#I wish I could talk about the spoiler ones

[i-starcreamed]

Can I request how Megs would feel if he fought his beloved, reader needs to beat some sense to him and help him from being blinded with hatred. (Tf one plz) Also I want a good ending cuz I'm still sad about the movie. And if it isn't obvious cybertronian reader.

MEGATRON X READER

Obviously Tf One spoilers! God this was so fun to write, I just hope I got their personalities right. I haven't written anything this long in a while !! Also I never knew I'd be so much of a Megatron enjoyer until this movie...yeah, it took me this long.

[ cybertronian! reader Angst and eventually fluff, could be pretty rushed tbh but I just want him to healll. Very NOT canon to the movie

You knew it wasn’t your D-16 the moment his optics changed. Or maybe it was the way he distanced himself from you and your friends in a matter of hours--maybe minutes. It was a subconscious, subtle shift, but one you wished you could have talked him out of.

You suppose you saw the changed D-16 once you made it to the hideout of the High Guard fliers. Your once-kind, responsible lover was gripping Starscream by the neck, his hold tightening with every word from the flier beneath him.

You glanced at Orion, Elita, and Bee, all frozen in horror. You panicked and you stepped forward, placing your servo on his shoulder. Before you could continue, he whirled around, optics burning with a cold, harsh light—practically glaring at you.

“Y/N…“

“D, what the hell are you doing?!” You demanded, your voice steady despite his glare. “This isn’t like you, this isn’t the way, come on.”

He didn’t respond. Instead, his optics locked onto Starscream again. He was seething, the flier grinning through the pain wasn't helping your case either.

“Come on, do it! Do it, don’t be a c-coward!” Starscream sputtered through glitching vocal processors, even as D-16’s servo squeezed harder, threatening to crush the life from him.

D-16 narrowed his optics, “I’m not a coward!” He roared as Starscream’s cackling turned into garbled screeches

You attempted to push him away, roughly shoving him by the shoulder. “D, stop it!” He shoved you back. The sudden force sent you stumbling, and when you steadied yourself, you found yourself staring down the barrel of his arm cannon. His orange optics were locked on you, but for a fleeting moment, they softened. It was like he didn't recognize you, but then he hesitated.

“Stay out of my way, from now on.” He said lowly, as if his words pained him. “Please.”

His hesitation vanished as the cannon swung back toward Starscream. You stood there, stunned, until Orion and Elita rushed over to pull you up. Then you just stood and did nothing.

You watched in horror as D-16 continued to declare himself as someone they should follow to victory. Oh, you knew how much he wanted Sentinel dead now. Hell, you did too. But you weren’t sure if this was the right way. You weren’t a bad bot. Neither was D-16, he never was. You had to do something...before things got bad.

You recalled the moment just before he…snapped.

___

“Y/N, don’t you see? He’s been lying this whole time.” “Yes, D. I see, I know. But—“ “I want him dead. I just-I need..I need to see him suffer. Look what he did. To you. To me. To us. We could have been..so much more.” He placed his servo over your spark, right above where your transformation cog was. He used to dream of you two racing together, having fun. Hell, flying even. Back then he didn’t know what he would transform into. “We can still be more, D. We have a bigger purpose now, we were given the ability to transform by a prime himself. We just need to..show everyone the truth. And we will. Then we can—“ “It’s not enough.” He blurted out, pulling you closer as if it was the last time he’d hold you. “You deserve so much better. I promise you, Y/N. I promise you he will pay.”

___

Things only got worse from there. You reached your breaking point when you saw D-16—no, Megatron—vanish Orion himself. You couldn’t believe it. They were like brothers. And now, your beloved had become something else entirely. And yet, you still felt helpless.

You rushed over, avoiding and pushing the other bots as you made your way to where D-16 stood. They all cheered him on as he was trying to lift Sentinel into the air. He was going to kill him. He really was.

“D, stop it! Look what you’ve done!” You shouted, stomping your way forward, frustration boiling inside. You slammed your shaking fist into his shoulder. Primus, you were pissed at him right now.

“Please, please! Tell me what the hell you’re doing. This wasn’t a part of the plan.” You pleaded with him, hoping you’d somehow get him to react. Instead, he inched closer, the same stance you’d expect of someone challenging you. “No, you’re wrong. This was the plan. It was what had to be done. How can I get you to see that.” He visibly calmed for a moment, reaching out a servo to brush against the side of your faceplate. Despite everything, it’s still him. And he loved you.

You hesitated, then stepped back. Oh, how it pained you. “I’m sorry. I don’t understand your goal.” You said, barely above a whisper. Time seemed to freeze, and he slowly lowered his arm. In an instant, you watched his gaze darken.

“Then you’re just in my way.”

__

Your hopes were revived as Orion, now as Optimus Prime, came back, the matrix of leadership implanted into his chest. Optimus had saved the life of Sentinel (perhaps a little undeserved), knowing there was another way to deal with this. But now he has to save..practically all of Iacon. Maybe just maybe, between the two of you, you can stop Megatron.

The fight between the two friends wasn’t solving anything, you only feared they’d end up killing each other. You got rid of your fear, inserting yourself in the fight just as they managed to gain some distance from eachother. He grunted as you shoved him harder this time, his footing a bit unsteady from his existing injuries.

“What are yo—“

“I told you, stop. This,” you punctuated every word with a shove. “Is. Madness!” You panted, glaring up at your lover. “Come back to me, D. This isn’t the real you. I know it isn’t.” You pleaded, he responded with an irritated grunt.

“I, am Megatron. Not D-16, I am not that bot anymore. Y/N, stand down-“

“No! You stand down! You’re acting foolishly right now! I won't just stand here and watch you destroy yourself and--” You yelled, going straight for him to push him again, but he stopped you with a raise of his cannon. You froze in your tracks.

"Back down, Y/N." He said with a growl. You narrowed your optics, leaning your frame right up against the barrel, hearing a light clink.. The glow illuminated your armor. For a second, you saw his optics widen. He paused, licking his teeth. "I don't want to fight you. But I-"

"But you will if you have to, right? That's what you were going to say? Do it then," Your voice cracked, "I have nothing left to lose."

He huffed, so be it. He lunged towards you, and you raised your arms, blocking the strike. You opened up to move his blaster out of the way, leaving your side open to his incoming fist. It collided with your side, sparks flying from the contact. You grunted, stumbling back. When he came at you again, you caught his arm, pulling him close until you were face to face.

"We're both being foolish right now, are you happy yet? You panted, he grits his teeth.

"Quit saying that!" He growled, shoving you away. He shot his cannon, the blast flying past your side. You slid to avoid it, earning another blast from him. He fired his cannon, but the shot missed. He was aiming wide on purpose. You blinked, you knew his aim wasn't that bad...primus, he really was missing on purpose. If you weren't fighting right now, you'd swoon.

"Are you missing on purpose?" You asked incredulously.

"No! I.. yes..no! Listen to me, Y/N. We can end this now, if you let me do this one thing."

"You've already done enough. D..."

"Don't call me that."

He lunged again, but this time, you sidestepped, charging into him and sending him crashing to the ground, the side of his face hit the ground. You managed to pin him momentarily, struggling to keep him from standing.

"This isn't what you want. Trust me.." You paused. "Megs. Please."

He tensed beneath you, then slightly loosened as you called him 'Megs.'

"This is revenge, it won't help you feel any better. Not long-term. You'll only continue hating and hating, I can't bear to lose you like this. It's...it's tearing us apart." You shuddered, loosening your grip.

Eventually, you felt his breathing slow to a decent pace, slowly, you climbed off him, kneeling beside him. He sighed. "I..I don't know how to stop." He quietly said. You leaned forward, placing a servo against his jaw. "I can help you. I will help you. Megs, you have me with you. You have..Optimus with you. We're all with you."

You both knelt silently for a moment, gathering each other's thoughts. Finally, he had the courage to look up at you. You might never see those big yellow optics of his again, but at least now they weren't so cold. They held some type of sincerity. "I'm..so sorry." He breathed out.

You almost sighed in relief. "You're still angry, and that's okay, alright? Now it's my turn to promise you, we'll deal with this differently. It won't feel fair at first, but it's the right thing to do. Stand up." You gently said, extending your servo out to him. He slowly took your servo, his grip as gentle, almost afraid of breaking you. Primus, how he regrets hurting you. You can see it written all over his face. He was blinded by rage, he was indeed acting foolish. His optics briefly flicked to Sentinel, still on the ground and honestly, grateful to still be in one single piece. He turned away before the anger could return.

"I didn't want to hurt you," He whispered.

You softly scoffed, gently nudging him. This time, without any defensive intent. "You controlled yourself better than I did. I wanted to beat your aft, D-- Megs." You joked, earning a small, bittersweet smile.

You took your servos in his, softly smiling at him. You turned to Optimus, who was just as relieved as you were. "Optimus, do you think Megs and I can help rebuild Iacon? The way it's supposed to be?"

Optimus smiled gently, looking proud. "Of course you can. We all can." He looked at Megatron, his gaze firm but kind. "I am glad to have you back, friend."

Megatron nodded, still tense but..accepting. One day, they'll be as brothers again. You just know it. "As am I." He said, turning to you. His gaze softened. "Y/N...I love you."

"I love you as well, Megs."

[littlemisstfc]

Transformers One: Is It Good Or Nah?

