#I have so many thoughts about him truly a character of all time

[mymarifae]

yesterday someone on strawpage asked me what made me go from a dr. ratio hater to a dr. ratio enjoyer and that response took me. four hours . to put together. so you know what i'm going to share my thoughts here too. here's why i like this ⬇️ jackass a lot now!!!!!!!!!!!

he's a tricky character! the first interactions we get with him are so off-putting and unpleasant that i feel like a lot of people are like "wow, this guy is a self-absorbed dick, i don't respect him at all. can he go away" - i know that was my reaction! and he IS a dick. but like. listen.

it's really, really, REALLY easy to misconstrue 90% of his words and actions. it doesn't help that he has the speech patterns of a haughty asshole. and it alsooooooo doesn't help that aventurine's stunt in penacony required orchestrating a "betrayal" between himself and ratio. i think some of the things ratio said during All That constitutes the bulk of most people's persisting dislike of him. So:

1. everything ratio did and said was exactly what aventurine asked him to. this was all pre-negotiated. i think aventurine's insecurities acting up and the way he started doubting whether ratio was truly just acting threw some people off as well, but there is plentyyyyyy of evidence that no, ratio does not hate him and was not waiting for the perfect opportunity to stab him in the back and rid himself of this "damned gambler" but i'll get more into that in a sec ok? i have another bullet point to make first. and it's important so read it carefully ok? promise?

2. any comments from ratio pertaining to aventurine's race were said to fuel the narrative SUNDAY was building in his head probably from the second he learned which ipc executive would be coming to penacony.

aventurine's plan hinged on sunday's prejudice. he needed sunday to think of him as a liar, a cheat, a silver-tongued honeypot - basically, every avgin stereotype floating around in the universe. he needed to invoke a sense of insult. how could someone so... despicable invade the family's sweet dream? he needed sunday to be so wound up over his presence in penacony that he couldn't resist the urge to put The Vile Avgin back in his place. idk THIS ("this" being the real world parallels of how the catholic church ethnically cleansed the rroma during the 16th and 17th centuries) is a whooooole issue in itself that i don't have the time to go into rn because we're supposed to be talking about dr. ratio. oops

anyway the important thing to understand is that ratio absolutely does not look down upon aventurine's heritage. he was acting, with aventurine's blessing, to feed into sunday's biases. and he wasn't even good at it 😭... like look at this exchange from 2.0:

one snarky comment from aventurine and his ass is immediately Apologizing. his ass that's supposed to be acting like he doesn't respect or like aventurine At All. in fact, aventurine's "even under the watchful eye of the harmony..." comment feels a liiiiittle pointed lol. it's a subtle warning to ratio! like, "hey, dumbass, did you forget we're being monitored at all times?? knock it off."

and like this isn't even the only time ratio breaks character and puts aventurine's plan in jeopardy. he learns nothing from this interaction because it's worse next time. lmao:

this stupid fuckignb note. is extremely significant in manyyyy ways so we have to talk about it. first of all, stopping to check on aventurine's condition and to say "tell me if you can't hold on any longer" RIGHT IN FRONT OF SUNDAY (basically, since the family was monitoring everything and a few minutes later we see one of gopher wood's birds hanging out in that general area)?? BRO

if he wanted to, this brief interaction would have been enough for sunday to call their bluff. and aventurine knew that; many of his lines here feel like attempts to redirect ratio into picking the act back up and to stop trying to help him.

next, the stupid fuckignb note's contents. yes yes the second half is very sweet and it's all anyone ever wants to talk about and i understand because it probably meant the world to aventurine especially in that moment but i need you to look at the first half

ratio gave aventurine the answer..? he. gave him the answer. you might be wondering why this matters at all and i'll just have to redirect you to his actions in 1.6, wherein he notably refused to give any answers and let asta, stelle, and like everyone else on the space station flounder, learn from their floundering, and - ultimately - Grow

ratio is a teacher through and through. if someone isn't one of those "geniuses" he wants nothing to do with, they're a potential student in his eyes. and everything that happened in mundane troubles was the space station's final exam, so to speak. his inaction wasn't out of cruelty or because he didn't care about the fate of all the people on the station - obviously he did, because he was the one using the phase flame to teleport the missing researchers to safety...

he posited himself as a safety net in case things went horribly terribly wrong, but he left most of it up to stelle and asta, because he believed in them. they had all the information they needed; they just needed to figure out how to utilize it. and if they failed, well... they had their safety net, and failure is a learning experience too. like, ratio wants people to learn. he wants them to have all the skills and knowledge they could possibly need to take charge of their lives.

the "geniuses" of the world, the head honchos, the impossibly rich 0.0001%? whatever you want to call them, there's always this Upper Level in society that can do things "ordinary" people can never dream of doing. their way of life is simply unattainable. ratio disagrees. he believes that anyone can do anything, if someone would only take the time to teach them. and he's chosen to be one of those teachers! instead of sitting on his ass and just theorizing about a better, fairer society, he's doing what he can to make a difference.

(not so self-centered after all, huh?)

so like. when you remember how much of a teacher ratio is, like this is a philosophy ingrained in his very bone marrow, it's a pretty big fucking deal that he just GAVE aventurine the answer he needed. it shows how concerned he was! and how guilty he felt about the part he had to play!!!! his words and actions were so far removed from his actual thoughts and feelings that he literally HAD to put the whole operation at risk to remind aventurine that he doesn't view him the same way sunday did, give him a safety net, AND let him know it's there. because at this point he felt that the plan was too risky and he cared too much

like honestly i think he hoped aventurine would read the note before putting on his "performance" and readjust accordingly. but then he didn't <3 and acheron had to remind him that it was still sitting in his pocket <3 if she hadn't said anything about it i don't think he would have opened it adgsmbfdndhfbkjjbg <3 oh i love a mess <3 anyway i think this serves as a suitable refute for the "dr. ratio was racist towards aventurine" sentiment that continues to fly around in some parts of the fandom, so? MOVING ON

i ended up talking about this already, but looking more closely at how ratio looks at the world was a biiiiiig part of why he grew on me So Much. it's all actually really noble and worth admiring. again, he just talks like a dick so it's easy to get confused LMFAO

he never received nous' recognition not just because he "cares too much" (as you'll see some people vaguely claim and then not elaborate), but because he fundamentally disagrees with the ideology that allows the genius society, the path of erudition, and even nous themself to exist.

there's like... a certain "threshold" of intelligence and knowledge that nous operates off of. the unknown, the near-or-actually-impossible to comprehend, things that the average person would never be able to grasp and would never care to try because it's simply beyond them - that's all nous cares about. but ratio doesn't believe this threshold exists. he doesn't believe in knowledge that cannot be taught. just to reiterate: he believes anyone can learn anything if someone teaches them, and they will care if they know someone will be there to teach them.

but if anyone can follow the footsteps of geniuses, then Genius is no longer a superior echelon of society. the end goal the erudition seeks is no longer "beyond the limits of mortal wisdom."

nous rejected ratio because he rejected them - long before he fully understood that he did so.

i think he only ever tried to seek their recognition because it was expected so highly of him. like, he was a prodigy child, absorbing new information and collecting phds at the speed of light. of course every adult around him was like, "oh yeah this kid's a future genius society member" and then they told him this. over and over. and he was like, Okay, so this is the path i'm supposed to embark on, and i must do it and i must succeed (or i'll let them down; i'll be a disappointment, a failure, a waste of resources and all the hopes and dreams everyone's pinned onto me.)

he spent a good few years trying and failing to conform to nous' surprisingly (ironically?) boxed-in mindset. but they ignored him, probably because they predicted that even IF they recognized him while he seemingly ascribed more closely to the erudition's beliefs, he would ultimately wander off and "waste" time trying to nurture the achievements of "mere" mortals instead. and then he had to sit there and be like ok i apparently fucking failed at the one thing i thought i was supposed to do with my life, What Now

and this results in the dr ratio we meet in game. still haughty, still has an attitude problem and a bad temper, still has a tendency to talk down to people (i think though at this point his condescending tone is more of a defense mechanism and a way of isolating himself from others before he is once again rejected from a "part" of society after trying, trying, and then Failing to conform to a box), but! considerably more humble and far more focused on others than himself. he cares, ok. he cares an awful fucking lot. he believes in the good of humanity. humanity's ability to do good, to grow... to find the answers to its problems, implement them, and save itself.

plus, "character that's very admirable and very kind and loving IN THEIR OWN WAY (<- this is important because ratio isn't any of these things in a traditional sense and that's another part of why i've come to like him; it's interesting) but is cursed to just sort of talk like a total jackass forever" is an extremely entertaining concept

one other thing that's less significant than realizing ^^^^^^^ALL OF THAT. GOD .but still played a big part in my warming up to him, is how fond he is of those stupid rubber ducks and the goofy poses his statues are in. and also how his very first introductory cutscene is him playing chess BADLY (😭😭😭😭) against himself. that speaks to a sense of whimsy and playfulness that he doesn't have much of an outlet for. which i find... cute. and an aspect of his character that's a ton of fun to play around with

IN CONCLUSION: i mean he's okay i guess

[torchwood-99]

Can you please develop more on what in your opinion makes Éowyn originally doomed by the narrative? I agree with the idea, I'm just curious as to what traits or parts of her narrative makes her doomed according to you!

In her first scene, she comes across as almost spectral.

First time we see her, she's stood in the shadows behind a decaying old man and his creepy, snake like advisor. Her nickname, the White Lady, conjurs images of phantom "white ladies", which are staples of supernatural mythology, are are usually found in rural places, and are associated with tragic histories and unrequited/doomed love.

When is dismissed, she leaves, she doesn't speak, and passes silently from the room, but she passes judgement on those she passes. She looks on Theoden with "cool pity", and recognises the power in Aragorn. A pale, voiceless, woman, dressed all in white, passing judgement on those before her, before silently gliding from the room, like a wraith or spirit.

To further reinforce the ghost like imager, she is cold; "thought her fair and cold, like a morning of pale spring that is not yet come into womanhood." She looks on Theoden after his recovery with neither joy or love but with "cool pity".

