#I hope this won't show up in the tags

[fiepige]

Saw some old vines and got inspired:

So here y'all go, Spiderverse as Vines!

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[sunlightera]

☆ starscream tf sequences ~ es s2 ☆

[ellenchain]

🍩🌴Vacation time 🌴🍩

[fuckingmeteors]

I was already thinking they were so Marbles by The Amazing Devil coded, this is the last nail in the coffin...

[mikansei]

(mild) hsr 2.3 spoilers

i'm still not over how when u talk to ratio during the main quest 2 of his 3 dialogue options are about aventurine, and in the 3rd option that is ostensibly not about aventurine, he mentions aventurine completely unprompted anyway. it's somehow even gayer than if they'd been standing together and talking to each other. he's down abyssal. i'm obsessed

also aventurine just keeps collecting tall men

and the sidequest where aventurine and topaz get into a corporate catfight right in front of the mc's soulglad... i can't even tell if it was supposed to be shipfuel bc it made them look like the most siblings ever. claws OUT hair PULLED mama jade sent em BOTH to timeout

[hoppipolla]

The basement scenes in Beyond Evil

Some quotes are from the Beyond Evil scriptbook translated by @/yeoyuo on Twitter. (link to the scriptbook in the comment section) The setting in Beyond Evil is always both significant and relevant: the reed field, Lee Dong Shik’s basement, Jae Yi’s butcher shop, the archives room, the Japanese restaurant, etc. These different places are highly symbolic — some more than others — and are essential to understand everything that is at stakes. 

With this post, I want to give you my analysis of Lee Dong Shik’s basement. 

The basement scenes are key moments of the drama for they mark crucial shifts, both in HJW and LDS’ relationship and in the plot itself. 

The native title of Beyond Evil translates to Monster in Korean (괴물). The very definition of ‘monster’ is quite complex and even its etymology hints at the many roles monsters can play in our society (and in History more generally). 

'Monster' probably derives from the Latin, monstrare, meaning 'to demonstrate', and monere, 'to warn'. Monsters, in essence, are demonstrative. They reveal, portend, show and make evident, often uncomfortably so. (source in comments) This last sentence encapsulates perfectly how Lee Dong Shik is seen by others; Han Joo Won acts as a reminder of such perception when he first arrives in Manyang and is convinced that LDS is the killer they’re looking for. Indeed, Lee Dong Shik is presented as someone demonstrative, whose agonising pain and temper earned him the nickname ‘nut job’ and the stares and distrust of most people in Manyang.  

Lee Dong Shik is said to be a monster because he was the prime suspect of a murder he did not commit. Because he became a person so visibly drenched in his own pain that it became difficult to look him in the eye. He then depicts himself as a monster — by interfering in Min Jung’s case — to make sure HJW will play his game and take the bait, because he desperately needs HJW to “bite him”. Because he needs his help to catch Jin Mook and to find the missing bodies. Because if everyone keeps being blinded by LDS’ seemingly craziness, then Han Joo Won needs to be the one to see beyond. He needs to see the bigger picture. 

The basement scenes play a huge part in making HJW see the bigger picture because so many elements of truth are revealed in LDS’ basement which makes me think… what if LDS’ basement was a means to rewrite Plato’s cave but in a more paradoxical way? Let me explain. 

The basement is a place of confrontation and its dimly lit interior makes it resemble a cave, somewhere underground with no real light. HJW and LDS discuss and make hypotheses in this place, so often that LDS even jokingly suggests that HJW should pay rent at this point since he’s always in LDS’ basement. 

What makes it a paradoxical rewriting of Plato’s cave is the fact that the truth is, in fact, found in LDS’ basement, on multiple occasions. However, in Plato’s cave, the cave is the place the philosopher needs to escape from to confront the real light, the sun’s light — i.e the truth — to eventually access the world of Ideas.

In Plato’s myth, the cave is a place in which chained prisoners stare at inverted shadows projected by the fire burning inside the cave and they take these shadows for reality. The fire in the cave represents the notion of culture which is to say, constructed beliefs (this is overly simplified but it’s just to give you an understanding). The people in Manyang are like those prisoners in the cave who are convinced that those shadows are what the real world looks like: they are convinced Lee Dong Shik is the cause of Manyang’s tragedy and doom despite the fact that many cases that took place in Manyang were dropped. The Manyang people believe in the evidence that is the guitar pick as fervently as the prisoners believe the shadows are the only reality that exists. Despite it not being enough to indict Lee Dong Shik, it still made him look like the killer for twenty-one years, to them at least. 