Hello, hola、こんにちは。So…it’s been 84 years since I’ve last written on this side of the Hundred Acre Woods. For that, I do deeply apologize for my absence aksksksjsjsj. Anyways…so the Transformers franchise, in terms of the movies, has a very shaky history.

We all know the Transformers movies; it’s pretty known by now that the movies are just a rollercoaster of quality. For every Bumblebee, there will always be a Revenge of The Fallen. When it comes to me specifically, I have a very complicated relationship with this aspect of the franchise for a better part of my life. The original G1 movie is okay. The first movie is alright, ROTF is Satan’s spawn, DOTM is good, AOE is a chaotic mess that I both hate and love, and the less said about TLK, the better. Then, a miracle happened in the form of Bumblebee (2018) and it sets the path of redemption for these movies. It continues with Rise of The Beasts and while it’s an 8/10 movie for me, it’s still a great movie that continues the momentum. Now, it brings us to today.

I wanna bring this up before talking about Transformers One because you will not believe me when I say that this movie is EVEN BETTER THAN LITERALLY EVERYTHING ELSE IN THE FILM SERIES. YES, IT OUTDID EVEN THE GREATEST TRANSFORMERS MOVIES BY A FREAKING LANDSLIDE. JUST…how did we even get a movie like this? The fact that it exists is truly the most mind boggling, yet pleasant surprise so far in the series to date. Words cannot describe the experience I have gone through at this moment. Just…what did we do to get something this incredible and this damn good. Amazing is an understatement; Transformers One is easily the best Transformers movie to date.

The way it gives us genuinely some of the best moments in Transformers history is an indicator of the majesty they wanted to make. Sure, no movie is truly perfect. However, for this one, the amount of things to discuss and think about is something that rivals even the most complex media such as Earthspark and Animated. So what am I doing here standing around for? Let's talk about a movie about two bros chilling in an Energon mine, five feet apart cause they’re not gay! :D

For this review…I’m going to give this movie’s pacing the respect it deserves (due to how crucial it is to the story) by highlighting the most important details I want to talk about in order. After we get the nitpicks and other good stuff out of the way, I’m so excited to unleash all the inner brainworks in my head at the moment. So let’s goooooo.

3, 2, 1, Pingu.

(Also, I will be going into spoilers, so Sparknotes version: it’s a rare 10/10. ✨)

The Good, The Bad, and The Badassitron

Let’s go get the nitpicks out of the way. I say nitpicks because they thankfully don’t drag down the movie for me. First things first: I wish that the main trio of Decepticons (Doritoscream, Soundwave, and Shockwave’s boobs) play a much bigger role here. I felt like how we got from Starscream in charge to now all of sudden loyal to Megatron after having the crap beaten out of him is where the movie could benefit from a few minutes more to the runtime. To me, their loyalty to Megatron by the end is something that needs to be earned. However, like I said, it didn’t bring the movie down for me because they’re not the focus here, The focus is on Megatron’s relationship with Optimus. We’ll get there when we get there. Bee’s fine for what he is, but I feel like he can be cut out of the movie and replaced with someone else. The story would be as it is, like he really doesn’t have much of a reason to be here. However, like I said, he’s fine for what he is. The only other nitpick I have is that it’s weird that the Quintessons have little to no direct involvement in the main conflict, since it’s their rule that led to this mess in the first place. However, since we’re getting two more movies, I’m curious to see how this is gonna play out in the future. Anyways, that’s all I have to say about the issues I have with the movie, so let’s get to the good stuff…EVERYTHING ELSE.

Oh my god, the music score? Easily among my favorite scores in Transformers media to date. The way it not only incorporates music from shows such as Transformers Prime so beautifully, but it gives the world so much life and majesty that is straight out of a Biblical epic. The ending song at the credits reminds me so much of On My Soul, just what an utter bop. Of course, I also need to mention the biggest highlight of this movie…the animation. Oh my god, this movie is utterly gorgeous. Not only are the settings so vibrant and brimming with life and personality, but I absolutely adore the facial expressions on the characters. I’m glad that it’s emotive enough to not fall into the Uncanny Valley, and the characters felt so real. I especially love Orion’s facial expressions, because of how well they convey his growing heartbreak and loss of innocence over the course of the story that we’ll discuss later here. Overall, the music and animation are good enough reasons why you need to see this movie on the big screen. Just…MMMMMMM. Delicious food.

The characters are also really likable and enduring. I wasn’t sure if I was gonna like Badassitron going in, but honestly, he’s a Bumblebee done well. He has plenty of funny moments and jokes, and I like how they don’t have him make quips during the more serious moments here and there. He is the comic relief done right. I’m pleasantly surprised by how they handle Elita’s character. At first, based on the promos, she seems to be the Ultra Serious Girlboss who girlbosses her way into the Elita One we all know and love. However, as it turns out, it’s revealed that she’s a neurotic, yet well meaning dork and I love that for her akskssk. I especially love how her relationship with Orion develops over time as they went to find the One Piece. She went from being irritated with his tendency to cause mischief at work and ignoring protocols to warming up to him because of his resilience and optimism (no pun intended) of their people being freed. Honestly, it’s so refreshing to see a flawed, yet likable Elita here and she’s perhaps one of my favorite iterations so far. Moving on, and oh man…where do we even begin with our good buddy Sentinel Prime. Not only is he one of the evil ass motherfuckers in the franchise so far, but he is a fantastic main villain. Just seeing this despicable bastard manipulate his way into power makes you love to hate him, he’s also pretty funny, and the way he poses a threat to our heroes provides enough interesting groundwork for the conflict between two of our main amigos. Also, shoutout to Jon Hamm. He did an excellent job at portraying Sentinel as this smug, arrogant little bitch. Just, amazing. And speaking of portrayals, the entire voice cast did an amazing job here. You can tell how much they clearly respect the characters they’re portraying while also breathing new life into them. This is what animation studios need to do; hire actors that suit the characters well DAMMIT. Other positives I have is the amount of neat cameos of our favorite blorbos in the background, the comedic timing is excellent thanks to the voice actors’ deliveries and banter with each other, and in spite of the darker tone the more it progresses, it also has a very cozy, fun feel to it due to one of the movie’s main central themes. And speaking of themes…this is where we will end the section here.

Now…I am saving the best for last. What I mean by that is that there are two characters that manage to be my favorite aspect of the movie overall. So…let’s go talk about them.

A Tale of Two Friends:

I’m struggling to use the right words to describe how I feel about Orion and Megatron. To me…they’re the true standouts in the movie for me. Their relationship is portrayed with so much care and gravity that they both felt like real people. Not only are they both likable and charming, but seeing their relationship break apart over the course of the movie is hauntingly beautiful and tragic. Trust me, it’s not the shipper speaking here. It’s so refreshing to see them together in the big screen for the first time since The Last Knight, but it’s also so interesting seeing them in a different light than what other Transformers media did. I’m starting in the order of the movie because the movie’s pacing is perfect. Every scene connects to each other perfectly and it makes room for the wild ride we’re in for.

First, let’s start with Orion.

We start the movie off with Orion breaking into the Iaconian Hall of Records and search for anything on the status of the One Piece. Then, he gets caught by some guards and a chase ensues. Right away, we get a good idea of his mischievous, yet curious personality and his determination to discover more about the surface world. He won’t take no for an answer and while it does lead to him getting in trouble often, it’s genuinely admirable to see him have the initiative to make the best of his situation in life. Then, right before he gets caught, Megatron comes in with a cart that serves as a distraction for Orion to slip away and they both head to work.

Right off the bat, we see that Megatron is the more relaxed, more cautious out of the two. He tries his best to stay out of trouble and to keep his good ol unhinged buddy alive due to his wacky shenanigans. At the same time, he also has the same kind of energy he shares with Orion in that they both keep their heads up in spite of their circumstances. Adding to the layers is Orion bringing him the Fallen sticker, which is how we get a good idea of how much they care for each other. True, they have their own frustrations with each other. Megatron is frustrated by Orion’s tendency to get in trouble, along with not recognizing his discomfort with some of the things he drags him into such as the Iacon 5000, and Orion is frustrated by Megatron keeping his head down to avoid trouble. However, they always have each other’s back and they are each other’s equals.

We also see that they’re both kindhearted people who will stand up for the little guy through risking their lives to save Jazz from the collapsing Energon mine, even though it resulted in Elita being demoted. From the start, their desire to make their world a better place is set in stone there. This is furthered strengthened by Orion standing up for Elita by flipping off Darkwing and both him and Megatron needing some milk afterwards. Also, quick side note: Orion’s sass and dynamics with the other characters is so damn refreshing. I love how he literally has no chill in speaking what’s on his mind, and I especially adore how he interacts with Elita. Pure malewife material aksksksz.

