#I just think it's a fun and cool way to showcase different cultures

[woeismywaffle]

Idk if people talk about this but I really love when things get dubbed and they make the characters speak in accents/dialects that are specific to the region they're dubbing for

[dekusleftsock]

Hey, so you said in your tags about how katsuki is a freak in his own way, could you please expand on this idea a little and when it comes to Izuku?

Sure!

I actually made a post about this very concept semi recently but that post also didn’t really have organization lmao

The main reason I’ve always thought Katsuki as “a freak” as I dub him is for the very foundations of his personality. I think the main reason why no one in the western fandom looks at him and sees him for his (kinda) socially inept aspects is because of a combination between cultural differences and the nuances that hero society throws into Japan specifically.

It’s well known that Horikoshi’s story/world is heavily influenced by American super hero comics. Superman, Spider-Man, Harley, Poison Ivy, Bat-man, Captain America, ant man, etc. are all very obvious influences throughout the story, with characters like Allmight often feeling like a combination of Superman and Captain America.

The reason I bring this up is because the very aspects of these super hero comics is kind of in direct contradiction with Japanese society, especially as those heroics within the world affect the society around them.

Heroes are this curve ball thrown into a society that teaches its citizens to be polite, complicit, and quiet. That’s not to say that this is necessarily a “wrong” way to have a society, but I think it’s with this context that Katsuki’s character (and therefore the intentions behind it) become clearer.

Heroes are bright, loud, and powerful. But long before Katsuki was a hero he already was these things; how does that affect his social life? How do the people around him treat him in the context that he is both not a hero nor having of a quirk? If heroes are the “exceptions” to the society around them, and Katsuki is not yet an exception, then he is an outcast, right?

It’s this context that I feel most people forget. Katsuki understands the people around him, he’s very observant and nosy, but he also just doesn’t care. He is unabashedly himself at all times. Those jokes Aizawa made about keeping him out of the spotlight showcase this perfectly, Japanese society expects a certain standard for the social context around him—which he actively ignores.

It’s a very ironic aspect to his character given that most people admire and/or envy him. It puts a whole new light on izuku saying that he was the one “actually in his life”, that Izuku may have admired him before his quirk for simply being himself. Not to mention how it makes sense that he would believe izuku was looking down on him for admiring him before his quirk, because Katsuki was bullied! I think that’s an often overlooked detail given that he only became “acceptable” to most kids around him when he gained his quirk. The memory this is showcased in is entirely Izuku’s pov, which is heavily biased in the sense that he admired Katsuki. Getting jumped by kids two years older than you though is so weird, and I can’t help but wonder if the perspective might’ve changed were it in Katsuki’s pov.

To me, the idea that Izuku’s memories of Katsuki being this social god come from blind childlike envy and admiration, especially as the contextual things happening (Katsuki is a REALLY big hero fan, he’s rude, he doesn’t remember people’s names, actively terrible at making friends at UA for a good couple weeks, getting bullied to even a minimal extent) in comparison to the words being told. You are told by Izuku that Katsuki is amazing, brilliant, talented, energetic, crass, and in reality (especially when they enter UA), to most people Katsuki is annoying, loud, mean, a little intimidating, and not nearly as cool as he thinks he is. His friends spend the entirety of the beginning of their first year actively making fun of him for thinking he’s tough shit when he so obviously isn’t.

And I think the biggest most important part to this “Katsuki is a bit of a social outcast” discussion, is that the villains thought he was like them! They thought he would hurt people because he screamed “die” and didn’t like winning when he felt he didn’t earn it.

The only reason Katsuki is not as much of an outcast as, say, Izuku, is simply because he won the lottery. He earned that extra point. He caught that curve ball to Japanese society and honed it into something greater.

And, see, Izuku can’t really know/comprehend that Katsuki would be, I don’t know, unpopular to any extent (shown in the beginning of the series when he’s freaking out on the bus that HES being complimented and Katsuki is being insulted), because to him Katsuki always acted like a hero. And in a way, he does! But it’s in the way that hero society throws that curve ball, contradictory to social norms, and of course it makes sense why they still happened at all; the past was dangerous! It was life changing! Disparity and violence and death, desperation fueled this huge monumental change. And what is izuku “I don’t know how to make people like me” Midoriya going to do when this kid, Bakugou Katsuki, acts like one of the heroes on TV? He’s not gonna call the Geneva convention and ask why the hell this child isn’t acting like a normal citizen—he’ll admire him to such a visceral degree because it’s almost like he was born a hero.

I like the concept that, because heroes and villain are cut from the same cloth, relatively similar in concept and strength and past hurts in their history, that this also affects how they are socially. You are outcasted by society: you want to oppose societal norms to live freely as yourself and others as theirselves, you want to make sure everyone can smile at the end of the day because sometimes you or your parents couldn’t, you want to be the best because someone told you that you couldn’t, you want to be just like the hero on your TV, who inspired the hero in your life.

Also you need to be at least a little bit of a freak to be listening in on people’s business all the time because it involves your childhood friend/rival to literally any degree. Like bro what is wrong with you come HERE BBG LET ME PICK YOUR BRAIN APART PIECE BY PIECE

More side note: idfk where I got the Geneva convention thing. I was just thinking about how mha has genuinely had violations against the Geneva convention

[xamiipholia]

okay y'all seemed to like the last one so here's a few more Horizon 3 thoughts:

Aloy won’t die. It would completely upend the series’ themes and just be really nihilistic.

Since Nemesis is a gestalt entity I think it’s a safe bet that we’ll see Sam Witwer, Carrie-Anne Moss, etc again. I’m curious how they’re going to do it because at least structurally, it’s basically a reaper. Maybe it’ll use different Avatars when communicating like the Leviathan in ME3. 

It's gonna take some work to make a flashback/dream/vision not contrived but I would love to see Varl and Rost again. I think we deserve that.

Minerva is gonna have its work cut out for it blocking access to both the dormant Faro Swarm and the ZD terraforming system. 

I wouldn’t be surprised if Nemesis has some sort of corruption function that becomes the equivalent of the corruption in HZD. It would be a really fun tech showcase if GG uses Zenith nanotech for machine corruption and leans into mechanical body horror.

If we’re going to Ban-Ur I really really hope they do the work to make the Banuk less problematic and more fleshed out as a culture. A quasi-Spartan society absolutely would not survive in an extreme environment, *especially* without megafauna to hunt. The Banuk characters are lovely and well-written; they deserve a society as well thought out as the Utaru or Carja. I’m honestly fine if there’s retcons or revamps to the cultural lore because the whole “outsider barges in and becomes chief” is rooted in racist, colonial tropes and we just don’t really need that imo.

The most recent footage of Death Stranding 2 (also running on Decima) has me SO excited for the visuals. GG’s gonna knock it out. The facial rendering and animation that Kojima Productions are doing looks industry-peak and I’m sure GG’s gonna match that. Aloy’s Gay Panic™️ scene on the beach in HBS is already top-tier nonverbal storytelling through animation. Digital Foundry actually just posted a really cool tech breakdown of the current Decima engine. I’m especially excited about the environmental stuff. The ocean simulations in HFW are already incredible and I hope they increase verticality in the world. I can’t wait to see the Sacred Lands in current gen graphics. 

I really love Kotallo’s DIY arm and it’s so so important to his development but Beta and Gaia now have access to Zenith nanotech, maybe give your buddy a sick upgrade hmm?

Speaking of, I can’t wait to see Beta come into her own. She’s one of the best parts of HFW and Aloy’s character absolutely shines in a sibling dynamic. 

I wouldn’t get your hopes up for a romance mechanic. Everyone’s feelings on that aside, it would be really odd from a game development perspective to just overhaul part of how the narrative develops Aloy’s character in the last act of the story. Yeah, there are flashpoints but I would argue that the presence of choice in Horizon is smoke and mirrors- cosmetic at best. Kentucky Route Zero (which you should play) does something similar where the player is given a certain amount of control over the substance of individual conversations and scenarios and it does absolutely nothing to alter the plot, by design. I think it’s the same here - this isn’t really a choice-based RPG, the flashpoints don’t really affect anything plot-wise or for Aloy’s character development. Olin is still out of the story, Nil lives, Regalla still dies one way or another. Aloy’s character development is pretty firmly on rails (think Jin Sakai, not Shepard - you get to guide some momentary character reactions but that’s it). I don’t think HBS is a testing ground either - If they were gonna introduce a romance mechanic I think they’d just do it, and not spend two years making a direct continuation of HFW’s main quest and establishing a specific romance hard-baked into the plot, complete with multiple leitmotifs for the character relationship (which is something they haven’t done before afaik) just to introduce a side quest mechanic coming in 5 years. I genuinely can’t think of any game or dev that has beta tested a major alteration to upcoming game mechanics that way - it doesn’t really make any sense in terms of developer resources, and these games are extremely time-consuming to make. I know this is a thing a bunch of people want and I can totally empathize with that! I just think it’s probably not on the table. 

I would bet money the series will bookend itself and the epilogue will involve a) the naming of Zo and Varl’s kid and b) Lis’ pendant. 

Mostly I'm just looking forward to being surprised. One of my favorite things that Horizon does is use carefully established elements in the world to pull the plot in unexpected directions and keeping the world grounded while they lean into speculative science fiction. I can't wait to see what Guerrilla is cooking up

[girlfriendsofthegalaxy]

tuesday again 1/23/2024

listen i got my last job through one of youse on here so weirder things have happened: i got fired bc the nonprofit wasn’t doing so hot. let me know if you have a weird data/database or market/tech research job. i promise my worksona is so so so nice and pleasant to work with. remote only, looking more in the $75k range but can be a bit flexible if it’s a cool enough job, i am in the central time zone of the USA and will not need sponsorship anywhere but DO need the cadillac of healthcare and dental plans. portfolio, publication list, and linkedin with my government name available on request!

listening

both of these are from my sister! this is another FULL ALBUM rec (good lord). The Offline’s album La couleur de la mer is a soundtrack to a movie that doesn’t exist, inspired by his long walks in the fog on the French Atlantic coast. a little spacey, a little soul, very sixties/seventies neonoir. i am quite fond of the very first track, Thème de la couleur de la mer.

she’s also sent me a bunch of tiktoks with Perfect (Exceeder) by Mason and Princess Superstar. hell of a goddamn music video for this thing. mid-aughts clubbing music at its finest. stopped me from dissolving into a puddle of emotions on the way to and from the vet today bc it’s too goddamn bouncy to be sad around

reading

im reading a trilogy i want to discuss as a whole whenever the third one comes through as a library hold, and a book by a friend. i do not typically talk about books or fics by friends here bc none of them have ever asked for critique, and i dont want to play favorites or inadvertently miss someone’s work. so here’s a story about porn on Wikimedia, which is the kind of database drama and technical arguments that fascinate me.

given the number of articles from 404 Media i shout about here and elsewhere i really should sign up for their $5/mo subscription tier when i have a steady income again

watching

somehow missed Star Wars Visions 2, their second anthology of weird little shorts. i was not super impressed by the overall storytelling this time around, but it was fun to see them reach out to more global studios and see a wider range of styles. there’s some goddamn incredible stop motion in here.

i particularly enjoyed Journey to the Dark Head, which not only has some interesting fringe Force believers and beliefs but has one of the sickest anime bullshit lightsaber fights in this season. this one is by Studio Mir, most known for the Legend of Korra.

also really liked The Spy Dancer by Studio La Cachette, partly bc it’s incredibly beautiful and i like when Star Wars leans into art nouveau, and partly bc it felt the most like a complete short story. emotional arc and everything! strong beginning middle and end! this IS a really low bar, but a lot of the shorts this season did not have a coherent little story to tell or a strong emotional arc, or fumbled their arc partway through, and were just kind of vibes and animation showcases? nothing necessarily wrong with that, also how i felt about most of the last collection. my expectations are underground for any Star Wars media.

playing

as is tradition i dithered about this section the most. this is more of a What’s Next? planning ramble.

the laptop gets shipped back to my old job today so i will no longer have a working modern computer. i have to dig the switch out and see what’s up. maybe start a whole new run in breath of the wild or whatever the last pokemon game was. i think i also have the sword boyfriend game everyone was up in arms about two years ago? and i think i am somehow part of a switch family plan that lets me have some older games?

this section may look very different in the next ??? amount of time until i get a company laptop again. or finally replace the motherboard on my personal desktop but that sat in my car for several weeks during the heat wave this summer while i did not have an apartment and i am really REALLY afraid to open that box.

oh the free epic game this week is a platformer, a genre i have historically not cared about. godspeed to those of you who do

making

soup bc aldi had alphabet pasta and that jolted me out of myself for long enough i was briefly convinced making alphabet pasta soup would fix me. so i found this recipe while in aldi. despite this not being a very good soup or a very good recipe, i feel a little triumphant bc i now know enough to brown the tomato paste before putting it in the soup. unfortunately i overcooked the pasta. there’s kind of a lot of texture happening here, and i wish i had chopped things finer, but i will probably steal my best friend’s blender tomorrow and blitz some of it down.

it’s edible. im going to eat it all. it will not be going in the rotation

[trashworldblog]

HEY YOU! YEAH, YOU! do you have something to talk about that youre super excited for? NOWS YOUR CHANCE!!

aka i want to listen to something and youtube isnt giving me any video essays so i would like to hear about friendsdays :D

ur free to save this ask for another day OR answer it with whatevers on your mind! :D

hellll yeahhhh

i love talking about the thoughts bumpin around my noggin

i just had my first week of classes so im mostly thinkin of those and the 2 im excited about are my rethinking meuseums class and a film class on chinese culture and history.

so i took this museum class cus 1) i had to fulfill credits, and 2) i LOVE meuseums. ive traveled a lot, and ive visited a ton of meusums, from the acropolis meuseum in athens, greece, to the jolly green giant museum next to the jolly green giant statue in minnesota. i love reading little plauqes and learning about stuff, especially if its hands on or art.