Just like the philosopher who decided to climb up and face the burning sun to get to the Truth, Lee Dong Shik is the one who sacrificed himself and ruined his life so that the truth could be established.

To come back to what makes this rewriting paradoxical, here are some truths that were discovered in LDS’ basement:

The posters of the missing people + the files of both Yu Yeon’s and Ju Seon’s cases (before LDS put them back into the archives room) → These enable LDS to carry out his own investigation.  

Min Jung’s fingers → LDS brings them to his basement before figuring out what to do with them. 

Lee Geum Hwa → LDS figures out the name of the victim of HJW’s sting operation during one of his confrontations with him which took place in his basement.

Yu Yeon’s body → LDS finds the body of his sister inside a wall in his basement.

Jung Je’s memories → Again, Jung Je’s memories come back to him during a heated conversation with LDS in his basement. 

However, LDS has to go up into the light, he has to leave the basement and his house to make the truth known. It is within hell that the truth emerges, but it is under the sun’s light that the truth needs to be revealed.

Thus it’s interesting to note that the big reveal — i.e the rain scene in ep 15 when HJW makes LDS listen to his audio recording — doesn’t take place in LDS’ basement but in his yard (outside and not underground). This emphasises the idea that, just like the bodies in Manyang, the truth needs to be dug out. 

Just like Lee Dong Shik and the philosopher before him, HJW became the one willing to sacrifice himself so that everyone could know who the real killer was: “I’ll be a monster, take Han Ki Hwan with me, and dive into hell when he’s reached the peak.”.  

[agerefandom]

A Good Omens S2 Review

Hello everyone! I lied and watched the new season of Good Omens and because I have thoughts on it, I thought I'd write a little review. This is from the perspective of someone who was a book fan for over a decade before the show came out, so it is quite critical of the show, so please keep that in mind! I expect that it's much more enjoyable for folks who didn't spend so long invested in a different version of the characters.

Short/Spoiler-Free: Season two was a fun time with excellent new characters, but the finale sets them up for a disastrous third season, and making Crowley and Aziraphale the main characters really does dilute the original message of the novel.

The rest of the review contains spoilers and is over 1,300 words because I was an English major in Uni. Carry on for those curious!

Let’s start off with the things that I liked about the show!

1.The actors for Crowley and Aziraphale are continuing to kill it with their performances: the physicality they bring to their characters is a delight, their timing in the comedy sections is impeccable, and I enjoy watching them do their thing.

2. Gabriel as a comedy relief character was amazing for me. I usually don’t enjoy comedy (and didn’t enjoy a single joke in the flashback scenes, but that’s entirely my fault probably for not liking humorous TV) but Gabriel really did tickle me.

3. Loved the terrifying Jane Austen ball where Aziraphale just messed around with everyone’s brains! Very chilling show of angelic power, potentially wasn’t played as horrific as it could have been, but still very nice! I like when Aziraphale is scary.

4. Muriel is my child and I love them with my entire heart. They were a delight of a character. Really brought new life to the show, and a new person to learn the message of the book (humanity as divinity). (Although the second season didn't really... carry that lesson for Muriel or for anyone else, so never mind that.)

5. The new human characters were also enjoyable and very sweet. Their dynamic was believable and real and that was good to see.

6. The writers really did just decide to make every side character gay and half of them use they/them pronouns. I have mixed opinions on it, but ultimately I did think it was a lovely little detail, especially with the angels/demons who are more separate from human genders.

Okay, now let’s get into the rest of things.

I think my overall conclusion from this season is that Crowley and Aziraphale were not, at all, made to be main characters. Even in the first season, I felt that they overemphasized them. In the book, the focus is split between them and the larger plot, with lots of little side vignettes to make sure the reader is kept grounded on Earth, with the humans, who are the emotional centre of the book. Aziraphale and Crowley play as foils to human nature in Adam and they are not the main characters, though they are, of course, the main marketing force.