Back on track, he then drags Megatron into the Iacon 5000 so that they can prove themselves to be just as worthy as the upper class racers in the game. As they fly through the race track with mere jet packs, their fellow miners cheer for them and they were pretty close to finishing in first place had it not been for the combo of an injury Megatron got and the first place winner coming in. I’m not gonna reveal who won the race, but let me say that who won it is a pleasant surprise. Anyways, this earned the attention of Sentinel Prime and he went down to their recovery ward to personally congratulate them on their boldness in participating. He even offers them a nice ol place in his crib, which they might've accepted if Darkwing didn’t throw them down into Undertale due to his jealousy and anger. Throughout this scene, we see Orion and Megatron being validated by the Prime they’ve admired for so long for breaking out of the status quo and it lays the foundation for later on. Eventually, they met Bee, found the map to the One Piece, and ventured into the surface world while accidentally dragging Elita along for the ride. Pretty landscapes and peril later, they end up in the cave where the bodies of de Primes are at. They wake up Alpha Trion and he reveals the bitter truth:

Uh oh, it turns out Sentinel Prime is a LIAR and that he betrayed the Primes in order to be in charge of the Cybertronian population. Here…we see the innocent viewpoints of Orion and Megatron shattered permanently from here on out. While Orion reacts with anger as he should, Megatron is utterly furious with this horrific revelation. The Prime he has admired for so long, the Prime who just gave him an opportunity to move upwards just minutes ago…turns out to be a cowardly, spineless fraud that took away their autonomy to having basically a crucial organ in their bodies and to make choices for themselves. It isn’t helped by Sentinel giving up the Energon (that they risked their lives in mining for) to the very evil overlords that are responsible for their people being this way for so many generations.

What happens back in the cave is one of three excellent scenes that is borderline uncomfortable due to how realistic it is. We see Megatron essentially having a mental breakdown from finding out his life is a lie and Sentinel is a big stinker. When Orion tries to calm him down, he finally vents to him about his frustrations with Orion’s tendency to cause trouble over the years and calls him out for not thinking before acting on his impulses. It also helps that we see his patience starting to be worn thin earlier in the recovery ward and when Darkwing threw them both in the Undertale. Then, he finishes his breakdown with one simple, yet effective confession: he doesn’t want to just take Sentinel down…he wants to kill him. To say that hearing Megatron say this left me and the theater in shock is a massive understatement. It genuinely caught me off guard, but in a good way. We finally saw Megatron at his breaking point: his entire life, including being worked to death, has been for nothing. It’s a great scene because it’s an argument where you understand both perspectives here. You understand Orion’s bewilderment at Megatron’s unhinged behavior and wanting him to take a deep breath so he can clear his head while you also understand Megatron finally having enough of being a doormat for too long and Orion putting his own wants before others. Neither side is right and wrong, and I appreciate how Orion’s and Megatron’s emotions are valid here. From this point on, all hell breaks loose.

After they gain their T-cogs and the recording to cancel Sentinel on Twitter by Alpha Trion, the main amigos enjoy the euphoria of transforming for the first time. However…we see Megatron enjoying the euphoria of having the T-cog too much. After fighting off one of Sentinel’s soldiers, he forcibly takes the callout post and vows to make Sentinel pay for his crimes. When Orion tries to protest, Megatron coldly tells him to step aside or else there’ll be a problem between them. Orion’s expression here is why I love his facial expressions the most as mentioned earlier. You can see all the thoughts he’s having right now, especially the shock of seeing his best friend giving into his darker thoughts expressed back at the cave. Now, the coin is flipped. Orion is the sensible, level headed one of the two while Megatron is the impulsive, stubborn one that he always scolds Orion for being so in earlier scenes.

As they make their way back home, they ended up captured by some Decepticons and are being interrogated by Starscream and his band of mean girls. When Megatron walks away from the interrogation nonchalantly, Starscream tries to assert himself as the leader. However, it ended up breaking into a fight that quickly went HOLY FUCKING SHIT, HE NEEDS SOME MILK when Megatron overpowers him. We see a horrified Orion in the crowd and they can only look at each other. Their friendship will never be the same after that…especially now that Megatron finally got a taste of power that’s been denied to him all his life. I know that this is probably gonna be a point of contention for some people with how Megatron’s turn to the Dark Side is portrayed here, so let me provide this perspective:

How long did Megatron have these thoughts?

Given presumably how many times he had to bust Orion out of trouble, and having to keep quiet just to stay alive, you have to wonder how long he kept quiet about his frustrations and hidden rage at the circumstances of his life. From that angle, giving into his intrusive thoughts is inevitable. He just needed the push to act on them. Essentially…the poor guy needed therapy, and sadly, there are no therapists on Cybertron. 😔

Eventually, Megs and Badassitron got captured along with Starscream and several other Decepticons by Airachnid. It’s now up to Orion and Elita to team up with the remaining Decepticons left and YOU GOTTA HELP US. Here, we see Orion finally realize how badly he screwed up for not understanding how his actions affected the people he cares about over the years. It got through his head that he didn’t appreciate Megatron’s patience and willingness to protect him from the consequences. While he means well, he doesn’t realize how selfish he’s also being with the things he does in his overactive ways. Upon realizing this, he takes responsibility for the amigos being in this mess…a mess that happened because of him. That was his mistake. He is now left with no choice but to go forward and make things right by his friend and the people they love. Then…we get another one incredible scene and that is Elita’s pep talk to him.

While it starts off a bit comedic due to how this is clearly Elita’s first time with cheering someone up and Orion pointing it out, it then leads to her expressing how she always admire his optimism towards a better future for their kind and his refusal to back down in the face of struggle. It’s the embodiment of the movie’s most important message: having hope even when the odds are against you. That fact that we have such a strong theme in a turbulent era we’re in at the moment is why this scene works so well. Change starts with one person, and then becomes bigger and stronger when they continue to fight against injustice and inspire others to do the same. Thus, Elita’s pep talk gave Orion the drive to get back up and keep moving forward by teaming up with the Decepticons, go back to Iacon, and free their buddies. The theme is furthered strengthened by Orion rallying the other miners into helping him, as he now has the power to make things better for his people.

Quick side note, but Elita is an interesting foil to Megatron’s in terms of how they react to Orion’s unhinged sassy king energy. While she’s also annoyed by his tendency to get in trouble a lot, she has also admire his ability to remain optimistic even with their shitty conditions. Once he takes responsibility for his decisions, she softens up towards him and she remains his dearest friend by the end. In contrast, by the time he has apologized for his mistakes, it’s too late for Megatron. It’s clear that these two are what shaped Orion into Optimus, for better and for worst.

Meanwhile, Megatron gets tortured by Sentinel after repeatedly defying him. Then, he gets the Decepticon symbol carved painfully into his chest by the blue son of a bitch. That essentially became the straw that broke the camel’s back and it ultimately drove Megatron into a point of no return. After the other main amigos rescued the other amigos and a ROBOT FIGHT occurs, Megatron now has the opportunity to finally show Sentinel that his day of reckoning has come. Now, he must die. However, after putting the callout post on Twitter, Orion realizes what his bestie is about to do and tries to stop him. However, Megatron quickly overpowers him and prepares the final blow to Sentinel. Then…what happened next left me and the entire theater in stunned silence for a good few minutes up until one point. At first, I thought to myself:

“Ain’t no way he’s gonna do this. There’s no way they’re bold enough to have Megatron do this.”

But then…it happened. The shot from the fusion cannon meant for Sentinel ended up hitting Orion instead, sending him flying near the entrance to the planet’s core and hanging on for dear life. The moment he cries out to Megatron for help…I bursted into tears right there. His innocent perspective has been destroyed permanently, and he’s now a broken shell of his formerly spunky self. To add more salt to the wound, Megatron reaches for him…only for him to declare that he’s done saving him from trouble after one too many times. Then, he sent him falling into the core. Megatron has crossed the line, and with eyes now red with hate and pain, he finally killed Sentinel in front of a now devoted group of followers who will obey his every word. He has now become the person he has sworn to destroy…

As that’s going on, Orion’s broken, lifeless body is gently brought down inside of the core and it’s revealed that he is the one who is destined to receive the One Piece…aka, the Matrix of Leadership. Thus, he is now reborn as the Optimus Prime we all know and love. The use of a theme from the G1 movie is the cherry on top of an utterly haunting, yet powerful scene that needs to be seen on the big screen.

After he has risen and put an end to Megatron’s madness, he decides that the best option for them both is banishing Megatron and his followers from Iacon. The fact that he chose this option instead of simply killing his former best friend really speaks a lot about not only his character, but also how much their relationship has essentially been ruined by how different they are in terms of wanting change. Alas, Megatron goes off into the sunset with his followers and Optimus is left there…mourning the death of their once great bond. When it showed a memory of how they met afterwards, it made me sobbed uncontrollably. At this point, you’re left with one question:

Will they ever go back to where they were at before?

Thus, we end on a bittersweet ending…an ending of two former friends who were torn apart by the sins of the fathers and the aftermath of said sins. All there’s left to do is wait and hope that everything will be okay soon.

Overall…Orion and Megatron are what makes the movie for me. Their chemistry, their character development, and the phenomenal performances of Chris Hemsworth and Brian Tyree Henry are what makes them the most layered, most complex iterations of the characters respectively.

Conclusion: IT’S SO GOOD, YOU GUYS.

Words cannot describe how Transformers One is a phenomenal love letter to the franchise I hold very dear to my heart since I was a kid. Overall, this is a fantastic movie that you will love.

It has phenomenal characters, gorgeous animation, an amazing score, and a powerful story of how you have the power to change the world and make it better. For the very first time since Cyberverse, I award the very rare 10/10 to this film.

Please check it out. I applaud everyone involved in this project for making it a beautiful work of art for the fans. It is indeed more than meets the eye.

[rekino2114]

Hello! This is my first time requesting! I hope you write it later on! :D

 

How about the Chainsaw Man Girls Celebrating Their S/O Birthday? 