but this class is super cool because 1) we get field trips!!! i thought my field trip days were over, but now i get to go to museums for free durring class!! 2) we get to talk about colonialism and how that influences how our museums currently operate. from their layout, lighting, showcases, accessibility, intractivity, and other ways the art, artififacts, knowledge, and creators are presented (or not presented).

ive always been intrested in history and shown how events have caused domino effects and colonialism has a huge effect on the world we live in, and meuseums is a specific instance of that that ive been exposed to, and i really want to learn how to unlearn the ideas that has imposed on me, and show me the choices they are making that influence my opinions without me even knowing. (for example my home art meuseum, the art institute, has all the european classic art and modern art on the top floor, while the asian, african, and photography (which has a large collection showcasing black, queer, and womans issues) are on the first floor and basement. and how the work on the top floor is very well light, while the other floors have dimmer lighting.) didn't even think about that, and I've been in the art institute over half a dozen times the past 2 years!

also a ton of other people in my class are also passionate about this stuff so its nice to know im not gonna be the only one who cares about this class :D

also!!! ive met someone who likes the ghoul boys! i was reading my unsolved book during break and they struck up a conversation about them with me! so thats super fun :)

my exploring chinese culture via film class is gonna be amazing too becuase i know thats a huge blindspot i have in knowing about the world and i really want to change that. so i get to explore and learn about that while also watching films. im hoping this class isnt too hard work wise (watching documentaries takes up alot of time i dont exactly have) but the professor seems to be understanding that we have our major classes to worry about. (also! she gave us snacks for chinese new year :D)

the class is discussion based (the class time, luckily i dont really have to do discussions online). and the people in my class have really good thoughts and ideas! we have some film majors so they give insight on how some stuff is shot, and some literature majors are really good at unpacking what was said and have a ton of interesting angles about the inner complexities between the family in the documentary.

i honestly was nervous i was gonna dominate the conversation becuase i had alot of ideas and thoughts to share, but a ton of other people spoke up so it was nice to have all of us sharing opinions and takeaways.

so that was my two classes im taking for my liberal arts education. they arent for my major or minor but i appreciate them so much becuase i love learning about a ton of different topics, and i probably wont be able to be in an environment like this again so im making the most of it!! im hoping to get into learning about queer history soon, but because this is an arts school, that class fills up super quickly. picking my history class after that is gonna be stressful because theres so many good options 😰 womans history? the development of cities?? us history?? if i didn't have my ux minor, id think about minoring in history. There's so much to learn, lmao

[4lph4kidz]

the postcanon asks are kind of piling up so i figured i'd compile them into one post to spare your dashes ^^;

I think you're right. About the relationship thing. Maybe the gnomes too. There are a few jokes about gnomes in Homestuck, maybe they're actually an extant species in-universe. Kind of a stretch tho.

Yeahhh it would've been fun to see them but I get it, we're getting a lot of Harley English bonding time already lol. I thought Rose and Aradia exploring was a really cool way to showcase a new dynamic AND reveal some lore about Earth C's cultural history. (Do you think the line about the empty throne referred to Jane, or something else?)

Oh speaking of Jane actually i'm pretty sure the labyrinth and the catacombs are separate places??? They never made that super clear now that i'm thinking about it but they seemed to have very different vibes... there aren't any traps in the catacombs iirc

Yeah!! i'm hoping we see more of that next update bc I'm super intruiged :o

The fruit thing was part of a side story, I don't think it's going to factor into the main timeline. I'd lose my mind if you were right though, in a good way

And yeah, I guess Hal spent all his time in the Archives practicing his zingers or something?? I wonder how much of that was an act, or if he is just enjoying hanging out with people again. Either way he was fun.

Yeah, maybe? I definitely got the impression that that future (alt?? i think he might be from an alt timeline) Dave was freaking out about something Karkat related, but I'm not sure if i really... trust him? He's acting super weird. As is Roxy...

Oh my god? I mean I get that Jane and Sollux have an unexpectedly good connection at this point in the story, but it's not KISSING ON THE LIPS

Also like 1) Jasprose flirts with every girl she meets and 2) Wouldn't it be kind of weird for Jade to date a pair of siblings at the same time....? :/

[eyeballtank]

Maybe i should do another Rentry post for these but just in case.

1:

Honestly, if Crowbcat wanted to be even more /v/, he could've not bothered with those videos about Halo (Which even Martin O'Donnell liked) and instead gone full "Babby's first FPS that ruined the genre".

He even made a positive video about Doom 2016, for a guy that is essentially "/v/ outside of /v/".

Like he could've technically been worse, since /v/ even had threads shitting on RE4.

2:

Love Death and Robots seems at first to be a spiritual successor to Heavy Metal in terms of being a showcase of different sci-fi stories.

The problem is that Heavy Metal had a particular appeal that isn't really present in LDR, mostly the "nerd into 80/90's heavy metal/sci-fi" stuff while LDR has typical modern elements.

But this might also be partially why the Heavy Metal comics brand is dead, because they dropped that appeal/focus years ago.

If people look at the 2 animated movies or those illustrations by Simon Bisley, they'll get disappointed knowing HM stopped showing tits at some point.

Though someone i follow that is a bigger comics expert points out that Heavy Metal was more about the art while 2000AD was more about the stories and also had better variety so it wasn't just "cool characters nerds like".

3:

The thing with Lois Lane in the new Superman cartoon is that she looks like a generic tomboy but to some people, she was just a white office lady.

I guess it's like how Marian from Double Dragons wans't really a visually iconic looking character, so nobody cares that River City Girls turned her into Dorohedoro Noi.

But it also might be a difference from Harley Quinn where if these characters like superheroes or villains have interesting designs, then the likes of Batman's butler Alfred or Spiderman's Aunt May exist to look normal and not have actual designs.

So to some it isn't a loss because she never had a "design" as they think.

4:

SiivaGunner was a fun gimmick at first but i think what made the channel kinda boring is how many memes they started to incorporate and even make it part of a "lore".

Like Grandad and Snow Halation are "part of it" but then there's all these various attempts at referencing specific e-celebs and memes.

It's specifically lame when they reference Keemstar or Logan/Jake Paul like those are human beings worth liking.

Also makes the "wholesome" aesthetic weird.

"Awww look at Kirby and Frisk from Undertale, videogames are so cute... anyway, here's the shittiest memes you've already been tired of seeing on Youtube mixed along".

People already give Triple Q some shit for being irony poisoned or meme centered, even if he hasn't reached the level of Grandayy.

Probably the same deal with Tumblr people going "NO MORE IRONY, I WANT SINCERITY" but still showing hints of the meme/irony culture they grew around, when they could either develop real life experiences or interact with actual good media.

5:

Maybe a problem with nerd portrayals in pop culture is that the idea of them being outcast and all is there but Star Wars was always popular, so pop culture was "partially correct".

Like replace Star Wars and Star Trek with Heavy Metal comics or something less talked about and all those caricatures in tv shows could've been more accurate.

6:

When it comes to fiction copying/taking stuff from its own fields, comedy is probably the worst case of this because you'll realize certain caricatures or "types" come from someone's observations and then later comedies take it and it becomes autopilot in a way.

Maybe it's the case with media leading to stereotypes or biased views on real people but moreso something that makes characters feel less sincere.

I dunno, making another generic fantasy setting with orcs and dragons is less evil in comparison to a sitcom copying the same character traits.

7:

Seeing people go "you're not a real fighting game fan unless you're part of the FGC" is funny because it's obviously a response to people mad at the censorship in Skullgirls.

But also because it's a way to make any game less beloved than it is because of how exploitable it is.

"You're not a real Mario fan unless you're a SM64 speedrunner".

When Doom Eternal came out, even guys with "hot takes about JRPG's" and those that mock Redditors talked about the Isabelle crossovers and did basic Doom memes.

Most of them might as well be fake fans because they're not too invested in wads and browse Doomworld.

See how that sounds?

8:

I think i already said in Rentry posts that Sseth became either safe or too reliant on current memes.

Emptyhero however still makes risky jokes and is still funny.

If i finish my game, i wouldn't care if he shat on it as long as he made a review of it funny.

9:

If you think about it, Zoomers grew up with Smosh and ERBOH, so they watch breadtubers and essay video makers to overcompensate.

It's the closest they get to "intellectualism" to make it up for watching shit that other online groups would put it beneath 9gag.

10:

I wonder if there's a correlation between people complaining about "edgy animation" (As in, when Spongebob has better animation/is animated by actual animators than SU) and people that hate AAA games with "photorealistic" graphics.

Because there is an arguement for "corporate" art styles still requiring effort but then they'd realize that applies more to 3D "CalArts" animation that even the Mario movie has than Spongebob.

Even with videogames, developers "scaling down graphics" won't just be the end of Naughty Dog but even fantasy or sci-fi designs people like.

Not even "343 overdesigned sci-fi" or "DarkSiders copycat autopilot fantasy" but there's character designs people won't admit have a lot of detail.

Unless that "i want shorter games with worse graphics" image is less about scale and more about quality as in "the Metal Slug series is soulless because it having good pixel art means it took slavework while my shitty indie game is REAL SOUL because the art style being bad is a good thing".

Maybe it's a clique thing where people just advertise the "right kind" of games.

And again, corporations LOVE stiff animation and hate effort taking animation from passionate animators.

11:

I think the reason why people have some interest in people taking shit seriously is because of what comes next: When they "betray" that investment.

Like Zoomers still taking screenshots of art they deem illegal/immoral to mock someone or taking "Proshippers DNI" off profiles to not get blocked by artists.

Or people treating "groomer" as a slur when they could easily use it against the other side when they find their actual examples of groomers.

Something where the issue is not "taking shit seriously" but more "doing a terrible job at it", because when you take something like culture wars or fandom shit seriously, your brain might as well have some connection like your life somehow depends on it.

You can see this with germophobes who wash their hands too many times, then they make food for someone and don't wash their hands: Are they outgrowing their habits? Or are they revealing they only care for their safety, even if the food isn't contaminated by a real threat?

Maybe it's a sign of people only acting a certain way to fit in a group.

Because it can also come off as a sign of a weak character if you fuck up even something you're supposed to base yourself around.

12:

The idea of a Barbie moving having politics is funny because the "outside" of Barbie has all these feminists thinking girls are forced to play with it or that the character is a terrible representation of women.

In a way, politics in media could be about the "outside" and not what's coming from the setting or story.

Same deal with Doom: Why bring up the UAC argent energy plot when you have John Carmack making the games moddable out of a "hacker respector" way and Romero getting the sack by ZeniMax when wanting to share some assets related to the games?

13:

The occasional overlaps between SA and Tumblr are funny because they seem opposite at first until you realize their opposites explain the overlaps.

One thing is troll's remorse, another is nerds that were always easy to mock still trying to be the bullies.

Knowing the history behind Dril and even Homestuck can reveal some lore between a site where nerds wasted money on a forum while telling other nerds to die and another that acted as a hugbox for freaks to feel "heckin valid".

14:

I think a reason why OG Lara Craft is more liked than the boring new Lara is because she's clearly a comic book/action figure type character and the other is a generic "realistic" character that might as well be an NPC.

Part of why you can't put Solid Snake/Big Boss in the same field as actual generic "white guy protagonists" because of stuff related to their designs, backgrounds, personalities, gameplay etc.

Also explains why some Resident Evil fans (Even if a small minority) aren't much into the remakes or 7/8.

And a problem with both Doom movies and the cancelled Doom 4 having generic SWAT soldiers when Doom always had a particular "sci-fi security guard" aesthetic while the new games have the Sentinel stuff.

15:

The reason to make fun of shit like boomers complaining about woke stuff is if they do it in a situation where it's not the case or they exaggerate something, but you can tell some people mock these even in situations where it's not unreasonable.

Otherwise, the people mocking these boomers would still mock shit like ResetEra freaking out over cute girls in a JRPG.

Like you see people claim Pink Floyd's Dark Side of the Moon album art is "appropriating LGBT culture" because of the rainbow and instead, it's the boomers talking about that group of people that get to be mocked.

Being stupid isn't exclusive to one side.

It's why people think it's more convinient to be left wing and then get surprised when there's grifters or shit like that.

16:

A lot of "media literacy" boils down to adding modern politics to a movie that otherwise had a very different message.

Meanwhile, Fritz the Cat had political themes that could apply to modern times but "media literacy" types and animation fans ignore it because it's not coming from their desired background/area.

17:

One of the worst images i saw was a Soyjak making fun of people that prefer to ignore Twitter.

Years of guys on /v/ being told to "go to Twitter" everytime they complain about censorship and now when some anons say "stop posting Twitter screencaps on /v/", they're told "um you should care what Twitter people say".

The mere fact that Twittier is essentially "the center of the web" is a bad thing and destroying the site would be one of the few good things Elon Musk ever did in his life.

[seiyasabi]

Fixation

(This is a Yandere Yelena x Fem Reader story ;)) This takes place in a Modern AU outside of the anime, and I won’t justify my reasoning lmao 

TW: Coercion, !Drugging!, Manipulation, !Noncon!, !Dubcon!, Daddy kink (ehehe), spanking, she’s a straight up Dom w her tall ass, kinda a meanie, degradation!, handcuffs!, use of sex toys!, Overstim!, size kink!, dumbification?, unwanted filming!, etc.. 

Proceed with caution! Sorry if this is too self indulgent lmao, when women (lesbians) talk to me, I become the biggest idiot to ever exist :)) ) 

Today wasn’t the best day to wear a skirt. 

Begrudgingly smoothing down the lilac fabric of your skirt, you huff indignantly. All you wanted to do was look cute for your crush, Marco, but it seems that that was too much to ask for. 

Your white sweater, at least, keeps you somewhat warm from the harsh wind. It’s tucked into the waistband of your high waisted skirt, and your thigh high socks push the fat of your cute thighs out slightly. The sound of your white sneakers against the pavement is drowned out by your classmates’ loud voices, and you’re seemingly unaware of a certain black-eyed glare. 

