confessing-blog

[raisedbythetv89]

So I started watching btvs in 2020 and spuffy especially really got me through a lot during that time. I maybe watched the show 40-50 times in a 3 year span but this week three separate details from season 6 ABOUT SPIKE have been brought to my attention and I fear every rewatch I have just been entirely too horny and distracted just staring at James to properly pay attention to his performance and process everything he’s got going on 💀😭💀😭💀

[thesmutbasement]

Welcome to The Great Divide: fully legal age gap fics that will keep you forever young!

Everything here in The Smut Basement is for 18+ friends only! Minors and unverified persons will be blocked. Please heed ALL author warnings when you click a link.

Dave York (Equalizer 2)

Notes on Tutoring (series) by @honestly-shite (Dave York is a teacher at a prestigious music college, and sparks fly when he starts tutoring the Reader in her guitar lessons. This is one of my favorite AUs, and as far as I'm concerned, Maia and NoT Dave can do no wrong! -Claire)

Din Djarin/Mando (The Mandalorian)

Hard Candy by @ezrasbirdie (Reader's old bodyguard from when she was a teenager returns to watch over her and her friend for a birthday outing to a nightclub. Din eats a "funny" lollipop, and gives into the attraction he now feels for his all-grown-up charge, who has been trying to get his attention all night. HOT! -Claire)

Eddie (Buffy the Vampire Slayer)

Holding Your Breath by @starlightmornings (GodDAMN!! And I need to repeat that, just in case you didn't hear me in the back, but seriously, Goddamn.... this was hot. We usually see age gaps with the Pedro character as the older partner, but this was a goddamn TREAT of a fic. I need more. Is there more? I'd like seconds, please. Thank you. -Claire)

Ezra (Prospect)

In the Dark 1 and Chapter 2 and Chapter 3 (series ongoing) by @frannyzooey (You meet Cee in your graduate writing program, and then you meet her guardian, Ezra. There's a weird tension, and you think (hope) he feels it, too. I'm living for the slow burn and the anticipation of this series, and I can't wait for more! -Claire)

Frankie “Catfish” Morales (Triple Frontier)

Basic Training (series) by @just-here-for-the-moment (Yes, I'm self-reccing here because I wanted to see more older woman/younger P character fics after reading the amazing "Holding Your Breath" (see "Eddie" section above. I was inspired to write a young Frankie Morales after he's graduated university but before he ships out to Army training. Hope you like it! -Claire)

Calling Home (series) by @littlepadika (Frankie calls the VA to track down his missing check, and one thing leads to another when he gets talking to Sweet Pea. I love this series because everything feels very organic for the characters and how they get to know each other, the long-distance friendship that grows into something more. It's bliss. This series is like a fluffy pink cloud with a smutty silver "bullet vibe" lining. Love it!!! -Claire)

Weeknights (series) by @frannyzooey (Frankie falls for his daughter’s college-aged nanny. Need I say more?? No, you know the drill, go read the entire series now. -Claire)

Javier Peña (Narcos)

The Crush by @the-ginger-hedge-witch (Javier has been in Colombia for the past eight years. When he left, you were just a snot-nosed 14 year old girl. He’s not ready for the woman he encounters when he returns. Part 1 was both hot and slightly heartbreaking. Can't wait for more! -Claire)

A Good Man (series) by @forever-rogue (Professor Javier Peña notices you smiling brightly and paying attention in class, and it throws him off his very carefully constructed post-Colombia routine. I loved the soft yearning and the anticipation and the heat of this series!! -Claire)

Old Enough by @221bshrlocked (Javier rescues you from being pushed into the pool at your hotel, and things heat up when you see him again. Be warned that there's a very hot description of Javier stealing your lollipop, and some "Daddy" action. HOT HOT HOT. -Claire)

Marcus Moreno (We Can Be Heroes)

The Secret by @frannyzooey (A series of drabbles about Marcus Moreno hooking up with Reader, a female college student. Marcus is tortured and torn, but gives us what we want! Hot-hot-hot! -Claire)

Marcus Pike (The Mentalist)

Lavish (series) by @whataperfectwasteoftime (Listen, I don't EVER want to be 22 again, but I would totally be 22 again for this Marcus. He's caring, hot, wants to just take care of you, and did I mention hot? The caring is HOT. Penny knows what she's doing with this character, and I'm here for it!!!! -Claire)

Oberyn Martell (Game of Thrones)

Sugar & Strawberries (series) by @ezrasbirdie and @starlightmornings (We've got this cross-posted in the Hot for Teacher section, but it belongs here, too. Professor Oberyn Martell and Lily are scorching HOT, and we love it!!! -Claire)

To be continued…

Bottom of the Basement: Filthy Fic Recs Masterlist

[girl4music]

BUFFY REWATCH - S04E22 - Restless

Tara: “I think it’s strange. I mean, I think I should worry that we haven’t found her name.”

