#I do the same thing with writers I follow

[lnfours]

Hi baby! Saw you need some inspiration and I thought, do you know the early stages of dating? Like, you are getting to know the person and there are aspects you don't expect and surprise you and I imagined the first time reader realises how much clingy Lando can be and it's just cute and lovey dovey 🥺 maybe he is sick or something and turns into a giant baby

hello, my love!!! 🥹 it's been a while, i missed you sm!!! i hope you're doing well! <3

also, i can totally see lando turning into a big baby when he's sick, and even when he isn't 😁

blurb day to cure my writers block

it was early morning when lando's name lit up your phone, a soft buzz following his text. you knew he landed late last night and when you called him just before bed he sounded a bit nasally, almost like he was catching a cold.

sure enough, the text you read on the screen confirmed your suspicions.

would you kill me if i asked to reschedule our lunch date? i'm feeling like i got hit by a bus 😩

you immediately texted him back, fingers typing quickly on the screen.

not at all! do you need anything? i can stop at the store and come by, maybe make some soup if you're feeling up to it ❤️

he felt guilty for canceling the date you two had planned out before he left, especially because he had been away for weeks. his head was pounding and his sinuses were all stuffed up, but as he read your message back to him, he couldn't help the small smile that spread across his face. the sweet words making his heart jump up to his throat.

depends, does the chef also provide cuddles upon request? 🤔

i'm sure they'd be able to make special accommodations, just for you 😌

oh, he was on cloud nine...

lovely, see you soon? ❤️

see you soon ❤️

you threw on the first pair of sweatpants and hoodie you could find before grabbing your things and rushing out the door, making your way to the store. after browsing the medicine isle for all different kinds of treatments and debating on wether or not to splurge for the extra strength medicine, which you did, you grabbed the ingredients to make the soup. the same recipe your mom used to make for you whenever you were feeling under the weather, the one that worked like a charm.

and shortly after, you were knocking on the door to his apartment. smiling sympathetically when he opened the door with tired eyes and a small smile, the hood of his black hoodie pulled over the mess of brown curls. he looked tired, and he definitely looked sick.

"'ve got every medicine i could find," you said, pulling all the packages out from the bag and placing them onto the counter, "and the ingredients for the soup my mom used to make."

he sat in the stool at the kitchen island, head resting on his hand as he watched you open one of the packets of pills. you popped one out of it's foil casing, turning around and grabbing a glass from the cupboard and filling it with water before sliding them towards him, "here, this should help with the head and stuffy nose."

he nodded, taking the pills before reaching out to you now that you were in arms length. you let him pull you closer, slightly giggling and wrapping your arms around him as his head rested on your stomach.

you had heard that men were big babies whenever they were sick, but with lando it seemed... different. almost like he had been hiding the fact that he enjoyed cuddling into you, not wanting to scare you off in the beginning stages of your relationship.

but you didn't mind, not one bit. you liked this, and you would've stayed like this for the rest of the day if you didn't have a recipe to start.

his words were muffled into your sweatshirt as he softly spoke, voice gravely, "thank you."

you leaned down and pressed a kiss to the top of his hoodie-clad head, "'course,"

he picked his head up and you were met with the same grey-green eyes you were met with at the door, this time they screamed sleep deprived. you tucked the curls back underneath the hood, "wanna go lay on the couch while i start this? i'll join you when 'm done,"

he nodded, moving slowly towards the couch before flopping down, grabbing the blanket from the back panels and getting comfortable. he flipped the tv on as you tried your best not to be loud with the pots and pans, cautious of his pounding head.

and when the soup was finally at the stage where it had to be left to boil for hours, you made your way into the living room. you smiled softly at his cheek pressed against the couch cushion, eyes closed as he finally drifted off to sleep. you carefully joined him on the couch, stirring him awake shortly as he pulled you closer, legs intertwining with yours and his head falling to your chest.

the moment you realized you were slowly, but surely, falling in love with him. willing to do anything and everything for him as long as he was yours.

[imaginariumwanderer]

Okay gotta pitch it to you:

In my bluebell fic series (where custard gets yoinked by Shadow milk) one of the oneshots is nearly entirely centered around vanillas singing, he never sings in front of others(except for custard as lullabies), but he's never sung alone because Shadow milk has been watching and wondering why vani didn't become a singer even as a side thing.

Queue vani now using said singing to calm Shadow down from his darkest moments, and maybe just maybe if Shadow is good enough vani will sing a song he wrote.

"How nostalgic, your grandpa and dad used to love this song..."

Baby if it's cheesy then you can call me Remy

That's a cute pitch my friend. You would assume the singer of the duo would be SM but it's interesting to think it'll be PV instead. SM do have a liking of forcing others to follow his scripts, I'd like to imagine he'll do the same with his songs and such (my, an actor, playwright AND song writer? Such a multi-talented guy!) You just know he'll be tricking/convincing/guilting PV into singing them for him. "Wdym it's too embarrassing I WROTE THEM FOR YOU!"

PV's his singer and his muse

I don't got much more to add so here's some random in-game art of PV holding babies:

[elumish]

I talk about what writers should do a lot, so now I'm going to take a break and talk about some reforms that I think agents should make.

A caveat: I am not an agent! Unlike when I talk about writing, I am just talking about this as an author who happens to be in the midst of querying. If I have an followers who are agents who think I'm getting something wrong, please let me know!

That said, here I go:

Trad publishing is, fundamentally, about getting past a whole bunch of layers of gatekeepers, and agents are the first gatekeepers. With some very limited exceptions, you can't be trad published without having an agent. From what I can tell, being an agent is a bit of a thankless job--it's based on commission, so an agent only gets money if they are selling their clients' books. (Remember: the money flows towards the writer. If someone claiming to be an agent is telling you that you need to pay them to represent you, run.)

