#I wasn't sure if this should be like canon?

[lucystark12]

oh good god please stop

i propose an alternative...

lets look at the context of these three scenes, shall we?

scene 1: max and lucas

this is lucas referring to max's depression and her distancing herself from the party as a result. this is something very tangible and real that could be found in a real life conversation between two people in a relationship. the context of this would make sense if you put it in any other kind of movie. in scene one, lucas is displaying his care for max as an individual and for her feelings. he is there for her in her everyday emotional pursuits.

scene 2: mike and el

this happens during the monologue when mike is quite literally using his words and the fact that he is physically there for her to help her save the world. TO. HELP. HER. SAVE. THE. WORLD. mike infact wasn't there- nor does he clearly have any desire to be- for her throughout the nine months where they were on the opposite sides of the country. he literally is only able to have this conversation (if you could even call it that) with her when THE WORLD IS ENDING. hello.

scene 3: steve and nancy

once again- DIRE CIRCUMSTANCES. nancy was literally just vecna'd. she was just put into a trance by vecna, prompting steve to say this to her. listen to urself.

the fact that the two debatable couples of the trio are only saying this to each other in something so absurd as a supernatural monster attacking the girl in said scenario whereas lucas and max are having a very real and tangible conversation about every day issues- not lucas being there for her specifically because she's dying, but because he cares about her and her feelings- should say it all.

i'd also like to add the fact that steve/mike say this to nancy/el when they're practically incapacitated and can't respond. el can't because she's fighting vecna, and nancy is calming down from coming out of a vecna trance. they can't respond. they can't say there piece. max was able to do that in her conversation with lucas because they are in a healthy relationship where both sides of the equation are valued. if this phrase is to mean anything, it's not a stretch to assume that nancy and el's lack of ability to voice their thoughts is a direct metaphor for the fact that their voices aren't/weren't being heard in the relationship with the other person.

my last point: by this logic... WHERE IS JOPPER? jopper is the only couple that, as of now, is basically 100% canon. there's a chance the love triangles could go the other way and a chance max won't wake up. if this is "code for endgame couples" then where is the show's only couple that's actually going to be endgame for sure?

[nqueso-emergency]

Just came across another bestie post about the bachelor party and I just kinda wanna vent a little if that’s okay. If not, feel free not to post this lol

So. Bachelor party. First and foremost, let’s talk about how it never should have happened anyway because Chimney didn't want it and told Buck as much. For all that it’s a tired trope at this point to accuse Buck of making stuff about himself, he kind of did here. He wanted to throw Chim a party, and that mattered more to him than what Chim actually wanted.

Next, costumes. Nobody except Buck and Eddie wore a costume. Ravi and Karen, much like Tommy, wore normal ass clothes, Chimney didn't dress up either, and Hen wore something that could be called a costume, but definitely wasn't 80s. So why is Tommy consistently singled out as not wearing one, especially when he actually had a pretty good reason for it, being on standby and all?

“Buddie canon confirmed because they coordinated couples' costumes!!!!” They didn't coordinate shit, they both came as the same character.

Karaoke scene. Just. Shut. Up. Already!

Which leads us to something nobody ever seems to tal about, the fact that Buck and Eddie trashed a pretty fancy-looking hotel room that most likely had Chim’s name on it. I sure hope they were the ones paying for the damage they caused, and not Chim and Maddie!

Also, the fact that bestie boos keep calling There Goes The Groom “the bachelor party episode” instead of “the motherfucking Madney wedding” says everything about them and why they watch the show (or don't, apparently.)

Sorry about the rant, but this particular thing pisses me off whenever I see it.

Please rant away, anon! You are so fucking right!

[ghostradiodylan]

Probably a lukewarm take, but other than the (lack of an) ending, the Laura and Ryan scenes are some of the worst written and conceived parts of The Quarry.

And this is completely separate from whether Ryan is interested in Dylan (he is, but that's another post and not important to this rant) or Kaitlyn; even if Ryan had no other potential relationships in the game, even if Laura wasn't practically married to Max, wearing his ring around her neck the entire time they're talking, it still would feel flat to me because nothing about it is earned.