The chainsaw man girls celebrating your birthday

A/n:so this request was actually sent only a few days ago but I decided to anticipate it because today is actually my birthday and that's on theme. Thanks a lot to everyone who wished me happy birthday by the way

(I know today was supposed to be a drdt daturday but my birthday comes first)

Makima

Be prepared to have the best birthday anyone could possibly ask for, makima will literally do anything you want and make sure there isn't a moment where you aren't happy,from the moment you wake up to when you fall asleep together

She will give you the best cake money can buy, with your favorite flavors and decorate it however you want it to be (spoon feeding it to you, obviously)

As for the gifts she just brought you everything you expressed interest in during the year, from talking to her about how much you liked it to a simple glance in the shopping mall, she brought it. And don't even worry about how much it cost, she has enough money whatever it is

Makima never thought she'd truthfully celebrate a human's birthday let alone do this much, but you're the person who she loves more than anything, seeing you happy makes her heart swell with love she wants nothing but to celebrate the birth of the person who made her a human

"Happy birthday my love, I hope you get to spend another wonderful year of your life by my side, I love you so much"

Power

(I want you all to know I was this close to making a joke about "that scene," but I decided against it to avoid spoilers.....and also because every time I look at that panel I get the urge to stab makima 37 times in the chest)

She.....might have forgotten about it and only remembered when denji and aki mentioned it to her. In any other case she wouldn't care about a stupid human's birthday but since it was you she genuinely felt guilty.

Preparing your party was a group effort with her friends, she asked aki to bake you a cake and denji to put the decorations on while she.......she didn't really do that much, just kinda looked at them while they worked, which made the two guys mad at her

She didn't know what to get you (she said her presence was enough of a gift), but after being pressured by her friends, she just drew you a picture of you together and wrote you a letter with all of the love she felt for you written down

The drawing.....wasn't the best and her calligraphy was quite bad but you really appreciated the effort, you could tell she really loved you and wanted to express that.

"Happy birthday human! I'm happy you have survived another year to be with the great power......Hm....i-i love you, h-here's your gift...i-i put a lot of effort in it"

Himeno

She threw a straight-up party for you, inviting every one of your friends, including all members of division 4. You all had fun and laughed together, but she made sure the attention was all on you, it's your special day after all.

During the day she acts like there's nothing special going on, just being her normal self but not ignoring you so you don't get mad her but then in the evening she tells you makima assigned you two to a special mission but then she brought you to a bar where your party is being held before scooping you up in her arms and telling you happy birthday

She brought a classic cake and a gift she knew you wanted for a while (she might have also told everyone there to bring you a gift too) she also definitely sang happy birthday to you while everyone else (including you) was embarrassed

She tried not to get too drunk this time as she wanted to remember this amazing moment, and she actually succeeded. She spends all night near you being even more affectionate than usual and complimenting you every 5 seconds

"Happy birthday, babe! You thought I forgot, didn't you? Don't worry, I could never. I hope you enjoy the party cause it's just the beginning~"

Kobeni higashiyama

She was very ready for this day, she put a reminder on her calendar and prepared herself for it, she wanted to celebrate you and the fact that you loved her

She tried baking the cake herself, and it actually came out pretty good. She didn't know she could actually bake but she found out she was okay at it, that kinda raised her confidence just by a small bit though

She actually made you a handmade gift. Maybe she learned how to sew to make a shirt, or maybe she knit you a scarf, whatever you prefer, she specifically made it for you. The reasons why she chose to do this were 1:she didn't have enough money to buy you what she thought was a good enough gift, and 2: she wanted to show you how much you truly meant to her, she learned a new skill just for you.

She's just smiling the entire day, when you're eating the cake, when you open her gift and when you hug her telling her how much you loved it (she almost passed out from how much she blushed there)

"H-happy birthday y/n, i-I actually made you this, I hope you like it......oh y-you do? Thanks so much, i-i just wanted to do this, it's your special day after all"

Quanxi (and her harem)

They actually decided to throw you a surprise party with only the six of you, like himeno they tried to act like it wasn't a special day, quanxi was definitely the most successful at that as she doesn't show that much emotion in the first place, her girlfriends however had some issues....you saw them giggling to themselves and getting all nervous when your birthday was brought up

Quanxi took you out on a date while the fiends decorated your place and prepared the cake. When you got back, they all hid and jumped out, yelling surprise and laughing.

They each brought you a gift that they knew you'd like. Some of them brought it, and others handmade it. It's really sweet because they'll take turns giving you the gifts and making speeches about how much they love you while the other girls hype her up

They also each take turns kissing you and hugging you all resulting in a giant puddle of affection that make you feel so so loved and warm

"HAPPY BIRTHDAY!/HALLOWEEN!"

"I think I can speak for all of us when I say that the day you entered our lives was amazing, you made all of us feel even more loved than we already were, we cannot thank you enough, happy birthday y/n"

Asa mitaka

She was both excited and nervous for this day, excited because she got an opportunity to do something to show how much you truly changed her life and you meant to her but nervous because what would happen to your relationship if she did something you wouldn't like? Would you break up with her? These thoughts plague her mind often, but especially on occasions like this

In a surprising twist, it was actually yoru who helped her gain confidence, mentally slapping her (like actually slapping her in her mind) and telling her to stop whining because you'll definitely like what she did for you, it was pretty surprising for asa seeing the war devil actually being nice to her, but she thanked her and calmed down

She brought you a cake and something you told her you wanted but didn't have enough money to buy, she saved enough to buy it from doing part time jobs and other stuff only for you.

She also made a speech that she wrote down and studied the night before like it was a test. In that speech, she told you everything she ever wanted to tell you, how much she loves you, how just being near you makes her feel so much better, how you make all of the struggles in her life easier just by being there near her and how much she wants to spend the rest of her life with you.

"S-so did you like it? The party, the speech, everything,.....I just want to say....thank you, you make my life worth living, i-i truly love you"

Yoru

She doesn't fully understand the concept of birthdays. Why would a human want to celebrate the fact that they're one year closer to death? But this time she made an effort for you

She did threaten basically everyone who she needed something from, the bakery to get your cake and the store to get your gift, they should be thankful it was her partner's birthday and so she felt merciful and didn't kill anyone, she also forced asa to decorate her house but the girl doesn't mind that much since you're her friend

Other than the gift she stole brought for you, she also made you something herself, a shield shaped badge she made by turning a small thing into a shield with her powers, she told you to always wear it as it signified that she would always protect you

(I can't remember if she can actually make shield, I still consider them weapon so I feel like she could)

Even if she'd never admit it, seeing you happy over she did made her (asa's?) Heart flutter, she thought she only loved destruction and bloodshed before she met you but she found out she was wrong...she loved you too

"Hm? You like it? Oh thanks but it's nothing, I can literally make one whenever I want, oh... You're talking about the party, well you're welcome, I don't understand human customs but it's the least I could do for you, thanks I love you"

Fami

The moment she found out when your birthday was, she made a lot of reservations to every restaurant you like. You're getting a day full of eating, and you don't get a choice in it

You're having a literal feast for every meal of the day, whether it be at fancy restaurants or fast food or just something fami tried to make or ordered from take out places, all of it are all of your favorite foods that she shares with you, she had to stop herself multiple times from just devouring everything but seeing you enjoy the food was enough to make her happy

All of it culminated when she brought you home and gave you your cake. It was actually something she made, and it was pretty good. She wanted to make something special for you with her bare hands to show you her care. Even if she's not the best cook, the cake still tastes amazing to you cause you can taste all the love in it

This was probably the day you saw her smile the most. Just seeing you eating and looking at her, you looked so precious and amazing. She wants to see you like that more, the look of gratitude and love you give her feel more delicious than any food could ever be

" So what was the best food you ate today? Uh? My cake? It's really nothing special it was actually the first time I ever cooked something.....thank you. I'm glad you liked it, I love you Happy birthday"

[arthursfuckinghat]

Thinking about Arthur's visions. How Arthur saw the stag, and saw it many times. It appeared in his dreams, in his thoughts, and even before his very eyes.

He saw it, undeniably, and it saw him too.

But he never told anyone about the stag, he never wrote about it, and never spoke to it. He didn't need to.

Something that couldn't be put into words was said in those silent exchanges, something we'll just never know.

[volvosandvampires]

Deliciously in dungeon, that is 👀

But also, the way that Dunmeshi progressively descends full on into horror and disturbing content is such a mood.

[fumifooms]

Dungeon lord Chilchuck

What would his wish as a dungeon lord be? What would he be like? Headcanons & speculation post for fun. But I’ll start with analytic lead up because that’s always fun for me, though feel free to skip and skim.

When it comes to what Chilchuck’s dungeon lord desires could/would be like we have mainly 3 hints: His nightmare, his succubus and what the winged lion says to him.

Why: — From what we see nightmares are based on the person’s worst fears and insecurities, both Laios’ and Marcille’s nightmare were closely tied to their dungeon lord wishes (Laios’ dream monster being summoned to crush the ghosts of relationships that represented the pressure to fit in and belong, Marcille seeking control over death and aging through magic to avoid loss), the fuel behind their desire/goal if you will. Fear and deep-seated desires are seemingly closely tied, something also supported by Thistle and Mithrun’s reigns as dungeon lords (Thistle proving his worth through fulfilling his given duty + protecting his loved ones, being listened to instead of having to listen, Mithrun escaping rigid two-faced elven society and living in a wonderland where he has no enemies and he’s loved, free from everyone he knew yet propped up by the person symbolizing his brother being chosen over him, the bastard child).