Because of this structure, agents have a massive amount of power over unagented authors, particularly because unagented authors simply do not have another option if they want to trad publish. It is my opinion that that power dynamic is part of the reason why querying actually sucks so unbelievably much for authors.

Now, part of why querying sucks is that it's a numbers game, which means that most of us will lose. Every writer is competing against a gazillion other writers, some of whom are better or writing things that are seen as more sellable or happen to be eariler or whatever. You are going to get a bunch of rejections, and that's not the fault of agents.

But here's the other problem:

There are, from what I can tell, no true industry standards and somewhat limited professional expectations for agents when it comes to how to deal with querying. Again, this is what it looks like from the outside--agents, if I'm getting this wrong, please let me know.

For example, many agencies and many agents will have different rules about what you can submit to them and how, and in many cases those rules are in somewhat arbitrary places, which means that querying authors have to hunt for them, and it's easy to run afoul of them even when you're trying. It's common for some agencies to say that you can't query two agents from the same agency at the same time, but some say that you can't query two agents from them ever--a rejection from one is a rejection from all.

But most agents' Twitter bios/MSWL pages/personal pages/etc. don't say that--which means that authors need to hunt through every individual agency's webpage and then cross-reference against every agent that they have ever queried previously, which can be arduous when many people are querying dozens or hundreds of agents. It also means needing to keep track of things like when agents switch agencies.

There are also no standard expectations for agents to actually respond to queries in any sort of time span, or at all, which complicates the above issue even more. But it also is just (imho) kind of unprofessional to ghost people who are seeking a professional relationship with you, when you have explicitly asked them to reach out to you seeking that professional relationship.

And to make that worse, many agents don't say whether or not they respond to all queries, meaning that authors are often left wondering if a 6-month or longer wait is a "no" or an "I haven't gotten to this yet but will definitely respond to you."

There are more issues that I could cite, but my overall point in this is that authors have no recourse here. There's not authors' union, no way to go on strike until agents change what they're doing.

And some agents are really awesome about this! But enough are not, and authors don't really know what they're going to get when they query someone.

So all of this is to say that, if you are an agent, here are some fairly easy changes I would love for you to make to your own behavior to make querying a little bit less of a nightmarish hellscape for authors (and thank you so much if you already do some or all of these):

Respond to every query that you receive

Tell people your general response times and be communicative if that changes. It's okay if it regularly takes you six months! Just tell us it regularly takes you six months, so we're not left wondering if we've been ghosted at four months

Outline all submission guidelines on Query Manager or where you accept queries, including things like a) rules about whether a rejection from one is a rejection from all, b) length expectations for things like synopses (I've seen a range), and c) any other expectations you have (e.g., you require trigger warnings). Don't make people hunt through 2-4 websites to find what you want

Stop asking or at least strongly rethink how you ask about Own Voices or why an author feels like they are qualified to write about a marginalized identity--I understand the impulse, but nobody should be expected to disclose medical or other personal information like that in a professional setting

Also, just to say (other than please don't reject my query because of this post), agents: authors really do appreciate the work you all do. I want someone to work with to get published, because I am very well aware that I am not the expert in this situation.

And again, please tell me if I got anything wrong or misrepresented anything.

[thatrandomlemononyourcounter1]

The Problems With TMNT 2012 April O'neil (And Why It's The Writer's Fault)

(side note this accidentally low-key turned into an April O'neil defense post, and I apologize.)

Hello everyone! This post was seven pages on google docs so that's fun :D

When I was younger, I thought April O'neil was so cool. She was part Kraang, had multiple guys chasing after her, and was training to be a kunoichi.

As I got older though, and rewatched the show, I realized that while her character was cool, there were a lot of issues with said character.

Now, before I really start, I want to clarify, I do not dislike April! In fact, I still think she's a really cool character with a lot of potential. Unfortunately, said potential has been lost to the grasp of time and space, but that's not her fault.

A lot, and I mean a LOT of people don't like April. The most common complaints I hear about her are as follows. A, she led Donnie and Casey on. B, she's a Mary Sue. C, she got too powerful too fast. D, she's just annoying and two-faced.

Let's start with point number 1.

The Love Triangle between Donnie, April, and Casey is one of the most controversial things in the show. Some people love it, most people hate it, not that I blame them. The biggest point against the love triangle was that it deterred from the characters, and was honestly just kinda gross and cringey.

This could not be more true.

I could make whole other posts on why Donnie and Casey's characters would've been so much better without the love triangle, but this is an April post, so let's talk about April and the first point where the writer's screwed up.

Introducing April as a love interest

If there was one thing that I could take away from TMNT 2012, it would be the fact that they introduced April not as her own character, but a love interest. The fact that they did this set the stage for what April's character was meant to become.

If they had simply introduced April as her own character, then we would've been able to get a better grip on her personality.

But no.

April had never really been a love interest in the iterations before tmnt 2012, and that was because she usually stood in as an older sister figure for the turtles. Yes, some fans shipped April with the turtles, but it was never implied in any of the previous shows that any of the turtles had a crush on April or vice versa.

I don't know why TMNT 2012 decided to change that, but they did.

Making April the same age as the turtles wasn't the problem, and honestly, neither was shipping Donnie and April in the show.

It was how they did it.

In shipping the two of them, they dumbed April's character down to just a love interest, and made her seem bitchy. They wrote her having romantic moments with both Donnie and Casey, and supposedly turning both of them down at other moments.

A Foot Too Big is one of the most controversial episodes in TMNT 2012 period. The episode consists of Donnie rescuing Bigfoot. Bigfoot then proceeds to follow Donnie around like a lost puppy, invade his personal space, touch him without consent, blah, blah, blah. This causes Donnie to realize that just like how Bigfoot is acting is making him uncomfortable, how he's acting around April is probably making her uncomfortable. He then proceeds to tell April that he was going to try and start leaving her alone, and that he understood he was probably making her uncomfortable.