Willow: “Who, Miss Kitty?”

*shot of their kitten, playing with a ball of red yarn in slow-motion*

Tara: “You’d think she’d let us know her name by now.”

Willow: “She will.

*looking down at Tara*

She’s not all grown yet.”

Tara: “You’re not worried?”

Willow: “I never worry here. I’m safe here.”

Tara: “You don’t know everything about me.”

Willow: “Have you told me your real name?”

Tara: “Oh, you know that.

*Willow smiles, reaches for something. Shot of a paintbrush dipping into ink jars*

They will find out, you know. About you.”

Willow: “Don’t have time to think about that. You know I have all this homework to finish.”

*the camera pulls back so we can see Tara is lying face-down on her bed, naked, and Willow is painting on her back*

Tara: “Are you gonna finish in time for class?”

Willow: “I can be late.”

Tara: “But you’ve never taken drama before.

*shot of Willow dipping the paintbrush again, moving it across to Tara’s back, which is covered with Greek symbols*

Might miss something important.”

Willow: “I don’t wanna leave here.”

*Tara twists back to look at her*

Tara: “Why not?”

*Willow stands up, looking down at Tara. She turns away toward a dark red curtain. Walks over to it*

Willow: “It’s so bright.

*pulls back the curtain to reveal a brightly sunlit desert. The light falls on Tara, who looks over. Looking back at Tara, still holding the curtain open*

And there’s something out there.”

*shot of the desert, straggly plants, rocks. We briefly see something (someone?) moving, then it’s gone. Shot of the kitten stalking forward toward the camera, in slow-motion*

I have been so anxious to get to this episode and write my meta. For all the time I’ve brought up Willow’s insecurities, this is the one and only episode that lays them all bare for everybody to see, if - and this is important -, you are clever enough to decipher the code of visual symbolism and possess the ability of interpretation. Pretty much all of the episode ‘Restless’ requires you to interpret what you see. You’re not told straight-forwardly what the dreams, each of the core 4 Scooby members have, are about and that’s precisely what I love about it and why it is probably my most favourite episode of the whole show.

Now, obviously, I’m only going to be talking about Willow’s dream in the episode because if I were to do an analysis of every character’s dream, I’d be here all day and this recap would be incredibly long. I would suggest watching YouTuber Passion Of The Nerd’s analysis for it to get the whole picture. Much of what I will write here will draw from that as I agree with quite a lot of it and think it makes a lot of sense in understanding each character. Every character has fears, worries and insecurities, and that’s what these dreams are specifically about, but Willow’s go much deeper than can be witnessed in all of the show due to her “hiding” them under a “thinly-veiled” persona of who she wants to be. For the most part, you only get to see who she wants you to see. It is not until this episode that all of Willow’s real thoughts and feelings take center-stage - quite literally. There’s a reason why both her dreams in ‘Nightmares’ and ‘Restless’ have her performing on stage. The former, being more about stage fright and about wanting to go unnoticed. The latter, about acting like something she’s not and “putting on a show” of confidence and security to the other characters, who she fears knows about “the real her”, and the audience watching her. Now, “the real her” is as ambiguous as this entire dream sequence is - meaning: it depends on your point of view who Willow is. And this is why I clash with @confusedguytoo about Willow often regarding my views and opinions on Willow. They see something different to me. However, I’ll let them better explain that if they so wish to. I’ll only explain what I see - in Willow - and in this episode.

I relate Willow’s insecurities to her accumulation of power and need for control. For me, much of what I interpret in ‘Restless’ ties in and very much foreshadows Willow’s magic addiction and ‘Dark Willow’ storyline in Season 6 because, to me, Dark Willow is less about the Magicks and more about power and rage, (Anya interjects here: “and vengeance, don’t forget vengeance”). So I will go through the meaning of Willow’s dream in ‘Restless’ from the way I interpret it and in my own words:

Starting off, we have Willow sat on Tara’s bed with Tara (well, actually Tara is laying down on it and Willow is sat on it.) Tara is turned away from Willow as Willow paints some writing on her bare back (see Passion Of The Nerd’s analysis to know what is being written because it’s very significant to the scene.) This part of Willow’s dream has more to do with Tara than Willow, but it’s important to remember that it’s all from Willow’s perspective. Willow worries that there’s something about Tara that Tara isn’t telling her. Something she’s not “facing her” with and letting her know bothers her. But other than that - she has no worries. She feels safest with Tara and, as I’ve previously mentioned in another recap, is much more invested in the relationship they share than Tara is at this point in it. And the scales don’t actually equal in that because Willow becomes uncomfortably and unhealthily invested in that she starts to abuse Tara in such a way where she wants to make sure Tara pays the most attention to her. And magic has always been the best way for Willow to have “her will be done” well before Tara entered the picture of her life. And so, she knows it’s her bread and butter to getting her way.

Moving on, we now see Willow walking the halls of Sunnydale high school and Xander and Oz are in the dream. No Tara. Meaning this part of the dream is something passed in her life but still very present in her mind. Although this is of the past, the dialogue between all 3 characters is about Willow’s then-future. There is mention of Tara and of the drama class they will take in college. I interpret this to mean that Willow can’t entirely let go of what was to focus on what is or what will be. Hence why Oz is in the scene and why he says “Oh, I’ve been here forever” when Willow asks him if he’s ever took the drama course - at which point we see Willow trying to take something out of her locker but can’t seem to get it open. I interpret this to mean she’s locked out and cannot access that part of her life anymore despite still thinking about it, and specifically Oz, in it. You see, Oz may have followed Willow to college, but he never stayed. Their relationship was only one that existed in high school and Willow has regretfully moved on from Oz and entered a new relationship that exists in college and will last beyond that. She cannot access her high school life anymore. She cannot access Oz anymore. Thus, their love affair was tied to their high school life and Willow no longer goes there.

At this point we see Willow walk out of the frame, leaving Xander and Oz behind, to stand backstage of a production in their drama class - of which Willow has never even rehearsed for and hasn’t even had her first drama class yet. And the characters of Harmony, Riley and Buffy are dressed up in costume ready to perform the play and tell Willow that she’s late but she’s “already” dressed in “costume” and “already” in “character”. Giles then enters the scene as the stage director and his dialogue in rallying his actors to get ready to perform reveals that this play is all about Willow. In fact - she’s the main character in it (go figure) and everybody in the audience, including the cast, is there to watch her perform.

“Acting is not about behaving, it’s about hiding. The audience wants to find you, strip you naked, and eat you alive, so hide.” - Giles.

Next Willow goes behind the stage curtains (which are red to represent a vagina, apparently, according to Whedon in the commentary track for ‘Restless’) and finds Tara among them with her who tells her that things aren’t going very well. Willow says that drama class is not being done in the “proper” way, she doesn’t know what to do, and the play’s starting soon. Tara then tells her that the play’s already started and that’s not the point anyway. Willow doesn’t understand. As the play happens without Willow, Tara disappears, and what was following Willow attacks her.

Buffy saves her and we go back to Sunnydale high school. This time we’re in a classroom. It isn’t clear which class but it’s presumably English as Willow reads out a book report on ‘The Lion, the Witch and the Wardrobe’. Before she does that though, Buffy tells Willow that the play is long over and asks her why she’s still in “costume”. Willow responds that it’s not a costume, she’s just in her outfit of the day. Buffy tells her that everybody already knows about her and to take her “costume” off, to which Willow panics and refuses. Buffy rips her “costume” off of her to reveal her wearing the clothes she was wearing on the very first episode of the show. Now, Willow stands in front of a full classroom of her peers (both from high school, college, and the Scooby Gang) mocking her for her appearance and her reaction to being totally exposed to what she believes everybody perceives of her as the truth of who she really is. Still a shy loser. The dream sequence ends with what was following Willow and attacked her throughout; the first Slayer sucking out her soul and leaving the real Willow paralyzed in her sleeping state. Unable to escape from her personal Hell.