— I’ve talked about the significance I assign to the succubi often by now, but rundown: What we see of each character is all very telling if you care to listen, it shows not only someone’s "ideal form" but what they want from it. Izutsumi’s is familial, offering a hug and comfort, Marcille’s is romantic with a character she knows and loves, offering a kiss on a hand and a connection regardless of how distant it actually is, and Laios’ is platonic, arguable at first but then Laios’ fear of judgement is placated and he is offered the picture perfect friend group that accepts his interest (if you want my full look at Laios’ succubus go here). They take on the most alluring form, most ideal person of their victim, even uncovering deep subconscious desires, so precisely and effectively to the point it leaves victims physically frozen before the object of their desire. Succubi and the demon are themselves tied in lore and it’s easy to see how similar their core skill are. Succubi don’t give a good idea of what a character would wish for on their own but they certainly give hints on what they crave, regardless of how you want to read it.

— Last bit is self-explanatory. To placate Chilchuck and win his compliance over, the monster that reads your soul like an open book offers to give him something specific. But! It’s also important to remember that the lion isn’t offering to fulfill Chilchuck’s dream world wish here, it’s a second prize, because his goal with what he promised Laios is that they’d stay in this world, away from everyone and everything else. Chilchuck wants to get away but is kept back, and it’s here the lion placates him with "hey it’s okay! You can’t do that but I can still give you this! This is enough right? It’ll make everything easier on you".

What each bit says: — Long version in another post. Tldlr: His daughters and family are obviously important to him, and this reinforces that he takes on the role of protector a lot, he’s constantly worried for his party members’ lives and implicitly his family’s. Safety and stability, both economical and otherwise, are his core values and goals, and he berates both others and himself if someone fails on those fronts. Here, there’s the fear of not being enough, of not having been able to protect, and of course of loss.

— Chil’s succubi are obviously sexual, and not only that but agressively and straightforwardly so. It’s not like Marcille’s where there’s personality involved, all they do is give him sultry looks and pretty smiles before jumping on him. His succubi aren’t like Izutsumi’s, always the same exact person and appearance, so it’s not someone but an appealing general idea. The idea of a sexual being he can regard as simply a gorgeous piece of meat and a good time no strings attached. In my interpretation, especially with my reading of Laios’ succubus where even with deep-seated desires negative emotions can be too intense to effectively freeze a victim, I think this doesn’t contradict his character. Relationships have been painful to him in the past, in the succubus scene when his wife gets mentioned his immediate reaction is to yell "Don’t bring her up now!", like with his habit of drinking and as a tallman liking his senses feeling dulled, it’s about not having to feel emotions with how difficult they are to deal with sometimes and just feeling good, or at least not having to think, for a while. If a succubus showcases someone’s ideal connection with an ideal person, then Chilchuck’s is with a pretty person that doesn’t stir any negative memory or drama, someone low stakes and low maintenance that doesn’t require him to manage or talk out feelings because there’s none involved in the first place.

— Once more, wife and family are important! He does long for his family, not only his wife but his daughters, and vice versa. This suggests not only that he wants good relationships with them but that he wants them to be with him, a family life. Far from the cut communication they all more of less have during canon, and perhaps far from their life pre-canon when he worked away from home a significant amount of time. We’ve seen recreations of people by the winged lion before with doppelgangers and monsters (naga), and though he claims he can make satisfying imitations, what we’ve seen is that they base themselves on the best memories of that person, like with Marcille’s dad, or twist behavior to be more pleasant, like Mithrun’s lover (and possibly twist appearances depending on the person’s view of them, but that’s Mithrun analysis). The line does suggest Chilchuck would want his family members as they are in reality and not idealized versions, but the circumstances are chaotic and urgent enough in the scene (and again the lion isn’t fulfilling Chilchuck’s wish but trying to make him content for Laios’) that it could just be the winged lion saying what he needs to to convince him the fastest possible, and like we see with Laios that can crumble to give way to deeper or more complex desires.

On top of that we just have general info on Chil. How does Chilchuck deal w his issues? What does he like to do? He likes alcohol and ignoring his problems. We have to remember there is a split between what someone would consciously wish for and what their soul uncontrollably irrationally craves. As always with Dunmeshi, there’s a narrative of irrational deep-seated desires vs active wants, what you crave vs what you strive for, what you dream of vs what’s actually good for you, the animal vs the human inside you, heart vs mind. Chilchuck craving a harem of hot babes in his fantasies but wanting his family life & wife back again is not mutually exclusive. You may crave becoming a monster and tasting what humans are like a little but still want to save the world & your friends more.

Btw can we adress the irony of him terrified of being the last one alive, of being left by his daughters and wife, of having left and coming back home one day to see everything gone or rampaged, yet not caring about dying of liver failure himself, knowing every time that he enters a dungeon there’s a real risk he may not come out. Die somewhere I can’t see you. I prefer leaving you than being left behind. He’s selfish and shortsighted like that… Chilchuck is selfless in many ways of course, but perhaps also due to his own relationship with his parents, he often undermines the effects he has on others in his relationships, both the good and the bad (he talks himself down about being cowardly and greedy yes, but never hints at his bad health habits, alcoholism and starving himself, may have affected his loved ones, doesn’t question his wife falling into a bad mood the night before she left, and talks about the possibility of dying here and there very casually, though obviously he tries his best to stay alive when it doesn’t concern his health).

Chilchuck king of "Let me just avoid and ignore my problems surely they’ll go away, things might work out and if they don’t well tough luck I’ll survive and I probably deserve it anyways". If I don’t look at it it will dissapear <3 Why care when you can simply not think about it.

You might not understand Mister "my love will stay strong through months of work travel and also 4 years of separation" and Mister "well idk my siblings and me are kinda strangers and my dad is dead but that’s kinda whatever", but typically relationships need some form of maintenance and emotional availability…

The actual headcanons finally

I kinda have 2 routes in mind for dunlord Chil and both of them are centered on "I care too much, i wish things were easy", so first is a lot like his succubi, it’s full on indulging in his guilty pleasures like alcohol and bodies and it’s to keep him in a constant state of thrill and euphoria and distracted, unfeeling about stuff that really matters. "Nothing matters except that I’m enjoying the moment!" vibe. He gets to live a life worthy of Dionysus, with alcohol and women and debauchery and like— never having to think again, never having to feel anything but pleasure again, never have to feel guilty or shitty or angry or sad. He has a harem and gets everything on a silver platter.

Breaking news demon magic-induced rush of euphoria and power still not enough to cure this man of his self-hatred nor his capacity for thought!! But in his case a state of euphoria is what he seeks I think, to kinda mask or replace the Everything Else.

The other is what I think closer to what canon suggests, with what WL implied too with "I’ll make you a new wife and kids like the originals!! 😊", it’s a (spoilers) Wandavision type thing where it’s a slice of life where he’s never at work and always at home and the family eats lunches at the dinner table together and everything and everyone at any moment is just. Happy. No issues. It was all a dream, this is real and everything is fine and your family is perfect and happy. I like to think the timeline would be wonky, his daughters would fluctuate in age, but he’d want to be there for what he missed, would want them to still rely on him and look up to him like when they were young, would like to forget that they’re now independent adults and the distance that grew between Chilchuck and his siblings is happening between them as well. Chil would want doppelgangers of his family imo, at its core just a general wish for a peaceful happy family life with no drama, no need to compromise, a little paradise of unconditional love and no consequences. It’s for sure straightforward, but Chilchuck is a man with straightforward desires…

But see Chilchuck is a greedy man, and he wants it both ways without having to sacrifice anything or expanding any efforts himself. He wants to have his cake and eat it too. I think playing with these two opposite directions and mixing and matching is most fun. Him leading a life where he indulges in all his worst habits while still having everything he wants… Him getting to have BOTH his wife and any woman he can imagine up, his life like two sides of a coin he can flip at any moment where he’s partying then he’s at home enjoying the quiet and his toddler daughters playing with toys on the carpet. Christ when you remember it’s all an illusion that’s terrifying, the doppelgangers and succubi from the winged lion playing chilchuck ping pong.

A safe little haven both security-stability wise and emotionally. Gets to have both the relaxing and the thrilling in any dose he wants, mixed or separatedly. What I’d argue he had pre-canon too: Can live it up in taverns away from home, stays away from home for long periods of time, and can come back to home aka the symbol of relaxation and safety whenever he decides to. Something he can leave and come back to at will, an anchor he can trust in (until it’s taken from him and his wife leaves. Or in his worse nightmare people rush in and kill his daughters). The ideal of a house and family to a working man, perhaps…

I think it’s fun to think on wether or not these desires would be interesting at all to the winged lion… In canon he seeks out "rare/complex desires", common simple things like I imagine riches, sex, substances and pleasure would be are boring to him, he’s eaten those so many times already. So perhaps he wouldn’t last long as a dunlord, the WL would want to eat him fully quick, can’t keep him interested or waiting long for a meager meal, too much effort raising the cattle and too low quality meat. By making it more twisted or layered Chil’s desire would become more desirable to the demon, it’s part of what’s fun with the third option to me. But whatever. Has he ever eaten a guy with this much repression and self-sabotage... Like trying to get the meat out of a walnut, enrichment…

Other dunlord Chil takes I’ve seen that are fun and good:

@feelo-fick and @pluvio-floret have a dunlord Chilchuck AU project dubbed "tragedy AU" where Chilchuck is said to be "on vacation", in a weird delirious state, only half-there half of the time… From which he doesn’t want to wake up </3 Quoting Feelo, this is why the vacation thing is only a half-joke cause he is 1) letting all his responsibilities go 2) indulging in himself and 3) "spending time with his family" <- lie but you get what i mean. Additional comments that have me vigorously nodding: because changing is hard why cant things just be okay right now without the effort !!! Life is hard he’s so so tired he just wants to feel good… he just wants life to feel nice and easy for a sec while he can learn to breathe again and lose the stress and trauma he’s accumulated…….. spoiler alert yes !!! in fact a depressed person can suck themselves into their job and lock out the world who wouldve thought !!!

