#I read 36 books this year

[bronzewool]

2023 Goodreads Reading Challenge Tier List!!!

Got The Hardback Special Edition - I don't like these books, I love them. It's not that I need the hardbacks, I need to devour the pages, so I can consume every bit of canon and then go diving into the fandom just to get my next fix (The Locked Tomb by Tamsyn Muir: Gideon the Ninth, Harrow the Ninth, Nona the Ninth)

Place of Honour on my bookshelf - I like these books and feel the need to display the paperbacks on my bookshelf, so guests know I have good taste :3 (Clive Barker - The Hellbound Heart, Agatha Christie - The Murder of Roger Ackroyd & The Thirteen Problems, China Mieville - The Scar, Terry Pratchett - Guards! Guards!)

Worth the E-Book - I'm happy I read these books, even though they were not necessarily in my top 10 this year. I will probably read them again in the future, so I'm happy to own them on my e-reader.

Borrow from your local library - I neither like nor dislike these books, they are perfectly serviceable, but I wouldn't spend money just to own then. (Yoon Ha Lee - Phoenix Extravagant, Frank Herbert - Dune, Dune Messiah & Children of Dune, Final Fantasy - On The Way To A Smile & Traces of Two Pasts, Clive Barker - The Damnation Game & The Coldheart Canyon, Stina Leicht - Persephone Station, Robert Jordan - The Eye of The World, Lily Mayne - Soul Eater, Terry Pratchett, Agatha Christie - The Mirror Crack'd From Side to Side, Terry Pratchett - Sourcery)

Burn for warmth - I actively disliked these books, or they were just so boring I had to take frequent breaks just to get through them (William Joyce - Jack Frost: The End Becomes The Beginning, Greg Weisman - The War of The Spark: Forsaken, Chuck Wendig - Double Dead, Diana Wynee Jones - House of Many Ways, Clive Barker - Weaveworld)

[allylikethecat]

Update that nobody asked for: We were talking about books on here one night and I said I had started The Familiar by Leigh Bardugo and I have now finished it.

The verdict is that I liked it well enough, it was interesting but overall, I didn't like it nearly as much as Ninth House, HOWEVER the last 100ish pages were incredible and I wish the entire book had been as good as the last 100 pages. It's not one that I'm probably going to read again or am going to be aggressively yelling that people should read, BUT if you like historical fiction / historical fantasy, it could be worth the read. If you're planning on physically buying it, the hardcover edition is also very pretty with the sprayed edges.

[kahnah23]

There is something weirdly cathartic about reading "bad" books.

Protagonist successful woman really needed 300 pages to figure out that male is lying and manipulating her. Who would've known?

He only assured her once every conversation he would do anything for her, jeopardized his own job as a cop and the only pictures in his apartment are of them together.

Woman really went through 200 more pages of "he's such a good friend :)"

[thebirdandhersong]

turns out I've now read forty books since the first day of the year, which is both a pleasant surprise and a minor tragedy

[gambitandrogues]

my desire to engage with media has suddenly made a reappearance?? girl what is this

[francesderwent]

immediately after I pretended to you all that I was at peace with how few books I read last year, I finished a book a day for three days in a row

[alectology-archive]

I love you people who read a 100 books a year but I only managed 27

[phantomrose96]

Thinking about Edward Elric as the Amestrian Military's specialest little unfireable boy

State alchemists can be fired for underperforming. We know this up front from the likes of Shou Tucker. And this makes a ton of sense from the homunculi's standpoint since the state alchemists are sacrifice candidates, and the homunculi would want to cull the weakest candidates and focus only on cultivating the strongest ones who stand the best chance of opening the portal.

........Then there's Edward. Who's already opened the portal.

There's no need to cultivate him. No gamble taken on whether he's good enough to open the portal. He passed the final test already. Graduated 4 semesters early.

And as such, has a free pass to do Absolute Fuck All.

And I'm imagining how funny this is from like an outside perspective.