Laura is on a killing spree with the single-minded goal of saving Max. She genuinely believes the only way to do that is to kill Chris Hackett. Even if you've made her argue with Max to the extent that they can, they're still a strong unit when she goes out to solve this werewolf thing once and for all. Even if you don't believe in love think their relationship would survive all this trauma, she deeply believes she owes it to him to rescue him, that is her entire guiding ethos during the game.

Ryan is going with her to try to keep that from happening because Chris has been his friend and mentor for years. We know Ryan has an absent mother, unmentioned father, and a potentially turbulent family life, and he's been coming to HQSC for so long that it feels like home to him, that Chris and his kids feel like family. Laura has already killed Kaylee. Even if Ryan completely bought into the werewolf thing by now, that would be a tough pill for him to swallow, given his reaction to her death.

Then, they fall in the titular Quarry and suddenly have the option to express a completely unearned sort of camaraderie with each other. Why is Laura asking Ryan about his love life in the first place? The question about him being single makes sense as a dig, but it doesn't make any sense for her to ask about him being a 'brooding and mysterious loner' because... she hasn't actually seen him do anything brooding or mysterious? How did she even get that impression? If Laura's got some kind of borderline psychic intuition then this is really the worst possible use of that ability--she should have foreseen her need to go to that motel and stay the fuck out of locked storm shelters instead.

It doesn't make a lick of sense for her to say that Kaitlyn looks up to him either. She hasn't seen that. Hell, we as players haven't even seen that! Kaitlyn seems generally tolerant of but unimpressed by Ryan. She has the option to be impatient with him multiple times and even get the chyron that she's ‘losing respect’ for him if he suggests she take the gun and go after Nick instead. This seems like an objectively good idea, since she's a much better shot than Ryan, a fact which the game keeps telling us despite refusing to give her a gun until the last possible second, though maybe the concern is that she'd have to drag Nick back to the campfire herself. (Honestly, I think Kaitlyn could do it, I think she's like a mighty ant who can lift many times her own weight, but that's not what this post is about.)

Ryan, for his part, shouldn't really be willing to talk about any of this with Laura either. He canonically doesn't even want to talk to his coworkers about his animation school decision (in the office scene with Dylan and at the campfire with Emma if you choose truth like a lunatic) and he's known them for at least two months, if not for years attending the same camp. But he met Laura a few hours ago and is suddenly willing to spill his guts about who he does or doesn't have a crush on and who does/doesn't have 'the hots' for him, despite the only experience they have together being her leaving his friend of several years dead facedown in a pool and expressing a strong desire to kill his father figure? I simply do not buy it.

I'm not sure if this was supposed to go along with the relationship system that they scrapped or what (there's not a single shred of Ryan and Laura stuff in the datamine that I've been able to find), but all it really serves to do is muddy the waters by trying to force some level of intimacy on Ryan and Laura before the big confrontation at the Hackett House. But that confrontation itself should have been the thing that forged that intimacy between them and allowed them to go on to fight Silas together.

Overall, I think it's a major sign that the back third of the game got a very rushed and, frankly, bad chop job (which we know is true) and that they struggled to tie the resulting loose threads off in a way that made any kind of narrative sense. It's a shame, because the writing in The Quarry is actually way better than most people give it credit for, it just wasn't allowed to pay off in a lot of ways that clearly were intended.

[abbysimsfun]

Sims In Bloom: Generation 2 Pt. 54 (The Game Tried to Take MY SON!)

cw: toddler peril. I learned a lesson about playing with unpatched mods but I played up a bit of drama despite not accepting what happened as canon. Only shot of Ash is above because more felt gratuitous for something that technically never happened because I reversed it.

The quiet house unnerved him. Conrad knew something wasn't right. He texted Heather, and in less than a minute his phone rang. "I'm sorry I didn't text," she sobbed through the phone. "Ash's daycare called and I...I...I'm at the hospital with him now. Doctors have him sedated."

