#I will never complain about more content

[brutal-out-here]

One of my first big loves <3 I’m posting a bit late but happy May the 4th Be With You!! (also can be watched here!!)

[kalied0skull]

THE SHEPARD SIBLINGS

“You gonna smile for the camera, or what?”

“Fuck no,” they all say in unison.

now playing: Old Enough 2 Die — Heart Attack Man ♪

though about redrawing my shepard designs digitally, ended up with this, and also tested out a new pen in the process and it accidentally changed my style just a bit 💀

one thing the shepards do NOT fault in is looks, they are a VERY pretty family. and i love love love them sooo much :D

i don't have much to ramble about for them, but i do like to imagine the one thing their mother does force them to do twice a year (one for school, one for christmas) is take family pictures. and they all HATE it. just like they all hate each other!

[betty-fran]

I don't like SNW for many reasons, mostly because, as a production designer, when I look at this footage, I want to throw my diploma out the window, but especially because I can't see it as a prequel to TOS. It's just not. It's not the same people. They're… absolutely normal, I've seen somebody like them hundreds of times on screen anywhere but TOS, and that's exactly the problem. This show is just normal. It has to be something much more than just normal to be like TOS. It has to be whatever it is, but not normal, to be honest.

But, I finally figured out the problem with Paul Weasley as James Kirk a few days ago, when I watched S2EP14 "The Trouble with Tribbles". There was a dialogue with Klingons, which I found to be quite irrelevant at first, but which actually explains well the reason why Weasley can't:

KORAX: No. I just remembered. There is one Earthman who doesn't remind me of a Regulan blood worm. That's Kirk. A Regulan blood worm is soft and shapeless, but Kirk isn't soft. Kirk may be a swaggering, overbearing, tin-plated dictator with delusions of godhood, but he's not soft... ...and if I think that Kirk is a Denebian slime devil, well that's my opinion too.

Paul Weasley is a good guy - yes, he doesn't look like Shatner, and yes, he's inferior to him in acting (which is obvious, given Shatner's theatrical background and his old Hollywood acting), but those aren't the things that really matter. A character is defined by their essence. It's not the actor's appearance, it's not their acting style, it's whether they can show what's most important about the character, what defines them under any variables. This is why I think Chris Pine made a good Jim Kirk, even though the character he played is noticeably different from the original. There's something about him, something that Shatner has and that Paul Weasley doesn't, something that makes Jim Kirk, well… Jim Kirk. A crush on Spock, obviously. And bisexuality. He is a good captain. A man responsible for his crew and his ship, for the 400+ people on board who are under his command. And in fact, he always had the qualities for this. It's not something he developed over time because he became a captain; it's something that is the foundation of his character and is an integral part of him, and that's why he was able to become a captain. He's not soft, even if he really looks like it. Or, rather, he's not only soft. This brings us back to S1EP6 “The Enemy Within” and Spock's words:

SPOCK: Yes, and what is it that makes one man an exceptional leader? We see indications that it's his negative side which makes him strong, that his evil side, if you will, properly controlled and disciplined, is vital to his strength. Your negative side removed from you, the power of command begins to elude you.

This is why he is the only one of the entire crew who is actually on equal terms with Spock, why he is so understandable to Spock, despite all his irrationality. Vulcans, let's not forget, were brutal warriors; it's etched in their blood, in their souls and hearts, and even if they learned to restrain it, they never forgot. We are repeatedly shown that Kirk has this tough side, the ego, the ambition, the desire to win, which are tempered by his kindness, humanity, and compassion. Paul Weasley is a good guy, but Jim Kirk is much more than a good guy; that's the point. Part of him is a Denebian slime devil.

[stuck-in-the-ghost-zone]

it bugs me so much when I see people complaining about the lack of women in jrwi when like.... riptide is right there. riptide has so many cool npcs who are women VERY early on in the campaign and throughout the rest of it, PLUS a badass pc (jay) who is one of the best played/written characters in ANY of the jrwi campaigns. like. what's the issue here. you don't even have to go to a new show for cool women, literally their longest running campaign has a ton of them !!!

