s about a girl meeting a guardian dragon who accidentally fell asleep in the mountains a century ago rather than watch over the village like intended. It’s about coming to terms with and loving yourself (and also about super cute little tea dragons).

Just Jaime

Another story that focuses on the complications of middle school, and how friends can grow and change, and when sometimes friendships become toxic and cruel. These are novel/graphic novel hybrids that are very visually appealing, and really do manage to tell very heartfelt stories. This one takes a side character from the earlier two books, and turns her from a very one dimensional, somewhat annoying character, into a fully realized person with her own issues and her own need for growth.

The Life-Changing Magic Of Tidying Up / The Life-Changing Manga Of Tidying Up

Given that I’m not really a non-fiction person and DEFINITELY not a self-help book person, I really enjoyed these (though I didn’t read Spark Joy). I read the manga first, out of curiosity, but enough of it struck true that I decided to try the book as well. Have I cleaned anything up yet? No. But honestly, I can genuinely say that despite being repetitive at points I do truly feel like I got a lot of good out of it, and I feel much more excited and prepared when I do decide to do a big clean next. It really does reframe the relationship you have with your belongings and with yourself. I genuinely love the concept of “sparking joy”.

Bigfoot Boy: The Sound Of Thunder

Technically the last book of the series, whoops. Though honestly having read it I didn’t feel like I missed that much. It’s a Canadian graphic novel and I had... mixed feelings about it. Interesting and exciting in some ways, but the pacing was odd, and honestly I don’t think indigenous voices went into making it (I could be wrong but...) and it reads as kinda... eugh. Problematic. Having a none indigenous author write about a white boy being the guardian of a first nation totem and turning into a bigfoot isn’t a super cool optic.

Bloodchild

I was told “hey this is a really fucked up short story” so I read it, and guess what? It was a really fucked up short story. Would recommend if you want weird alien sex slavery bullshit-- it was a wild ride. And the overall themes obviously went a lot deeper than that, but honestly, it’s like a few dozen pages long if you wanna dig into all the philosophical shit, just give it a read! Uh, heavy content warning, tw tw tw, but a really bizarre, unsettling look at gender and power dynamics and oppression through a scifi lens.

Mrs Frisby and the Rats of NIHM

I hadn’t read this book since elementary school so I reread it on a whim. It really is such a charming story. As far as animal stories go, this feels almost like the platonic ideal. Mother mouse is worried about her sick son and winds up compelled to seek out the mysterious rats who live in the rosebush for help, and is not only thrust into her own adventure but learns about the strange past her late husband shared with the rats of NIMH. It’s such a relaxing read, while still managing to be exciting and compelling.

Exploring According to Og the Frog

And one last animal story to round us off. I’d read one of the Humphrey books last month, and check out a couple more from the library for fun. I didn’t enjoy Mysteries According to Humphrey that much, but this one was charming, showing the world through Humphrey’s frog friend Og instead. The same charming type of adventure, but being a frog, Og has a very different attitude and view of the world, which was fun. Very cute elementary kid lit.

[bonernas]

4, 15 and 16 (get salty on main)

bee how did u know i'd have a salty caesar over number 16?!

4. A film you could watch on repeat for the rest of your life?

not to say Fury (2014) again but I did watch it over 40 times and 36 of them in a row 👀

so imma say, memoirs of a geisha (wheeeeere is my stony au???)

15. A film everyone loves but you hate?

Avatar. And 2012 me hated Avengers just for the trailer cause Whedon made it so… whedonish :/ now i luv it!!

16. A film you love but everyone else hates?

ooooh i don't think it's actually hate but more that people don't know the movies at all that i love. i think the most fitting would be raimi's and maguire's spider-man trilogy cause for SOME REASON everyone stans whack ass star wars movies that were already cringy when they came out but DARE to hate on my boys for trying to make the best out of a genre that was seen as a joke back then, in an era of toxic tropes, where it was out of question that kirsten dunst would do anything else but be a screaming prop for everyone to yeet thru new york city. i mean not to pull my draw 4 uno card and whoop all yalls prepubescent asses with it, but as an actual irl gma growing up in the 90s and early 2000s, where yo dads still thought 2 girls 1 cup was peak kink porn culture, i age 30 years everytime i see some teen being "woke" and calling out pre Iron Man (2008) superhero movies for their antique sexist tropes when literally everyone has been knewn since you got ur baby teeth