Whereas warmth usually holds connotations with life, the cold conjurs images of corpses and the grave. Even the use of "spring" in her description, a season associated with life, birth and new hope, is described as "pale". The combination of "spring" (life) and "pale" (death), conjures an image of something that is at once living and dead.

A lot of our view point characters look on her with unease. She is repeatedly described as "stern", and the only time that stern façade cracks is when she shows emotions that are discomforting for other characters.

Her hand shakes when she serves Aragorn the cup, and Aragorn senses her attraction and is deeply concerned about. The intensity of her desire, and Aragorn's unspoken unease, makes for an aura of discomfort and dread.

The only time Eowyn shows "life" is when she's trembling with passion for Aragorn, a passion unrequited, or when her eyes are sparkling with visions of war and death.

The first time her stern face truly cracks, and she lets the feelings show, is when she breaks down in tears, begging Aragorn to let her ride with him. She's either frozen or weeping.

Everyone who observes this is deeply distressed. They find it painful to watch a proud and stern woman break down in tears and beg, a sensation the reader shares with them.

Aragorn himself is deeply pained and troubled by his concern for Eowyn. 'Only those who knew him well and were near to him saw the pain that he bore.'

Aragorn later admits in the Houses of Healing that his concern for her haunted him after their parting, and that nothing caused him so much fear on the Paths of the Dead as his fear of what may come to her.

In the same chapter, Aragorn likens her to a lily. Lilies themselves have connotations of death, and also harken back to Elaine, the "lily maiden" who died of heartbreak after being forsaken by her love, Lancelot.

So Eowyn is a figure of death, despair and tragic love. She is white, cold, lily-like, and is looked on with grief by many who perceive her. And not just grief, but discomfort. They don't just notice her distress, but are distressed by her.

When Merry meets her, he notices she seems to have been weeping, an image that is uncomfortably at odds with her stern manner.

Even Theoden, who cannot be credited with being that tuned in to Eowyn's feelings, notices she is unhappy, asking her how she is, and commenting twice on her obvious distress.

When Merry meets her in her guise as Dernhelm, he shivers, because he feels he is looking at someone with neither hope nor will to live. Their journey to the Pelennor passes in silence. Eowyn is a solitary figure, cut off from all those around her, riding to her death.

This culminates in Eowyn laughing at the Witch King, who brings despair to all who face him, because at this point she has literally nothing to fear from him.

The scene in which she faces him is written as a death scene. She fights him valiantly, but his destruction seems to be her own, and the consequences of her apparent death (Eomer's reaction) are severe.

Her tragedy appears compounded when Theoden bids her farewell, unaware she was with him the entire time, which rather sums up his fond, yet blinkered attitude towards her. She gives her life defending the dignity of a man, who is only half-aware of her existence.

Eowyn is mourned. Eomer rages against the heavens at her passing, and the riders of Rohan speak of their regret that she followed them without knowing. She is carried alongside Theoden, and it is only Imrahil's sharp perception and respect for her beauty that causes him to notice she is still alive, taking them all, and us, by surprise. Up until this point, Eowyn has been doomed, and she seems to have met her doom, heroically so.

But there's still a spark of life in her, still a weak breath in her lungs, and that's enough for her to be saved, and taken to the Houses of Healing. It's just a faint sign of life, barely noticeable, but it's life, which means there's hope.

As we look into Eowyn's mindset, we begin to see why she is such a tragic figure.

The first time she is addressed by name, she is being sent from the room. Her orders to take charge of the people of Rohan, which should be something of an hour of triumph and honour for her, feels almost insulting, in how her uncle would rather throw his crown to the people to take for themselves, than name her as an heir after Eomer, and then forgets she is even a part of their house, until Hama reminds him.

Our final scene of Eowyn in Two Towers is of her as a solitary figure, left alone to guard an empty hall, watching as the men ride away beneath their sparkling spears, a striking contrast between the camaraderie and fellowship we witness between the men riding out together.

That Eowyn is loved and respected by many, as revealed by Hama and her ability to safely lead the people to Dunharrow, despite their reluctance, compounds the tragedy, because she is not entirely alone and overlooked, but the people she wishes to been seen by, the people she holds in esteem, Theoden and Aragorn, reject. Theoden, unthinkingly, by forgetting her worth until it is spelled out for him, and Aragorn in being unable to accept her love, or her offer of service.

Eowyn's driving conflict, the one that seems central to her character, is not even with the villains who everyone else is banding together to fight. She is part of that fight against them, but her personal struggles stem just as much from her conflict with her own family, her own people and her own society, as they do with the threat of Mordor. Victory over the Mordor does not necessarily mean victory for her, we know for Eowyn to be spared her doom, she can't just be rescued from the enemy that everyone else is fighting. She is trapped, caged, and would rather ride out and die, than live to see herself fade.

“What do you fear, lady?" [Aragorn] asked. "A cage," [Éowyn] said. "To stay behind bars, until use and old age accept them, and all chance of doing great deeds is gone beyond recall or desire.”

That whole exchange between Aragorn and Eowyn reveal that above all else, beneath her stern facade and dreams of valour, Eowyn is absolutely seething. She is burning up with rage and frustration, and it is not just her enemies she is raging at, but her allies.

Her narrative starts to turn in the Houses of Healing. Not only is Aragorn able to bring her back to life, but it's clear that despite her unhappiness, Eomer's love for her is still a comfort and a source of happiness. When she wakes up, her first words are joy of seeing her brother there. For a character who until this point has been a figure of sorrow and loneliness, for her to speak so instinctively of joy at the presence of another is momentous.

This joy seems well justified, as not only do we witness the extent of Eomer's love, we also see a change in Eomer, and his perception of his sister.

Her sufferings, and the causes of her sufferings, are finally acknowledged. But they aren't acknowledged as some ephemeral, intangible thing, caused by some a broke heart and some vague sense that she's just "doomed", but as the result of a set of specific circumstances that naturally caused her great feelings of despair and hopelessness. Eowyn isn't tragic because "she's Eowyn and she's doomed", but because of Grima's manipulation, and the constraints inflicted on her because of her sex.

That Gandalf compares Eomer's lot to Eowyn's, and points out to Eomer the freedoms and opportunities he had which she did not, further emphasises that it was Eowyn's circumstances that made her so tragic.

Eowyn wasn't "just doomed" and Eomer wasn't "just not doomed". Had their roles been reversed, Eomer could have ended up in similar straits.

Eomer hears this explanation, and a change occurs. He looks on Eowyn differently, and starts rethinking their whole lives together.

In the causes of her suffering being recognised, there is now some hope for her recovery. Her "ailment" has been "diagnosed", and it's much easier to find a "treatment" and a "cure", when there is a "diagnosis". There's a practical solution to Eowyn's suffering, and the person closes to her is brought one step nearer to seeing it.

Eowyn remains in the Houses of Healing, something she sees as frustrating, unnecessary and pointless. She doesn't want to live, she doesn't expect to heal, she thinks herself fit enough to ride and die, and that's what she wants to do.

Eowyn still sees herself as doomed by the narrative, but the narrative and the cast no longer see her as such. She is kept in the Houses, she is encouraged to rest and to heal, she is encouraged by Faramir to have hope, and gradually she starts to thaw.

She also becomes more gentle and vulnerable. Her youth is dwelled on, and she former concerns about living forever in a cage for a moment lapse as she focusses on a more trivial worry that Faramir thinks she's childish. When she scales down her request from permission to ride to battle, to be allowed to walk the gardens and look east, she speaks as a "maiden, young and sad."

In becoming more vulnerable, she becomes more approachable. She is no longer the ice maiden, a spectre, but a living person, with worries large and small, and Faramir is able to smile at her and offer her consolation.

The requests she makes during her "thawing", to look east and not be confined to her bed, signals a slight, perhaps unnoticed by her, return to hope. East is, as Faramir remarks, where their hopes lie. In looking east, she is looking towards hope. Furthermore, her second request, to not be confined to her bed, is something that Faramir can provide a practical solution for. She can have a chamber facing east, and she can have freedom to walk the gardens.

He almost speaks to her like a conciliator, or a negotiator. He talks her down from asking for death, to having a chamber looking east, and freedom to walk the gardens and take in the sun, in return to her agreeing to stay in this house in our care, lady, and take your rest," . That he phrases it gives the sense she has agency, he isn't saying "you will stay, and you will have a chamber that looks east, and you will walk in the sun", but instead he says if she agrees to stay, this is what they can do for her.

Therefore, the choice to stay, the choice to walk in the sun, the choice to heal, is put back into her hands, and in accepting Faramir's offer, she accepts the chance to heal.

Both Faramir and Aragorn are struck by pity when they meet Eowyn, but Aragorn's pity makes him hold her at arm's length. He maintains a distance between them, he turns from her and rides away. When he does try to "reason" with her, he only makes things worse, twisting the nail into Eowyn's frustrating circumstances.

Faramir feels pity for Eowyn, but he also feels kinship. She isn't some strange, removed creature. He doesn't look at her and see someone who is doomed. Nor does his treatment of her isolate her, as the treatment of so many others have.

He speaks of the pair of them as a unit, right from the start. He notes that both of them are "prisoners" of the healers, he tells her that both of them will be able to fight the end, if it comes to them, if they rest, and that the hours of waiting are something both of them must endure, and that both of them have passed through a shadow, and in from kinship, he expresses a belief that he might find comfort in her presence.

Eowyn's isolation and lack of agency are key causes in her despair, so it is understandable how this man, who makes efforts to understand her, to get to know, to befriend her and to make a connection with her, is such a balm, and manages to cause such a turn around in her arc.

Through her friendship, and later romance, with Faramir, she opens up, and arguably becomes more emotionally resilient, neither freezing her emotions, "cold and proud", or breaking down, weeping or begging. She shows uncertainty and fear in more moderate, casual ways, instead of pushing them down until they burst out of her.