Seeing your classroom come into view, you hurry inside, sliding into your lab assigned seat. Eyeing the dark haired male of your dreams, you can’t help but sigh pathetically at the fact that he hasn’t noticed you. Up until recently, the two of you were great friends-always hanging out and texting one another. But, the moment the both of you picked up this class, everything changed. 

Hearing the seat next to you slide open, you glance up at your seatmate. Smiling up at the tall woman, you greet her kindly, “Hi, Lena! How’re you today?” 

The Russian exchange student smirks down at you, as she plops onto the seat, “Good, now that you’re here.” 

Laughing at her gruff words, you wave her off, “You always say that,” Zipping open your backpack, you pull out your class notes, “What’re you going to do this weekend?”

Her smirk widens, dark eyes gleaming, “Why? Asking me on a date?” You laugh once more, completely oblivious to her hopeful tone. 

“You’re so funny, Lena,” Pulling out your pack of multicoloured pens, you start to set up for your class, “I just heard you speaking with Annie about ‘something big’ the other day, so I became curious.” 

Not one to acknowledge boundaries, the blonde woman starts to play with your (hair/sweater), “I’m throwing a party, one you should come to,” Her tone leaves no room to negotiate, but you don’t really notice. Nodding, you smile up at her. 

“Sounds fun! When is it and who’s going?” Her hand trails down to your thigh, fiddling with your sock. Brushing off your mild alarm at her ministrations, you justify her actions through your cultural differences. 

“Tonight at eight. Annie and her friends should be there, same with Marco and a few others,” She name dropped the kind man on purpose, knowing your misguided infatuation with him. If only you knew how much of a pussy he is. All she did was threaten him once, and suddenly he stayed clear of you. It made her life easier, sure, but it annoyed her that he dropped you like a gutted fish. You’re too good for that. 

Pulling out your phone, you pull up your calendar, showcasing that you have no plans this evening, “Okay, I can go!” 

Her smirk grows wider than before, “Great,” Yelena’s accent seemingly grows thicker, her r rolling more harshly than before. 

With that, class begins without a hitch; Yelena’s hand still glued to your perfect thigh. 

-

Stepping out of your car, you readjust your new outfit. Keeping the thigh highs from earlier, you changed your lilac skirt for a black, body con one, along with a cropped, black long sleeve shirt that accentuates your cleavage. 

Slamming your car door shut, you lock it with your key, before heading towards Yelena’s luxurious flat. You can hear low music and voices from her open top floor balcony, multiple shadows moving inside her home. 

With a fast beating heart, you can’t help but hope that Marco will speak with you tonight. With that hope deep in your chest, you step inside the fancy building’s lobby. Approaching the front desk, you go to show them your ID, but are met with brightly smiling faces. 

“Go on up to the tenth floor, (Your Name)! Yelena already told us that you’re coming!” Surprise overcomes your form. Why do they know you by appearance alone? You’ve never even been here before. 

“Oh, okay! Thank you,” Deciding to ignore the weird situation at hand, you head towards the lift. Pressing the button, you wait a few moments, before stepping into the open lift doors. The sleek metal walls reflect your appearance back at you, whilst you press the pristine ‘10’ button. With a small beep, the lift begins to move, practically flying at top speed to the top floor. 

Once at the tenth floor, the doors fly open, showing what looks to be a living room. You can’t help but gawk at the large flat displayed before you. Your classmate must be quite wealthy to afford a place like this. 

You awkwardly make your way inside, and are immediately greeted by the party’s host, “Hey, (Your Name), welcome!” You’re side hugged by a buff arm, practically slammed into Yelena’s torso. 

“Hey, thanks for having me!” You pat her back in an attempt to have her let you go, but instead, it seems to spur her on. She drags you towards a large L-shaped couch, which is filled by Annie, Reiner, and Bertholdt. A handful of others sit at her dining room table and kitchen counter, the open concept allowing everyone to see and speak to each other comfortably. 

Reiner glances up from the story he’s telling Historia and Ymir, a grin painting his handsome features, “Whoa, that’s a new look for you, (Your Name)!” 

Multiple eyes are suddenly glued to your now self conscious form, an uneasy smile on your face, “Hello, everyone.”

“Don’t get me wrong, you look great! It’s just really different from your normal, cute clothes,” People nod and agree with the large man, causing you to break out in a nervous sweat. 

“Well, I hope I don’t look too bad,” You joke halfheartedly, “I just wanted to try something new.” 

Yelena takes your appearance in, practically salivating. Whilst she does enjoy your usual clothing, this look fits you quite well. 

“You look very nice,” Bertholdt reassures soothingly, patting the spot by him, “You can sit next to me, if you’d like.”

The short haired woman glued to your side reacts immediately, “No, the girl needs a drink,” Annie shoots her a knowing look, which she nods to in response. You’re practically ragdolled to the kitchen bar, as the conversation starts up once more. Once at the marble countertop, the large woman releases you in favour of pouring you a cup of spiked punch, “This is very good. Made it myself.” 

You give her a bright smile, accepting the red solo cup, “Cool! I’m sure it’s delicious!” Bringing the cup to your (lipstick/chapstick/lipgloss) coated lips, you take a small sip. A burst of fruity goodness explodes on your tastebuds, making your eyes widen in surprise. You can’t taste a drop of alcohol in it, “Wow! This is really good!” 

A proud grin overtakes her lips, as she nods her thanks, “Of course it is. I knew you were coming, after all,” You laugh in response, and take another sip of the red liquid. 

“I see! Well, you have a very nice home!” The tall woman leans against the counter, holding herself up with an arm that goes behind your form. 

“Thank you. It’s very spacious. I find myself lonely at times,” Her large, black eyes stare down at you, trying to send you a message through them alone. 

“Oh, well, have you tried getting a roommate? Maybe the flat won’t be so empty,” She nods at your words. 

“Yes, that’s a good idea. Would you be my roommate?” You laugh, thinking that she’s joking. Not bothering to look up, as you take another swig of your drink, you don’t see the somewhat hurt look on her face. 

“That would be something! Not only are we seatmates, but we’re also roommates,” You giggle some more, taking more sips of your delicious drink, “But, your flat is a lot nicer than mine. I may take up on your offer.”

Looking up, you see her grin at you approvingly, “Yes, that would be nice,” What you don’t know is that her lease is almost up, making it so she has paperwork she needs to fill out. Paperwork that would look great with your co-sign on it. 

-

Three drinks in, and you’re feeling a bit woozy. Typically, you’re not a lightweight, but it seems that you are tonight. 

Leaning your upper body onto Yelena’s strong form, you laugh hysterically at something Reiner says, “Oh my God, you’re hilarious-” You cut yourself off with a snort, causing the entire room to laugh at your cute giggling. 

The short haired woman you’re currently using as a pillow holds you tenderly, a pleased smile on her face. The stuff Annie gave her works very well. 

“Man, if you weren’t Yelena’s girl, I would’ve cuffed you a semester ago!” Reiner roars wholeheartedly, slapping the leather couch below him. 

In your cloudy mind, you barely understand the words he just said, “Haha, wha-?” 

Pushing your head into her breasts, Yelena shushes you, “My poor baby is such a lightweight,” She and the others chuckle at that understatement, “I think it’s time to turn in for the night.”

Her civil way of kicking everyone out was enough, as everyone trickles out of her luxurious flat. Once the last person leaves, Yelena stands to her feet, scooping you up in her buff arms. She goes to her lift, pressing the lock input, she types in the lock code, not allowing anyone in or out of her home. Your high mind can barely comprehend what’s going on around you. 

She hums an unknown tune, as she goes up her steps to her master bedroom. Kicking open the door, she flips on her bedroom light with her elbow, before shutting the door with her foot. Sauntering to her California King sized bed, she lays your drugged out form on her light grey coloured sheets. 

“-Lena, wha-” Your head lulls to the side as you giggle uncontrollably, “-Are- are we dating?” She hums in response, starting to pull down your skirt. 

“Yes, my Darling Girl,” She smooches your forehead, “We’ve been together since I moved here,” Pulling your skirt’s fabric down and off of your legs, she tosses it on the floor, exposing your pink panties. 

“Bu-but, I like Marco,” You weakly attempt to push her grabby hands away from you, “I-I wan’ Marco!” 

The feelings of disgust, envy, and fury overwhelm her all at once. How dare you! She’s always treated you so well, that spineless fucker doesn’t deserve anything from you! He especially doesn’t deserve your wonderful heart! 

She says nothing, grabbing your blouse, and chucking it off of you. Your breasts jiggle at her ministrations, your bra just barely containing your tits. Seeing your almost bare, perfect body makes her pussy tingle, but her anger outweighs her arousal. 

Settling on the bed, she grasps your boneless body, and pulls you over her knees. You’re still muttering and questioning the validity of your relationship, all whilst saying that horrible boy’s name, causing her to cup the fat of your ass and squeeze harshly. 

“Baby, you know better than to say those horrible things. I love you very much, and it hurts to hear you say that.” 

Your breasts, arms, and head rest over her left knee, as you try to look up at her stern face, “But-”

“No buts, you know what happens when you act like a brat,” She slaps your ass experimentally, earning a pained yelp. A small smirk covers her lips, and she hits your ass as hard as she can. 

“‘M sorry! ‘M sorry! I didn’t mean it!” Your pleading is cute, so cute. 

“I know you didn’t, Princess. But I have to remind you of your place,” She slams her hand down once more, jolting your entire body. A shrill cry leaves your lips, as you try to move off of her lap, but seemingly can’t find the strength to do so. 

After five more smacks, the blonde pulls you onto her lap in a straddling position. One of her arms wraps around your top half, pushing your crying face into her neck. The other is wrapped around your waist, hand smoothing over your bruising ass, and playing with the hem of your panties. 

“Don’t cry, Princess. You know I had to set you straight,” She coos, “Your stupid, little brain is far too gone to understand at the moment, but you will once you sober up. So, for now, let your Daddy make you feel good.” 

You mutter nonsensical words in between your sobs, but the large woman isn’t put off. After she’s done with you, you’ll never think of that freckled fuck ever again. At least, you won’t unless you want him dead. 

Wrestling your pliant body to the mattress once more, she leaves you on the bed by yourself, before rolling onto the left side. Opening the top drawer of her nightstand, she pulls out a pair of handcuffs, a battery powered hitachi wand, duct tape, and a small bottle of lube. Setting them on the bed by your writhing form, she quickly makes her way back to you. 

“Shh, it’s alright, Princess. I’m right here,” Yelena reaches under you, fiddling with your bra’s hooks until it pops open, allowing her to slide your useless arms out of the garment. Tossing it aside, she sucks in a deep breath, enjoying the view of your plush chest. Experimentally, she pinches your right nipple, relishing the small moan you let out at the feeling. Gripping the handcuffs next to you, she feeds your dainty wrists through the opening, popping the pink, plush cuffs on tightly. Happy with the result, she continues her endeavour. 

Moving farther down your body, she leaves your socks on, loving how your thigh fat squishes up a bit. Grabbing the hem of your cute, pink panties, she pushes them off of you, exposing your pretty cunny. It separates from you with a small string of slick, filling Yel with a sense of satisfaction. You’re her perfect pain slut, aren’t you? 

Pushing on your pliant legs open, she smiles happily down at you, dark eyes blown wide open, “Awe, is your slutty pussy wet for me?” 

You shake your head rapidly, disorienting yourself more than before, “Nu-no! It’s not!” She clicks her tongue teasingly, her smile growing wider than before. 

“Don’t lie to me, Princess. Now I have to punish you once more,” Forcing your legs open, she holds them down with her own, straddling your waist. Her large form easily overpowers you, as she grabs the blue hitachi wand, and flips it on to the highest setting. Pushing it against your clit with a swift motion, your entire body jolts at the sudden stimulation. A loud whine leaves your lips, as you try to buck it off of your sensitive cunny. 

“Puh-please! Take it off! It’s too much!” Yelena snickers in delight, ignoring your pleading. Grabbing the duct tape from beside you, she rips off a few long strips, before smacking them onto your skin and the vibrator, effectively keeping it attached to you. 

Your moans and whimpers continue to grow louder and louder, as you try your best not to cum. You bite your lips in the hopes of stifling yourself, but it does little to help. If anything, it just spurs the large woman on. 

“Go on, cum for me, cum for Daddy,” You shake your head, a few keens falling from your mouth, as she watches in awe at the way your cunny leaks and clenches around nothing. 

Your toes curl in ecstasy as you cum, a loud whine escaping you. A gush of your orgasm flows from you, wetting the blonde woman and the mattress below. Two long, slender fingers prod at your slick pussy, forcing themselves inside your sensitive walls. 

“Good Girl, You’re so Good for me,” They Start to move in a ‘come hither’ motion, hitting your g-spot repeatedly with how long her fingers are.  

“Too much! Too much!” You cry, as she quickly brings you over the edge once more. 

More slick sprays from your cunny, as overstimulation begins to set in. Yelena captures your lips with hers, thrusting her tongue into your mouth. The kiss is wet and hot, as she grips at your plush chest. 

“No, no it’s not, Baby. It’s not enough,” Fumbling with her fly, she releases the strap she’s been wearing all night. In all honesty, she’s surprised that you hadn’t noticed the bulge or felt it underneath your ass earlier. It’s a good ten inches in length, and around 5.5 inches of girth. 

It is pretty intimidating for most, but due to your fucked out stupor, it should feel amazing for you. Grabbing the lube, she squeezes a small amount onto the silicone cock, smoothing it over the toy in sync with her fingers pumping inside of you. 

Deeming the toy and your cunny ready, she makes the next move. Sliding off of your numb legs, she stands to her feet, towering over you in all of her glory. Hefting you up and off of the mattress, she quickly punched your back against her pristine, white wall. Forcing your arms around the back of her head, she continues to kiss your drooly mouth vigorously. 

Wrapping your legs around her slender waist, her large leg muscles and arms work to hold you up. Guiding your dripping cunny over the tip of her strap, she slowly sinks you onto it. 