OR, and i know this isn't movie related but just like my senior citizen bladder i can't stop now that i started (and idc if u like her as a person but this is just getting more and more pathetic) cancelling on someone like jkr for trying to be diverse when she released the first book end of the 90s (fuckin dark times for women, pocs, lgbt+s, fat ppl and anything but normal in general) and had to CENSOR her name on HER OWN BOOK bc of her gender and had dean being black EDITED OUT by her (male, i assume) editors JUST BECAUSE and now that she can FINALLY speak up more and made muh boy dumbles gay in 2007ish already, but is clumsy sometimes, yall treat her like you treat dancing venom induced peter parker and SPIT ON THE FUCKING ROAD THEY PAVED AT A TIME WHERE YOU WERE LITERALLY TWO CELLS THAT DIDNT EVEN MEET YET. cant believe yalls brains never managed to surpass that number jfc

anyway as i was saying, everyone hating on tobey when he was venom's first but being a monsterfucker on main just cause tom hardys lips are as glossy as yalls greasy edgelord hair is the real crime here and i wont take criticism on this

[sophygurl]

Wiscon 42 panel Lighter Side of the MCU

Okay, the rest of my panel write-ups are not going to be quite so dramatic as the Killable Bodies one thank goodness. And I’ll be typing the rest up in chronological order - excepting the ones I was on since I don’t take heavy notes for those, so will add a bit about them at the end. 

The first panel I went to was Lighter Side of the MCU

Reminder that these panel notes are only my own recollections and the things I managed to write down - my notes are incomplete and likely faulty in places. Corrections and additions are always welcome. Especially please do correct me if I get names or pronouns wrong! 

Also I name panelists as that’s publicly available information but not audience members unless requested by that person to have their named added. 

Panel description:

In 2017, the Marvel Cinematic Universe gave us 3 movies that were lighter, funnier, and a bit different from their normal fare: Guardian of the Galaxy Vol 2, Spider-Man: Homecoming, and Thor: Ragnarok. All three of these movies felt like a year-long palate cleanser after the darker path the MCU has been on. However, with movies like Black Panther and Avengers: Infinity War coming next, are we back to serious business, or is there still room to play? 

Moderator was Christopher Davis. Panelists were Jess Adamas, V. Greyson, and Carrie Pruett. 

Chris talked about Thor: Ragnarok as having a shift from the other Thor movies, not just due to Taika Watiti’s influence but the writing and acting as well. 

Jess said people figured out that Hemsworth can do comedy and is not just ridiculously good looking, but also willing to make an ass of himself.

Jess and V. agreed that they almost can’t even remember Thor 2. Thor should be funny and silly - the comics are. There are still real feelings and relationships in there, but every scene looked like it should have been painted on the side of a van. 

Carrie said the movie found the right tone for including the Led Zeppelin song. The use of Bruce/Hulk in the movie also used more comedy than earnestness. She compared it to Deadpool as far as pointing out the ridiculous parts. 

She also talked about her desire for Darcy to interact with more MCU characters. 

V. talked about Kenneth Branagh’s Thor 1 and that she liked how serious it was. But she enjoyed the comedy of Ragnarok even more as a contrast. She brought up an article that talked about the Maori flavor of the comedy in the movie, the deprecating aspect and poking fun at the earlier movies (example: “the sun is going down”). 

Carrie liked the calling out of Loki as Odin as a reminder of how Thor 2 ended, but doing it in such a funny way.

Jess talked about Korg and the hilarity of how his revolution failed because he didn’t print enough pamphlets. She brought up the Grandmaster - Carrie asked who? - Jeff Goldblum - oh yea! (lol)

Chris discussed the heavy 80′s nostalgia and Jack Kirby aesthetic in the visuals and musical choices. For example, the Pure Imagination song while going through the tunnel.

Jess and V. joked about their husbands not getting why certain things were funny (IIRC this was because they weren’t as familiar with some of the references to earlier Marvel movies?).

Chris said that Goldblum was the perfect choice for that role. He asked the panelists what their favorite bit of his was.

V. said the meltstick part. Carrie added - accidental killing is hilarious. Jess brought up the part about Bruce looking for a button on the ship for a weapon and getting the song and lights - the discovery that it’s an orgy ship. Carrie added that Bruce’s whole life is a series of wondering how he got here. 

V. talked about the deleted scene of the Grandmaster engaging in tentacle porn. Chris said in Watiti’s director’s cut, he filks the Marvel logo at the start and it just goes from there.

Chris moved on to the Guardians movies - a part of Marvel that’s not well known outside of the deep fandom. This gave them more freedom in their choices. They mostly take place outside of the MCU world, but still did well.

