#I hope you guys like how he is too

[jelly-fish-wishes]

BGM - The Real Ming - Turning Red

Beginning of ACT 1

Beginning of ACT 2

Previous (ending of ACT 2)

✨ACT 3✨

1 / 2

[TOAD HAS ENTERD THE CHAT]

Oh man that stupid night to day transition had me for a loop. And I know Luigi looks pale, but it’s pretty fitting for a boy who’s feeling pretty sickly rn.

I know Toad is NOT KP, but maybe you guys might like how I rewrote him? So y’all will have to make do with the fungi boy. SPEAKING OF REWRITING, during this comic’s mini hiatus, I will be posting some scene changes for the film that take place before my comic to not only fit the continuity of it, but also because some of these are personal changes I would have liked in the film 😅. After all, this entire comic is a personal change of the film huehuehue.

The comic will be back in November. Hang in there, guys! ~chu 💚

[sneez]

morning in the green box [id in alt text]

[yardsards]

i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage

[i-literally-cant-with-this]

A/N ::: 😳. Iiiii ... Ok. So I'm never this creative to think of such things like ... oh, idk. Kafka likes to roleplay with his girl - kinda fucked up things. Like, being a little rough in bed. Both ways - roughing and being roughed up. Idk. I just totally see him being the best fucking husbando/boyfriendo ever. Sorry Draken, Chifuyu, Mitsuya, oh god, and Baji. ANYWAY. Yeah. This Kafka stuff just keeps oozing from my fingers and I'm in no hurry to stop. I hope you guys enjoy this!

C/W ::: Roleplay (on the rougher side - not violent, per se - but not like petting a kitten either ... no pun intended), unprotected P->V, hands-on stuff, a little tossing of the other person around but like I said, I don't think it's like, too too rough. You've read this far, heed the warning if you think this won't be for you =). That's why we put them here!

WC ::: Under 1,200 (I'm coming back around, you guys!!)

MDNI UNDER THE CUT PLEASE, THANK YOU.

You bite your bottom lip as Kafka growls against your skin. His words and his tone are harsh, but his touch … it’s painfully soft. The slight pressure of his mouth, the rasp of his tongue against the sensitive skin of your neck. It makes your stomach flutter, and your eyes roll back.

He breathes heavily against you as he moves his mouth lower, to your shoulder, then down, across your collarbone and back up again.

"You're sending me really, really mixed signals here, Kafka. You're mouth is literally saying one thing while your body does another."

"You don't say," he says.

"I do say."

He huffs and lifts his head to look you in the eyes, his own dark, pupils blown wide. "What do you want me to say?" he says, his voice low, rough. "That I like you?

"I mean, yeah. That would be nice. But maybe a little consistency first?"

"I like you," he says, "But I also hate you. So I don't know. What should I do?"

You try to shimmy away from him but his grip just tightens and there's no way you can get out of his arms.

He leans in, his breath tickling your ear and you shiver. "Do you want me to let you go?" he whispers.

"What I want is ..." You sigh, "What I want," you say slowly, "Is for you to get over yourself." You take a deep breath. "I know that you want me, at the very least. Why are you being so gentle and rough with me at the same time?"

He huffs. "It's complicated," he says. "I like you. I do. And .... But ..."

"But what?" You ask.

"But nothing. It's not important."

He looks down again at your body pressed into the mattress. His hands sliding down your shoulders to your elbows.

You try to wiggle your wrist free from his large hand. You want to grab him by the chin and make him look you in the eye, but he still has an unreasonably tight grip on you.

He glances at you through his lashes, his mouth curled into a devious smirk. "You want something, little one?"

You shout, "That's it! That's it! I've had enough of your patronizing. You're gonna get it now, Kafka."

You can feel your temperature rise and your willpower falter. Mustering every tiny little ounce of strength you have in your much smaller body you flip him over so he's on his back. Though you have a feeling that he went willingly. You don't care though. You're just happy that the tables have turned - in your favor, too.

For now, anyway.

You squat over him on the bed and straddle his torso, placing your knees on either side of his ears, careful not to put too much pressure on his chest.

He laughs at you and asks why you're not putting your full weight down on him. "You think you're gonna hurt me, you little fly."

You see him smile at you, a sharp-toothed grin. "Come on," he says, "You're not going to hurt me. I want you to give it your best shot, though. G'head."

You lean forward, putting your full weight on him and he laughs. "Oh-hoh, now you've done it," he says. "You should not have done that."