However, she is still Eowyn. She is still proud (Faramir describes her as looking queenly), she is still proud, strong willed and sharp tongued. Even in her happiness, when she agrees to marry Faramir, she teases him for his people's snobbery, and she refuses the Warden's attempts to "release" her into Faramir's care, by instead asking to stay at the Houses of Healing.

She doesn't go from Ice Maiden to Fragile Flower. Instead, in grasping her future by the hands, in choosing for herself what she will do and where she will go, in deciding her own fate, her own role (that of healer), she shows that she is as strong willed as ever, and Faramir, who re-iterates twice; when speaking of his plans to marry her and go to Ithilien with her, that they will only do so if she is willing.

Eowyn also makes it clear to Faramir that while she will return to him, she has other duties and priorities that will keep her. That is, the rebuilding of the Mark. She has to go, she will come back. A striking contrast to her first introduction, when Eowyn is told "go", then told "stay", as it pleases those around her. She now has freedom of movement, she now chooses when to go, when to stay and when to return.

That Eowyn speaks of how she must go back, must look on her country and help her brother, also indicates that Eowyn sees her own worth and importance. She values herself and feels valued.

At Theoden's funeral/Eomer's coronation, Eowyn plays an integral role in the ceremonies. She presents Eomer with a golden cup and gives the signal for the cups to be raised to drink to the new king. This in itself indicates the esteem in which Eomer holds Eowyn. However, she has arguably been a cupbearer before, and it hasn't been a role that has brought her much joy. While it is a position of prestige, and shows she is a valued member of the household, it's not enough. Luckily, here, she isn't just there to oversee the celebrations of others, but to be celebrated herself.

Eomer ends the ceremonies by announcing her betrothal to Faramir. His justification for doing so is because of Theoden's love for Eowyn, which he uses to argue that Theoden wouldn't begrudge Eowyn's announcement being made at his funeral. He also notes how great the gathering before him is, greater than has ever been seen before. That Eomer wants to announce his sister's happy news before such an assembly, speaks of how much he wants to honour her.

Eomer certainly appears to have taken Gandalf's words on board. When he makes the announcement of Eowyn's betrothal, he says that Faramir asked for her hand, and Eowyn granted it, full willing.

He doesn't say anything about whether or not he gives his permission, (as her king and head of family, he probably was asked, but considering Eowyn and Faramir made their plans to wed with total confidence, you get the impression this was a matter of form, they were going to marry, Eomer disagreeing would be a complication, not a defeat), but instead emphasises how Eowyn has agreed to marry Faramir, full willing.

The final image we have of Eowyn can be a foil of that image of we have of her at the end of her first chapter in Two Towers. Once more, she is bidding farewell to a loved one as they depart Edoras. However, this time, she is embracing Merry before he leaves. She gives him a gift, that speaks of the bond of friendship that is now between them, and a remembrance of the time they rode together to battle, comrades in arms.

Compared to her formal parting from Theoden in Two Towers, this parting is full of warmth and intimacy. She and Eomer both hug Merry farewell, and when Merry leaves, Eowyn is left with both Eomer and Faramir, the two people she loves best, Faramir himself putting off his own duties in Gondor, to be near to Eowyn as she does her duty in Rohan.

Even the parting of Eowyn, Eomer and Merry, which could be a sad thing, is softened with Tolkien concluding "and so they parted for that time".

Their parting isn't forever, it's just for the moment. They will see each other again. Compared to the jarring juxtaposition of the brotherly army riding out, to Eowyn left alone to guard an empty hall, which created a sense of dread and foreboding, the final lines here at this parting fill us with warmth, with them all embracing, and leaves us with a promise that this parting isn't forever, and that the friends will all be reunited soon.

So, to summarise, Eowyn at first appears "doomed by the narrative." She is cold, stern, ghost like, and carries an aura of tragedy and dread.

Her doom she seems to carry through to fruition, and she is mourned accordingly, but the smallest spark of life remains in her, and in the causes of her despair being acknowledged, in the people in her life reaching out to her, making an effort to understand her, and in her and those around her making practical changes, the characters actively defy the narrative that has apparently doomed her, and together, through their combined efforts, Eowyn escapes her fate

Eowyn feels hopeless and trapped, and the people around her struggle to relate, and in fact many of them contribute; some un-knowingly, some knowingly (fucking Grima), to her depression. It first looks like a force greater than herself (the narrative) is causing her despair, and it cannot be overcome, but will instead lead to her destruction.

But actually, there is hope, and there are practical measures that can be put into place, to help her overcome her despair. Medical treatment, a support network, and a greater understanding from herself and from others of what she is going through, enable her to defy the narrative and find happiness.

[miraculouslbcnreactions]

While I don’t think the senti-kid story necessarily works if the writers wanted to keep the show focused on kids, I think it would’ve gone over a bit better if it was just Felix who was the senti, rather than also Adrien and Kagami (especially Kagami, she was a complete retcon in that regard).

Picture this:

Gabriel, Emilie, and Natalie find the Miraculous (Butterfly and Peacock) because they have an expensive hobby (archeology/collecting rare items, as wealthy people like to do), not because they need the magic at all. They just heard a rumor of an old Tibetan monastery and wanted to check it out, got lucky in finding the two jewels. The Peacock doesn’t even have to be broken.

We can keep the basics of the backstory shown in Representation- minus the detail of Adrien being made with the Peacock. Gabriel and Emilie conceive Adrien normally, but Colt and Amelie aren’t able to like in canon, so Colt has that same jealous outburst at Gabriel. Because Emilie feels bad for her sister, and Gabriel sees an opportunity to make a deal, they lend, or maybe trade, the Peacock to them to create a child. As in canon, Colt uses it, and his jealousy makes Felix a physical copy of Adrien.

Emilie gets sick for non-magical reasons. (I wouldn’t mind having her use it for funsies and not realizing it was broken, but it’s very obviously cracked, and I can’t imagine at least one of their two kwamis not giving them a warning.) As for what happens to Colt, I’m on the fence about him being alive in present times because that kind of abuse is really heavy, so maybe he just dies for unsaid reasons (though I vote Amelie poisoned him or something).

This version would allow for a really cool contrast between Adrien and Felix’s stories and characters. You have Adrien, a normal human, capable of disobedience, but who bends easily under others and is a people-pleaser. Versus Felix, a senti being magically compelled to obey orders of whoever has his amok, but fights to be free every chance he gets. That contrast would also further Felix’s frustration and jealousy of Adrien, in addition to his own father’s hatred of him and being identical to his cousin, because Felix would kill for Adrien’s free will, but he squanders it. But then there’s also the issue that he’s essentially victim blaming Adrien, not realizing that magic isn’t the only way to force obedience- not to mention ignoring the times that Adrien did stand up for himself (like running away to school). I think that would be a really great discussion of free will, how jealousy can blind you, family conflict (and resolution), and how different kinds of abuse/trauma aren’t automatically better than each other just because they’re opposites (ex: someone with heatstroke shouldn’t be jealous of someone with frostbite. Both suck.) The intensity might be worse for each circumstance (since Felix has magical abuse and physical+verbal abuse), but he would be in the wrong for saying Adrien has it easy.

(I think at this point my ADHD is over-explaining, so I’ll leave it at that lol)

Do you think a route like that would’ve improved the show at all? I’d love to hear your thoughts!

The sentiplot has many issues and one of the big ones is that it's not a great fit for a show where Marinette is the one and only main character. They've given Kagami, Felix, and Adrien this massive weight that begs for them to take center stage for at least a few episodes, but probably a whole season or two. The show isn't going to do that, so it's near impossible to really fix the sentiplot without truly massive changes to canon.

That being said, I think that this idea would have vastly improved the sentiplot in its current form! Right now, the senti thing truly doesn't matter to Adrien's character. His mom could have gotten sick for any random reason and the only meaningful change would be that Gabriel couldn't use the rings to keep Adrienette from kissing that one time. Outside of that, Adrien's status has no meaningful effect on the story. It doesn't even keep him out of the final! He does that on his own! The senti thing is just there for cheap drama.

There's also the issue that the current storyline makes the Agreste's look awful which is clearly not the story's goal. Emilie is supposed to be an angel and Gabriel is supposed to be a grief-stricken man who loves his family. That doesn't fit with the kind of monsters who would make a magical designer slave to be their child and then wear his control rings around as daily accessories. Remember, they picked their freaking wedding rings for his slave collars! Most people wear those every day. The implications are nasty!

It makes way more sense for the Agreste's to have the peacock for more mundane reasons and for Colt to get it somehow. Maybe even have him steal it after he finds out about it to really remove the Ageste's from the perfect slave child issue. This allows for the contrast between Gabriel and Colt that canon so clearly wanted, but failed to write. It also makes Felix's actions towards Adrien make way more sense. It feels like canon Felix hates Adrien and we still don't know why that is.

As nebulous as Felix's character is, he still feels like the kind of character who needs to be tied to something like the sentiplot. It's part of the reason I don't think I can use him in my own stuff. The sentiplot is - or at least should be - such a major, defining thing for him that the only possible way to use him is to keep that plot or to give him a plot about freeing the Kwamis since they're also slaves and his abusive childhood could make him feel a bond with them.

Focusing the sentistruggle on Felix instead of spreading it out to include Adrien and Kagami would also keep the sentistuff from dominating the story. Making the male romantic lead an artificial being without true free will whose creation killed his mother is a massive thing that needs to be the focus of his character for the rest of the story. People are on the edge of their seats waiting for Adrien to learn the truth and want this to be a big plot. I do not think they're going to get that, but they should.

Having a side character be the artificial human allows this to be something that is dealt with and then Felix either leaves or fades into the background once his story is over because his story allowed to have an ending whenever they want it to. That's not true for Adrien. Adrien's ending is happily every after with Marinette and the sentiplot needlessly complicates that plan because it means that Adrien's character is always going to be center stage, making people want the sentiplot to mean something since it's apparently impossible for him to ever be a real boy who has true free will. That's such a massive thing that it begs for Adrien to be the main character, which is an asinine writing choice. I have no idea why they keep giving Adrien all this massive narrative weight. You don't do that if you want the female romantic lead to be the main focus! You do it if you want them to be true costars or if you want the male lead to get the majority of the focus. This is writing 101!