Carrie compared Guardians to Deadpool 2 saying that there is such a thing as too many ironic music cues and Guardians had just enough while D2 went too far. 

Carrie also added that the Guardians/Thor part of Infinity War was the best part. The bit where Thor keeps calling Rocket a rabbit (I added from the audience that this somehow didn’t make Rocket mad) and Carrie agreed saying he really responded to Thor as an authority figure in ways that he usually doesn’t do with anyone.

Jess said that she has James Gunn issues and especially didn’t think Guardians 1 was that well written, but that G2 did a good job of balancing the serious with the funny. She was really resentful about crying at the end. She really bought the Peter/Yondu relationship. Jess tears up talking about the scene with Rocket at the funeral and how he noted that Yondu yelled a lot and was mean but that people still stuck with him. [I teared up a lil too, that part hit me hard]

Jess also added that the rainbow glitter aesthetic of the Guardians movies seems to be responding to the darker superhero greyscale we usually get.

Carrie said that they did good with the Ego stuff, as well. She knew that a twist was coming, but not what the twist was going to be. It called out toxic masculinity in a unique way. Kurt Russell was used well in the role. Peter has his own sexist issues, especially in G1 - which is not interrogated - but in G2 he’s clearly trying to be better than his dad. 

Jess said Russell was great in the role because the audience sees him as his oeuvre.

V. didn’t like G2 as much as G1. G1 had a lot of lampshading of Peter calling himself Starlord and the group the Guardians of the Galaxy. Also - so many Groot-based tears. She didn’t like the start of G2 with the team all fighting and being mean to one another. But G2 and Thor:R both used that rainbow glitter aesthetic well and showed that you can have serious issues going on even if it’s sparkly - things don’t have to be all grey with just some blue.

Chris brought up that lighter movies can still have some very serious issues and still be funny. The characters and relationships can grow and change, for example Thor finally acknowledging that Loki is going to keep tricking him. 

V. talked about how Spiderman: Homecoming’s humor is more of the #relatable type. Peter is “just like us” and we identify with him. 

Carrie said she has a complicated relationship with Spiderman. She saw the Toby Maguire movies before she got into comics and didn’t realize that Spiderman was supposed to be funny. Andrew Garfield did okay but still didn’t really feel like Peter. Tom Holland does Spiderman/Peter better. But the movie changed around some of the characters from the comics. Also - why is it appropriate for Tony to have this relationship with a high school student? On the other hand, Tony’s use as a side character is funny and done well.

Jess added that Tony makes terrible decisions but doesn’t realize it until someone else points it out to him - like, maybe don’t take a minor out of the country for combat-related reasons?

Jess went on to say that all Marvel movies have some humor, and it often is that relatable kind, but it also comes from the fondness for the characters and their relationships to one another. It’s not just references (V. - like The Big Bang Theory).

Jess talked about how Thor:R addresses colonialism and anti-colonialism while being funny. Spiderman:Homecoming culminates in a homecoming dance. Jess always wanted a Marvel high school movie. Also Michael Keaton did well in the role for similar reasons as Russell in G2. Both actors bring their career history with them into the role. 

V. talked about the humor of Spiderman in the pratfalls. Heroes already have such exaggerated physical movements, so this leads well to physical humor. Holland is a good physical actor in both senses.

Carrie lamented the lack of funny women in the MCU. (I spoke from the audience again pointing out MJ) 

Jess said that Gamora did not get a lot of comedy - a lot of her character is wrapped up in drama with Nebula. Mantis is a character we laugh at and she is not comfortable with that. Valkyrie gets to be funny. Cate Blanchett as Hela was very campy but in a straight-faced way. She does tell jokes, but they’re terrifying.

Carrie discussed the issues with Mantis a bit more. The jokes were mostly about her fitting the submissive Asian trope. Black Panther has women who got to actively do stuff and be funny! There should be more little sisters in superhero movies. Lupita  Nyong’o was used better as a funny character in BP than she was in more serious roles. Jess added that Okoyo was used in humorous ways too.

Carrie said BP was not just about found family, as many of these movies are, but is actually a family movie. 

Chris said that Hela got some of the best lines in Thor. Examples: “Whoever I am?” and the bit about the executioner to execute plans ... but also people. 

He added that BP did have a lot of humor. It also had a similar plot as Thor, but with a very different tone and narrative. 