A keen of both surprise and pleasure rips out of your throat, as you grip onto her short, blonde locks. Giggling, she bucks her hips into yours sharply, causing you to orgasm on the spot. The vibrator and her strap on feels like heaven. 

Throwing your head back in bliss, you feel your arousal drip onto her dress pants, creating even more wet spots than before. Separating from your lips, she grins down at you. 

“Look at you, dirty Girl,” She spanks your ass harshly with one hand, as she continues a hardcore pace. The tip of the silicone cock batters against your cervix, causing you to cry out in both pleasure and pain, “You love it when Daddy ruins your pussy, don’t you?” 

Too fucked out to think properly, you nod your head vigorously, “Uh-huh! Uh-huh! I love Daddy’s cock!” She kisses your cheek tenderly, not stopping her thrusts for even a moment. Moving her lips down your vulnerable neck, she starts to suck the tender skin, leaving dark love marks on your pretty skin. 

“Mmm, good Princess! Since you’re such a good girl, I think you deserve a treat. Do you want a treat? Does your dumb little mind even understand what I’m saying?” You nod once again, eyes teary and pleading. 

“Yes! Yes! I want a treat, please, Daddy!” Smirking against your skin, she reaches into her pocket from around your thigh. 

“Since you asked so nicely-“ She presses the injector lever, shooting a large load of fake cum into your gummy, needy pussy. You cum almost immediately, this clearly being the biggest orgasm of the night, as you practically convulse and squirt a geyser of cum all over the place, “I think you deserve Daddy’s cum inside you.” 

You practically sob at the overstimulation and the feeling of being so full, “Thank you! Thank you, Daddy!” You kiss her of your own volition, surprising the large woman. Her heart warms, loving how you’ve become so submissive. 

Cradling you’re form to her muscular body, she saunters back towards the bed, pushing any other objects off and into the night side table. 

Placing you on the now dry sheets, she quickly flicks off the vibrator still taped to your clit, before placing it on the table beside her. Plucking off the duct tape, she then takes off your handcuffs, effectively freeing you. Instead of moving away from the woman, you lay there tiredly, no longer processing the situation. 

Sighing in content, Yelena grabs a hand towel from the drawer she keeps her sex toys in, and wrestles it under your hips. Smiling, she removes the strap from inside of you, enjoying the sight of the fake cum flooding out of you. 

Laying next to you, she pulls your head into her chest, curling around you as if she were a safety blanket. 

“You did well, Princess,” You don’t say anything, snuggling into her warmth, “Go to sleep, tomorrow we’ll announce our official status, okay?” 

An slurred ‘Okie’ is heard, before you slip into unconsciousness. Cupping your face in appreciation, her dark eyes glance in the direction of a small green light coming from her video camera. 

Now you’ll have to date her; after all, you wouldn’t want your sex tape to get out, would you? 

[jello-in-my-bello]

It’s time that we had a real conversation about Aang...

For the main character of a television series, Aang somehow almost always finds himself under-rated and dismissed in fans’ posts. You see all these posts and, when they do reference him, it’s usually accompanied by the phrases “immature” and “12-year-old boy.” I mean honestly, in some ATLA fans posts, it seems as if Aang’s name is almost synonymous with the word immaturity--and it’s been that way for years. I’ve always wondered why people discredited him. Was it because they saw his age and immediately ruled him out? Is it an excuse for Katara and Aang to have never happened? Was calling him the most immature character a way to bring up their favorite characters? Or did they simply get conditioned to think Aang was immature because everyone just... said he was? Well, I think Aang’s the most mature character (from start to finish) on the show, and Imma tell you why. 

I think that Book 1 Aang is the Aang that everyone has stuck in their head. We get introduced to Aang in a strange way: he’s a boy frozen in an iceberg, and the first thing he asks is to go penguin sledding. Then he boldly explores a fire navy ship after being told it might not be a great idea. This kid’s kinda stupid, we think. Why does he care about penguin sledding? Why does he explore something he is told not to? Then he stops at Kyoshi Island to ride the Unagi, then he stops at Omashu to ride the delivery service, and then he lets the gang stop at other locations—having mini adventures—without worrying about learning waterbending on any sort of timeline. Why does he choose to explore all these different places at first rather than master the four elements? Doesn’t he even care about being the Avatar? Ah... that’s right. He’s only 12. 

Except surmising his entire maturity (or lack thereof) to the fact that he stops for these adventures means that you are ignoring one glaring detail of the show: Airbender and nomad culture. Aang asking Katara to go penguin sledding instead of what year it was and taking his friends to all those random stops in B1 so that he can explore can not be chalked up to immaturity. Because then you are ignoring an entire culture. We don’t get to see a lot of airbenders, and I think that plays into the problem, but from what we do know, we learn that a critical part of their culture is that they travel. A lot. And experience different cultures. A lot. Think about all the different places he’s referenced going to 100 years ago in the series. Then think about all the friends he’s talked about having in these obscure places—and it always sounded like he visited them more than once. Traveling, experiencing different cities, and meeting new people was a part of him and a part of his culture. He wasn’t being a 12-year-old when he stopped to ride the Unagi or the delivery shoots in Omashu, he was being an air nomad

On a similar note, one of Aang’s most notable traits is saying, “Hey, check this out,” excitedly while doing some air bending trick that seems juvenile--like spinning marbles around or doing an air scooter.  People look at him doing this and his previously mentioned traits and go, “Oh, what a kid.” But here’s the thing: we can’t roll our eyes at his persistent need to show people marbles floating in the air or his air scooter. In the episode “Southern Air Temple,” we see Monk Gyatso—an extremely old, wise air bender—throwing cakes on other monks’ heads, and then we’re told throughout the series that Airbenders were known for their playful nature. Airbenders didn’t use their bending the same way other benders do. For example, Waterbenders might show off their skills by creating a giant wave and being like, “Look how cool!” (See: Katara, like every time she learns a new move.) We know Airbenders have some pretty powerful moves--we’ve seen the tornado Aang created, the air body imprint of Aang that slammed Zuko back--but they don’t show off those moves because they’re so combative and not so fun. They show off the good-natured side of air bending (ex: Gyasto’s staff surfing when he was a child).  So those marble/air scooter tricks can’t be watered down to 12-year-old immaturity. Because he’s not being a kid when he does those things, he’s being an Airbender. People also tend to look over the fact that he is a survivor of a genocide. You need to keep in mind that he is a living relic and the only example left of what his race was. So even later in the series when he continues to show people those tricks, he’s showing them not just for fun, but to keep his culture alive. And what do you think he’s going to show them: a tornado with random objects flying around in it or two marbles flying in his hands? Which is a better representation of Airbender culture?

Also, do not forget that Aang earned his arrows. Airbenders are not just regular benders; they are known for being especially enlightened. You don’t just need to be a master at airbending to get your arrows—you also need to be a master at their culture. Aang was an enlightened boi. Look at all the speeches that he gave as the series continued. He didn’t just magically become wise in the course of a few months because he had to fight the Firelord, he just tapped into what was always there and never showed. The maturity was always there, and the receipts are in the arrows. 

So, I’ve gone over why he’s not as immature as everyone thinks, but why do I think he’s the most mature on the show? It’s because his emotional maturity is freaking through the roof. He’s part of a genocide, his culture is mocked, the few things—his clothing and glider—that he had left from his home were completely destroyed, and he had to do something that severely went against what he believes in. And he almost never loses his shit. In fact, we only ever see him get actually upset (we’re not counting the Avatar state cause that’s a whole different thing) 3 times in the series: when he was telling Katara about how the monks wanted to take him away from Gyatso, the episode when Appa was stolen, and when he was explaining that no one understands the position he is in (in terms of killing Ozai). Think about how much we saw everyone else freak out over the course of the show? About even smaller things.

Katara and Zuko are generally accepted as the two most mature characters of the series. But why? Zuko is continuously snapping at everyone, and, yes, he matured. But he is not completely there yet. He still somewhat believes in revenge (See: Southern Raiders), and it’s only at the last episode of the series that he understands violence is not the answer. And Katara? She acts very mature towards everyone else, but when it comes to her own emotions? She’s a whole basket full of mess. (See: Southern Raiders, again. Or anytime she uses anger as her way to show she’s “passionate.”) A good way to showcase the difference between Aang and these two is realizing that all of them lost a parent from the war and analyzing at how they handled it. (For Zuko let’s focus on the idea that he never really had a father) Katara lost her mother, Zuko his father, and Aang his father, Gyatso. Throughout the series, losing their parent was a huge topic point for both Katara and Zuko so much so that it was as if they thought no one else had ever suffered. (Katara, we see you telling Sokka that he didn’t love your mom the same). Aang, however, acknowledges his pain, tells stories of Gyatso and uses him as an example of what he wants to live up to— eventually coming full circle at the end wearing Gyatso’s beads and an identical outfit. I can’t imagine a more mature way to handle what happened than that.

Basically, what I’m trying to say is, maturity isn’t based on how you have fun, it’s based on how you react to hard situations. And nobody, nobody reacted better in those situations than Aang. So if you watched Avatar and thought it was a story about a young boy maturing, then you misjudged. It wasn’t a story about an immature boy growing up. It was a story of an Airbender becoming an avatar. 

[straykidsupdate]

Stray Kids Are Breaking Records, Breaking Eardrums and Breaking Limits (INTERVIEW)

A Stray Kids track a day keeps the stress away. Though one can argue the K-pop group's energetic brand of "noise music" could possibly heighten tension, their bass-bumping, get-the-crowd-jumping songs are encouraging, vital points to Stray Kids' calling: to be the voices of their generation.

As showcased on their fiery 2019 hip-pop hit "MIROH," or 2020's heavy-hitting "God's Menu," Stray Kids — often abbreviated as SKZ — are unrelenting in their journey of self-expression and their determination to push themselves, and their fans, to their full potential. A prime example? Their second studio album, NOEASY, released Aug. 23.

Source: Pop Crush

The 14-track project, the majority of which was produced by sub-unit 3RACHA (Bang Chan, Changbin and Han), exhibits Stray Kids' ability to bring the noise no matter the tempo. NOEASY starts off strong with five in-your-face tracks that blend EDM and hip-hop elements (lead single "Thunderous," "Cheese," supporting single "Domino," "The View" and "SSICK"), while the later part of the album experiments with different genres and styles, from jazz-pop to rock.

Just three years into their career — they formed in 2018 — members Bang Chan, Lee Know, Changbin, Hyunjin, HAN, Felix, Seungmin and I.N. already carry dozens of award nominations and wins under their belt, and boast chart-topping hits in both physical and digital sales. Even before the release of their second album, the group already set a new record by becoming the first artist under JYP Entertainment to reach 1 million pre-orders.

We recently caught up with the members to talk about NOEASY, the adorable SKZOO version of "Thunderous" and why touring is their first and foremost priority.

Congratulations on your second album! A studio album takes lots of work, so how does it feel to have this out there in the world now?

Changbin: We really put our everything into preparing this album and we're really confident in it, so I’m really happy that STAY can finally listen to it!

Lee Know: We couldn’t wait to put this out because there are so many really, really good songs on it, so it feels great to finally release this album.

Hyunjin: Somehow a year has already passed, and we’re so thankful to our STAY who have waited for us. The entire album is good, so we hope STAY really enjoy it.

NOEASY has already achieved the title of being the best-selling album in JYP Entertainment in history. Any thoughts on that? What other records would you guys like to break?

Bang Chan: That title was achievable all thanks to STAY! If it weren't for STAY, we wouldn’t have been able to have even gotten this far. Stray Kids are known as “the kids that enjoy breaking things." We break objects, break eardrums and break limits, so breaking another record wouldn’t be so bad. Of course, we’ll need the help from STAY!

I.N: I hope we grow even more with the next album, so much so that people will describe us as artists who are constantly improving.

What were your first impressions of the title track?

HAN: When we listened to the final product, it made me really happy that the track sounded really fresh, the lyrics were very witty and full of spirit and it clearly embodied Stray Kids’ distinct color. I wanted to hurry and work on the performance and share the song with someone!

Felix: The song is really unique and I believe that we were the only team to make it impactful.

Seungmin: One day, upon arriving at home, 3RACHA immediately played the song for me. The moment I heard it, it felt electrifying, and I really wanted it to be a title track. That’s why I voiced a lot of my opinion, too.

3RACHA (Bang Chan, Changbin and Han), you guys have made a name for yourself and were heavily involved in this second album just like past releases. What was it like with this project?

Bang Chan: Just like any other project that we’ve worked on, we just had fun. We experimented with a lot of different styles and tried our best to widen our musical spectrum.

Changbin: We knew there would be a lot of expectations as this would be a full album, so we really put a lot of effort into the process.

HAN: The process was a lot of fun. We’d ask ourselves, “What should we attempt? What should we try next?” And we looked forward to what we’d come up with while working on this album.

How was it different this time?

Bang Chan: The “let’s just have fun” part hasn’t changed at all, but the biggest difference would be the genres of music and the ways we recorded the songs.

Changbin: Perhaps because our second full album is the first album we’re releasing after [television competition] Kingdom, there was a bit of pressure to meet people’s expectations. When pondering what everyone would be expecting of us, we thought they’d definitely be looking forward to something new in true Stray Kids’ fashion. I think that’s the part that we contemplated a lot.

HAN: I think, compared to before, we had a little more fun while working on this album. There was no time crunch, and we worked with the thought of making music that best fits who we are today, so I think the end result came out really well.

What would you say were the key highlights for the album?

Bang Chan: One thing that I hope people will notice is the improvement of all the members’ recording skills. We put a lot of effort into all the songs.

Changbin: The album includes unit songs in which all of our members took part during the creative process.

HAN: I hope people look forward to Stray Kids’ distinct musical color, our wit and how much we’ve matured.

When you guys came up with NOEASY as the title, how did you define it in your own terms?

Bang Chan: This might sound cheesy, but life itself is pretty “no easy." Everyone goes through obstacles, everyone has their own downs and lows, but I feel like it depends on how “noisy” you’re going to be to overcome those hardships.