[cracking-cipher]

TBOB spoilers:

I'm glad that there are so many new people in the BillFord tag, but I really don't understand how the gay website didn't pick up on the queer coding for both of these characters. This is also the old man / monster fucker website where yaoi (toxic or not) is extremely popular.

"Fordsy"

"My muse"

Bill took Ford to the penthouse suite, and offered Ford a chance to rule the world beside him.

Ford covered his house in images of Bill so he could be closer to his muse.

They made a deal where Bill could possess Ford's body. That triangle has literally been inside of that man dozens of times.

*EDIT: Never noticed the typo until now. Sorry.

[helenofblackthorns]

thought about it some more and if nobody else will hype up the Luke & Jocelyn story i will. especially if the "in the past" is referring to the circle era like. I'm always excited for circle content they never fail to make me insane

think about it!! Valentine from their perspective, the two people who loved him the most, while they're in the thick of it is going to be crazy. his wife and his parabatai. also I'm fairly certain there's a quote where Jocelyn says if she knew that Luke loved her back then she wouldve made a difference choice like this story is going to be great i can feel it. just the fact CC is going out of her way to include it over something more popular means that it's something she really wants to share & that makes me really excited. I hope it rewires my brain <3

[crownedwille]

I know the fandom is shrinking so it makes this even harder but are there active yr blogs who also contribute something to faves fest that doesn't include wilmon (besides like the two other blogs I can think of)? Or in general any blogs who post content of literally any other character? I seriously wanna know, are there Sara blogs, Felice blogs, etc? If so, I would love to follow them so in case you are and see this, please speak up

Or let me rephrase this: are there any people who are interested in including more Sara or Felice or other characters on their blog?

[snobgoblin]

its so funny seeing people say "the arcana fandom is so dead" because i remember returning here after being in the gangreen gang fandom for like 2 years and just being overwhelmed by how active it was here

[affluent-havoc]

Naegami Fluff and/or Shenanigans 18

Makoto has an absolute grudge against mouthwash and Byakuya just doesn't understand any of it.

Basically, as a kid, Makoto's parents decided one day to try and get more healthy with their dental hygiene. I like to believe that Makoto's parents are the type to follow trends like "Oh, honey. There's this new mouthwash everyone's raving out. We should totally try it!". Or, maybe instead of mouthwash, it was something else. However, they had to settle for the cheaper stuff because they aren't forking over half of their earnings for this. Also, side note, I just feel that Makoto's parents sometime get suckered into fads too. It's not like they MEAN to, but still. Regardless, with this mouthwash brough, Makoto got some unsavory memories he doesn't wanna think about like crying like a little baby which makes him embarrassed because of the cringe. He also doesn't give me the energy that he cried too much as a kid so this just stuck with him a lot BECAUSE he happened to cry from this. Or maybe, Makoto just accidently swallowed the mouthwash and went to the ER or something! However, luck has it that no, he is not going to be able to never think about this again because Byakuya's now looking at him with an all-knowing glare and it's back with the mouthwash all over again. It all started with Byakuya picking up on some of Makoto's dental habits which led him just to bluntly claim one day that Makoto had gingivitis and he can tell. Which Makoto is... upset to know that yes. The heir was right on this assessment and also "Oh crap... this isn't going to go well for me." Which, yeah. This is a complete negative for Makoto in his eyes. Every time Makoto uses the mouthwash Byakuya's provided (which it is of course, quite expensive), he always makes a little noise of disgust like "Ew! gross" or "Bleh! This is so awful..." which Byakuya doesn't get at all. It doesn't help that Byakuya could chug a whole bottle of Brown Listerine and feel nothing about it. But, anyway, Makoto hates the mouthwash, Byakuya supervises Makoto and stalks him like a hawk, Makoto constantly complains while Byakuya explains that "This is important." and "Stop whining. It solves nothing". This cycle ends up going on for a while though Byakuya "isn't going to baby sit him forever" which then leans to rebellion! Aka, Makoto slowly tries to be sneaky and stop using the product over time. Makoto treats the situate like he's Solid Snake stealthing about though he's very obviously not subtle and gets caught in less than a week. However, Byakuya feels a bit merciful after all of this. And tired. That too. I can see them finding some sort of compromise and maybe Makoto apologizes for acting so strongly against it all when he knows he can handle it. Maybe Byakuya also reevaluates his role too and how he probably shouldn't have just forced this all on Makoto. Taking it slow was probably the better fit for the both of them anyway. Idk. Feel it should end well for them. ALLLSO an additional little bit that is not related to most of this post but is here anyway cus I feel like it: Makoto also does the "Bleh!" noise or other adjacent vocalizations whenever he trips up a sentence or messes up a word really bad. Byakuya also doesn't get why Makoto does this either. For him, it's just like, "Why are you making weird noises? Just pause and restart the sentence." It just makes sense in Makoto's mind though so the heir is in a perpetual state of never getting any of this.