The laughter stops and his eyes narrow as you press your hand to his cheek, running your thumb across his bottom lip. He leans forward, trying to bite at your fingers and you pull your hand away, making him growl again. This time in frustration, you’re sure of it. 

You place your hand on his throat, pushing him back down onto the bed.

"Enough," you say, your voice low, barely more than a whisper. "It's time to stop playing around."

His eyes widen as you lean in, pressing your mouth against his. He stiffens at first, but then relaxes, his mouth opening under yours.

His tongue brushes against your lips, and you open for him, your own tongue meeting his.

You can taste the sweetness of his mouth, and the taste makes you hungry for more. You press closer, your teeth clicking together as you try to deepen the kiss.

Kafka wraps his arms around you, pulling you closer as you continue to kiss. You feel his cock harden against your thigh and you moan.

You press your hips down, rubbing against him, his cock sliding against your pussy through the thin black lace of your underwear.

You break the kiss, panting, your body is on fire.

Kafka groans as you begin to rock your hips, grinding your pussy harder yet against his cock.

"Fuck," he whispers, his eyes glazed over, his lips swollen from your kiss.

You reach between you, grabbing his cock, squeezing it tightly as you stroke it, your hand sliding up and down his shaft.

"Do you want me?" you ask, leaning in, your lips brushing against his.

"Yes," he says, his voice rough, his breathing ragged. "Fuck yes."

"Then," you say, kissing him deeply. "take me, Kafka."

An animalistic sound escapes his throat as he flips you over onto your back, his body pressing you down into the bed.

You moan as he pushes his cock inside you, stretching you open. He fills you completely, his cock buried to the hilt in your pussy.

He begins to move, his thrusts slow and steady as he fucks you, his cock sliding in and out of you. Your walls squeeze him tightly.

You wrap your legs around his waist, pulling him closer as you rock your hips, meeting his offerings.

You look up at him, face flushed.

He looks down at you, his expressions are intense, but he never shifts his focus. His movements become harder, faster. Almost desperate in his attempt to navigate this fare.

You gasp as you feel him hit just the right spot, making your vision blur. You dig your nails into his back, clinging to him as your orgasm hits you like a surprise wave. Despite knowing full well what the outcome of this would be, the result never ceases to amaze you.

He never ceases to amaze you.

Kafka groans, his thrusts becoming erratic. As he fucks you through your orgasm, he approaches his own.

He slams his cock into you one last time, his body going rigid as he begins to cum, his cock pulsing heavily as he fills you with all he's got.

You cling to him, your bodies pressed together, your heart racing as you both come down from the almost violent release of energy.

Kafka rests his forehead against yours, his breathing ragged.

"You are amazing," he whispers. "Absolutely … fucking ... amazing."

You smile and kiss him softly, your fingers stroking his cheek. "I almost believed you for a minute there, Kaf. Your growly voice is super sexy, but my god. I thought you were a little pissed for a second. Let's do this again. Soon, mm?"

You lift his chin to take stock of his face and you know you'll never tire of seeing his kind eyes looking back at you. "Hey, I love you, you know."

You can't see it, but you're pretty sure he's blushing. The heat radiating from his face against your shoulder washed up like a sunrise; It was slow, but you felt every little prickle of warmth overtake everything it touched.

He buries his face in the crook of your neck, his lips brushing against your skin.

"I love you too," he whispers. "You know I do. You know I'll never stop, yeah?"

You smile and close your eyes, letting the near total darkness of the room wrap you both up in a blanket of promises.

@southside-otaku @kazutora-kurokawa @katkusuo

@supersecretsaga @trevengersprincess @reiners-milkbiddies

@arlerts-angel @darkstarlight82 @bakubunny

[skrunksthatwunk]

landing

[iwritenarrativesandstuff]

When discussing or analyzing Dazai, one thing I hope you will keep in mind when reading anything I write about him is that from my perspective, he is always, always both.

What do I mean by this? Well, I find there tends to be a general split among people who hold the opinion that "he's a manipulator and will always be manipulative" and "he's doing his best to be good and helpful and live up to Oda's last wishes for him", of which, neither is completely right - because he is both. But even among the people who hold to this dual-nature interpretation, I find that his individual actions and motivations still tend to be thought of in a dichotomous manner - is it manipulative, or genuine?

Again, I think it's always both.