Carrie said BP makes you care about Wakanda. Asgard feels more distant. While watching Infinity War, her concern was for Wakanda - why are they bringing the fight there?!

Thor:R builds on the other movies for it’s worldbuilding, whereas BP is introducing us to this world for essentially the first time. There is a sense of wrestling with what is the right thing to do. An audience member added - it’s a less mythical world. 

Jess talked about BP having lots of joy - you get the sense that the cast and crew just loved being there and making it what it was.

V. talked about Thor 1 having more of a fish out of water type humor. The humor in BP comes from investment in the character relationships.

An audience member brought up the M’Baku vegetarian joke. Someone (another audience member maybe?) brought up how the Grandmaster was queer-coded and a villain and funny but it was not offensive. 

Jess said that was just Goldblum being Goldblum. It also works because Watiti is queer, so he’s aware of the tropes and it’s not a mean-spirited laughing - we’re not laughing at the queer-codedness of the character. Contrast this to Mantis, where we are supposed to be laughing at the racial and sexist stereotypes.

Chris brought up that Mantis literally personifies emotional labor. 

An audience member said that the Grandmaster reminded them of Tim Curry’s characters - he’s using himself in the role, so we’re not laughing at someone’s depictions of an other.

V. said in Thor:R the gags are at everyone’s expense - it’s equal opportunity joking. We’re not just laughing at say, the one campy character in the entire movie. 

Carrie talked about not liking Drax as much in G2 because he was so mean to Mantis - we were expected to laugh at this one character. 

An audience member talked about Drax’s actor being hilarious. The MCU and DC are mostly white and male, so they appreciate when this is not the case. The Drax/Mantis issue would have been better if they’d addressed his crush on her. It felt like a third of movie was cut out because they skip right over his meanness to acceptance. Mantis is the first Asian character in the MCU.

Carrie said there is a representation problem. A friend of hers who is Asian said her kid told her she looks like Mantis, and she wasn’t sure how to deal with that. There were no other characters for the child to compare her to.

Jess said this was especially bad because outside of the Mantis thing, Drax is the best of them as far as emotional expression. 

Chris said - as a white dude named Chris, I’m getting lots of representation and I’m getting tired of it. (lol)

Valkyrie came up and someone said their headcanon was that she lived and took the half of the Asgardians who live off to safety. I shouted out from the audience that this was confirmed as canon. V. said her theory is that she took the sex space ship!

An audience member brought up how some people found Asgard as a flying disc in space as being more relatable than a non-colonized African country. This is partially because you have to set up the seriousness first and then introduce humor. Thor could be funnier right away because it was the third movie. 

V. said that both Thor and BP had interesting things to say about colonization and Chris laid it out as: Killmonger wants to start conquering and Hela wants to go back to doing it.

V. talked about BP as having to engage white Marvel fans, black audiences who aren’t as familiar with the comics, and of course the Venn Diagram of black fans of the MCU. Discussed the use of both Wakanda and Oakland scenes to accomplish this.

An audience member asked about the evolution of Hulk as a comedic character.

Chris said Ruffalo was able to pull off the humor well on Thor. The physical comedy of when he tried to pull the Hulk out and then splat! The movie used both Bruce and the Hulk for comedic effect. 

Carrie related back to the comment about starting off with the serious backstory and then adding in the humor - Bruce himself has learned to take himself less seriously over time.

Jess said that he does get to be funny here and there in the other movies, but it’s more of humor as coping mechanism. In Thor:R he gets to do more slapstick stuff. 

And that’s all I got! Overall this was a fun, funny panel which also hit on some serious themes in these lighter movies. 

[the-e4b]

THE FOLLOWING RESPONSE POST IS VERY OLD: IT HAS BEEN IN THE DRAFTS FOR A LONG WHILE. IT IS POSTED TODAY BECAUSE DISNEYMASTER IS STILL SEEKING ATTENTION SO HE WILL GET ATTENTION.

Continuing on from this post because DM has managed to totally miss the point of our replies and make up something entirely different.

1. We are not pretending our fandom isn’t filled with Men Rights Activist, Alt-righters and corporate yes men. Because, guess what? That’s not the focus of our blog. The focus of our blog is bronies (like yourself) who make an ass out of themselves or try to look smart but in the end look like nothing less than the end of a donkey’s ass. None of us CARE about politics in the slightest, we only care about a show about pastel talking horses to escape our shitty lives.

2. We will immediately give dear Peet every ounce of respect once he starts to own up to it. What he does now is make fun of transgenders, feminists, bronies, weeboos, professional writers and everything that goes against atleast one of his policies. No one respects him but his faithful herd of cockroaches.