Some newish state alchemist who'd only ever read up on the stories of Edward Elric, ready and excited to start their career of being paid handsomely with endless freedom to research and travel and do anything they want in the pursuit of science... surprised and confused to find themselves put on probation their first month for things like "ignoring orders." Which is, as best they had thought, a famous Edward Elric pastime.

Roy showing a slight bit of stress about his yearly state alchemist report, and Ed just snorting and rolling his eyes at Roy because every year HE just hastily does his on the train ride over (canon in the manga, a travesty it was left out of the anime) and it gets rubber stamped. Ed not realizing that other alchemists' reports get genuinely scrutinized and torn apart while Ed is free to turn in whatever absolute bullshit he thinks of 36 hours ahead of time. One year his report was about whether alchemy could be done via dance (conclusion: no it can't) and no one cared. Roy WANTS to tell Ed there's some kind of unknown favoritism around Ed making him literally bullet-proof but Roy has no way to phrase this that doesn't sound like he's just in denial and mad at how good Ed's train-reports are.

Guy from the Internal Amestrian Affairs sector who's responsible for auditing other internal military personel for any suspicious activity hitting about 1 million red flags for Edward Elric, issuing a STRONG and URGENT recommendation to suspend the alchemist pending further investigation into things like "literal bunk-buddies with two members of the Xingese royalty (enemy nation)" and "spent $10,000,000 of his stipend on a librarian to make her re-copy (what he seemed to interpret as?) military records in some extremely transparent effort to unearth state secrets (it was a recipe book but he was literally asking her about state secrets)" and "literally has never once obeyed an order, ever, not even once in his career, and is on public record having said 'I do not care about the goals and protections of the Amestrian Military. I am in fact only pursuing my own interests several of which are diametrically opposed to the safety and well-being of the governing body of Amestris'"

The issued recommendation is intercepted before it even reaches its intended desk. President Bradley himself has taken issue with it and denies it before a single set of eyes has seen it. The President's veto stamp is a terrifying hammer, used rarely, and it is now sitting on the auditor's desk.

The auditor sleeps with one eye open from then on out.

[mossiestpiglet]

I was surprised at how low the minute count was on my wrapped because im listening to something basically all the time so like WHAT was it and then i remembered im on my 36th audiobook for the year. Libby Wrapped when??

[starslung]

haha what if i came back to rp after 8000 years and what if i made a rp blog for a star wars character from a kids show and what if we all had a cool fun time hahaha what about that

[marmorenshud]

actually am proud of myself for reading two books in 18 days (300 pages each) I think that's the fastest I've read apart from the time I was suicidal which is really not a standard to hold yourself up to. but particularly impressed since I don't have a commute anymore. might even finish one or two short books more (~100p) before april runs out which would be incredible. previously I've read about a book a month (but somehow still falling short of 12 a year goal) but if I finish this one today, I'll already be at half my goal before any of the major holidays.

[neattequila]

THAT IS NOT HOW THEY MET

[sarasade]

One of the most generally useful things to come out of Hbomberguy's plagiarism video and Todd in the Shadows' similar video on misinformation is how they bring transparency to the internet phenomenon of "I made up a guy to get mad at".

Seriously, I've seen people make up a lot of stupid shit on the internet over the years and it's often just a manipulative attempt to paint a group of marginalized people in a bad light.

That's the TL;DR version of this post. 

ANYWAY here is the long version

Those videos are mostly about James Somerton's plagiarism of other queer people's work. However I'd like to talk about that 20-30% of Somerton's original writing- and oh boy. It's mostly about complaining about White Straight Women and misgendering well-known trans creators such as Rebecca Sugar and calling Becky Albertalli a straight woman while it's pretty common knowledge that she was forced to out herself as bi because she received so much harassment over "being a cishet woman who appropriates LGBT+ stories".

One thing that irks me especially is how in his Killing Stalking and Gay Shipping videos Somerton brings up how straight women/ teen girl shippers exploit gay men for their personal sexual fantasies. This gets brought up several times in his videos.