[theokusgallery]

I found a song that feels very like your Virgils @ Janus

https://open.spotify.com/track/5lLLvKIRr5k8otmyZJPyc6?si=73SN8V-zSiC6eHjPgtmGdA

Song: Madilyn Mei - Partner In Crime

Oooh this is defnintely really good for LC!Virgil... (listening to the song on loop) yeah this is great for him. Also strangely good for LBAU!Janus at his Virgil? Thank you so much for the song rec it's great!!

[raifuujin]

It's been more than 20 years and for some reason I feel that Gosho hasn't given Kaiao any development, how can more than 20 years pass and Aoko dynamics, relationship and feelings remain the same? At this point I feel like Gosho is just going to make them date because "they already liked each other" they remain in the same status quo

Hey, if we go by DC romance progress, they've been going too fast. We've already had suspicion of identity chapters, and that didn't happen until more than 400 chapters in DC. /j

Since heists have taken over any character development recently, I don't even know if Kaito and Aoko will even get any romantic progress. Maybe the actual identity confrontation will happen down the line, since that's thief drama, but atm, it really wouldn't surprise me if they only ask each other on a real date at the very end of the manga.

Like. I'm sure Gosho would love to make MK a love drama as well, but he writes MK so rarely, and usually as hype for something Kid related in other media. So the MK stories tend to be heavy on drama that can only take place at Kid heists. (To the point that the new chapters just. Use Kid as the plot device to show off a new character. Even Hakuba's never gotten so much 'look at this character being a detective' treatment in MK.)

-sighs- I just feel bad for MK as a series at this point. I like the characters, I like the general story idea, but. It's been going down a very steep hill with Gosho wanting things exciting, but not wanting any real progress in. Anything. But unlike old MK, the new stories aren't even nice standalone setpieces of story, they're... mundane. They could be high stakes, if you purely look at the scenarios on paper, but. We all know nothing's gonna happen to Kid. Nothing even happens to him when the actual bad guys show up, much less one-time antagonists.

We need actual character focus and development, not heist drama. Badly. Not even romance, though that'd be a nice change. Just any character expansion of our limited cast of characters. Gosho wants big, all the time, meaningless big stuff, when small would be so nice.

[hanzajesthanza]

i was looking up tips for formatting bilingual books (for example, a copy of idk the iliad with ancient greek on one side, english translation on the other), but i didn’t know the word describing this kind of format 🤔

so i was stringing together keywords like “book with two languages” and one of the results was a reddit post with someone trying to find a book that alternates between multiple languages, i.e., there are no translations, it’s it’s one text, but half of the story is in english, then the other half, or interwoven throughout, is in french or whatever

and it took strength to not suggest the hussite trilogy 🥴

[heloflor]

Ok so for about a good two-three months now I had a post in my drafts about how I realized I ship Powser, and long story short I started comparing Bowser to what I think to be how most villains in media interact with their damsel in distress if they express “love” for them. Issue is, I don’t have nearly enough knowledge/examples on this topic to know how truthful this comparison is, but said comparison is also the main thing tying this post together. So when thinking of ways to remove this element while still having all the same info in this post, I kind of came up short. Plus, I like the way the post is structured as is.