As you said at the top, I'm not sure how well this works for a show aimed at five-year-olds because it's still a pretty heavy stuff, but as a general idea, I'd be down to watch it! I didn't have a ton to add to this one because your pitch was already excellent!

[draculasfavoritewife]

Idle Hands

Summary: Whenever Tony forgets to go to bed, it's always been up to you to bring him back to your side.

Pairing: Tony Stark x fem!Reader

Warnings: Heavy on the softness compared to most of my other stuff; I was in a very sentimental (read: sad and touch-starved) mood back when I wrote this lol. Tony Stark is a TEASE both in word and deed -- I have said it is canon therefore it is now. The feral way he makes me feel should be illegal. Also you can read the...implications of my vague wordings towards the end as tame or as smutty as you wish ;)

I feel the need to mention here that Tony Stark has been my most favorite comic book character since I was but a mere 11 years old. He holds the distinction of being my longest-running fictional crush/object of my obsessions and I love him so deeply and for so many little reasons that I could write a PhD dissertation on him. So please enjoy my little love letter to the man that has held my heart for nearly a decade and a half <3

It's that point of the night where you really can't decide if it should be counted as ungodly late or ungodly early. 4:00 am does tend to scramble the thoughts.

You've been drifting in and out of an uneasy sleep for what feels like forever, and as you roll away from the digital clock display on the wall with an annoyed sigh, you suddenly see why.

The other side of the bed is utterly untouched.

He hasn't been here with you at all.

You sit up, trying to remember if he had plans tonight. The calendar app on your phone has no record of a gala, awards ceremony, board meeting, or anything else that might have taken up his time.

Which means he's probably down in the lab again.

Briefly, you contemplate trying to call him, but you know from experience that he probably isn't taking calls right now, even if FRIDAY tried to put one through for you. He's in that zone that only designing and building can put him in, the one mindset where his too-busy brain is crystal clear and the world at last makes sense to him.

So you pull yourself out of bed, throw one of his old sweatshirts on over your cami and pajama shorts (he keeps the AC cranked all the way whenever it's warm outside) and pad out of the bedroom and on your way downstairs.

His lab is awe-inspiring as always, no matter how many times you see it. The purring thrum of the generators and the comforting pulse of dimmed lights, the heavy, electric feeling of the air itself -- he's described his workspace to you as having a life of its own before, and you can understand so well why time escapes him down here.

You just hope he's not using it to escape from other things as well.

He's deeply absorbed in his work on something at a station opposite the door, and your heart skips a beat even as you smile fondly at the familiar sight. Clad in sweatpants and a black tank through which you can just barely see the blue glow of his arc reactor, he looks all at once more human than usual and like some being from another world entirely.

It's the Stark curse, he told you once, and you recall the wry slant of his lips as he said so. To know you're a god trapped in a mortal body, an infinite mind with a finite number of years to use it. It's the reason behind all his greatest triumphs -- and all his harshest falls from grace.

And somehow, you were lucky enough to be the one he fell in love with.

It still feels like a dream sometimes.

Realizing he isn't going to look up on his own anytime soon, you stifle a yawn and knock sharply on the doorframe.

"Tony?"

He stiffens as if he's been shocked (always a possibility, when he's rewiring) and shoves the safety glasses high up on his forehead. "That would be yours truly. Everything alright?"

With a laugh, you cross the room, warmth rising in your chest as he immediately sets down his tools and steps out from behind the table to meet you. And damn, he always looks good -- he is Tony Stark, after all -- but there's always something about him when his hair gets all unruly and he has THAT look of intense concentration on his face that really drives home to you all over again just how gorgeous he is.

You cuddle up to him, and he kisses the top of your head.

"Asked you a question, Honey."

"Do you know what time it is, Tony?"

There's a prolonged moment of answering silence as he glances up at one of his nearby monitors. "Crap. Well, why are you up?"

Pulling back slightly so you can tease the protective eyewear off his head, you give him a look. "Can't sleep."

An eyebrow tilts; he's playing dumb.

"And that's my problem why?"

"Jerk." You take your time playing with his glossy dark hair, neatening it back up before raking your fingers through it to mess it up again. "Maybe because you love me...?"

"Oh, so you're down here looking for sympathy, got it." He smirks at you, a well-practiced and infuriatingly handsome look. "In that case, sorry about your insomnia, Beautiful. There's melatonin in the drug cabinet upstairs." He snares the safety glasses from your fingers once more and makes as if to return to his work. "Sympathetic enough for you?"

You wrap your arms around his waist from behind, stopping him from going any further, though the smug son of a bitch starts tinkering with his new designs again even through your persistent clinging. It mesmerizes you for a couple seconds, always has, the way his hands work with such delicate precision and dexterity, and you can't help selfishly wishing he would turn them towards other, less...mechanical endeavors at this moment.

He probably would, in all honesty, but Tony Stark is the king of making you work for it. Philanthropic he may be, but some things even you have to earn from him when he's feeling particularly devilish.

"I don't want your pity," you hum, pressing a sleepy kiss to his shoulder. "I was lonely without you."

"Perfectly understandable. I've been told by many that I'm scintillating company. You can, by all means, stay and watch me work, you know. Feeds my humble ego."

You roll your eyes and impatiently reach up under his shirt, feeling his muscles tense at the unexpected coldness of your hands.

That finally gets his attention and makes him turn around. Before you can even fully comprehend it, he's swept his work out of the way and lifted you up onto the worktable instead, restless fingers drawing intricate patterns on your inner thighs, though his eyes never leave yours, crystalline blue pinning your attention to his amused face instead of his very distracting hands.

"That," he grins, "was adorable. Sleepy version of you is so much more demanding. Maybe I should stay down here too long more often."

You try to frown at him, though his sparkling gaze and mischievous touch make that impossible. "How dare you."

"I do a lot of dumb things to see where they get me. You know that." He nods at the thick gray sweatshirt still keeping you warm. "Why don't you take that off for me, Sweetness. You make me cold, I get to return the favor."

Unable to come up with something snarky to say in return with the way his hands are making you shiver now, you do as he suggests with little resistance, the exposed skin of your arms and chest prickling at the much cooler air.

He leans in to tenderly kiss your neck, and your breath leaves in a sigh at the way his facial hair scratches at your throat. He's always been a helluva kisser and the meticulously maintained goatee is just the icing on the cake. Making out on his worktable was not the original plan when you first came down here, but even by his own admission Tony's best plans are usually improvised.

And you're certainly not complaining.

"What did you want from me again?" he murmurs, close to your ear.

The absolute audacity of him.

"Mmmmmmm," seems to be about all you can manage at the moment, and you know very well what's coming next.

He pulls you closer to him, the movements of his fingers turning agonizingly slow and prompting a slight gasp from you.

The smile that gradually spreads its way across his mouth is absolutely wicked.

"What was that, Sweetheart? I didn't quite catch it."

You try to reclaim some semblance of coherence, but his firm hold on you prevents you from escaping his delightfully systematic torture, so instead you grab on to his well-defined shoulders, your forehead resting against his chest. The mechanically-stabilized beat of his heart echoing beneath his skin a brief reminder that he's alive, despite everything he's been through, and he is yours. There's no one else on his mind, no one else he's let this far into his messy and often painful world.

The world may know him as Iron Man, the one who has saved them more times than they could ever count, but how many people really know the Tony that you know?

That same Tony who now raises one hand to tip your head back, whose sharp eyes soften with affection for the slightest of seconds before the anticipated words fall from his tongue, the words he knows will always unravel you.

"You just have to tell me what you want. Come on, Princess. Use your words."

You shudder and lean in to beg for another kiss.

"You, Tony. Always you. Please."

He kisses you back with renewed intensity, leaving you completely breathless.

"There we go...was that so hard?"

[iridescentmirrorsgenshin]

I have no other place to yap this to so I apologise in advance.

I find it interesting in Alhaitham and Kaveh’s voicelines they tend to talk about each other A LOT in a way of complaining. Such as in Alhaitham’s Good night voiceline where he says that he’d prefer that Kaveh wouldn’t be home at all because all the chaos and noise he makes in the dead of the night. Or in Kaveh’s Good Morning voiceline where he says that he hopes that you don't run into someone who ruins your day first thing in the morning.

I guess it’s what makes other people think that they despise each other’s company. Yet they’re always viewed as a pair and Alhaitham could’ve kicked Kaveh out of the house ages ago. But what’s your opinion on that?

Hiya! there's no need to apologise, this is a safe space for all haikaveh! When I tell you your ask is scratching my brain I mean ITCHING, I have so many thoughts about this part of their dynamic so thank you for enabling me <3 This turned out to be rather long, so I hope it’s helpful to you!

The contention in both Alhaitham and Kaveh’s character stories and voice lines seems to be to create intrigue about the two as individuals, and, in turn, their relationship.

Alhaitham’s ‘good night’ voice line instantly serves as a contradiction to his character. It’s interesting, and telling, that Alhaitham, who is essentially Kaveh’s landlord, and mentions this within his fourth character story, alludes to Kaveh by using ‘roommate’ rather than ‘tenant’. ‘Landlord’ evokes a position of authority over the tenant, whereas ‘roommate’ indicates an equality between two people sharing a house – since it’s Alhaitham who advocates for the term ‘roommate’, it’s telling that, as opposed to what Kaveh believes, Alhaitham wants to establish equality between them.

In terms of what Alhaitham says in this voice line, it explicitly raises a contradiction in the form of a question: if Alhaitham is truly bothered by his roommate’s antics, why doesn’t he simply evict Kaveh?

This is relevant as this question is also posed when we initially meet Kaveh within the Archon Quest, as Kaveh states he dislikes Alhaitham’s personality, to which Alhaitham responds by saying if he bothers Kaveh so much, Kaveh always has the option to move out of the house – to which Kaveh perceives as a threat, only to then dismiss this as Alhaitham ‘changing the subject’, which seems to mean that this ‘threat’ is taken as baseless. As this isn’t called back to, this seems to be the case.