Then, in one of the most controversial moments ever, April grabs him and kisses him, saying "You're my mutant."

Yeah.

Prettttyyyy bad.

I think this incredibly out of character for April, and I think that the entire reason this scene happened was so that they wouldn't lose their most played gag, well tied with making Mikey look stupid after proving him to be smart time and time again, but that's a post for another time.

An excellent point that I've seen made by others was that the whole love triangle was never planned to have a solution, it was there to be played for laughs, which in turn, made April's character suffer for it.

I do believe that April's character would've thrived if not for the love triangle, and I believe that Donnie and Casey's characters would've been better off as well.

Point 2: April's a Mary Sue

Boy oh boy.

First of all, let's look at the definition of a Mary Sue.

"Unrealistically lacking in flaws or weaknesses."

So...people want to call April bitchy, and then call her a Mary Sue, as if being bitchy isn't a character flaw?

This is argumentatively one of my LEAST favorite arguments against April's character, because usually the argue-r defeats themself when they say the statement.

"She's annoying." That's a character flaw.

"She leads people on." That's a character flaw.

"She let herself get controlled by the stupid crystal." That's a character flaw.

April has a lot of flaws, and that's one of the reasons why I think her character could've been really interesting!

Let's take a look at some of the things that build April's character, and therefore make her not a Mary Sue.

April is shown from the very beginning of the show to be more of an action-oriented person, not always thinking things through.

(i.e. in S1 EP6 Metalhead when she went to go investigate the Kraang warehouse by herself or even in S1 EP1 Rise of the Turtles when she tries to come up with a plan to escape the Kraang's holding her hostage)

This is a character flaw, and it's one that we see a lot throughout the show.

April is also shown to be very empathetic. You can see this in multiple instances, such as when Karai admitted that she believe Splinter was her father, and April believed her.

This isn't necessarily a character flaw, but it has gotten her into trouble a few times. Usually her empathetic attitude helps more than harms.

April stands up for what she thinks is right. This is an important piece of her character that ties into her empathetic attitude.

April is sassy sometimes.

April can hold a serious grudge.

But, she can also be forgiving.

April is stubborn.

So, as I've pointed out, April definitely has a personality. It's just that usually, these elements of her character were ignored in favor of the love triangle, dulling down her character overall, and making her sometimes seem like a Mary Sue.

Speaking of the Mary Sue argument, let's take a gander at another requirement for being a Mary Sue, which is "everyone likes them, and people who don't like them are shown to be wrong for not liking them."

This is NOT true for April.

TMNT 2012 had no problems making Karai and April have serious beef, and Karai was never shown to be in the wrong for disliking her, except for when Karai took it a step too far.

Obviously, most of the other characters (who aren't villains) like April, because the other characters that are shown are her friends, or friends of friends.

Another aspect of the Mary Sue argument was that the character was usually too powerful without a reason, or out of nowhere.

This also ties into point number three:

April got too strong too fast/April's too strong

Okay!

So let's get into this point.

When I was a little younger, I used to think that people who argued this had a point, but again, as I've gotten older and applied my critical thinking skills, I realized that this isn't actually true.

Some people didn't like that the show made April half-Kraang, claiming it was too strange, just a way to make a female character seem like a 'girlboss', and of course a variety of sexist comments.

I am among the lovers of half-Kraang April, mostly because I think it was a really interesting take on the character.

But! A lot of people claimed that her "kraang" powers were too strong, making her unlikeable.

You want to know how the writers remedied this?

By making April get possessed by the Aeon crystal! (In my opinion, this was actually a really interesting writing direction)

Whiiichhh...of course a bunch of people also had a problem with.

Look, I can't make you like the Aeon crystal writing choice, and I'm certainly not about to try, but, by making April get possessed, the writers inadvertently added a flaw to their apparent "flawless" glorified love interest.

Now, it's been a hot minute since I watched any of the later seasons of TMNT 2012 (mostly because paramount plus is my mortal enemy (side note if anyone has seasons 3-5 downloaded feel free to DM me wink wink)), but I think I remember April losing some fights.

It wasn't like the narrative made her invincible, is my point.

So yes, April was strong, but she wasn't insufferably strong to the point where it was annoying.

I often see this argument used against Captain Marvel from the MCU as well, and I loathe it with my entire being so.

Now for the "April got too strong too fast" complaint.

I just gotta ask, did we watch the same show? /hj

April was shown to have something strange going on with her since season 1! Her powers were alluded to multiple times, so it wasn't like this was a last minute writing decision.

Her power grew stronger as the seasons went on, and there were a few episodes in each season that showcased this, such as S3 EP7 Eyes of the Chimera.

Yes she was strong in season 5, but that's because it was the last season!

As for her ninjutsu skills, it's the same thing. She'd been training since season 1! She grew as a ninja over time.

Now, for the last point:

April's just annoying.

Yeah, if this is you, I don't know if I can change your mind. Also if this is you, there a many times per season where I agree with you!

But let me tell you dear reader the same thing I tell myself.

It's not the character, it's the writers.

Unless the very idea of April O'neil makes you mad, my guess is that most of the gripes you have with her character are the writers' fault. The not choosing between Donnie and Casey, the 'character trait swaps', all of that was the writers.

None of those things are April's character.

Conclusion:

If you made it all the way down here, and read all of it, I applaud you.

Overall, I can't make you like April, but I can attempt to analyze her character and give you the finished analysis, that is mostly just me blaming all the problems of her character on the writers.

April had the opportunity to be an amazing character, and that opportunity was poured down the drain.

But, there are still some redeeming things about her character, and those things are the things that made me like her.

So, like most things in life, if you focus on the positives, you'll be okay.

This was CJ and her April O'neil analysis, that accidentally turned into a defense post.

Sorry if none of this post made any sense, I wrote it at midnight after a very long day.