So what does it all mean? Well, it really all depends on the way you interpret her dream. Some things about Willow and what she thinks and feels are clear, some are not. But how I’ve interpreted her dream in ‘Restless’ is that Willow, despite appearing a much more confident, secure and assertive person, doesn’t have any belief in herself when it comes to her value and requirement of her from her peers, friends and lovers… Or everyone that’s not her. Her need for validation in who she is and what she can do from everyone. Her worthiness in her work. Her ability and capacity to love. Her appearance to whoever perceives her. Especially the ones she loves. And her insecurities run so deep in this that even she doesn’t recognize them. She’s not aware to how much she’s acting like someone she’s not in order to please, in order to have attention, in order to feel of use to people. Now, it is not that she is still the loser. She’s definetly evolved into a much more worldly and well-rounded person since her high school days. Stronger, smarter, wiser, and more confident. It’s just she doesn’t believe in it and she absolutely fears no one else does either. In her mind she’s still the lonely nerd and she’s doing the most to make sure people don’t see that. Even though she has the belief that they do and always will. So her need for power and control all stems from these deep unconscious insecurities. Magic just happens to be the most effective tool for her to accumulate this. And she only becomes addicted to it in Season 6 because she relies on it to make her special. Even though she’s special as she is - with or without magic - to which Tara does her damnedest to make her aware of and believe. And she’s about the only person in the show that achieves it - until, of course, her death… Which, of course, triggers Dark Willow.

Willow's need for power and control as Dark Willow is channelled through rage and pain and so no amount of it is enough. Willow isn’t enough without Tara. None of these fears, worries and insecurities are the truth of Willow. But getting her to believe in and trust in that is next to impossible. Tara is only capable of it because she’s the one thing in the show that Willow truly loves. Is truly committed to. Is truly invested in. And she feels like she means and is nothing without her, without her love, without her attention, without her validation, without her light. She abuses her the most because she’s the one person in all of the show that she covets the most. That she doesn’t want to be without, that she feels the safest and is the happiest with. That she won’t let leave her life. Yes, it’s unhealthy. But true love can be when there’s so much inner turmoil. When there’s such a storm inside threatening to be unleashed with every bad day. Every screw up. Every "spaz" feeling. That's what it stems from. A loser mentality.

That is Willow’s entire predicament throughout the whole show and why her character representation, development and evolution is the greatest, the most profound, the most detailed, the most poignant. This is a character that you absolutely fall in love with very early on. To see them go from that gentle-natured, quirky, inspiring and endearing person to one of the most abusive, frustrating, corruptive and destructive people is hard. Fortunately, they’re given the endgame they deserve and become the hero. They learn to balance both sides to who they are - the dark and the light - and they become exactly who they want to be. Someone of great power and control. Someone that is valued and loved. Someone that matters. Whether she believes it or not is up to you. 😉

[arabian-bloodstream]

Why in Angela Kang I Trust

Maybe because I've been bruised and battered by showrunners and exec producers when it comes to couples and have also been rewarded (very, very, VERY rarely -- OK, like once), that is why I'm feeling positive about Caryl with regards to the spoilers.

Lemme give a bit of my history.  I've had sooooo many couples, it's not even funny. I'm beyond a couple-girl.  I've been involved in Harry Potter, Game of Thrones, The Vampire Diaries, Veronica Mars, The 100, Star Wars, Buffy the Vampire Slayer fandoms (and many more). Yeah, so I've been through some ups and downs in the fandoms themselves and with the end result of the product/my couple preference.

Two of the things that these fandoms taught me were (a) critical analysis of the product taking *everything* into account and not just my couple, and (b) how to deal with spoilers to keep myself sane.

NOTE: This is how I deal. I'm not telling anyone else how to feel or deal. This is my bag and what works for me and why I'm personally totally, 100% positive about Caryl despite the recent spoilers.

In one of my fandoms, I was heartbroken by how an episode played out. It made no sense to me. I had analyzed everything, paid attention to all the road signs... how could I have been so wrong? How could she choose the other guy??! It took a few weeks, but I re-thought everything and realized that I had been so focused on analyzing MY couple that I had ignored the OTHER couple. I had ignored the other aspects of the show and that other aspect mattered. It was like a bomb went off in my head. Suddenly something so obvious was now so clear to me.  

From that moment on when I analyzed the show, I analyzed every character, every aspect of it and I gotta tell you all I just about nailed every character plot point. Not the twists/turns, but the emotional, character beats? I was right as rain on those. Because here's the obvious thing, no showrunner/headwriter is ever going to write for ONE character, ONE couple. They are going to write for every single character, every single couple.  And if they are good writers they aren't going to take fanfic-like shortcuts to get them where we would like them to be, they are going to dig deep and explore who they are as characters to bring them organically to where they belong.

So... The Walking Dead. Angela Kang. Daryl Dixon. Carol Peletier. Caryl. (FINALLY! Ya'll say.) Angela Kang is a GOOD showrunner/headwriter. She brought TWD back from the disaster that Scott Gimple had made of the show. Seriously, I think 3-4 seasons went by and only 2 months had passed in that time. It was mostly a slow-moving morass of nothing happening with most characters doing nothing, barely connecting. Blech! It was mostly just not good. She whipped this show into shape.