In other words, here’s the post as I originally wrote it, but be aware that the comparison is probably very flawed. Maybe there’s some truth to it, probably not. In any case, just focus on the Powser side of it, the villain comparison is just there for the structure. Enjoy! (long post ahead, a bit over 3k words)

So I recently realized that I really like Powser which I did NOT expect given I’m usually much more of a “friends to lovers” type of person, and trying to understand why I like it led me to think about how villains tend to be presented in their relationship with the “damsel in distress”, and it’s actually very interesting when you compare it to Bowser.

TL;DR: Unlike most villains who showcase sexual attraction (I think?), Bowser is shown to be romantically attracted to Peach. And while his actions are still very much shitty and should be seen as such, man is he adorable sometimes ! Plus, the way his feelings are shown to be genuine makes him look better than most villains, whose “love” for their victim is portrayed as """creepy lust""" by their medias.

(Obviously there is absolutely nothing inherently wrong with sexual attraction. I’m talking in the context of medias that sometimes tend to vilify it, especially when it comes to the antagonists, hence the language used in this post.)

So the first thing that came in mind while thinking of other villains was Dis//ney’s Alad//din (the 90s/animated one) and how Jaf/ar treats Jasm/ine at the end of the movie, more specifically when he wishes for her to fall in love with him and she ends up pretending to be as a distraction.

Thing is, Jasm/ine doesn’t act like she’s in love with Jaf/ar, she acts like she’s thirsting for him, and the way Jaf/ar reacts shows that this is pretty much what he had in mind when saying he wants her to love him. This isn’t love, it’s lust.

Now, I can’t say I’m someone who watches a lot of movies, especially not live-actions ones, so take what I’m about to say with a huge grain of salt. Basically, I kinda feel like what we see in Alad/din is the norm when it comes to villain/victim relationships? Like you have those antagonists who want the damsel in distress to be horny for them, who don’t see those women as people and don’t give a shit about them, only keeping them to get what they want out of them and having no issue discarding them afterwards if they get bored with those poor girls.

Btw that’s not to say that every single villain who kidnaps someone wants to sleep with them. But when it comes to villains who claim to love their victim, there does seem to be at least some sexual tension here, or at least some uncomfortable touches.

And then there’s Bowser. To give a few examples of what he does:

- In that one 1986 anime movie thing, he gets very soft around Peach, gushing about how he’s in love with her and wants to marry her, trying to cheer her up when she’s sad, and let’s not forget that “it’s more of a bracelet, shows that my love is bigger” line with the ring.

- In the mainline “platformers” games, you have “Mario Sunshine” in which Bowser wants his son to have a mother, and “Mario Odyssey” in which he tries to marry Peach, going around the world gathering all the absolute best things for the wedding. There’s also the New Bros U intro with Bowser gently moving Peach’s chair, making sure she doesn’t get hurt by his attack, showing he doesn’t want to hurt her.

- Not sure exactly if this counts as this could be a form of objectification, but you know that cliché of villains getting that all-powerful thing they wanted and immediately betraying/discarding all the people they worked with and/or claimed to love? Well, in the Galaxy games, Bowser gets the power to create a whole new universe, and yet still takes the time to capture Peach, claiming in the first game that he wants her to rule along with him. Again, this could be a form of objectification, especially when looking at his dialogue in the intro of the second game, but it’s still interesting how Bowser doesn’t really fall on that trope, still having his army and Junior on top of Peach (btw the intro of Galaxy 2 is very funny on that front because Bowser literally has enormous powers and yet still makes a detour for Peach, thus causing Mario to be on his tail. Like, let her go dude, she’s not that into you. You got all the powers of the universe, who cares about that one specific woman when you could have literally anybody else?).

- In the first Paper Mario game, Bowser tells Peach that he would fulfill her wishes if she wants (as long as he likes them) and gushes in his diary about how he hopes Peach likes him. And in Thousand Years Doors, he keeps trying to look for her upon hearing she got kidnapped.

