#I may be using this in real life

[that-dumb-blond]

Wow this is… helpful? I didn’t know carter and pryce could do that?

Survival Tip No.196

Characteristics of a good order include clarity, specificity, brevity, and loopholes. You never know how improvisation can impact a scene.

[rystiel]

idk what we’re all calling the concept of fiddlestan working together but i’m calling my version the portal partners AU 🙏🏼

[beneathsilverstars]

i'm three layers of headcanon deep here but mirabelle would vibe w ka buan philosophies so much it’s so tragic

(vaugardian therapist voice) so you’re saying you love change and you want to be able to change in certain ways, but the idea is making you anxious? change can be scary sometimes, can’t it. but you have the power to accomplish it and make yourself happy! when you imagine a version of you who isn’t dealing with this anxiety about changing, what does that look like? how is that different from how you feel now? let’s brainstorm some steps you could take to bring yourself closer to being that person!

(ka buan therapist voice) one of your facets loves change and is anxious that staying the same would mean failing your religion, but another facet likes being who you are right now and is anxious that changing would make you miserable. if each of these facets was a friend confiding their worries in you, what would you tell them to help them feel less afraid? once you’ve addressed these facets’ anxieties with compassion, it will be easier for you to listen to what they want, without their fears overwhelming you. what you learn from them can help you make your choice — but remember, you are the one who gets to make it!

[waystarresourceco]

Kieran Culkin on Roman's playboy image and the way the actors/writers understanding of backstory fits together. (x)

[lizzygrantsadgirlblogger]

[aliceisaperson]

I can be embarrassed about a lot of things about myself but I can rest easy knowing nothing will be as embarrassing as the fact that the last few times I didn’t get into shows I auditioned for or didn’t get a role I wanted I listened to just for once on repeat while crying.

[fate-defiant]

something something Mytho's entire character being, as @schafpudel so eloquently put it, associated with self destruction; something something the heartless princes inability to connect with the world and care; something something the raven!Mytho's hair trigger temper and capricioussness; something something Drosselemeyer's personality and what his life and interpersonal relationships must've looked like when he was still a mortal human man; something something Mytho's entire being as an expression of trauma, of loneliness, of psychological struggles of his author.

[darkwood-sleddog]

once again i am asking tumblr to hold public polls for users to vote on potential changes. imagine if you were the 'respect our users opinion website'. like that could be us but apparently not.

[jesterjaxx]

Social interactions get so much easier when you really stop giving a shit like

when I was in high-school i was so embarrassed to show anyone who knew me irl my art instagram, and that was my very cringe filtered art. And now as an adult people in my classes ask if I post online and i go "yeah quick warning theres a lot of total drama yaoi in there" and almost always they just say ok and share their own 'cringe' thing and then we apply amicable interest and laugh together

[felinelord-bowbeforemepeasant]

REREADING TIME

I have some funfact

I don't know if anyone remember this but I was rereading some of the chapter and I see this note

And yup like the note say is was quite ironic for them to be like this

I think other than the two fukus they really should put fukufuku too but it a note so meh

[rainboneish]

i see some people on tiktok and twitter acting like gojo not getting memorialized is the only logical conclusion to his arc to either

1) symbolize how no one really understood him and/or could reach him or

2) he shouldn’t be an exception and no other sorcerer got a funeral/memorial either, that’s just how sorcerer society is

and while i firmly believe there is no objectively correct way to end a story, the attitude some of those fans are showing trying to act like everyone who wanted something different is less media literate than they are is annoying me so time to bring up reasonable counters to those arguments:

on 1): complete understanding isn’t a prerequisite for affection and/or grief. Multiple characters (Yuji, Yuta and Shoko at the very least) are shown to have some amount of care for him and them wanting to lay his body to rest, or at least offhandedly mentioning that it was done does not contradict their lack of complete understanding of him in any way. Yuji himself says that he will never forget Gojo (Yuji is also arguably the only character really given closure about Gojo’s death in the story through that flashback (with the exception of Satoru Gojo (hehe see what i did there) and the other deceased characters in 236)

In fact, one could argue that them not fully understanding that Gojo wanted everyone to move on from him and “forget” him would have been reinforced by them grieving him

(I don’t personally think that them processing his loss in a healthy way (read, all the studies about how funerary rites are important to a healthy grieving process) would be contradictory to his wish but since people want to argue that that’s why it was done i think it’s fair to bring up the counter)

on 2) this could easily be solved by having the characters honor all of the recently deceased. (Nanami, Yuki, Choso (what better way to mark him accepting his human side like Yuki told him to)) People keep bringing up how none of the sorcerers got a funeral (as well as Todo’s speech in Shibuya about how they live in through their comrades) and while that is correct (in fact, Todo’s speech represents the whole reason why the last couple chapters are named after Gojo’s dream of a reformed jujutsu society, a dream that his students are now carrying out for him, one of the main issues with traditional jujutsu society (and consequently one of the reasons that lead do Geto’s defection and the formation of Gojo’s dream) is the fact that sorcerer lives are treated as expendable, the fact that sorcerers aren’t given the time and support they need to process the trauma they are put through on their missions.