3. There’s a difference between pointing out flaws in a character and obsessing and hating over every trait they have and show in an episode. But, I shouldn’t try to explain that to someone who obsesses over a character getting wings and character growth…

4. Bit too late on that “blackmailing us over to Peet”. Every one of us is already blocked by Jerry and already knows our dirty laundry and absolutely doesn’t care about it. And he will certainly not care about what a pathetic little shit like you has to say.

5. This point I’m not even gonna argue with. If you really want to go as far as to call a CHILDREN’S show sexist then you’re way past the point of no return. You’re taking a show for little kids WAY too serious, even by our standards. And BTW, Rotten Tomatoes’ opinion doesn’t mean shit if the movie made it’s money back with even more to add to this day. As we speak MLP:the movie has broken 50 million dollars in the box office with still a lot of theaters to hit and the DVD and Blu-ray still to come out. One small thing doesn’t seem like a lot, but soon one small thing leads to more and soon one small thing can be the biggest thing of all.

YOU, Disneymaster, are one of those vocal minorities who think that the show is full of “right wing/centralist corporate bs”. How about you just sit back and enjoy a good series like Ducktales or watch reruns of the good ol days of MLP. That’s still 52 episode where you can just shut your yap and enjoy blandness and the glory days of Queen and Empress Faust.

- Space Mare

PS. Still can’t believe you haven’t found out who I am yet.

I find it hard to believe that this poor soul is still trying to start more issues with us because we still exist and continue to oppose the most toxic people in the community. It doesn’t matter which way they lean politically, scum is scum. Al Franken and Roy Moore sit on each side of the political spectrum, both of them are dirty abusers, deserving to rot in a prison cell for the harm they caused others

I do not know why DM insists on white knighting on behalf of someone who actually despises that part of the fanbase that threw a giant tantrum many moons ago over Twilight Sparkle’s wings. It’s like how Ephrom continues to track down Peet’s enemies, despite senpai not giving a rat’s ass about him.

Also, It’s funny how DisneyMaster feels like he can act like an asshole again despite apologizing for his actions towards the fanbase. After that, we closed the book on the Anticorns as most of them were willing to acknowledge their faults and move on. DisneyMaster tried the moral high ground approach with us and even tried to use blackmail to try and get us to remove his Encyclopedia Dramatica page (which we had no hand in despite what his paranoia would tell him) and our previous screencaps.

He also tried to shine the spotlight on the things that we have done, as Space Mare said… Peet doesn’t care and no one else cares about what you have to say. Everyone had a phase where they were reckless and pious in their beliefs. You wanted to be a hero, you fought for something you believed was noble but you were shortsighted by the part of the fanbase that wanted to wait and see where the show was going before jumping to conclusions. At some points, we wanted to make a difference, we all wanted to interact with others, beg for free art and contribute to many collaborative stories… however because of the ambiguity of text, everyone’s true feelings are masked. I don’t remember everyone I annoyed but I moved on and worked to improve. The Book of Five Rings says that the path of self improvement is a neverending cycle.

I say this because humans are social creatures and making a good first impression is the first step to building a strong bond. The point is to grow from the mistakes and move on. We’ve moved on from you, DM… why can’t you do the same?

-JoJo

To finally relieve some inner anger I’ve been feeling because Disneymaster is an obnoxious parasite that doesn’t know when to fade into a pit of nothing or won’t fucking back off and leave us alone..I’m gonna speak myself with this Linkara:

You are the most annoying, self entitled, obnoxious and downright most self important scumfuck that I have EVER fucking come across when it comes to any fandom.

AND THAT IS SAYING A LOT.

You constantly seek to complain about certain things the MLP fandom as if that’s ALL the fandom consists off. As Saturn states, E4B is not on THAT type of garbage because we aren’t INTERESTED in it, we discuss and criticize the people who make the fandom look poor or make complete ass out of themselves and come off a arrogant and think they know more in regards to a show about multicolored horses.YOU’RE the one constantly seeking the negative traits and screech the almighty heavens how “TEH BRONIEZ FANDOM IZ BAD CAUSE THIS AND THAT”.

And then we come to my favorite one:

SHUT. THE. FUCK. UP. OVER. THE MISGENDERING. SHIT.