Dazai has a very pragmatic view on a lot of things - he is always looking for the usefulness of things and people so that the situation turns out in his favour. He's incredibly adept at this, and his prediction and placement and careful reveals are all manipulation tactics to get his allies and enemies doing exactly what he needs them to. I don't think anyone can contest this since we see it over and over in the series.

But that's not all there is to it. He's not solely manipulative and he does, to some extent, sympathize with others - I think there are several instances of this in the series, but I want to stress that this has been apparent since Chapter 1!

For context, Dazai is recalling what Atsushi said to him a few minutes earlier, but it's very interesting that it should be this specific part of the conversation. He could've flashed back to the part where Atsushi said he had nowhere to go; no money, no food - he is about to trick him into joining, after all, and this is the key piece he uses to basically force Atsushi into the Agency. But instead it's Atsushi's self-deprecation that catches his attention, and it really does, because even during the conversation, he turns to look at him after he says this with an odd expression.

You could say that this makes Atsushi easier to manipulate, if that's your angle, but that can't be solely it, because in the later conversation with Hirotsu, we know Dazai was planning to bring Atsushi into the Agency and set him up as one half of the new Double Black the moment he met him. The panel shown there is the riverbank, set much earlier in the day than this scene. He was already planning to pair him with Akutagawa since he figured out he was the tiger, so what's with this reaction?

Well. Sometimes the simplest explanation is the best.

He manipulated Atsushi into joining with the intention of utilizing him in his future plans. He also helped him and gave him a place to belong, and importantly, he likes this kid! It's both.

I think much of it might be that his brain just kinda works way too fast - he's such a natural at crafting these elaborate plots and seeing how things connect and gathering useful people like resources that it's practically automatic - though this is not a great means when you're trying to be a kinder person. There's an omake, I believe, that has him saying "I like using my head for justice", i.e. using these underhanded means to act for the better. Not great, but those are the kind of gifts he has. He's way more suited to exploitation, but is choosing to use these tactics to save people now, which is quite reminiscent of what he tells Kyouka. Kyouka's talents lie in killing people - when what you're good at isn't who you want to be, what do you do? Well, I expect you use what you have, even if it's not ideal.

Now, about the current situation with Sigma - I think he definitely likes him, and is intrigued by him and his situation. We did get a little thought bubble where the guy amusedly compares him to Atsushi, and you can't tell me he doesn't care about Atsushi (listen to the onsen drama cd, or read 55 Minutes if you somehow don't believe me). But also, it's undeniable that Sigma is in a very vulnerable position of being homeless and having had no one be genuinely kind to him before. His trust is very easy to earn, and with the latest chapter, Dazai has now saved his life multiple times. There is, as always, a practical purpose he needs him for. And I have to be somewhat amused because Dazai is quite literally telling Sigma everything he ever wanted and needed to hear. It's a brilliant means of quickly endearing himself to Sigma - but I don't think that's all it is.

Look. The most honest moments we get in this series from Dazai are, interestingly for an expert manipulator, when people are at their most vulnerable. In spite of every pointlessly cruel act he inflicted on Akutagawa, his first meeting with him was open and transparent; much like the orphanage director, it seems he thought this treatment would make him strong and adaptable (he's wrong but that's not the point of this). He cuts Kyouka off in irritation and says "don't give me that" when she implies that she would fail the entrance exam. He tells Atsushi it's normal to cry after losing a father figure and to feel however you feel, even if that person caused you nothing but incredible pain and cannot be forgiven. He refuses to entertain Sigma's assumptions that Dazai sees himself as a superior being to him.

Selective honesty can also be utilized to great effect; Mori does this, and undoubtedly it serves this purpose for Dazai too. But I want to stress that I do sincerely believe this is all still honesty from him. Manipulation, or genuine?

Both. It's both.

[seiwas]

there is a very specific image in my head of early-mid 20’s iwaizumi hajime

[chirpsythismorning]

What they're saying is s5 is going to have Hawkins High School as one of the locations for the plot. What I'm hearing is jealous Mike opportunities...

[ratwithhands]

Decided to polish some jacket designs!

Emmet originally received a strait from the League after they thought he posed a safety risk to others and mandated him to wear it. Big surprise, they literally just went to a Unovan hospital and asked if they had any of the old jackets lying around. It's ill-fitting and unpleasant, not to mention the hasty edits they made to his uniform to act as a secondary restraint looks awful. As much as he is still operating as usual, having to walk around in the strait is humiliating and dehumanizing, especially because of the stares from other people.