And then Cabinette I know posted about his dunlord take once but I don’t have the link, in which Chil has a lot of nosebleeds because of mana overload which is fun and interesting to think about imo~

In dunmeshi, where characters get underground pockets of the world as their playground disconnected from everything outside and the rest of the world, it’s important to remember to face reality even if it has conflict and people with different views and stances from you, it’s something Chilchuck and Marcille and everyone needed to learn, and the thing with a dungeon lord AU is that you imagine a timeline where he fails to <3

A timeline where his dungeon lord wish is to desire nothing bc hope and want has only ever hurt him would also go so hard. Very universal thing though I suppose.

… And this is why a Chilchuck-centric Coraline AU is really really interesting and fitting and topical— Ok that’ll go in a separate reblog/post at @Fumiku I need to let this end

[luck-of-the-drawings]

POOR GABRIEL MONTEZ! YOU NEVER SAW THIS COMING DID YOU? ALL YOU WANTED WAS POWER. SECURITY. SAFETY. & THATS EXACTLY WHAT YOU GOT! JUST IN EXCHANGE FOR YOUR BODY. LETS JUST HOPE NO ONE FUCKS THIS UP. LETS JUST HOPE YOU WONT HAVE TO CLEAN UP THE MESS.

[gladsimagination]

Susan

[radioroxx]

What do you think Odile does for a living? She feels teacher like to me. What do you think she would do post canon?

HMMMM THIS IS GOOD QUESTION…

ive seen a lot of people hc her as a teacher / professor so i!! think that suits her pretty well. specifically as someone who studies + specializes in different types of craft (that would be why shes so proficient in multiple craft spells. also how she was able to figure out the loops stuff, AND to find something that could prevent siffrin from looping back).

post canon i am not sure… i am always torn between how the party would handle things post canon. obviously they would keep travelling for a bit, odile alongside her family without the stress of. constant sadness encounters + a king to kill lol. i think maybe she would get to take her time, reeaally get to know vauguardian culture when not within. a crisis. as was her original intention.

eventually. EVENTUALLY. when the family settles down somewhere (i am a “they all get a big house together” believer lol) she would get back into craft stuff. maybe go back into teaching too—surely people would be eager to hire a saviour. especially though i think it would be neat of her to try looking into wish craft etc, as a long forgotten form of craft. to satisfy her own curiosity, for siffrins sake, or just as a way of preserving the countries culture in whatever ways possible.

[dw-flagler]

In this post, I will attempt to calmly, reasonably, and in-a-good-faith-manner argue all the points raised by tumblr user @library-bat-girl in the following posts. I am starting a new thread so as not to further destroy the original poster, @skitterenjoyer's, tumblr notifications. Worm (+MHA) spoilers ahead. This will be a long post.

Firstly, I would like to apologize on the worm fandom's behalf. We will not engage in ableism of any kind. I sincerely hope that this was a singular incident and @skittersdrippygirlcock will be better about this in the future.

"MHA has better characters,"

My Hero Academia's primary achievement, I think, is managing to make many decently well rounded characters in a fairly short time-span. It certainly has very good visual character design, with easily memorable character designs, like Mina Ashido or Tsuyu Asui. Most of Class 1A is shown to be more than single-note gimmick characters. For a story with such a tight schedule, and only so much page real-estate, that's impressive! For instance, a character decidedly outside of the main cast, Fumikage Tokoyami, is shown to have more to his personality than "is an edgelord," showing a humility and friendliness that is highly against-type. This is very different than a lot of its peers, especially in Shonen manga, where side characters (and sometimes even main characters) are never more than their tropes (see Fairy Tale, One Punch Man*, The Seven Deadly Sins, or Black Clover). My Hero Academia does clear that bar, by making side characters little more than their tropes. This is to say nothing of the primary cast, who, again, is largely defined by tropes and easily slotted into standardized interchangeable Shonen roles. Rival, Love Interest, Rival but Nice About It. Additionally, MHA has an uncomfortably sexualized main cast, for one composed primarily of minors.

This is compared to Worm, in which many characters are fully realized and could have been the protagonist (and often were in older drafts of the story, due to Worm's 10-year development hell). Every character that gets an interlude, and most that don't, all have fully realized interiority, traumas, and wants. In fact, this is one of the major themes of Worm. Every character, from the protagonist Taylor, to characters so minor they're seen only once (see Damsel of Distress, Dauntless), to major antagonists and monsters (see Jack Slash, Bonesaw) all have their own story, even if this is never shown on-screen. There are no "side characters" in the same manner as in My Hero Academia, because every character is a protagonist of their own story, and not in a trite "life is so beautiful" way.

Taylor isn't the center of the universe, there's an entire world outside of her 3-block bubble. The mechanism by which all characters get their superpowers means that the mere fact of having powers implies this about them. Even the seeming exceptions, aren't (see Alexandria, Garotte). Taylor is a good character. I don't even know how to elaborate on that. She just is. Worm does not have the character Minoru Mineta.

"a better plot,"

What... what is the plot of My Hero Academia? For the life of me, I can't seem to recall. I can tell you the general formula of most of the arcs for the first ~2/3rds of the story. Class 1A goes to do a hero high school thing, like do rescue training, or on-the-job training, or on-the-job-training, or on-the-job-training (they do it like 4 times for some reason), the League Of Villains shows up (even when it's seemingly not the league of villains it actually is the league of villains) they fight about it, the class beats all the villains, and Deku beats up strongest bad guy and also breaks his bones. Repeat step 1. But like. What's... the plot? The League of Villains is evil and wants to kill people and do bad stuff. They explicitly do not have greater motivations. There's generally themes of passing-on-to-the-new-generation, so there's Tomura Shigaraki as the arch nemesis to Izuku Midoriya, just as All Might's Nemesis is All For One. Eventually they fight a big fight about it and I stop reading because I find out about Worm. From what I understand (I have not read the conclusion) the series ends without addressing any long-running questions, wrapping up any character arcs, or concluding anything in a narratively satisfying manner. As if severely rushed.

Worm, there are maybe 15 main stories going on simultaneously, which are all tied into the final confrontation with Scion. The most obvious is Taylor's and the Undersiders' story, about taking over Brockton Bay and defeating Coil, which is a smaller part of Coil's story about taking over the bay, until their confrontation with him in arc 17, when it supersedes Coil's story, and then intersects with Cauldron's story, the Traveler's story, the Case 53s' stories, the Wards' story, all of it, in arcs 18-19. This is one example. A great deal of attention is spent making sure the reader knows that Taylor, the Undersiders, Coil, all of them, are bit players in a very large game. Despite this, it's never hard to follow, because Wildbow, while lacking some of the more flowery prose, manages extremely well at making his stories easy to understand.

"I feel like even people who like Worm can agree that Worm is not the most consistent piece of fiction ever written. The disjointed way it was written meant that emphasis was primarily put on 'What Wildbow thought was cool in the moment', [sic] and the story RADICALLY shifts gears every time a new arc starts."

What? Huh? Worm is extremely consistent. Like. 1.1 to E.x. It's, like. Not disjointed? Oh my god, are you talking about interludes? Is that what you mean? The interludes shift gears? Because that makes sense. It's one of the hardest things about worm, yeah. It's gripping! The interludes are a great idea to expand the world of worm, but the problem is that taylor's story is so intriguing that stepping away from it to focus on something else is hard, no matter how individually interesting. I want to read about taylor's escalation spiral, not the travelers! (As opposed to My Hero Academia having random escalation and de-escalation between arcs with no real explanation. We're reading about lives-on-the-line battles with child-slavers and then move to playing on a playground with little kids? Best I can think of is that this whiplash is intentional, but this is never communicated to the reader. Worm does not do this. Any de-escalation is met with the explicit understanding that this is merely a period of calm before things get even worse). Taylor's story wraps up in an extremely narratively satisfying fashion, following her story to its logical conclusion. There were so many ways it could have been avoided, but there was really only one way that it could have ended.

"better worldbuilding,"

This actually offends me. MHA could have had great world-building. It doesn't. Every potentially interesting bit of world-building is backpedaled out of or stopped before it could get anywhere. Or it's just never elaborated or expanded upon. Everyone having a superpower could have been cool, but the implications of this are nonexistent. The reasons for this having no real implications, that being the banning of quirks, also has implications that are also immediately backpedaled out of. It's been hundreds of years since our time, yet life is exactly the same. Nothing ever happens. Endeavor is a cool concept. I like Endeavor. his existence implies such interesting things about the world, how important hero ranking is to these people's lives, that he would create this horrific system of domestic abuse to try and get to the #1 spot. What does this say about this system of heroes that operates like a popularity contest? It could have said a lot. It says nothing. What does the League of Villains, a league of people who call themselves out-and-out villains, who base their ideology in opposing this system of heroes, say about society? Nothing. On purpose. Worm does something with this. One Punch Man does something with this. My Hero Academia puts it in the story, and lets it sit, unused, for a decade.