"What happened?!"

"It was daycare," she repeated. "They said he was on the slide but then they looked away and...and they thought..." She broke down, and Conrad felt her pain through the line. Her fear shook the phone in his grasp.

"It'll be okay. I'm on my way there."

He embraced her when he walked through the door to St. Sims Hospital, and she fell into his arms. "He'll be okay," he assured her, but he didn't know any better.

"How did this happen?" she cried. "What kind of mother lets her son-"

"Stop. This isn't on you."

"If I didn't work so much, I could have been home with him. Maybe I could have..."

He pulled her close, feeling every tense muscle in her rigid body. "This isn't on you," he repeated. "And we're not gonna lose him. We'll all get through this together. We're a team, remember? That means Ash, too."

She was quiet. "Conrad... Do you believe in curses?"

"Like witches?"

She frowned as her thoughts pounded against her skull. "I don't know. Maybe. Maybe mermaids? But Mortimer Goth told me a story once about cursed Landgraabs, and I know how it sounds. But when Ash came along I thought about it a lot more than I should, and then I had to give him their last name. After tonight, I feel sick to my stomach. What if I cursed my son by giving him Malcolm Landgraab for a father?"

"There's no way Ash is cursed," he said quickly. "I know you're scared for him, but curses aren't real and Ash is one of the luckiest kids in the world. He'll get a Landgraab trust fund and he's got you for a mom."

She managed a smile, but when the doctor emerged from the pediatric care unit, she raced over to hear word of her son. "How is he? Oh, Watcher, please let him be okay..."

Dr. Serra smiled. "He hit his head pretty hard, but other than a headache for a few days, we think he's going to be fine. We want to keep him overnight for observation, but he's awake and he's asking for you."

Heather's whole body breathed with relief as she embraced her son's doctor. "Thank you!" she sobbed. "Thank you so much!"

Behind her, Conrad felt his muscles loosen. He'd been so focused on Heather, he didn't even notice his own fear at the thought of Ash in peril. "Thank you, Doctor. We're so grateful."

Dr. Serra smiled. "You must be Conrad. Ash asked for you, too."

Ash would recover quickly, but Heather wasn't so sure about herself. Even with Conrad's unflinching support, she felt torn apart by guilt over her son's near-fatal accident while she'd been working.

She was always working, trying so hard to earn enough to buy out her clinic from Ash's other family. ->

<- Previous Chapter | Gen 2 Start | Gen 1 Summary | Gen 1 Start

WCIF St. Sims Hospital? Sims 4 Gallery build by @pihe89/pihe89. Stunning build, simply put, and very popular (so many copycats). And it comes with a science lab and alien wormhole nbd. Two floors, so many varieties for rooms. Why would I build when people are this talented? It's in a second save and I'll use it again for babies, but hopefully we're not back here for any tragedies anytime soon.

How did this happen?!? Needless to say, Heather's guilt is also mine. I had too many mods and tested fate playing before updating them all! I played some Ultimate Decades Challenge generations and still have the Children and Toddlers Can Die mod installed (I like having options, I guess?), which only kills toddlers with hunger if I'm not mistaken. I was also having some mod issues after the Lovestruck update and didn't realize it until this happened, but the toddler needs bars stayed in the green while their needs deteriorated and I didn't know. Only the toddlers!

So I followed Conrad to work and when he came home Ash was gone and Heather had the 'lost a child' grief moodlet. Cue my internal scream! I revived him instantly with MCCC because this is not UDC and I have plans for this kid! I was so shocked I didn't take any screenshots of the whole disastrous event, but I couldn't pretend it absolutely didn't happen. And honestly the accident ties in with Heather's nagging fears the curse could be real, which is the one unintended benefit of this whole thing.

[bridgeportbritt]

Diana invited some people over for a lowkey birthday celebration at their vacation home. The guest list included most of the senior royals, her best friends, and of course close family. She got some great gifts, had a beautiful cake, and aged up to an adult in style.

Under the cut, see Gerhard's even lower key birthday. Everyone's growing up!