[apoloadonisandnarcissus]

What is/are the Red Herring(s) of “Rings of Power” Season 2?

In Season 1, the major red herring was “The Stranger = Sauron”, with several characters assuming that the being that fell from the sky was Sauron returning to Middle-earth, and with the visual clues teasing it several times. So, the red herring/plot twist of Season 1 was connected with the “mystery box” of “who is Sauron?” 

Assuming Season 2 is following the same formula (and my guess is it is, because show writers love this kind of stuff), what’s the red herring of Season 2? Similar to Season 1, it has to fulfill the following requirements:  

It has been mentioned throughout the season;

Talked about by several characters;

Drive the plot forward (in some way);

Be resolved at the finale (2x08).

Season 2 has two mystery boxes remaining concerning identities: “who is the Stranger?” and “Who is the Dark Wizard of Rhûn?”  

(yes, I’m straight up ignoring all those crack theories about Adar = Celeborn or Mirdania = Celebrían)  

Sauron rises in the West; the Dark Wizard in the East. Every soul in Middle-earth is in danger. Tom Bombadil warns “The Stranger”, for push him into finding his wizard staff and earn his name.  

The Stranger = Gandalf

Ever since Season 1, the show has been dropping clues that “The Stranger” is actually Gandalf, with 1x08 confirming he’s one of the Istari (“Order of Wizards”). For context: the Istari were a group of Maiar sent to Middle-earth by the Valar to help the Free People defeat Sauron. And they were five: Gandalf, Saruman, Radagast and the Blue Wizards (Alatar and Pallando).  

We have to forget the timeline of the books here because, obviously, the show isn’t following it, and as Adar told Galadriel in 2x06: there were many stories about what happen, and since the “The Silmarillion” is somewhat written from the Eldar (mainly the Noldor) POV, the show can afford to take some liberties (I know this makes the Tolkien purists fume, but oh, well).  

In Season 2, in particular, the clues that “The Stranger = Gandalf” are everywhere, with Tom Bombadil going as far as using some of Gandalf iconic quotes. Poppy talking about “gand”s, and The Stranger’s quest of finding his wizard staff and earn his name (which will happen in 2x08). But is it possible that the show is pushing the “The Stranger = Gandalf” so hard, for it to end up being the red herring of Season 2, and him turning out to be an entirely different Istar at the finale?  

My main issue with this is: the red herring of Season 1 was already connected to The Stranger’s identity, and doing the same thing in Season 2 would be kind of lazy writing. It does fill all the requirements to be the “red herring”, though. But I don’t think so, my guess is “The Stranger” will be revealed to (actually) be Gandalf at the finale.  

"Who is the Dark Wizard of Rhûn?"

I don’t think there is any red herring here, mostly because we don’t have enough clues about who he is, at this point. I think Season 2 might even leave his identity ambiguous, mostly because, in 2x08, we’ll have the big reveal of “who is the Stranger?” in that plotline.

Let’s analyze the strongest contenders: 

Beware: there could be more than one red herring, because we can’t forget that in Season 1 we also had the "reveal" that Halbrand was, in fact, the lost heir to the throne of the Southlands, and we all know how that turned out...

I would also argue that the petals of Nimloth (the White Tree of Númenor) falling because of Galadriel’s presence on the island was also a red herring, back in Season 1 (it was clearly about Sauron/Halbrand, and maybe he was the one who caused them to fall, in the first place, to prevent Galadriel from leaving without him).  

1) Celebrimbor’s death at Sauron’s hands

Celebrimbor being at risk of Sauron’s corruption is not exactly a “red herring”, because we know it happens, and he’s deceived by Sauron/Annatar into forging the Seven and the Nine rings of power.

However, there is a sense of urgency throughout Season 2 in saving Celebrimbor, not only his mind from corruption and stop the "rings of power" project, but his very life. Several characters (mainly Galadriel and Elrond) have mentioned how Celebrimbor’s life is in danger, and it’s highly implied that Sauron will kill him in Eregion (Galadriel’s vision; Elrond remembering his father’s prophecy of how, one day, Celebrimbor’s life would be on his hands).  

But, will Sauron actually kill Celebrimbor, himself?  

In the books, it’s established he does. However, Season 2, right from the start, in 2x01, has shown us, the audience, that Sauron has some interesting methods of killing his enemies. Because Sauron is a mastermind, a deceiver, and so he enjoys manipulating others into doing his dirty work for him (like we saw with Waldreg and the Warg).

Can Sauron employ someone else into killing Celebrimbor? Could it be that, Celebrimbor and all other characters believe that he safe and sound (because Sauron has left Eregion and won’t return), and, boom, Celebrimbor gets killed by other character, doing Sauron’s biding?

2) The Three Elven Rings are free from Sauron’s influence 

The current ring-bearers (Gil-galad, Galadriel and Círdan) seem to believe the Three are free from Sauron’s influence. Galadriel, mainly, seems to trust Nenya completely, using the visions it provides as guidance. However, Círdan did say they have, yet, to discover the whole truth about the Elven Rings of Power, and that they should be, indeed, feared. Elrond, from the start, suspects the rings might be connected to Sauron, because he, as Halbrand, worked alongside Celebrimbor for some time, trying to find the right alloy for the mithril.

In “Rings of Power”, the Númenóreans say “the sea is always right”, and in this house we say that “Elrond is always right” (and his only sin was not throwing Isildur and the One Ring into the fires of Mount Doom)! Because the Three are not, in fact, free from Sauron’s power.  

In the books, the Three Elven Rings do not bind their ring-bearers (Gil-galad/Elrond, Galadriel and Círdan/Gandalf) to Sauron’s will, but they allow the Dark Lord to look inside their minds, and that’s how the smiths of Eregion knew that they were deceived by Sauron and perceived he forged the One Ring. The Three also lose their power after the One Ring is destroyed by Frodo in the Third Age, so they are, indeed, connected to Sauron’s power in some way, and perhaps Season 2 will reveal this to the audience. 