Kang also took a long look at Carol, Daryl and Caryl and realized that in order to get them where they needed to be... which was TOGETHER ROMANTICALLY, they needed a helluva lot of work because Gimple had done ABSOLUTE SHIT with them for about 4 years. They had barely a handful of scenes over that time period, had been mostly separated and both characters had been decimated in completely different ways.

Carol's grief, guilt and horrendous actions had been completely and utterly sublimated. She told no one (including Daryl) about what happened with all of the children she had lost by her hand or through she felt because of her.  So what did Kang do? She used the relationship that Gimple had begun with Ezekiel to create this fairytale fantasy that Carol could escape to since she couldn't be with her Alexandria family anymore because of that grief and guilt. She gave her that respite and escape until she was ready to live with the reality of all she'd done.

And then she opened the door to that grief and guilt with Henry's death, destroying that fairytale/fantasy so that she could finally begin to heal. And that is what we are finally getting now, a healing Carol. She's not whole yet, but she's stronger and she is healing. She's no longer hiding in some fantasy, she's no longer drowning in grief. And she's with her family again. She's come home.

I'm sure just as Kang looked at Carol, she also looked at Daryl and saw how Gimple had turned him into a monosyllablic follower. So, through the last two seasons, she's been building him up as the leader who's stepping up and also... HE SPEAKS! That's really the big thing, but it's such, such a big thing.

Finally, Caryl. To begin with, Kang's first episode made it perfectly obvious that it was a Zeke/Carol/Daryl triangle. However, because it's been sooooooooooooo long and the Caryl crowd has been battered for so long and the ABC crowd is so loud and even the media doesn't immediately jump to it despite the popularity of Caryl the obviousness of it just wasn't obvious. But the way Zeke proposed to Carol to which she did not say yes, his undying declaration of love to which she did not respond in kind to the way she curled up (yes, curled up!) against Daryl to tell him about said proposal and his response, clearly not happy about it, but willing to give her the go-ahead if she was happy was so obvious. I mean, DUDE! Yeah, that was textbook triangle material with the guy proposing being the clear loser in the equation in the long run. And that was Angela Kang's first episode as showrunner!

Everything that followed--the secret visits to him, her cutting his hair, her trust in him and vice-versa--to her leaving Zeke behind in Hilltop and going with Daryl to Alexandria, yeah, all of that was clearly going to be how that "triangle" ended based on that first episode.  But so many Caryl fans were heartbroken, upset, furious about the Carol/Zeke spoilers. Of course, they were. We had no idea what Kang had in store. We'd been burned and battered and used and ignored by TWD, AMC, Gimple, et al. How could we possibly know that Kang had a plan all along and that the Carol/Zeke relationship was about paying time and attention to Carol's character and establishing a subtle triangle with Daryl in which he would emerge the victor?

But that's exactly what Angela Kang did. And then in season 10 she made it clear numerous times that it--only her second as showrunner--would feature the relationship of Carol and Daryl at the heart of it. So I have a few points I want to make regarding the upcoming spoilers taking ALL of the above that I've written into account:

1. Spoilers are tricky things. You simply can not know what is what until you actually watch the episode and even see the full arc play out. When you have a good showrunner/headwriter who has a plan and knows the path planned for the characters--one who has proven they know what they're doing--wait until you see what they are actually doing before assuming the roof is falling in. At least that's my philosophy.

2. I mentioned how the obviousness of the triangle aspect set-up in Kang's first episode as showrunner was so missed and a part of that is because of the fact that there is too much ambiguity in how Caryl and Daryl see one another. Is it friendship? Is it a mother/son (pfft! So fucking ridiculous!) relationship? Is it a sibling-like relationship? Or is it romantic/sexual? (YES, IT IS!) This very well may be what answers that question. (It’s the last one. It’s definitely the last one.)

3. 10x18 is STILL a part of season 10. According to Angela Kang, the heart of season 10 is the relationship of Carol and Daryl.

Finally, there are two characters left from the first season of this ten (of eleven) season show. Carol and Daryl. There is going to be a spin-off featuring Carol and Daryl. A character that Daryl has some sort of history with when he thought he lost Carol when she was married to someone else (after he had lost Rick) is NOT going to suddenly, randomly become the ONE to come between Carol and Daryl.