Part of letting the kids experience their youth is also giving them healthy coping mechanisms and while i am not someone who believes that every character needs a “therapy” ending (hence why i’ve been yelling about not wanting Gojo (who is satisfied with his own death and afterlife) to come back to life to un-learn all of his unhealthy coping mechanisms and his (partially self imposed) isolation as the strongest) i do think getting time to acknowledge and process their losses is part of that.

(Looking at Megumi especially, he might have kept distance between himself and Gojo, and fanon portrayal of their relationship often makes it deeper than it is in canon, but Gojo was still the most consistent adult mentor figure he had in his life, and he experienced Sukuna killing him with his body, a letter isn’t gonna cut it i’m afraid… Megumi’s character arc in general is one people are criticizing and i do to some degree agree that while him freeing himself from Tsumiki specifically being his sole motivation is something, him immediately finding new people (Yuji and Hana, the latter for guilt reasons) to base his reason for living on is a bit… but that’s part of characters not needing to have a perfect therapy ending i guess…

people like to bring up that Nanami, who has been dead for a while now, was also never shown getting a funeral but characters were shown processing his death once the fight was over, both through the conversation between Gojo, Shoko and Ijichi and through Ino requesting and using his weapon in the fight against Sukuna. Yaga’s death was also discussed between Gojo and Gakuganji (changing his conservative outlook) as well as as a motivator for Kusakabe

While Yuji was definitely shown processing Gojo’s death (in chapter 265 and 271) the characters i personally would have liked to see processing/commenting on Gojo’s death the most are Yuta and Shoko,

Yuta for “i will share the mantle of becoming a Monster to take some of the load of Gojo-sensei” reasons (all this talk about how concerned everyone was about what it would mean for his humanity to have to take over Gojo’s body and then we don’t get a single panel about how he actually felt about it after the fact)

and Shoko because we get all these glimpses of her caring about him in her own way (most notably the “i was there too, wasn’t i” moment as well as her stress smoking during his fight against Sukuna, and in a way still being his closest and oldest confidant, even if they never connected the way he did with geto (hence why he felt comfortable leaving the letters for Nobara and Megumi to her, as well as being the reason why he was a little miffed at her lack of reaction to the body-switching plan). Shoko isn’t an emotional character, she is very desensitized to the death and injury of people around her, but the scene by Tsumiki’s grave and her comment about Geto’s body confirms that she (to some degree) considers it an honor and a privilege to be able to give them post-mortem care. I never wanted a scene of her crying over his body or anything, but a scene of her standing by his grave (which could have been inserted between the Tsumiki grave scene and the panel of her throwing away her cigarettes) would have done enough for me.

People like to make fun of everyone asking for a funeral by saying “sorry y’all didn’t get a ten page funeral with everyone crying about Gojo”, but personally i would have been happy with a single panel showing his grave/ossuary with an epitaph (possibly the same for Geto so we finally get confirmation that Gojo’s (and the Hasaba twins’) wish of having his body put to rest was fulfilled, especially after those panels in 270 sowed more doubts), maybe a couple extra panels of the characters i mentioned earlier

also not to be extra brain rotten stsg but Gojo being put to rest in a way where he is with suguru (Shoko being the person most likely to make those arrangements for both of them and also being the person who knew how much they meant to eachother the best) or him being memorialized together with everyone else who fell in those past couple months would symbolize that while he might have been lonely in life, he is not lonely in death (just like he wasn’t lonely anymore in the airport scene in 236)

what i haven’t seen people bring up much is that sorcerers as a whole are said not to be religious. Despite the heavy buddhist themes in the story, sorcerer society as a whole is described as secular, something pointed out by the chairman of the star religious group. On the world building front i think it would have been interesting to know how they process their dead, past the general vague description of “shoko handling bodies” and “having to make sure the body can’t be misused/the sorcerer won’t turn into a curse after death”. Maybe that’s my little goth heart but i really would have liked to know, we see people end up in the morgue but no one really knows what happens after that. Maybe everyone (whose body can be recovered) is cremated and disposed of in some unknown location (Greek cemeteries have “bone digesters”, big pits where bones are put if the family doesn’t rent an ossuary/claim the remains after the lease on the grave plot is up, maybe it’s something like that), maybe there are ossuaries like the one pictured in the Shibuya OP (it’s still unclear to me how much input Gege had in those), maybe the cremated remains are given back to the family on a case by case basis (especially for people from non-sorcerer families who might have religious beliefs). Either way, it’s something i think would have been interesting to know, plus lack of big funerary rites doesn’t really mean the characters can’t think of/mention their deceased comrades.

now i’m not saying everyone who has a different opinion on this is wrong, again, that’s not the approach i like to bring to media analysis/commentary, in fact this whole rant is prompted by my distaste for people doing that, but that is what i personally would have liked to see to call this a 10/10 ending for ME

[meringuehearts]

i knew i was gonna revert back to childhood interests eventually but i didn't know we were going back THIS far (PUN VERY INTENDED)

anyways , semi lazy poster redraw of one of my favorite movies forever ^^

[feroluce]

So I went to the wiki page for the henghill Bullet & Brain mission of 2.2 looking for some dialogue I had missed and

a) I found something incredibly tasty that slotted into some other thoughts I'd been having, more on that on another day, and

b) I saw this super fun little trivia at the bottom, which!