Worm has... unique world-building. Because it's both good and bad at the same time. Worm's #1 feature is its world. It's brilliant, full stop. Triggers, The Birdcage, the PRT, Exclusion Zones! Why does the status quo exist? what does it say about that society? What does it say about our society? Why hasn't society radically changed from how it is in our world? This is explained. This plays into the themes. The story wants to say something about this world, and so it does. There are characters whose stories explicitly delve into these themes that are set up in the worldbuilding, like Armsmaster, or Battery, or Bonesaw, or Coil, or Piggot or Alexandria or Taylor herself or Brian or Lisa or ANY OF THEM THEY ALL DO THIS. Sorry.

Anyway, the bad part is that the actual world is not well built (and is kind of racist). What's going on in Europe? There's a 3 blasphemies! a 3 what? never explained. What's going on in Asia, aside from Japan? China is a monarchy for some reason. Why? It's never elaborated on. India gets a little bit of elaboration, we're told its different but not how it's different. Wildbow uses machine translation wrong and names some guy caliph of dogs. This is like worm's #2 problem honestly (#1 is Amy). Wildbow tries to make the implication of a well thought out globe without actually making a well thought out globe.

"stronger themes,"

It really doesn't. As I said in the worldbuilding section, MHA makes a point out of not saying or doing anything. I don't know if editors made Horikoshi walk back the more ambitious story beats or what, but there are multiple points in the story where the author pretty much looks you directly in the eye and goes "This Story Isn't Saying Anything At All Even Though It Looked Like It Would. Lmao."

Worm has lots of themes. I think Armsmaster/Defiant's story is my favorite. His entire character arc (which is fully realized despite him being a background character for nearly the entire story) has a point to it. It says something. It's misanthropic and uplifting simultaneously, and manages to feel like it earns both. It's a shared theme with Bonesaw/Riley's story, explored in two different ways.

"Meanwhile MHA establishes an actual overall theme/message right from the start that expands and develops throughout the story. The worldbuilding is informed by the message, which informs the characters arcs and the people they become by the end of the story."

I notice that you never actually say what that message is. What is it? Like, for real. I'm not being confrontational or anything, like what is the message? Cuz' I can't think of one. My Hero Academia, at its very core, is a defense of the status quo. Much like its world-building, but much less forgivable, because it does do something new and unique with its world-building. MHA could have done some extremely interesting stuff with its early implicit critique of heroic society as shown with characters like Bakugo, or Shigaraki, or Endeavor, or Overhaul, or Midoriya himself! It just doesn't! It doesn't do stuff that Worm does do!

Worm does have a message. It has a lot of messages, actually, some that the author disagrees with somehow. Prison abolition, for one. We know Wildbow loves prison. Anyway, the big one is in the subtitle: doing the wrong things for the right reasons. Taylor's constant spiral of escalation, her dwindling attachments to her friends and greater focus on treating herself like a soldier is prevalent, and it is to be avoided. Taylor isn't a sin-eater. They don't exist. From what I remember, this is sort of explored in Deku's character arc for a short period of time, but much like everything else in MHA, it is backpedaled out of.

The funniest is "don't text and drive" though.

"Just on a basic level the way that the audience is meant to feel about Taylor oscillates wildly between being directed to think of her as a misunderstood victim of circumstance, or history's greatest monster."

That's kind of the point. Like. the audience isn't meant to look at Taylor the same way throughout the entire story. It's meant to change as she changes. Taylor's opinion of Taylor changes. The mistake here is saying it "oscillates wildly." it doesn't. It's a slow and steady change for the worse, as Taylor gets more violent and starts throwing away greater and greater parts of herself to become more like a robot and less like a person.

"But a bigger issue in general is tone. It's very focused on being dark and gritty and edgy, and it makes the mistake a lot of consciously edgy media does. IE: it thinks that all it has to do to be smart is be bleak and/or graphic. It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is."

Did you read the boys and think it was worm? What? It's not being smart when it's bleak or graphic? I actually personally like the endbringers or the slaughterhouse 9, and not because I like watching people suffer. These things exist for a reason. It's not being dark for the sake of being dark. The heroes could stop the slaughterhouse 9. We see that, when they almost stop the slaughterhouse 9 (it's explicitly shown that they are stopped from destroying the slaughterhouse 9). The question then becomes why don't they? It's a grim, brutal calculus, and one that wasn't worth it. That's the point. The Endbringers are different. It's not until arc 27 that they're really explained. You could either read them as a criticism of Eidolon or of ableism, honestly. I mean, it wasn't intentional, he didn't create them on purpose, he needed something to fight, because without that he's nothing. His powers are all he has.

"Worm spends so much time trying to be edgy that as with a lot of edgy media the edginess loses all impact quite quickly and becomes sort of cringe."

I don't really think so, but like. Okay. I don't think this is a reconcilable viewpoint (none of this is really but this especially), so like we're probably gonna have to agree to disagree. The only thing I can really think of as edgy for the sake of edginess is Amy's arc. But even that's not really true. It's meant to be an utterly avoidable tragedy that could never have been stopped because of the people involved. Much like Taylor, actually. Amy could have stepped back from the brink, but she didn't, because Amy could never have done that, and nobody else was willing/able to help. It's supposed to be a thing where you sit back and think of all the tiny ways this could have easily been avoided, but wasn't.

"When body horror happens it still has impact because it's not happening constantly."

I mean, I guess. But like. I never got desensitized to the body horror in Worm. It hit pretty consistently for me throughout. As opposed to MHA, where it was usually walked back by the end of every arc. I never felt much tension or suspense because it felt as if there weren't actual consequences. In Worm, when Brian was strung up on his nerves, it felt disgusting because I was fully aware Worm would explore the ripple effects of this. It felt entirely possible he would die there, or never recover, because Worm didn't pull its punches. MHA did. This is a matter of opinion. We'll just have to agree to disagree about it.

"But most importantly - you root for the heroes because the world actually seems like it's worth saving."

that's just, um. sorry. I'm really trying here. That's just. Uh. Dumb. Do you root for Batman cause Gotham is a nice city? Everything's worth saving, that's, like, at its most basic what the concept of a superhero is about.

"Not only that but MHA simply does villain protagonists objectively better than Worm."

um. No? There straight up aren't villain protagonists in MHA. The villains are the POV characters for, like, one arc? You know what, here's a good spot for it. It's stated throughout the story that Shigaraki and the League of Villains have a goal, beyond just death and destruction. They're here to stop the corrupt society of heroes (that MHA hints at the existence of before backpedaling away from), and bring about a fairer society. But then, and this part pissed me off, one of the characters, I think Bakugo, says: "you're just using that as cover! you just want to kill people, you have no noble goal!" and shigaraki's like "dang you caught me." and then it happens again with Deku! Because My Hero Academia is allergic to saying something. Nope! They're villains! No moral depth here! They're Villains, We're Heroes, Go Put Them In Jail.

This is opposed to Worm, where- "The characters of the villains and their origins are used to highlight the flaws in the Superhuman society"

"Most of the villains are only villains because society failed them in some way, and the specific ways in which that happened become big plot points that then play into the future arc of our heroic characters."

I had to walk away from my computer for this one. It's hard to be civil. It's really hard. Polite and reasonable.

So Worm is about this. To even say this without a shred of irony makes me thing you've never once read a single word of Worm and are doing this purely as bait. Or you've read all of Worm and are doing this purely as bait.

"They're actually extremely complex in a way that ends up being fundamentally important to the overall story - where in Worm the villains are either based heroes fighting a corrupt system or they're histories [sic] greatest monsters... until they're presented as heroes again."

I think I get it now. I really think I do. You're not supposed to agree with all the characters. Like. Worm is inconsistent, in that it follows the perspectives of inconsistent people. Of course Triumph and Armsmaster don't agree on what is right! They're different people, they have different perspectives!

"See. Worm fans keep saying "This is Bait." It's not Bait, you all are simply ridiculous and obsessed with this series to such a degree that you feel compelled to say "This is Bait" instead of just... ignoring it, because you have no actual counterargument."

Perhaps worm fans are inclined to believe you posted rage bait because you brazenly walked into another fandom's post and wholeheartedly proclaimed that the thing they liked was Stupid Idiot Bullshit For Fucking Morons, and refused to elaborate until prompted, at which point you said several things that are demonstrably false about Worm.

"Your only response to anything I've said is pedantry, bigotry, and deflection. If it was obviously just bait why are you engaging?"

Well, I'm engaging because I've been in a foul mood since I woke up this morning. Also because you, again, said some very rude and patently false statements about a story that I really enjoy and find narratively rich, even in its faults.

"MHA's characters do fall into archetypal shounen character roles - but they are all given a solid amount of focus explaining why they are like that and developing them into something bigger."

Again, as I said, it's a genuinely impressive feat to have an ensemble cast like what My Hero Academia has, and give so many of the characters a degree of depth, with such little manga to work with. I think worm does it better, but worm doesn't have to be economical about it. MHA does. The problem I have with this statement is that it becomes a question of scale. How much bigger? They're no longer defined by their tropes, instead defined by their opposition to their tropes. It's still a one-note character, you've merely changed the note from C to C sharp.