[angelsdean]

dean literally refutes sam's dismissal of emma and says actually, she really was his daughter so ¯\_(ツ)_/¯

[boilingrain]

There’s something silly to me about Bluestar x Yellowfang

It’s just “yeah Firestar’s moms should date”

Old women with tragic backstories and the very orange boy they separately adopted

[thatonecrookedsmile]

More progress being made. I finished re-reading The Illusion of Living this past Friday. It's a nice book. 👍 This was the last of the Bendy books in this "marathon" that I'm doing which I had already read previously and now I'm rereading, meaning that I'm kind of up to date when it comes to rereading all the books that were released until December 2021. But the race is not over yet. Soon I'll start Fade To Black, and (technically) I'll finally be up to date.

Just to continue my chain of posting about the books I finished (at least, the main ones that I really wanted to read) here it is…something I did at the beginning of March, on the night when shit went down. (I hope you know what I'm talking about). I saw the tweets first hand, I was there! Right at the damn moment. And it was..something reading those tweets alright. If the image above doesn't show it, my mood that night and the next 1-2 days wasn't so… great. You might read this and think I'm exaggerating, but that night especially I, uuhhh, I didn't feel good! And this image (and maybe 2 more posts I made that night) are the results of that. (And to think that a week before this happened, I had finished rereading DCTL after a long time. Talk about better/worse timing than this)

At least, if you want the bright side of this, it's that even after that day, I decided to continue with my book marathon, and I don't regret it. I was down that day, but I wasn't out yet damn it!! and I'm still not. (I don't know if this sentence makes a lot of sense, but you get my point)

As a bonus, here's something I did the night I got to the part where Henry is first mentioned in the book (you can consider this as a representation of my reaction when he's first mentioned, both for when I read TIOL for the first time in 2021, as now in this rereading)

Feat. canon Henry design and my fanon design for him (I wanted to include him here + I still read this book with my fan-designs in mind)

[phantajam]

my hot take about descendants is that NONE of the core four were ready for a relationship until maybe like, the third movie (rant in tags)

[elisedonut]

wait!! i think i just got my first hate mail

it wasn't even Percy related

like the way I stared at that like what are you on about for a good second because i was like "his own assumptions" what did i say about Percy's assumptions

because it was something like "his own assumptions" why even talk about him if that's how little you care or something i don't remember the exact words

but like bestie

that's just a trait Remus Lupin has and an action he canonically does

more then once

that's just who he is

he runs and abandons people when he assumes they are better off without him

its why he keeps Harry at arms length

Its why he tries to abandon Tonks after he knocks her up

he assumes that him being around is not necessary regardless of how they may feel about it

when he assumes someone will be far better without him he tries to leave because in his brain in that moment that is the best decision

in his mind he is doing them a favor by taking someone like him out of the picture because his self esteem is stupidly low

is it healthy? no not at all

Is it actually what the other party involved wants? Also hell no

but is it in character for him?

yes in a situation where he felt him being around would cause actual issues he would try to leave and it would take action from the others involved to knock some sense into his self hating brain

[jouska-the-deer]

People still suck at writing Sonic the Hedgehog

Interpretations of Sonic outside of media made by Sonic Team often seem either unable or unwilling to reconcile the fact that Sonic is both kind-hearted and intelligent, but I think I've noticed a recent shift in the way writers try to reconcile it.

In general, there seems to be this belief that smart people are inherently more pessimistic toward the world and that kind people are inherently more naive towards it. So, when writing for a character who's both smart and kind, less knowledgeable writers end up flanderizing them in one of two ways:

The first way, which is how Sonic was interpreted in Sonic Boom and prior, is making the character act like a jerk who knows best. At worst, they'll be outright rude towards their closest friends, but any criticism they get for it will be ignored because their opinions are always correct in the eyes of the narrative. At best, they'll sometimes make mistakes and learn lessons about being nicer to other people, which is something their non-flandarized self wouldn't have struggled with.