Of course this crime against dignity and fashion had to be corrected, so Elesa called her designers and offered to make the League Council a more appropriate uniform for him. The only rule given was that it must still restrain as well as the original straitjacket, so Elesa ended up modelling the jacket after a vest and the secondary restraint after a double-breasted greatcoat. It's meant to look like clothing, more like everyday wear than something out of an asylum. It also uses hand covers (i.e. socks) instead of a grossly oversized sleeve to keep the hands restrained.

It resolves a lot of the issues Emmet had with the original, namely that it blends in with the crowd rather than making him stick out. It also has an air of professionalism and formality that the original didn't have. He's much more willing to wear it and keep it on, as well as being more comfortable in it.

I'm struggling to describe this in sentences so as for the differences:

League Straitjacket:

actual retired straitjacket from hospital storage

made of old canvas and leather

uses oversized belted sleeves to restrain arms

uses belts and buckles to restrain upper arms and tighten back

can't fit anything thicker than a tank top underneath

Elesa's Modified Straitvest:

bespoke articles custom tailored to Emmet's measurements

made from stiff cotton and fabric straps

uses belted cuffs and hand covers to restrain arms

uses straps and locking slide buckles to restrain upper arms and tighten back

able to fit a collared shirt underneath

Elesa's outfit also has the added bonus of being more breathable, soft, and being able to function as regular clothes.

Anyways bonus sketch comic:

Dignity restored.

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[spaceyfeline]

i know i dont post anything to tumblr ever usually but uhhhthe autism has me by the throat? so. noncanon siffrin family!! first image has siffrin having a great ole breakdown after finding a drawing he did of him & his family (when he was like. 7 lol) in a glass bottle, second photo is of their younger sister, phoebe! color (and a shitpost) + more information on the family under the cut

so phoebe. dear darling girl. she's rock-paper type and is super into research and stuff! like a scientist but she can kick your ass. love her a lot. she's about 6 years younger than siffrin is!

also in the drawing that i didn't mention is siffrin and phoebe's parents, mama rhea (she/her, left, missing an eye!) and baba dione (they/them, right) i love these guys so much. yes all of them are named after saturn's moons, thank lati @cryptidlatias for them (siffrin's born name was janus. none of them remember that, though.)

[myokk]

I’ve been having a rough couple of weeks (nothing bad!! just general stress…general depression…the usual…you know😔🙏) but even though I haven’t been drawing as much, I’ve been trying my hardest to respond to all the messages & comments etc here…you all are so sweet & I love talking to you🥹💓😙😙

1) the sunrise this morning!!!! It’s been the nastiest June ever…cloud and rain every single day so to finally have a nice day after a week of rain makes me so happy!! 💓💓

2) the flowers I got a few days ago🥹🥹🥹

3) all I wanted to do when I woke up today was listen to Led Zeppelin on repeat and lay in bed in a depression funk😆😆 but I dragged myself out of bed & drew Robert Plant at the beach instead💓💓💓 tbh I think the sun helps a lot with my mood!!

4) I forced my friend to come over and we played Pax Renaissance (literally the most obtuse, bizarre board game of all time but I’m obsessed with it🙏🙏)(I lost every game bahahahahahahaha)

5) I did a bit of makeup today after a week of nothing💓

[spearxwind]

IT IS TIME. BASTARD FAMILY LINEUP 2023 BABY!!!! WOOO!!

[crowskullls]

Zam wants to be ♠️ with Minute SOOOOO bad. And Minute has no idea why. He’s so confused by it. Reluctant and honestly pretty tame Kismesissitude

[splankie]

call me a jasonologist if you will

[tin-can-iron-man]

I'm just gonna say it again real quick:

Yes!! Iron Man is a tragedy! It has and always has been since the very first appearance in 1963 which describes itself, Tony's life, and legacy, as such.

Tony causes most of his issues himself, he is his biggest villain, a majority of his rogues gallery are caricatures of the worst versions of himself brought to life (when they're not just being racist cuz...60s...). The worst thing about being Tony Stark is that he can't stop being Tony Stark (he tried!!) That is the point.

The majority of pain Tony goes through, is pain he inflicts on himself, whether intentionally or inadvertently. That is the point.

He is not A villain (at least. Not usually. There are...some rough moments and arcs that are. Not great. As there is with any character as old as he is). But he is his own main antagonist.