3) Galadriel will resist Sauron’s temptation

While several characters (Gil-galad, Elrond and Adar) do foreshadow that Galadriel might succumb to Sauron if she faces him alone in the finale, there’s always a sense of certainty she’ll resist him. With Adar being the exception here. However, Galadriel seems to be utterly sure that she can resist Sauron again, and defeat him (or die trying).

Galadriel believes that she can resist Sauron’s temptation because: (1) what he offered last time (power) isn’t enough to tempt her, and (2) she’s aware of his deceptions and manipulations, meaning there is nothing he can tempt her with. Or is there?

Sauron will bring the big guns this time around, and so the question is: will Galadriel be able to, in fact, resist him, again? 

4) Balrog of Moria

Season 1 revealed it, and Season 2 has been teasing the Balrog of Morgoth that dwells deep in the mountains bellow the kingdom of Khazad-dûm, in the mines of Moria.

Both Disa and Prince Durin are already aware of its presence (they doesn’t know what it is, only its something dangerous, ancient and powerful). And Sauron/Annatar is also aware of its presence. Now, we see Sauron performing some kind of blood magic in 2x06, which might lead the audience to believe he’s “summoning” the Balrog or trying to control it, for him to join the Battle of Eregion or something of that sort. Hence the red herring.   

In book canon, we know that Sauron can’t control the Balrog, because they are the same kind (both Maiar corrupted by Morgoth), and the Balrog doesn’t join his forces. You see, the Balrog just wants to chill in the mines and be left alone.  

Season 2 has been teasing that the Balrog might have a bigger role than it’ll actually have. In the canon, the Balrog was, literally, dig out by the Dwarves of Khazad-dûm, due to their greed, and we already saw Disa and Prince Durin trying to stop the Dwarves from digging near its lair.

By bet is: Durin III, guided by his ring of power (controlled by Sauron), will dig out the Balrog himself, while the Dwarves are busy in the Battle of Eregion. And like in the books, the Balrog will kill him, and earn the nickname “Durin’s bane”. And that’s pretty much it for the Balrog plotline.

That's it, folks. Is there any other potential red herring that you can think of? Do you agree or disagree that some of these clues are, indeed, red herrings?

[chiisana-sukima]

if heaven/hell hadn't been vying for the apocalypse, do you think sam ever would have reasonably had a shot at escaping / having an actually good and healthy life? just curious about your opinion! :)

I think the root problem was Azazel, and that neither Sam nor Dean could've done better than they did in canon as long as the instigating event of Azazel's deal with Mary remained unchanged. Plotwise, as long as Azazel still wants Sam to rule Hell's armies, everything is still essentially the same up to the point when Dean goes to Hell and Sam is killing himself with drugs and alcohol trying to get there too.

Ruby's machinations are the first thing that would've gone differently in a No Apocalypse universe, and although Jared didn't start playing Sam as having overt, symptomatic PTSD until after the Cage, even without Ruby this is still a man for whom the only way out is through. He would've gotten himself to Hell one way or another, simply because he couldn't tolerate having Dean there in his stead. And given time in Hell as an inevitability for both of them, I can imagine it ending worse than canon, but I can't imagine it ending better.

In the bad (complimentary) spn in my head, the most likely outcome would be that since there would be no rescue from Cas, Dean would be a demon by the time Sam managed to get to him and Sam would eventually end up the King of Hell in order to protect Dean. The CW's spn I don't think would go that far, but before the first writers' strike cut s3 short, they were planning on having Sam go "fully darkside" (whatever that means) to rescue Dean, so I can't see that ending well either.

I want to specify though that I think Sam did get out and live a good, relatively healthy life. He died at home of natural causes at what appears to be a reasonably advanced age, with his apparently well-adjusted adult son at his bedside. Since the cycle of violence in spn is represented by failure to accept the death of loved ones (Mary->John, John->Mary, Sam->Jess, Dean->Sam, Sam->Dean, Dean->Sam again, etc), the reversal at the end with Dean asking Sam to let him go, Sam doing so, closing down the bunker, and having his own child who as an adult lets him go in turn, represents the end of the Winchester curse.

I don't think Sam ever recuperated 100%. He names his kid Dean after all, which is touching, but also kind of concerning given Everything. And the shrine of dead family pictures with no photos of living family to balance it out is a bit weird.

But, blurriness of his gender-nonconforming husband wife notwithstanding, this is a montage of a good life:

He's happy. His son is happy. He goes to parks and has a home and is proud of his son for studying and playing catch.

I assume the Sam of this montage still has PTSD. Jared still has MHIs irl and still sees a therapist after however many years, and he was the one who embodied Sam's PTSD for us on screen. I still have PTSD that I got when I was 10, and I'm 60 now and my daughter is 27. It's a disability. But the hard parts don't mean you haven't had a good life in total. Barely pulling through at 38(-ish, the age Sam was when Dean died his final death) doesn't mean your disability won't be well-managed at 48 or 58.

A lot of Sam fans feel that because when Sam died his Heaven was back with Dean, sitting in the passenger seat of Dean's car, listening to Dean's music, presumably following where Dean leads, without Dean first having had a chance to grow beyond the damage he had and passed on to others, it means Sam didn't escape his past. Tbh I think this interpretation is valid. I don't think any of the writers of spn through the years could imagine a story in which the members of a relationship are truly equals, treat each other as equals, and are treated by the narrative of their story as equals. We live in a society.

But I'm not naive by any stretch, and I nonetheless can imagine it, I'm better than them, so I'm satisfied. I don't want a revival, and the more time goes by for J2M to grow out of a plausible age range to set the revival before the finale, the less I want one, for precisely this reason. I prefer my own version of the future.