- In Super Paper Mario, he gets overjoyed about the wedding but still immediately shows worry for Peach when Nastasia uses her mind control on her, and in general Bowser spends the game clearly loving being able to call Peach his wife, and joins the team again in 7-2 out of concern for her safety. Same with 8-1 where for all he knows he’s about to die and yet his main concern is her safety, to the point where he's willing to ask Mario to protect her for him. His priority is not being with Peach, instead it's Peach being safe.

- In Color Splash, the first thing he does when first getting back to himself during the fight is ask if Mario brought Peach with him.

- In Origami King, he doesn’t want her to see him as a wet floor sign and later asks Olly if Peach is safe and comfortable, which as I’ve seen pointed out implies that him capturing Peach is mostly a forced vacation/sleepover until Mario arrives and she’s put on the spot for show.

(- In general Paper Bowser is a huge hopeless romantic, at least from what I’ve seen of him.)

- In Superstar Saga he helps Mario and Luigi reach the Bean Kingdom for Peach’s sake. Then in Bowser’s Inside Story his most beloved and protected memories are his memories of Peach + he makes saving her his priority towards the end. And in Dream Team, he hears a rumor that Peach might have gotten kidnaped and immediately flies all the way to Pi’illo Island to find her.

- You cannot convince me that his car in Mario 3D World wasn’t an attempt to impress Peach, given this is one of the only two games (three with Wonder) where you play as her and face against him. /hj

- In that one old comic people kept bringing up after the movie came out, Bowser spends a lot of time gushing about marrying Peach. Also despite Peach being very temperamental in this comic, I don’t think Bowser once tries to hurt her? Obviously you have the Magikoopa brainwashing her at the end which is fucked up but outside of that does Bowser ever get angry or menacing when it comes to her?

- In general, outside of the games where Peach is playable and the intro of Inside Story (which comes off as OOC for Bowser tbh, I get him being pissed off but him trying to burn Peach is just really off), do we ever get to see Bowser raise a hand on her and/or try to physically hurt her? Same for his anger, how often do we get to see him raise his voice on her? And no the sports and party games don’t count since everyone is doing the same thing to everyone else in those, and in the party games it'd be unfair if playing that one character led to Bowser going easy on the player.

Now I might be missing some more moments, especially since I’m far from the most knowledgeable on the sport/party games and some RPGs (slowly making my way through them), but there’s one thing that is very obvious: while most villains express sexual attraction for the damsel in distress, Bowser expresses romantic attraction.

Bowser genuinely cares for Peach. She’s one of his most precious memories. In Super Paper, he snaps out of the joy of getting married when Peach is getting brainwashed, showing how much he values her safety. He absolutely adores her and isn’t afraid to express it, especially Paper Bowser.

Those two instances (Inside story and Super Paper) especially really seem to lean into how much Bowser loves Peach. In Inside Story, the fact that she’s his most well-preserved memory shows just how much he values the little time he spends with her and how important she is to him, not as some pretty face but as a person he genuinely wants to create more memories with. And in Super Paper, Bleck is giving him the one thing he’s always wanted, and yet he still shows some reticence when Nastasia uses her mind control, making it look like Peach being safe and sound is more important to him than them being a couple. Idk, those two moments just really get to me when you think about it this way.

(Btw in Super Paper I adore that Peach hesitates to leave him in 8-1 because, while we know Peach is incredibly kind so of course she’d be worried for a teammate, for once it feels like Bowser actually earned it. He spends the whole game being caring towards Peach, and wouldn’t you know, being nice and respectful to someone actually makes them care for you! I swear the Powser potential from this game is unmatched!)

When most villains say “I want this woman to love me”, they usually mean “I want this woman to obey and submit to my every want”. When Bowser says “I want Peach to love me”, he means “I want to be able to wake up everyday by her side, make her smile and laugh and be happy, see her be a mother to my kid(s), learn more about her and spend as much time with her as I can”. Bowser isn’t trying to marry Peach because he wants to “own” her, he wants to marry her because he quite literally wants to spend the rest of his life by her side.

Now that’s not to say that Bowser doesn’t feel any form of sexual attraction. But since Mario is such a kids-friendly franchise, the focus is much more on his romantic feelings. Also, I'll admit, whether Bowser is in love with Peach or with the idea of Peach is up for debate.