There is no real threat of eviction, and regardless of their disputes, Alhaitham ultimately gives Kaveh no ultimatum to move out. In fact, as discussed here (page 27), as we are meeting Alhaitham and Kaveh for the first time, Alhaitham allowing Kaveh to live with him contradicts his established character of living a life free of inconvenience. This instantly creates intrigue around his and Kaveh’s dynamic – who is Kaveh to Alhaitham for this exception to be made to Alhaitham’s peaceful way of life?

(An additional note of interest is that Alhaitham’s solution to the noise problem seems to be more uncomfortable than calling on Kaveh and telling him to stop his work. Alhaitham says that he’d rather not wear his noise-cancelling earpieces to bed, implying that he does so when noise is a problem at night. However, there’s no mention of Kaveh being stubborn when confronting this issue, which is why he takes to wearing his ear pieces, or any mention of confrontation at all. From this voice-line, it seems that Alhaitham avoids interaction by opting for the least comfortable option, which can be a contradiction to his character. As this is a rather brief voice-line, it’s difficult to ascertain why, but I like the idea that Kaveh is productive at night, and Alhaitham prefers not to impose on Kaveh’s work process – but this is more a headcanon than evidenced interpretation.)

Returning back to the contradiction within this voice-line, at a surface glance, this does appear to be a general complaint about Kaveh, and this can be found in Alhaitham’s lines about Kaveh, and also when discussing Tighnari. Alhaitham refers to Kaveh as ‘overly sensitive’, and ‘constantly making a fuss’.

These can easily read solely as complaints, but when looking to the original CN translation, another interpretation can be found here. Alhaitham describes Kaveh as ‘caring’ or ‘tender’, which is exactly how Kaveh is described within the 3.6 special program (as per minimushiroom on twt), which can allude to how Kaveh is considerate to a fault, in that this serves as a detriment to himself.

This can be seen in Alhaitham’s other Kaveh-centred voice-line, in which he describes Kaveh buying keychains in order to provide meals for sick children, even though healthcare is free in Sumeru. Alhaitham clearly holds the view that this was a redundant action, as Kaveh, being in debt, most likely doesn’t have the money to spend on such investments that are, evidently, dubious.

As Alhaitham provides a rational view here, this contrasts with Kaveh’s act of generosity fuelled by emotion – which highlights the contention Alhaitham has with Kaveh, in that Kaveh places himself in dangerous situations for the sake of others. However, as this can be perceived as a solely derisive line, this essential context is lacking, and can be easily misconstrued. (I think the EN translation here also coincides with this narrative, as minimushiroom notes that the original CN has Alhaitham refer to Kaveh’s sensitivity in a positive way, rather than contemptuously, as the English can be interpreted as.)

Kaveh, similarly, can be seen to complain about Alhaitham in his own voice-lines. This can be seen in the 'Good Morning' voice-line you've mentioned, where Kaveh complains about having to see Alhaitham in the morning, which 'ruins' his day. Additionally, Kaveh's voice-lines discussing Alhaitham refer to Alhaitham as ‘infuriating’ and not wanting to give Alhaitham the satisfaction of thanking him, despite Alhaitham helping him out. However, there is more nuance in these voice-lines than Kaveh simply ‘disliking’ Alhaitham, as this dislike is never stated - rather that he and Alhaitham have a difficult relationship in comparison to the ‘close’ friendship of their past.

Kaveh describes their relationship being a ‘mixed bag’, of both negatives and positives, as well as establishing a thorough understanding of Alhaitham, where other people may misinterpret Alhaitham as they ‘don’t know him well enough’. Additionally, Kaveh notes that he knows that Alhaitham can present himself in a more ‘likeable’ manner, but that Alhaitham refuses to do so, which refers to Kaveh’s contention with Alhaitham discussed within his character stories. This, in turn, generates curiosity, as it appears that Kaveh holds an in-depth knowledge of Alhaitham that the player isn’t privy to.

Referring back to Alhaitham’s ‘Good Night’ voiceline, the question raised is, if Alhaitham has a problem with Kaveh, why doesn’t he just evict Kaveh? And the answer can be found by digging further into Alhaitham’s character stories. Looking to Alhaitham’s fourth character story, it states that he is aware of the dissatisfaction Kaveh may have with their living arrangement but  that ‘it matters not to him’.

This means that he is aware that Kaveh may be unhappy with having to rely on someone else for a stable livelihood, something which his pride doesn’t naturally allow, but that this is also exacerbated due to their previous falling out and the current contentions Kaveh has with him.

At first, this can seem rather abrasive, which does fall in line with Alhaitham’s egoism as this doesn’t directly impact ‘the self’ (discussed further here), however, what immediately follows is Alhaitham’s belief that he and Kaveh are mirrors, in that his own perspective of the world will be enhanced - in the og CN, ‘completed’ -by Kaveh’s own world view.

The implication generated here with the explicit term ‘mirror’, is that, just as Alhaitham benefits from Kaveh, Kaveh, in turn, can benefit from Alhaitham. (As a side note, it is interesting then that the voice-lines in question can be seen to mirror each other – Kaveh mentions Alhaitham in ‘Good Morning’ whereas Alhaitham mentions Kaveh in ‘Good Night’.)

Returning back to Alhaitham’s character story, rather than merely reflecting each other philosophically speaking, I’d say that this also points to their respective progression as people, not just scholars.

To me, this is reminiscent of what Alhaitham says to Kaveh in A Parade of Providence – being ‘correct’, ultimately, doesn’t matter, as there is no ‘correct’ path in life, meaning that there is no ‘correct’ philosophy to shape and guide a person. Rather, Alhaitham asserts that, ultimately, their opposing philosophies are not the issue that exists between them.

The issue that does exist, then, can be surmised from Alhaitham’s actions during the event (discussed further here), in which he researches into Sachin to gauge his influence over Kaveh’s father journeying into the desert, with implicit hopes of providing closure for Kaveh, and potentially assuaging Kaveh’s guilt. This is a personal act with a personal motive; the underlying motive being concern, as opposed to an assertion of ‘correctness’.

In my opinion, I think Alhaitham’s actions during A Parade of Providence are a direct reference, and fulfilment, of Kaveh’s fifth character story. I’ve discussed here that the main reason for the ending of their friendship was them asserting the correctness of a philosophy over the other, and proposing one philosophy as the ‘solution’ to the other’s perceived flaws.

Here Alhaitham can be seen to use Kaveh’s past as the reason for his excessive altruism, implicitly referring to Kaveh’s guilt over being the supposed catalyst for his father’s demise. This final comment of Alhaitham’s appears to be the first time this has been mentioned between them, and it’s enough to be perceived as weaponisation – leading to Kaveh severing their friendship.

In A Parade of Providence, Alhaitham is shown to only have taken the role of commentator to research into Sachin, whose research we are told (by Kaveh), he has no explicit interest in, and it is heavily implied that the only reason he looked further into Sachin, was to prove to link between Sachin and Kaveh’s father. Alhaitham seems to want to absolve Kaveh of this past guilt in hopes that Kaveh will stop placing himself in the cycle of self-sabotage.

For me, when viewing this as a parallel, it highlights that Alhaitham’s motivation in speaking out during their days as students was out of concern for Kaveh, although while holding egoism as ultimately beneficial, and therefore perceivably ‘correct’. The ‘issue’ they’re currently debating is not expressly stated, and although it is unclear if Kaveh understands the implication (as discussed here), as ‘correctness’ has been overturned, there seems to be little left than the personal.

Relating this back to Alhaitham’s fourth character story, for me, Alhaitham referring to Kaveh as a mirror isn’t just referring to Kaveh as a scholar, but a person as a whole. As Alhaitham seeks to improve himself, personally, through Kaveh, it seems that he hopes to be able to benefit Kaveh in turn.

As for Kaveh’s complaints regarding Alhaitham, these can be contextualised within his own character stories. As Kaveh ultimately severed the friendship between him and Alhaitham, Alhaitham offering Kaveh to live with him, despite Kaveh revoking his previous understanding of Alhaitham (as discussed here, page 67), causes Kaveh to be overtly suspicious.

In Kaveh’s Old Sketchbook, it is mentioned that Kaveh believes there to be an ulterior motive for Alhaitham inviting him to share a house, as he believes that Alhaitham wouldn’t do something for someone else without an exchange.

Kaveh, then, openly distrusts Alhaitham due to this unspoken motive, and although he takes on chores to ease his sense of guilt of being a perceived burden, a contention arises here. Due to their previously ended friendship, and with how Alhaitham hurt Kaveh, and how Kaveh may believe he hurt Alhaitham (discussed here), Kaveh sees no reason for Alhaitham to want him around – he treats their relationship as an exchange, asking what Alhaitham could possibly want for him.

Although Alhaitham views Kaveh as a mirror, and therefore, respects Kaveh’s perspectives, Kaveh can potentially view their opposing philosophies as a negative rather than a positive as he had done in the past (as discussed here), as it, perceivably, was what led to the end of their friendship. In this, Kaveh views Alhaitham as disparaging him and his views. As mentioned in his character story, he has no reservations in telling Alhaitham of his debt as Alhaitham has already seen through him in the past, and yet again, upon meeting at the tavern.

Although Alhaitham perceivably views him unfavourably, and his comments and complaints appear to propagate this interpretation, Alhaitham also seems to have no issue with keeping Kaveh around, and interacting with Kaveh, regardless of the problems Kaveh expressly has with him.

To Kaveh, it could be that as Alhaitham has already seen the worst of him, and appears to have no real issue with their stilted rapport, there is no point in donning a front and using niceties. He is open with his issues with Alhaitham, and, in turn, Alhaitham is open with him.

This appears to be a dual negative and positive for Kaveh, as he describes Alhaitham’s constancy as ‘the most unshakable part of one's past is a friend that will never change’. In this sense, his unsteady rapport with Alhaitham is reliable, and therefore, has no reason to change.