HAN: NOEASY is trying to convey that things may be hard, but we’re going to break through that difficulty with our sound! I think the best way to explain it is that even if things are tough, as long as we have the sound of Stray Kids and the sound of STAY, we can overcome anything.

You spoiled your fans with so much pre-release content, which would you say were your favorites and why?

Lee Know: The SKZOO teaser was the most memorable. I would say the cuteness amidst the power was the key point.

Hyunjin: The trailer video was a little embarrassing to film, but after seeing it all come together, it looked so cool that I hope we get to do it again next time!

Seungmin: We worked on unit songs that were included on this album, and the Song Camp teaser videos that showed the creative process behind those unit songs were really good! I think our STAY really enjoyed them, so I hope we can do that type of content again.

About the SKZOO version of the “Thunderous” video: Whose idea was it?

Felix: As we prepared for our comeback, we wanted to impress and entertain our fans with something fun and unique, so we all came to one conclusion which was wearing our costumes for “Thunderous."

Your music has become incredibly encouraging and has touched many STAY around the world. What would you say is your ultimate message as Stray Kids?

Bang Chan: At one point in their lives, people will have a moment where they feel astray from the road that they’ve chosen, and I would like those people to know that they’re not the only ones that feel that way. So, whenever you need someone to keep you company, just know that Stray Kids are here to get you back on track.

You guys pretty much owned 2020 with hit after hit, including “God’s Menu” and “Back Door." How has it been working and releasing music in the midst of the pandemic?

Changbin: There was a lot more time being spent at home, but I didn’t want to waste that time, and instead used it to consistently work on new music. I hope people listen to our songs and gain strength during this challenging time.

Seungmin: To be honest, I was really bummed we couldn’t get to meet our STAY in person, but I think we promoted our album hoping that STAY could feel our love through videos, our music and their hearts even from afar. I’m grateful because I think our sincerity was relayed despite not being able to see each other in person. We spent our time working really hard even in the unseen!

When the pandemic is over and everything’s okay, what’s the first thing you want to do?

Bang Chan: World tour, first priority!

Lee Know: The very first thing I want to do is have a fan meeting with STAY.

Changbin: Definitely an in-person concert.

Hyunjin: I want to go on a world tour to hurry and meet our STAY all over the world and experience new cultures in different countries! I also want to perform for our STAY in-person at Korean music shows.

HAN: A concert! I want to hurry and have a concert so we can vibe with STAY and sing together in the same place. I miss this so much and can’t wait until we can do this again.

Felix: World tour!

Seungmin: I would say the first that comes to mind is a concert with STAY where we can finally greet them and have fun together!

I.N: I want to do a world tour.

Congratulations on your third anniversary! Do you guys have any wishes, individually or as a group?

Bang Chan: Individually, I just wish for everyone to be safe and happy. As a team, I wish that we can reach places that haven’t been reached before with the help from STAY.

Lee Know: I really want to be able to let STAY experience our performances visually and physically in real life as soon as possible.

Changbin: I want to make music and perform as Stray Kids for a long time.

Hyunjin: I’m sad that we can’t right now, but I would really like for this time of coronavirus to pass so we’re able to make many more memories with STAY. I really miss the fan meetings, concerts and world tours.

HAN: I want to mature more and continue growing in my music and just as a person. I would like to make even better music so that I can continue to touch STAY’s hearts and give them joy.

Felix: Individually, I hope to make a lot of memories and give a lot of hope and happiness to the STAY all around the world to the best of my ability. As a team, we really want to go on a world tour to meet our STAY as soon as possible.

Seungmin: I want to show our fans an even more improved version of ourselves. My wish is to show STAY that we’ll never go backwards!

I.N: I would like to continue improving and be described as an artist of consistent growth. I want to become an artist that’s a good influence on people.

What’s something you would like people to know about SKZ if they haven’t given them a chance yet?

Lee Know: We’ve got backbone. Once you fall for us, it’s hard to get out.

Hyunjin: I hope that after listening to our diverse music and watching our extravagant performances, people will notice us a little more.

Anything else you’d like to say? Speak now or forever hold your peace!

HAN: STAY, thank you for always giving us positive energy. We feel bad because it seems like we’re always just on the receiving end, but we’ll work hard to reciprocate what you’ve given to us! We’re always so thankful for you, and we miss you so much. We love you, and please continue to watch over us.

[bamfdaddio]

X-Men Abridged: 1981

The X-Men, those back-to-the-future mutants that have sworn to protect a world that hates and fears them, are a cultural juggernaut with a long, tangled history. Want to unravel this tapestry? Then read the Abridged X-Men!

(Uncanny X-Men 141 - 152) - by Chris Claremont and John Byrne, Brent Anderson, Dave Cockrum, Jim Sherman, Bob McLeod and Josef Rubinstein

While I also committed various fashion atrocities at the age of 14 (tye-die and fauxhawks, oh my), even Liberace would find Kitty’s outfits too much. (Uncanny X-Men 149; Uncanny X-Men Annual ‘81)

We dial back from the v. epic scope of the last few arcs. Instead, 1981 is just a lot of fun! We get:

Storm and Emma doing a Freaky Friday!

the X-Men vs. Magneto (again!)

A surprisingly effective Alien rip-off

An dystopian future! (OoOoOoOo)

Last year was the year of the Dark Phoenix, this is the year of Kitty Pryde. That’s not to say Jean’s death is swept under the rug: all throughout, we see her friends mourning her loss or remembering her fondly. (Scott even gets to have a demonic adventure about it.) But in general, Claremont puts Kitty in the forefront, fleshing out his YA-addition to the team. And what would a YA heroine be without a grim dystopia? Roll out the iconic Days of Future Past!

To be fair, 2013 was a dark time for all of us: What Does the Fox Say somehow got to the top of the charts and I was still watching Glee. (Uncanny X-Men 141)

How cool would it have been to see a name like Jonothon Starsmore or Eva Bell on those tombstones?

Anyway, that’s Kate. Kate’s had it rough. Mutants are at the bottom of the foodchain, most X-Men are dead and only a small cadre of resistance fighters remain, Sentinels dominate, and while she is married to Piotr, her children have been murdered. Bleak. Luckily, the rebellion has concocted the plan to shunt Kate’s spirit back in time to prevent this awful future from happening. (You’ve seen Days of Future Past, the last passably good X-Men film, you know what’s up.)

Let’s do the time warp again! 1981!Kitty’s mind gets taken over by 2013!Kitty, who promptly tries to convince the X-Men that a new Brotherhood of v. Evil Mutants will try to kill Senator Kelly, a presidential candidate who tries to put the mutant menace on the agenda. (Mutants tend to blow stuff up when he’s around.) Since the X-Men recently took a literal trip to Dante’s Infero and also befriended a cosmic world-ending entity, they basically shrug and go: “Yeah, this checks out.”

Off to Washington they go (zoommm) and there, they happen upon the Baddest Bitches in Herstory:

“How dare you hate mutants, senator Kelly! We’ll fix that by killing you!” (Uncanny X-Men 141)

This All-New, All-Different Brotherhood consists out of:

Destiny, a blind woman who can see the future. Definitely the eeriest member of this group. Badass lesbian, though that won´t be canon for years.

Avalanche. Greek who makes things shake. Is a long-standing member of the X-Men Rogue’s gallery, but rarely features in the spotlight. I think he got more characterization in four years of X-Men Evolution than he ever did in the comics.

Mystique. Shapeshifter. Ruthless and unhinged, the Cersei Lannister of the X-Men universe. Absolute legend, secretly the wife of Destiny, currently not as unhinged as she’ll be later. Immediately implied to be related to Nightcrawler: it’s the yellow-eyes-blue-skin-combo.

Pyro. Can manipulate fire, not create it. Absolute pillock, in all the best ways of the word. Originally intended as gay, but they decided to make him Australian instead. (?!)

Blob. Big, strong, immovable. We’ve seen him before.

One of the details in this fight I enjoy is that Storm is still struggling with her leadership, although she has a better grip on things than Cyclops:

Wolverine then proceeds to use those iconic but deadly claws about twice per issue for the next, oh, forty years. (Uncanny X-Men 142)

While the X-Men fight the Brotherhood in the present, we cut back and forth to the future. There, the X-Men consist out of some familiar faces - Storm, Colossus, Wolverine - and some surprises: Magneto (in a wheelchair), Franklin Richards (son of) and an unfamiliar ginger girl called Rachel. (She’ll be important later.) We even learn (one of) Magneto’s names: this is the first time he’s canonically called Magnus.

One of the strengths of Days of Future Past lies in its brevity, the way it tantalizingly taunts us with a brutal but familiar future without giving away too much. It’s single-handedly responsible for all those dark future timelines the X-lines are so fond of which will eventually culminate in time-displaced grandsons from alternative dimensions and the impossibility of a succinct answer to the question: “Who’s Cable?” Too much of a good thing and all that.

Still, what Days of Future Past does so successfully is:

Put the idea of the mutant menace back at the forefront, hammering home the metaphor of mutants being a minority. Mutants being put in camps and being forbidden to breed should - regretfully - make us think of all too many real life equivalents. (Specifically, all of the imagery harkens back to the Holocaust.)

It starkly shows what happens should the X-Men lose, reminding everyone of the stakes. The X-Men are here for a reason: bridging the gap between mutants and humankind. If they fuck up, we end up with mutant concentration camps.

It helps that the X-Men in the future almost all die horribly: Franklin is incinerated, Storm is impaled… It's brutal stuff. The only one to survive is Rachel, who wonders if their plan actually changed the future or if they created an alternative timeline. (It did the latter, sorry ‘bout it, Rachel.)

In the present, Kate chases after Destiny, who trains a gun on senator Kelly. I always wondered how this works: if Destiny saw the future, she knew that killing Kelly would trigger a terrifying future. What in the current Marvel timeline made her decide that the Days of Future Past was better? Did she see her own death? Did she see the Onslaught-crossover coming? The Chuck Austen run? What was it?

In any case, time-anomalous Kate stops Destiny from killing Kelly and the future is safe! For now. Kate disappears, Kitty returns to her body and some of the Brotherhood are apprehended. All is well, for now.

After being a key figure in DoFP, Kitty is also the main character in the Christmas special, which is basically a straight up horror and a pastiche of the Alien-movie.

Seriously, John Byrne still isn’t sure why he wasn’t sued by Ridley Scott for this. (Uncanny X-Men 143)

If you love Kitty Pryde? Read this issue. If you’re not convinced you like 80’s Kitty? Read this issue. It’s not continuity relevant and it’s basically Kitty playing the part of a Final Girl in a horror where she’s being chased by a demon, but it’s so good. It showcases all her strengths and her foibles. Kitty’s intelligent, cute (sometimes preciously so) and brave, but she’s also young, self-conscious and hot-headed. And it's not as if the other X-Men automatically adore her: Storm berates her all the time, she’s afraid of Kurt because of the way he looks (though she grows out of that) and she fights with Professor Xavier a lot. Moreover, she has a clever power-set for a young superhero who faces menaces on a daily basis: a thirteen year old who can go intangible is far less likely to have reality ensue on her and be dramatically offed because she's better at protecting herself.

I’m sure there are people who thought Sprite was hogging the spotlight, but I, for one, say she brings more to the table than, say, Angel. She’s not the Dawn Summers of this franchise.

Scott also gets a side quest. Poor guy can’t catch a break: first the love of his life dies, so he quits the X-Men, then he realizes he can’t do much else than be a superhero. He becomes a sailor on the ship of spunky captain Lee Forrester, is drawn into the sadistic plans of a demon unironically named D’Spayre and then shipwrecks in Bermuda with Lee.

The X-Men, meanwhile, are tormented by a team-up of Doom (who’s currently Latverialess and working on a comeback) and Arcade, that annoying crony. Locke, Arcade’s dom, has kidnapped the loved ones of the X-Men (Moira MacTaggart, Jean Grey’s parents, Illyana Rasputin and Amanda Sefton) in order to blackmail them into getting Doom to free Arcade. Apparently, Arcade accidentally insulted Doom and DOOM DOES NOT FORGIVE THAT FOLLY.

While the B-Squad (Polaris, Havok, Banshee and Iceman) goes to save Arcade’s hostages, the X-Men sneak into Doom’s castle. Well, except for Storm, who doesn’t give a single fuck and simply flies up to Doom, demanding an audience. Doom likes the cut of her jib and invites her to have dinner. (This is pre-Tinder, so this is a legit way of scoring a date.)

If Storm has a flaw (I said if!), it’s got to be her atrocious taste in men. (Uncanny X-Men 145)

The X-Men find Arcade’s cell empty, while Arcade casually saunters up to Storm and says hi. Storm realizes too late that this is a trap: while the X-Men are all trapped in Saw-like traps, Storm is encased in ‘living chrome’.

If you remember she’s claustrophobic, you know why this is a bad move.

While the X-Men free themselves from their traps - Polaris hilariously has to deal with a murderous merry-go-round - Storm is slowly driven mad in her prison, triggering a worldwide tempest. (She causes Lee and Scott to shipwreck.) Under the threat of Wolverine’s claws, Doom releases Storm - or rather, unleashes her.

“Instead of a Dark Lord, you would have a queen, not dark but beautiful and terrible as the dawn! Tempestuous as the sea, and stronger than the foundations of the earth! All shall love me and despair!” (Uncanny X-Men 147)

The memory of Jean brings Ororo back to herself and she starts undoing the superstorm she created. (If only climate change were reversed that easily.) Their confrontation ends by Storm easily forgiving Doom, because she apparently trespassed on his grounds without adequate cause.

Mkay.

All of Arcade’s hostages return to their homesteads, except for Illyana Rasputin, Piotr’s sister: she’s staying at the mansion for a while. Angel, who’s sort of been a part of the team since the Phoenix thing, has had it with Wolverine and his ‘tude, and decides to quit the X-Men : he doesn’t want to be a part of an outfit that has a killer like Wolverine on it. (Or maybe he’s just mad Claremont didn’t give him any storylines: his presence has been mostly pointless.) It’s too bad he left before Kitty started experimenting with her outfits: I bet he would have loved her ugly-ass costumes.