We’ve stated this and stated THIS AGAIN:

The reasons we REFUSE to call Jerry “Lily” ISN’T because we have something against transgenders, hell we have transgender friends. One of the bands I’m a fan of has a transgender leader (And just so you can get it through your fucking obnoxious skull, the person in question is Laura Jane Grace of Against Me, who came out as a transgender in 2012 and even wrote an album about her struggles with gender dysphoria). The reasons we don’t call Jerry by their preferred name is because not only does Jerry show no respect to not only ex friends who dared disagree with him on certain things, no respect to his family, no respect to his own colleagues of the fandom, no respect to other fandoms,or even his fans…

He has no respect TRANSGENDERS, he even infamously snarked and attacked a transgendered individual who called out his garbage.

How do we (myself especially) respect someone who does THAT?!

Or what, does that not fit your stupid political leanings or for your SJW tendancies?

“OH YOU SHOULDN’T BE COMPLAINING OVER RINGTEAM CRITICZING CHARACTER TRAAAAITS”.

Have you looked in the mirror Mr. I-Hate-MLP-Because-Twilight-Got-Wings-And-Said-Meghan-McCarthy-Should-Be-Beaten?

“DURRRRR BE GLAD I HAVEN’T TATTLETAILED ON YOU GUYS TO JERRY WAAAH”

Jerry knows about the blog’s existence and has both shown little to no interest and even when he did, he gave the usual bitch rant he always gives towards people who call out his shit:

Obligatory insults that involve “transphobic” and “Nazi”.

Also, “MLP Sexist”. Oh sure, Gen 4 is totally sexist. A generation created by a feminist with the idea of making the show towards a general audience is “sexist”.

Do you ever fucking hear yourself, or do you love the sound of your voice that you jerk to it?

But then again, this is the same asshole who took his niece’s plushie away and has no regret over it and has even show depression over a fucking children’s show involving multicolored horses, all while screeching pity about how “nobody likes him” despite the fact he himself is his own downfall by constantly bitching at fans of the show and even comparing them to Donald Trump supporters.

Clearly we’re the bad guys compared to the guy whining about colored horse butts for about four years.

As Saturn stated, while critical reception for the movie was just mixed, it was a financial success, getting a total of $51 million at the box office and even then, it did good for it’s opening week with $21.9 million in the US and Canada. That’s ESPECIALLY impressive considering BLADE RUNNER 2049 (and by an extent, the romnatic survival film The Mountain Between Us) came out ON THE SAME DAY. Not to mention the 2017 adaptation of IT was still in theaters.

At the end of the day DM, You’re nothing but an obnoxious, annoying, and downright tumorous parasite that doesn’t know when to fuck off and leave us alone, let alone the fandom.

You really wanna know why people give you shit?

BECAUSE YOU FUCKING MAKE THEM DO IT. 

YOU FUCKING SPEW POLITICAL GARBAGE OVER A CHILDREN’S SHOW, ATTACK FANS OVER SIMPLY ENJOYING THE SHOW THEY’VE GROWN TO LOVE, AND DOWNRIGHT CONSTANTLY THINK YOU’RE IN THE FUCKING RIGHT EVERY TIME. 

Heck, one of your fucking DA Tags was “Disneymaster is always right”. You cry fucking pity every time because you hate how people snark at you, but then you do stupid shit like accuse a show created by FEMINIST, let alone a toy line targeted to a certain demographic of “being sexist”.

I would say take responsibility for your shitty actions, but the one time you did, you backed out f it because “WAAAAAAAH E4B ARE SAYING SHIT I DON’T LIIIKE”. Like you STILL keep doing because you can’t let shit fucking go.

Do everyone a fucking favor: Do something with your sad fucking life.

But chances are, you’ll disregard everything we’ve said because nobody else is right but you.

You fucking are sad and borderline unstable.

- deafpony.

I love how right there you admit you don’t care about what the SU fandom did, because they agree with your opinions.

Those extremest you think are all over the MLP community? They are often called out and are despised but the fandom at large. Like you.

 Unlike SU, which has no problems harassing artists and staff members over petty shit because you sad losers think you’re heroes living in a crappy Young Adult novel.

“ROTTEN TOMATOS SAID MOVIE BAD ME RIGHT!!!!!!”

Who the fuck cares about what the same site that bashed A Cure for Wellness, one of the most unique horror movies of 2017? The movie still made a mint anyway. Bet you’re one of those types who freaked out because Ghostbusters 2016 flopped.

Because you’re the worst type of fan, Dumpy. You don’t care about the story, or characters, or animation, you care about how “progressive” it is. I bet that’s why you like that blander than white bread Season 1 of MLP, because Faust’s name was on it. Nothing more.