It doesn’t matter that this character is coming back in the final season. Sorry, not sorry, but it just does not. Carol and Daryl are the ONE for each other. This character is just another Ezekiel, a part of their story. Angela Kang has been organically, effortlessly rebuilding Carol and Daryl, and Caryl back up from the neglect and abuse that they suffered (especially Carol and Caryl) under Scott Gimple.

This is why I trust in Angela Kang.

[evelhak]

“Ancient” wlw ships

This is such a self-indulgent post but I need to get my thoughts out. Lately I’ve been thinking a lot about all the girls I shipped in fiction when I was a kid and didn’t realize I was shipping them.

I mean, they pretty much all had boyfriends or ended up marrying a man, and I was pretty much on board, in my eyes it was just some part of the story that needed to happen, because it always did. I think the common thing with these characters was that the female best friend was, at least more often than not, narratively more important than the guy, or just seemed to have a much greater emotional impact in the story.

Thinking about this has been so fun and eye-opening that I just feel like sharing a list of my biggest ancient wlw pairs that I only now, years later, realize were totally in love in my mind, I just didn’t have a concept for it yet. I’m sure that’s relatable for some people, but maybe there’s someone out there who was shipping these same characters??

This will include mild spoilers. And it’ll be long.

1. Cornelia & Elyon from W.i.t.c.h.

I COMPLETELY lived in these comics when I was 8-12 years old, and nothing in it was as compelling to me as Cornelia and Elyon. Guess I was already a sucker for best-friends-to-enemies-to-friends-again, even though I didn’t realize I also wanted them to become lovers. Best friends was all there was to me back then, that was the name I assigned to the highest form of love in my head. Which I still don’t see as invalid? I just didn’t realize I would’ve related to the romance aspect between best friends a hell of a lot more than I did to any of the relationships the W.i.t.c.h. girls had with their boyfriends. Cornelia and Caled was almost as bad as Buffy and Angel! Cornelia and Peter was just boring af. All the other W.i.t.c.h. girls’ boyfriends were all equally boring to me except for Will and Matt, but that was because their struggle to admit their feelings for each other was written in a funny way, not because their relationship had any actual depth.

But Elyon and Cornelia would’ve been perfect! I mean if your best friend has the ability to understand you so well, that with her magical intuition, she can draw you a picture of a guy you’re going to fall for, a guy she has never met... why would you even want to be with that guy anymore? Why wouldn’t you just be with her instead?? What Cornelia and Caleb had was limerence (I actually applaud the comics for eventually treating it as such and showing how it was harmful to both of the characters!) but what Cornelia and Elyon had was true love that transcends dimensions. Cornelia never gave up on Elyon, not even for a moment, after she became the W.i.t.c.h. girls’ enemy, and when she was in trouble, Cornelia had a hunch from another dimension, and she didn’t hesitate to come to her rescue. (The fact that during the same mission she also manages to fall for the dude Elyon drew for her in the past seems more like an accident, to be honest. The real deal was patching things up with Elyon, it was both more emotionally impactful AND more plot-relevant!)

It was also really sad to read the comics sometimes, because Elyon was absolutely my favourite character, and she wasn’t around much after the first arc, being a queen in another dimension. But every time there was a flashback to when Elyon was still living on Earth and being cute with Cornelia I was like MOOOOORE.

2. Sora and Layla from Kaleido Star

If you haven’t watched this anime you’ve missed. SO. MUCH. This is probably my favourite anime ever. And it features another type of ship I LOVE. Which is partners in some sort of activity, usually sports. When it’s written well it’s just so impactful and intense. These girls are routinely risking their lives in their passion for acrobatics, so they need to have absolute trust in each other. And oh boy is the relationship between them written well. I love it when two characters initially don’t get the way the other thinks or sees the world, but as they grow closer, it’s the other’s way of thinking that really unlocks something huge for them.

Also what’s so compelling about Sora and Layla is that there really isn’t anything like them in any other anime, that I’ve come across, at least. These partnerships are always between two guys in a sports anime, the partnership is at the heart of the story and the emotional stakes are so high it’s no wonder most people don’t want to ship these guys with their intended female love interests. Kaleido Star takes this even further because the guy who is in love with Sora is literally a joke, or the fact that he’s in love with Sora is a running gag, and nothing more. All the focus is on Sora and Layla as partners, and how they change each other's lives for the better.

Also the way Sora pines for Layla when she’s away or not paying enough attention to her is SO... I mean you don’t even have to think it’s romantic for it to absolutely melt you. Although it feels pretty heavily romantically coded, and it doesn’t even feel like queer baiting, because it’s just SO real and honest. And how Layla can’t stop thinking about how Sora is changing her as a person. There’s no question about the fact that the relationship between these women is the true meat of the show.