Equally inconsequential is the introduction of a brand new character, who then proceeds to disappear from the narrative for the rest of the year:

Black Tom has tried to kill you at least twice, but him sending you a long-lost daughter doesn’t give you pause? Ugh, Sean, you deserve Moira. (Uncanny X-Men 148)

Intrigued by Theresa? TOO BAD, WON’T SEE HER AGAIN ANYTIME SOON.

Another new character is the lonely, decidedly mutant looking Caliban, who can sense “people like him” and is on the lookout for companions. Like many lonely people who try and grasp at friendship, he decides to overshoot his shot and ruin the night of Storm, Kitty and Jessica Drew at a Dazzler concert. Because he tries to kidnap Kitty, the girls react a trifle aggressively. When they realize their mistake - the eerily pale Caliban is a simpleton rather than a menace - he’s already fled. No mention is made of the Morlocks yet!

There’s also another dull annual where the X-Men team up with the Fantastic Four to save Arkon’s dimension from the Badoon and yaaaaawn. Far more interesting is the landmark issue #150. Slowly, through the adventures of Scott and Lee Forrester, Claremont has been setting things up for the return of a favorite villain. While the X-Men investigate Magneto’s old base in Antarctica on a hunch of Professor X and tangle with Garruk, Scott and Lee survive Storm’s tempest, only to wake up next to a strange island that seems to have been raised from the ocean.

It’s apparently some ancient citadel from a long forgotten civilization with a fondness for squid statues. (I don’t know man, I’ve never been to the Bermuda Triangle, maybe this is just super-accurate.)The tentacles make Lee Forrester feel very amorous, but before Scott can tell her he is way too repressed to just have sex with an attractive someone he’s known intimately for a month or two, Magneto saves his ass by revealing he, in fact, raised this island from the seafloor.

Oh, Magneto. So extra.

My ambitious little mutant demagogue then proceeds to take the entire world hostage, showing how much he’s grown from the pompous, raving madman from the sixties. (Sure, Magneto is still a bit of a madman, but increasingly, he starts being on the right side of history.)

“I’m trying to make Magneto more sympathetic.”

“Just put him on a page with some bigger villains who are less noble, like the Vanisher, Count Nefaria, or…”

“Reagan, Thatcher and Brezhnov?”

“Er.” (Uncanny X-Men 150)

It’s obvious Magneto is being pivoted as a more noble villain, codified into the well-intentioned extremist we know and love today. Not only do we get the first hints at his past, fleshing out his motivations, he’s also not wrong. Humans are historically not great at taking care of the planet or each other.

When the Russians call his bluff and launch nukes at Magneto’s new island, he quickly disarms them. His retribution is swift and ferocious: the entire citadel is a machine that massively amplifies his powers. He sinks the submarine that launched the missiles, condemning the entire crew to death, and he casually erects a vulcano in a Russian city in Siberia.

Damn. Not messing around this time.

Despite his good intentions, Magneto is still definitely in the wrong: not only because of his methods, but as Scott points out: if Magneto unifies the world under his kind of benevolent dictatorship, all of that will simply fall apart as soon as Magnus dies.

In a way, Magneto is just as big a dreamer as Charles is: Charles believes in peace and integration, whereas Magneto believes his iron fist will be enough to make a perfect world happen. Both of them ignore the reality that acceptance is difficult and messy, because you’re trying to change essential human nature: the fear of the other. Magneto believes in big, sweeping gestures that will fix the world in move, while changing the world is also boring, hard work. One step forward, two steps back. Magneto just wants to leapfrog to his ultimate goal.

The X-Men fly over the citadel, returning from Antarctica, and their plane crashes into the ocean. (Magneto does not brook planes over his territory, humans!) The Professor is also nearby, looking for Scott with Moira, Peter Corbeau and Carol Danvers. The X-Men sneak onto the island, but to their horror, their powers are nullified by some machine of Magneto. They reunite with Scott, who formulates a plan to thwart the would-be ruler of the world.

While the rest of the X-Men go to trash the machine, Storm, Kitty and Lee infiltrate the control chamber where Storm finds a sleeping, shirtless Magneto. Once again showing her terrible taste in men, she is not weak in the knees at the sight of a sleeping Magnus: instead, she contemplates killing him.

Storm knows how dangerous he is, but she also knows that he’s a great man who’s fighting for ideals, no matter how misguided. She hesitates too long: Magneto stirs, suspects an attack and tosses her out of the window, to her death.

Magneto quickly undoes the sabotage the other X-Men have wrought to his machine. A fight erupts. Storm, meanwhile, has managed to grab hold of a ledge. She crawls back up and smashes an important-looking computer, restoring everyone’s powers.

The battle turns grim, but Scott sends Kitty away to wreck Magneto’s machinery. She sneaks off, following Scott’s orders and destroying both Magneto's power-up device and all of his plans by phasing though the computer circuitry. Magneto senses this and furiously gives chase. Overcome by rage, he attacks Kitty and disrupts her phasing power with a magnetic bolt, seemingly killing her?

Everything about this story beat is great: mama bear!Ororo, mournful Magnus and even the fact that Kitty’s godawful outfit serves a narrative function: highlighting to us (and Magneto) just how young she is. The fact that Kitty’s Jewish is just icing on the cake. (Uncanny X-Men 150)

And thus, the softening of Magneto commences. 1981 might be a year with wildly varying narratives, but it has given us at least three enduring legacies to the X-Mythos: a new kind of Magneto, a fondness for dystopian futures and the character of Kitty Pryde, who's really come into her own this year.

Ugliest Costume: Kitty! Purposefully, but still. Best costume, by the way, goes to Destiny, with her creepy, creepy golden mask. Just imagine this lady casually strolling across a battlefield, eerily calm and collected, dodging everything you throw at her. Awesome design.

Best new character: I usually pick one character - what good is having a shared award when declaring the best of anything? - but this year, it’s going to one of my favorite couples: Mystique and Destiny. Can’t wait to see more of them.

Most audacious retcon: Blob somehow retroactively becomes a member of the original Brotherhood, which is not what happened. Ever weirder is Xavier pondering that he never met Magneto before his attack in X-Men #1, while their cordially adversarial relationship rooted in a youthful friendship would soon become a cornerstone of the X-Men.

What to read: Uncanny X-Men 141 - 143 and 150 - 152

[kaizokuou-ni-naru]

The Voyage So Far: Water Seven

east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano (1 | 2)

i’ve mentioned several times before that the davy back fight is one of my least favorite arcs, mostly because i found it very dragging and tedious when i was reading it, but there are a couple things i really like in it, and, perhaps unsurprisingly, most of them have to do with zoro. i really like his moment here with chopper, and it also showcases his ability to act as more of an authority figure to the crew, which is something that makes a substantial return after enies lobby with the matter of usopp’s return. 

zoro and sanji’s match in the davy back fight is far and away my favorite part of the entire arc. it’s just really fun.

like i said, this arc isn’t a favorite of mine, but i do definitely understand why it’s important to the saga and greater story in a couple different ways. one of them is that it’s just an easy, lighthearted detour that both gives the audience a chance to breathe and the strawhats a chance to showcase just how much they love each other and work well together- which turns into a fucking sledgehammer to the skull in the next arc when that unity is directly threatened. and the other reason this arc is important...

...is because of aokiji.

aokiji’s introductory scene is a brutal showcase of absolute power, and a very clear reminder that the strawhats are still very much little fish in a very, very big pond. all of the strawhats are impacted by this to some degree- it’s how badly they get curb-stomped here that leads luffy to come up with his gears as a way of closing the huge power gap he’s just learned about.

most important, though, are robin and usopp. for robin, this is a stark reminder of the fact that the government will never stop hunting her down; for usopp, who’s less obvious, it’s the seeds of the full-blown inferiority crisis that will later explode with the news about merry. both of their arcs throughout water 7 and enies lobby, essentially the twin emotional backbones of the saga, start right here.

i really like that the other strawhats all fell asleep waiting for robin and luffy to wake up. it calls back to them doing the same when nami was sick before drum, and also it’s just so fucking sweet. 

water seven is my favorite island, full stop. if i was going to live anywhere in one piece’s world, i’d want to live on water seven. it’s just so creatively designed and visually great, with the canals and the tiered city and the massive fountain in the middle. the supporting cast are still one of my favorites, and the culture feels very real and authentic. i just love water seven a lot.

i just said it but it bears repeating- the water seven supporting cast is really good. iceburg, the galley-la shipwrights, franky and his family, kokoro and chimney are all really memorable, and most of them are really likable, too- and cp9, with all their eccentricities, fit in perfectly. water seven’s cast is very interconnected, as well, and their relationships all feel very believable.

all of which, of course, only makes the later treachery hurt all the more.

the atmosphere of water seven is really, really well done. the bad starts slow, with the news that merry is unfixable, and then continues into an accelerating downwards spiral of hopelessness: usopp and luffy’s fight and usopp leaving the crew, robin’s seeming betrayal, the assassination attempt on iceburg, the city and galley-la turning on them as a result, and the agua laguna- it just gets worse and worse and worse.

and then, after they’ve been stomped down about as far as they can go and come out alive anyways, they pick themselves back up again and go to save their friend, because that’s what the strawhat pirates do.

i just really like getting to see these four going feral on the franky family, it’s one of my favorite scenes in this whole arc. in general, i tend to love the moments where luffy specifically gets properly angry, and we get a lot of them in this arc. 

even though the fight between luffy and usopp is genuinely very tense and  fast-paced and would probably be exciting if it were any other two characters fighting, it never really feels anything other than melancholy. i think that’s a testament to just how good oda is at setting the mood of the scene. it’s made very clear, especially through the reactions of the other characters- merry ‘crying’ is fucking heartbreaking- that this is nothing less than a tragedy. 

:(

i think it’s kind of interesting we aren’t shown franky’s face until about halfway into water seven. prior to this, we’re given pretty much only reasons to hate him, with his theft of the strawhats’ money and the franky family beating usopp to shit. but just after this point is when we start getting our first humanizing and sympathetic moments for him, starting when he gets worried and a little frantic when he hears about the attempt on iceburg’s life.

i just really, really like the way some of these water seven action sequences are depicted. they feel very tense and desperate, which matches the general mood of this part of the arc perfectly.

this panel of usopp working on merry always reminds me of the shots of the klabautermann doing the same during skypiea. i’m not sure if it’s even intentional, honestly, but it’s an extra little bit of heartbreak either way.

one piece has a lot of amazing spreads, but this might be one of my favorites for sheer impact. cp9, watching as the city they’ve lived and worked in for years burns down in a fire they set, satisfied by a job well done. it’s almost all in black and white with very little grey, which creates some fantastic contrast, and their pitch-black silhouettes against the nighttime inferno are just striking. 

this entire scene between usopp and franky, as usopp works on the merry and franky gives him advice and tries to make him see its hopeless and they kind of awkwardly, accidentally bond, is probably my favorite in the whole of water seven. it was also the scene that singlehandedly made me love franky as a character.

they have a really good, really enjoyable dynamic, and at the same time the conflict between them is real and understandable, and brought about because they’re both trying to do the right thing.

tom’s workers are one of my favorite little groups of characters in the whole of one piece’s story, and they deserve more appreciation. they’re family!! a little family of broken pieces who worked together to build something really, really amazing. and they still care about each other in the present, even though they got shattered apart so badly and none of them ever really recovered. 

this is a tremendously under-appreciated chopper moment. not only did he carry two full-grown men out of a fire, he even managed to get zoro’s sword and iceburg’s hamster. extremely cool of him.

this is also the exact moment the strawhats’ collective luck begins to turn: chopper saves the day, and nami learns that robin did what she did to protect them, and sanji gets aboard the sea train, and from there it’s a no-brakes train from their very lowest low straight to the triumph at enies lobby.

i love all the shenanigans sanji gets up to with the sea train, i think the whole sequence is absolutely one of his shining moments. it’s always a delight to see sanji get up to Sneaky Bastard Bullshit, and the whole thing is just so fun, which is a dearly needed breath of fresh air after how relentless this arc has been until this point.

robin’s little smile when thinking of luffy and when she joined the strawhats... :( i’ve noticed it’s a recurring trend for strawhats who try to leave the crew to flash back to when they joined as they do. usopp has it earlier this same arc just before leaving, and sanji does it in whole cake island in the sanji vs. luffy chapter. 

i really like how much everyone comes together at the end of water seven leading into enies lobby. after how fractured and fraught things have been throughout the arc, both within and without the strawhat crew, it’s great to see them not only all united again for a common goal, but with a huge group of allies at their backs. 

these three are SUCH a hilarious team, and i would love to see them work together again like this sometime. they’re literally just clowning on the marines all the way up the train, it’s fantastic. 

factually i understand sanji’s aversion to fighting with his hands and his fighting style is very unique and cool and also meaningful to him because he learned from zeff, and also if i remember right it’s implied he learned how to swordfight from the vinsmokes which makes it very reasonable he would want absolutely nothing to do with that skillset 

but speaking purely in terms of stupid idiot lizard brain i think sanji should fight with knives more

this is another of my absolute favorite spreads, and i think what makes it for me is the casual confidence- luffy tells zoro to cut the train, and zoro does, both of them with no doubts at all about zoro’s ability to do so. it really goes to show how far they’ve come from back in east blue when zoro couldn’t even cut luffy out of a metal cage.

there’s something very impactful about the fact that of all the strawhats, robin gets this speech from usopp. usopp, who’s had the worst falling-out with luffy in the series to date, is the one who tells robin: you haven’t left the crew yet, you can’t leave the crew yet, luffy is coming to get you. believe in him. 

franky’s “existing is not a crime” line is one of the most memorable and iconic lines from this entire saga, and for good reason. it sums up one of the main themes of not just this arc but also the series as a whole- the very same idea will come up again for ace during marineford, and in law’s backstory as well. it’s never a crime to just exist, and people should not never be persecuted for their blood or heritage. one piece doesn’t fuck around with its theming, it really doesn’t. 

to be continued next time, with enies lobby!