Go do something productive with your sad life. Or screech about a blog that hasn’t said a word about you again. That’s a victory for Social Justice!

[gotgifsandmusings]

GoT 7x06 Musings

My initial reaction to “Beyond the Wall”

Apparently this is the episode that is pulling the wool off of everyone’s eyes. Not the one where Sansa married Ramsay for revenge and got raped. Not the one where Shireen was burned alive because of flurries preventing Stannis from marching 20 feet. Not the one where Marg was arrested for perjury and threatened to be paraded naked except that was a fake-out and the king (unbeknownst to the Lord Commander of the Kingsguard) had formed an alliance with the Faith that didn’t already totally exist and therefore the largest army in the land was rendered useless or unwilling to free the heir of Highgarden…

You know I can keep going. I’ll take it, and yes, the teleportation was its most egregious because we KNOW how much time passed in-verse while the raven and dragons were traveling. But still, this isn’t a new level of bad, no more than Barbaro and Jessica Henwick teleporting onto a ship to murder their cousin—for justice!

Though on the other hand, there was almost nothing I could see as even being objectively enjoyable about this episode, other than one moment of some decent CGI. The battle itself was surprisingly short, and so obviously contrived that we couldn’t pretend it was a “stunning war theater” like we could last year, even if last year the context also made no goddamn sense.

Alright, time to stop delaying and actually talk about this, though of course I’ll point you to Jess’s fabulous review first if you haven’t already read it.

Winterhell

Jess breaks down the horror of Arya’s stupid Ned-slow-clapping-at-her-landing-a-bullseye story better than I can. Arya didn’t do what was required of girls growing up, and that was a source of frustration

But no, here she’s some third-wave feminist who realizes how bad the system is.

Speaking of that bad system, way to sew you dumb asshole, Sansa. What, do you think people need CLOTHES or something?

No seriously, I can’t take the toxically masculine assumptions about empowerment anymore. This entire thing is such a sexist premise, Arya shaming Sansa for navigating in a socially acceptable way

WHICH IS THE WHOLE POINT OF SANSA’S ARC. SHE FIGURES OUT HOW TO WEAPONIZE THE SYSTEM TO HER BENEFIT AND DOES IT WITHOUT AROUSING THE SLIGHTEST SUSPICION

The letter thing is ridiculous too. Not even mentioning how Winterhell burned down so that’d probably be destroyed, this should not be that much of a conflict, nor should it have the potential to undo Sansa.

As Jess pointed out, Ned played along with the Lannisters too, because THAT’S WHAT YOU DO. Is he a traitor?

Then Sansa runs to Littlefinger even though we know she doesn’t trust him.

This is where the “they’re playing LF” honeypot stems from I think, but there’s no indication that Arya and Sansa aren’t reacting to each other alone, earnestly. Do they think Littlefinger planted some kind of audio bug on Sansa or something?

LF then brings up Brienne, which is followed by the scene of Sansa ordering Brienne to Cheryl’s Landing on her behalf for the already-scheduled meeting (even though Operation Bag-A-Wight is still going on), and being an asshole about it

The only sense I can make of this is that LF wants Brienne dead, or Arya dead, and is trying to urge a fight between them since we know they enjoy that? Which I guess would just help narrow down the field of non-LF allies to Sansa

Then *maybe* Sansa is sending Brienne away for her own protection, a la through rocks in Nymeria’s face??

Except there’s NO INDICATION OF THIS. Sansa’s rationale for why she’s sending a proxy to Cheryl’s Landing checks out, especially given Jon being MIA for the North (lol)

To cap off the game of “let’s hate each other to fuck with LF in private” Sansa then finds Arya’s messenger bag of Halloween masks

and no, sorry, Sansa’s terror is played as genuine, and thank the gods she gets yet another abuser, this time a member of her family! Yay!!

SPOILER (if anyone cares) I’m starting to wonder if Sansa orders Arya to execute LF next week just to buy herself a little trust from her horrible sister, and not because they actually figure anything out

Just all around bad bad bad. Fuck sisterly affection. They were different and hated each other growing up, so therefore they’ll be antagonistic towards each other after reuniting, trauma and shared grief be damned

That said, I feel like Sansa listens to UBS. Yes! She is the reason they have the North! She shouldn’t march her face into Cheryl’s Landing! She should have her interests represented! Correct!

Bo had the above take. This killed me. I want the Bunny Hood next week.