Clearly, there is a large disconnect between Alhaitham’s view of Kaveh and how Kaveh perceives Alhaitham’s view of him. As previously mentioned in the discussion of A Parade of Providence, there is an unspoken ‘issue’ between them, and this can be interpreted as dire misconceptions borne from miscommunication.

As discussed, Kaveh and Alhaitham reference each other a lot in their respective voice-lines and their character stories. This alone is enough to connect them, regardless of the cruciality of their mirror motif, as they are key figures of each other’s past, present, and seemingly, future. Despite this, it’s as you say, there’s a common perception to view them as mutually disliking each other, and, to me, this is based upon their first initial interaction, and the way they refer to each other in their own character stories and voice-lines.

It’s notable that Alhaitham refers to Kaveh in his voice-lines when Kaveh is not explicitly relevant, such as in his Good Night voice-line, and, most interestingly, when Alhaitham discusses Tighnari.

This could be because Alhaitham knows of Tighnari through Kaveh, but as this connection isn’t stated, it reads as Alhaitham mentioning Kaveh for no other reason than to complain about his perceived naivety regarding relations with others. But as this is a voice-line designated to discussing Tighnari, it’s interesting, and incredibly noticeable, that Alhaitham then discusses Kaveh instead. It’s similar to what Kaveh can be seen to do, and is observed to do by others, in relation to discussing Alhaitham.

When it comes to Kaveh, however, his complaining of Alhaitham can be seen to link with his process of dealing with troubles in his work. In his Hangout, he states that he takes his work to heart because he cares about it, which is expressed in the same quest in which Kaveh and the Traveller run into Alhaitham in the House of Daena (discussed further here, page 219).

Drawing a parallel here can further contextualise Kaveh’s complaining of Alhaitham – if Kaveh truly disliked Alhaitham, there seems to be no reason for Alhaitham to remain so relevant to him, both in conversation, and in private thought. Additionally, Kaveh is described as an empathetic person, and when dealing with others, he is thusly seen to look for another perspective rather than act on his own subjective perspective.

Looking at his voice-line on Dori, for example, expresses his distaste for Dori pressuring him for Mora due to his debt, however, he also empathises with her, and states that he senses there must be a reason why Dori acts in such a way.

In contrast, this empathy can be perceived as missing in his treatment of Alhaitham, and therefore Kaveh complaining about Alhaitham can be perceived as blatant dislike – which contradicts Kaveh’s benevolence and empathy, which A Parade of Providence particularly stresses.

Kaveh’s treatment of Alhaitham can be seen as deliberately contradictory, as it can cause the player to question why Kaveh reacts in such a singular way to Alhaitham, just as why Alhaitham reacts in a singular way to Kaveh.

In reference to Alhaitham, whilst Alhaitham tends to complain about Kaveh in turn, his actions reveal him. He invites Kaveh to live with him, gives no eviction date, pays for Kaveh’s tabs willingly, (supposedly) buys wine as an apology, and goes out of his way to ensure dialogue with Kaveh – which contradicts his own character stories, in which he appears to favour solitude, and only greets those he considers his friends ‘with a nod or two’.

Moreover, Alhaitham is established as considering Kaveh a necessity to his ‘peaceful life’ he seeks to maintain (as discussed here), and can be seen to implicitly consider Kaveh one of his priorities within his Story Quest.

The idea that Alhaitham dislikes Kaveh seems to stem from Alhaitham being taken literally when voicing an opinion, or an issue, or simply joking, in reference to Kaveh – despite his character stories highlighting that Alhaitham often uses sarcasm in order to subvert expectations.

Alhaitham expressly states that he prefers to be seen as inscrutable, and unknown, by the general public, and uses subversion as a means to do so. In these character stories, Alhaitham openly encourages speculation of his own words.

Without this context, it seems easy to simplify Alhaitham to purely speaking factually when first addressing Kaveh in the Archon Quest – stating that having to explain things to Kaveh is ‘a nuisance’, and yet, it is overlooked that Alhaitham stays in the House of Daena, regardless, knowing Kaveh would find him again.

On the whole, in my opinion, Kaveh’s feelings towards Alhaitham cannot be simplified to ‘dislike’ as this is dually an inherent misunderstanding of his character, and of his and Alhaitham’s relationship, just as Alhaitham’s feelings towards Kaveh cannot be simplified to ‘dislike’ for this same reason.

In the beginning, Alhaitham and Kaveh are not supposed to be perceived as friendly, as Kaveh denies the association of ‘friends’, and Paimon describes them to the Traveller as ‘problematic’.

The reason for this is due to their character arcs being intertwined – the core issue is posed in Kaveh’s fifth character story, in that the question is raised if a compromise can be reached, if both sides of the mirror, can be balanced. At the beginning, they are entirely at odds, but even footing must be found.

I’ve noticed a shift in online discourse after Cyno’s second story quest, as the progression in Alhaitham and Kaveh’s relationship is noticeable – deliberately, due to the flashback scene within their house (which I’ve discussed in detail here, page 122). To me, it’s more common to form the assumption that Alhaitham and Kaveh dislike each other in the Archon Quest, but with recent developments, and, hopefully, future ones, this perception is being overturned in online communities. Perhaps that’s just wishful thinking, but I’m still hopeful!

[vandal-flower]

Great Power Comes with No Responsibilities

Ror men with a powerful but lazy s/o.

Requested by 🦅 anon.

Characters: Qin Shi Huang, Jack the Ripper, Buddha and Loki.

Warnings: A bit of angst in Jack's part. 😶

Notes: Do you think I wrote too much this time?

Scenario:

"Female god reader who is extremely powerful but lazy , lazy in the means she liked to lie down and sleep a lot , if she wants to she could kill zeus and she can be really intimidating but shes soft around them."

Qin Shi Huang

He didn't even notice you were a god.

You looked too exhausted to function, and yet you were ready to fight whomever tried to harm him.

He would take care of any obstacles that would dare present itself to him, but he loves how you sort the situation than he does.

There were times where you offered to lift his curse, but he declined.

According to him, if he as an emperor could not endure this curse, how could he rule a nation.

You haven't heard such wise words from anyone else before. You smile at him, and gently give him a kiss on his head.

No one dares to challenge either of you as they fear the both individually.

In private, he declares his love and loyalty for you, as the two of you embrace each other.

"Even if the Heavens dare to object our love, we'll remain ontop."

Jack the Ripper

He's honestly surprised how someone like you could love a man like him.

He has faced many hardships, threats and much more from people who knew him and those who don't.

However, when it comes to you, he can't help but cry a little at the smallest hint of love and kindness someone has ever given him.

Someone who is even more powerful than Zeus himself. Despite your intimidating nature, he finds it soothing.

Especially when you are so soft around him. He often wonders what he did to be loved and cherished by someone like you.

Many wanted to end his life even before he fought Hercules. He is very thankful that you continue to defend him even with your reputation at stake.

You often don't mind defending him against the other gods, after all he is your lover.

It's unknown how you two got together, but it does not matter as the two of you are head over heels for each other. (Good for you.)

"I don't know what I did to have to have you in my life, but I promise to cherish our time forever my dear."

Buddha

My guy here is taking advantage of the whole situation.

You can't blame him though, he is literally in a relationship with someone who is as strong, if not stronger than a primordial god!

Many wonder how in the world did you end up with someone like him, but seeing how lazy you are, it makes sense.

Often times, when Zeus threatens to punish him, you put Zeus in his place, promising an eternity of pain should he ever hurt your lover.

The smirk on his face says it all. (Me too.)

He is happy at the fact that even though you are powerful enough to defeat Zeus, or any chief god, you don't get arrogant.

Despite how powerful you are, he treats you the same way he treats everyone, just with more affection.

You bet he's telling Jataka about you, and how much he loves you!

"Thanks for taking care of the other gods for me. I'll cuddle you later if you want honeybun."

Loki

Another one on the list of taking advantage of this, however to an even greater degree. (What did you expect?)

Whenever he pranks Thor or Odin, he immediately runs to you. The two can't do anything but give him a death glare.

He's busy giggling his bum off behind your back, as you wake up from your nap and question who woke you up.

He often questions you if Zeus truly is the Grandfather of the Cosmos. To which you reply an exhausted, "No, it's only because he is powerful and looks older than he is."

At first he thought you were a demigod due to how sluggish you were acting. But quickly straightened up after seeing Zeus treat you with more respect than anyone.

He tried pranking you, but you were too tired to notice anything. And when you did notice, it backfired on him, resulting to him being confined in the emergency room.

He definitely thinks you're weird and has voiced this, but knows you won't care either way. He also tries to get a reaction from you.

He likes telling you the latest stories (or gossip) from the Heavens. You sometimes stay awake just to hear them.

"Apparently there was a rumors spreading around about Aphrodite's beauty salon."

I probably wrote too much didn't I.

My inbox is open. Check out my Rules.

[bi-hanslefttittie]

KHAOS REIGNS

Okay so I just finished playing the whole thing and finished the three towers for Sektor, Cyrax and Bi-Han (justice 4 him).

Spoilers Below:

My Thoughts (And prayers).

I'll confess that I cannot completely process what happened in the gameplay, my mind is still processing the fact that they killed Bi-Han and the fade to black. Uhhh so this will be mostly scattered points. I didnt feel like replaying for more screenshots but i will do my best with i could screencap.

OKAY FIRST I WAS JUMPSCARED BY HAVIK AS SOON AS I OPENED THE GAME AND THE INTRO PLAYED, WHICH IS PRETTY COOL ACTUALLY. I liked the change of pace we had and the overview is beutiful. The menu is pretty and the incorporation of the towers of Time was great. The new roster obviously is something I like. Also I really liked getting so many skins when I finished playing and the fact that there's new brutalities makes me very happy.

Kharacters.

Cyrax:

Apart from her design being gorgeous, I have a mostly positive opinion on her jugability. Her character was easy to pick up and play with, which made her very enjoyable. She is a noble person with determination and a personality. She is reluctant to follow orders she doesn't agree with and apologizes when she makes a mistake. I think her ending was nice. Her selflessness makes her very endearing and while I felt a bit awkward seeing her scenes with Kuai Liang, the rest was fine.