I think that’s the main reason why so many people are quick to call Bowser sweet/adorable when seeing the way he talks about Peach. Because the thing is, Bowser is still being a complete asshole here. He’s constantly kidnapping her, putting her in a cage on several occasions, forced her to marry him like 6 different times, very often disregards her body autonomy by grabbing her (+ the kidnappings), terrorizes and sometimes even tortures/kills her people, and his phone pic in the parental controls video + the picture frames in Nintendo World make him look like a creep. Despite his feelings for her, there’s definitely a level of objectification here that should not be ignored.

Hell, I didn’t mention the 2023 movie on the list because I’d argue he was more obsessed rather than in love. Plus the scene where he proposes to her low-key feels like the very first time they meet, making his previous actions creepier (or at the very least they barely know each other, heck Peach didn’t even know Bowser likes her!). And he’s quick to use blackmail and violence against her, especially in the end. The wedding cake toppers also show he cares more about himself than Peach and sees her as an object rather than a person.

(I actually take back what I said in my movie reaction post about Bowser being like the one from Super Paper. He might be goofy when showing his softer side, which was what I was focused on when comparing the two, but he’s also clearly not as genuine and sweet as Paper Bowser. The way he mistreats his army and especially Kamek in the movie is also different from most games, most notably the RPGs since that’s when we see him interact with his people and he’s a relatively good king to them.)

Compare 2023 Movie Bowser to the 1986 movie in which he tries to get Peach involved in the wedding preparations, tries to cheer her up, never gets angry at her despite how much she’s resisting him and never once raises his hand on her. Even when she outsmarts him by making him shapeshift, he’s amused by her attempt. Literally the worse he does in this movie is grab her against her will on many occasions (and obviously the kidnaping and forced marriage, that goes without saying).

Going back on topic, despite Bowser being very much horrible in the way he approaches Peach, since every other villain out there is lusting after the woman they capture, making them appear creepy/predatory, Bowser comes off as an angel in comparison. He’s one of those rare cases of a villain who is truly sincere about his feelings for the woman he captures, and since we see other occasions of him being a sweetheart (with Junior) and a dumbass (the RPG series), he becomes an incredibly endearing character. So his feelings for Peach come off as adorable despite the bad elements because we’re aware he has a soft side so we know he’s truly sincere. Him being sometimes more of an antihero in the RPGs + his inclusion in sports games and the like probably also help seeing him in that good light.

(Also yes I’m very much aware that there’s a huge issue when it comes to how fandoms perceive female characters, and I will absolutely believe you if you tell me this is one of the reasons why you have people who talk shit about Peach so much all while defending Bowser’s actions, especially since his feelings for Peach are so rooted into his character. Oh and obviously you have the people horny for Bowser who love his softer/romantic side and value the moments where he displays this part of himself, that goes without saying.)

I’m especially surprised by the 1986 movie showing such a characterization of him, considering it came out 1-2 years after the very first Super Mario game (aka Bowser’s first appearance, at least I think?). Like imagine making a movie about those characters and going “hey you know the giant turtle monster we fight in this game? What if he was a huge lovable dork who just wanted some love in his life?”. Tbh I adore that choice.

Overall, it’s just interesting to see how Bowser differs from other villains on that front. It’s very interesting to see a villain who does pretty terrible things to a girl all the while being genuine in his feelings for her, idk it’s a very cool contrast. I also like how “true love” tends to be a motivation for the heroes, seen as something good, so it’s fun to see stories where villains have that very same motivation without it being “““twisted””” with lust. And yes I know that last point applies to many more antagonists than just Bowser, and not just for feelings like love.

And a bit off-topic but I also really like how you can easily explain Bowser’s behavior here (not justifying it tho!!!). In the Yoshi Island games, we see he was raised as a spoiled brat who was always given what he wanted, made worse by him being a monarch. We even still see some of that behavior in his adult self, for example when he gets angry and starts stomping his foot like a kid throwing a tantrum.