The second way, which is how Sonic is interpreted now, is making the character a saint who solves everything with friendship. At worst, they'll give absolute tyrants a million chances, but any criticism they get for it will be ignored because their opinions are always correct in the eyes of the narrative. At best, they'll sometimes make mistakes and learn lessons about certain people being unwilling to change, which is something their non-flandarized self wouldn't have struggled with.

You may have noticed I straight up copy/pasted a couple bits of those last two paragraphs. Well, that's because those bits reveal a bit of truth in how Sonic is portrayed by Sonic Team. Sonic's opinions are always correct in the eyes of the narrative, because of the lessons he no longer struggles with. Sonic already learned to balance his desire to give people a second chance with the fact that some people just have to be stopped. When? Since the very beginning. Sonic has always been trying to defeat Eggman for good while also giving second chances to people who he thinks deserve it.

But how do you deal with people who are causing so much harm when you still think they deserve a second chance? Guess what? Sonic answered that straight up in Sonic Adventure 1.

Do me a quick favor and if you can listen to Open Your Heart, specifically the Sonic Adventure 1 version (Click here). You may notice that there're two distinct sets of vocals; One clean and high pitched, and one distorted and low pitched. (And if you're wearing headphones the audio will even pan during the chorus.) For context, this is the song that plays while Sonic is fighting Chaos.

You can figure it out yourself from there, but if you want me to really dig into the topic, feel free to keep reading.

So like, I shouldn't have to say this, but the dark negative voice is Chaos' view and the light positive voice is Sonic's. But notably, they sing together during key points, specifically those related to the anger, sadness, and hopelessness that Chaos has been feeling for ages. Sonic has recognized that 1. imprisoning Chaos as suggested by Tikal wouldn't solve anything because, 2. Chaos is only acting this way due to being blinded by hatred for those he perceives as selfish monsters, and 3. he's still very much currently destroying the world and won't change his mind because he's lost hope that there's anything worth holding on to.

What does Sonic do then? Sonic may be an unstoppable force but Chaos is a seemingly immovable object. Well, he literally uses the positive energy from his friends and within himself to stop Chaos' rampage and prove that there are still good people in the world that want to maintain peace. After he loses the fight, Chaos is able to calm down and see that the cute defenseless chao he'd been protecting ages ago had survived, living among the very people he had assumed could only be power hungry monsters. He's able to let go of his hatred and live a peaceful life understanding that good people still exist and the world is still worth protecting.

And that's where the question is answered. How do you deal with people who are causing so much harm when you still think they deserve a second chance? You do everything you can to stop them, and if they're still around afterward, show them that they didn't need to fight in the first place. But that only works if they had a good reason behind why they were fighting, and would have chosen peace otherwise.

Sonic wanted to give Chaos a second chance because he knew that violence was not truly in his nature. Had he not been forced into those specific circumstances, Chaos would have chosen peace.

And that's what separates characters who have done a lot of harm but Sonic still gave a second chance to like Chaos and Merlina, from those who have done a lot of harm but Sonic wouldn't give a second chance to, like Eggman and Erazor Djinn. The former wanted peace but became convinced that it was impossible, and the latter only wanted power and were willing to hurt others to obtain it. The characters who Sonic won't give another chance to have proven that when dealt a better hand, they'll still chose to hurt others solely for their own gain, because that's what they want. To stop them peacefully, Sonic would have to convince them to give up their true dreams.

And that, is why Sonic's opinions get to always be treated as right in the games, because they are right. He has an absolutely kind heart, a nuanced understanding of morality, and the integrity to never give in to selfish desires.

None of this means Sonic is always right, though. Most people already know of his impulsiveness, which is his greatest weakest, but also one of his greatest strengths. Sonic never waits to act, which is great when innocent people are seconds from mortal danger... but not so great when a situation looks to be one way but is actually another. He teases Eggman for pleading for a second chance in Unleashed and he kicks the Cacophonous Conch from Eggman's hand in Lost World, and both of those were massive mistakes.