"so almost every member of the cast has an arc that either develops them past the person they initially seemed to be or explains why they're like that."

This is probably my favorite part about MHA. They do have arcs! I love ensemble casts! it does a much better job in this than all of its contemporaries, even One Piece. However, they are comparatively simplistic arcs that all follow a similar formula.

"I've heard people say MHA is neocon or pro-establishment but the story literally concludes by showing that society HAS TO FUNDAMENTALLY CHANGE or the same problems that created the villains in the first place will keep happening. The entire time skip specifically focuses on the fact that for eight years the main characters have been forcing change in the world and addressing the issues the villains brought up."

Now, I'm going to be clear. I stopped reading My Hero Academia around chapter 275. I don't know the exact number, but it was the latest chapter in ~mid 2020. I would occasionally attempt to reread, in an attempt to catch up, but give up around chapter 200 out of boredom. I don't know exactly how the story ends, but I have read ~2/3rds of the story. I feel this gives me a pretty good understanding of the general tone of the story, unless it wildly changes tone at the 3/4ths mark, which you have explicitly said it does not, as it is extremely coherent and consistent. Therefore, I believe I can state with some degree of confidence that MHA does not do that.

I would certainly believe that it tries (and fails) to SFP it, but SFP does not promote a fundamental societal change. That's the problem. Strong Female Protagonist was willing to come up and say that Alison lived in a fundamentally unjust world, even if it was never willing or able to offer real change. And hey. You do what you can. I sincerely doubt My Hero Academia is even willing to call its world fundamentally unjust, from the 200+ chapters that I did read.

"In the case of the actual main characters, they have extremely comprehensive character arcs."

Adding this behind the last point just so that I don't have to reiterate I haven't finished the book. I am, however, very much not inclined to believe the actual main characters had extremely comprehensive character arcs.

Which plays back into the initial theory that ANYONE CAN BE A HERO.

man, spider-man did that better (not a real argument, but like, spider-man totally did that better). Not least because midoriya specifically could not become a hero were it not for all might giving him a power.

No, the Villains don't get happy endings,

Why not? Why do they go to jail, even the ones who changed and wanted to redeem themselves? Endeavor never goes to jail. He did some horrible stuff. He's redeemed himself in the eyes of the story, right? Anyone can be a hero, right? So why not them? Why haven't they redeemed themselves in the eyes of the story?

You may wish to turn this back on me and ask why doesn't Armsmaster go to prison? Because he's similar in some respects. But worm never calls prison justice. (for some reason, even though wildbow totally loves prison). Prison is punitive, a tool for those in charge to control those it manages to capture. Maybe some deserve life in the birdcage. Many don't. It doesn't matter. Because the birdcage isn't a tool of justice. It's not meant to be. it's a box to put the uncontrollable capes in, until they can be used as meat shields. So Armsmaster doesn't go to prison because the story says explicitly there is no point to it. But MHA? MHA says there is a point to it. Endeavor needs to go to prison if he wants to atone. He's escaping justice every second he's outside.

I have actually read Worm, and for the first half to two thirds I loved it.

Weird. That's exactly how long I really enjoyed MHA. Not, like relevant, to anything. Just odd. I mean, I don't actually dislike MHA. I think it's fine, actually. It feels like Indiana Jones and the Last Crusade to me. Funny (when Mineta isn't around), bombastic, and a good time, even if I don't think it's super thematically rich.

I'm not coming at this from the perspective of someone who has never seen any of the merits of Worm, I'm coming at it from the perspective of someone who really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right.

See, this makes me more inclined to think it's bait, actually. since you said "Oh yeah. MHA is published. MHA's been an ongoing publication with a large following for ten years, in a notoriously competitive industry. Now this might seem kind of unimpressive, it's a very low bar to clear I know. But it's one Worm hasn't, so. I dunno, I'd say that's fairly objective. Now you may think "Yeah, but Trash fiction gets published all the time." And that's true but again - Worm hasn't. The worst piece of fiction you can think of got published and Worm didn't. You wanna be an asshole about this? The thing you love is so mid that it was self published in 2013, couldn't get picked up for professional publishing until 2019 and as far as I can see has stayed in development hell since then." in your previous post. Sure, perhaps we can say you were pissed at the time, but "the thing you love is worse than trash fiction, an altogether nothing piece of literature that isn't even worth the paper it would hypothetically be printed on" does not strike me as the words of someone who "really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right." In fact, going back through your other statements on the story, you seem to have genuinely disliked it from the very beginning, on grounds of being too edgy (which I can fully understand the logic of): "IE: it thinks that all it has to do to be smart is be bleak and/or graphic," thematically incoherent: "It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is," and utterly devoid of purpose or meaning. "When it does introduce new lore that new lore is almost always overly convoluted and acts as a catalyst for things happening, but not really things happening that play into a wider theme or message. It's just "Oh and here's this team of god-level serial killers who are gonna string a dude up by his nervous system." Like yeah, cool visual, but what is any of this actually saying?" This does not sound like a ringing endorsement of the first half of Worm to me. In fact, this sounds like you hated every second of it.

"And frankly given the number of comments that are just people saying "Bait" - I don't think any of y'all have engaged with this in a fair or honest way"

I'm going to reiterate on my previous statement. I like my hero academia. Capeshit is my favorite genre, it probably always will be. They're my favorite genre of story. While I find the themes—or lack thereof—extremely frustrating, I still think of it as fun. I gave it a fair shake. I would probably really enjoy the ending if I didn't have a reading list that was 300 books long.

[gardenofskeletonss]

Average day for them + more under cut

[larabar]

when sonic willingly is corrupted by the cyber energy its all blue because thats still him hes doing this for his friends and he will make sure theyre ok even if it means going all out. because he loves them

[meraus]

Step 1) meet a guy who likes you

Step 2) be driven insane by him

Step 3) kill him to become him

Step 4) forever share an intertwining psyche with the guy who likes you, therefore liking yourself

Guide to self love formed by observingJung-woo, king of being the mental healthiest

[beeshoesometimesdraws]

You know, I think one of the biggest reasons I love The Last Guardian so much is how tragic and bittersweet the story is.

The boy has journeyed for who knows how many days with Trico, and at the very start he even says that, even though he probably should, he has no fear of Trico—the very creature his people know only as a man eating beast. Even when Trico gives him good reason to fear it, he does not and sticks by the beast’s side.

The two stick together nearly the whole time, the bond that Trico develops and shares with the boy creating a mutual understanding of their shared goal as they help each other progress through the ruins. Trico could have tried to leave the boy behind at any time, perhaps even found his own way forward without help—though it’s apparent Trico needs the boy as much as the boy needs it—but it doesn’t. Instead, Trico follows the boy every step he takes, going as far as to mimic his movements and call out sadly to the boy whenever it is left behind, and several times Trico puts its own life on the line to save the boy.

Trico charges forward to save the boy from the suits of armor, even though they slash at it with swords and stick it with spears. Trico fights others of its kind—even when it’s vastly outnumbered—to save the boy. Trico even overcame its terrible fear of the eyes in order to save the boy and pushed back against the force trying to control it. All for the boy.

I don’t think it was just about them having a mutual goal and needing each other to get out though that was a big part of it, at least not in the end. Trico and the boy share a bond, it’s clear to see no matter if you’ve played the game yourself or have watched gameplays. Trico loves the boy and the boy loves Trico. They’ve gone so far together, faced so many setbacks and fought so many battles and both have played chicken with death several times all for the sake of the other. That kind of bond is something special, one that can last a lifetime and more.

Their bond and this story however is bittersweet.

At the end of the game, Trico takes the weakened boy back to his village, finally having healed his wings enough to fly. The roles have been reversed from the beginning—it is Trico taking care of the weakened boy just like how the boy took care of him at the start. The villagers surround Trico and stick it with spears but the beast refuses to leave because its loyalty and love to the boy are stronger than whatever fear it feels.

Trico refuses to leave until the boy tells it to. The boy who has no other choice than to send his companion, his friend, away because he knows there is no other way; the other villagers are afraid of Trico, the “man eating beast”, and would kill it if it stayed. So, the boy sends Trico away.

The way Trico pauses and stares at the boy as he commands it to leave in this scene, and then in the next how it stares at the boy for one long moment before taking flight and finally leaving hurts. Trico doesn’t want to leave but Trico wants to listen to the boy, and perhaps on some level Trico also understands that it cannot stay.

The game jumps to the present; The boy grows into a man and Trico has created its own life back within The Nest from which it and the boy escaped years before. The boy has never forgotten Trico, the whole game being a past experience narrated by the man, a story he fondly retells to the children of the village. They may be miles and miles apart, may never see each other ever again, but that bond still runs deep and with it the love they share. Man and beast, Trico and the boy.

The Last Guardian is my favorite game of all time for a reason, and it’s not just Trico itself or the beauty of the graphics and animation or the amazing ai behind the creature. The story of the game is so interesting and beautiful in such a bittersweet and tragic way that every time I think about it, it twists something in my gut, like a painful bout of nostalgia. I imagine it’s the kind of thing the boy must feel every time he thinks about Trico and the journey they made together.

[00915]

Middle of Nowhere (2008) dir. John Stockwell

[annimoose]

MALAM IS BATMAN REAL!!???