3. Anne and Diana from Anne of Green Gables

I read these books over and over again as a kid, and the Netflix show renewed my love for these two. They are kind of ridiculous, but SO cute. Looking back, it seems obvious that they had a crush on each other, they were just SO giddy all the time they were alone. Sure, you can excuse all their romantic gestures (like changing locks of hair, and vowing to never leave each other with joined hands and grand words) with saying Anne just romanticizes everything, but it never really felt like just that to me.

I’ll never forget how devastated Anne was about Diana getting married, and I don’t remember the wording but initially she wished she could keep Diana to herself for their whole lives. And every time they talked about marriage it was something they were both gonna do not as individuals, but rather the emphasis seemed to be on the shared experience, and how their children would be best friends and all that. It was all about them together. Like their romantic fantasies were nothing without the other somehow in the picture.

I don’t hate Anne and Gilbert but I don’t love them either. Gilbert has always been just sort of “meh”. He’s okay, but also the kind of love interest that can never compel me much.

4. Chocolat and Vanilla from Sugar Sugar Rune

Seriously, this would have been SO GOOD if it was canon.

Think about it, best friends, chosen to compete against each other for the throne. These witches go to the human world to attract male attention and collect feelings from the men, turning the feelings into heart shaped crystals and whoever collects more will be the queen. I mean... the story was good as it is but if they had ended up together and been queens TOGETHER?? That would have been the best story. It could have had SUCH a compelling best-friends-to-competitors-to-enemies-to-friends-to-lovers storyline! There would have been room for so much character development.

And if my memory doesn’t betray me the story would not change much at all if they didn’t end up with the guys they do end up with! Especially Vanilla’s guy is like an afterthought and Chocolat’s guy is... well, a sum of my least favourite tropes, including the one that will remind everyone about Mortal Instruments a LITTLE too much, so he can get lost for all I care.

I cried many times while reading this, and it always had something to do with these two girls.

5. Yoko and Liao from Yoko Tsuno

Okay, these two might have a problematic age gap, I’m not sure, but I didn’t know of that possibility as a kid, they just looked the same age to me. I was a huge Yoko Tsuno fan as a pre-teen, and there were so many interesting female adventurers in this series but for some reason the dynamic between Yoko and Liao was my favourite, even though Liao only appeared in one album. I just really felt like I needed to see more of these characters interacting and where their relationship would develop.

There was something about them that seemed rather original to me then, and a nice change. The reader had already gotten used to Yoko as the hero, she was always saving the day everywhere, she was like The Doctor in a way and not only because she time-travelled. She is simply badass. In Liao’s story there’s a prophecy about a girl who speaks to a dragon and saves everyone, and Yoko thinks that girl is her because she’s from the future and knows the dragon is a machine, but it turns out to be Liao, and that was somehow really satisfying. Yoko treats Liao obnoxiously in the beginning, doesn’t give her much credit, but is deeply humbled after Liao needs to save her ass multiple times because she’s just too sure of herself. It was cool to see how Yoko really needed to grow in this story and realize her limitations, and how wrong she was to treat Liao the way she did and look down on her just because Liao was physically weak, had a temper, and came from a much earlier time period than Yoko.

By the end they are clearly very attached to each other (Liao weeping in Yoko’s arms and Yoko confessing how full of herself she was when they met) and respect each other, and I just really would’ve liked to see where they would go from there. I thought about them meeting again A LOT when I was a kid.

That’s my big five! :D I could go on but this is already long, I need to sleep, and these are the characters that I’ve been thinking about the most lately. If you read this far for some reason it would be cool to hear if you have any similar (or different) experiences.

[mego42]

Writer Asks

Tagged by @sothischickshe, @bourbon-ontherocks and @medievalraven who are all v lovely and for reasons unknown to me, want me to ramble about my fic so like, blame them for this I guess