But, despite making those mistakes, his mindset wasn't the problem. How was he supposed to know Eggman was a shockingly good actor leading him into a trap? How was he supposed to know the people Eggman was controlling with the conch were equally as evil? (Yes Tails tried to warn him but literally if he didn't Sonic wouldn't have looked stupid and it just shows how poorly written Lost World was overall.) Had Eggman actually been pleading and the Zeti good people, Sonic's actions would've been justified.

Still, those were mistakes, and Sonic always wants to do what's right, so he does what he can to fix his own messes. He restores the planet Eggman broke apart. He stops the Zeti from sucking the life out of the planet. Sonic always makes things right in the end, and so he has the right to be so confidant in his beliefs. So confidant in fact that he doesn't care about looking like the bad guy if it means doing the right thing. Oh look, there's a song about that too. From Sonic's fight with Merlina in Sonic and the Black Knight. (Click Here.) Don't be fooled by the feminine vocals, if you paid attention to the themes of the game, the song is clearly from Sonic's perspective.

So yeah, Sonic is kind but he's also smart. He won't let anyone change his mind on anything, but he doesn't need to change his mind because he follows his kind heart and compassionate soul. He doesn't worry about looking like the bad guy because he and his friends know his true nature. When he gets angry he lets his rage fuel his desire to save the day. He'll never shed tears of despair because he knows that if he keeps fighting he'll make things right in the end. Sometimes his impulsiveness gets him into trouble, but it also helps get him back out. No matter what happens to him, he'll always make it out in the end either through sheer determination or the help of his friends.

Sonic is absolutely silly; He makes dumb jokes about his enemies and talks to himself when there's nobody around. Sonic is completely serious; He's willing to kill someone if it means saving the world and has felt multiple friends die before his eyes and in his arms.

Sonic is literally just some blue hedgehog who can run really fast.

Sonic is a god, and could kill god, and there is not a difference!

But most importantly, Sonic is all of those things at once. He is a wonderfully balanced character who's been right from the very beginning and has spent all his games sharing his wisdom with others simply by being himself. He isn't perfect, but that's not due to some personality flaw he needs to correct, but because nobody can always have all the answers and know how to avoid all potential mistakes.

The problem is, writing a character like this is hard. Writing conflicts for a character like this is hard. Most writers rely on making their protagonists work through relatable flaws to create an emotionally compelling story... but you don't need to do that. Sonic's conflicts are mostly external, but we care about him succeeding anyway because he's a good person who's just trying to live his life.

So really, if you wanna write Sonic well, you have to just let him speak for himself.

...By the way I mean that literally. Dude listen to his character theme it's all right there! (Click here.) Even when his theme was altered in Sonic Adventure 2 the only thing that changed was how confidently the same ideas were delivered. (Click here.) But seriously listen to literally any of the game themes, final boss themes, and ending themes. (I'm not linking all that.) No matter the quality of the games, if Sonic wanted to teach you something he was gonna teach it... through the power of having a music department detached from the nightmare that is game development time crunch.

And that's why Sonic Lost World is the worst Sonic game. Because it was so pointless that Sonic didn't have anything to sing about!

Wait... what was the point of this post again?

[pyrriax]

hey guys im back at it again with the horrible levels of s4 zam brainrot. um.

did i manage to somehow make this song about him in my head? yes! yes i did. and i cannot be normal about it.

[revengesworn]

Hanma Shuji.

Anyone can see how suspicious he is. The man who took command of Valhalla, orchestrating the attack on Draken in an attempt to tear Toman apart... Mikey knows that none of his friends understand why he let a person like that into the gang.

He can’t blame them for that. Even he doesn’t really understand, himself. The one thing he knows... is that strength isn’t enough. No matter how much he tries to protect them - everyone, the people important to him, his family - his strength alone isn’t nearly enough to keep them safe. So, people like Hanma...

( ...are necessary? is that really what he thinks? or is that nothing more than another weak excuse? )

“Hanma.” Mikey greets him with a serious tone, his expression blank and difficult to read. ...He knows he doesn’t have any right to judge him. No matter how much Mikey may hate Hanma for what he’s done- hasn’t Mikey thought about doing so much worse?