[captainjonnitkessler]

Lol I'm so confused why we've decided to ban everyone from the word "wendigo" when we would've laughed in other religious people's faces when they ask you not to say to speak a name. And why is it just wendigo. It's so weird but it's EVERYWHERE, like people getting canceled left and right because they said the word or liked the design and based a character off of it. I can understand if the argument is against non-natives mischaracterizing their stories, but seriously, a word

First, a disclaimer: I do think what's happened with the wendigo culturally is really shitty. To take the existing legend of a cannibalistic humanoid monster, which is often used to represent rapacious greed, colonialism, and exploitation, and turn it into "scary deer skull monster eat people" and then plaster it everywhere because it got popular is both shitty and dreadfully ironic.

But the idea of the word itself being a taboo I have to respect sucks. For one thing, as far as I can tell it's straight up not true. Plenty of native writers, Algonquin and otherwise, have spoken and written about it in academic and fictional contexts. The "it's disrespectful to say its name!" thing seems to just be something someone said on the internet and everyone took it as an excuse to play More Woke Than You.

I read a twitter thread that posited that someone got it confused with skinwalkers, which IS something you're supposed to avoid naming in Navajo belief. And if you personally don't want to say it, that's fine! If you don't like the idea of non-Navajo people talking about them because you think they'll be disrespectful or they won't get it, that's perfectly understandable!

But if you tell me that I can't even say the word because it will draw a skinwalker's attention, I reserve the right to roll my eyes the same way I do when people tell me that using a ouija board is going to invite demonic spirits into my house. It's not disrespectful for someone to not follow *your* religion.

[starrysnowdrop]

Were there any barriers to you establishing your OCs relationship? Perhaps social or cultural stigma? Or a concern that "ships" with that character were already overdone? Or simply a fear of being seen as "cringe"? If so then how did you overcome this?

Ohhh now this is a good one, as this is something that I’ve been told, that I have inspired others to “overcome their fears” of shipping based on certain stigmas in the FFXIV fandom, so let’s get into it shall we? Oh and I will apologize in advance, as this WILL get long.

The Stigmas

Hali x Aymeric

So for Hali x Aymeric, the obvious stigma is that Hali is a lalafell, and Aymeric is not. Though I’ve seen lately that this stigma has waned a bit, especially here on Tumblr where people who infantilize lalas don’t seem to last long, but keep in mind that there is still plenty of lala infantilism on the bird app and other places like Reddit and in game.

For my main ship, that is really the only thing that I see that makes the ship “problematic” to some in the fandom; some people still see lalafells as “child-coded”, despite lalafells being a fantasy race of little people, no different to gnomes, hobbits, dwarves, etc. in other fantasy media, and despite the in game world treating lalafellin adults the same as any other race.

Yume x Zenos

(Yume’s blog: @firelightmuse)

So for Yume x Zenos, but also to a lesser extent Urania (Hali’s Azem) x Hermes, and my other secret ship that I haven’t revealed yet because it’s still in development, these ships fall into the category of being “problematic” because they are Hero x Villain ships at their core, and because Zenos, Hermes, and the secret ship partner are all major antagonists in the story, they have many haters.

Now there isn’t anything wrong with not liking certain characters, as I truly think we all have certain characters that we just don’t vibe with for one reason or another. But there is a problem, however, when people go after villain shippers just because they happen to not like those characters.

Just like with the Lala infantilism problem, villain ships get a lot of hate in the fandom, but for different reasons. I would guess that the main reason is the haters assume that villain shippers either don’t see that the villains have done bad things and/or try to minimize or excuse the villains’ bad behavior. Now I won’t say that there aren’t a few people out there who will truly excuse a villain’s bad behavior and try to make them out to not be as bad of a person as they are written in canon. But I really do think that there’s not as many of them as the haters are likely to believe.

Remember: just because someone is a fan of a villain doesn’t mean they agree with their actions, and a writer is NOT the same as their character. For example, Yume may minimize and/or downright ignore all of the pain and suffering Zenos has inflicted upon not only her, but innumerable others, doesn’t mean that I as Yume’s writer share the same views. I actually consider Yume to ride the thin line between anti-hero and villain herself, just so y’all know.

How to Overcome the Stigmas

So now that the individual stigmas of each of my ships have been outlined, how did I overcome the stigmas? And how difficult was it for me to do?

Well, if you’ve followed me for several years already, you might’ve seen that Hali, my lala WoL, is not the first WoL I have written. That honor goes to Yume, who is a Raen Au Ra and she doesn’t come with the same stigma that Hali does as a lalafell. So I had the privilege for several years of being able to write Yume without the infantilism that Hali would have to fight against in the fandom. But those years gave me enough courage in my own writing to create Hali and to fend off the stigma of lala x non-lala shipping and my own insecurities surrounding it.

Though it was difficult, and it took me a long time to do so, I eventually realized that I was happier and way more fulfilled when I wrote what I wanted to and not what I thought my followers or my friends or anyone else wanted. Trust me, I tried more “popular” and less “problematic” ships before, and even though they were nice at the time, I ultimately dropped them because I realized that I didn’t feel fulfilled, and that I was scared to write for more “problematic” ships because I feared the backlash.

One HUGE thing that I highly recommend is to find yourself a good support system to surround yourself with. Whether that be reaching out to your mutuals here on Tumblr or joining discord servers with like minded individuals, having people there who can help you through your journey in shipping will help greatly! Trust me, I wouldn’t be where I am today without my support system to be there for me when I’m having a bout of anxiety and/or insecurity with my writing.

Another thing that I highly recommend you do is to Unfollow, Hide, and/or Block haters liberally!! Please, it’s for your own mental health and wellbeing to do so! If you’re wanting to ship your lala oc for example, never hesitate to block the lala haters out there! No good will come from seeing the hate all over your feed, because it will just bring you down.