Tagging @fairhairedkings, @riosnecktattoo, @inyoursheets, @foxmagpie, @pynkhues if you feel like it

ao3 name: ms_scarlet (origin story no one asked for: I came up with it for a creative writing class where we had to submit everything under pseudonyms for anonymous full class critique, which was gr9 and not at all traumatic, and I was deeply obsessed with both the Grateful Dead and Sublime versions of Scarlet Begonias at the time)

fandoms: the only fandoms I’ve written fic for are bellarke/t100 and Good Girls (and Buffy but it was way back in the day, pre-organized archives and has been completely lost to time which is For The Best)

number of fics: 14 (lol, 5 over the course 3 years in t100 fandom and 9 since joining the GG fandom at the beginning of s3, you could say I have been inspired)

fic i spent the most time on: a song inside the halls of the dark for sure, it’s the first multi chapter I’ve ever done and I’m far enough into it that I will be super honest, I was extremely dubious over whether or not I’d actually see it through when I started but huzzah! It’s happening. But yeah, I spend like, a lot of time thinking about it, writing it (lmao obvs), rewatching clips of the show to pick apart characterization and mannerisms, etc, etc. I try to work on it in some capacity every day (sometimes that just means outlining or deleting chunks of my outline and crying about how much I hate myself) to keep up momentum so yeah, def that one.

As far as one shots go, there’s blood in my body (I’m holding on) for bellarke, I think I spent a month, maybe 6 weeks working on that

fic i spent the least amount of time on: as the world turns, the blunt burns, I was doing my usual lazy Saturday morning scroll through Tumblr before I got out of bed and saw a post like I want beth and mick to get high together (I would love to give credit but I haven’t the foggiest notion who said it, I wasn’t intending to write it so I didn’t pay too much attention, I’m the worst, I’m sorry) and then some dialogue popped into my head maybe 10 min later and I think I wrote the whole thing in like, 45 min on my phone. Cannot emphasize enough how little I thought about it (or proofed it tbh, yikes, so many typos) before posting

most hits: overall, I’ve Got You Here my t100 post s3, alt s4 thing. For Good Girls, a song inside the halls of the dark

most kudos: overall, there’s blood in my body (I’m holding on) - bellarke modern au. For GG, still song.

most comment threads:  a song inside the halls of the dark by a M I L E (it twice as many as blood, the next highest), the GG fandom is so lovely and supportive and friendly and I love you guys, I really do

most bookmarks: same as kudos, blood overall and then song for GG

highest total word count: lol song is killing it

favorite fic i wrote: oh man, that’s hard. I love them all for different reasons. Blood was my first ever AU (I am a canon/canon-divergent ho) and it also deals with some stuff that’s important to me so that’s always going to have a special place in my heart. I’ve Got You Here was the first time I tried to tackle something bigger than a missing scene or short one-shot so that’s also significant.

I’m really proud of smoke, fire, it’s all going up because I think I did a p good job with the Rio POV there. I’d give her a HA! And a HI-YA! is special bc it’s my first outside POV and it was based on so little info it was basically OC, so that was a fun challenge.

All of that said, obviously, a song inside the halls in the dark is my fav. It’s been the biggest stretch of my skills (I had NO! IDEA! If I could plot and pace on the level required to sustain the fic I’d originally outlined and it’s only grown from there tbh), it’s also been like, the loveliest experience? I keep saying people’s reaction to it has broken my brain and I’m not actually just saying that. I’m deeply overwhelmed. And last but emphatically not least, it’s how I’ve gotten to know @nickmillerscaulk who, on top of being an incredible editor (seriously y’all, she is Skilled, I’ve learned so much from her), is such an awesome, amazing person and I’m so very glad we’ve become friends.

fic i want to rewrite/expand on: Oh man, idk. Pills N Potions is the easiest because it’s a prompt collection! Send me prompts! I can’t promise I’ll write them right away (my ADHD is so very real and only dubiously under my control during quarantine, so I live in constant terror of losing the thread of song especially this close to the end) but I def want to flex my quick and dirty short fic for funsies skills. I’m super looking forward to @goodgirlsficrecs prompt-a-thon.

share a bit of a wip or story idea you’re working on: ahahaha oh man, my google drive is littered with partially drafted or outlined ideas. I have a bunch of missing scene things I started at various points in s3 that are realistically dead in the water.

In terms of WIP/ideas I’m still intending to work on/finish:

A post 311 Rio POV pwp

A fishing/fencing/flute playing fluff for @medievalraven because I keep taunting her with my tags for song

The Good Guys (Rio, JT and Stan) thing that snowballed in a post way back when from @jazillia007, @nickmillerscaulk, and @inyoursheets

I still low-key want to do the transcripts for the Mick, Annie and Ruby group chat. I might save that for whenever I rewatch and have it running concurrently to s3, idk we’ll see

A Jewel Thief AU that I am wildly hyped about. I outlined the first chapter of it around when I started posting song and haven’t let myself do anything with it because I know once I get started I’m going to abandon whatever else I’m working on

More Annie POV, I don’t have any specific ideas, I just really love writing Annie POV