Or is this emptiness, this lack of emotion he feels towards him - is it just another way that Mikey is broken?

“I’ll be counting on you from now on. ...Toman needs your strength - that’s why I accepted you as a part of it. ...You understand what that means, right?”

@deathfavor​ ( starter for hanma! )

[thesearchforbluejello]

With the popularity of Ted Lasso, I'm genuinely just so glad that we got such a phenomenal show that has made an impact on so many people, and of course now we've also gotten the first season of Shrinking, which also knocked it out of the park.

But I still mourn Whiskey Cavalier every time I watch an episode of either of those.

There hasn't been a whole lot of tv I've actually enjoyed in the past several years, and these three feel like an absolute trifecta, but WC feels like the holy ghost at this point because there is SO MUCH of it in Ted Lasso and Shrinking-- it's so many of the same writers/directors/producers, but they're also just so similar right to their foundations. All three interrogate tv tropes and relationships (of all kinds!!!!!) and mental health through comedy, and Ted Lasso and Whiskey Cavalier actually interrogate an entire genre. I'd say that WC is more on that side than Ted Lasso even is, because although they definitely interrogate some of the tropes of sports fiction (toxic masculinity, anyone?), WC actually parodies spy fiction while playing itself as straight.

It just makes me absolutely feral to think about what more of Whiskey Cav would have looked like. A second season? A third? The development of the show from the original(-ish, one of the drafts) pilot to what was actually filmed shows so much growth and an acknowledgement that they could really work with what they had-- it turned from a show about a guy (hence the name) to a show about an entire team. Frankie took the spot as the second main character with Will once they cast Lauren Cohan (I don't think that happened before she was cast but I may be wrong) and another character was completely rewritten into Jai when Vir Das was cast. They had an entire plan for how to flip the TV trope of the will-they-won't-they relationship to a how-will-they-make-it-work relationship!!!!!! It would have been so good!!!!!! The amount of character development we got in just one season was far above and beyond anything else I've seen besides Ted Lasso and Shrinking, and honestly I think more actually happened specifically because they didn't have the assurance of more seasons (good thing they didn't assume, I guess) to build on things like the Ted Lasso Method™ but they still managed to do it without rushing it.

Honestly I feel like I could make a venn diagram of how all three of these shows all overlap and it would be hilarious. Excellent theme songs by well known artists without it feeling cheap? ✅✅✅ Excellent episodic music by well known artists also without it feeling cheap? ✅✅✅ Really well executed character development for ALL of the characters? ✅✅✅ Interrogation of tv tropes? ✅✅✅ More specifically, hilariously camp villains who still manage to take advantage of tropes to work? ✅✅ Incredibly well developed character relationships OF ALL KINDS that don't all hinge on only one romantic relationship as the centerpoint of everything? ✅✅✅ Queer characters who don't exist for the butt of a joke or solely as token queer characters? ✅✅✅ Every line is delivered with perfect comedic (or dramatic) delivery and timing? ✅✅✅

Anyway, this has been a barely coherent and very meandering way of saying that the fact that ABC put the episodes out of order really screwed things up, but Whiskey Cav really hit its stride there with the second half of season one and absolutely nailed the vibe they'd been working towards with the foundational episodes that came before them, and I just get SO ANGRY when I watch Ted Lasso and Shrinking despite the fact that they're both so good and I enjoy them so much because it makes me think about just how good a second (and third, damn it) season of Whiskey Cavalier would have been.

[thenonbinarydetective]

You know, sometimes I wish Barbara Gordon was her own character and that people didn't treat her like Dick Grayson's love interest...She's so much better when he isn't around

[pokemoncanoncalls]

Hello, I'm a fictive of Volo who was reincarnated as Cynthia! And I'm looking for pretty much anyone who wants to chat, but I would like to meet Rowan and Augustine again, even if you're not the one I knew. I can be found @researcherofmyths if you're interested, thank you!

ㅤ