[piduai]

Interview with Noda Satoru from the Golden Kamuy fanbook

sharing anywhere is fine, but please credit me.

Q: Tell me how you feel about passing 6 years of serialization. Noda: I was already serializing at the time of my debut, so I guess I’d be able to give a summary when I’m finished. I don’t really think about how many years it’s been, it’s merely a checkpoint.

Q: What made you decide to become a mangaka? Noda: I feel like I wrote it down as my goal in my yearbook back in middle school. I also wanted to become a movie director, but as a mangaka you can create the entire thing by yourself. 

When Golden Kamuy just took off I was living in a tiny apartment and the postman, a young fellow and a reader of Young Jump, realized that I’m Noda Satoru. The magazine was sending me a lot of things, so it was rather obvious. “Are you the author of Golden Kamuy?”, he asked in a surprised tone while looking around the cramped entryway. I could feel feel his confusion regarding the fact that that vast Hokkaido world of the manga was being created in this modest apartment. Or maybe he just expected me to be making more money and afford a better place. Anyhow, I just thought again about how a manga can be created in even the smallest room in the universe.

Q: Who is your favorite character and why? Noda: As always, it’s Tanigaki. But well, I love all of them. I want to showcase only the best parts of them, and it hurts when I fail. For example I’m very happy that there’s a character who stirs the pot as well as Usami. He’d be Katsuo in the world of Sazae-san.  

Q: Which characters are the easiest to draw, and which ones are the most difficult? Noda: Characters like Shiraishi, Tsukishima and Nagakura, they don’t have a lot of hair and even if they turn out a little ugly their faces are well-defined so it’s easy to draw. In general faces that are strongly distorted and resemble caricatures are easy. Meanwhile Asirpa, Kiroranke and Inkarmat have neat facial structures on top of wearing Ainu clothing, so they are a very high-calorie effort for me. Ogata and Kikuta are difficult too. Their faces are distinctive and I have to make them look cool too, which is wearing me out the most.

Q: Have you decided on all 24 convicts at the very start of the story? Noda: Wouldn’t I sound like a badass if I said that that I have? Anyway. There were the ones that were based off real-life Meiji era criminals, such as Shiraishi, Kumagishi Chouan or the lightning couple, and of course there was Hijikata.

Q: Tell me of a funny thing from the manga that you are fond of. Noda: Gansoku’s “Hah! ☆”. And also when Koito Jr. Was flapping his arms and legs around trying to keep himself in mid-air.

Q: Why did you decide on Otaru as the starting point? Noda: I am from Hokkaido, so I’m familiar with Otaru and Sapporo. Otaru is close to both the mountains and the sea. Sapporo used to be a swampland, it’s wide and flat and there is no sea. Otaru is a place where foreigners come and go, there are many criminals roaming around creating danger, and money is found. There aren’t many big cities in Hokkaido. There were Ainu living in Otaru but sources are scarce, however Nakagawa-sensei, the supervisor over the Ainu language, told me not to worry too much about the difference of location, so I figured it would be best to make it Otaru.

Q: Was there any real life experience you had while growing up in Hokkaido that you turned into a scenario? Noda: When I was about 19 someone I knew told me that there is a locust graveyard on a nearby mountain, which sounded so ridiculous I had to laugh in their face. Turns out it indeed was a heap of locusts and their eggs left after a locust plague, that place was the Teineyamaguchi locust mound (a real historical site). I realized I ended up using this in my story. I owe that person an apology.

Q: Was there any scene that was particularly difficult to draw? Could you elaborate on it? Noda: The time Sugimoto went against Nihei and Tanigaki. It gave me a very hard time. Who goes where and does what, how does Nihei carry Asirpa, stuff like this. I had no time to waste either, I just remember that sequence overall driving me insane. 

There was also the sequence with Wilk, Sofia and Kiroranke being at Hasegawa’s photo studio. It’s really frustrating to draw something that you know will bore the readers, the story flow becomes less exciting too. I was praying for everyone to have a little more patience and keep reading, because the twist was so good.

Q: If you were to take part in the gold hunt, which group would you like to belong to? Noda: It seems that Hijikata’s group doesn’t have funding problems, and because Kadokura is there the atmosphere is relaxed too. I’d go there.

Q: If you were to find all that gold, how would you use it? Noda: No idea. Had a couple when I was younger, though.

Q: Were you planning to eventually transfer the action to Sakhalin from the very beginning of the series? Noda: Asirpa and Kiroranke have roots there, so I anticipated that the story will eventually move to Sakhalin. I also expected to have to travel to Amur river myself, but couldn’t go after all, only went as far as Khabarovsk. 

I was thinking of making Sugimoto eat permafrost mammoth. There was talk of a research team or an ivory excavation team’s dog eating mammoth. However there was no reason to make Sugimoto and Co go as up north as needed for permafrost, so I scrapped the idea.

Q: Tell me something about the hardships you experienced while doing research is Sakhalin. Noda: It was tough, but fun. I was only able to understand the clear differences between Nivkh and Orok people by going there; I couldn't by only looking at records and materials while in Japan. 

Complete unrelated, but I was surprised by how many stray dogs wander around there. One time my cameraman and I ended up being chased by one while looking for a factory and we had to run for it. The beast was big, about the size of a German Shepherd. The guide also warned us about junkies, it was really scary.

I also went to the Japanese military pillbox over 50th parallel north and prayed at a cenotaph deep in the mountains. I met a group of Japanese people in the hotel by the place where it's said you can still find remains of Japanese soldiers and their driver, a Russian, seemed to help with collection of the remains on the regular. He said that he's doing it out of reverence, even as a former enemy. As a Japanese, I felt gratitude. The 7th Division are villains in my story, but I don't have any personal bias against either side.

Q: What were the biggest differences between drawing Hokkaido and Sakhalin? Noda: Well... it's Russia. Even though Sakhalin is so close, it's already Europe. The structure of houses is strikingly different. There's also the differences between Hokkaido Ainu and Sakhalin Ainu, and differences between Orok and Nivkh people. There is no manga that will conveniently lay the differences of those down for you. 

It seems that the Orok and Nivkh's relation with Japan only got more difficult by the beginning of Showa era, there is only one person in the whole of Japan who can supervise on the Orok language. The professors in cultural studies I consult for Golden Kamuy are truly top-level; not only are they tremendously knowledgeable, they also understand how important to me is to stay impartial.

The wildlife, as well. There's a biogeographical boundary between Hokkaido and Sakhalin, observing animals I would never be able to see in Hokkaido was riveting. 

Q: Did Sugimoto really have a hidden plan during the whole stenka business? Noda: No idea. Even if he used it as a pretext to get everyone involved, though... cut him some slack. He's only a man. Sometimes he just wants to fight and win. Not for Ume-chan or Asirpa-san, just for the sake of proving to himself that he's strong.

Q: Your art is dynamic and detailed. I think your style changed quite a bit with time, though. How would you describe yourself as an artist? Noda: I want to preface this by saying that in no way do I think of myself as more skilled than other mangaka, but if you're drawing everyday for more than 10 hours you're going to improve a lot eventually, whether you want it or not. People who are able to keep the same style for years without change are the ones who are impressive, because it means that they achieved the peak of their potential. Ageing and health problems influence your art a lot, you know. I try to draw by observing. I use a lot of references. Drawing by memory alone is not a good thing.

Speaking of other artists, I once had one of the assistants I had working for me for years draw me a door knob from memory, and the result was a truncated cone resembling pre-packaged pudding. The actual shape of a door knob has an intricately angular circular shape. It's the result of being unobservant in everyday life. Good art requires constant observation.

Q: What was the foundation for your style? Is there an artist you were influenced or inspired by? Noda: Araki Hirohiko-sensei, for sure. During my time as an assistant, many authors told me to not even try to be original when it comes to battle abilities, it's already been done in JoJo, it has it all. He's kind of the Beatles of this industry, isn't he? 

By the way, I usually have no intention of parodying JoJo in Golden Kamuy, but my friends will tell me that they identified this or that reference from time to time. I read Part 1 about 30 years ago but I was obsessed, so maybe some things were just left in my subconscious. I only did one obvious parody, during the stenka fight. Funnily enough that trope started in Fist of the North Star, though, not JoJo.

Q: What's one thing that gives you the most motivation to write? Noda: Fan letters. I know how straining it is to write long and neat sentences by hand, and am thankful for them. I'm happy that people go that far to share their thoughts about my work with me. I'm really grateful to the people who keep reading and supporting Golden Kamuy.

Q: Did you have an interest in Ainu culture before starting the series? Noda: I did not. I'll be glad if my work makes people interested in the Ainu. Prejudice is born out of ignorance, so if you want to learn about the Ainu, don't limit yourself to Hokkaido only; there are museums all around Japan, and they have knowledgeable curators. It's important to remember to take into account the time period and the occupation of the person on which the research materials are based when you're trying to learn about the subject.

Q: You showed us a lot of aspects of life during Meiji and Taisho eras. Tell us about what surprised or impressed you in the process of research. Noda: It's not that I was particularly knowledgeable, so having to check every single thing was quite exhausting. The Ainu, the military, katanas - all of these needed research on my part. 

There are more regulations and rules set for things out there than one could assume, and mangaka who base their works on real life need to be especially careful about this. You have to take into account things like the size of the buttons on a military uniform, how a tea cup is held, and and how different people talk in different ways. For movies there's staff working on costumes and props, there's the cast, there are screenwriters, but in a manga you are the one responsible for every single detail. I wish I had a time machine and travel back to those eras. There are things I couldn't get right here and there that I keep having regrets about.

Q: Golden Kamuy was the main visual in the British Museum manga exhibition between May and August in 2019. I know you went there in person. How was it? Noda: The trip felt like a reward for all of my efforts. The exhibition is jam-packed by opening time, but I got special treatment and they let me inside early in the morning so I could walk around the vast British Museum in solitude. I also travelled between Jack the Ripper's crime scenes at night by taxi.

The driver in a taxi I caught by chance was wonderful, she looked up photos of the crime scenes and surroundings taken at the time of investigation on her smartphone and showed them to me one by one, saying things like "the third victim was found here!". 

I've always had a soft spot for Jack the Ripper, back in middle school I even wrote a screenplay for a school festival stage and played him in it myself. It was done in very poor taste, like that one scene in the Addams Family movie where there are arms blown away and fountains of blood gushing out. The audience loved it. 

Q: Please leave a message for the readers. Or maybe some advice for the troubled youth. Noda: I want people to say that everyone in Golden Kamuy had a satisfying ending, and I want that for everyone involved more than anything. As for advice for the troubled youth, there's none. Life is survival of the fittest. The weak ones get eaten.

[ichika27]

Mairimashita! Iruma-kun s2 ep7

Still continuing on the quest to get the Royal One classroom, Iruma and his classmates try their best to get everyone to sign letters of approval. It was entertaining, not gonna lie.

Robin-sensei doesn’t even have to be convinced. He wants to teach at the Royal One classroom so he’d benefit from giving the kids his approval. Not everyone is like him though especially since many of the teachers are also scared of Kalego-sensei.

The class, led by Iruma, thought the best way to go about this is to give the teachers a reason to sign. On their first try they had Jazz steal Kalego-sensei’s diary to bribe the teacher who’s into Kalego himself. It worked. This also showed off Jazz’s abilities and how he uses them to pickpocket.

Next, Allocer convinces the teacher to sign in exchange for intellectual discussions.

On the other hand, Kamui also has a teacher sign in exchange for a different type of discussion. One involving “culture”, if you know what I mean.

Gaap and Agares team up to help with gardening and it proved very successful cause the teacher not only gave her own stamp but she had gotten some teachers she works with to give their own stamps as well.

The ones above are some of the easiest. The rest of the teachers they have to have plans. Asmodeus exchanges his assistance to another student in return for information on the teachers. The student was part of the Battler Azz was temporarily in and was confused cause Azz didn’t want to help them before (by using fire magic) so why now? Cause Iruma. It’s always Iruma with Azz.

By far the easiest out of all the stamps they had to get. Grandpa will always be happy to help!

Iruma is still in his Wicked Phase though and it’s still something significant so of course, grandpa asks Iruma if he could take a photo to commemorate this occasion.

Iruma responds by getting all of them in a selfie surprising both gramps and Opera. He's one of those rebellious kids who still loves their family here. It’s so cute!

Next part of the plan is Iruma getting the support of the Student Council (by that, I meant Ameri). If they could get a letter from the student council, they could persuade even some of the teachers who were against it before.

He got Ameri to sign, of course! I didn’t take a screenshot of it but it’s an Iruma x Ameri moment and if you ship that you should totally watch it.

Lied, with Elizabetta as support, is battling against a teacher for his stamp. The game is Anjalaka which Clara created herself. It’s a pretty confusing and chaotic game which is not surprising considering who made it.

Lied’s ability is to steal someone’s senses for a certain period of time. And here I was wondering how his games got people hospitalized like Kalego-sensei said. I now know.

Sabnock has to talk to the same teacher he fought and injured on the first day of school (as seen way back at the start of season 1). The teacher is still obviously pissed at this and was ready for Sabnock if the kid wanted another fight.

In a surprising turn of events, Sabnock instead apologizes for his terrible behavior and what he’s done back then (cause he learned a very valuable lesson from Iruma, also back in season 1). He’s realized he was wrong and wants to at least apologize even if he doesn’t get forgiven. The teacher was shocked by this and is happy Sabnock is growing to be a better person and gave his sign of approval to support them.

On the 3rd day they finally got almost all of the signatures they needed. Only one teacher left and it’s going to be the most difficult one. How would they be able to get the guy to sign? I don’t know but I’m excited to find out!

---

Some stuff I’d like to say about this episode:

The stuff they did to get the teachers’ stamps felt like I was watching a video game moment. You know those little side quest you have to do collect certain items in games or complete tasks? Yeah, it’s like this. It felt like watching everyone do a minigame. I like rpg games so that was entertaining to watch. If this were a game, this arc would be an entire section of plot-related mini games.