As a result of his upbringing, Bowser likely just doesn’t know how to take a no. He’s used to always get what he wants, and take it by force if necessary. So when Peach refuses him, he does just that, incapable of understanding why she doesn’t want him.

The 86 movie is actually an excellent example of this. In two scenes (the one with Peach outsmarting him and the ring dialogue) we see Bowser getting worked up when Peach is upset, showing he genuinely wants her to be happy. But at the same time he’s incapable of realizing that he’s the reason why she’s so upset and the one thing he should do is let her go. The ring scene especially shows it very well. When Peach throws the ring and starts crying because she doesn’t want to get married, Bowser thinks she’s upset due to the ring being too big and immediately tries to soothe her by promising to get a better ring. Again, it’s kinda crazy how this movie was made when Bowser only existed for a single year and yet they already made him genuinely in love with Peach.

I’d also add that Bowser seems to have a pretty high opinion of himself, thinking he’s awesome and shit (or maybe he’s overcompensating, that seems like a possibility). As a result, it’s possible that his mentality on the situation is “Well I’m in love with her so surely she must love me! How could she not?”, making it even harder for him to comprehend why she doesn’t love him.

Again, it doesn’t justify his actions in the slightest but it’s still interesting how you can somewhat understand why he’s like this.

And as to why I ship Powser, honestly I still have no idea ¯\_(ツ)_/¯ I think it has to do with the storytelling potential of a unrequited love/it’s complicated/they have history situation in regards to their roles as monarchs, especially in the case of Peach whose character is brimming with untapped potential. I actually like to describe their relationship as “I hate the effect you have on my life but I couldn’t imagine a life without you in it” or “Our kingdoms are enemies for a good reason but if anything happened to you I’d rush in to save you without hesitation”. It's just that idea of them being ex-lovers who had a bad falling out and how Peach still cares about him to an extent and how their lives constantly intertwine with villains trying to take over their kingdoms + Bowser's kidnappings.

And since we’re talking Powser and since wondering whether they know each other or not in the movie got me to question how we can tell they know each other in the games: the best way I could describe their relationship in the games is familiar/”comfortable”, like you have the way Peach tries to convince Bowser to join the group in Super Paper, the way she talks about him in general in the Mario and Luigi games, or stuff like most cutscenes in Odyssey where she never seems afraid of Bowser.

I’ve also seen that Switch Tennis game with the evil racket and how Peach is the one who tries to get through to Bowser when he steals it, straight up saying “listen to me” which makes it seem like she knows she’s the one person who could get him to stop, or you have the first Rabbids game where she comments on how “Junior is sometimes even worse than his father”, plus the way she looks like a mother about to reprimand her child in the cutscene where Jr learns Bowser is coming home (which I find hilarious; lady that’s not your kid, I thought we’d been through this already in Sunshine!). Oh and CAN WE TALK ABOUT THE WAY SHE’S LOOKING AT HIM IN (spoilers in link) THAT CUTSCENE FROM THE NEW RABBIDS 2 DLC!!!

I don’t know how to fully explain but, looking at these kinds of interactions, you can tell that the two of them know each other, and to an extent Peach knows that Bowser won’t hurt her, hence why she’s not afraid to oppose him. It’s pretty funny actually how in the games Peach tends to be exasperated by Bowser more than anything else. Like he’s not a menace, just a weekly annoyance. And again, when you compare it to the movie where there’s only hostility and awkwardness between them, you do get the impression that they’re two complete strangers meeting for the first time. The fact Movie Peach had no idea about his feelings for her doesn’t help either. Then again, about the hostility, Peach in the games is much sweeter so maybe she shows a nicer side to Bowser because that’s just who she is.

[deepseawave]

obsessed w the tags on ur last reblog

Omgg, thank you haha, it was a quality post so I just had to appreciate it in full force 😂❤️

Can‘t believe someone would actually enjoy my yapping :,D

[slimeandsadness]

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[lord-squiggletits]

Man there's nothing wrong with genderbends as a concept but there's something lowkey infuriating about this fandom's tendency to take canonically gay (or at least, MLM) male characters and genderbend them into women like. Is that not at least a little bit uncomfortable for anyone else here or is it just me