Dragonstone

They’re playing a weird game of having to deal with all of Tyrion’s plans turning to shit, and yet also having to keep him the golden boy. It’s not really working

Is Deadpan supposed to be getting paranoid like Aerys now? But then she’s later portrayed as a straight-up Good Guy Hero later, so I have confusion

This conversation goes literally nowhere, and frankly…yeah, why bother dealing with the line of succession now? She holds Dragonstone and no one even wanted it. And Daario’s probably doing fine in Meereen

This could have been a good exploration into her sorrow over being the last Targ…sorta? Like, her just not wanting to deal with it. But the show has never dealt with it before, so it doesn’t really come across as anything rooted in characterization

Me too, Deadpan.

Beyond the Wall

My brain was unable to focus on half these conversations, so I’m going to go back and rewatch before podcasting. Like. It was all walking and talking.

Not even in the good way. In the fic-ask-prompt kind of way. “Jon and Beric in a coffee shop, go!”

To highlight I guess

Jon & Jorah: Jon offers Jorah Longclaw because being an exiled slaver was hard on him. Glad this never came up with Lyanna, the actual heir of the house

Tormond makes a bawdy joke about raping Gendry because sex is a good way to keep warm. Male victimization is a hoot

Gendry gets mad at the Brotherhood without Banners for literally selling him and almost killing him, but Sandor tells him to stop “winging” because his complaints about being sexually assaulted by Mel “could be worse”

The Hound & Tormond chat about nicknames for penises before Tormond #nohomos and talks about how hot Brienne is

Jon & Beric have both been dead, what’s up with that? Also Jon quotes his Night’s Watch vows that he broke to gain inspiration from then, and Beric says he doesn’t look like Ned. Uh…

Jorah thinks Thoros was AWESOME for the Pyke battle

Then a bear attacks and I’m put out of my misery. A wight bear. Whatever

Who the fuck are these red shirts?

Thoros almost dies, but doesn’t die, but then he dies overnight, so…okay.

The wights walk in an orderly single file.

We learn a new contrivance: wights all fall if the white walker that personally res’d them is killed. There’s so many ways this doesn’t work with what we’ve seen, not the least of which that there was ONE WIGHT who was still squirming around

A whole lot of effort for convincing Cheryl, btw, who has essentially no army at this point

Then the other wights hear this wight’s struggle? And Jon tells Gendry who has never seen snow before that he’s the fastest runner (how does he know this) and has to go send a bird to Deadpan to help them out

this is baldly ridiculous. Their only shot is if they all try to book it

Then they run across cracking ice to a little rock, and then are shielded from wights because of…cracked ice

DEAD THINGS IN THE WATER

Also, dead things go through the water later in the episode

In-verse time: Gendry runs towards Eastwatch as the sun is setting and gets there around dusk. Jon & Co. wait out one night and the attack begins when the sun is still shining. I’m putting this at about 22 hours passing. A low-ball could be 14.

Raven gets to Dragonstone, Dany flies beyond the Wall and bails them out

The battle itself was underwhelming, I thought. Just smashing random skeletons who now die with any weapon (what about FIRE like we learned in Season 1?)

Viserion’s death looked cool, and the sinking into the puddle reminded me of King Dodongo. Dunno if that’s a good thing or not, but there you have it.

However, why did Shogun aim for the far away flying dragon and not Drogon who was RIGHT THERE and full of the people trying to get away?

He literally had his buddy ready his javelin for him

Jon falling into a puddle was…what? Why did this happen? Was this for closure for Uncle Benjen? Was this so we could have a dramatic moment of Deadpan thinking he died? Was this just to have a reason for a shirtless Jon on the boat so she could see his stab wounds? What did this add??

Then the res’d Viserion was kind of cooler in concept than seeing it happen. Oh wow, let’s focus on his eye I WONDER WHAT WILL HAPPEN

Lol at the metal working wights with their big ass chains. Can they make mini-Needle necklaces for everyone too?

Also very not reading into any of this being from the books. I could see this happening in a way, I guess? But this context, especially with a javelin-throwing Night’s King can’t be the case.

I don’t even… At least the critical reviews are pouring in. This deserved it. So did the past three years’ worth of episodes, but still.

Top 3 Nitpicks (not glaring, gaping errors)

The invitation to a meeting in KL that couldn’t have been arranged yet

The clothing! No one was wearing a hood? Deadpan was traveling faster than a jet without ear warmers?

Jon not being dead of hypothermia (or his managing to climb out at all with his sodden furs and heavy boots)