It’s fun to see how the class used their special abilities to get the stamps. For some of them (like Jazz, Kamui, and Lied) they used the very same abilities that got them admitted in the Abnormal Class in the first place. They caused problems using those abilities but instead of hiding those in order to get the teacher’s to approve of them, Iruma had those used to their advantage instead. I thought that was pretty cool. He did tell Ameri that he thinks their class is better than what everyone perceives them to be and that they just needed a chance. Iruma wasn’t lying about that.

Also, Iruma is their leader, obviously and it was surprising how everyone was cool with it and didn’t question it at all. No one complained about him giving orders. They had doubts about this all succeeding, yeah, but they had no complaints and they followed Iruma anyways.

Something I wasn’t able to mention earlier in this post but Kerori offered to use her idol persona to try and convince the teachers to sign but Iruma knew she’d like to keep her other persona a secret and told her she didn’t have to. She offered at the time they still had more letters needed signing but Iruma isn’t desperate enough to have a classmate put herself on the spotlight in ways she wouldn’t want to. Kerori seem to appreciate that very much. I like how close they became after the idol incident in the first season. They’re talking normally and she can bring up the idol thing to him without worry.

I wonder if Clara’s Anjalaka could ever be made into a real game at least, in fiction. Like I said before, if this was a video game, that would be a plot-related mini game and it seems so complicated and time-consuming (it has 1k+ pieces) that I’m not sure if anyone could pull it off.

I like this arc. It’s not as “epic” as the hype made it feel like it’s gonna be but it’s really fun to see what they’d do. The other students of the Abnormal Class is given the spotlight making them more than just Iruma’s classmates. It’s also not just them, some of the teachers were showcased, too with their personality, abilities, or both!

Next episode they’re finally dealing with Kalego-sensei! I also wasn’t able to mention this earlier but to distract him in order to steal his diary, Iruma lies to Kalego and tells him that Iruma plans on turning him into his familiar form and asking him to sign using their familiar bond which pissed off Kalego. That and Iruma calling him Eggie-sensei (like Clara does) lol.

Thanks for reading! Hope that wasn’t a bad waste of time.

[therovingstar]

Malaguld Meta - Tribe Color Redux

Even when I’m playing an entirely different game series, these dang lizards won’t let up on my mind. Anywho, here we are with another piece of headcanon meta, though technically this one’s just an alteration to some previous lore I created about the Malaguld tribe, more specifically their representative color. I originally made it Bone White (which is really a shade of yellow), but I think I might switch it to Snow or even Pure White (which are genuinely white lol), with a catch. Every outfit boasts colorful embroidery and designs that serve a dual purpose of both looking pretty as well as advertising the tribes the Malaguld are on good terms with and/or willing to assist; being healers whose livelihood is largely dependent upon their providing their medicinal goods and services across tribal lines, knowing who they’re friendly with is a major facet of their day-to-day function, and embroidery became an easy way to showcase it.

The Malaguld update their designs regularly to match current social and political climates; for example, if they are in poor standing with the Oronir, you’ll see no use of Honey Yellow-dyed thread on their clothing, as it’s the Oronir’s tribe color (at least according to the data on Gamer Escape). At the height of the war for the Dawn Throne a decade before, when a 20-year-old Odzaya first took part in the Naadam, the Malaguld’s robes boasted very few accent colors from other tribes, as the Steppe had become so fraught with conflict, very few tribes were safe to interact with, even for the simple purpose of lending medicinal aid. This state of their dress remained until Odzaya returned in Stormblood and, this time, finally succeeded in earning the title of khagun, subsequently bringing about a period of peace and cooperation, after which renewed allyships saw the Malaguld’s robes eventually bursting with color once more.

Apart from political affiliations, however, the Malaguld use colorful embroidery for other purposes, as well, such as:

- Religious/cultural symbolism. Warm colors to represent Azim, cool colors to represent Nhaama. Foreigners who join the tribe may embroider their robes with the colors and symbols of their home nations and reminders of their native lands.

- Individual expression! Apart from the agreed-upon official design, many tribe members add extra pizzazz for the fun of it. You’ll see robes embroidered with depictions of flora and fauna, heavenly bodies, weaponry, or something entirely original.

As a result of everything that can and does go on these robes, the fact that they’re essentially white hardly makes them boring. As a matter of fact, between their robes and this post in which I spoke about their herb-stained hands and scales, a major facet of the Malaguld’s reputation on the Steppe is how “colorful” a people they are, not just due to their unorthodox culture (willingness to render services across tribal borders, acceptance of foreigners into their ranks), but how literally colorful they are. An old adage of the Steppe states that one can determine the state of the land by finding a Malaguld and examining their robes. The fewer colors one sees, the worse things generally are; if they resemble the “ghosts” they’re sometimes referred to as, meaning their robes are almost entirely white, it’s a deeply ominous sign. “Soon, more ghosts will inhabit the land than people,” you’ll hear, meaning either political upheaval or outright war is coming, the surrounding land itself is low on bounty (meaning an inability to access the resources they need for medicine and dyes), or both. On the other hand, more colors mean good times! If a Malaguld’s embroidery looks like a veritable rainbow, the land’s resources are abundant and peace is, at least for the moment, more or less reigning supreme.

Since we’re still technically dealing with the same color, all the previous meta explaining why the Malaguld wear white still holds. Just thought this was a cool idea, and went from there. It probably also goes a good way to explaining why Odzaya’s wardrobe tends to trend toward the colorful side.

[cloveroctobers]

• TALIA NASCIMENTO•

IG info/bio: @/callmetalia333 | 524k followers | Journalist | TALIA. but u may have formerly known me as user: brdf0rdsvasquiff—rip!!!1! so don’t even think about it 😌

(23) 25 going on (26) years of age

I’ve read a canon that her name is just Talia and not short for anything & I agree with that + she’s always quick to correct someone if they get it wrong too

Her hometown is Watford, England

but she was originally born in Maidenhead in the backseat of a car during a severe rainstorm

Nonetheless watford taught her all she needed to know when it came to music

She found her first love when she heard the sound of music soundtrack for the v first time as a young girl but is often nervous to admit that?

her father is Brazilian and is a firefighter

her mother is Bulgarian and works as a secretary in a elementary school

her mother is more traditional than her father when it comes to their cultures

I originally felt like she gave only child vibes but I can deff see her giving off big sis energy since she did mention she has a younger brother

V protective over her little brother

there’s a three year age difference

her parents have separated multiple times before which caused a riff in the family dynamic

The constant coming and going from her dad became quite irritating

And Talia was the most vocal by wanting them to figure it out and NOT get a divorce

Which led to talia’s commitment issues when it came to relationships herself

was born with blue eyes yet they shifted to brown once she grew

“Tom-boy” growing up & still is

netball was her sport and man was it something to see her play?! She was quick on her feet and can definitely shoot far-range with ease

Always down for contact sports too

She lost count how many bruises and scrapes she would come home with much to her mother’s horror but she would always brush it off—it was never that big of a deal to her

yet she takes time in healing her scars with homemade treatments or purchases from beauty stores when she wants to show her legs off

she didn’t get into “girly” wear until recently, she never thought too much of her body or when she started to get curves...she always hid that behind big tee’s, fitted jeans, and kicks—that’s what she was used to

she’s got broad shoulders and toned arms

had thick bushy brows that almost formed a uni brow growing up

her mother used to have her hair always plaited since she is very superstitious, believing that “the devil lives in the woman’s hair”

yet talia’s hair texture was much different than her mother’s, maybe due to the fact that her mother always had her hair up and out of the way? Talia’s hair is much bigger, heavier, and naturally curly

+ her mother used to say some harsh things in Bulgarian about her hair — that says a lot when you’re taught to hate your hair trust!!!

when she got a little older and able to manage her own hair + afford it, She learned how to love it herself and that’s all that mattered. Her hair became v important to her, it was her source of comfort

that’s the only thing she’s high maintenance about tbh

she spends a lot of money on her hair but devacurl can still piss off

diffusing is one of her fav things to do to her hair—besides washing it, and deep conditioning, after a night of letting her hair air-dry

loves rose jam

has a embroidery machine, along with a collection of her work but only one piece is showcased in her flat. She didn’t want her place to look completely like her bába’s (Bulgarian: grandmother)

her closet is filled with many Havaianas, they’re all piled up in a wicker basket and ready to tumble over on her top shelf... if she moves one of the ceramic pots her mother left in her flat for luck, that whole shelf might come crashing down

Swears drinking guaraná the next morning cures any hangover you may have

commonly sleeps in big t-shirts and panties or not or booty shorts depending on her time of the month—it’s freeing to her

Has torn her achilles due to whatever contact sport she decided to join in on during a beach vacation with her mates

has a touch of arthritis in her shoulder

this is where her love for massages came from due to injuries she’s faced

+ It’s always a good sign when you can make someone else feel better ya know?

She’s been told she’s great with her hands ;) it all takes practice

bi mami *cringe* but she likes what she likes, and feels what she feels

she kinda has a type but doesn’t want to admit that

her mother doesn’t understand this but her father easily accepted her preference/orientation

her little brother was the first she came out to, “alright!...you still suck”

always wants to fix situations WHEN it comes to HER friends but is oblivious when it’s come to her own issues whether its in relationships/friendships +

was called out by one of her friends who she often argues/butts heads with from time to time “you’re always sticking your nose in people’s business but can’t solve your own shit!”

maybe it’s the journalist in her? she’s not afraid to ask questions or look at things from a outside perspective

her group of friends are all from different ethnic backgrounds to Indian to Ethiopian

has been in and out of relationships...maybe had one stable relationship? Outside of mc but that relationship failed after a year and she feels it has something to do with her parents and how she watched their relationship unfold but won’t openly admit that

Doesn’t like to argue in relationships and often is a little undermining with how she responses to her partner’s feelings...she’s trying to be better at being understanding and listening, her mother is like this with her father

Aquarius girl + Scorpio moon + Taurus rising

loves the water + watching water sports rather than playing them since she almost drowned once by letting her confidence get the best of her

used to be a directioner and isn’t ashamed to admit that!

take me home album stan 100% bitch there’s no point in arguing!!! Buh bye!!!

She is ashamed however to admit that she used to write for them, mostly ziam fics with a touch of Harry thrown in the mix as well...take that how u will

has a few merch pieces as well, they’re mostly loungewear + that powdery perfume they dropped. YES she still has it, no she won’t sell it to u

still supports them on the low since you know, she’s a music journalist and reviewing songs is what she makes a living for so why the hell not? They will always hold a special place in her heart. She grew with those boys

she’s not in denial like Hannah that they’re get back together

If someone wants her to film a reaction vid to zayn’s new album or release a written review? She WILL. Her top 3? 1. When loves around ft Syd 2. Outside 3. Unfuckwitable

If someone wants to hear her thoughts on Harry’s mv’s + breaking down his lyrics, she’ll tell you what you NEED to know whether U agree or not she don’t give a damn lol

Can throw hands and stomp a bitch out if she needs too. Has gotten kicked out of clubs/bars for defending her friends mainly not because someone chatted shit to her, that’s whatever but once you cross her friends? It’s on

Allegra got lucky 🦶🏼☕️ and Lucy

remained super close with jake and tim as expected...Rohan’s cool too ofc! but she’s not here for their rapping shit sorry. She’ll hit them both with a quick side eye and snarl if they start or if jake wants to recite some poetry. She’s outta here

Talia hardly had issues making friends easily with the boys it was always harder with the girls :/

they hang out all the time!

she actually became close with sammi as well, which was nice to have another girl friend around even tho they weren’t together in the house long like the others. She’s spontaneous, cute, resourceful, and kind so talia had no issue reaching out to her first to see what she was about outside of the show

don’t even ask her about what she thinks of the new seasons, she’s not here to chat shit and have her words twisted like she’s watched many of the cast deal with. If you want to talk about the over kill use of pop as the soundtrack for each season, then yeah she’ll talk to you about that

doesn’t use social media much, she finds it funny how whenever she does pop back in people are begging her to post SOMETHING so that they know that she’s alive

Pretty private

she also can’t grasp why they want her to do the bussit challenge? Lmao like hey don’t get her wrong, some of them were pretty great but she’s barely got a bum to bounce and little booties matter ofc!!! but she can’t see herself doing it unless she’s drunk off her arse!!!

maybe mc can convince her...for the fans duh!!! “Give the ppl what they want! Talia! It’s not like you won’t be around music!” “I’ll think about it...nah.”

she’s been busier since the show, able to tour more and WRITE which is what she loves to do

Her secret pleasure is watching those nurse shows and firefighting shows in her free time and those singing shows you already know that’s a given

Wanted to be some form of a nurse growing up but knew she could help people in another way

*inserts* “music Is The best Medicine” overused but true quote here!!

I feel like she’s a r&b lover

listens to those hour long rain sounds on YouTube to help herself fall asleep

she‘s not the best cook but she’s a foodie and she’s down to try new food always

occasionally her and Tim are jake’s Guinea pigs when he’s whipping something up for his menu 

and hates eating the same things all the time unless it’s breakfast! There’s not too much more you can do with that

that’s also her specialty, making breakfast for u in bed

Morning afters with her are intimate but humorous. She’ll poke fun if you’re both looking crazy, always joking and in the best mood whether things got physical or not she’s just happy to have you here 🥲

I think her love language is quality time

if you’re playing her route and Lucy is the ex, and you’ve decided to fully commit to each other I deff see Lucy still trying to pull some shit outside of the show just because she feels like she can but once Talia see’s that it’s really starting to get to you despite how much you try to brush it off or snap at Lucy or even Talia!!! Talia is on Lucy’s ass in seconds! She doesn’t need a ex to ruin her possible future , “you’re not gonna fuck up this good thing I’ve got just cause you’re flimsy at relationships babe, so go be a cunt somewhere else or you’ll be sorry. I promise.”

anthem: Snow Tha Product — Shut up