I came to realize that my issue with her scenes with Kuai Liang weren't so much about her, but the way Kuai Liang was behaving towards her and his brother. Weirdly unforgiving Kuai Liang made me cringe slightly when the scenes became corny and elongated. I think Cyrax as a character has a lot more potential and strength. Not only is she extremely talented and she was deemed honorable of an armor, but she's a confident woman that can throw shade when neccesary. I like that she never bites down an answer and speaks her mind. She has a kind nature but I PLEASE HOPE PEOPLE DON'T UWUfy her.

Another thing I would like to Pin point is how Cyrax prevented Harumi's death. Which I think is curious because Bi-Han was ALMOST responsible for her death. ALMOST.

the fact that she is so willing to die because of what happened is crazy. She's truly remarkable.

I just remembered the I am a human scene and it kinda tugged at my heartstrings considering the history of the character and I really hope she lives a long happy live as a human being... pretty please?

Also can I say how pretty she is????? Like she's gorgeous.

Her tower ending was nice, I like to see her accomodating to the Shirai Ryu and that it wasn't easy for her but Cyrax earned their respect in the end. Good for her!

im afraid of bugs so I can't say much of her Animality...

HER FATALITY IS KINDA CUTE NGL

SEKTOR:

Man, I said it once and I'll say it again. I really don't care if she's good, bad, neutral, i would die for this woman. The sentiment hasnt really changed for me, and I actually grew more endeared to this cocky confident warrior. She is very proud of her heritage and what her family has built. I'm sad we didn't see Madame Bo in this one though, I feel bringing up that Bo is her mom and then not making it important is a bit of a waste? But, yeah, the story wasn't really about her so...

For the most part I really liked her personality, the way her convictions don't waver although she is willing to relent if it is for the greater good (according to her). Sektor comes to me as a bit hypocritical but then again I realize that she saw more to the story than we as an audience do and we don't really know the nature of her relationship with Kuai Liang was before this whole ordeal. Like we know Cyrax and Kuai Liang liked each other once (platonically or romantically I don't really care. But I would love to see a bit of the dynamic before all of this happened).

She is a mentor and is dedicated to keep her promises. I feel that the fact that she wants Cyrax to be the best version of herself (according to Sektor's vision) has a lot to say about her as a character. Specially considering her mom is a mentor too, although in a different way and in a different manner. Bo's training of Raiden and Kung Lao might differ from Sektor's training of Cyrax, but I think she is as dedicated to her craft and her students as Madame Bo. Which is why it pisses her off so much that Cyrax can't fulfill her objectives.

... Yeah I'm living for her making Bi-Han smile. CALLED IT. He is happy around her and she knows it.

I wish I could see more of Khameleon and her though,

Her moments with Empress Tanya were nice, I liked their little banter I wish I could have seen more but then again these characters were sorta... IDK. I mean ignoring the main roster and reintroducing variants from the other universe is kinda awkward.

She is slightly less easy to play than Cyrax on my perspective, but she's fun to use and you can build pretty good kombos with her. Khameleon as a kameo really helped me with her actually.

Her design is really pretty. (im sad that my hc design doesnt match her completely though 😭😭) As for her tower ending I should probably make it a separate posed tied to Bi-Han's ending.

It is a big missed opportunity on making her take charge and not depending on Bi-Han (sure, I love them together, but like, girl) Like it was the perfect chance to get her to advance with the cyber innitiative and take route to what makes her character. She truly has a lot of vision and MK writers have sinned by only telling us about it and not showing us. I WANT TO SEE A SEKTOR WITH GREASE ON HER FACE, MOTOR OIL ON HER CLOTHES, EYEBAGS AND MELTING METAL, WORKING WIRES AND GETTING EXCITED WHEN SOMETHING WORKS.

NOOB SAIBOT:

Man, i want to say a lot about him and at the same time i don't want to say anything at all. I'm conflicted on this dude. Should I separate him from Sub Zero to analyze him or should I simply treat it as a unit?

Well, let's start on the fact that this dude was built, both metaphorically and literally on character assasination. That's it. That's my take on him. Baby I love you and everything but they really said "We have to bring Noob Saibot back somehow -cuz money- so let's make Sub-Zero cartoonishly villanous and let's make him LOSE TO CYRAX, then he will jump into a closing portal where a Titan and his crew are thriving". I literally cackled when he faced Havik and his goons because is like that latino meme "yo contra todos ustedes" (Translation: me vs all of you. Derived from the situation in which a small child decides to have a soccer match agaisnt all the big kids on his own) Yeah, im not amused by a Grandmaster being beat by his subordinate, nothing against Cyrax but this has happened literally more than once. Your character is either a powerful warrior or he isn't. And I'm saddened to say that Bi-Han, both in history mode and playability hasn't been up to the task. (Look at me critique a character I'm so attached to)

As a positive thing. I like that he smiles more in the DLC. I dont think we ever saw him smiling on the base game outside his tower ending which BTW was when Sektor was mentioned which makes me happy. I like that at least we don't have him completely dettached of humanity and see friendship, allyship and a shared vision. (I CAN WORK WITH THIS, ACTUALLY. people often wondered how supportive Bi-Han is of their s/o on fanfics. Y'all got ur answers)

ughhhhhh. Alright I know this is the "Die like my father" dude, but the way Kuai Liang and him speak about the late Grandmaster is weird. AND I WISHED THAT TOMAS WAS MORE INVOLVED IN THIS. LIKE, IT WAS HIS FATHER TOO. We may not share blood but we're still brothers left... where???? Like, at least bring him into the mission instead of introducing comic-relief Johnny Cage (I love him, he is adorable. I smiled every time he appeared onscreen. I don't find him useful at all)

Again im so weirded out by Kuai's attitude but at the same time I get it. Like, on the end pf the story you could really tell these are brothers fighting and part of it is their weakness. which is cute.

Props to the voice actor, he delivers his lines excellenty, and his screams really made me stop laughing and wince. Like, man. What a terrible way to go.

UHHHHHHH onto Noob. I really thought he wouldnt get uncorrupted, like, I saw the way he spoke to Scorpion and said, ah well, this is how it's gonna play out from now on. I'm kinda glad it isn't. I'm not a fan of Noob being Havik's creation... also again. Tomas is needed here. PLEASE PLEASE PLEASE A NOOB SMOKE DUO.

Again he lost and uhhh... idk. the whole Liu Kang restoring his mind thing and expecting that the man that was presumably violently tortured to death would act cool headed was kinda stupid to me, but whatever. That's Liu Kang for you.

As for him Killing every person he crosses (good for him!!!) and making it about his ego is funny to me because we are side to side with someone who's rightfully angry because his brother let his dad pass away (And we are supposed to sympathize. Which I do, to some extent), and someone who, again, just got killed in a horrible way and his BODY was used to craft a henchman of chaos and is pissed off because of it (and we are supposed to deem this as wrong because... he is making it about himself?)

Thats the thing for me, actually. The fact that Kuai Liang essentially made it about him throughout the journey (while obeying orders, he still refused to collaborate when it came to Bi-Han, and mentioned A LOT of times about what Bi-Han did, which, fair but it takes from the argument that Bi-Han is wrong for being angry for personal motives)

This IS his fight. Because they did him wrong and for once he wants to escape all expectations and do things on his own terms. Specially considering the level of helplessness he could have felt when yet again someone used him for their cause. This time more literally.

Liu Kang is becoming kinda insufferable to me, tbh but thats only on me I don't have objective grounds for this (Still i find the Invasion's season kinda ironic considering his emphasis on control and the power he holds over individuals to the point of ethem, keeping them dormant)

WHICH BRINGS ME TOOOO

His tower ending. Fuck. Uhhh

Good for him I guess??? I'm glad you found your life's purpose boo, but like it kinda contradicts some of the points i've been making and my argument is now crumbling. Like, if it was so horrible...

also this truly makes me wonder how much does Bi-Han values his own body and if it isnt over the Lin Kuei, if he would perharps considering replacing his body with something more resourceful...

like Machinery.

I kinda like this concept, maybe seeing him mix up ice powers and shadows soon??? As long as they don't fuck it up (They will)

His design is ok. Not a fan but it isn't terrible. It will take me a few more rounds to get accostumed to him as a character.

Havik:

UHHHHHHHHHHHH. I liked the theatrics. He's very dramatic and I love that. His design is gorgeous I really loved the color palettes

He kinda looks like Drahmin ngl. He's a funny character, made me laugh a lot. Which prompted to me making a cock joke in the middle of his monologue to Bi-Han before killing him.

I thought for a moment we was getting Meat back. But one can only dream about things.

I'm sad we didn't get a chapter to play him. I would have gotten more attached.

Yeah, that's it about him. He started imposing but my mind sorta went elsewhere midway through and I think that might be a pacing issue??

OVERALL:

Uh. Yeah, it was a DLC alright. It had a smaller cast of characters, more emotionally charged although clumsier. Didn't have test your mights on it which I kinda missed, I was hoping for something more dynamic like a survive challenge on it or something.

I think it was awkwardly placed and some jokes didn't land correctly, or they did land on the wrong time making the scene lose their intended tension and adding nothing to the story (Looking at you, JC Red Wedding joke)

the animation was gorgeous and some Scenes were beutifully composed like Empress Tanya facing a dragon which, was simply stunning.

Speaking of Tanya. Marrying her to Rain was a choice. Not that I didn't appreciate their dynamic but, you know... Mileena. And stuff.

ALSO TEASING US WITH EMPRESS MILEENA AND GIVING US LIKE TWO SCENES IS A ROBBERY. We need to see said changes in Edenia, like, okay so Shao and Reiko are up to some busines and there's revolts. That sounds interesting, why am I not watching this instead? Idk the continuity on the tower endings concerns me because of it. I hope all those endings finally get a continuation on MK2. PLEASE. There's so much interesting shit there. Including ONAGA.