That’s about all I have for now. If you have any other questions on this subject, please do not hesitate to send me a message, DM, or ask!! I am always happy to help with any questions or advice when it comes to shipping! Thank you so much @mimble-sparklepudding for the ask, and thank you all for reading this very long winded answer!! 💖

[l0stfoster]

Paul anon here, im literally in fucking tears by these doodles like . Im so . Skgskshdjhdbd AH. The socs choking Paul bc they dont know how his power works makes so much sense but is also like , SO sad . And Soda showing up during the jumping is crazy and Umbra my beloved you are the best character in this .

Darry calling Paul his pretty boy im gonna mmfnshhdvd i actually had to put my phone down and the RINGGSGSSS IM ACTUALLY SOO pony being a good brother reluctantly is soo funny and special to me actually . And paul using the last bit of money he had saved to buy that ring for darry is so ,, what a simp, i love him so bad . that had me in tears i love cursed!parry so much

And the powers beinf tied to his lifeforce ,, we’re gonna pray to god he never tries a ritual again or imma rock his shit lovingly <3

Im so obsessed with this au actually and it is constantly in my brain good job please never split parry up or i will sue 🫶🫶

Paul anon you match my freak™️ because we’re both insane for Cursed Paul. The writers appreciate every time you pop up because I storm over to our discord server and smack down a screenshot like it’s murder trial evidence and I'm an android detective (/ref) it’s great. Paul's jumping sucks extra for him because in the way I've gone about it is that the ones who jumped him were arguably the socs he was closest with; they took his sudden shift to bond with the greasers as an utter insult. Started a little writing thing about it but I'm not sure if I'll finish it, was mostly for my own visualization.

Paul got SO lucky that Soda showed, though it's likely that absolutely anyone would've followed after Umbra as well. Poor Soda absolutely PANICKED after the socs were gone, though. He had no idea if Paul was even still alive. (Fun Fact! In parallel to Two's jumping and how he mistook Dally for a soc when he was found, Paul assumed the same with Soda. Instead of lashing out against him, he tried to use his magic to get Umbra to run </3 Thought she was in danger by being there.) Even with his newfound scars and the ones he already had (ritual scars beloathed) he always be Darry's pretty boy. He loves his man, do NOT separate them. It certainly wasn't the last of his money but it sure as hell WAS the majority of the money he'd been making ('cause like I said, he does eventually end up finding work to help w/ bills). He's so down bad, Paul would do so much for Darry and it's my favorite thing ever. They get to be healthy.. or, as healthy as an unstable fae and human in a gay relationship during the 60's can be?? Seems like you might have to rock his shit.. Paul doesn't know that very important fact; but he is VERY intent on freeing himself (and assumedly, whatever upcoming generations of Tulsa) from this curse. Poor Darry has to witness the outcome. Aaand don't worry, Parry will never split (save for their pre-book falling out {and when I draw non-canon Darbit} ) so don't sue me I'm poor /silly

[kalpasio]

Hiiii aaa I just wanted to say that I rlly rlly rlly love your kalpas fics like a lot!! I always come back here like every 5 days to check on new stuff cuz your works are just so good and the writing is amazing and I look up to you and alhskdjsk Anygays I hope you have a nice day/night thank you for your service to the kalpas community we absolutely love you!!

HELLOOOOOOOOO!!!! aaaaa it's so nice to hear that!! I know I say that like every time but I really do mean it, I love you so much!! My writing is only good because I have a kalpas addiction I want you guys to enjoy it! Kalpas being ignored is NO LONGER I AM RIOTING (in a good way)

Kalpas community has my heart, I would die for you guys (I'm not on my phone or I would add SO many hearts here)

[chuluoyi]

it’s really beyond me how subposting is still a recurring event in this hellsite — but i’ll say it once again: if you don’t like what i write or what i do in my own blog, then kindly leave or block me. mutuals or not, i won’t care a shit. you don’t go subposting or spreading hate. that’s highly immature behavior befitting a child :)

i don’t know if it isn’t obvious already, but i spent lots and lots of time rethinking while writing my fics. most of the time it takes weeks or months. whether i’m basing it on a manhwa or not, i spent a lot of time thinking and writing it—for months even—so if you don’t even read it and just label it as if i just plagiarized it in one go… it actually makes me so upset

just… be peaceful pls. if you don’t like it, then block me. it’s so simple if you think about it like a mature adult. unless you’re incapable to. thank you

[loveandthings11]

Thoughts on the oversimplification of Kendall:

Kendall is not just constantly having a mental breakdown, and I think explaining away everything he does as a result of one does a disservice to his complexity (i.e. "He talked to Matsson and smiled so he must be losing it”). In that case, after some thought, I think what happened is that he just realized a way he could get his lifelong CEO dream back that he thought was gone, and is getting back in the ring with his dad with actual potential to win finally. I don't think that's the right choice for him emotionally, but it is a reasonable thought and from what we've heard so far, he's right and it works.

Sometimes his motivations are complicated and we don't see them right away, but jumping to conclusions because it's not always obvious is reminiscent of his siblings' former assessments of him as just crazy or high, which have often been proven incorrect:

Kendall has always had good business ideas, so I wouldn't underestimate what he's capable of thinking up this season. It may not be what's best for him, but he's right more often than not. If you listen to Jeremy’s interviews, he always has explanations for Kendall's decisions and behaviors. He’s always been a complex character and I’m just not a fan of seeing him being reduced to a random diagnosis or dismissed as crazy.

[not-poignant]

How much does money effect how and what you write? If money wasn't an issue would you write more or less? Or would you still write but go with different ideas?

As a professional artist myself I sometimes ponder what projects I'd choose to do if I wasn't worried about finances. Because sometimes the things we want to create aren't financially viable, and that can really put a limit on our creative freedom and potential. But it's sometimes nice to daydream right

Hi hi anon,

Tbh I don't know how to easily answer these questions, because I do need money to live, and that's tied into my writing, so it's hard to imagine exactly how things would change.