I knew Penacony characters like Boothill took a lot of inspirations from old movies, but I didn't realize it was even in his and Dan Heng's relationship, that's so cool!!

It fits them very well, it's such a fun reference. "Butch Cassidy and the Sundance Kid" was an old buddy Western film (from 1969- nice) about a pair of outlaws. Butch Cassidy was the leader of a gang, and described as clever, affable, and talkative. Meanwhile, his closest companion, the Sundance Kid, was known as a man of few words.

Cassidy's original birth name was much more plain, but similar to Boothill, he took on a new moniker when he became an outlaw. "Cassidy" had been the last name of his beloved mentor, who taught him how to shoot and ride. And Sundance Kid was known as he was because Sundance was the name of his hometown, and it was the only place that had ever managed to catch and jail him, back when he'd been younger (also similar to Dan Heng, but ouch).

These two stick together like glue throughout the length of the film- through Cassidy's leadership of the gang being challenged, through a train robbery gone wrong, through being pursued by mercenaries, and even through fleeing to Bolivia and trying to start over together.

I don't want to say too much more, since the mission title is referencing one specific movie that I've never seen. I kinda wanna watch it now, though, just to see the inspiration that went into Boothill and Dan Heng and how they get along. I just think it's really sweet that these two were literally made to be the best of bros, how lovely is that. 💕

[seagull-scribbles]

*Something poetic about the duality of humans or the impact our environment has on our behaviours and lifestyles*

[thatonecrookedsmile]

"Tombstone Picnic,the infamous 'Lost Ending' Bendy cartoon from the early days of the studio. The ending has not been seen since the cartoon's first run in 1929 and no copies are known to exist."

-Nostalgia-

----- Bendy comes face to face with [REDACTED]!

Another year, another Ink Demonth event. Let's see if I can get past the first 10 days again (I kind of doubt it, but let's not get ahead of ourselves).

Starting with a very interesting topic! As far as in-universe things go, I think the simplest interpretation would be: a look back at simpler times. Before the ink craze, the damn machine and all that. The times when (I presume) the only concern was getting the shorts finished on time. Nostalgia for a bygone era. It was more the metaphorical side that I was aiming for when I was making this drawing.

I don't really like to use this term when I reminisce about things that, in my opinion, are very "recent", but since it's been 7 years (more than half a decade, jeez), I think using "nostalgia" in this case is allowed in my view.

It's not surprising to say that I'm nostalgic for the times of 2017-2018. (In terms of Bendy, of course, not in terms of life in general, lmao) It's been so long... On one hand, similar to the in-universe reason, it was simpler times, I admit. Things weren't so…crazy, so to speak. And on the other hand, it's because of the good memories of that time (again, in terms of this franchise). The wait between chapters, the teasers, the theories, and the in-betweens. And what I wanted to show here, one of my top favorite moments that I remember the most, was the release of the reveal trailer for BATIM Chapter 3.

I was excited that day! I had just gotten home when the trailer dropped and I immediately went to watch it. An actual in-universe Bendy cartoon! Bendy and Boris animated! Mysterious Shadow!?!? and then BOOM, game stuff. Henry running in a hallway, silhouettes of new characters, Bendy statue, Miracle Station? and BOO, the Ink Demon jumping in the station! Alice humming, and OOOHHHHH RELEASING IN SEPTEMBER, LETS GOOO.

It was really cool. I would not only say this is one of my favorite moments, but also that that trailer is my favorite trailer we've had. Yeah, in the end the "gameplay" in the second half of the video was just a cutscene running, and the "scene" that happened in the trailer doesn't actually happen in the game. Hell, the "hallway trailer" wasn't even in the release! But, the cutscene is still pretty cool anyway, plus, even though the scene doesn't literally happen in the game, it still teased elements that were in the game without giving away spoilers, so the trailer wasn't a total lie at the end of the day.

But yeah, nostalgia. A hell of a drug, but at the same time, a nice time machine,I say.

On an unrelated note, hey, prompt for day 1, and I'm not that late! Sure, I'm posting this after midnight, so it's not day 1 anymore, but still, compared to other years, I'm very up to date with the event. After all, 1-2 hours late isn't that late compared to 1 week. But of course, prompt 2 is going to be another story entirely, but in the meantime? I'll enjoy this achievement.

Have a great event this year folks!