Being all up and arms about Somerton being a "White Cis Gay Who Hates Women and Queer People tm" is not that useful because the kind of rhetoric he's using is extremely common in fandom and LGBT+ spaces on Tumblr, TikTok and Twitter. We really don't need to bring Somerton's identity to this since he is in no way an unique example.

It's hypocritical to make this about an individual person when I've seen A TON of posts, tweets and videos where queer people talk about these Sinister Straight Women who are supposedly out there fetishizing and exploiting queer men. It's pretty clear to me that this is just an excuse to shit on women and queer people for having any sexual interests. At worst these comments are spreading misinformation about BL, a form of media that has been excessively studied by both Asian feminists and Asian queer women.

This all sounds really familiar and I think it's good that people are calling it out as what it is: misogyny and transphobia. I'd also point out the potentially racist motives behind being this hypervigilant about Asian media.

People can absolutely be misogynist regardless of gender or orientation. I really don't know why we need to create some kind of made up enemy to get mad at. I actually think it's almost sinister how "anti-fujoshi" people call Slash shippers and fujoshi misogynists or claim that they have internalised misogyny while being dismissive about women's interests and creative pursuits under Japanese obscenity laws, China's censorship, book bans in American schools and various other disadvances that are part of being a queer and/or female creator.

I think we shouldn't be naive about the bad faith actors who want to turn queer people against each other. For example Fujoshi.info mentions anti-gender (TERF, GC etc) movement using this kind of rhetoric as well.

Anyway if you want to read more:

- about the false info around BL fandom fujoshi.info

-There is the scholar Thomas Baudinette who studies gay media in Japan. Here is a podcast with him and the scholar Khursten Santos

-James Welker is a BL scholar as well. Here is a podcast interview about the new international BL article collection he edited.

-I've already talked about this Youtube channel by KrisPNatz and his great Killing Stalking video that actually engages with the themes of the manhwa

- There is also HR Coleman's thesis DO NOT FEED THE FETISHIZERS: BOYS LOVE FANS RESISTANCE AND CHALLENGE OF PERCEIVED REPUTATION where she interviews 36 BL fans and actually breaks down why fetishization has become such a huge talking point in the fandom discourse. Spoilers, it's mostly about young queer people and women being worried that they will get judged and pathologized for their interest in anything sexual.

-Great podcast about Danmei and censorship with Liang Ge

[bouillefriend]

Read LOTE by Shola von reinhold. NOW.

[dramaticals]

DRAMIONE FIC RECS + WHY YOU SHOULD READ THEM — 100k+ words edition

hogwarts: a home by coralcollective — reimagined horcrux hunt. draco is so down bad for hermione and the smut is crazyyy. theo/hermione friendship. pansy is the breakout character and you'll love her. there's nsfw art and inappropriate use of the malfoy signet ring. please check the tags! (it says incomplete on ao3, but it's only missing epilogues so don't be afraid of starting it)

word count: 372,978

chapters: 67/70

the commoner's guide to bedding a royal by olivieblake — god, this fic!!!! it's a modern royal au and the ensemble of characters make this whole world feel so alive. it's inspired by will/kate and harry/meghan and it's sooo cute. theo and daphne were the breakout characters and i love them dearly. if you're looking for a lighthearted romcom-esque, occasionally angsty (because duh!) fic, this is it!!! i probably read this in two days which is insane considering the word count, but that should just tell you how lovely this whole fic was. there's a second part to this if you're itching for more afterwards (and it's just as good!)

word count: 503,570

chapters: 45/45

draco malfoy and the mortifying ordeal of being in love by isthisselfcare — honestly if you haven't read this yet..... this is god tier. a CLASSIC. this should be taught in the schools. hermione's a magical researcher / healer and draco's one of the best aurors out there. he's assigned to protect hermione because she's in the midst of a big discovery. hermione's not happy about it and draco isn't either. slow burn!! idiots in LOVE!! forced proximity!!!!! EMBEDDED ART!!! honestly this is the fic that made me want to learn how to bind which is so serious and if you haven't read this yet you need to.