Making them the main characters, especially in Season Two, meant dropping a lot of their character progress and giving them a lot more angst than they had in the novel. Both of them feel very young, where in the book they definitely seem more like they’ve been around for several millennia. I also feel that they aren’t totally allowed to be as fucked up as they were in the book? (Maybe that’s just a personal vendetta: I am furious that Season One took out the scene where Aziraphale kills his magician’s dove out of carelessness.)

Okay, two small things and then I’ll get to the finale.

First of all, interesting to get confirmation that Crowley was in the war on Heaven and actually took up arms? Feels contradictory to his ‘demon who sauntered vaguely downward’ description and also odd to his character that he would have fought directly against Heaven but I imagine that’s building to some other twist involving Crowley’s Fall in Season Three, so I’ll let it go for now. (I still think it makes show!Crowley very different from book!Crowley though)

Gabriel and Beelzebub were a very nice thing, although underdeveloped. It made me sad to see that they, as newly appointed side characters, can have a simple relationship, while Aziraphale and Crowley are now main characters and therefore need a more tumultuous and dynamic relationship that they didn’t have in the book, where they were actually relatively solid.

Now let’s go for finale time.

Ultimately, I absolutely hated two key things about the finale.

First of all, the kiss. I’m not sure if it was a direct response to the harassment about S1 being queerbaiting or if it was always the plan to have an explicitly physical relationship between the two, but I’m so mad about it either way. It just accepts the narrative that a physical relationship is the only stable one (ie. if Aziraphale had kissed Crowley back, it would have fixed everything and they could have been together). I also don’t really want my Good Omens show to be a religiously charged commentary on queer love, which it immediately became, especially with Aziraphale’s immediate response being “I forgive you,” which highlighted everything I didn’t want Good Omens to become.

Framing the kiss immediately as a sin is such a bad move, I don’t know what the writers were thinking??? Emphasizing that Aziraphale is an angel and however much he can want Crowley by his side, he can’t kiss him because he’s an angel and kissing is… something that needs to be forgiven?

However the line was supposed to be read, it really seemed like a religious condemnation and it hurt more than I care to admit. Aziraphale in the books is so comfortable with his perceived queerness, and his recoiling from it here with Crowley at the point where it becomes explicit… I didn’t care for it.

And secondly, the promotion.

That was so stupid on so many levels. My partner said that it wasn’t in character, since Aziraphale is not an ambitious angel and seems like someone who would turn tail and run from a promotion. I can’t say I remember his relationship with ambition in the books, but I respect and trust my partner’s opinion on that.

More importantly to me, it entirely muddies the message of the story and it reflects very darkly on what season three will involve.

Good Omens was never about ‘fixing’ Heaven or Hell. It was about honouring humanity as the truly divine mix of both, about not allowing them to end the Earth, and about finding a small place for yourself to live: a bookshop, a garden, a cottage, a town.

Aziraphale choosing to go and reform Heaven totally turns that on its head: now there is no ending for the show without either abandoning or fixing Heaven, and how is that going to work?? You can’t turn angels into an anarchy because it’s very clear they have no real natural inclination to ‘goodness’ but neither can you truly save Heaven, because what are you going to do? Declare that there’s no more cancer for young children? No more evil in the world? God has designed the world with evil in it, and there’s no rewriting that. Suddenly Good Omens has to grapple with what was once ineffable and almost unimportant to the lives of the characters: the true purpose of Heaven and Hell.

I have absolutely no faith in almost any TV show to tackle that question (The Good Place gets a minor pass), and no interest in watching the story be told through Aziraphale and Crowley, who have always been more grounded characters in a world of too much divine bureaucracy.

On the note of divine bureaucracy, I felt like it was lacking from the flashback scenes. While I enjoyed them overall and really appreciated some of my favourite book moments finally being adapted on-screen, they didn’t really address the paperwork they were covering for each other: seemed more like the two of them running around having almost random adventures, whereas in the novel they were often doing each other’s temptations and salvations in a much more ‘oh, check that off the list and write a progress report to the supervisor’ kind of way.

Again, this is because Aziraphale and Crowley have been made into Main Characters and their place as subordinates is now unimportant. They are making Big Decisions and causing changes in the world, and I truly don’t believe that’s what Aziraphale and Crowley were made to be. They were just an angel and a demon who tried to solve the apocalypse and didn’t end up doing anything because the anti-christ was a little too human for the whole plan to work in the first place.