It was a cute ending. Although I wasn't very satisfied with the resolution of it all. It was fine I guess.

[thefrogdalorian]

I think on this fine Saturday afternoon it's a good opportunity to take a breather and remember that there are really no ethical paparazzi pictures. Every single one is inherently exploitative.

Just because photos were taken on a movie set, when someone is 'working,' does not make the practice any less invasive and creepy. Imagine just going about your day, doing your job and having some weirdo snapping pictures of you to sell without your consent for others to endlessly repost online.

There are thousands of pictures of your favourite actor online already. Plenty taken with his knowledge and consent. I'd really like to see more of them on my dash, rather than the creeper shots.

And don't get me started how disseminating these pictures directly leads to people going to said sets. What starts off as admiring how good someone looks has real world implications.

No, hanging around a movie set and disrupting people doing their jobs is not harmless fun or a way to show your appreciation.

If you hang around a movie set, you are a stalker.

Don't tell me that it's okay to take your online admiration for someone offline. You may admire him but he does not, and will never, personally know you. He will never be your friend/boyfriend/daddy. He is a stranger.

The only way meeting your favourite actor is going to happen is at a convention or maaaaaybe a movie premiere if you're incredibly fortunate. You know, places they appear specifically to meet fans (or not in the case of premieres, where the purpose is to promote a movie. Which is also completely understandable if actors don't stop. You are not owed an interaction).

Of course, you cannot help it if you randomly run into someone you admire in the wild. Even then, consider that they probably won't be all too thrilled to be approached in public by a complete stranger. It's up to you to gauge the situation, but remember there is a person at the heart of all of this.

Boundaries and respect are a kindness which deserves to be extended to each and every human being regardless of their looks/talent/fame/wealth.

Fandoms blur those lines a little too often for my liking and I think just scrutinising what you're interacting with, or what behaviour you could be possibly falling down that slippery slope towards is nice to do every once in a while.

I mean no malice with this post and it is not directed at anyone in particular. It's something I cannot help but feel strongly about because I've seen this destructive cycle time and again in fandoms over the years. It's not healthy and it makes us all a little bit more disconnected from our humanity for it...

[twentyfivemiceinatrenchcoat]

sometimes i remember that gojo wanted to tell geto “we’ll meet again, right?” just before he died but forced himself not to knowing it would have cursed him and then i start thinking about how kind and thoughtful gojo is as a character and how he hasn’t been able to lean on another human being since geto defected and then i want to . Scream

[chibi-scone]

It’s been said before and the fact that I’m an Izzy simp aside like having a character who survives the most certain death shit ever (shooting himself in the head at point blank) and literally being nicknamed by another character “indestructible” and then become a symbol of protection for a whole group of people die from a fucking bullet to the side that was established in universe to have no vital organs in order to “atone for his sins” or however you wanna spin it and have him say he wants to go after (see point one) literally trying to kill himself in the show that is literally about growth and betterment of the self in a cruel world that wants you dead and where the main (and mostly queer) characters survive the most batshit insane injuries is like COSMICALLY stupid writing like I don’t even understand how you get there and the fact that it’s supposed to be a kind/ happy/meaningful ending is beyond me

[discoshhtick]

now that I've let it simmer a few days, god I'm so frustrated with how rushed baldurs gate act3 felt.

Like the first and second acts felt so balanced and well paced and then you enter the third act and it just feels like a wild goose race to finish everything as fast as possible. I did every single side story and mission that the game had to offer, but I felt like act3 was over before it even got to start.

Also that epilogue? It felt like they just rushed to quickly push out something to end the game on something.

I still love this game, already planning on a durge run and replaying act3 as my first character with some different choices, but man what could've been if they gave the last act as much love as the earlier ones

[coolspacequips]

I feel like I broke the seal and now I keep wanting to urgently tell you guys about this mean gay valet, too, RIP

[astrxealis]

i am so obsessed with fandaniel tbh. epitome of guy i want to shake around in a jar and study. i want to bite him. i want to put a clown nose and cat ears on him and watch him burn down the world and fall off a cliff.

[seddair]

.

[mithrun-house-of-kerensil]

Lately, I've been thinking about Mithrun and the ways he is dehumanized in canon.

Before I get started, we know that elven society is incredibly afraid of death and illness. This is obvious in how they look down on the short lived races and see them as weak and childlike. We also know that Mithrun himself had ableist views toward his brother and these values did not leave him once he, himself, became disabled. He is a product of the society that raised him, but I also think how Mithrun is currently being treated contributes to his view of himself.

Mithrun has had three different caretaking groups over the years. The first are the ones his brother hired for him. From what we can see, they did the job, but we can understand that they did not know what to do with him. No one had ever recovered from having their desires eaten so the focus was less on rehabilitation and more on keeping him alive.

Later we see Milsiril take an interest in him because of his desire to return to the dungeon. Since she did not bother to visit him for decades after finding him, we can assume that there is an ulterior motive here. Timeline-wise, this was when the majority of the canaries had just been wiped out. They needed more men, and Mithrun is set up to be the perfect single-focused soldier.

Honestly, we can assume that Milsiril doesn't really care about him or see him as a person. Mithrun is just a new project for her to play with. We can see this in how she's focused on superficial level concerns like the fact that he doesn't look nice and wanting him to be overly grateful toward her. She also talks about him like he's not in the room and can't hear her. This is a dehumanizing trait shared by many characters when talking about Mithrun.

When he finally does recover enough to return to the canaries, the military does not make any effort to accommodate his needs. We know the canaries are understaffed and the ethics are already bad, but they really did not even try to care about Mithrun's safety at all.

Entrusting a criminal with his care was questionable at best, especially when Cithis immediately took the opportunity to abuse her power over him and no one stopped her.

While acknowledging the light-hearted nature of the manga, it's uncomfortable that Mithrun was treated like a child and an animal by Cithis for her amusement. Regardless of her 'learning to respect him' later, the point is that Mithrun was taken advantage of and degraded because she believed he couldn't say no. No one bothered to do anything about this until Pattadol yelled at her.

Truly his treatment is summarized well by Milsiril here. Mithrun is extremely vulnerable to being abused by those taking care of him because he won't advocate for himself. He has one desire so he won't fight for himself in any other way.

It is obvious that Mithrun was not treated well by his caretakers and this has resulted in him identifying his needs through a disconnected and frankly, infantilizing lens.

I understand that it may have been a translator's decision, but I always thought it was interesting that Mithrun says that he's "not sleepy" which is a childish term. Otherwise, he speaks like everyone else, if not rather posh.

This, followed by the fact that he is responsive to Kabru treating him like a literal infant to get him to eat, paints a clear picture of the fact that Mithrun is not unfamiliar with being treated like this. He responds to it because he's used to it and has no desire to argue with being treated this way. When we consider the fact that the chapter started with Milsiril treating an older child Kabru in the same way, it is likely that she also did the same thing to Mithrun when he was under her care.

In these panels, we see that Mithrun does not believe that he can sleep without magical assistance, even though it is immediately refuted when Kabru takes the time to bundle him up and help him relax. Not only does he fully believe he can't sleep without external assistance, but he states directly that there is no point in him getting comfortable.

As Kabru observes, Mithrun's inability to recognize his needs applies to needs such as hunger and exhaustion, but it obviously also applies to emotional needs. Kabru just wanting to feed him something delicious and not wanting him to give up on life is the most consideration someone has given Mithrun in years.

The relationship they form over the course of a single week is enough to shape Mithrun's behaviour completely. Mithrun ignores Cithis's demand in favour of asking Kabru's opinion. It is Kabru's hand Mithrun takes to pull him out of his defeated state. It is Kabru Mithrun confessed his true desire to.

Do you realize how depressing that is? All it took was the new perspectives from Kabru and Senshi to make him consider the fact that he should keep living despite no longer needing to fulfill his duty. Being treated well could have helped Mithrun much sooner and this shift in the way he sees himself contributes to his recovery going forward.

TLDR: Mithrun has no desire to be respected, but why does that make people feel comfortable acting like he doesn't deserve it? Someone not caring about being treated well doesn't give you permission to treat them poorly. This feels like a playschool-level consent lesson: just because he's not saying no to a humiliating or degrading act doesn't mean it's a yes and therefore okay to do. Acknowledging this is the bare minimum of treating him as a person.

[u3pxx]

KISS KISS FALL IN LOVE! 💍💐‼️

my piece for the @aaweddingzine which is now open for leftovers!

extra stuff/commentary under the cut | like what i do? support me on ko-fi ❤️💜

i also ramble a lot more on the behind-the-scenes pdf for this zine that you can also get with your purchase >;^] i also drew some nifty matching icons for the zine! (hint: it's time for divorce)

you know me, i'm incredibly klapollopilled, of course i'm drawing these two suckers for the wedding zine! <3 something about klapollo marriage makes me incredibly emo so i'm very glad for the opportunity to go all out so i can be EXTRA emo about it 😈

if i remember right, i think this idea came to be when i thought about the image of klavier bursting into tears as he lifts up apollo's veil and it all went from there LOL (also so psyched i get to draw him in a barong tagalog <333)

everything got so much more ambitious, though, from that initial idea! i drew like what (i am counting the number of characters in the spread right now as i type) 40-ISH CHARACTERS ALL IN ALL?! (WHAT THE FUCKDFGDHJ) and i even had to cut out some of the characters i originally had in the sketch 😭 (sorry gumshoe, kay, and seb/eustace ....)

i drew this like a year ago and i'm still so proud of this piece! i don't think i can achieve this level of rendering again, it's been so long i forgot how to do it LMAO

(also i can never reopen the file for this thing again bc it makes clip studio want to dieeeee DFSGHDJ so many layers ...)

another thing, i was working on this in tandem with my piece for the mea culpa zine; do you know how funny it is to draw apollo having such a happy moment and then draw him dying 😭 the contrast, the whiplash

that's all i have to ramble about i think, i'm so so so amazed at this zine bc my zinemates truly made some spectacular pieces of art! :"^D if you have the chance, please do check it out! 💗