Generally speaking, I'm quite a... rebellious writer, in the sense that I work hard to find readers who like what I do, vs. writing to market or writing for broad or wide audiences. The former would net me more money, faster. But I don't really do anything the 'right' way, I do it in the way that is the most fun for me.

So wherever possible, I am actually trying to do the things that best explore my creative freedom and potential. I tried writing more to market with Perth Shifters and while I don't regret writing those books, I don't love them like others do and I can't reread them, and didn't really enjoy the process. It actually taught me a lot about the costs of like... trying to do things the 'right way' because it makes more sense from a business perspective.

It didn't make more sense for me. Having unmedicated ADHD for so much of this was definitely a part of that!

Otherwise though, there are things that would change. For a start, I'd work less and take more breaks. I'd also have more nights to myself. I actually sacrifice a lot of evenings (particularly early evenings) to put up chapters in a timezone that's most user-friendly to the majority of people in the northern hemisphere. For many years that actually meant I could never go out and see friends or family on a Friday night.

Now it's Tuesday, Thursday and Sunday (not always, but at least always Thursdays). So when I'm organising cathcing up with people, there's a lot of 'I can't do it that day.'

I'd say money most effects how much I write. I wouldn't have a monthly word-count to hit, if this was just a hobby, for example. I definitely wouldn't write as much! But honestly, I already write less than I used to. Over time, I've realised the things I want/need the most are the things I should be working into my career anyway. Part of being your own boss is not being as much of a cunt to yourself as your other bosses were ;)

And I'm a pretty terrible boss to myself! I'm working on being less of that, lol.

I don't think I'd really write that many different ideas. I'd probably write more fanfiction.

I've been quite lucky, because in many respects, I have altered my writing career to suit me, instead of altering myself to suit a generic writing career. I think the latter is a really great path to permanent burnout, and I've been doing this for almost 10 years, and I feel like I'm figuring it out more and more as time goes by.

I write very self-indulgent stories! I didn't think Falling Falling Stars would be successful, anon. I thought people would hate me for it, I thought I'd lose money for it.

My writing career is running a line between 'I think this will earn money' and 'I think this won't but I'm so obsessed with this project I think others will get obsessed with it too so it might not be as big a risk as I fear it is.' If anything, anon, Mallory & Mount feels like probably the biggest risk, along with Vexteria, anything that isn't Fae Tales. But I'm going to take those risk/s, because I want to trust that they'll pay off.

I like to think that one of the reasons many of my readers trust me and my writing, is that they know I'm writing the stuff I love the most, in the way I love the most - hurt/comfort and trauma recovery and BDSM in serial format. I'm not forcing myself to be a more typical writer. The downside to that is I don't yet make a liveable income. The upside to that is that I make a steady income with readers who really get this writing, and who are wonderful people.

When I used to work as a professional artist, I pretty quickly started refusing commissions. I don't do writing commissions either. There's so many things I don't do that I could do purely for money. I've made a lot of choices for quality of life, keeping my health in mind, which means the only thing I'd really change anon is nothing really to do with the content, and everything to do with just the amount.

If I had a secure income, I'd write, but I'd write less. And a bit more of it might be fanfiction. But who knows! I hope you can find more ways to make the things that seem like financial dead-ends into something viable. Falling Falling Stars looks like a dead-end from the outside in, it's an 800k novel about a boy learning how to be nicer, and that's it. It has no huge epic plot, it has no especially dense worldbuilding, it's 9-10 times longer than a standard novel. It should never have been financially viable.

Yet it was one of the more successful things I've ever written, and plenty of newcomers into the fandom these days get here via Falling Falling Stars and not Game Theory. Isn't that wild?

Sometimes it's the thing that breaks the rules that still does well. I like to think that's a combination of me really loving the thing, and it having a lot of authenticity in it, which means there's a lot for other folks to resonate with and feel personally. And maybe some skill to pull it off!

I'm very lucky to be where I'm at. But I'm also pretty realistic that I don't think I could be successful if I only made 'financially smart choices' because I would have so little of my heart left in it, that I'd eventually just abandon it entirely.

And frankly, I think a lot of viewers / readers etc. can tell when someone doesn't love something. Or at least, some of them can. It's more fun when we all get to love the same thing together, vs. me writing stuff while thinking 'but I really wish I was writing this other stuff' and my readers loving something I don't. The latter is pretty crushing, and I can't do that. I'd rather work retail, instead of turning a creative career into that.

That's my biggest flaw as a creator, frankly, that I'm selfish enough and indulgent enough that it has to be very much on my terms, and therefore that only appeals to a narrow bandwidth of readers/folks. That doesn't mean I don't work really fucking hard, but I could only work this hard for something that feeds my soul and allows me creative freedom, I'm too sick (literally) to consider any other options.

And if 'money at the expense of creative freedom' was my actual goal, I would do literally any other job that guaranteed an income, because you can make way more consistently doing retail, than you can doing even 'commercially viable writing' in many cases!

[icewindandboringhorror]

I still very loathe the Media Trope of ‘’cold genius man doesn’t feel emotions and never has relationships... UNTIL.. one random relatively bland Preddy Woman comes along and warps his entire personality and ability to think, his heart has grown and his seeming asexuality has evaporated, he is now Normal :)” or whatever like... AS a walking generic hermit archetype myself.. we would NOT act like that .... just let people be detached weirdos in peace, you cowards .. OR, don’t bother to write one in the first place if you find us too boring to exist realistically in our natural state lol.. pathetic 

[stilesssolo]

Gonna pull my hair out at all the misinformation I’m seeing about supporting the strike on this website this morning 🙃

[writerfae]

This is the plot, right? Just kidding XD

Also, the urge to put someone else besides Nyx there, but that'd be a spoiler

This is pretty much it, yeah xD just that she helps her mom cause she’s too loyal to her to confront her with common sense