And I miss them.

[secretsalute]

If you're going to the live show read the arena rules. No back packs allowed and if you need to take meds you have to fill out a form.

[midnight--ink]

like real people do

Relationship: Ian/Ada Paige

Fandom: Rhythm Doctor

Rating: G

Warnings: None

Summary:

Eight years was a long time to get to know someone, and he had spent those years memorizing all of Ada's traits and quirks and idiosyncrasies. He knew how much milk and sugar she liked in her coffee, the way she snorted when she laughed, which movies always made her cry. He knew all of her worst insecurities and how she covered them up with a smile. He knew how, whenever possible, she would take a few extra minutes to chat with the patients or reassure their nervous loved ones before an operation.

So he watched her quietly, and he swallowed down the words that had been tangled in the back of his throat since their college days: I'm in love with you.

[nattaphum]

Mileapo date in Seoul (10/17/22)

Soooo... i decided to make one of my posts where i put all the things Mile and Apo do together because this was a really lovely night, definitely one to remember :)

This time i got a little help from @iyyene on twitter who made this wonderful map:

Let's go!

it all started with this video of Mile and Apo walking around Seoul 😍

STOP 1:

I looked for BBCH on Google and it's an Opera House!

STOP 2:

Apo posted an instagram story of a shoe store and then Mile started following the store on IG from his personal account:

Today Mile posted a story asking if we like his shoes:

And yes the shoes are of the brand of yesterday's store :)

More under the cut:

STOP 3:

Apo took photos of Mile (as usual) at Baastudios

After that, they crossed the river so i'm adding in between a couple of undefined places they posted on their stories (the first yesterday, the others today!) :

STOP 4:

Apo says: i walked down just now, so.. apparently i forgot to think about having to go back up

(you can hear Mile's someone's laugh in the background) 😜

They were at the Hyundai Card music Library in Seoul:

And then moved to Space Shinseon:

STOP 5:

A fan met them and gave us this beautiful cozy pic 😍

Now there's a bit of confusion because Mile's big sister posted an IG story where Mile is sitting at a table with his family and Apo posted a story with matching colors:

The place where Mile was with his family is not very distant from where the fan met them:

676 meters away ( 10 mins by foot) so Mile and Apo probably went together :)

A fan found a sort of proof:

HINGES LMAO

LAST STOP:

Mile and Apo at dinner together ❤️❤️❤️ (video here)

The end :)

[hatepotion]

30% OFF on my Redbubble shop!

I posted around 70 new drawings! I have a total of 130 works on there. I also added a bunch of kiss-cut stickers!

** Collections **

NEW STUFF! 2023│The Raven Cycle│The Locked Tomb│Six of Crows│Dimension 20│The Adventure Zone│Genshin Impact

[agapintheskin]

(some of) Bible from Tongs ig reel

[daz4i]

ik we talk abt dazai with a cane and that's so good and i need it to happen. but in addition to that. i want it to at any point be acknowledged that he has some chronic pain or long lasting issues from his suicide attempts. please

[pocketramblr]

In the new chapter at the end it is revealed Nana didn't die from AFO nuking her, but he was holding her by the throat in her finals moments. So this adds to the AFO got all the OFA users body in his fridge. Like you open AFO's fridge and you see Yoichi's body carefully laid out and tucked gently in the back wrapped with some blankets and fake flowers and then you look at the bottom of the fridge and all the other OFA users are just messily shoved in there.

Hold on I gotta put this on my scale and weigh it against other retcons to determine if it's "weird and kinda pointless but not directly contradictory to established canon" or "stupid retcon done to uh make someone with an established history character flaw not have it (ie., change the fact that it was more fun when AfO was just lying about all the hands when we knew he couldn't have Nana's due to her being nuked) for uhh no reason" or something in between

[r0semultiverse]

WAIT- is this one of the alternate timelines created from the space-time sword ("Shintō Amenogozen")!? 👀

I'm an anime-only bsd enjoyer & ever since that damn sword popped up after Atsushi & Akutagawa killed him on the boat but he was able to erase/undo(?) that timeline, I've been thinking that technically means there's multiple timelines. This would be the one where Fukuchi won that conflict we just saw or something else entirely is going on given the way he's dressed (if that even is him)! 👀👀👀