word count: 199,548

chapters: 36/36

the disappearances of draco malfoy by speechwriter — this is my new canon. it's a deathly hallows rewrite where draco accepts dumbledore's offer to fake his death and go into hiding with the order. enemies to friends to lovers. i honestly can't even remember what happened in canon because this is IT for me.

word count: 289,780

chapters: 33/33

this world or any other series by olivieblake — includes clean (book one) and marked (book two). anything by olivieblake should be a must-read, i swear to god. this one starts as a year 6 slow burn. draco and hermione are assigned partners for potions and it all snowballs from there. olivie writes so beautifully and her characterizations for hermione / draco are so good. slight warning for marked: this destroyed me and i pretend it doesn't exist, but it's still a must-read.

word count: 118,892 & 178,268

chapters: 31/31 & 39/39

rights and wrongs series by lovesbitca8 — you want fluffy dramione? read the first two parts of the rights and wrongs series. you want dark and heavy dramione? read the auction, an alternate universe of the fluffy dramione, where voldemort wins and they all get auctioned off to death eaters. please check the tags for the voldy wins au! all three were chef's kiss and coming from someone who isn't a fan of dark aus, reading the first two helped me get through the auction because you know where draco's coming from / what's in his head. you can just read the auction without reading the first two parts unless you like catching parallels and having more depth / context (which i very much love).

word count: 174,911 & 160,297 & 325,876

chapters: 36/36 & 24/24 & 41/41

[penultimate-step]

Lately, I've been thinking about the effect of real-world time on perception of media. Or, wait, let me start from the beginning.

When I was 11, I read the book Ender's Game for some school assignment or another. I don't remember ever considering Ender a relatable character, but certainly my understanding of the events was shaped by being of an age to see the protagonist not so much as a young child but as someone of my peer group, someone who could have been slotted amongst my classmates without anybody batting an eye.

Over a decade later, I read the sequel, Speaker for the Dead; it takes place many years later, when Ender is in his thirties, and my feelings about the in-universe time skip were undeniably shaped by the real life time gap between my reading of the novels. Reading the first book back then and then the second book now created a feeling where it's almost like, I'm browsing the facebook page of someone I had known in middle school but lost contact with, checking up on how they're doing today. The real-time factor caused me to perceive it less like a timeskip, and more like a reunion - the feelings were closer to "oh wow, that's my boy! I haven't seen him in years! Wonder what he's up to?" Which in turn gave me a better position to appreciate the parts of the narrative about him struggling to find a place in his adulthood than I would have been had I perceived it more strictly as a quick skip from 11 to 20 to 36.

While musing about this, I considered a VN I played a few years back, which took place over three in-game days - except at the end of one in-game day, the game would lock you out from progressing for 24 hours real time. So that as the in-game investigator protagonist was ruminating on the information that had been discovered that day, the player would be forced to do the same. In this example, by forcing the player to experience the same timeframe as the in-game characters, the sense of it being an in-depth and extensive investigation increases, even though without the forced pauses the game would be short enough to blow through in a handful of hours real-time.

Which brings to mind how time effects things in long-running serial works. It's well known that an audience which watches an episode or reads a chapter week by week has a very different experience than one binging through whole seasons or volumes at a time, but I wonder if the real time relative to the in-universe time makes that effect stand out more? Fight scenes, for instance, have been known to take up several chapters in certain manga or webnovels. What does it do to the reader's perception, if from their point a view a fight takes a whole month, while for the characters they read about it's only been a couple hours? Readers might feel that the situation is more stressful, since the pressure of the fight has been ongoing for a long time for them, while in-universe it was a rough afternoon but no more than that. Contrastingly, when a series skips ahead or otherwise has long periods of time for characters that feel short for readers, it can feel like no time has passed and everything is still the same, unless the author really stresses the differences in world-state that occurred offscreen. Because the reader hasn't changed at all.

No conclusion here exactly, I just think it's interesting how often an audience's response to a work, the emotions felt, are more closely tied to their real-life timescale, something almost completely out of the author's control, as opposed to in-universe time, which can be intentionally shifted or played with for the sake of the narrative.